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Type: video

0 Montreal’s Valfreya Sound The Warcall In New Video “Warlords” Off “Promised Land”

  • February 9, 2021
  • by Asher
  • · Music News · Valfreya

NEWS RELEASE

Montreal, QC – February 9, 2021

For fans of Wintersun, Equilibrium, Ensiferum, Finntroll, Dimmu Borgir

Montreal’s Valfreya Sound The Warcall In New Video “Warlords” Off “Promised Land”

Back in 2017, Montreal, Quebec’s Valfreya released the critically acclaimed “Promised Land”, sending a rush of vicious folk metal around the world. Taking all the jolly melodies from the genre, but then making it faster and more aggressive, Valfreya has been weaving Norse mythology into a familiar, yet original tapestry since 2009.

Now, there is a new music video from the band, for the song “Warlords” off the 2017 release. The video channels all the energy that Valfreya brings to the stage, impactful growling, soaring clean vocals, imaginative solos, and of course, plenty of catchy verses to sing along to. The track “Warlords” is an excerpt from the tale that spans the entire concept album, the journey of Eric The Red. Valfreya goes into detail about the album:

“The album is a journey through a lot of emotions and situations, giving life to a host of varied songs, each with a different sound and personality. The story behind the album is about Eric The Red discovering America and how he defies the Gods, but pays a hefty price for that defiance. It’s a step-up in sound quality and has more intricate guitar parts and better-written music that with every listen you can discover parts you hadn’t noticed before. On top of that, we have an original sound and songs! We want to give more to people that enjoy good riffs!”

The world needs astonishing stories as an outlet for strong emotions now more than ever. In the shape of Montreal’s larger-than-life metal warriors Valfreya, it has them! And in their striking vocalist, it has its Valkyrie!

Valfreya is an orchestral folk metal that will entice listeners of Wintersun, Equilibrium, and Ensiferum.

Watch “Warlords” on YouTube: https://youtu.be/k-KFBRVD80A

“Promised Land” along with the rest of Valfreya’s discography is available on Spotify, Bandcamp, and all online major retailers.

The band is presently working on a new full-length, date of release to be determined.

For more info:
Valfreyaofficial.com
Facebook.com/Valfreya.Metal
Instagram.com/valfreya_band
Twitter.com/ValfreyaMetal

About:

The world needs heroes now more than ever. In the shape of Montreal’s larger-than-life metal warriors Valfreya, it has them! And in their striking vocalist Crook, they have their own Valkyrie!.

In 2009, vocalist Crook wanted to play something akin to folk metal, but even more aggressive and fast-paced. Combining Valhalla and the Norse goddess Freya, the band has been creating music and lyrics to revolve around stories inspired by Norse mythology.

Orchestral and death metal with a hint of folk music, the prolific Valfreya has unleashed three well-received EPs (‘First Chronicles’, ‘Acoustic Chronicles’, ‘Acoustic Chronicles Part II’), an impressive 2012 debut album entitled ‘Path To Eternity’ via Maple Metal Records and their self-released second ‘Promised Land’ independently on January 13, 2017.

What you hear on the albums is what you get on stage.  They dress in a fantasy-like Viking fashion to go with their story-telling, which gives an interesting visual aspect while delivering the instrument-playing with precision. Since their inception, Valfreya has satisfied fans with their epic live experiences (200+ shows throughout Canada and the USA) where they have opened for bands like Arkona, Dark Tranquility, Nekrogoblikon, Necronomicon, Korpiklaani, Moonsorrow, Tyr, Insomnium and more!

Valfreya is presently working on their next full-length planned for either late 2021 or early 2022 release.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Monarch – Future Shock (2021)

  • February 8, 2021
  • by Asher
  • · EPKs · Monarch

EPK – Monarch – Future Shock (2021)

Album Title: Future Shock
Release Date: April 16, 2021
Label: Self-Release
Distribution: Distrokid

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

For fans of Slayer, Judas Priest, Iron Maiden, Pantera

“Future Shock hits hard on a lot of levels, there are the riffs, the solos, the speed, the heaviness, the melodies, great memorable lyrics, the dynamic range of our creativity I think was truly expressed, and yet we still managed to sound like ourselves. We all just really look forward to sharing it with everyone.” – Monarch

Monarch.band | Facebook.com/monarchthrash | Instagram.com/monarch666 | Twitter.com/riseofmonarch | YouTube

Monarchmetal.bandcamp.com | Spotify | Apple Music

Winners of Wacken Metal Battle USA 2019

 

“I tell you, they could give Megadeth a run for their money in the technically-superior-melodic-thrash stakes!” – Sentinel Daily

“Possibly more guitar-centric than their last album, Future Shock has that racing intensity and metal to the bone determination to win over even the most skeptical people in the underground. March up to the table and give Monarch your full support – as this is high quality thrash with diversity, musicianship, and killer songwriting at the forefront.” – Dead Rhetoric 

“No matter if thrash is the creed which you live by or you’re venturing into the frenzied scene for the first time. Monarch will appeal to all who like their heavy metal to sound…well, like heavy metal. Get the muscles warmed up, you’re going to find your neck and arms are about to get a serious workout. Cue fists in the air and heads being banged.” – Games, Brrraaains & A Head-Banging Life

“Future Shock is a Thrash entity bearing little flaw in delivery, it succinctly manages to pack in a band’s identity into 47 minutes of relentlessly driven Metal invoking headbanging with every single track. For anyone a fan of the genre or of anything loud and fast this album is a necessity for their library.” – Metal Temple

“I like Monarch, and ‘Future Shock’ is an excellent album, the band are obviously very serious at what they are doing, and yet also have a unique sense of fun, I mean what other band can name the likes of the cartoons Futurama, the Legend of Zelda and Dragon Ball Z, as lyrical influences, and also come up with a character ‘The Whore of the North’ as the protagonist of another song? This hard hitting, yet very melodic, with some great hooks and choruses, the riffs and solos simply fly around your ears. If you’re a fan of the likes of Havok, Warbringer at el, you could do far worse than checking out this exciting foursome. Great stuff.” – The Razor’s Edge

