Album Review: Alizarin – The Last Semblance (Self Released) – Games, Brrraaains & A Head-Banging Life “Progressive melodies, complex depth, mournful lows, encapsulating highs, energetic rhythms and so much more. The devil is in the detail and Alizarin has a hell of a lot of devilish elements. Stuff that really takes hold and burrows its way deeply into the brain matter… Experience The Last Semblance…it’s pretty unforgettable.” https://www.gbhbl.com/album-review-alizarin-the-last-semblance-self-released/
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0 Album Review: Alizarin – The Last Semblance (Self Released) – Games, Brrraaains & A Head-Banging Life “Progressive melodies, complex depth, mournful lows, encapsulating highs, energetic rhythms and so much more. The devil is in the detail and Alizarin has a hell of a lot of devilish elements. Stuff that really takes hold and burrows its way deeply into the brain matter… Experience The Last Semblance…it’s pretty unforgettable.”
0 Montreal Progressive Death MESSORA Premiere Music Video ‘The Door’
(contact info below)
NEWS RELEASE
Montreal, QC – July 10, 2020
For fans of Opeth, Children of Bodom, Lamb of God, Psycroptic, Gojira
Montreal Progressive Death MESSORA Premiere Music Video ‘The Door’
Debut Album ‘The Door’ Out Now!
Photo Credit: Vladim Vilain
Unleashing the debut album “The Door” this past October, Montreal’s Messora are excited to share the new music video for the album’s title track. Produced entirely by the band and a group of friends, the conception and production of the video was a massive undertaking for them.
“It is a collection of imagery and aesthetics meant to reflect and enhance the sounds and themes of “The Door”. We are extremely pleased and proud to be able to share it today.” says vocalist/guitarist Zach Dean.
The music video for “The Door” can be viewed via its premiere on BeheadingTheTraitor HERE.
Formed as a solo recording project in 2016 in Montréal, Québec, Messora has become a band that obscures and challenges genres. To the band, the music comes as what feels best in the moment. To the fans, it is a kaleidoscope of sound that appears different at every glance and to every eye.
Messora has been described as Death Metal, Black Metal, Thrash Metal, Progressive Metal, Melodic Metal, and Doom Metal by fans and showgoers. The elements that make up the music may seem familiar to some, yet the whole remains a challenge to define.
The band knows how to set themselves apart from others musically as well as aesthetically, with showmanship and presentation second only to musical performance during their live show. They demand attention with their presentation, but keep it with the strength of their performance and musicianship. Having shared the stage with bands such as Carach Angren, Mors Principium Est, and Wolfheart, Messora always delivers, visually, aesthetically and musically.
During October 2019, Messora released their debut album “The Door”. The album shifts between genres, and creates a visceral atmosphere that can’t be confined to a single category, be prepared to hear death, melodic, doom, and progressive elements throughout the seven tracks on the album. Looking to challenge listeners, Messora presents an album that requires attention and an open mind, as Zach Dean quotes:
“I am trying to present fans with a record that you listen to front to back and come out of feeling different. Maybe not even different, maybe just more like yourself. The album as a whole is very varied musically while remaining focused and tight. It’s very clearly a metal album but you can hear that we want to go to different places and incorporate different influences throughout the record. Most of the songs are very long and have very complicated structures and changes, but it’s always meant to feel right and musical rather than abrupt and meaningless.”
Any metal lover who craves proggy and dark music especially along the lines of Opeth, Psycroptic, and Gojira will find Messora to their liking.
“The Door” is available on Bandcamp, Spotify, Apple Music.
Track Listing:
1. The Door (6:04)
2. Tethered (1:34)
3. The Veil (9:40)
4. The Falling Star (8:48)
5. The Pond (5:30)
6. Untethered (3:31)
7. The Tide (9:08)
Album Length: 44:19
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“When the album is at its fiercest, I get a distinct GOJIRA vibe…those hard as ice riffs, sterile vocals, and punishing sound.” 8/10 – Metal Temple
“Messora constantly find new directions, evolving their music from one side to the other and back. The fact they can do it flawlessly is a joy [8/10] ” – Metal Noise
“The music is technical, brutal, thoughtful, and emotional; taking the listener on a singular journey to the recesses of your mind… This is music for your ears and soul, so purchase and stream the album at the links below.” – Ghost Cult Mag
“The Door is one record you certainly check out if you want nothing but solid tracks all the way through. This record will certainly put Messora on the metal map.” – Metal Utopia
“Promising career start for the Canadian quartet” – Broken Tomb Magazine
“truly exceptionally talented musicianship that is simply a heavy work of art.” – Boston Rock Radio
“Combining a variety of genres, the group made good impressions on those who shows up early with their tight musicianship and ability to change pace on a moment’s notice” – Apt 613
“… Messora was a whirlwind on stage. It was hard to believe that a half hour had passed when they began to play their final song, as each song had layered onto each other leaving viewers with a feeling that the experience was almost surreal.”- Splice Media Group
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher(@)ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia
Jon Asher – Music Publicist
#.514.581.5780 | asher(@)ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia
AsherMediaRelations.com
0 Out Now! OSYRON New Album “Foundations”; Share Behind The Scenes Making Of Video + Announce Endorsement With Solar Guitars
(contact info below)
NEWS RELEASE
Montreal, QC – July 10, 2020
Interview Request at asher[@]ashermediarelations[.]com
For fans of Nightwish, Symphony X, Dream Theater, Kamelot, Wintersun
Out Now! OSYRON New Album “Foundations”; Share Behind The Scenes Making Of Video
Announce Endorsement With Solar Guitars
L-R: Krzysztof Stalmach (Guitar) | Cody Anstey (Drums) | Bobby Harley (Guitar) | Reed (Vocals) | Tyler Corbett (Bass)
Photo Credit by Ara Shimoon
Calgary’s Osyron are proud to unleash their new album “Foundations”, out now, as of July 10th. The album is an immersive exploration of Canadian history and identity, speaking on topics on the country’s colonization to the mistreatment and recognition of Aboriginals to the country’s participation in global warfare. Although it is not a conceptual release, it does bear a consistent theme across nearly the entirety of the record. For fans of Nightwish, Dream Theater, and Wintersun; Osyron is progressive, powerful metal with a knack for engaging storytelling.
