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0 EPK – Skyless Aeons – Drain The Sun (2020) (CDN Records)

  • August 14, 2020
  • by Asher
  • · EPKs · Skyless Aeons

EPK – Skyless Aeons – Drain The Sun (2020)

Album Title: Drain The Sun
Release Date: October 2, 2020
Label:  CDN Records

For fans Opeth, Dark Tranquillity, Death, Garden of Shadows, Dissection

Facebook.com/SkylessAeons | SkylessAeons.bandcamp.com | Spotify

“Musically, the song (Dimensional Entrapment) could be thought of as a blending of melodic death and black metal with some pronounced progressive tendencies. It will keep you a bit off-balance, but that’s part of what makes it enthralling to behold, and there’s engaging darkness at its core as well — a darkness that takes different shapes. Slightly discordant notes and thrumming bass tones create an immediate sense of uneasy musing. The unease blossoms into torment through broiling riffage, tumbling percussion, and guttural growls. The slithering, vibrato guitars reach shrieking apexes, but also diminish into menacing, mutated, burbling tones — and surge into rapidly jabbing assaults. The song continues to ebb and flow, eerie and haunting in one moment and absolutely insane in the next, as the guitar flurries reach plateaus of feverish mayhem and the vocals flare into throat-slaughtering shrieks. A mercurial guitar solo is initially enchanting but proves to be crazed as well — and the song ends in one last episode of uneasy reflection.” – No Clean Singing

“It’s heavy, thick and menacing… when it comes to most of the music, it’s hardened and aggressive as any Death Metal should be. Still, with a bit of a unique twist, any fans of the genre will probably find this album to their liking.” 8/10 – Metal Temple

“The follow-up to their 2016 debut EP, The Era of Famine, showcases a heavier approach as the group experiments in a progressive death direction. For those who enjoy bands such as Dark Tranquillity and Dissection, will want to check out Skyless Aeons.” – Metal Insider

 “Progressive death with touches of doom and thrash metal, Skyless Aeons look to take their sound to a more majestic stage. Aiming to make a massive splash with a debut that is as enjoyably heavy as it is thought-provoking. 8/10” – Games, Brrraaains & A Head-Banging Life

“Skyless Aeons are accomplished musicians. Drain the Sun is full of complex moments, with some especially sweet bass lines, and the production is strong and hard-hitting, giving the music plenty of depth.” – Heavy Music Headquarters

“Skyless Aeons is as piercing as violent. Drain the Sun picks into the most extreme tones, combined to Prog patterns to temperate those waves of raw power.” – Acta Infernalis

“When it comes to Skyless Aeons, atmosphere is everything. Opening cut “Ascension Towards Nothing” builds over nearly 4 minutes before delivering a satisfying change up crunch and delving into the black depths of Death Metal riffage; it’s nearly 5 minutes before any vocals hit; and when they do it’s a slap in the face with a bag of rusty nails, such is the power of Ferreira’s roar. 8/10” – Metal Noise

“Rife with melancholy and rage, Drain the Sun is a fitting anthem for our times, and I can’t wait to hear more.” – Wicked Metal Review

“an interesting mix of textures” – Headshot Music

[Download Album Cover | Download Album Lyrics]

Album Title: Drain The Sun
Release Date: October 2, 2020
Label:  CDN Records

Album Credits:
• All songs performed by: Skyless Aeons
• All songs written by: Nicholas Luck and Skyless Aeons
• Produced by: Michael Marucci and Eric Altomonte @ the Watershed, London, Ontario
• Mixed by: Michael Marucci @ Sonic Zen Studios, London, ON
• Mastered by: Nathan Boots @ Visceral Sound Studios
• Album Artwork by: Sam Nelson/Stigma Art
• Member of SOCAN
• Canadian Content (MAPL)

Album and Live Band Line Up:
Nicholas Luck – Guitars/Vocals
Nathan Ferreira – Lead Vocals
Stefan Oliva – Bass
Martin Burchill – Drums

L-R: Stefan Oliva (Bass), Nicholas Luck (Guitars/Vocals), Nathan Ferreira (Lead Vocals), Martin Burchill (Drums)

Photo Credit: Skye Camara

Around 2014, guitarist Nicholas Luck and drummer Martin Burchill met as a result of an errant bus ride in London, Canada. At this time, Burchill was looking for a stable project after drumming in various rock/punk/metal bands over the last decade or so, and Luck, only 18 at the time, was looking to start a death metal band.

Vocalist Nathan Ferreira and bassist Steve Oliva followed shortly after and with a scathing collective disdain for the larger structures of society and a commitment to constant evolution in sound and ethos the band recorded and released the “Era of Famine” EP in 2016.

The band has already gained a reputation through local shows as one of the more unique and energetic death metal bands in the scene, opening up for artists such as Ashbringer, The Convalescence, Nesseria, and Killitorous – a wide variety of styles, yet somehow, Skyless Aeons shares musical similarities with all of them.

At a live show, one can expect certain synchronicity and chemistry that can only come from years of experience and practice feeding off of each other’s ideas. Couple that with vocalist Ferreira’s on-stage recklessness mixed with unusually sardonic and self-deprecating stage banter, and it’s no surprise that Skyless Aeons are gaining notoriety and drawing more and more people to their local performances as of late.

