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Tag: Tool

0 Edmonton Prog SLEEPING IN TRAFFIC Share Drum Playthrough “Exoplanets”

  • November 1, 2019
  • by Asher
  • · Music News · Sleeping In Traffic

(contact info below)

NEWS RELEASE

Montreal, QC – November 1, 2019


For fans of Between The Buried & Me, Devin Townsend, Tool, Thank You Scientist

Edmonton Prog SLEEPING IN TRAFFIC Share Drum Playthrough “Exoplanets”

Double EPs ‘That Which Saves Us’ and ‘That Which Destroys Us’ Out Now!

L-R: Ryan Berehulke – Bass, Cory Bosse – Vocals/Synth, Greg Turner – Guitar, Andrew Bateman – Drums

Photo Credit: Graham Gnarles

Edmonton proggers SLEEPING IN TRAFFIC recently released their double EPs on September 27th. “That Which Destroys Us” is dark and aggressive in sound while “That Which Saves Us” has a more upbeat and catchy vibe.

Teaming up with TechnicalMusicReview, the band is showcasing their latest drum playthrough for their track ‘Exoplanets’ off “That Which Saves Us” at the following link HERE.

You can also watch their previous guitar, bass, keys, and vocal playthrough for the same track HERE.

With influences from Between The Buried & Me, Devin Townsend and Tool, the newest release is a split EP that explores the dual nature of the band’s music. The band explains the duality in their vision:

“The first ‘That Which Saves Us’ is the “upbeat EP”. It strongly represents a lot of the pop-punk influences that Ryan and Greg bring to the band, and features songs with inspiring themes and uplifting major keys. The other ‘That Which Destroys Us’ displays more of the band’s extreme metal influences, without abandoning some of the weirdness the band is known for. The EPs continue to explore odd time signatures and polyrhythms in the context of heavily distorted guitars, snarling synths, and guttural vocals.”

The EPs are available on Bandcamp, Spotify, Apple Music.


Track Listing:
1. Through Method And Rigor (4:43)
2. Fungal Symbiosis (feat. Elle T.) (3:50)
3. Exoplanets (feat. Elle T.) (6:09)
4. False Alternatives (5:13)
5. The Scrupulous Study Of Everything (5:41)
EP Length: 25:38


Track Listing:
1. (√-π)÷0=1 (3:58)
2. Audaciousness Of Him (7:10)
3. Narcicystic Pustule (1:26)
4. Masculine Toxin (4:38)
5. Gaia Shrugged (feat. Elle T.) (6:07)
6. The Inevitable Heat Death Of The Universe (5:32)
EP Length: 28:53

For more info:
SleepingInTraffic.com
EPK

Bio:

Based out of Edmonton, Canada, Sleeping In Traffic is a progressive metal band whose artistic vision is built around the concept of change. Nothing in the band’s music is intended to remain static. Each album and performance brings new adaptations and innovations; always playing with the sonic possibilities.

Influenced by the likes of Between The Buried and Me, Devin Townsend, and Porcupine Tree, they have been manifesting dynamic, and ever-evolving music since 2014. Sleeping In Traffic released their debut self titled EP in 2014 and the full length ‘Feminism’ in 2017 that is a guitar-driven hard rock/metal concept album that borrows heavily from ska, jazz, pop-punk, and classic prog rock. They have graced many stages in Western Canada including performances at Alberta’s Farmaggedon Metal Fest (2015) and Edmonton’s Shredmonton (2016/17).

Sleeping In Traffic is releasing two new EPs in 2019, ‘That Which Saves Us’ and ‘That Which Will Destroy Us’ each with a different character. One explores the darker, heavier metal influences of the band, while the other channels the more upbeat side to their music. Synthesizers will form a core element to both of these releases due on September 27, 2019.

Sleeping in Traffic consists of four members, each with their own unique and eclectic musical tastes, which influence their contributions to the band.

Greg Turner’s unusual approach to guitar is a core element of Sleeping In Traffic’s music. Stuttered, chaotic time signatures and bizarre chord voices in catchy patterns flow from his fingers to form the basis of many of the songs. His use of a multitude of pedals adds colourful timbres and occasionally acts as their own instrument.

Ryan Berehulke carves out a thundering obelisk of depth from his 5-string bass and his tower of speakers. His style is definitive in a way that meshes perfectly with the guitars to provide a wall of reinforcement, yet often also takes the main stage, without ever abandoning the supreme role as the band’s foundation. His ingenuity in his approach to bass playing is indispensable; from the funky groove and raw, pounding roars; all the way to evolving, ambient textures.

Andrew Bateman is a mad scientist behind a drum-kit. With his intricate knowledge of rhythms, he weaves complex patterns in and around the eccentric time signatures that the music follows. His array of styles ranges from pulverizing metal to pattering, offbeat jazz and everything in between. He is always searching for novel rhythmic cadences and new ways to strike the same drums. He is highly technical, yet playful; often improvising on the spot and testing the limits of his fellow musicians.

Cory Bosse acts as the voice of the band, as well as the source of many of its most unexpected sounds. His bombastic singing style has its roots in the metal music that originally inspired him to make music, yet weaves in a multitude of techniques from the myriad of styles he has explored since. Operatic vibratos flow into passionate howls, jazz scat collapses into death growls, and beat boxing meanders into throat singing in a pandemonium of vocal exploration. To help compliment each song’s particular character, he harnesses the power of a host of instruments, including keys, saxophone, synthesizers, and guitar.

– 30 –

“The 9-track record comes with a focused story-telling, remarkable songwriting and with an offer of something that separates them from the bigger part of the prog gang. The band is not shy to explore within pop, indie rock or alternative and fuse these elements with sound-defining progressive rock and metal influences.” – Prog-Sphere

“Feminism possesses great balance between the up-beat rock tunes polished with rock’s progressive and alternative subgenres, but what this album shows is talent of the band which certainly can bring something epic. Until then, let Feminism shows itself in its full brilliance.” – Progzilla

“sound more like their fellow countrymen Protest the Hero, albeit with a sax in the mix of things. Their overall style is the same careening prog metal that PtH are good at… For a debut album, I am impressed with “Feminism.”… I think Sleeping in Traffic have potential, so they are worth following.” – Progressive Music Planet

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia

0 Edmonton’s SLEEPING IN TRAFFIC Premiere “Exoplanets” Guitar/Bass/Keys Playthrough via GearGods

  • October 18, 2019
  • by Asher
  • · Music News · Sleeping In Traffic

(contact info below)

NEWS RELEASE

Montreal, QC – October 18, 2019

For fans of Between The Buried & Me, Devin Townsend, Tool, Thank You Scientist

Edmonton’s SLEEPING IN TRAFFIC Premiere “Exoplanets” Guitar/Bass/Keys Playthrough via GearGods

Double EPs ‘That Which Saves Us’ and ‘That Which Destroys Us’ Out Now!