The band comments:
“We believe that the album will both surprise and challenge our current and new fans while still bringing back the big elements we are most known for (hooks, huge layered sections, melodies, and finger-twisting riffs, etc). This album is meant to be digested as an immersive exploration of Canadian history and identity. Delving into sensitive topics such as cultural genocide, racism, and segregation. It touches on more communal elements of emotion such as loss, pain, hope, and perspective of faith.
Overall, ‘Foundations’ is a view into an unseen and rarely explained/talked about topics; human nature. We wanted to bring to life on the very foundations that Canada as a nation was built; the bloodshed, war, and assimilation of different ethnic groups (mostly First Nations) that cultivated into what we know as Canada today, as well as the very fabric that the complex, diverse culture of Canadians share.
We hope we perfectly blend art with history, expression with emotion, and opinion with reason. ‘Foundations’ is but a chapter in a young nation’s history book, that just completed its prologue.”
Along with the album’s release, Osyron are sharing with fans a personal and very detailed Behind The Scenes documentary video that grants insights into the process of birthing“Foundations”. The band talks about their sound experiences of creating and thereby covers the steps of making an album, all the way from the first ideas and motivations through writing, recording, mixing, and mastering.
Watch the video on YouTube HERE.
And if that’s not enough for making it a perfect release week, guitarists Bobby and Krzysztof proudly announce that they are now officially endorsed Solar Guitars artists. The brand, founded by The Haunted guitarist and YouTube guitar icon Ola Englund, offers high-quality instruments for everyone from amateurs to studio pros and touring musicians – showing a strong focus on innovation and fair pricing while sticking to the highest possible standards. Solar Guitars works with artists such as Marcus Siepen (Blind Guardian), Jonas Wolf (Eluveitie), or Johan Bergebäck (Necrophobic), only to name a few.
Osyron‘s new album “Foundations” is available on Spotify, Apple Music, Tidal, Deezer HERE.
Album CD and digital download via Bandcamp HERE.
Music Video “Ignite” – YouTube, Facebook
Music Video “The Ones Below” – YouTube, Facebook
Track Listing:
1. The Cross (5:01)
2. Ignite (4:33)
3. Battle of The Thames (6:51)
4. The Ones Below (3:54)
5. Foundations (8:20)
Album Length: 28:41
Band Line Up:
Krzysztof Stalmach (Guitar)
Cody Anstey (Drums)
Bobby Harley (Guitar)
Reed (Vocals)
Tyler Corbett (Bass)
Album Credits:
– Producer: Self-produced
– Studio: Studio D (drums), CRM Sound and Tyler Corbett Music (all other instruments and vocals)
– Mixed: Tyler Corbett (Tyler Corbett Music)
– Mastered: Alan Sacha Laskow (Perfect Filth Studios)
– Artwork: Piotr Jamroz
– All music and lyrics written by Osyron
For more info:
Osyron.com
Facebook.com/osyron
Instagram.com/osyronband
EPK
What the press is saying:
“Everything about this band is top quality and one of the most proficient, mature, classy and yet still exciting new bands in this field.” – Metal Rules
“Get close, get warm and listen to the tales told of Canada by Osyron. 8/10” – Games, Brrraaains & A Head-Banging Life
“a very solid entry into one of my favorite genres and I think it will fit right in many people’s playlists – and, more importantly, I think the playlist would be lacking without it. This one is worth picking up. I don’t think you will regret it at all.” – Uber Rock
“From acoustic to symphonic, each song has plenty of twists and turns with potent vocals and compelling arrangements that showcase Osyron’s instrumental prowess.” – Heavy Music Headquarters
“this record is symphonic and proggy in all the right places, and if you like bands such as Nightwish, Symphony X, Dream Theater, Kamelot, and Wintersun, you’re going to like this. But in my opinion, the ace card here is the lyrics, and the way that every member of the band has explored and interpreted the subject matter. They all had a hand in writing the tracks, for the first time in their history, and I think that it has really worked very well. I might not have known Osyron before hearing this record, but I definitely intend to get to know them more now.” – Ever Metal
““Ignite,” a battering ram to the face. A song that merges together two competing elements, the need for speed, and the curious desire for melodical contextualisation.” – The Median Man
About:
Osyron is a symphonic metal band based in Calgary, Alberta. The group consists of vocalist Reed, guitarists Krzysztof Stalmach and Bobby Harley, bassist Tyler Corbett, and drummer Cody Anstey. Bridging the gap between traditional European metal and the music of their homegrown contemporaries, Osyron has a sound all their own.
The band’s origins can be traced back to Ontario, where they began under the name Morbid Theory. After releasing two demos (Chaos Breed in 2006 and Harbinger in 2010), the band underwent some changes in membership, scenery, and identity. Moving to Alberta in 2012, the group, now rechristened Osyron, re-recorded Harbinger in Calgary, and released the album in 2013.
After releasing their sophomore album, “Kingsbane”, in the fall of 2017, the momentum that followed was swift. “Kingsbane” caught the attention of the European metal community – proving a favourite of audiences, critics, and radio programmers.