“If there’s a reason to stick with Monarch’s thrashy second album Future Shock, it’s the fantastic chemistry between guitarist/vocalist Matt Smith and guitarist Casey Trask. They split soloing duties down the middle, trading them off with the finesse of a Mustaine/Friedman pairing, while locking in with harmonies on songs like “Khaos Warrior.” The first song alone, “Blast The Seed,” has seven guitar solos in its five minutes, and that’s not an exception, as all ten tracks have a truckload of impressive guitar performances.” – Heavy Music Headquarters

“What a journey, from games worship to outer space to political controversy to whorey warriors, from mesmerizing classical guitar to thrash metal. There are even some synthesized sounding beats thrown in for good measure. ‘Future Shock’ is a true showcase of the range of Monarch’s technical ability. This band is definitely under-appreciated at the moment. There’s too much technique and flair here for them to be flying under the radar. Monarch is perhaps too often written off as pretenders to bigger bands but they aren’t pretending. They are owning their genre.” – Uber Rock

“with Future Shock, Monarch delivers a quality album – ten strong metal tracks – that will be welcomed by fans of thrash, speed, and power.” – The Great Metal Debate

“those who are a bit tired of the usual thrash formula may find “Future Shock” a breath of fresh metal to their ears as the group tries to add some unconventional elements- whether intentional or not- to make themselves heard loud and clear. 4 / 5” – Brutalism

“You’ll find riffs a plenty on this album, so if you ever worried about not having enough memorable or headbangable guitar work you can put your mind at ease.” Cave Dweller Music

“blistering riff action, sick solos, incessant drumming, excellent production, need I go on? 4.1/5” – Deaf Sparrow

“The album deserves to find a place between “Judas Priest” “Iron Maiden” and other
Metal greats.” – Hellfire Magazin

“This album brings us the workings of an old-fashioned Thrash metal album where Matt Smith’s ragged and powerful voice fits like a glove.” – Algoderock

“there’s no shortage of melodies or classic-tinged shredding. In that same vein of musicality, the rhythm section is insanely tight. That ties everything together solidly, allowing for the vocal rasp to play around a bit more, adding a more extreme edge. Make sure to pay special attention to the bass, though. There are some incredible runs thundering through this release, occasionally taking it to the front as a strong feature instrument. While Future Shock drops neatly into the thrash bracket, it is most assuredly at the most metal end of that spectrum. Not in heaviness, but traditional idioms. If that appeals to you, get this one cranked!” – Slow Dragon Music

“Fans of old-school thrash and more recent bands will enjoy this fresh, surprising and successful opus. The compositions are brutal as you wish, heavy and ultra-fast and we never tire of the impressive technique of the four talented musicians. This group deserves to be known and have its place among the greats. The guitar solos are intense, sound like a ton of bricks, and are performed with bewildering efficiency. They must be really interesting in concert… I haven’t taken a thrashy slap like this since the release of Death Angel’s last album, Humanicide, released in 2019.” – Metal Alliance Mag 

““Go Forth… Slaughter” is a loud record that is full of twists and turns. Hopefully this release encourages Monarch to do some touring beyond Southern California, because songs like these need more ears.” – SD Metal

“A very colorful cover can also win over many fence-sitting people – and the rawer attention to detail on the production front gives us a clearer picture of what to expect live (a sinister snare snap plus in your face guitar tones duly noted). Go Forth…Slaughter executes in that late 80’s/early 90’s thrash/death platform, where people lost interest in major label veterans straying into commercial waters. Monarch makes it safe for you to trust their music: brutal, aggressive, and all for the love of the genre.” – Dead Rhetoric

“‘a super solid speed metal record.” – Metal Assault (2017 – Review – Go Forth… Slaughter)

L-R – Gabe Mendez (Bass), Adam West (Drums), Matt Smith (Vocals/Guitar), Casey Trask (Guitar)
Photo Credit: Astrid Anaya

Monarch is a heavy metal band from San Diego, consisting of Matt Smith on vocals and guitar (NIHILIST, DAMCYAN), Casey Trask on guitar (THE THREE TREMORS, CAGE), Gabe Mendez on bass (SUPRA SUMMUS), and Adam West on drums. Formed in 2007 by Casey Trask and some buddies in high school, Monarch weaved its web across San Diego, finding the best musicians to keep up with the lightning-fast rhythms, smashing drums, and screaming guitar solos, the standard was hard to keep until the right members were found. Adam West was next to join the band bringing a fearsome ferocity that few have ever seen in a drummer. His all-out style drumming and love of heavy metal was a perfect fit for Monarch’s earlier thrash metal material and has since been refined into a speed metal killing machine. Next to join would be Matt Smith, always revered by the members of Monarch as being one of the most creative and eccentric musicians in San Diego playing with local bands Damcyan and Nihilist, Adam and Casey would go to his shows and stare in awe as he would warm up and soundcheck with Yngwie Malmsteen licks. Matt joined the band around 2016, a year later the band would release their debut album “Go Forth… Slaughter” featuring raw thrash metal with a hint of what was to come, with Matt’s affinity and background in classical music, the sound was bound to evolve in the most epic way imaginable. Last to join, but certainly not least, was Gabe Mendez. The members of Monarch would always enjoy watching Gabe’s band Supra Summus perform in San Diego in which Gabe was the bass player/ lead vocalist and was certainly more than capable of the demanding rhythms of Monarch. In 2020, Monarch recruited this demon beast of a bass player and hasn’t looked back since. Monarch has shared the stage with bands such as Death Angel, Nervosa, Powerglove, Act of Defiance, and in 2019, they won the Wacken Metal Battle in the USA to guarantee a slot at the greatest heavy metal festival in the world, Wacken Open Air. Monarch will release their new album “Future Shock” in the year 2021.