L-R: Ryan Berehulke – Bass, Cory Bosse – Vocals/Synth, Greg Turner – Guitar, Andrew Bateman – Drums

Photo Credit: Graham Gnarles

Edmonton proggers SLEEPING IN TRAFFIC recently released their double EPs on September 27th. “That Which Destroys Us” is dark and aggressive in sound while “That Which Saves Us” has a more upbeat and catchy vibe.

Teaming up with GearGods, the band is showcasing their latest guitar/bass/keys/vocals playthrough for their track ‘Exoplanets’ off  “That Which Saves Us”.

The band adds:

“‘The song is full of interesting riffs and grooves, the guitars and bass are augmented by Cory’s synth playing. Incorporating big chords and complex sequencing, any synthesizer gear head would love this track.”

Watch the playthrough at the following link HERE.

With influences from Between The Buried & Me, Devin Townsend and Tool, the newest release is a split EP that explores the dual nature of the band’s music. The band explains the duality in their vision:

“The first ‘That Which Saves Us’ is the “upbeat EP”. It strongly represents a lot of the pop-punk influences that Ryan and Greg bring to the band, and features songs with inspiring themes and uplifting major keys. The other ‘That Which Destroys Us’ displays more of the band’s extreme metal influences, without abandoning some of the weirdness the band is known for. The EPs continue to explore odd time signatures and polyrhythms in the context of heavily distorted guitars, snarling synths, and guttural vocals.”

The EPs are available on Bandcamp, Spotify, Apple Music.


Track Listing:
1. Through Method And Rigor (4:43)
2. Fungal Symbiosis (feat. Elle T.) (3:50)
3. Exoplanets (feat. Elle T.) (6:09)
4. False Alternatives (5:13)
5. The Scrupulous Study Of Everything (5:41)
EP Length: 25:38


Track Listing:
1. (√-π)÷0=1 (3:58)
2. Audaciousness Of Him (7:10)
3. Narcicystic Pustule (1:26)
4. Masculine Toxin (4:38)
5. Gaia Shrugged (feat. Elle T.) (6:07)
6. The Inevitable Heat Death Of The Universe (5:32)
EP Length: 28:53

For more info:
SleepingInTraffic.com
Facebook
Instagram
Twitter
Youtube
EPK

Bio:

Based out of Edmonton, Canada, Sleeping In Traffic is a progressive metal band whose artistic vision is built around the concept of change. Nothing in the band’s music is intended to remain static. Each album and performance brings new adaptations and innovations; always playing with the sonic possibilities.

Influenced by the likes of Between The Buried and Me, Devin Townsend, and Porcupine Tree, they have been manifesting dynamic, and ever-evolving music since 2014. Sleeping In Traffic released their debut self titled EP in 2014 and the full length ‘Feminism’ in 2017 that is a guitar-driven hard rock/metal concept album that borrows heavily from ska, jazz, pop-punk, and classic prog rock. They have graced many stages in Western Canada including performances at Alberta’s Farmaggedon Metal Fest (2015) and Edmonton’s Shredmonton (2016/17).

Sleeping In Traffic is releasing two new EPs in 2019, ‘That Which Saves Us’ and ‘That Which Will Destroy Us’ each with a different character. One explores the darker, heavier metal influences of the band, while the other channels the more upbeat side to their music. Synthesizers will form a core element to both of these releases due on September 27, 2019.

Sleeping in Traffic consists of four members, each with their own unique and eclectic musical tastes, which influence their contributions to the band.

Greg Turner’s unusual approach to guitar is a core element of Sleeping In Traffic’s music. Stuttered, chaotic time signatures and bizarre chord voices in catchy patterns flow from his fingers to form the basis of many of the songs. His use of a multitude of pedals adds colourful timbres and occasionally acts as their own instrument.

Ryan Berehulke carves out a thundering obelisk of depth from his 5-string bass and his tower of speakers. His style is definitive in a way that meshes perfectly with the guitars to provide a wall of reinforcement, yet often also takes the main stage, without ever abandoning the supreme role as the band’s foundation. His ingenuity in his approach to bass playing is indispensable; from the funky groove and raw, pounding roars; all the way to evolving, ambient textures.

Andrew Bateman is a mad scientist behind a drum-kit. With his intricate knowledge of rhythms, he weaves complex patterns in and around the eccentric time signatures that the music follows. His array of styles ranges from pulverizing metal to pattering, offbeat jazz and everything in between. He is always searching for novel rhythmic cadences and new ways to strike the same drums. He is highly technical, yet playful; often improvising on the spot and testing the limits of his fellow musicians.

Cory Bosse acts as the voice of the band, as well as the source of many of its most unexpected sounds. His bombastic singing style has its roots in the metal music that originally inspired him to make music, yet weaves in a multitude of techniques from the myriad of styles he has explored since. Operatic vibratos flow into passionate howls, jazz scat collapses into death growls, and beat boxing meanders into throat singing in a pandemonium of vocal exploration. To help compliment each song’s particular character, he harnesses the power of a host of instruments, including keys, saxophone, synthesizers, and guitar.

– 30 –

“The 9-track record comes with a focused story-telling, remarkable songwriting and with an offer of something that separates them from the bigger part of the prog gang. The band is not shy to explore within pop, indie rock or alternative and fuse these elements with sound-defining progressive rock and metal influences.” – Prog-Sphere

“Feminism possesses great balance between the up-beat rock tunes polished with rock’s progressive and alternative subgenres, but what this album shows is talent of the band which certainly can bring something epic. Until then, let Feminism shows itself in its full brilliance.” – Progzilla

“sound more like their fellow countrymen Protest the Hero, albeit with a sax in the mix of things. Their overall style is the same careening prog metal that PtH are good at… For a debut album, I am impressed with “Feminism.”… I think Sleeping in Traffic have potential, so they are worth following.” – Progressive Music Planet

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher(@)ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia

AsherMediaRelations.com

0 Edmonton’s SLEEPING IN TRAFFIC Premiere Full Streams of Double EPs ‘That Which Saves Us’ and ‘That Which Destroys Us’ Out Sept 27th

  • September 26, 2019
  • by Asher
  • · Music News · Sleeping In Traffic

(contact info below)

NEWS RELEASE

Montreal, QC – September 26, 2019

For fans of Between The Buried & Me, Devin Townsend, Tool, Thank You Scientist

Edmonton’s SLEEPING IN TRAFFIC Premiere Full Streams of Double EPs
‘That Which Saves Us’ and ‘That Which Destroys Us’ Out Sept 27th

L-R: Ryan Berehulke – Bass, Cory Bosse – Vocals/Synth, Greg Turner – Guitar, Andrew Bateman – Drums

Photo Credit: Graham Gnarles

Edmonton’s SLEEPING IN TRAFFIC have been busy writing and recording two EP’s, which while complementary to each other are still dramatically different and allow fans to explore each side of the band’s music as its own entity and to hear each aspect fully fleshed out instead of blended together.