In 2018, Osyron released a metal cover of the Canadian national anthem, which picked up speed across the country. This patriotic theme continues into the new album “Foundations” (2020). Stemming from a perspective of Canadian identity and culture – both past and present, the new album challenges the global perspective of the great white north by retelling historical moments in an immersive and melodic manner. Speaking on topics of Canada’s colonization to the mistreatment and recognition of Aboriginals to the country’s participation in global warfare.
Performing alongside numerous major acts such as Norther, Protest The Hero, Into Eternity, Threat Signal, and The Agonist, Osyron’s next goal is to take their sound across the Atlantic in the flesh.
”Foundations” is due out July 10, 2020, and will be available on all major digital platforms.
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
0 Thank you DJs and MDs! \m/\m/ !earshot – June 2020 – Top 20 Loud – Canadian College Radio #1 Black Pestilence #13 Anonymus #15 JUNKOWL #17 Benevolent Like Quietus
Thank you DJs and MDs! \m/\m/
!earshot – June 2020 – Top 20 Loud – Canadian College Radio
#1 Black Pestilence
#13 Anonymus
#15 JUNKOWL
#17 Benevolent Like Quietus
0 Thank you DJs and MDs! \m/\m/ JUNKOWL #180 on Top 200 for June 2020 – Canadian College Radio Charts
Thank you DJs and MDs! \m/\m/
JUNKOWL #180 on Top 200 for June 2020 – Canadian College Radio Charts
0 Canadian Thrash Legends ANONYMUS Share Music Video “Máquinas” via GhostCultMag
(contact info below)
NEWS RELEASE
Montreal, QC – July 9, 2020
Interview Request at asher[@]ashermediarelations[.]com
For fans of Slayer, Testament, Voivod, Lamb Of God
Canadian Thrash Legends ANONYMUS Share Music Video “Máquinas”
Premiere “Máquinas” via GhostCultMag
First Spanish Album “La Bestia” Out Now! via Bam&co Heavy
L-R: Carlos Araya (drums), Daniel Souto (guitars), Oscar Souto (Vocals and Bass) and Jef Fortin (guitars)
L-R: Carlos Araya (drums), Daniel Souto (guitars), Oscar Souto (Vocals and Bass) and Jef Fortin (guitars)
Photo Credit: Dani Rod
Canadian thrash legends Anonymus recently unleashed their 12th album “La Bestia” on June 12th via label Bam&co Heavy. Known for their discography of both French and English releases, “La Bestia” is their first full length that is completely in Spanish. You may be asking why a Spanish album? Well since 3/4 of the band speaks Spanish. Drummer Carlos Araya is Chilean born, and Oscar (Lead Vocals and Bass) and Dan Souto (Guitars and Backing Vocals) are sons of Spanish immigrants it was time to make one.
Today, the band shares their new music video recorded live in-studio for their track “Máquinas” via its premiere on GhostCultMag HERE.
The band reveals the story behind the track:
“This song is inspired by all the movies that we saw over the years that related to the machines that are taking over humans. We are not very far away from that, except that it’s not happening in the way that we thought. I mean who can live now without an iPhone or iPad or living without the internet and Google, YouTube, Facebook. Ok maybe it’s not like the movies in which humans were attacked by malefic robots, but it’s a different attack and we are losing the battle.”
The tracks on “La Bestia” were produced mainly by guitarist Jef Fortin as well as Colin Richardson who also produced 1999’s ‘Instinct’ and Jean-Francois Dagenais (Kataklysm) who produced 2006’s ‘Chapter Chaos Begins’. The album also features the bilingual song “Violencia Versus Violence” with the participation of Carlos Maldos of Lethal Creation (MX) and Arno Dhenain Le Bourhis of Black Bomb A (FR) along with a second bilingual track “Tierra” with Marco Calliari singing in Italian.
With over 2.5 million streams on Spotify, Anonymus is showing no signs of slowing down. Fans of thrash metal standbys such as Slayer and Testament will no doubt be intrigued by this new offering.
“La Bestia” album stream and download on Spotify, Apple Music, Deezer HERE.
Videos:
Lyric Video “La Bestia” HERE.
Music Video “Sobrevivir” HERE.
Music Video “Terremoto” HERE.
Track Listing:
1. Bajo Presión (3:31)
2. Bicho Loco (3:58)
3. Sobrevivir (4:11)
4. Violencia Versus Violence (featuring Carlos Maldos of Lethal Creation (MX) and Arno from Black Bomb A) (4:33)
5. La Bestia (5:22)
6. Máquinas (3:32)
7. Cada loco con su tema (5:37)
8. Tierra ( Produced by Colin Richardson and Featuring Marco Calliari) (4:01)
9. Terremoto (Produced by Jef Dagenais (Kataklysm) (3:08)
Album Length: 37:57
1. Bajo Presión (3:31)
2. Bicho Loco (3:58)
3. Sobrevivir (4:11)
4. Violencia Versus Violence (featuring Carlos Maldos of Lethal Creation (MX) and Arno from Black Bomb A) (4:33)
5. La Bestia (5:22)
6. Máquinas (3:32)
7. Cada loco con su tema (5:37)
8. Tierra ( Produced by Colin Richardson and Featuring Marco Calliari) (4:01)
9. Terremoto (Produced by Jef Dagenais (Kataklysm) (3:08)
Album Length: 37:57
Album and Live Band Line Up:
Oscar Souto -Vocals/ Bass
Daniel Souto – Guitar/ Back Vocals
Jef Fortin -Guitar/ Back Vocals
Carlos Araya -Drums/ Back Vocals
Oscar Souto -Vocals/ Bass
Daniel Souto – Guitar/ Back Vocals
Jef Fortin -Guitar/ Back Vocals
Carlos Araya -Drums/ Back Vocals
For more info:
Bamand.co
Anonymusmetal.com
Facebook.com/anonymusmetal
Instagram.com/anonymusmetal1
Instagram.com/anonymusmetal_es (Spanish/Espagnol)
EPK
Bamand.co
Anonymusmetal.com
Facebook.com/anonymusmetal
Instagram.com/anonymusmetal1
Instagram.com/anonymusmetal_es (Spanish/Espagnol)
EPK
About:
Anonymus is a Canadian thrash metal band that explodes on stage with each presence, that pulls you in with its passion and that yells at you with corrosive and violent texts that will not leave anyone indifferent.