2020 brings a new album “Drain the Sun”; it takes a different approach, using much heavier and expansive riffing textures and shows refining and maturation of the band’s identity. It can best be described as “; progressive death metal” with some dissonant, doom-influenced leanings.

Discography:
2020 – Drain The Sun LP
2016 – The Era of Famine EP

Shared Stage with:
Ashbringer, Nesseria, The Convalescence, Killitorous, Astaroth Incarnate, Lutharo, Kavara, Trilateral

 

 

0 The Haulix LIVE! panel series continues this month with an in-depth conversation featuring Jesea Lee (of High Road Publicity), Jon Asher (of Asher Media Relations), and Rey Roldan (of Reybee, Inc.).

  • August 14, 2020
  • by Asher
  • · Asher Media · Music News

The Haulix LIVE! panel series continues this month with an in-depth conversation featuring Jesea Lee (of High Road Publicity), Jon Asher (of Asher Media Relations), and Rey Roldan (of Reybee, Inc.).

Join us on Thursday August 20 at 2PM EST for your chance to engage with these music publicity leaders. Participation is FREE, but we do ask that you register in advance: https://zoom.us/webinar/register/WN_iga3I7kcSZG0Hkv9T6p7KA

0 Bravewords Premiere: Every Hour Kills Cover Of Satriani’s “Time” Is Both A Delicate and Throttling Chapter In The “Re:Awaken” Story

  • August 14, 2020
  • by Asher
  • · Every Hour Kills · Music News

(contact info below)

 

NEWS RELEASE

Montreal, QC – August 14, 2020

 

Interview request at asher[@]ashermediarelations[.]com

For fans of Soilwork, In Flames, Starset, Bring Me The Horizon, Veil of Maya

Every Hour Kills Cover Of Satriani’s “Time” Is Both A Delicate and Throttling Chapter In The “Re:Awaken” Story

“Time” ft. guest guitar solo Rick Graham (Joe Satriani cover)

Premiere Single via Bravewords

New EP “Re:Awaken” Out October 9th


Photo: L-R Sacha Laskow (Guitar & Programming) | Jerrod Maxwell-Lyster (Vocals) | Brent Stutsky (Bass) Photo Edit: Empirius

Every Hour Kills from Calgary, Canada is examining extraterrestrial threats and pondering the consequences of making dire and desperate decisions. Complete with a masterfully illustrated storybook from Splice Comics, this upcoming EP “Re:Awaken” is a work of art in many ways.

The second single off the EP is a Joe Satriani cover, “Time”, featuring a guest guitar solo from Rick Graham. It’s an instrumental dénouement to take the listener on a journey through the infinite. It is a heavier re-imagining of the classic, with enough familiarity to entice Satriani’s fans and a lick of creativity to stand on its own.

“Re:Awaken” is set in the 22nd century, when humankind was crippled by a relentless plague with no known cure. An ancient race of interstellar beings, the Illusorians, descended from the skies and offered a means to end the suffering of humanity. Each track follows the story of a person trying to navigate this cruel and unsettling reality.

Cinematic, progressive juxtaposing angular heaviness with soaring melody, each single is meant to stand alone and come together with the concept of the EP. There is no filler allowed in this project. The songs are all different yet still retain the underlying themes.

“The band plays metal that sounds extremely modern and melodic, coming across as a mix of Scar Symmetry and Fear Factory, with sprinkles of djent for added flair.” – New Noise Magazine

Suitable for fans of modern and progressive metal, and bands such as In Flames, Starset, and Bring me the Horizon, “Re:Awaken” comes out on October 9, 2020.

The single “Time” ft. guest guitar solo Rick Graham (Joe Satriani cover) is available via its premiere on Bravewords HERE.

The full EP “Re:Awaken” will be releasing on October 9, 2020. EP Pre-Save HERE.

First single “Veiled Aurora” at the following links:

YouTube
Spotify
Facebook


Track Listing:
1. Veiled Aurora (ft. guest vocals Shaley Bourget of Dayshell, Of Mice & Men & guest guitar solo Morgan Reid of Bloodshot Dawn) (4:18)
2. Anthelion (ft. guest vocals Chris Thoresen (Shark Infested Daughters & guest guitar solo Travis Montgomery of Threat Signal, Meytal) (4:26)
3. Re:awaken (4:12)
4. Time ft. guest guitar solo Rick Graham (Joe Satriani cover) (5:04)
5. Veiled Aurora (Instrumental) (4:18)
6. Anthelion (Instrumental) (4:26)
7. Re:awaken (Instrumental) (4:12)
8.  Time (Joe Satriani cover) (Instrumental) (5:04)

More info:
EveryHourKills.com
Facebook.com/EveryHourKills
Instagram.com/alansachalaskow
Twitter.com/everyhourkills
EPK

About:

“Every hour wounds, but the last one kills” – Anonymous

Every Hour Kills is a powerhouse ensemble featuring the core of ex-Divinity / Enditol guitarist Sacha Laskow, bassist Brent Stutsky (ex-Breach of Trust), along with vocalist Jerrod Maxwell-Lyster (ex-Out of Your Mouth).