With influences from Between The Buried & Me, Devin Townsend and Tool, the newest album is a split EP that explores that dual nature of the band’s music. One EP “That Which Destroys Us” is dark and aggressive, while the other EP “That Which Saves Us” is upbeat and catchy. The band explains the duality in their vision:

“The first ‘That Which Saves Us’ is the “upbeat EP”. It strongly represents a lot of the pop-punk influences that Ryan and Greg bring to the band, and features songs with inspiring themes and uplifting major keys. The other ‘That Which Destroys Us’ displays more of the band’s extreme metal influences, without abandoning some of the weirdness the band is known for. The EPs continue to explore odd time signatures and polyrhythms in the context of heavily distorted guitars, snarling synths, and guttural vocals.”

Teaming up with Metal-Rules.com, they are premiering the exclusive full stream of the EPs at the following link HERE.

The EPs will be available on September 27, 2019 and available for pre-order on Bandcamp.


Track Listing:
1. Through Method And Rigor (4:43)
2. Fungal Symbiosis (feat. Elle T.) (3:50)
3. Exoplanets (feat. Elle T.) (6:09)
4. False Alternatives (5:13)
5. The Scrupulous Study Of Everything (5:41)
EP Length: 25:38


Track Listing:
1. (√-π)÷0=1 (3:58)
2. Audaciousness Of Him (7:10)
3. Narcicystic Pustule (1:26)
4. Masculine Toxin (4:38)
5. Gaia Shrugged (feat. Elle T.) (6:07)
6. The Inevitable Heat Death Of The Universe (5:32)
EP Length: 28:53

Show Dates:
October 5 – Edmonton, AB – Wellinton Community Hall (Double EP Release Show)

For more info:
SleepingInTraffic.com
Facebook
Instagram
Twitter
Youtube
EPK

Bio:

Based out of Edmonton, Canada, Sleeping In Traffic is a progressive metal band whose artistic vision is built around the concept of change. Nothing in the band’s music is intended to remain static. Each album and performance brings new adaptations and innovations; always playing with the sonic possibilities.

Influenced by the likes of Between The Buried and Me, Devin Townsend, and Porcupine Tree, they have been manifesting dynamic, and ever-evolving music since 2014. Sleeping In Traffic released their debut self titled EP in 2014 and the full length ‘Feminism’ in 2017 that is a guitar-driven hard rock/metal concept album that borrows heavily from ska, jazz, pop-punk, and classic prog rock. They have graced many stages in Western Canada including performances at Alberta’s Farmaggedon Metal Fest (2015) and Edmonton’s Shredmonton (2016/17).

Sleeping In Traffic is releasing two new EPs in 2019, ‘That Which Saves Us’ and ‘That Which Will Destroy Us’ each with a different character. One explores the darker, heavier metal influences of the band, while the other channels the more upbeat side to their music. Synthesizers will form a core element to both of these releases due on September 27, 2019.

Sleeping in Traffic consists of four members, each with their own unique and eclectic musical tastes, which influence their contributions to the band.

Greg Turner’s unusual approach to guitar is a core element of Sleeping In Traffic’s music. Stuttered, chaotic time signatures and bizarre chord voices in catchy patterns flow from his fingers to form the basis of many of the songs. His use of a multitude of pedals adds colourful timbres and occasionally acts as their own instrument.

Ryan Berehulke carves out a thundering obelisk of depth from his 5-string bass and his tower of speakers. His style is definitive in a way that meshes perfectly with the guitars to provide a wall of reinforcement, yet often also takes the main stage, without ever abandoning the supreme role as the band’s foundation. His ingenuity in his approach to bass playing is indispensable; from the funky groove and raw, pounding roars; all the way to evolving, ambient textures.

Andrew Bateman is a mad scientist behind a drum-kit. With his intricate knowledge of rhythms, he weaves complex patterns in and around the eccentric time signatures that the music follows. His array of styles ranges from pulverizing metal to pattering, offbeat jazz and everything in between. He is always searching for novel rhythmic cadences and new ways to strike the same drums. He is highly technical, yet playful; often improvising on the spot and testing the limits of his fellow musicians.

Cory Bosse acts as the voice of the band, as well as the source of many of its most unexpected sounds. His bombastic singing style has its roots in the metal music that originally inspired him to make music, yet weaves in a multitude of techniques from the myriad of styles he has explored since. Operatic vibratos flow into passionate howls, jazz scat collapses into death growls, and beat boxing meanders into throat singing in a pandemonium of vocal exploration. To help compliment each song’s particular character, he harnesses the power of a host of instruments, including keys, saxophone, synthesizers, and guitar.

– 30 –

“The 9-track record comes with a focused story-telling, remarkable songwriting and with an offer of something that separates them from the bigger part of the prog gang. The band is not shy to explore within pop, indie rock or alternative and fuse these elements with sound-defining progressive rock and metal influences.” – Prog-Sphere

“Feminism possesses great balance between the up-beat rock tunes polished with rock’s progressive and alternative subgenres, but what this album shows is talent of the band which certainly can bring something epic. Until then, let Feminism shows itself in its full brilliance.” – Progzilla

“sound more like their fellow countrymen Protest the Hero, albeit with a sax in the mix of things. Their overall style is the same careening prog metal that PtH are good at… For a debut album, I am impressed with “Feminism.”… I think Sleeping in Traffic have potential, so they are worth following.” – Progressive Music Planet

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher@ashermediarelations.com
Facebook | Tweet @AsherMedia | Instagram @AsherMedia

AsherMediaRelations.com

0 Rockshots Records: BLAME ZEUS New Music Video “No”; New Album “SEETHE” Out November 8th

  • September 20, 2019
  • by Asher
  • · Blame Zeus · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – September 20, 2019

For fans of Mastodon, Tool, A Perfect Circle

Rockshots Records: BLAME ZEUS New Music Video “No”; New Album “SEETHE” Out November 8th


Portuguese progressive metallers BLAME ZEUS have unveiled their new music video “No” in support of their third full length “SEETHE” due out November 8, 2019 via Rockshots Records.