Since their first release in 1994, Anonymus has made its mark on the Quebec music scene. From the beginning, the group has been well received while demonstrating its brutal sound and technique that has continually evolved over the years. Oscar Souto (vocals, bass) Daniel Souto (guitar, vocals) Carlos Araya (drums), Jef Fortin (guitar since 2006) and Marco Calliari (vocals, guitar from 1994 to 2006) have since widely traveled the roads of their country, participated in the deprivation of Mononc’Serge and continue today to ignite stages everywhere they go. These veterans of the metal scene continue to proudly carry the torch after 20 years of chaos and barbaric music.
Forever hungry for metal, everyone in Anonymus brings ideas to the table. Sometimes it is a whole song or just the beginnings of one, yet together the band works to create a full thrashy anthem from the pieces, working on it until it is complete. The music always comes first, and when the ambiance is formulated, the lyrics, which come from a personal place and from current events, can be added.
Unstoppable and indestructible, inspired by bands like Metallica, Slayer, Megadeth, and Anthrax; Anonymus is nothing short of the powerful, aggressive and technical thrash metal that they have been refining for decades exemplified on their impressive discography of both French and English releases, which includes: “Ni vu, ni connu” (1994); Stress (1996); Instinct (1999); Daemonium (2002); Academie du Massacre (2003); Chapter Chaos Begins (2006); Musique Barbare (2008); État Brute (2011); Envers et contre tous (2015); P.O.M.M.E (2017); Sacrifices (2019); and their first-ever Spanish album La Bestia (2020) due out June 12 via label Bam&co Heavy.
Today, Anonymus does not need a presentation. This institution of the Quebec metal industry has been offering for twenty-six years, a passion for dark notes and unrivaled power. The offer is still valid. With more than 1500 career shows under their belt, Anonymus is completely in their element when performing in front of fans, they offer only their absolute best ensuring the crowd is moving. Having shared the stage with metal great such as Anthrax, Cannibal Corpse, and Kataklysm at festivals such as Heavy Montreal, Montebello, and through international tours, they are no strangers to a wild show.
ANONYMUS FOLLOWS ITS PATH, AGAINST ALL ODDS!
– 30 –
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
0 EPK – WoR – Prisoners (2020) (Bungalo Records/ Universal)
EPK – WoR – Prisoners (2020) (Bungalo Records)
For fans Pantera, Lamb of God, Machine Head, Sepultura, Gojira
Album Title: Prisoners
Release Date: August 7, 2020
Label: Bungalo Records
Distribution: Universal Music Group
WoRband.com | Facebook.com/WoRBandOfficial | Instagram.com/w.o.r.official | YouTube | Twitter.com/WoRbandofficial
Spotify | Apple Music | Amazon | Google Play | WoR Online Store
“It’s hard to find a band that comes as strong out of the gate with a debut album like WoR. It’s actually a very short list of bands that are sheer power right from the get go. The debut album from WoR, entitled Prisoners, was released earlier in August and honestly deserves as much attention as it can get.” – Metal Injection
“a highly impressive slice of groove metal that will most definitely appeal to fans of Lamb Of God, Pantera and MachineHead. Hailing from the febrile breeding ground of North Carolina, WoR lay it down with intent on ‘Predator’, stalking the deepest reaches of your aural cortexes with the declarative lead single from their forthcoming debut album, ‘Prisoners’: on the evidence of this, they won’t be taking any when it impacts on 7 August.” – Uber Rock
“On the whole, for a debut album, this is some real good stuff that oozes polish right from the get-go and all the way to the end of it. WoR are onto something good here and they’re on my list of bands to keep an eye out for when they eventually hit Manchester, no doubt in some small sweaty venue like the Star and Garter – the best type of place to experience this sort of stuff.” – Uber Rock
“The songs pack a nasty punch, leaving your body bruised and your nose bloodied. Chuggy riffs, ferocious vocals and some nods to thrash metal propel this album to excellence.” – Abrasive Noise
“Right off the bat, this band doesn’t mess around and you know what you get from the opening aggression of “Kill You”… Demoss sounds like good mix of metalcore growls like LAMB OF GOD’s RANDY BLYTHE to even some black metal-like screams at times. Their sparing use of dual guitar leadwork – mostly for atmosphere and melody and less for flashy solos – is always welcome from the SLAYER inspired slow, creepy guitar melodies in “VI Kings” and “Caged” to the aptly sounding 80s-ish squawking of “Sirens”. For a debut, it’s really impressive and I feel genuinely bad that they aren’t able to tour and get their music out more efficiently.” – Metal Temple
“…chunky riffs always have a place if they are handled as well as WoR does it. They work their way through anthemic tunes with heavy subject matters, like “Freedom Suicide” and “Sirens,” with the latter bluntly calling out police brutality.” – Heavy Music Headquarters
“Thrashy hardcore pushing into some good grooves cool stuff.” – WORT 89.9FM – The Moshpit (Madison, WI)
“Their music combines aggressive riffs, harmonic leads, and tasteful breakdowns with the infectious anti-authoritarian lyrics of vocalist Bobby DeMoss.” – Antichrist Magazine
“Raleigh North Carolina Groove Metal is what “Prisoners” is all about with the raw drum sound during “Kill You” adding an air of “New American Gospel” era Lamb Of God. Crews has the time keeping if the metronomic Chris Adler down to a fine art and his rapid fire, power house performance on this cut gives the Pantera groove riffs and Southern Hostility style breakdowns the underpinning that they need. “Caged” is the longest cut on the album at just over five minutes but is no less ferocious, with DeMoss being a vocal force to be reckoned with, the roars of “don’t waste my time on idol ideas” cutting even the broadest shouldered lumberjack down to size.” – Metal Noise
L-R – Phillip Funderburk – Bass, Bobby Demoss – Vocals, David Nisoff – Guitar, Dylan Jenkins – Drums, Ben Kaiser – Guitar
WoR is a groove metal quintet from Raleigh, North Carolina. Their music combines aggressive riffs, harmonic leads, and tasteful breakdowns with the infectious anti-authoritarian lyrics of vocalist Bobby DeMoss.
