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Tag: wheel of time

0 RED CAIN Is On “The Great Hunt” With New Live Video Off Wheel of Time Inspired Album “NÄE’BLISS” Out June 2023

  • May 10, 2023
  • by Asher
  • · Music News · Red Cain

NEWS RELEASE

Montreal, QC- May 10, 2023

 

RED CAIN Is On “The Great Hunt” With New Live Video Off Wheel of Time Inspired Album “NÄE’BLISS” Out June 2023

L-R – Taylor Gibson (drums), Kalie Yan (bass, vocals), Evgeniy Zayarny (vocals), Samuel Ridout (guitar)

Photo Credit Zak Kelly

The hunt is on with Calgary, Canada’s Red Cain‘s last single to be released before they unleash their new album “NÄE’BLISS” on June 2nd, 2023. One of the heaviest tracks in the Red Cain repertoire “The Great Hunt” is a stomping, driven ¾ march utilizing 8-string guitars and layers and layers of bass.

“This track pushes further into the djent riffs present elsewhere on the album, yet contains all of the usual characteristics of a Red Cain anthem – lush electronic backing, soaring, aggressive vocals, and a pulsing, headbanging groove. Conceptually, within the album’s theme continuing to revolve around the “Wheel of Time” universe, “The Great Hunt” calls our Forsaken protagonists to begin the hunt for the most dangerous game – their archenemy, the world-breaking Champion of the Light – the Dragon Reborn himself. With regression to the status quo threatening, and Chaos the only antidote, will this bold move yield success – or drive the world deeper into the designs of the Wheel? Step up, heft your spear – and join The Great Hunt.” adds the band.
​
Watch and listen to “The Great Hunt” via its live video at https://youtu.be/Xm8OeUGVkjg

Red Cain‘s third full-length album “NÄE’BLISS” is a homage to the legendary world of Robert Jordan’s fantasy epic “The Wheel of Time” (novel/TV series). With a grimdark edge, down-tuned guitars, death and power prog metal influences, and an unrelenting march forward, “NÄE’BLISS” is a foray into the reverse side of the Wheel of Time story – that of the Forsaken, antagonists, instruments of the Great Lord of the Dark, and the brutal and captivating allure of letting Chaos reign supreme.

The band explains further:

“We are fascinated by antagonists, why they stand against the “common good”, and how they came to fill that role – and when reading the Wheel of Time, there was the same intrigue behind how the very clearly defined “evil” faction in this world justified its existence. Why did the Forsaken willingly join the Shadow? Why do some men and women want the world to burn, and the Wheel to stop spinning? Within such a carefully crafted narrative and beautifully balanced universe, there were puzzling, unexplored gaps that we were determined to delve deeper into.
​
And of course, fantasy is but a mirror of reality – so outside WoT lore, these questions apply equally well to the world beyond our window. Which of our idols are false, which heroes degenerate, and what history is a compendium of careful lies? It is all too easy to raise your fist against those labeled evil by the multitudes or a voice above while failing to realize you yourself are the instrument of tyranny and corruption.

We are all massive fantasy fans, and for us, Wheel of Time rubs shoulders with LOTR as a genre-defining epic fantasy series that started it all. The world of the Wheel is a brutal, compelling world with multitudes of fascinating characters, and we were particularly interested in exploring its more visceral aspects – an area that begs to be paired with heavy metal. We’ve seen some of our musical icons, like Blind Guardian, successfully go down this path, and it was magnificent to see new musical interpretations of those stories spun out by them – not to mention some bloody good fun.

Now, it is our turn to ride forward in another turn of the Wheel. Enjoy!”

Red Cain is recommended for fans of Kamelot, Symphony X, Myrath, Powerwolf, Mastodon, and The Contortionist.

“NÄE’BLISS” is due out on June 2, 2023.