The new EP titled ‘Re:Awaken’ set for release on October 9, 2020, tells the stories of individuals existing in this fragmented future; their struggle to exist amidst the chaos of forces of the elite race and the constant encroaching tide of technology. An accompanying illustrated short storybook by Splice Comics will delve even deeper into the EHK lore.

Every Hour Kills was built to challenge the idea of what defines a “band”. Rather, the group sees itself as a constantly evolving musical collective; guest vocalists and soloists across the songs bring their own unique artistry and elevate the collective impact of Every Hour Kills’ brand. The lyrics, artwork, visuals, and themes all look toward the future, asking the key postmodern question of how will emerging technology and our humanity progress and co-exist?

Shared Stage with: Godsmack, Apocalyptica, Trivium, Obey the Brave, Into Eternity, Kobra and the Lotus

Endorsed by: Fractal Audio, Bareknuckle Pickups, Toontrack

Nominated YYC Music Award – 2016, 2019 for Metal Recording of The Year

– 30 –

“The band plays a sound of metal sounds extremely modern and melodic, coming across as a mix of Scar Symmetry and Fear Factory, with sprinkles of djent for added flair.” – New Noise Magazine

“Should the band be able to hold this standard on their first full-length album, one has to count on Every Hour Kills in the first league of Modern Metal. CrypticRock gives Every Hour Kills 4.5 out of 5 stars.”

“The song has an amazing feel to it that is uplifting and empowering at the same time and it makes you feel like could run a marathon and finish first place. “ – Headbanger Review

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Quebec’s Metal Scene Lends Its Voices To Video Game Creatures; The Monster Factory Launches Website; Shares Video Demo

  • August 14, 2020
  • by Asher
  • · Music News

(contact info below)

 

NEWS RELEASE

Montreal, QC – August 14, 2020

 

Interview Request at asher[@]ashermediarelations[.]com

Quebec’s Metal Scene Lends Its Voices To Video Game Creatures

The Monster Factory Launches Website; Shares Video Demo



L-R (Top to bottom row): Jessica Dupré, François Toutée, Roxana B.L., Viky Boyer, Maya Kuroki, Raphael Osorio,
Simon Girard, Sébastien Croteau, Maude Théberge, Marie-Hélène Landry, Philippe Langelier, Misha Standjofski, Jeff Mott

Created in 2018 by Sébastien Croteau, Corinne Cardinal, and Jeffrey Mac Dermott, The Monster Factory launches its website today. From now on, video game and film companies will be able to hear their members’ voices, learn about the productions they have worked on, and contact them directly.

Since 2005, their members have taken part in the audio creation and conception of hundreds of creatures. Their voices have been heard by millions of people around the world in productions such as:

  • Shadow of the Tomb Raider (Eidos)
  • Far Cry 5 (Ubisoft)
  • Rainbow Six Siege: Outbreak (Ubisoft)
  • Resident Evil 7 (Capcom)
  • Thief (Eidos)
  • Prince of Persia (Ubisoft)
  • Assassin’s Creed (Ubisoft)

The Monster Factory‘s greatest weapon? Female and male death metal singers.

Metal singers have the unique ability to produce unreal and organic sounds without having to resort to computer modifications. In addition to this, their training permits them to produce all kinds of guttural sounds without straining their voices. They are thus invaluable assets when recording this type of voice in the studio.

“In a world where video game and film companies strive to reach unparalleled levels of realism, the quality of the sounds we produce is still unmatched. Our talent pool, comprised of women and men, offers a sonic and textural diversity for all types of projects.” says Corinne Cardinal

To showcase what they are able to do with their voices, the members of The Monster Factory shot their first video, entitled “Horde”. Simulating a zombie attack, this short film will blow your ears off.

Watch and listen to “Horde” HERE.

About Monster Factory:
The Monster Factory promotes Quebec vocal talent in the video game and film industries. Specialized in the creation of voices for monsters, zombies, extraterrestrials, etc., The Monster Factory offers unique expertise in creating sounds for multiple types of virtual creatures.

Follow us them social media: Facebook, YouTube, Instagram, and Twitter.

For further information: Media Contact:
Sébastien Croteau, 4383462396, info@lafabriquedemonstres.com

– 30 –

 

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Decibel Mag Premiere: Canadian Thrash Legends ANONYMUS Descend Into Insanity With Music Video “Bicho Loco”

  • August 13, 2020
  • by Asher
  • · Anonymus · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – August 13, 2020

Interview Request at asher[@]ashermediarelations[.]com

For fans of Slayer, Testament, Voivod, Lamb Of God


Canadian Thrash Legends ANONYMUS Descend Into Insanity With Music Video “Bicho Loco”

Premiere Video via Decibel Magazine

First Spanish Album “La Bestia” Out Now! via Bam&co Heavy

Hosting Live Stream Performance September 5th From Quebec City’s L’Anti Bar & Spectacles


L-R: Carlos Araya (drums), Daniel Souto (guitars), Oscar Souto (Vocals and Bass) and Jef Fortin (guitars)
Photo Credit: Dani Rod

Canadian thrash legends Anonymus are have been having a busy summer during these Covid days. Unleashing their latest album “La Bestia” via label Bam&co Heavy this past June along with launching their own IPA beer (La Microbrasserie Le Fermentor), named in honour of their first Spanish release. The band is sharing their next music video “Bicho Loco” translated to “crazy bug” in English. It was directed by Mathieu Charest who previously created their music videos ‘Suffer The Consequences’, and with Mononc Serge ‘Sous-Marin Brun’, ‘L’Age de Biere’, ‘Woodstock en Beauce’. The video also stars well known Quebec actor Martin Dubreuil and follows his character as he descends into insanity from being his own worst enemy.