WoR was founded in 2018 by guitarist Ben Kaiser who at the time was finishing up his college football career playing offensive line at NC State. The band was initially an escape from the rigors of the sport, and at the end of his career, he decided to give the band a legitimate go.
After cycling through a variety of members early on, WoR was joined by Bobby Demoss, the charismatic frontman who has the ability to draw in even the toughest crowd; his unique screaming style and passionate lyrics helped shape WoR’s groundbreaking identity from the get-go. In 2019, Phil Funderburk, the glue who keeps the band and the music together, joined on bass; David Nisoff, in charge of mind-blowing solos that capture everyone’s attention, joined as the second guitarist, and Hunter Crews, a consistent timekeeper and a seasoned veteran in the music business solidified the lineup as the bands’ drummer, who is now replaced by Dylan Jenkins.
By the spring of 2019, WoR had begun to debut their music at live shows throughout the southeast region of the United States and played with the likes of Upon A Burning Body, Atilla, and Warbringer just to name a few.
Working collaboratively, WoR’s music focuses on various different current events using powerful lyrics to offer a unique insight into the things going on in our lives and in the world. After working closely with producer Joe Alonzo Potts and audio engineer Shaun Singerling, they plan to release their debut album “Prisoners” on August 7th, 2020, which features brutal tracks such as ‘Caged’ and ‘Predator’ in addition to melodic anthems such as ‘VI King’s.
In 2020 and 2021, WoR has extensive tours scheduled to support the release of their debut album “Prisoners”. WoR’s live shows are extremely energetic with fan involvement being a common theme. Demoss does a phenomenal job of breaking down the fourth wall and getting the crowd involved at their shows making way for insane mosh pits. It is the band’s credo that they give it their all for whatever time they are on stage whether they are playing to 2,000 people or 200 people.
Live Band Line Up:
Bobby Demoss – Vocals
Ben Kaiser – Guitar
David Nisoff – Guitar
Phillip Funderburk – Guitar
Dylan Jenkins – Drums
Album Band Line Up:
Bobby Demoss – Vocals
Ben Kaiser – Guitar
David Nisoff – Guitar
Phillip Funderburk – Guitar
Hunter Crews – Drums
Endorsements:
Ben Kaiser is endorsed by Solar Guitars and Mesa Boogie Amplification
Hunter Crews is endorsed by Los Cabos Drum Sticks
Shared Stage with:
Warbringer, Upon a Burning Body, Enforcer, Of Virtue, Atilla, Butcher Babies, Outlier
Tours and Festivals:
2020- Blue Ridge Rock Festival, VA
2020- Metal in the Mountains, WV
[Download Album Cover | Download Album Lyrics]
Album Title: Prisoners
Release Date: August 7, 2020
Label: Bungalo Records
Distribution: Universal Music Group
Track Listing:
1. Kill You (2:44)
2. Caged (5:13)
3. VI Kings (4:37)
4. Sirens (4:20)
5. A Place To Die (3:07)
6. Predator (3:46)
7. T.G.S.O.A.T (1:35)
8. Come Out and Play (3:12)
9. Hiraeth (4:36)
10. Freedom Suicide (3:57)
Album Length: 37:12
Album Credits:
• All songs performed by: WoR
• All songs written by: WoR
• Produced by: Joe Alonzo Potts
• Mixed by: Shaun Singerling
• Mastered by: Shaun Singerling
• Album Artwork by: Mark De Gruchy and Dan Gore
• Member BMI
Album Band Line Up:
Bobby Demoss – Vocals
Ben Kaiser – Guitar
David Nisoff – Guitar
Phillip Funderburk – Guitar
Hunter Crews – Drums
Discography:
2020 – Prisoners – LP
0 Anvil’s July 4th Quebec City Live Stream Available Online Until July 14th – Presented by District 7 Production & L’Anti Bar & Spectacles
(contact info below)
NEWS RELEASE
Montreal, QC – July 9, 2020
Anvil’s July 4th Quebec City Live Stream Available Online Until July 14th
Presented by District 7 Production & L’Anti Bar & Spectacles
Back in February, Canada’s Anvil released a new album “Legal At Last” celebrating the legalization of recreational cannabis use in the country. To support this album, the heavy metallers had a very thorough tour planned in the UK and Germany, with an assortment of other stops along the way. Unfortunately, like everyone else, COVID-19 stopped the tour in its tracks.