Album pre-order – https://redcain.bandcamp.com​

Previous Music Videos:

We Are Chaos – https://youtu.be/YbXEV1DFjnQ

​

Fisher King – https://youtu.be/WaPe8mQ5uG8

​

Track Listing:​
1. Fisher King – 5:35
2. Blight – 6:37
3. The Great Hunt – 4:09
4. We Are Chaos – 4:55
5. Sightblinder – 2:47
6. The Man Who Can’t Forget (Part I) – 2:38
7. Crane of Malkier (Part II) – 2:04
8. Red Cain – Fires of Heaven ft. James Delbridge (Lycanthro) – 8:02
Album Length: 36:52

Red Cain, from Calgary, Canada is a modern progressive metal project with Eastern European roots. They have been making waves since their first release in 2016, with award-winning music videos and concept albums “Kindred: Act I” and “Kindred: Act II”. Red Cain’s first two full albums conceptually told a sprawling story of how raw and primal ancient myth collides with modern society and human yearning toward the stars, toward perfection. The albums contained a ton of genre inspirations, from gothic rock to ambient electronica, power, black, and death metal, and were universally lauded for their inventiveness, variety, and strong conceptual content. They continue this momentum with forthcoming releases.

Red Cain is:​
Evgeniy Zayarny – Vocals
Samuel Ridout – Guitars
Tyler Corbett – Guitars
Kalie Yan – Bass, Vocals
Taylor Gibson – Drums

For more info: Redcain.ca | Facebook.com/redcainofficial | Instagram.com/redcainarmy | Redcain.bandcamp.com | Spotify​

– 30 –

What the press is saying:

“This is a track (Sunshine (Blood Sun Empire) that infuses their progressive and power metal sound, similar to that of Symphony X and Kamelot. Alongside this, there are also faint similarities to bands like Dream Theater and even Korn. This is a nearly 6 minute track that doesn’t let up and doesn’t fear to change up its style throughout.” – Metal Injection

#10 Red Cain !earshot – The National Loud Chart For the Week Ending: Tuesday, February 9, 2021 (Earshot)

“From the proggy goodness of album opener “Kindred”, to the blast beats of “Baltic Fleet”, to the epic closer “Sunshine (Blood Sun Empire), there is something here for every fan of progressive power metal. With this being Act II in Red Cain’s Kindred body of work, I really feel as though I entered a movie theater right in the middle of an epic saga. Each song is a journey in and of itself, but each also contributes to the overall fantastic voyage. I will absolutely be purchasing Act I of this amazing tale and listen from start to finish, the way it was intended. Do yourself a favor and do the same!” – Metal Rules

“If you like your music melodic, mysterious, and gothic, with a progressive power metal base, then this is for you. This has been a joy to review and yet another band to add to my favoured list. ” – The Prog Space

“Zayarny is a powerhouse vocalist and the contortions he forces into Red Cain make for a very diverse record.. the talent behind the record is undeniable, and at the very least, Kindred proved far more creative and thought-provoking than most death metal records I’ve recently tackled. You should give it a shot — even if you’re not a big weenie..” – Angry Metal Guy

“Overall, ‘Kindred: Act II’ is an interesting mix of styles that combine together in technical wizardry to set the backdrop for the continued tales of the warrior Zalcoatl. There’s some unexpected musical influences that bubble to the surface, particularly the liberal use of electronic elements provides a futuristic, yet gothic, element to the tales. Vocally, there’s some clear inspiration from Kamelot going on here. They’re predominantly clean, but with a wide range between high pitched and deep passages. The guitar work is pretty varied as well and at times even hits a distinctly djent groove that seems to appear out of nowhere!… Fans of Kamelot and Mastodon alike will find some common ground with ‘Kindred: Act II’ (and Act I for that matter).” – Uber Rock

“These seasoned metal performers brought me to school with a clear cut album, delivered beautifully across seven tracks. The epic highs and lows of the album leave me wanting more… My hat is off to RED CAIN!” – Metal Temple

“With a flurry of progressive guitars, grandiose vocals and intriguingly wild effects, Red Cain burn brightly from the very start with the opening track, Kindred.” – Games, Brrraaains & A Head-Banging Life

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Canada’s IRON KINGDOM’s New Video “Sheathe The Sword” Is A Shreddy Tale of A Warrior’s Last Chance At Victory

  • November 23, 2022
  • by Asher
  • · Iron Kingdom · Music News

NEWS RELEASE

Montreal, QC – November 23, 2022

​

Canada’s IRON KINGDOM’s New Video “Sheathe The Sword” Is A Shreddy Tale of A Warrior’s Last Chance At Victory

New Album “The Blood Of Creation” Out Now!