Watch the video via its premiere on Decibel Magazine along with a Q&A interview with Anonymus‘ Oscar Souto (Vocals and Bass) at the following link HERE.

The band adds about the track:

“A song about a virus, cancer, a disease, something that eats you from inside, that comes and goes without warning. You don’t want that thing in your life, but no matter what, it’s there and you have to live and deal with it. Resonates with what is definitely occurring worldwide as of this moment.”

In additional news, Anonymus will be hosting a live stream performance from L’Anti Bar & Spectacles in Quebec City on September 5th. Full details on watching the virtual concert can be found here.

On June 12th, Anonymus released their latest album “La Bestia” via label Bam&co Heavy. Known for their discography of both French and English releases, “La Bestia” is their first full length that is completely in Spanish. You may be asking why a Spanish album? Well since 3/4 of the band speaks Spanish. Drummer Carlos Araya is Chilean born, and Oscar (Lead Vocals and Bass) and Dan Souto (Guitars and Backing Vocals) are sons of Spanish immigrants it was time to make one.

The tracks on “La Bestia” were produced mainly by guitarist Jef Fortin as well as Colin Richardson who also produced 1999’s ‘Instinct’ and Jean-Francois Dagenais (Kataklysm) who produced 2006’s ‘Chapter Chaos Begins’. The album also features the bilingual song “Violencia Versus Violence” with the participation of Carlos Maldos of Lethal Creation (MX) and Arno Dhenain Le Bourhis of Black Bomb A (FR) along with a second bilingual track “Tierra” with Marco Calliari singing in Italian.

With over 2.5 million streams on Spotify, Anonymus is showing no signs of slowing down. Fans of thrash metal standbys such as Slayer and Testament will no doubt be intrigued by this new offering.

“La Bestia” album stream and download on Spotify, Apple Music, Deezer HERE.

Track Listing:
1. Bajo Presión (3:31)
2. Bicho Loco (3:58)
3. Sobrevivir (4:11)
4. Violencia Versus Violence (featuring Carlos Maldos of Lethal Creation (MX) and Arno from Black Bomb A) (4:33)
5. La Bestia (5:22)
6. Máquinas (3:32)
7. Cada loco con su tema (5:37)
8. Tierra ( Produced by Colin Richardson and Featuring Marco Calliari) (4:01)
9. Terremoto  (Produced by Jef Dagenais (Kataklysm) (3:08)
Album Length: 37:57

Album and Live Band Line Up:
Oscar Souto -Vocals/ Bass
Daniel Souto – Guitar/ Back Vocals
Jef Fortin -Guitar/ Back Vocals
Carlos Araya -Drums/ Back Vocals

For more info:
Bamand.co
Anonymusmetal.com
Facebook.com/anonymusmetal
Instagram.com/anonymusmetal1
Instagram.com/anonymusmetal_es (Spanish/Espagnol)
EPK

About:

Anonymus is a Canadian thrash metal band that explodes on stage with each presence, that pulls you in with its passion and that yells at you with corrosive and violent texts that will not leave anyone indifferent.

Since their first release in 1994, Anonymus has made its mark on the Quebec music scene. From the beginning, the group has been well received while demonstrating its brutal sound and technique that has continually evolved over the years. Oscar Souto (vocals, bass) Daniel Souto (guitar, vocals) Carlos Araya (drums), Jef Fortin (guitar since 2006) and Marco Calliari (vocals, guitar from 1994 to 2006) have since widely traveled the roads of their country, participated in the deprivation of Mononc’Serge and continue today to ignite stages everywhere they go. These veterans of the metal scene continue to proudly carry the torch after 20 years of chaos and barbaric music.

Forever hungry for metal, everyone in Anonymus brings ideas to the table. Sometimes it is a whole song or just the beginnings of one, yet together the band works to create a full thrashy anthem from the pieces, working on it until it is complete. The music always comes first, and when the ambiance is formulated, the lyrics, which come from a personal place and from current events, can be added.

Unstoppable and indestructible, inspired by bands like Metallica, Slayer, Megadeth, and Anthrax; Anonymus is nothing short of the powerful, aggressive and technical thrash metal that they have been refining for decades exemplified on their impressive discography of both French and English releases, which includes: “Ni vu, ni connu” (1994); Stress (1996); Instinct (1999); Daemonium (2002); Academie du Massacre (2003); Chapter Chaos Begins (2006); Musique Barbare (2008); État Brute (2011); Envers et contre tous (2015); P.O.M.M.E (2017); Sacrifices (2019); and their first-ever Spanish album La Bestia (2020) due out June 12 via label Bam&co Heavy.

Today, Anonymus does not need a presentation. This institution of the Quebec metal industry has been offering for twenty-six years, a passion for dark notes and unrivaled power. The offer is still valid. With more than 1500 career shows under their belt, Anonymus is completely in their element when performing in front of fans, they offer only their absolute best ensuring the crowd is moving. Having shared the stage with metal great such as Anthrax, Cannibal Corpse, and Kataklysm at festivals such as Heavy Montreal, Montebello, and through international tours, they are no strangers to a wild show.