Discography
2021 – “Future Shock” – LP
2017 – “Go Forth… Slaughter” – LP

Shared Stage with: Powerglove, Act Of Defiance, Nervosa, Michael Angelo Batio, Death Angel, Hatchet, Exmortus, Nihilist

Festival and Tours:
Wacken Open Air Festival 2019 (Wacken, Germany)
Winners of Wacken Metal Battle USA 2019

Artist endorsements:
XYZ Clothing, ISP Technologies, Liquid Death Mountain Spring Water

====================
BAND STORY ANGLES / FUN FACTS

1. In 2019, Monarch won a USA nationwide Wacken Metal Battle and earned a slot at one of the biggest heavy metal festivals in the world, Wacken Open Air Festival 2019 in Germany, that year featuring bands such as Slayer, Sabaton, Hammerfall, Prophets of Rage, and many many more.

2. When we went out to Germany to play Wacken, we were in our hotel room testing out our gear. It was one of Matt’s first times performing out in Europe and we all had to use converters and such for our amps and pedals. So Matt plugs something in wrong and it blows the power on the whole floor of the hotel, I don’t think we’ve ever laughed so hard.

3. Before Monarch existed, the other members (not knowing each other yet) would go watch Matt Smith perform with his bands Nihilist and Damcyan and stare in awe at his soundcheck and guitar solo wizardry, knowing not that they would one day be up there alongside him.

4. The drum tracks on “Go Forth… Slaughter” our first album were all recorded live with only Casey and Matt in the room playing guitars that they couldn’t hear, only Adam, to give the real vibe of our live intensity. No click track on the first record. The final track on that album, “Sonic Reaper” was the first and only take Adam did.

[Download Album Cover | Download Album Lyrics]

Album Title: Future Shock
Release Date: April 16, 2021
Label: Self-Release
Distribution: Distrokid

Track Listing:
1. Blast The Seed (5:16)
2. Khaos Warrior (2:51)
3. Future Shock (5:00)
4. Nuclear Warfare (4:00)
5. Shred or Die! (4:15)
6. Multiverse (3:02)
7. Fatal Vector (6:47)
8. Collision Of Bones (3:45)
9. Swarm Of The Whorenet (6:41)
10. Metal Soul (5:21)
Album Length: 47:04

Album Credits:
– All Songs Performed by: Matt Smith, Adam West, Casey Trask, Gabe Mendez, Alex Pickard
– All Songs Written by: Matt Smith, Adam West, Casey Trask, Alex Pickard
Produced, Mixed and Mastered by: Sean Tolley (Clarity Recordings)
– Album Artwork by: Marc Sasso
– ASCAP artists: Matt Smith and Casey Trask
Album Band Lineup:
Matt Smith (Vocals, Guitar)
Casey Trask (Guitar)
Gabe Mendez (Bass)
Alex Pickard (Bass – “Collision of Bones”)
Adam West (Drums)

Live Band Lineup:
Matt Smith (Vocals, Guitar)
Casey Trask (Guitar)
Gabe Mendez (Bass)
Adam West (Drums)

MONARCH – FUTURE SHOCK – Track By Track Explained:

The album as a whole:
It hits hard on a lot of levels, there are the riffs, the solos, the speed, the heaviness, the melodies, great memorable lyrics, the dynamic range of our creativity I think was truly expressed, and yet we still managed to sound like ourselves. We all just really look forward to sharing it with everyone.

Track by track:
1. “Blast the Seed” was written all together in about an hour at a practice one day, structure and everything. It was when the most recent Black Dahlia Murder album came out at the time, I think it was “Nightbringers”, and Adam (Drums) wanted to come up with something with that vibe and I think Matt started it up with the main chorus riff and it grew from there, this one has a unique vibe because it was literally a creation from all of us at the moment and is a really fun one to play live. The lyrics are about blasting seeds of life into space to save a doomed race.

2. “Khaos Warrior” is one of our favorites to play, a bunch of guitar harmonies, melodic riffs switching into brutal thrash rhythms, it’s a quick one but super exciting, the lyrics are about the Dragonball Z “Tournament of Power”. Awesome visuals in the lyrics, this one was written entirely by Matt Smith (Guitar/Vocals)

3. “Future Shock”, the title track, written by Matt Smith is based on the show Futurama, waking up, after being cryogenically frozen, into a future world, This one has one of the catchiest choruses of the album and leans more towards the brutal and thrasher side of the spectrum.

4. “Nuclear Warfare” is about just that, and really slams you with loud thrashing brutal riffs till the end, also written by Matt Smith (as an assignment for a composition course while earning his Associates of Arts in Classical Music degree).

5. “Shred Or Die!” Is our first single and music video from the album, this one has probably been in the Monarch setlist for the longest, this one really hits home nowadays lyrically about civil unrest and power-hungry people ruling over others. The music video has gotten some heat as it features some heavy footage of the riots going on in America during COVID-19 and “Black Lives Matter” protests. But on the lighter side also features skateboarding around local San Diego skate spots.

6. “Multiverse” allows us a glimpse into Matt Smith’s classical guitar playing potential, as the rhythm section backs him up with a heavy chord progression and an insane bass line. It gives the feeling of spinning through the blackness of space with no hope of return. It is also the intro track to our next song…

7. “Fatal Vector”, Another of Matt’s creations, using very disgruntled, brutal, chromatic riffs. This is a very unapologetic, unforgiving track about being on a collision course with fate, death. This one is a nonstop smasher live.

8. “Collision of Bones” was written and recorded by our former bass player (Alex Pickard), (All other tracks either feature Gabe Mendez or Matt Smith on bass guitar), about a near fatal car crash he was involved in. Probably will not be heard live anytime soon out of respect of Alex’s departure from the band. It’s a thrash metal song with a brutal half-time feel 2nd half.

9. “Swarm Of The Whorenet” Another of our more collaborative tracks, this song started off as a fictional universe we created in a saga called “The Whore Of The North”, this is the point in the story that the protagonist (The Whore Of The North) is being pursued by servants of the antagonist, in the form of Warrior Whore Hornets, featured in our cover artwork by Marc Sasso who did work for Dio, Slayer, Judas Priest, and many others. This song is an adventure, varying in rhythm and intensity but a very quirky feel that leads into one of the most exhilarating solo sections of the entire album. And war chant that will make you want to yell along with “WORLD WAR WHORE WAR-WHORING!”