But on July 4th, the band performed the first Canadian heavy metal live stream from Quebec City, which was organized by District 7 Production and L’Anti Bar & Spectacles. With an overwhelming response to the success of Anvil’s virtual live stream concert, organizers are offering all the fans who missed it, and the fans who watched it demanding to experience the performance again an opportunity to watch the live stream performance until July 14th.
To watch the July 4th live stream show, please visit the following link: https://thepointofsale.com/tickets/abs200707001
Live Stream Review – Bravewords – ANVIL – Star Spangled Maple Leaf?
– 30 –
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Calgary’s Red Cain Begin The End Of Their “Kindred” Saga With Single Premiere “Sunshine (Blood Sun Empire)” via MetalInjection
(contact info below)
NEWS RELEASE
Montreal, QC – July 8, 2020
For fans of Kamelot, Symphony X, Amaranthe, Powerwolf
Calgary’s Red Cain Begin The End Of Their “Kindred” Saga With Single “Sunshine (Blood Sun Empire)”
Premiere Single via MetalInjection
New Album “Kindred: Act II” Coming Fall 2020
L-R – Tyler Corbett – Guitar, Evgeniy Zayarny – Vocals, Taylor Gibson – Drums – Photo Credit Ravenkin Photography
Red Cain‘s new single “Sunshine (Blood Sun Empire)” ushers in the follow-up album to 2019’s “Kindred: Act I”; entitled “Kindred: Act II”, which follows the warrior Zalcoatl and combines ancient myths and stories with a commentary on how these exist and apply in modern society. The single is complex and drives forward the tale with precision. The band explains what listeners will encounter with this single:
“We upgrade our trademark sprawling, epic, yet tightly wound style to a considerably heavier and more technical level, and add aggressive, direct vocals and a grimy Mastodon-esque occult atmosphere. This track has some of our favourite production and rhythm guitar performances (pay attention to the massive 7-string riffs!), and was a favourite to track vocals to, feeling the power at every step, complete with thunderous drum work.”
Asking questions about cults, sacrifice, and the future of the human story as well as having an underlying story within itself, “Sunshine (Blood Sun Empire)” is, effectively the first and last track of the “Kindred” album cycle. Featuring some of Evgeniy Zayarny’s best lyrical work to date it borrows directly from Aztec and Mesopotamian ritual writings and mythology to construct an evocative and powerful narrative of a man locked in a battle of wills with a destiny that he yearns to bend to his control.
Recommended for fans of Kamelot, Mastodon, and Amaranthe, “Sunshine (Blood Sun Empire)” is premiering via MetalInjection HERE.
More singles are planned to be unleashed leading up to the expected release of “Kindred: Act II” during October 2020.
“Kindred: Act I” is available on Shop Sliptrick, Apple Music, Spotify, Bandcamp.
For more info:
Facebook.com/redcainofficial
Twitter.com/RedCainArmy
Instagram.com/RedCainArmy
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
0 Red Cain – Kindred: Act II (2021)
Red Cain – Kindred: Act II (2021)
For fans of Kamelot, Mastodon, Amaranthe, Powerwolf, Symphony X
Album Title: Kindred: Act II
Digital Release Date: January 22, 2021
CD Release Date: TBA by Sliptrick Records
Label: (Digital) Self-Release, (Physical) Sliptrick Records
Distribution: CD Baby
Publicist – Jon Asher – asher[@]ashermediarelations[.]com
Redcain.bandcamp.com | Facebook.com/redcainofficial | Instagram.com/redcainarmy | YouTube
Spotify | Apple Music | Amazon
#10 Red Cain !earshot – The National Loud Chart For the Week Ending: Tuesday, February 9, 2021 (Earshot)
“From the proggy goodness of album opener “Kindred”, to the blast beats of “Baltic Fleet”, to the epic closer “Sunshine (Blood Sun Empire), there is something here for every fan of progressive power metal. With this being Act II in Red Cain’s Kindred body of work, I really feel as though I entered a movie theater right in the middle of an epic saga. Each song is a journey in and of itself, but each also contributes to the overall fantastic voyage. I will absolutely be purchasing Act I of this amazing tale and listen from start to finish, the way it was intended. Do yourself a favor and do the same!” – Metal Rules
“If you like your music melodic, mysterious, and gothic, with a progressive power metal base, then this is for you. This has been a joy to review and yet another band to add to my favoured list. ” – The Prog Space
“Zayarny is a powerhouse vocalist and the contortions he forces into Red Cain make for a very diverse record.. the talent behind the record is undeniable, and at the very least, Kindred proved far more creative and thought-provoking than most death metal records I’ve recently tackled. You should give it a shot — even if you’re not a big weenie..” – Angry Metal Guy
“Overall, ‘Kindred: Act II’ is an interesting mix of styles that combine together in technical wizardry to set the backdrop for the continued tales of the warrior Zalcoatl. There’s some unexpected musical influences that bubble to the surface, particularly the liberal use of electronic elements provides a futuristic, yet gothic, element to the tales. Vocally, there’s some clear inspiration from Kamelot going on here. They’re predominantly clean, but with a wide range between high pitched and deep passages. The guitar work is pretty varied as well and at times even hits a distinctly djent groove that seems to appear out of nowhere!… Fans of Kamelot and Mastodon alike will find some common ground with ‘Kindred: Act II’ (and Act I for that matter).” – Uber Rock
“These seasoned metal performers brought me to school with a clear cut album, delivered beautifully across seven tracks. The epic highs and lows of the album leave me wanting more… My hat is off to RED CAIN!” – Metal Temple
“With a flurry of progressive guitars, grandiose vocals and intriguingly wild effects, Red Cain burn brightly from the very start with the opening track, Kindred.” – Games, Brrraaains & A Head-Banging Life