Music Video “No”: https://youtu.be/iNeNKb5nV34

Spotify: https://backl.ink/61290673

Apple Music: https://apple.co/2kQNKGq

With influences that range from blues to metal, BLAME ZEUS can be described as an intense and heavy rock, but also with intimate and nostalgic ballads. Their line up features Sandra Oliveira, Tiago Lascasas, Paulo Silva, Celso Oliveira, and Ricardo Silveira.

Since forming in 2010, the band’s two previous releases “Identity’ (2014) (Raising Legends Records) and “Theory of Perception” (2017) have garnered much praise in their home country along with securing opening slots with bands Lacuna Coil, Moonspell, Cradle of Filth, Cellar Darling, R.A.M.P. among many others established acts. In 2018, they were invited to perform at Vagos Metal Fest, one of Portugal’s biggest heavy festivals.

The band adds:

“Our new upcoming album will still possess BZ’s genome, but it will bring some fresh features you’ve never seen in our work. It will be heavier, darker, more progressive, and it will make the fans submerge in a turmoil of strong feelings. Fans will certainly feel our same old vibe in the songs, but recognize it has been upgraded, with a more modern sound. We worked freely, with no strings attached, using new elements, making everything sound rhythmically, harmonically and melodically intertwined.  We have certainly not made things easier to ourselves, and had to evolve technically to be able to play and sing these new songs.”

and vocalist Sandra Oliveira also adds:

“‘SEETHE’ could very well be considered a conceptual album because the main theme of the songs is unexpressed anger, silent pain transformed into poetry. Its contradictory nature is the liberation of the soul, it’s letting go of that lump on your throat when you have something to say. Each song speaks of a particular situation where the silence and the numbness become a vehicle for action and freedom or even utmost despair.”

“SEETHE” is available for pre-order here.


Album cover artwork by Gustavo Sazes

Track Listing:
1. How To Successfully Implode (4:51)
2. Déjà Vu (4:50)
3. Down To Our Bones (5:26)
4. White (4:41)
5. Bloodstained Hands (5:46)
6. The Obsession Lullaby (3:11)
7. Into The Womb (4:32)
8. No (4:29)
9. The Warden (5:27)
10. The Crown and The Gun (4:23)
Album Length: 47:40

For More Info:
Rockshots.eu
Facebook
Instagram

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher(@)ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia

AsherMediaRelations.com

0 SLEEPING IN TRAFFIC Release Mathematical Second Single (√-π)÷0=1 (The Equation) From Upcoming Dual EP ‘That Which Saves Us’ and ‘That Which Destroys Us’ Out Sept 27th Check it out now on PureGrainAudio.com

  • September 17, 2019
  • by Asher
  • · Music News · Sleeping In Traffic

(contact info below)

NEWS RELEASE

Montreal, QC – September 17, 2019

For fans of Between The Buried & Me, Devin Townsend, Tool, Thank You Scientist

Edmonton’s SLEEPING IN TRAFFIC Release Mathematical Second Single “(√-π)÷0=1 (The Equation)”

Double EP Release For ‘That Which Saves Us’ and ‘That Which Destroys Us’ Out Sept 27th

L-R: Ryan Berehulke – Bass, Cory Bosse – Vocals/Synth, Greg Turner – Guitar, Andrew Bateman – Drums

Photo Credit: Graham Gnarles

Later this month, Edmonton’s SLEEPING IN TRAFFIC will release their dual EPs “That Which Saves Us” and “That Which Destroys Us”; the duality of these two complementary yet dramatically different EPs are shown through two singles, the second being  ‘(√-π)÷0=1 (The Equation)’ off of “That Which Destroys Us”.

As the darker side of the double EPs, SLEEPING IN TRAFFIC keeps it heavy with their distinctive weirdness, as they put it:

“This EP displays more of the band’s extreme metal influences, without abandoning some of the weirdness the band is known for. The album continues to explore odd time signatures and polyrhythms in the context of heavily distorted guitars, snarling synths, and guttural vocals.”

The single itself is a complicated arrangement that is as bizarre as the track title for anyone with an understanding of mathematics. This is intentional says they band, and they continue:

“It is an attempt at a comparison of what it feels like to be forced to stand on equal footing next to people who lack any sense of logic or rationality, and to have to argue with them in the public discourse as if their worldview is somehow just as valid. The music features shifting time signatures, riffs that play in reverse, and a massive, crushing, synth-reinforced breakdown at its core.”

With influences such as Between the Buried and Me, Devin Townsend, and Opeth, SLEEPING IN TRAFFIC make no accommodations when it comes to crushing music. Listeners can hear for themselves ‘(√-π)÷0=1 (The Equation)’ via its exclusive premiere on PureGrainAudio.com HERE.

The EPs will be available on September 27, 2019 and available for pre-order on Bandcamp.

SLEEPING IN TRAFFIC‘s first single ‘Exoplanets’ can be streamed here.


Track Listing:
1. Through Method And Rigor (4:43)
2. Fungal Symbiosis (feat. Elle T.) (3:50)
3. Exoplanets (feat. Elle T.) (6:09)
4. False Alternatives (5:13)
5. The Scrupulous Study Of Everything (5:41)
EP Length: 25:38


Track Listing:
1. (√-π)÷0=1 (3:58)
2. Audaciousness Of Him (7:10)
3. Narcicystic Pustule (1:26)
4. Masculine Toxin (4:38)
5. Gaia Shrugged (feat. Elle T.) (6:07)
6. The Inevitable Heat Death Of The Universe (5:32)
EP Length: 28:53

For more info:
SleepingInTraffic.com
Facebook
Instagram
Twitter
Youtube
EPK

Bio:

Based out of Edmonton, Canada, Sleeping In Traffic is a progressive metal band whose artistic vision is built around the concept of change. Nothing in the band’s music is intended to remain static. Each album and performance brings new adaptations and innovations; always playing with the sonic possibilities.

Influenced by the likes of Between The Buried and Me, Devin Townsend, and Porcupine Tree, they have been manifesting dynamic, and ever-evolving music since 2014. Sleeping In Traffic released their debut self titled EP in 2014 and the full length ‘Feminism’ in 2017 that is a guitar-driven hard rock/metal concept album that borrows heavily from ska, jazz, pop-punk, and classic prog rock. They have graced many stages in Western Canada including performances at Alberta’s Farmaggedon Metal Fest (2015) and Edmonton’s Shredmonton (2016/17).

Sleeping In Traffic is releasing two new EPs in 2019, ‘That Which Saves Us’ and ‘That Which Will Destroy Us’ each with a different character. One explores the darker, heavier metal influences of the band, while the other channels the more upbeat side to their music. Synthesizers will form a core element to both of these releases due on September 27, 2019.