10. “Metal Soul” This one, Matt came to us with this awesome bending guitar harmony (heard in the Intro and throughout the song) that reminded me (Casey) of an old school Japanese cop show or something like that and we really wanted to make something of it. It developed into one of the tracks we are most proud of. The lyrics ended up being about the Legend of Zelda “Master Sword” or the “Sword That Seals The Darkness” and turned into a thrashy/power metal trip. Featuring some of the fastest double bass on the album from Adam West and an epic buildup to a crescendo that will make you yearn for the next record.

0 Rockshots Records: BLUE HOUR GHOSTS Posts Lyric Video “Shine”, New Album “Due” Out February 12, 2021

  • February 8, 2021
  • by Asher
  • · Blue Hour Ghosts · Music News

NEWS RELEASE

Montreal, QC – February 8, 2021

For fans of Katatonia, Porcupine Tree, Amorphis

Rockshots Records: BLUE HOUR GHOSTS Posts Lyric Video “Shine”

New Album “Due” Out February 12, 2021

Alternative prog metal act BLUE HOUR GHOSTS are sharing with fans the latest lyric video for their single “Shine” in support of the upcoming release of their new album “Due” out on February 12th, 2021 via Rockshots Records.

Lyric Video: https://youtu.be/YnXAgF43ZIk
Spotify: https://backl.ink/144204268
CD pre-order: http://bit.ly/Due_CD​
Digital Album pre-save: https://backl.ink/143813663

The band comments on the track:

“Shine is a melancholic andante/mid-tempo rocker with a “grungy” feel, introduced by piano and vocals, before a riveting guitar riff sets on; then, a subtle, atmospheric verse makes way for a truly powerful and dramatic chorus; the song ends with a final climax that brings the listener back to the initial melodies in a circular fashion. The track is literally packed with hooks and melodies that greatly enrich the musical fabric, sustaining Ricky’s wholehearted singing. In spite of its somber tone, the song is about finding the courage to accept our flaws and unlock all the beautiful things we keep inside ourselves, to overcome our fears, our sense of inadequateness or incompleteness, and the cages sometimes relationships bind us to, which can smother our will and diminish our self-esteem. It’s an exhortation to take the initiative, bear the suffering and then find out how an ugly duckling can become a swan, even through pain and waiver.”

BLUE HOUR GHOSTS’ forthcoming  “Due” is the follow up to their 2016 self-titled debut album. Teaming up once again with Giuseppe “Dualized” Bassi (session musician for Fear Factory, Grenouer, Levania, Noveria), BHG‘s “Due” is their sophomore effort continuing their blend of progressive, classic, gothic metal, and alternative rock.

Taking a fresh, powerful, and intense melodic assault, “Due” depicts a wide range of soundscapes ranging from full metal aggression to soft, acoustic atmospheres, passing through infectious and catchy hooks and refrains that will enthrall any music addict, along with sophisticated layered arrangements to satisfy the most demanding palates. Throughout the 9 songs, all the ghosts hiding in the blue hour are made alive in the deep and heartfelt narration provided by both music and lyrics, offering a unique and compelling listening experience.

Keyboardist Simome Pedrazzi comments about the new album:

“With “Due” we are trying to engage new and established fans with an enjoyable, fresh, and yet sophisticated multi-level listening experience. All the nine songs offer an abundance of hooks that can stick into the ear from the first listen and remain impressed into the listener’s mind, stimulating his/her curiosity. There is no room for boredom, as within each song and throughout all the album, powerful and atmospheric sections alternate with each other in a seamless flow, thus keeping the attention high. The variety of musical colours displayed throughout the album and the extreme care we put into obtaining a lush and polished sound will allow for an extremely pleasant sonic experience.”

Previous Singles:
“Walking Backwards” – YouTube (Visualizer)
“On Black Clouds”- YouTube (Music Video)


Track Listing:
1. Walking Backwards (4:01)
2. On Black Clouds (3:45)
3. Dead in August (5:12)
4. Damn Wrong (4:23)
5. Shine (5:19)
6. Fearless (4:00)
7. Lower the Wires (3:57)
8. Disheartened (4:27)
9. Involved/Bored (3:52)
Album Length: 39:00

Album Credits:
Ricky DC – Vocals
Diego Angeli – Guitars
Francesco Poggi – Guitars
Simome Pedrazzi – Keyboards
Matteo Malmusi – Bass
Andrew Gunner – Drums

Produced by Giuseppe “Dualized” Bassi for dysFUNCTION Productions
Recorded and Engineered by Giuseppe Bassi
Mixed and Mastered by Giuseppe Bassi
All music and lyrics written by Blue Hour Ghosts
Additional arrangements, keyboards, sound design and programming by Giuseppe Bassi
Artwork concept and paintings by Blue Hour Ghosts
Band photos by Patrizia Cogliati – Musicphoto
Graphic layout by Francesca Dalla Costa – Secondalinea Officine Creative

Discography:
Blue Hour Ghosts (Buil2Kill Records, 2016)
Do You Believe in Ghosts? (Live) (Buil2Kill Records, 2018)
Due (Rockshots Records, 2021)

More Info:
Rockshots.eu
Facebook.com/bluehourghosts
Twitter.com/bluehourghosts
Instagram.com/bluehourghosts
Bluehourghosts.com

– 30 –

“One of the best debut albums since a while in the melodic metal world. An album complete in itself, but with every track standing strong on its own as well.” – Lords of Metal (NL),  80/100

“A damn strong output, super catchy, with cool melodies and also varied, proggy, exciting and with great vocals, and all this as the debut. All attention!” – Crossfire Metal (DE), 85/100

“This band knows how to rock in a very catchy way!” – White Room (NL)

“Blue Hour Ghosts burst upon the scene with a flaming debut album, bringing out a breath of adrenaline and a compelling mix of modern prog, classic metal, aggressive rock and spine-chilling melodic traits” – Rock Hard Italy (IT), 8/10

“This is really a cool record, nothing is missing! Blue Hour Ghosts succeed right away from their first chapter.” – Metal Hammer (IT), 82/100 