“Songs alternate between melodic and more progressive portions in fine fashion. There is also a heroic aspect to the band that assures that they have some variety and also ties them to power metal. The entire affair is uplifting and does a good job getting the listener entranced in the music… a fun album and a very nice way to start the year off. It will also appeal to fans of bands from a number of different sub-genres.” – Heavy Music Headquarters
“the crew here found yet another gem from Red Cain, one filled with cosmic terrors this time. Kindred: Act II provides us with an additional slice of that delicious metal geekery that this band is capable of. A record that makes complexity sound easy, even casual. And that’s a feat not many bands master these days anymore.” – Rock Music Raider
“RED CAIN keep us on our toes right down to the final track Sunshine (Blood Sun Empire). There is a mixture of all sorts going on but again, it flows together seamlessly. It’s complex yet memorable. I knew logically this was the last track of the album but I feel this story is not over yet. Will there be Act III to follow in the next year or so? Who knows, I personally hope there is. Kindred: Act II was a great introduction to RED CAIN and their sound. From listening to this, it’s easy to see why they have been nominated for awards. I look forward to see how their sound grows and develops from now.” – Rock Out Stand Out
“One of the best aspects, despite the fact that this is prog, is that the music is very easy to get into and enjoy. It is often midtempo, headbobbing music as a general style, and that makes things exceedingly easy for fans in general that prefer normal, song-friendly speeds… the real big reason to listen is the melodic singing. It makes this listener really curious to find out if the singing can be this good in the live concert. Is this voice for real?! It sounds so good, and strong, and also melodic. It is the thing that takes the band over the top in terms of music and of catching the interest of potential fans. There is an elegance and style to the singing that makes the songwriting attractive and pulls you in to check out more of the music.” – Metal Bulletin Zine
“Kindred: Act II is a solid offering. It straddles a number of different styles and influences without committing 100% to any of them… any metalhead with a taste for the dramatic should find something rewarding in here.” – The Independent Voice
“I think Red Cain took the right chances and put forward an interesting release that will challenge the listeners to catch everything they’ve put into making this album. It’s definitely not a one listen and you’ve got it album. It is a listen multiple times to catch what you missed each time before type of album. Give this one a chance and see if you don’t love it yourself.” – Yesterdaze News
“an atmosphere between anger and melancholy are exactly what the band is all about. “KINDRED: ACT II” is definitely a really strong album and one only regrets that it ends so early. But as the saying goes : Quality is more important than quantity!” – Metal-Heads.de
“This new album is opened by KINDRED, a brilliant tune with different influences, from power/prog to electro-rock. It’s enriched by an interesting solo, a well-groomed production and cinematic mood.” – HardRockHeavyMetal
“a strong progressive mix and very melodic power metal, they are a band of experienced musicians who give us a well-defined, real album with these seven tracks, for lovers of this genre it will be more than good and unique.” – Darkzen Dragon Metal Angels
“The album kicks off with a couple of brilliantly technical and melodic tracks – ‘Kindred’, is heavy and showcases the skillset these guys have at their disposal in true Progressive style. ‘Demons’ is a much more catchy hook-based track, although no less technically capable, but with catchy riffs, melodies and enough commercial bent to pull in a new listener – whilst still playing to that vocal ambidextrousness with a couple of lines that wouldn’t sound amiss on a Marilyn Manson album. And then the album switches style and becomes haunting, moody and totally surprising with the falsetto introduction to ‘Precipice Of Man’, which fools you into thinking it’s a power ballad before belting you around the head with one of the heaviest bass sounds I have heard in a while and a much more extreme vocal sound. These kind of body swerves just keep coming, and are what makes this album such a refreshing change.” – Ever Metal
“Concluding this album is the pure Power Metal entity known as ‘Sunshine (Blood Sun Empire)’. This proves to be an enjoyable ad worthy finale for what has been a brilliant album. ‘Kindred: Act II’ doesn’t include a single bad song and advertises the talent of Red Cain excellently.” – AC Rock Reviews
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“What we have here is a two headed beast of sad and melancholy music on one side and angry and raging music on the other. The two combine somewhere in the middle with flair for the dramatic and impassioned vocals. This is definitely worth your time if you are looking for something off the beaten path.” – Metal Temple (Kindred Act I Review)
“Red Cain’s first full-length act is a more than solid release that I can warmly recommend if you enjoy the likes of Kamelot, TesseracT and Blind Guardian or just enjoy some good old thinking man’s metal music in general. With a charismatic frontman, well thought out and varied songwriting and a healthy dose of power and energy, Red Cain is a up and coming Canadian act that I’ll sure be keeping my eye on!” – Belgian Metal Shredder (Kindred Act I Review)
“Kindred: Act I is all about raw and unbridled metal power. A thoughtful brand of metal that – for once – does not base itself on mindless growling about the stage along normal lines of metal conduct. Instead they rip the established status quo to pieces and attack with a very unusual metal dish. One that comes with a distinct groove to boot… a very tasty fusion of Progressive and Power Metal that we have rarely seen to date. A metal dish best consumed red-hot. Have some, you will not regret it.” – Rock Music Raider (Kindred Act I Review)