Sleeping in Traffic consists of four members, each with their own unique and eclectic musical tastes, which influence their contributions to the band.

Greg Turner’s unusual approach to guitar is a core element of Sleeping In Traffic’s music. Stuttered, chaotic time signatures and bizarre chord voices in catchy patterns flow from his fingers to form the basis of many of the songs. His use of a multitude of pedals adds colourful timbres and occasionally acts as their own instrument.

Ryan Berehulke carves out a thundering obelisk of depth from his 5-string bass and his tower of speakers. His style is definitive in a way that meshes perfectly with the guitars to provide a wall of reinforcement, yet often also takes the main stage, without ever abandoning the supreme role as the band’s foundation. His ingenuity in his approach to bass playing is indispensable; from the funky groove and raw, pounding roars; all the way to evolving, ambient textures.

Andrew Bateman is a mad scientist behind a drum-kit. With his intricate knowledge of rhythms, he weaves complex patterns in and around the eccentric time signatures that the music follows. His array of styles ranges from pulverizing metal to pattering, offbeat jazz and everything in between. He is always searching for novel rhythmic cadences and new ways to strike the same drums. He is highly technical, yet playful; often improvising on the spot and testing the limits of his fellow musicians.

Cory Bosse acts as the voice of the band, as well as the source of many of its most unexpected sounds. His bombastic singing style has its roots in the metal music that originally inspired him to make music, yet weaves in a multitude of techniques from the myriad of styles he has explored since. Operatic vibratos flow into passionate howls, jazz scat collapses into death growls, and beat boxing meanders into throat singing in a pandemonium of vocal exploration. To help compliment each song’s particular character, he harnesses the power of a host of instruments, including keys, saxophone, synthesizers, and guitar.

– 30 –

“The 9-track record comes with a focused story-telling, remarkable songwriting and with an offer of something that separates them from the bigger part of the prog gang. The band is not shy to explore within pop, indie rock or alternative and fuse these elements with sound-defining progressive rock and metal influences.” – Prog-Sphere

“Feminism possesses great balance between the up-beat rock tunes polished with rock’s progressive and alternative subgenres, but what this album shows is talent of the band which certainly can bring something epic. Until then, let Feminism shows itself in its full brilliance.” – Progzilla

“sound more like their fellow countrymen Protest the Hero, albeit with a sax in the mix of things. Their overall style is the same careening prog metal that PtH are good at… For a debut album, I am impressed with “Feminism.”… I think Sleeping in Traffic have potential, so they are worth following.” – Progressive Music Planet

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher(@)ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia

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0 Out Now! One-Man Prog Band SURFACE OF THE SUN’s New EP “Panacea”

  • September 6, 2019
  • by Asher
  • · Music News · Surface of The Sun

(contact info below)

NEWS RELEASE

Montreal, QC – September 6, 2019

 

For fans of Tool, A Perfect Circle, Chevelle, Miosis, Karnivool, Alpha Galates

Out Now! One-Man Prog Band SURFACE OF THE SUN’s New EP “Panacea”


Charmaine Schmaltz at Ingenz Creativity (https://photos.ingenz.ca)

 

Out now as of September 6th, Devon Eggers and his solo project SURFACE OF THE SUN has unveiled the new EP “Panacea”. The EP consists of four songs, each providing a unique element and feel to the sophomore release. All vocals and music were written, performed and recorded by Devon Eggers except for the drums, which were composed by Chris Warunki (Omnisight). Since his first recording in 2011, “A Dying Star”, Eggers has worked hard to make a more polished, detailed, and refined second effort with “Panacea”. The EP definitely brings that aspiration alive with more elaborate song arrangements with a SURFACE OF THE SUN sound. Eggers explains in further detail:

“The ‘Panacea’ EP was a major solo undertaking, so I’m very excited to finally be at the release date. I started writing most of these songs about 4-5 years ago, picking away at them here and there as ideas came and went. Then a little over a year ago, when I decided to go the route of releasing an EP, these four songs had come together in a way that felt right, and like they belonged together on the same release. So, in August 2018 I pushed the other songs aside for a bit so I could focus on these four.

From there on I spent every moment I could working on these songs. My evenings and weekends were spent in the studio recording, writing new parts, finding neat sound effects to add additional layers, completing the lyrics and vocal melodies. I spent countless hours molding the songs into the final versions over the coming months. Then, early this year (after some major equipment malfunctions that delayed me a month or two) I’d completed the bulk of the songs enough to record the drums, which are the only instrument I didn’t play on this EP.

My amazing drummer, Chris Warunki, and I spent the month of March sending videos and notes back and forth working out the drum parts until we were ready to hit the studio. We recorded the drums in Monarch Studios over a couple of very long days at the beginning of April. The next few weeks involved me compiling all the best drums takes and prepping the songs to be mixed. I then started mixing the songs near the end of May, and in June was fortunate enough to be squeezed into a very good mastering engineer’s schedule to complete the last step of the process.

So now, here I am, a year and about two weeks after deciding to finish these four songs, ready to finally share them with everyone. The process was long, was a lot of work, and tiring, but I loved every moment of it. And I love these songs. I hope others find enjoyment in them as well.”

Heavy, creative and catchy, SURFACE OF THE SUN is appealing for all fans of progressive metal, especially those with an interest in Tool, Karnivool, and Chevelle.

“Panacea” is available for stream and download on Spotify, Bandcamp, Apple Music, and all other major music platforms.


Track Listing:
1. The Science Says (5:03)
2. Oblivion (5:22)
3. The Silence (6:16)
4. Panacea (8:52)
EP Length: 25:34

 

For more info:
Facebook
Instagram
Twitter
Youtube
EPK

Bio:
Surface of the Sun is a one-man project spawned from the mind of Devon Eggers. Working on music over the years in the capacity of a recording engineer, he decided to complete a few of his musical ideas on his own. He manifests the subjects for the catchy and melodic songs, and then writes, performs and records all the instruments and vocals save for the drums. He does his own mixing but usually outsources the mastering and has two completed albums to date.Surface of the Sun is a listening experience that people can get lost in; it is dynamic with a rollercoaster of energy, melodies and heaviness. Each song stands out on its own while still complimenting the others.

Unrestricted by any other creative influence, Eggers can focus on his sole vision for progressive metal that he hopes will inspire others in some way, especially to think outside the box, to question, to be open, or to better themselves and others. While many of the lyrics may be aggressive and highlight an issue, Eggers usually writes in a way that focuses on correcting or improving whatever that problem may be.