ANONYMUS FOLLOWS ITS PATH, AGAINST ALL ODDS!

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Montreal Thrash HOMICIDE Shred Classic Riffs And Solos With Premiere of Next Single “Point Blank Rage” via MetalRules

  • August 13, 2020
  • by Asher
  • · Homicide · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – August 13, 2020

Interview Request at asher[@]ashermediarelations[.]com

For fans of Slayer, Motorhead, Exodus, Death, Sodom

Montreal Thrash HOMICIDE Shred Classic Riffs And Solos With Next Single “Point Blank Rage”

Premiere Second Single via Metal-Rules

New Album ‘Left For Dead’ Out August 21st

  
L-R – Bryan Donahue – Guitar, Mac – Bass, Scotty – Drums, and at bottom Gab – Vocals / Guitar

 

Montreal’s Homicide has a new album “Left For Dead” that is ready to take the world by storm on August 21st, 2020; the first offering since the band went dark 25 years ago.

What has been coined as “apocalyptic thrash” is coming back for fans and Homicide states it is like the first album, but on steroids. With a considerable amount of experience under their belts, this new album promises to be an instant classic. A no holds barred tour de force. The band shares the premise and musical intricacies behind the single:

“It gets things off to a fine start and is a reminder of just how good the storytelling style of vocalist Gabriel Morency is as he delivers a tale of the wrath of God. Mid-tempo evil chugs keep things going nicely and the riffs pay homage to the Bay Area Thrash scene with a nostalgic tooth gap grin while that whammy bar drop is a nice touch. It’s one of those tracks that cut at a point when it could happily go on for another few minutes and that’s always the hallmark of quality.” 

This is the soundtrack for listeners who are looking to conquer the world. Whether you’re driving, working out, or just looking for something to bang your head to, the fast and furious styling of Homicide is going to hit the spot.

All killer and no filler Homicide is suitable for fans of Venom, Exodus, and Motorhead.

Today, the band shares their second single off the full length, “Point Blank Rage”. The track is a classic driving song of raw sounding old school riffs and solos.

Guitarist Bryan Donahue comments:

“Who said the solo was dead? They lied. The lyrics might be simple enough, but they’re crowd fodder for chanting and will go down a storm in that regard.”

Listen to “Point Blank Rage via its premiere on Metal-Rules HERE.

The band’s first single “Scourge of God” is available on YouTube (lyric video), Spotify, Apple Music, Google Play HERE.

“Left For Dead” Album Teaser Video HERE.


Track Listing:
1. Shot to Hell (4:43)
2. Point Blank Range (4:15)
3. Left For Dead (4:15)
4. Enemy of The State (5:06)
5. Nightmares of The Apocalypse (2:28)
6. Scorched Earth (3:45)
7. Scourge of God (5:43)
Album Length: 30:18

More info:
Facebook.com/HomicideMontreal
EPK

About:
Formed in Montreal in the extremely vibrant metal/hardcore/crossover music scene of the early

1990’s, Homicide was, at the time, an amalgamation of members from other heavy-hitting bands on the scene who had developed strong followings and solid reputations in their own right. Gab Morency of Corrupted Youth (guitar/vocals) and Bryan Donahue of Damaged (guitar) began writing together after discovering that they had similar heavy influences and interests such as Motorhead, Slayer and Venom.

Morency had been renting a room in an extensive apartment building that also housed the jam space of local heavyweights Lizard. This is where the raucous rhythm section of Greg Mcleary (bass) and Scotty MacCulloch (drums) of Lizard heard the riffs from Morency and Donahue and decided that they had to join in on the heaviness that was transpiring.

After a period of only a few weeks, Homicide had begun recording what would be their first album “Malice and Forethought”. This catapulted them into the scene, where they played alongside and held their own with the likes of Voivod, Death, and Merciful Fate just to name a few. These performances granted Homicide a reputation for one of the best live bands performing on the scene with crowd-pleasers such as “Bring Back the Rope” about lax capital punishment policies and “Death Train” giving a nod to the devastation of terrorism in the poison gassing of a Japanese subway line.

With a sound that can be coined as “Apocalyptic Thrash”, Homicide went underground for many years and it was presumed that the band was no longer. However, 2020 brought the band members together again they recorded a new album “Left For Dead” which compared to the first album will be like going from light beer to moonshine. Homicide is back and fully amped to be bringing fast, aggressive to new and old fans around the world.

Homicide’s “Left For Dead” is due out August 21, 2020.