“Symphonic progressive metal with alternative and gothic nuances – Red Cain are well on their way to establishing new territory in story telling and musical match-ups. Kindred: Act Irepresents a fine opening album for these Canadians, and should lend itself well to various multi-media opportunities for live show and film options. The best records connect on a mind, body, and spirit level – and this will be one that should be in the conversation for visionary, forward-thinking effort, proving the ink is not dry on what metal can bring to the table for innovation.” – Dead Rhetoric (Kindred Act I Review)
“I couldn’t be more impressed with this band and album from the opening track “Snake Bouquet” to the last track “Wing Of The Crow” which is an awesome closing track with guest vocals from Kobra Paige of Kobra and The Lotus. This album takes you on an epic and melodic journey, I feel fans of bands from Avatar to Kamelot to Marilyn Manson and anything in between will really love this album.” – Crannk (Kindred Act I Review)
“Red Cain have produced a very awesome album. It sounds and looks very professional, has great riffs and epic melodies. Keep an eye on these guys, they will come very far.” – Lyrical Spell Magazine (Kindred Act I Review)
[Download Album Cover | Download Album Lyrics]
Album Title: Kindred: Act II
Digital Release Date: January 22, 2021
CD Release Date: TBA by Sliptrick Records
Label: (Digital) Self-Release, (Physical) Sliptrick Records
Distribution: CD Baby
Track Listing:
1. Kindred (5:06)
2. Demons (4:40)
3. Precipice of Man (5:18)
4. Baltic Fleet (4:53)
5. Varyag and The Shrike (5:54)
6. Sons of Veles (5:01)
7. Sunshine (Blood Sun Empire) (5:49)
Album Length: 36:45
Album Credits:
• All songs performed by: Evgeniy Zayarny, Tyler Corbett, Taylor Gibson
• All songs written by: Evgeniy Zayarny, Tyler Corbett, Taylor Gibson
• Produced by: Evgeniy Zayarny, Tyler Corbett
• Mixed by: Tyler Corbett
• Mastered by: Tyler Corbett
• Album Artwork by: Timur Khabirov & Piotr Jamroz
• Member of SOCAN
• Canadian Content (MAPL)
Album Band Line Up:
Evgeniy Zayarny – Vocals
Tyler Corbett – Guitars
Taylor Gibson – Drums
Live Band Line Up:
Evgeniy Zayarny – Vocals
Carlos Cruz – Guitars
Andrei Buldan – Guitars
Taylor Gibson – Drums
Discography:
2016 – RED CAIN EP
2020 – KINDRED: ACT I (Sliptrick Records)
2020 – KINDRED: ACT II (TBA)
L-R – Tyler Corbett – Guitar, Evgeniy Zayarny – Vocals, Taylor Gibson – Drums – Photo Credit Ravenkin Photography
Described as a vehicle of “Melancholy and Rage” and born out of the emerging music scene of Alberta, Canada, 2017 YYC Awards Metal Recording of the Year winner Red Cain is a power/progressive metal project with Russian roots. With intricate songwriting, a heavy yet melodic feel reminiscent of progressive acts, and elements of Slavic myth and Russian paganism in the storytelling tradition of the cult of Veles, Red Cain champion a fluid, dynamic, and unique musical style centered around telling dark, conceptual Faustian sagas and constructing those into an unforgettable live experience.
Stated by frontman Evgeniy Zayarny as wanting to bring back the “Devil’s music” mysticism all too often missing in modern metal acts, Red Cain delivers flair, groove, and an intricate, lethal edge in their music. Listeners might well pick out elements reminiscent of such luminary acts as Kamelot, Symphony X, Tesseract, Amaranthe, Alter Bridge – whipped into a venomous new shape. The current incarnation of the band is all of these influences mixed with a lot of vodka and Eastern European melancholy, shaken and stirred.
Red Cain released its debut self-titled EP in November 2016 to rave reviews from a variety of publications such as Dead Rhetoric, MetalUnderground, and Fireworks magazine, among many others. Red Cain’s EP had the honour of winning Metal Recording of the Year at the 2017 YYC Music Awards. The band has a strong emerging fanbase around the world, being named one of the top 200 bands of 2016 by Headbangers Latinoamerica and the EP’s cover art selected as one of 2016’s 15 best by Metal Underground.
Red Cain’s first full-length album “Kindred: Act I” was released in March 2019 to a variety of excellent reviews internationally, reaching #1 on Canadian College Radio Earshot Loud charts and establishing the band as a force in the Canadian metal scene, and landing the band a distribution deal with European label Sliptrick Records. A variety of festival appearances at Loud As Hell Metal Festival, Hyperspace Metal Festival, and Canada Wacken Competition have served to cement that status. Red Cain’s music videos for “Juliet” and “Zero” have to date garnered 11 international film festival awards, including the Music Video Award at the Accolade Global Film Competition (LA) along with “Juliet” nominated for 2020 YYCMA Metal Recording of The Year.
During the last six months of 2020, the band has previewed epic storied singles “Sunshine (Blood Sun Empire)”, “Demons”, “Kindred”, and “Varyag and The Shrike” to fans from their forthcoming 2021 sophomore album “Kindred: Act II”.
“Kindred: Act II” is seven evocative and powerful narrative tracks that continue the saga from “Kindred: Act I”, following the warrior Zalcoatl along with combining other ancient myths and stories with a commentary on how these exist and apply in modern society. This album hits hard and heavy in the best prog power goth rock fashion, layering brazen up-front guitar riffs with a groovy electronic backing and pulsing basslines.
Recommended for fans of Kamelot, Mastodon, and Amaranthe, “Kindred: Act II” is due out on January 22nd digitally as a self-release by the band with signing with Sliptrick Records for its physical CD release at later date in the year.
Past Features:
2020 – Nominee – YYC Music Awards Metal Recording of the Year
2019 – Nominee – YYC Music Awards Metal Recording of the Year
2017 – Winner – YYC Music Awards Metal Recording of the Year
Tours and Festivals:
2017 – Loud As Hell Fest – Drumheller, AB
2018 – Canada Wacken Competition – Calgary, AB
2019 – Hyperspace Metal Festival – Vancouver, BC
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