In 2011, he released the debut full length ‘A Dying Star’ which is being followed up in 2019 with the EP ‘Panacea’ that will show further maturation and how Eggers has grown as an artist, writer, producer and engineer.

– 30 –

“Calling all fans of music in the vein of Tool (yes, we’re talking about alternative metal, art tock, progressive metal, progressive rock, and all of that juicy goodness); please allow us to introduce you to Mr. Devon Eggers, a recording engineer and independent, British Columbia, Canada-based musician whose one-man solo prog project is dubbed Surface of the Sun… Nothing at all quiet about this new single, “The Silence” is a six-minute and seventeen second-long lesson in modern, progressive metal that should find its way onto many new fans’ playlists. Clearly, we’re dealing with a talented dude here; with the exception of the drums, Eggers wrote, performed, recorded, and even mixed all of the music and vox heard on the new EP.” – PureGrainAudio

“If you’re looking for music that will envelop you with multitudes of thoughts, emotions, and moments common to the human experience, then you are going to want to get your hands on Panacea by Surface of the Sun.” – The Littlest Voice

“The Verdict: On some level, Surface Of The Sun excites me more than the new Tool album on the horizon. There’s a youthful excitement and energy to what Eggers is doing that I don’t think Maynard and co. can still conjure in this phase of their lives. It’s a hunger that just can’t be faked, and Panacea has that in spades.” – Metal Trenches

“Cet EP propose vingt-six minutes d’une musique puissante et hypnotique (‘Panacea’) qui alterne les ambiances, sur laquelle la guitare n’intervient qu’occasionnellement pour tisser des motifs autour d’ une section rythmique en béton armé qui assure l’essentiel de la musique, tout en proposant des mélodies entêtantes, à l’image de celle du premier titre ‘The Science Says’.” – Neo Prog

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher@ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia
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0 Rockshots Records Signs Portugal’s BLAME ZEUS For Third Album “SEETHE” Out November 8th

  • August 29, 2019
  • by Asher
  • · Blame Zeus · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – August 29, 2019

For fans of Mastodon, Tool, A Perfect Circle

Rockshots Records Signs Portugal’s BLAME ZEUS For Third Album “SEETHE” Out November 8th


Rockshots Records is proud to announce their latest signing of Portuguese progressive metallers BLAME ZEUS for the release of their third full length “SEETHE” on November 8, 2019.

With influences that range from blues to metal, their music can be described as an intense and heavy rock, but also with intimate and nostalgic ballads. Their line up features Sandra Oliveira, Tiago Lascasas, Paulo Silva, Celso Oliveira, and Ricardo Silveira.

Since forming in 2010, the band’s two previous releases “Identity’ (2014) (Raising Legends Records) and “Theory of Perception” (2017) have garnered much praise in their home country along with securing opening slots with bands Lacuna Coil, Moonspell, Cradle of Filth, Cellar Darling, R.A.M.P. among many others established acts. In 2018, they were invited to perform at Vagos Metal Fest, one of Portugal’s biggest heavy festivals.

The band adds:

“Our new upcoming album will still possess BZ’s genome, but it will bring some fresh features you’ve never seen in our work. It will be heavier, darker, more progressive, and it will make the fans submerge in a turmoil of strong feelings. Fans will certainly feel our same old vibe in the songs, but recognize it has been upgraded, with a more modern sound. We worked freely, with no strings attached, using new elements, making everything sound rhythmically, harmonically and melodically intertwined.  We have certainly not made things easier to ourselves, and had to evolve technically to be able to play and sing these new songs.”

and vocalist Sandra Oliveira also adds:

“‘SEETHE’ could very well be considered a conceptual album because the main theme of the songs is unexpressed anger, silent pain transformed into poetry. Its contradictory nature is the liberation of the soul, it’s letting go of that lump on your throat when you have something to say. Each song speaks of a particular situation where the silence and the numbness become a vehicle for action and freedom or even utmost despair.”

“SEETHE” is available for pre-order here.


Album cover artwork by Gustavo Sazes

Track Listing:
1. How To Successfully Implode (4:51)
2. Déjà Vu (4:50)
3. Down To Our Bones (5:26)
4. White (4:41)
5. Bloodstained Hands (5:46)
6. The Obsession Lullaby (3:11)
7. Into The Womb (4:32)
8. No (4:29)
9. The Warden (5:27)
10. The Crown and The Gun (4:23)
Album Length: 47:40

For More Info:
Rockshots.eu
Facebook
Instagram

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher@ashermediarelations.com
Facebook | Tweet @AsherMedia | Instagram @AsherMedia

AsherMediaRelations.com

0 Edmonton’s SLEEPING IN TRAFFIC Premiere Single ‘Exoplanets’ via Prog-Sphere; Announce Double EP Release For ‘That Which Saves Us’ and ‘That Which Destroys Us’ Out Sept 27th

  • August 21, 2019
  • by Asher
  • · Music News · Sleeping In Traffic

(contact info below)

NEWS RELEASE

Montreal, QC – August 21, 2019

For fans of Between The Buried & Me, Devin Townsend, Tool, Thank You Scientist

Edmonton’s SLEEPING IN TRAFFIC Premiere Single ‘Exoplanets’ via Prog-Sphere

Announce Double EP Release For ‘That Which Saves Us’ and ‘That Which Destroys Us’ Out Sept 27th

L-R: Ryan Berehulke – Bass, Cory Bosse – Vocals/Synth, Greg Turner – Guitar, Andrew Bateman – Drums

Photo Credit: Graham Gnarles

Edmonton’s SLEEPING IN TRAFFIC have been busy writing and recording two EP’s, which while complementary to each other are still dramatically different and allow fans to explore each side of the band’s music as its own entity and to hear each aspect fully fleshed out instead of blended together.

With influences from Between The Buried & Me, Devin Townsend and Tool, the newest album is a split EP that explores that dual nature of the band’s music. One EP ‘That Which Destroys Us’ is dark and aggressive, while the other EP ‘That Which Saves Us’ is upbeat and catchy. The band explains the duality in their vision:

“The first ‘That Which Saves Us’ is the “upbeat EP”. It strongly represents a lot of the pop-punk influences that Ryan and Greg bring to the band, and features songs with inspiring themes and uplifting major keys. The other ‘That Which Destroys Us’ displays more of the band’s extreme metal influences, without abandoning some of the weirdness the band is known for. The EPs continue to explore odd time signatures and polyrhythms in the context of heavily distorted guitars, snarling synths, and guttural vocals.”

The first single for these two releases is ‘Exoplanets’ from ‘That Which Saves Us’, in the band’s own words, they highlight the track:

“As always, our music is designed to take the listener on a journey through unexpected terrain and to reward listeners who sit down with the song and let it carry them along. ‘Exoplanets’ is a big, spacey, synth-filled odyssey that creates a sweeping and ever-changing landscape that tells the story of mankind’s desire to find another place among the stars to live and discover.”