L-R: Chris Osterman (Lead Vocals / Lead Guitar), Leighton Holmes (Bass Guitar), Megan Merrick (Lead Guitar), Max Friesen (Drums)
Photo Credit – Caitlin Delaplace

​

Canada’s Iron Kingdom presents its new lyric video for its latest single “Sheathe The Sword”,which draws inspiration from the fantasy series “Wheel of Time”. For years now, Iron Kingdom has been gracing the world with its traditional heavy metal, weaving grand stories and teleporting listeners to far-off lands. This latest single refers to a sword move in which you willingly accept your opponent’s sword into your body in order to inflict a killing blow. The band comments on the single:

“We were looking to do something pretty fast and driving, and once we had the ideas for the first couple of riffs we knew it had to be about Lan Mandoragon – the uncrowned king of a lost and scattered kingdom and is highly respected by neighbouring kingdoms who recognize him as the battle lord of the borderlands. Musically this song is a speedy, driving power metal tune in the vein of early Hammerfall. “Sheathe The Sword” is a warrior’s last chance at victory, but that victory comes with a heavy cost.”

Watch and listen to “Sheathe The Sword” at https://youtu.be/gGI3PDyblUs

(the video features clips from the band’s sold-out album launch show held in Vancouver on November 4th at Wise Hall)​

Iron Kingdom recently unveiled their album “The Blood Of Creation” at the beginning of this November. Their fifth full-length contains eight impressive tracks running over three-quarters of an hour of classic heavy metal, windswept solos, memorable riffs, and piercing vocals conveying powerful stories. This new album saw a lot more musical content coming from lead guitarist Megan Merrick, and having Max Friesen on drums saw lots more ideas from yet another angle. Iron Kingdom continues to rework and evolve its sound and layers of professionalism can be heard throughout. This album is quite dark topically, the lyrics speak of war, fear, sacrifice, and pain, and the music although very classical and explorative also has some very evil moments throughout. The band, like so many others, was in a dark place due to the pandemic and the music reflects some of those emotions.

“The Blood Of Creation” was completely self-produced, written, and recorded. The album was sent out for mixing (Andy Boldt) and mastering (Greg Reely), but they handled everything else. vocalist/guitarist Chris Osterman engineered the record with some help from the band and some friends (Dan Yakimow, Jeff Black).

In the beginning, Iron Kingdom set out to create a sound paying homage to how things used to be in the 70s and 80s. They put on a big and energetic show, a show that brings you back to 1984, but in all the best ways. They are recommended for fans of Helloween, Judas Priest, and Queensrÿche.

The album “The Blood Of Creation” is available at the following links:

​Iron-kingdom.com/shop/ (CD, Vinyl, Cassette)​, ​Iron-kingdom.bandcamp.com, Apple Music, Spotify​

Album Stream – https://youtu.be/4pk7QzM4gBo​

Music Video – Queen of The Crystal Throne – https://youtu.be/YyhEutgL9gI​

Fun Fact: ‘Queen Of The Crystal Throne’ played on City TV for Hockey Night In Canada (Montreal Vs Dallas) – Sat Oct 22, 2022.

The Making of “The Blood Of Creation” – Pt 1. [Mini Documentary] – https://youtu.be/TSrv44SXQ-A​

Track Listing:​
1. Tides Of Desolation – 1:13
2. Sheathe The Sword – 5:25
3. Queen Of The Crystal Throne – 4:58
4. Hunter And Prey – 5:25
5. Witching Hour – 5:44
6. In The Grip Of Nightmares – 5:23
7. Primordial – 1:40
8. The Blood Of Creation – 13:38
Total Running Length: 43:29

For more info:
​
https://www.iron-kingdom.com​
​https://www.facebook.com/ironkingdom​
​https://www.instagram.com/iron_kingdom​
​https://twitter.com/iron_kingdom​

– 30 –

“Loads of riffs and melodies some excellent lead breaks and pounding rhythms. This is bonafide, foot on the monitor, fist pumping, horn throwing real metal. I have never heard Iron Kingdom before but on the strength of this I will be obtaining the back catalogue very soon.” – My Global Mind (The Blood of Creation)