– 30 –

“They specialize in Old School Crossover Thrash and returning nearly 25 years later with their sophomore album “Left For Dead” they clearly have some unfinished business.” – Metal Noise

 

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher(@)ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia

AsherMediaRelations.com

0 Rockshots Records: Greek Power Prog BLACK FATE Release Single “Savior Machine”; New Album “Ithaca” Due Out October 23rd

  • August 12, 2020
  • by Asher
  • · Black Fate (Rockshots Records) · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – August 12, 2020

For fans Dream Theater, Fates Warning, Kamelot, Nightwish, Dio

Rockshots Records: Greek Power Prog BLACK FATE Release Single “Savior Machine”

New Album “Ithaca” Due Out October 23rd

Greek power prog Black Fate will be releasing their new album “Ithaca” on October 23rd, 2020 via Rockshots Records. With their heartbreaking world-class vocals, catchy hooks, and lyrics, along with crashing guitar riffs, haunting melodies, and furious technical and melodic solos, Black Fate continues to satisfy bands with the release of their 5th studio album. “Ithaca” was mixed and mastered by Steve Lado and follows full-lengths “Between Visions and Lies” (2014) (Ulterium Records), “Deliverance of Soul” (2009) (Asiral Records), “A Piece of Dream” (2002) (Secret Port Records), “Uncover” (2001) (Secret Port Records).

The band comments on the release of “Ithaca”:

“‘Ithaca’ is melodic, technical, and groovy, but also a bit dark. It has beautiful and strange melodies with powerful emotions. We believe it’s an album for all kinds of metal audiences. We hope the fans will see it the same way. We see ‘’Ithaca’’ as a very integrated album. Fans who have followed us over the years will also notice many changes in the songwriting process, we concentrated to find the best form and the best overall result for every song.”

Today, the band is sharing their first single “Savior Machine” and comments about the track:

“A fast tempo song, maybe the fastest track of the album with aggressive guitars, dark melodic & catchy vocals, fast drumming, and intense choral keyboards.”

Listen to “Savior Machine” at the following links:

Spotify
YouTube

Black Fate was formed in 1990 in Larissa, Greece, and introduced themselves to the metal world with two demos ’’Black Fate” and “A Piece of Dream’’ with great praise.

A decade after establishing themselves and a few lineup changes, the band debut the 2000  full length “Uncover” via Secret Port Records, and two years later their two first original demos were also released together under the title “A Piece of Dream”.

After a short hiatus, the band returned in 2009 with their next offering “Deliverance of Soul’’ via Asiral Records.

Then in 2014, the power melodic metal band switched up to a new line up featuring vocalist Vasilis Georgiou, guitarist Gus Drax from UK bands Biomechanical and Sunburst, bassist Vasilis Liakos and drummer Tsintzilonis Nikos. The new line up recorded the album ”Between Visions and Lies” released by Swedish label Ulterium Records in 2014 along with the label re-issuing in 2016 the band’s re-mastered 2009 album ”Deliverance of Soul” along with new album artwork.

Then in 2019, the band recruited keyboardist Themis Koparanidis and Black Fate hit the studio to record their 12 track epic “Ithaca” that was mixed and mastered by Steve Lado and now scheduled to be released via Italian label Rockshots Records for October 2020.

Black Fate is inspired by the giants of their genre (Dream Theater, Fates Warning, Kamelot, Nightwish, Iron Maiden, Dio, and many others) and look forward to showcasing their blend of melodic progressive power metal in the next chapter of their two-decade career.

For more info:
Rockshots.eu
Facebook.com/blackfategreece
Instagram.com/blackfate_official_funpage
Youtube
Spotify

– 30 –

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Los Angeles Death Shred Bloodfeast Ritual Unleash Lyric Video “Eternally Molested By The One Most Foul”; Debut EP “Altars of Sacrifice” Out Now!

  • August 12, 2020
  • by Asher
  • · Bloodfeast Ritual · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – August 12, 2020

For fans of The Black Dahlia Murder, Arsis, Cannibal Corpse, Morbid Angel, Death

Los Angeles Death Shred Bloodfeast Ritual Unleash Lyric Video “Eternally Molested By The One Most Foul”

Debut EP “Altars of Sacrifice” Out Now!


“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre,
and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” – Bloodfeast Ritual

Los Angeles death shred Bloodfeast Ritual unleashed their debut EP “Altars of Sacrifice” this past July. It’s a five-track introduction ranging from technical death metal to melodic shred, with lyrical content that shares the trio’s love for 80’s horror movies (The Evil Dead, Dawn of The Dead), video games (Bloodborne), HP Lovecraft, and general blasphemy.

“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre, and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” says the band.

Heavy, fast, and brutal, today the band is sharing their lyric video for “Eternally Molested By The One Most Foul”, where listeners can expect a guitar nerd’s wet dream as guitarists Michael Bala and Hunter Gurney showcase the rippage with four excitable solos.

“This song was something Mike wrote at 4 in the morning because he couldn’t sleep until it was out of his head and on paper. We love the melody and song structure, and think it’s one of the most unique songs on the EP.” says the band.

Listen and get your headbang karaoke ready with “Eternally Molested By The One Most Foul” on YouTube.

Bloodfeast Ritual’s debut EP “Altars of Sacrifice” is available on Bandcamp, Apple Music, Spotify, and Amazon.

Track Listing:
1. Grave Fodder (4:27)
2. Eternally Molested By The One Most Foul (4:46)
3. No More Room In Hell (4:40)
4. Chopped Up And Burned (3:39)
5. Fetid Offering (3:21)
EP Length: 20:56

More info:
Bloodfeastritual.com
Facebook.com/bloodfeastritual
Instagram.com/bloodfeastritual
EPK

About:

Formed in the barren lands of Los Angeles when guitarist Hunter Gurney found fellow guitarist Michael Bala shredding at a Guitar Center in Hollywood, CA. With the shock and awe of each other’s talent, a friendship was quickly formed, and soon after the two mad lads began jamming, jellying, and collaborating in all senses of the phrase.