Listen to the exclusive premiere of ‘Exoplanets’ on Prog-Sphere.com here.

The EPs will be available on September 27, 2019 and available for pre-order on Bandcamp.


Track Listing:
1. Through Method And Rigor (4:43)
2. Fungal Symbiosis (feat. Elle T.) (3:50)
3. Exoplanets (feat. Elle T.) (6:09)
4. False Alternatives (5:13)
5. The Scrupulous Study Of Everything (5:41)
EP Length: 25:38


Track Listing:
1. (√-π)÷0=1 (The Equation) (3:58)
2. Audaciousness Of Him (7:10)
3. Narcicystic Pustule (1:26)
4. Masculine Toxin (4:38)
5. Gaia Shrugged (feat. Elle T.) (6:07)
6. The Inevitable Heat Death Of The Universe (5:32)
EP Length: 28:53

For more info:
SleepingInTraffic.com
Facebook
Instagram
Twitter
Youtube
EPK

Bio:

Based out of Edmonton, Canada, Sleeping In Traffic is a progressive metal band whose artistic vision is built around the concept of change. Nothing in the band’s music is intended to remain static. Each album and performance brings new adaptations and innovations; always playing with the sonic possibilities.

Influenced by the likes of Between The Buried and Me, Devin Townsend, and Porcupine Tree, they have been manifesting dynamic, and ever-evolving music since 2014. Sleeping In Traffic released their debut self titled EP in 2014 and the full length ‘Feminism’ in 2017 that is a guitar-driven hard rock/metal concept album that borrows heavily from ska, jazz, pop-punk, and classic prog rock. They have graced many stages in Western Canada including performances at Alberta’s Farmaggedon Metal Fest (2015) and Edmonton’s Shredmonton (2016/17).

Sleeping In Traffic is releasing two new EPs in 2019, ‘That Which Saves Us’ and ‘That Which Will Destroy Us’ each with a different character. One explores the darker, heavier metal influences of the band, while the other channels the more upbeat side to their music. Synthesizers will form a core element to both of these releases due on September 27, 2019.

Sleeping in Traffic consists of four members, each with their own unique and eclectic musical tastes, which influence their contributions to the band.

Greg Turner’s unusual approach to guitar is a core element of Sleeping In Traffic’s music. Stuttered, chaotic time signatures and bizarre chord voices in catchy patterns flow from his fingers to form the basis of many of the songs. His use of a multitude of pedals adds colourful timbres and occasionally acts as their own instrument.

Ryan Berehulke carves out a thundering obelisk of depth from his 5-string bass and his tower of speakers. His style is definitive in a way that meshes perfectly with the guitars to provide a wall of reinforcement, yet often also takes the main stage, without ever abandoning the supreme role as the band’s foundation. His ingenuity in his approach to bass playing is indispensable; from the funky groove and raw, pounding roars; all the way to evolving, ambient textures.

Andrew Bateman is a mad scientist behind a drum-kit. With his intricate knowledge of rhythms, he weaves complex patterns in and around the eccentric time signatures that the music follows. His array of styles ranges from pulverizing metal to pattering, offbeat jazz and everything in between. He is always searching for novel rhythmic cadences and new ways to strike the same drums. He is highly technical, yet playful; often improvising on the spot and testing the limits of his fellow musicians.

Cory Bosse acts as the voice of the band, as well as the source of many of its most unexpected sounds. His bombastic singing style has its roots in the metal music that originally inspired him to make music, yet weaves in a multitude of techniques from the myriad of styles he has explored since. Operatic vibratos flow into passionate howls, jazz scat collapses into death growls, and beat boxing meanders into throat singing in a pandemonium of vocal exploration. To help compliment each song’s particular character, he harnesses the power of a host of instruments, including keys, saxophone, synthesizers, and guitar.

– 30 –

“The 9-track record comes with a focused story-telling, remarkable songwriting and with an offer of something that separates them from the bigger part of the prog gang. The band is not shy to explore within pop, indie rock or alternative and fuse these elements with sound-defining progressive rock and metal influences.” – Prog-Sphere

“Feminism possesses great balance between the up-beat rock tunes polished with rock’s progressive and alternative subgenres, but what this album shows is talent of the band which certainly can bring something epic. Until then, let Feminism shows itself in its full brilliance.” – Progzilla

“sound more like their fellow countrymen Protest the Hero, albeit with a sax in the mix of things. Their overall style is the same careening prog metal that PtH are good at… For a debut album, I am impressed with “Feminism.”… I think Sleeping in Traffic have potential, so they are worth following.” – Progressive Music Planet

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher@ashermediarelations.com
Facebook | Tweet @AsherMedia | Instagram @AsherMedia

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0 PureGrainAudio Premiere One-Man Prog Band SURFACE OF THE SUN’s New Single ‘The Silence’; New EP “Panacea” Out Sept 6, 2019

  • August 16, 2019
  • by Asher
  • · Music News · Surface of The Sun

(contact info below)

NEWS RELEASE

Montreal, QC – August 16, 2019

 

For fans of Tool, A Perfect Circle, Chevelle, Miosis, Karnivool, Alpha Galates

PureGrainAudio Premiere One-Man Prog Band SURFACE OF THE SUN’s New Single ‘The Silence’

New EP “Panacea” Out Sept 6, 2019


Charmaine Schmaltz at Ingenz Creativity (https://photos.ingenz.ca)

 

Devon Eggers and his solo project SURFACE OF THE SUN have announced a new single ‘The Silence’ taken from the upcoming album “Panacea”, which will be released on September 6, 2019.

Since his first recording in 2011. Eggers has worked hard to make a more polished, detailed, and refined second effort and the result, “Panacea” definitely brings that aspiration alive with more elaborate song arrangements that still have the SURFACE OF THE SUN feel.

The EP consists of four songs, each providing a unique element and feel to the release. They all have their own character, but are complementary to each other. Eggers outlines the details in the single ‘The Silence’:

“This is the first song to change from the more standard 4/4 time signature into my favourite, a five-count. The energy of this song moves up and down throughout until culminating at the end for an epic outro driven by Chris’s incredible drumming. The heavy riffs in the song are contrasted at times by softer vocals and multiple Asian instruments.”

All vocals and music are written, performed and recorded by Devon Eggers except for the drums, which were performed and composed by Chris Warunki (Omnisight).

Heavy, creative and catchy, SURFACE OF THE SUN is appealing for all fans of progressive metal, especially those with an interest in Tool, Karnivool, and Chevelle.