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Rockshots Records: Metal De Facto Release New EP “Legionnaires’ Oaths” + Music Video To Celebrate 1-Year Anniversary of “Imperium Romanum”, EP ft. guests Nitte Valo (Dreamtale, ex-Battle Beast), Juha Kupiainen (De Lirium’s Order) Cover songs: Shakira’s “Whenever Wherever”, Type O Negative’s “My Girlfriend’s Girlfriend, Dohatsuten’s “Ginga Densetsu Weed”

  • February 8, 2021
  • by Asher
  • · Metal De Facto · Music News

NEWS RELEASE

Montreal, QC – February 8, 2021

Rockshots Records:
Metal De Facto Release New EP “Legionnaires’ Oaths” + Music Video To Celebrate 1-Year Anniversary of “Imperium Romanum”

ft. guests Nitte Valo (Dreamtale, ex-Battle Beast), Juha Kupiainen (De Lirium’s Order)

Cover songs: Shakira’s “Whenever Wherever”,

Type O Negative’s “My Girlfriend’s Girlfriend, Dohatsuten’s “Ginga Densetsu Weed”

Finnish power metal band METAL DE FACTO celebrates the 1 year anniversary of their debut album “Imperium Romanum” with the release of a new five-track digital EP “Legionnaires’ Oaths” out now as of February 8th. The EP features a studio and acoustic version of “Legionnaires’ Oaths”, which is off of 2019’s “Imperium Romanum” along with three cover songs, Shakira’s “Whenever Wherever” featuring Nitte Valo (Dreamtale, ex-Battle Beast), Type O Negative’s “My Girlfriend’s Girlfriend” featuring Juha Kupiainen (De Lirium’s Order) and Dohatsuten’s “Ginga Densetsu Weed”, the opening song to an anime series of the same name where the band’s lead singer Mikael sang the song completely in Japanese!

“I used to study as an exchange student in Japan and picked up some of the language back then. My good friend from those times Nikolas Kiili helped out with the pronunciations, and I think the end result turned out real epic with the choirs and everything!” adds Mikael.

In addition to the EP’s release, the band is sharing a new acoustic music video for its title track, which was filmed at the legendary Beaver Bar in Helsinki.

“The bar is very well known to most metalheads in the Helsinki area, and it served as a perfect setting for the tavern-like feel we were looking for this acoustic music video!” comments the band’s lead singer Mikael Salo.

The music video for “Legionnaires’ Oath (Acoustic Version)” can be viewed on Rockshots Records YouTube channel here.

“Legionnaires’ Oaths” is available on Spotify, Apple Music.

“Imperium Romanum” is available on the following platforms:
Vinyl here.
CD here.
Spotify here.
Apple Music here.


Track Listing:

1. Legionnaires’ Oath (4:09)
2. My Girlfriend’s Girlfriend (Type O Negative cover) ft. Juha Kupiainen (3:02)
3. Whenever, Wherever (Shakira Cover) ft. Nitte Valo (3:11)
4. Ginga Densetsu Weed (Dohatsuten Cover) (4:15)
5. Legionnaires’ Oath (Acoustic Version) (3:47)
EP Length: 18:25

For more info:
Rockshots.eu
Facebook.com/metaldefacto
Instagram.com/metaldefacto
Twitter.com/MetalDeFacto

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s Cavedweller Come At You With The Blistering Brutality Of “Slow Death”, Music Video Premiere via TheCirclePit

  • February 6, 2021
  • by Asher
  • · Cavedweller · Music News

NEWS RELEASE

Montreal, QC – February 5, 2021

For fans of Every Time I Die, Norma Jean, The Chariot, Chelsea Grin, Whitechapel, Traitors

Canada’s Cavedweller Come At You With The Blistering Brutality Of “Slow Death”

Music Video Premiere via TheCirclePit

“Slow Death” is anything but slow; it’s a manic whirlwind of deathcore, complete with a fresh breath of breakdowns, enticing both old and new fans who will feel like they are discovering a new sound. If you took a racing scene from a Nicholas Cage movie and combined it with that scene from The Shining where Jack Nicholson is breaking down that door with an axe, that would be this new track from Fredericton’s Cavedweller.

The band’s EP “Primal” came out in 2020 and this new stand-alone single is devised to whet fans palate before an expected 2021 full-length release.

Cavedweller comments on the song:

““Slow Death” is a song our drummer originally pitched to us. Most of the structure was there, so we just played around with it a little bit, worked out some kinks, played around with time signatures for a little bit, and eventually ended up with the finished product. Lyrically, the song is about being trapped in a cycle of life, living the same day by day routine and schedule until death.”

Looking to leave an impression with this single, Cavedweller chose this fast, heavy hitter to be their first video. It’s abrasive, in your face and the chaos doesn’t relent for a second.

For this track, drummer Sam Brown came up with the core groove initially, and each of the members threw their own spices into it. Pulling inspiration from the heavy side of the spectrum, proggy rhythmically driven influences, and the core subgenre, the result is quick and dirty, high energy good times, and a raw approach to metal.

Groovy and sporadic with a healthy dose of breakdowns, Cavedweller is recommended for fans of Every Time I Die, Norma Jean, and The Chariot.

The video for “Slow Death” can be watched via its premiere on TheCirclePit HERE.

Stream and download available on the following digital platforms:
Cavedweller506.bandcamp.com, Spotify.

For more info:
Facebook.com/CavedwellerNB
Instagram.com/Cavedwellernb
Twitter.com/CavedwellerNB
EPK

About:

Cavedweller is four homies from the small town of Fredericton, New Brunswick, Canada that play groovy riffs, and crushing breakdowns.

Cavedweller is Cujo Bonvie (vocals), Alex Sturgeon (bass), Sam Brown (drums), and Brad Kenny (guitar), four guys who have known each other from the local scene for years. Brown and Sturgeon used to play together in local act Blueprints, and Bonvie was a regular attendee to local shows, and played in a number of local bands, including Dumpster Mummy, Panda Bee Catastrophe, and The Mind Unleashed. Once the four of them started jamming, the chemistry was evident and the rest is history.