Between the two of them, there was a strong, electrical creative energy that compelled the pair to both write songs. The young shredders were very inspired by HP Lovecraft, 80s horror, and older style death metal. Hunter added his own flavor to Michael’s existing songs, and Michael helped Hunter expand his own songwriting abilities. The pair worked very quickly, and composed a handful of crunchy tunes; soon after, it was time to find other members to join their cult for brutality.

Through a mutual friend, the duo met growler David Ainsworth. Michael and Hunter were taken aback at David’s ability to perform metal vocals in a wide variety of styles, and suddenly the wolf pack became a terrifying trio of tremendous heavy metal titans. The Mississippi Mutant aka David became close with Michael and Hunter and joined them on their quest for death metal domination.

After a few solid months in the practice room, the trio decided it was time to hit the studio. Five songs for annihilation were chosen to be recorded and were executed with surgical precision, under the watchful eye of Charlie Waymire from Ultimate Studios. Michael and Hunter shared bass duties on the recording, and vocalist David injected his vocal venom from with lyrics of demons and eldritch horrors. Showcasing a range from technical death metal to melodic shred, the trio’s sonic devastation “Altars of Sacrifice” (EP) was completed and set to assault the masses on July 24th, 2020.

2020 is proving to be a big year for Bloodfeast Ritual. The band is beginning their journey, and they appreciate each and everyone that has encouraged them, either in the form of inspiration or those that have taken the time to pass on a kind word. Especially during the current age of Covid.

– 30 –

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Sadistic Embodiment Conjure Creative Chaos With “Catherine’s Braid” Off “Blood Spell”; New Album “Blood Spell” Out September 18th, 2020 via CDN Records

  • August 12, 2020
  • by Asher
  • · Music News · Sadistic Embodiment

(contact info below)

NEWS RELEASE

Montreal, QC – August 12, 2020

For fans of Gojira, Rotting Christ, Bloodbath, Kataklysm, Strapping Young Lad

Sadistic Embodiment Conjure Creative Chaos With “Catherine’s Braid” Off “Blood Spell”

New Album “Blood Spell” Out September 18th, 2020 via CDN Records


L-R – Bryan James Newbury (Drums); Jason Cullen (Rhythm Guitar); Wally Fischer (Lead Guitar); Curtis Vieville (Bass)
Photo Credit: Danika Challand AKA Demonika

Canada’s Sadistic Embodiment is releasing a new album “Blood Spell” and to get you ready for the sonic onslaught, they have the single “Catherine’s Braid” available now.

Sadistic Embodiment has released 3 EPs so far, and are pleased to add this new full length to their discography. They share what listeners can expect from the album:

“’Blood Spell’ will pique our fans interest. They will tell that we have grown in depth and complexity while maintaining simple and heavy death metal passages. This album will get fans pumped with new catchy choruses intermixed with powerful and epic melodies. The newest material exhibits a darker soundscape than our previous releases.”

“Catherine’s Braid” was chosen as the first single for a reason. The chorus will convince listeners to pound their fists and chant. The intro and choruses feature the wretched growls of Calvin (Org666) Fehr of Dead Jesus. Watch the video and take in the imagery of an individual experiencing their slow and brutal sentence, being broken on the wheel!

Simple, heavy, and catchy, each of the nine songs have a distinct feel given the variation in vocal and instrumental styles throughout the album. Each song stands out and yet they are all uniquely Sadistic Embodiment. This will please old school death metallers and the new school with the variety of punch-in-your-face hooks, melodic passages, and absolutely brutal anthemic choruses.

Like a pungent black onion, “Blood Spell” has many layers of groovy, mid-tempo riffs, choruses alongside pain, anguish, and rage; the instrumental and vocal nuances meticulously build into each song.

“Blood Spell” is the album fans of both old school death metal and newer will appreciate. Especially fans of Gojira, Bloodbath, and Kataklysm.

The album will be released on September 18, 2020 on all major digital platforms along with being available for pre-order (CD) from CDN Records here.


Track Listing:
1. Stranger (4:41)
2. Gallows Hill (5:33)
3. Catherine’s Braid (6:03)
4. Phantom Tormentor (4:41)
5. Nebulae (Call of the Void) (2:48)
6. Suicide Ceremony (3:09)
7. Global Enema (4:06)
8. Flesh Deposition (5:37)
9. Cerebral Termination (5:26)
Album Length: 42:08

Sadistic Embodiment is:
Bryan James Newbury (Drums)
Jason Cullen (Rhythm Guitar)
Curtis Vieville (Bass)
Wally Fischer (Lead Guitar)

For more info:
CDNRecords.com
Facebook.com/sedeathmetal
Instagram.com/sadisticembodimentofficial
EPK

About:

The sadistic death metal quartet was originally conceived in Edmonton, Alberta. Although all Edmonton born half of the group now resides in Calgary, travelling frequently to join the others in crafting extreme musical works. Each member brings their own distinct flair to the music, live theatrics, and social media content.