Listen to ‘The Silence’ via its exclusive premiere on PureGrainaudio.com at the following link here.


Track Listing:
1. The Science Says (5:03)
2. Oblivion (5:22)
3. The Silence (6:16)
4. Panacea (8:52)
EP Length: 25:34

 

For more info:
Facebook
Instagram
Twitter
Youtube
Spotify
Bandcamp
Apple Music 

Bio:
Surface of the Sun is a one-man project spawned from the mind of Devon Eggers. Working on music over the years in the capacity of a recording engineer, he decided to complete a few of his musical ideas on his own. He manifests the subjects for the catchy and melodic songs, and then writes, performs and records all the instruments and vocals save for the drums. He does his own mixing but usually outsources the mastering and has two completed albums to date.Surface of the Sun is a listening experience that people can get lost in; it is dynamic with a rollercoaster of energy, melodies and heaviness. Each song stands out on its own while still complimenting the others.

Unrestricted by any other creative influence, Eggers can focus on his sole vision for progressive metal that he hopes will inspire others in some way, especially to think outside the box, to question, to be open, or to better themselves and others. While many of the lyrics may be aggressive and highlight an issue, Eggers usually writes in a way that focuses on correcting or improving whatever that problem may be.

In 2011, he released the debut full length ‘A Dying Star’ which is being followed up in 2019 with the EP ‘Panacea’ that will show further maturation and how Eggers has grown as an artist, writer, producer and engineer.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher@ashermediarelations.com
Facebook | Tweet @AsherMedia | Instagram @AsherMedia
AsherMediaRelations.com

0 Prog Metallers KOSM Premiere Band Playthrough ‘A Call Beyond’ via GearGods

  • August 16, 2019
  • by Asher
  • · KOSM · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – August 16, 2019

 

 

 

For fans of Tool, Mastodon, Gojira, The Agonist, Periphery, A Perfect Circle

Prog Metallers KOSM Premiere Band Playthrough ‘A Call Beyond’ via GearGods

Out Now! Bloodborne Inspired EP “Eyes On The Inside”


L-R – Erik Leonhard – Guitar, Michael ‘Pastrami’ Mastracci – Bass, Jessie Grace – Vocals, Mike Slater – Guitar, Sterling Paterson – Drums
Photo credit – Justin Forster

KOSM is a progressive metal band hailing from Vancouver BC, Canada. Combining influences from Mastodon, Tool, and Gojira; their sound is dynamic and unquestionably lethal. Since their induction in 2016, they have been making their mark in Vancouver’s metal scene as an absolute force to be reckoned with.

Familiar to members of the progressive metal covenant, and playing with themes from the H.P. Lovecraft and Bloodborne universes; KOSM is quite unique and authentically its own being. Their first release, 2018’s “Cosmonaut” was an album loosely based on the Lovecraftian myth of Cthulhu and each song was meant to walk the listener through a story from beginning to end. Following this, the band recently plunged listeners into the dark universe of their Bloodborne video game inspired EP “Eyes On The Inside” unleashed on June 28th, 2019. The dark and agile record demonstrated KOSM‘s maturity in sound and was the first release that featured all members of the band contributing to the writing process.

Teaming up with GearGods.net, the progressive metal quintet are showcasing their latest band playthrough for their track ‘A Call Beyond’ off of “Eyes On The Inside”, which can be viewed at the following link here.

The band adds about writing the EP:

“We really set out to give people what they were asking of us, we all feel it’s going to be received incredibly well. On top of that, this is 100% for all the Bloodborne fans that trolled us into oblivion last year, so we hope that they love it just as much as the fans of progressive metal do! It’s heavier, trickier, and more concise with obvious nods to our biggest influences including Tool, Mastodon and Gojira.”

EP “Eyes On The Inside” is available on Spotify, Bandcamp, and Apple Music.

EP stream here.

Lyric Video – ‘Yharnam’ here.

Show Dates:
Sept 6 – Edmonton, AB – Starlite Room
Sept 14 – Vancouver, BC – Pat’s Pub
Oct 31 – Vancouver – Rickshaw Theatre w/ Jinjer, The Browning, Sumo Cyco

Track Listing:
1. Yharnam (5:25)
2. Clocktower (5:12)
3. A Call Beyond (4:16)
4. Old Blood (6:58)
5. Eyes On The Inside (4:56)
EP Length: 26:49

KOSM is:
Erik Leonhard – Guitar
Mike Slater – Guitar
Jessie Grace – Vocals
Sterling Paterson – Drums
Michael Mastracci – Bass

For more info:
KosmBand.com
Facebook
Instagram
Twitter
EPK

– 30 –

“The technical abilities of all band members blew my head off. The flow and continuity of the music is maintained from the first to the last note despite all the challenging progressiveness. It’s got more creativity crammed in 5 songs than some bands put in their entire discography. And it kills swiftly with no mercy. For all you waiting on that new Tool album, make this EP your warm up.” 9.5/10 – The Metal Observer 

“If you love your prog chunkier and sludgier KOSM is right up your ally.  They are definitely one of the genre’s best kept secrets and lets not make them a secret anymore, okay?”  – Technical Music Review

“KOSM’s knack for creating concept albums has paid off yet again!” – The Music Below

“I am immediately impressed. “Yharnam” is the first track, and I am already thinking Otep, Epica and iwrestledabearonce. The lyrics are impactful, the flow of the song fits and I want to listen to the rest already. Jessie Grace, vocalist, is showing her talent from the get-go. Having such a strong female lead is really a treasure, and I can’t fault the song. It’s definitely my favourite track off of the EP. The lyrics are dynamic and descriptive, and well executed. If you haven’t played Bloodborne, then this song will make you want to…I loved this EP! Everything worked and came together. It was refreshing, powerful and I believe the band will go far.” – Midlands Metalheads

“Vancouver’s KOSM kick the door in with Cosmonaut, their monstrous full-length debut. Brace yourself for a satisfying trip through an exciting mountain range of cascading, meaty riffs, swelling rises, and heady drops, all led by the powerful, soaring vocals of the dynamic Jessie Grace. ” – Beatroute BC

“KOSM cite Tool, Gojira, and Mastodon as three of their main influences, and all three can be heard loud and clear on their new album, Cosmonaut. The technical, progressive musicianship of Tool meets the crushing grooves and rhythmic vocals of Gojira, and Mastodon’s ear for riffy, thunderous prog are all present on Cosmonaut, which features some of the most technical metal I’ve heard this year outside of, you know, technical death metal. ” – Decibel Magazine

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher@ashermediarelations.com
Facebook | @AsherMedia
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