In 2019, the band recorded their demo “Free-Sushi” which was followed up in 2020 with the EP “Primal”. The EP was mixed and mastered themselves; guitars were recorded in Sturges room, drums at a friend’s place, and mastered at Kenny’s place. During the recording process at Sturges, a lightsaber battle broke out between Sturge and Kenny to determine whose masters would be the ones released. It was a long and intense battle, but Kenny was ultimately the victor.

There is a wide range of influences coursing through the blood of the band including hardcore, punk, deathcore, and a little bit of prog-metal, and the final result is best suited for fans of Chelsea Grin, Whitechapel, and Traitors.

Cavedweller has played with several bands in their short history and expects to have a full length out by the end of 2021.

Don’t be shy, come show us what you’ve got in the pit!

– 30 –

 

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Huge Hails Horns! \m/\m/ Thank You for all the radio love MDs and DJs THE NATIONAL LOUD TOP 20 OF 2020 #7 Woodhawk, #12 Black Pestilence, #16 Fuck The Facts

  • February 5, 2021
  • by Asher
  • · black pestilence · Fuck The Facts · Music News · Woodhawk

Huge Hails Horns! \m/\m/ Thank You for all the radio love MDs and DJs

THE NATIONAL LOUD TOP 20 OF 2020

#7 Woodhawk, #12 Black Pestilence, #16 Fuck The Facts

https://earshot-online.com/charts/2020/loud.cfm

0 Moncton’s Diner Drugs Are Serving Up A Fresh Music Video For The Tasty Track “Need Time”, Music Video Premiere via DoomedandStoned

  • February 5, 2021
  • by Asher
  • · Diner Drugs · Music News

NEWS RELEASE

Montreal, QC – February 5, 2021

 

For fans of Red Fang, Cancer Bats, Alexisonfire, The Bronx, Heart Attack Kids

Moncton’s Diner Drugs Are Serving Up A Fresh Music Video For The Tasty Track “Need Time”

Music Video Premiere via DoomedandStoned


L-R: Jackson Landy (Guitar/Vocals) | Jesse Briggs (Drums) | Chris Lee (Bass/Vocals) | Jordan Fournier (Guitar/Vocals)
Photo Credit – Brock Jorgensen

Diner Drugs from Moncton, Canada has a new music video out for their song “Need Time” off the 2019 album “As Is”. The quartet takes inspiration from stoner rock and punk rock and comes with as much harmony as they do beer. Elegantly self-coined as “mustard moustache muscle car cliché” they have groove and grease for days.

Their first full-length album “As Is” was a more grown-up release than their self-titled debut, and they took a more serious angle, focusing on writing great songs, and put more thought into arranging the parts. Diner Drugs explains their music in their own words:

“We’re a loud and punchy stoner metal band but we also have smooth vocal harmonies that usually catch people off guard. We love playing and even though our overall attitude is we’re pretty chill, we take a lot of time to craft our songs and it’s a group effort when we write so it’s not someone up there playing someone else’s songs.”

Diner Drugs knows how to grab the attention of their listeners and “Need Time” will do just that. A fuzzy wall of sound forms the base layer with energized punk drumming, harsh hardcore vocals, and raucous guitars with the icing on this loud cake of harmonized clean vocals, making it suitable for almost anybody’s taste.

Those looking for another slice of what Diner Drugs is serving up won’t have long to wait, the band suggests there will be another album released in 2021.

Punchy and crunchy, Diner Drugs’ particular flavour of stoner metal is recommended for those with a taste for Red Fang, Cancer Bats, and Alexisonfire.

The video for “Need Time” can be watched via its premiere on DoomedandStoned HERE.

“As Is” was released in September 2019 and available on DinerDrugs.Bandcamp, Apple Music, Amazon, Spotify.


Track Listing:
1. Under Fire (4:18)
2. Need Time (3:57)
3. Gump Truck (3:58)
4. Jack of All Trades (3:08)
5. Medicine (2:37)
6. Rotten Eggs (4:46)
7. Back on the Blues (2:36)
8. Cell Maid (4:43)
Album Length: 30:17

For more info:
SheSaidFeckRecords.com/diner-drugs-epk
Facebook.com/DinerDrugs
Twitter.com/DinerDrugs
Youtube
Instagram.com/DinerDrugs

About:

Diner Drugs is a four-piece stoner metal punk crew, born out of a desire to defeat the boredom of east coast living. Diner Drugs is fast, loud and is always keen to turn up the heat with catchy choruses and deep vocal harmonies while sticking to their deep stoner metal roots.

They’ve developed a reputation for their live performances, keeping themselves steadily on the road, and are now certified road dogs lending east coast support for Cancer Bats and Dead Quiet along with Maritime, Ontario and Quebec support several times over for Heart Attack Kids and local support for heavy hitters Mokomakai and Red Fang.

With two albums under their belts As Is (2019) recorded by Kyle MacDonald of Zaum and their self-titled EP (2017) they have gained immense support and several accolades from their peers and were recipients of the MNB Loud Artist of the Year Award in 2018 and were nominated for MNB Video of the Year Award in 2019.

Since 2009 members of Diner Drugs have been foundations of the Moncton metal scene as former members of Bong Jovi, The Human Comedy, and Savage Young. Diner Drugs as always have no signs of slowing down and already planning for their next record in 2021.

*Their upcoming spring tour with Woodhawk and spring shows in Newfoundland was subsequently canceled due to Covid 19 but with hopes to reschedule for later in 2020/21.