“With The Blood Of Creation, Iron Kingdom have forged a masterpiece that brings tears of joy to the eyes of every traditional metalhead. There is only high-quality material and everyone is encouraged to include this album in their choice of this year’s Top10. ” – Soundmagnet​
​
​“Iron Kingdom brings another solid heavy metal album with the fifth album ‘The Blood of Creation’. Slightly progressive, but especially heavy… Give the band a listen, you will be surprised!” – Metal Experience​
​
​“This is a solid album of heavy metal delivered in the style that is true to the cause and therefore, what the listener gets here with ‘The Blood of Creation’, is an album which mounts its steeds and charges forward in a cavalry strike as galloping riffage and rhythms never give the listener the chance to let up with tracks such as ‘Queen of the Crystal Throne’, ‘In the Grip of Nightmares’ and ‘Witching Hour’ having some very impressive twin guitar lines. This would impress any fan of Iron Maiden, Riot V and Iced Earth, but also sticks within the remit of trad metal with bands such as Katana, Skelator and Toledo Steel.” – Metal Digest​
​
​“Anyone who likes beautiful and playful melodies, extensive guitar solos, detailed arrangements and double lead guitars will be well served with “The Blood Of Creation”.” – PowerMetal.de​
​
​“Iron Kingdom created an iron-bound, battle-hardened piece of traditional Heavy Metal that truly made me want to turn the clock back to those long-gone days of glory. Times when metal was just that, the pure joy of a style that was still new, exciting, and powerful. Or to let the band speak in their own words, they “…decided to play metal the way it used to be played in the 70s and 80s.” Well, mission fucking accomplished. Well done, guys.” – Rock Music Raider​
​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Canada’s RED CAIN Pay Homage To Wheel Of Time With Music Video For Commanding New Single “Fisher King”

  • November 9, 2022
  • by Asher
  • · Music News · Red Cain

NEWS RELEASE

Montreal, QC- November 9, 2022

Canada’s RED CAIN Pay Homage To Wheel Of Time With Music Video For Commanding New Single “Fisher King”

L to R: Samuel Ridout (guitar), Tyler Corbett (guitar), Evgeniy Zayarny (vocals), Kalie Yan (bass, vocals), Taylor Gibson (drums)

Red Cain, from Calgary, Canada is a modern progressive metal project with Eastern European roots. They have been making waves since their first release in 2016, with award-winning concept albums and music videos. The next chapter in their ongoing saga is a music video for the single “Fisher King” that conceptually takes place in the universe of the legendary Wheel of Time fantasy series. It comes off a yet-to-be-titled album that is expected sometime next year. The band comments on the single:

“’Fisher King’, was written in its original form over 10 years ago, long before Red Cain’s existence as a band – so it was an extremely cool experience to go back to this old track, rewrite, and revitalize it to fit our sound. Much like our upcoming album, “Fisher King” keeps the quintessential Red Cain “melancholy and rage” but takes the death metal influences from “Kindred: Act II” even further, featuring a huge growl-centric chorus, a variety of down tuned, sludgy riffs, and gripping, raw vocal hooks and melodies.”

Red Cain’s first two full albums, “Kindred: Act I” and “Kindred: Act II” conceptually told a sprawling story of how raw and primal ancient myth collides with modern society and human yearning toward the stars, toward perfection. The albums contained a ton of genre inspirations, from gothic rock to ambient electronica, power, black, and death metal, and were universally lauded for their inventiveness, variety, and strong conceptual content. They continue this momentum with their upcoming release.

“Fisher King” is unsettling, bombastic, and unrelenting, this track showcases a musical and lyrical contest of wills between the “Chosen One” archetype, and his antithetical, flawed, yet lethal opponent caught in his unrelenting march. It is recommended for fans of Kamelot, Mastodon, and Powerwolf.

Watch and listen to “Fisher King” via its premiere on Metal-Rules HERE.​

Red Cain is:​
Evgeniy Zayarny – Vocals
Samuel Ridout – Guitars
Tyler Corbett – Guitars
Kalie Yan – Bass, Vocals
Taylor Gibson – Drums

For more info:​
​https://redcain.ca​
​https://www.facebook.com/redcainofficial​
​https://instagram.com/redcainarmy​
​https://redcain.bandcamp.com​
​Spotify​

About:

Melancholy and Rage

Born out of the vast prairies and snowy peaks of Alberta, Canada, Red Cain is a modern progressive metal project with Eastern European roots. With intricate songwriting, powerful vocals, eerie soundscapes, and strong electronic-backed groove, Red Cain champion a fluid, dynamic, and unique style centered around telling dark, conceptual Faustian sagas and constructing those into an unforgettable live experience. Described by frontman Evgeniy Zayarny as a vehicle of “Melancholy and Rage”, Red Cain delivers power, flair, thematic Slavic influence, and intricate, lethal edge in their work. Listeners might well pick out elements reminiscent of such luminary acts as Kamelot, Symphony X, Tesseract, Lord of the Lost, whipped into a venomous new shape. The current incarnation of this Canadian metal band is of these influences mixed with a lot of vodka and Eastern European melancholy, shaken and stirred.