Drummer Bryan Newbury (also known from Into Eternity, Untimely Demise) formed the project in the fall of 2017 by inviting Curtis Vieville and Helge Lipphardt to jam simple and catchy death metal. A couple of months later, Jason Cullen joined the group and then Nate Mandrusiak joined shortly thereafter, forming the five-piece that produced their Self-Titled (March 30th, 2018) and Blodørn (September 8th, 2018) EPs. Curtis Vieville left to travel for the summer of 2018, leaving the band to record bass and vocals for the Blodørn release on his behalf.

During the late fall of 2018, the group parted ways with Helge Lipphardt and brought on Curtis’ old bandmate Wally Fischer. Continuing their relentless musical onslaught the group wrote and released the EP Beloved Imprisonment on January 31st, 2019, showcasing their evolved sound. But the work was far from over and after a few gigs, the group began work constructing their first full-length album. During that period the band parted ways with their singer Nate in early 2020, and from thereafter the group became a three-pronged vocal assault team.

Completing their work in the spring of 2020, the milestone album “Blood Spell” was finally realized. As if sensing the impending debut, CDN Records approached the band with a record deal just as the final touches were being completed. And thus Sadistic Embodiment joined the CDN Records family.

Each release from Sadistic Embodiment grows in depth and complexity while maintaining simple and heavy death metal passages. They pride themselves on having catchy choruses intermixed with powerful and epic melodies. The newest material exhibits dark soundscapes with a lot of variation in song type and feel. Listen closely and you will find evil and pain lurking in the mix

“Blood Spell” is due out September 18, 2020 via CDN Records.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s Entropy Announce New Expansive, Cinematic Album “Force Convergence”

  • August 11, 2020
  • by Asher
  • · entropy · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – August 11, 2020

For fans of Slayer, Pantera, Iron Maiden, Black Sabbath, Metallica

Canada’s Entropy Announce New Expansive, Cinematic Album “Force Convergence”


L-R: Oscar Rangel (Bass), Ger Schreinert (Vocals), Dan Lauzon (Guitar), Blake Lemieux (Drums)
Photo Credit – Pamela Ashton – Lauzon

Canadian legends Entropy first hit the metal scene in the late 80s and 30 years later they are still melting faces, this time with “Force Convergence”.

This will be the fourth album from the band, and they describe it as their best album yet and it’s a cinematic type experience. Entropy shares the premise being the concept album:

“We wanted to bring metal fans a sci-fi horror experience with the album story. The lyrical inspiration is from bands like Rush, Queensryche, Voivod, Iron Maiden, and also from films like Aliens, Predator, War Of The World’s, Independence Day, Invasion Of The Body Snatchers. There is also a sprinkle of war scene themes throughout the story, like Apocalypse Now, Platoon, and Starship Troopers, mixed in for fun.” 

The story-driven, progressive thrash metal album has been getting excellent reviews from the people who have had a chance to listen to it early, this is the album that everyone wants!

So far, all the Entropy albums have a different feel to them, and this new one is also forging its own path. “Force Convergence” is a 30-minute metal rip-ride! It is a creative and fun album that flows with power, melody, aggressiveness, and meaning.

With an original and eclectic sound that is 30 years in the making, Entropy is suitable for all metalheads especially those who enjoy Slayer, Pantera, and Iron Maiden.

“Force Convergence” is due out August 28th and will be available on Entropymetal.com (CD), Spotify, Apple Music.

Advance Album Stream on YouTube.


Track Listing:
1. Everything Falls (1:03)
2. Ripzone (4:10)
3. Planetary Impact Extinction (6:30)
4. Threshold of Decimation (4:44)
5.Weaponized Storm System (4:52)
6. Transmigration (2:41)
7. Force Convergence (5:11)
Album Length: 29:15

Entropy is:
Album / Live Band Line Up:
Ger Schreinert (Vocals)
Dan Lauzon (Guitar)
Oscar Rangel (Bass)
Blake Lemieux (Drums)

For more info:
EntropyMetal.com
Facebook
EPK

About:

Formed in Toronto in the late 80s, Canadian metal band Entropy has released 3 albums on their own independent label, Ashen Existence (1992), Transcendence (1995), and E3 (2012).

The quartet of Oscar Rangel (bass), Ger Schreinert (vocals), Dan Lauzon (guitar), and Blake Lemieux (drums) mark their own eclectic style of metal. Lauzon writes the songs as guitar music structures. Schreinert gets down the lyrics and vocal lines. Rangel contributes with beautiful classical guitar and creative bass lines throughout the songs. Lemieux composes the drum parts, and the result is brutal and elegant at the same time.

The unique sound of Entropy comes from a blend of thrash, death, prog, groove, speed, and power metal stylings. The original sound coupled with strong reviews in print and web media for their independent CD releases, Entropy has performed extensive shows for their fans, playing live with such legendary acts as Annihilator, Piledriver, Fear Factory, Razor, Obituary, and Anvil and countless local Canadian bands.

Entropy’s independent album releases have become somewhat of an underground metal collector’s item, with on-line reports of eBay bids going up to $500 USD for an original copy of Ashen Existence!

As of August 2020, Entropy will release the fourth album Force Convergence, with even more music planned after that. Entropy thanks their fans, and metal album collectors from around the world, for the continued interest and support of their unique brand of metal.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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