– 30 –

“Jack Of All Trades” uses clever drum timing between guitar riffs which assaults the senses in different ways and rattles your eardrums like an off-balanced washing machine. The skate punk style writing of this track will have you wondering if NOFX and Suicidal Tendencies had a baby.” – Sarah Hellingwerf, The East 

“Diner Drugs is one of those “f&*k all” bands that play heavy, fast and dirty rock.” – Jamie Robash, Divide and Conquer Music 

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 The Design Abstract Shares Quarantine Video “Annihilation”, New Sci-Fi Album “Technotheism” Out Now! via Abstrakted Records 

  • February 5, 2021
  • by Asher
  • · Music News · The Design Abstract

NEWS RELEASE

Montreal, QC – February 5, 2021

For fans Septicflesh, Scar Symmetry, Dimmu Borgir, Fleshgod Apocalypse, Machina

The Design Abstract Shares Quarantine Video “Annihilation”

New Sci-Fi Album “Technotheism” Out Now! via Abstrakted Records 

L-R: Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming)
Photo Credit – Tami Martin

Unleashing their melodic death sci-fi escapade “Technotheism” on Jan 29th, Ontario, Canada’s The Design Abstract are sharing with fans their latest video for the track “Annihilation” in support of the full-length. The video was filmed while the band, like many others, are observing Covid 19 quarantine lockdown.

The band comments:

“While we’re in lockdown, we wanted to share Annihilation, which can be best summarized in one word… ‘Violent’… From the gut-wrenching opening bass line to the slap-in-the-face industrial transitions, this song is indisputably the angriest and most irreverent on the album. The ending buildup and breakdown push into deathcore territory while the orchestral parts soar higher than ever.”

Watch and listen to “Annihilation” on YouTube here.

The Design Abstract‘s new album “Technotheism” invokes the futuristic sounds of science fiction, as the band takes a step away from the traditional use of orchestral writing, by making it the soundtrack for anything space or cyberpunk related.

Still, in the experimental age for the band, each song is written completely differently and by different members of the band. “Technotheism” is purely a science fiction story told as such in a monumental thirteen track work of symphonic melodic death metal. It tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. The band explains the album:

“We incorporate a blend of metal, orchestra, and industrial music that hasn’t been done in this way. Nobody can top the orchestral metal masterpieces like Death Cult Armageddon by Dimmu Borgir or Codex Omega by Septicflesh, however, we push this genre into the distant future, with the sounds of a cyberpunk dystopia punctuating every release.

This album is the absolute pinnacle of what the band is currently capable of, which speaks volumes to the fact that most of it was written so long ago. Most metal bands who incorporate orchestral writing do so in a pointedly antiquated way: the goal is to sound a bit archaic. The sound of The Design Abstract is rooted in futuristic science fiction. It’s a classically scored orchestra, but it sounds anything but old fashioned.”

The dramatic, grandiose music is presented in an articulate, but extreme wall of sound suitable for fans of science fiction, and melodic death metal and bands such as Fleshgod Apocalypse, Machina, and Dimmu Borgir.

“Technotheism” is available now via Abstrakted Records on the following digital platforms for stream and download.

YouTube
Bandcamp
Spotify
Apple Music

Previous videos:
“The Apotheosis” – YouTube (Music Video)

“The Return” – YouTube (Lyric Video)


Track Listing:
1. Relentless (2:05)
2. Deus Est Machina (6:33)
3. The Apotheosis (1:54)
4. Among the Stars (1:36)
5. The Resistance (4:37)
6. Voidwalkers (3:46)
7. The Omnisphere (1:32)
8. Data Shield Attack (6:18)
9. The Return (3:41)
10. Elucidate (1:11)
11. Parallel Projection (3:46)
12. Annihilation (3:46)
13. A World of One (4:00)
Album Length: 44:50

More info:
Facebook.com/thedesignabstract
Instagram.com/voiicide
EPK

About:

The Design Abstract is a two-piece sci-fi-themed symphonic melo-death band from Ontario, Canada consisting of Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming). The band formed with a single goal: to create a blend of industrial-influenced symphonic metal that had never been done before. Since the debut album Emanate in 2017, The Design Abstract has sought to shed the antiquated tendencies of orchestral metal bands, instead pushing far into the future conceptually and lyrically. With each subsequent release (Corrupt in 2019 and Esoteric in 2020), the band pushed further into “melodic death metal” territory, brandishing more comprehensive riffs, technical drum writing, and more guttural vocals, but never lost the industrial-electronic edge or the massive and dramatic orchestral passages. The cumulation of this sound is their latest album Technotheism due out Jan 29, 2021.

A grandiose display of musicality, technicality, and narrative, the sophomore full length is a monumental 13-track work of symphonic melodic death metal that tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. One thing you’ll notice about Technotheism is how it’s structured and how it all flows together. The pattern of the types of tracks, the order, and their function was very carefully planned out in a way that few albums are.

– 30 –

“A symphonic technical death metal masterpiece with an amazing concept to keep you engaged from start to finish \m/” – Heavy New York

“Now for some nerd shit. Technotheism is a concept record about the future that at it’s core is a melodic death metal record, but the band dabbles with electronic elements, technicality, and grand orchestrations throughout. Fans of Last Chance To Reason and really any band Mike Semesky (Ordinance, Raunchy, etc) has been a part of will probably dig this.” – Metal Injection

“The Canadian The Design Abstract continues exactly where the appetizer “Esoteric”, published last year, caused unimagined enthusiasm. As a result, the duo from Ontario cuts even more clearly into the notch of futuristic sci-fi melodic death metal, which lives largely from orchestral and symphonic density, but which also steers very sophisticated and elegant in the right direction… Rarely do you hear such an exciting album that continues to rotate a unique spindle of ideas between melodic and progressive elements. Death metal meets industrial, songs that are staged in a great symphonic and epic breadth. 9.5/10″ ” – Zephyrs Odem

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Hells Yeah! \m/\m/ Thank You so much MDs and DJs for all the airplay love for Cell Press, Fuck The Facts, Skyless Aeons !earshot charts – January 2021 – Top 20 Loud #3 Cell Press, #4 Fuck The Facts, #17 Skyless Aeons, earshot charts – December 2020 – Top 20 Loud #4 Fuck The Facts, #5 Cell Press