Red Cain self-released its debut self-titled EP in North America in 2016 to excellent reviews, and followed this up with two award-winning full-length albums, “Kindred: Act I” in 2019, and AFA-funded “Kindred: Act II” in 2021, working with Sliptrick Records globally to have over 3500+ physical copies sold, as well as over 200,000 digital streams to date. The band has hit #1 on the Canadian National Loud Charts on multiple occasions and is a 1x winner and 3x nominee for the Metal Recording of the Year at the YYC Music Awards.

The band has created 13 videos, of which 2 are full-length, high-production music videos for “ZERO” and “Juliet”. The latter two videos have won 17 awards at international music festivals, including the Berlin Short Film Festival, Venice Shorts, Global Shorts, IndieX FilmFesti, AIFF, and Hollywood Art & Movie Awards, among others. The band has a strong history of collaboration, with a highlight being our work with Juno Award-winning vocalist Kobra Paige of heavy metal band Kobra and the Lotus, on the track “Wing of the Crow”.

Red Cain released our latest album “Kindred: Act II” globally with Sliptrick Records in 2021, with a particular focus on promotion and engagement in the United States and Eastern Europe, where the band has received significant traction in 2020-21. With live performances stunted by COVID, the band has focused strongly on building out the concept behind the two-album “Kindred” arc with non-musical collateral, creating story content and custom art for the album concept.

With a significant upward trend of fan interest for this release, and 100,000 + digital streams, Red Cain has our set sights firmly set on another ambitious and conceptually exciting project, with the next release cycle coming in late 2022 with the first single “Fisher King”.

– 30 –

What the press is saying:

“This is a track (Sunshine (Blood Sun Empire) that infuses their progressive and power metal sound, similar to that of Symphony X and Kamelot. Alongside this, there are also faint similarities to bands like Dream Theater and even Korn. This is a nearly 6 minute track that doesn’t let up and doesn’t fear to change up its style throughout.” – Metal Injection

#10 Red Cain !earshot – The National Loud Chart For the Week Ending: Tuesday, February 9, 2021 (Earshot)

“From the proggy goodness of album opener “Kindred”, to the blast beats of “Baltic Fleet”, to the epic closer “Sunshine (Blood Sun Empire), there is something here for every fan of progressive power metal. With this being Act II in Red Cain’s Kindred body of work, I really feel as though I entered a movie theater right in the middle of an epic saga. Each song is a journey in and of itself, but each also contributes to the overall fantastic voyage. I will absolutely be purchasing Act I of this amazing tale and listen from start to finish, the way it was intended. Do yourself a favor and do the same!” – Metal Rules

“If you like your music melodic, mysterious, and gothic, with a progressive power metal base, then this is for you. This has been a joy to review and yet another band to add to my favoured list. ” – The Prog Space

“Zayarny is a powerhouse vocalist and the contortions he forces into Red Cain make for a very diverse record.. the talent behind the record is undeniable, and at the very least, Kindred proved far more creative and thought-provoking than most death metal records I’ve recently tackled. You should give it a shot — even if you’re not a big weenie..” – Angry Metal Guy

“Overall, ‘Kindred: Act II’ is an interesting mix of styles that combine together in technical wizardry to set the backdrop for the continued tales of the warrior Zalcoatl. There’s some unexpected musical influences that bubble to the surface, particularly the liberal use of electronic elements provides a futuristic, yet gothic, element to the tales. Vocally, there’s some clear inspiration from Kamelot going on here. They’re predominantly clean, but with a wide range between high pitched and deep passages. The guitar work is pretty varied as well and at times even hits a distinctly djent groove that seems to appear out of nowhere!… Fans of Kamelot and Mastodon alike will find some common ground with ‘Kindred: Act II’ (and Act I for that matter).” – Uber Rock

“These seasoned metal performers brought me to school with a clear cut album, delivered beautifully across seven tracks. The epic highs and lows of the album leave me wanting more… My hat is off to RED CAIN!” – Metal Temple

“With a flurry of progressive guitars, grandiose vocals and intriguingly wild effects, Red Cain burn brightly from the very start with the opening track, Kindred.” – Games, Brrraaains & A Head-Banging Life

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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