  • February 4, 2021
  • by Asher
  • · Cell Press · Fuck The Facts · Skyless Aeons
Hells Yeah! \m/\m/ Thank You so much MDs and DJs for all the airplay love for Cell Press,, Fuck The Facts, Skyless Aeons
earshot charts – January 2021 – Top 20 Loud #3 Cell Press, #4 Fuck The Facts, #17 Skyless Aeons
https://www.earshot-online.com/charts/2021/January/loud.cfm
earshot charts – December 2020 – Top 20 Loud #4 Fuck The Facts, #5 Cell Press
https://www.earshot-online.com/charts/2020/December/loud.cfm

0 Plague Weaver Aggressively Arrogate Attention With “Deicidal Usurper”, Song Premiere via NoCleanSinging, New Album “Ascendant Blasphemy” Out Feb 26th, 2021

  • February 4, 2021
  • by Asher
  • · Music News · PlagueWeaver

NEWS RELEASE

Montreal, QC – February 4, 2021

For fans of Rotting Christ, Varathron, old Samael, Triptykon, Dissection

Plague Weaver Aggressively Arrogate Attention With “Deicidal Usurper”

Song Premiere via NoCleanSinging

New Album “Ascendant Blasphemy” Out Feb 26th, 2021

The second single from the Canadian band Plague Weaver is “Deicidal Usurper” off their upcoming full length “Ascendant Blasphemy” expected in February 2021.

“Ascendant Blasphemy” is the third recording in the band’s catalog, following EPs from 2019 and 2020. This upcoming release contains eight powerful tracks providing a consistent source of non-stop headbanging, classic grim tracks, and other diverse, ambitious tracks. This album aims to invigorate and distress the listener. Plague Weaver explains the single in their own words:

“Deicidal Usurper grabs the listener right out of the gate, reminding them of the earlier tracks. This song has another ambient bridge section, which hangs on just long enough to thrust the listener back into the main riff for the next verse-chorus. The solo in this song is tasteful and proud, with ambient screams feeding the atmosphere behind it. The outro is a bit of a victory-verse feel, winding down into a harpsichord section which introduces the final track.”

The overarching theme of the album is about infernal forces usurping heaven. There are canonical references from many different sources, but all of it swirls together into something that Plague Weaver makes their own. It is important to state that they write all of this from a non-theistic, philosophical/illustrative perspective.

Plague Weaver was created in December 2018. The original idea was to create music in the vein of old school black metal. Recommended for fans of Rotting Christ, (old) Samael, and Varathron.

“Deicidal Usurper” can be heard via its premiere on NoCleanSinging HERE.

The entirety of “Ascendant Blasphemy” will be revealed on February 26, 2021.

Album pre-order via PlagueWeaver.bandcamp.com.

First single – “Nothing Is Sacred” – YouTube (lyric video)
Spotify


Track Listing:
1. Nothing Is Sacred (5;24)
2. Lay Fire (4:34)
3. Blood Runs Not (4:17)
4. Seek To Betray (4:34)
5. Upheaval and Arson (5:29)
6. Of Quivering Doves (4:34)
7. Deicidal Usurper (4:37)
8. In Exitium Caeli (4:41)
Album Length: 38:12

More Info:
Facebook.com/plagueweaver
Instagram.com/plagueweaverband
Twitter.com/plagueweaver
EPK

About:

Plague Weaver is a black/doom metal band hailing from Ontario, Canada. The band was birthed in 2018 as a solo project by RM whom released two EPs, 2019’s self-titled debut and 2020’s ‘Through the Sulphur Eyes’. Both releases displayed traditional black metal roots delivered through a modern, doom-inspired atmosphere.

Joined in 2020 with the addition of new vocalist JC taking care of lyrics and vocal arrangments, Plague Weaver started its next chapter as a duo and quickly began work on creating punishing, grim, riff-driven black metal for the next assault entitled ‘Ascendant Blasphemy’. Set for release in 2021, their first full length is an evolution from its predecessors. More aggressive, and riff-driven but without abandoning Plague Weaver’s doom-inspired roots that can be heard on such tracks as ‘In Exitium Caeli’ and ‘..of Quivering Doves’. Overall, there’s a lot of musical variety across the new record, and a consistency to hold everything together, from start to finish. The album’s lyrics are a loose concept written by JC that follows a series of Satanic philosophies or questions considered from a Satanic perspective, illustrated to a loose fictional ideal. This album aims to invigorate and distress the listener.

“Ascendant Blasphemy” is due out February 2021.

– 30 –

“Plague Weaver’s new single, “Nothing Is Sacred”, comes from the band’s upcoming release Ascendant Blasphemy. If there is any better song to help capture the feeling that everyone around the world has had through 2020, this is it. “Nothing Is Sacred” is a slow burn of death-doom, slow, grudging instrumentals entwined with harsh, raw black metal growls.” – Metal Injection

“From the moaning leads to the slow lurching cadence and the deep monstrous roars, the opening of the title song sounds like the beginning of a death/doom track, but although that oppressive feeling of plague and decay persists, the band also pitch into fits of percussive mayhem, fevered riffing, and vocal madness, and they stitch flickering bits of guitar lunacy into the song as well.” – No Clean Singing (2020 Review –  Through The Sulfur Eyes)

““Through The Sulfur Eyes” is a solid EP… the overall sound that is achieved is impressive… PLAGUE WEAVER has an interesting doom-like black metal sound that works well with layered deep and high-pitched vocals. I think fans of doom metal and black metal aficionados will appreciate this one.” 8/ 10 – Metal Temple (2020 Review –  Through The Sulfur Eyes)

“Through The Sulphur Eyes takes the best from Death, Black and Post Black and uses that metallic cocktail shaker from hell to greatest effect. The outcome is a fiery Extreme Metal piece that made us go for seconds a few times in a row. A true, blazing hot slab of alloy that will please the sturdiest of metalheads.” – Rock Music Raider (2020 Review –  Through The Sulfur Eyes)

“breaking through to listeners in 2020 is a seriously steep hill to climb and bands have to either push the envelope, do something that can’t be found elsewhere, or just amaze and electrify with each release to grab attention and stay relevant. Plague Weaver do all that on Through the Sulphur Eyes and it’s up to you to show them how good a job they’ve done. What I’m saying is, go buy it. Now.” – Nine Circles (2020 Review –  Through The Sulfur Eyes)

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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