Tag: stream

0 Exitus Stratagem Records – Out Now! United By Pain and Rage Hungary’s SIN OF GOD Unshackle New Album “Blood Bound”

February 18, 2025
by Asher
· Music News · Sin of God (Exitus Stratagem Records0

NEWS RELEASE

Montreal, QC – February 18, 2025

Out Now! United By Pain and Rage Hungary’s SIN OF GOD Unshackle New Album “Blood Bound”

Fourth Studio Album “Blood Bound” Out February 18th, 2025 via Extius Stratagem Records

L-R: Krisztián Páncél (bass) / Tamás Kis (guitar) / Tamás Schupkégel (vocals) / Balázs Botyánszki (drums)

Photo credit: László Varga/VARESZ.Fotó

The metal world is now “Blood Bound” with the release of Hungary’s SIN OF GOD‘s fourth studio album from Exitus Stratagem Records. With influences in thrash, ODM, and blackened and progressive death metal, Sin of God‘s sacrificial offering “Blood Bound” will please both old and new-school death metal fans at the same time. This new full-length presents a collection of variations that exhibit brutality and softness. It is something fans have heard in the past from the band but it has never sounded like this.

“This album was a very painful and gory birth. Blood Bound was born bloodied and beaten. It was hurt by viruses, epidemics, wars, pollution, stupidity, irresponsibility, lies and deception. But finally, Blood Bound is here! Blood Bound is a mirror. Look into it! You will see the past, the present, and the future. Blood Bound is not a concept album, but it is united by the pain and rage that boils inside us. It reflects the best of our current knowledge. We wanted to write something simple and raw, conveying the message clearly but musically interesting, unique, and challenging. If you look at the album artwork, you’ll know exactly what to expect. Blood Bound is (life and) death metal at its finest, not for the faint of heart, that’s for sure!” adds the band.

Recommended for fans of Aborted, Bloodbath, Cattle Decapitation, Cryptopsy, and Psycroptic, Sin of God’s latest album “Blood Bound” is now available as of February 18, 2025, from Exitus Stratagem Records, and available at the following links:

Digital – https://hypeddit.com/sinofgod/bloodbound

CD order – https://www.exsrmusic.com/store/p/sin-of-god-blood-bound-lp-cd

Music Video – “No Return” – https://youtu.be/r9vmBJSdu_U

Visualizer – “Black Waves” – https://youtu.be/u6h13peGlrs

Track Listing:
1. Blood Bound (3:52)
2. Black Waves (4:16)
3. No Return (4:58)
4. The Unbelief (4:49)
5. Diabolical Agitation (7:44)
6. Obulus (3:28)
7. Cerebral Malfunction (4:02)
Album Length: 33:09

Album Credits:
Album recorded at: Denevér Hangstúdió, Hungary
Mixed and mastered by Sam Winslow/Sam Winslow Music
Album artwork by Tamás Kis

Album Band Lineup:
Tamás Schupkégel – Vocals
Tamás Kis – Guitar
Michele Gawen Augello – Bass
Balázs Botyánszki – Drums

Live Band Lineup:
Tamás Schupkégel – Vocals
Tamás Kis – Guitar
Krisztián Páncél – Bass
Balázs Botyánszki – Drums

More info:

Exsrmusic.com | Facebook.com/ExSRecords | Instagram.com/exsrmusic

Sinofgod.com | Facebook.com/sinofgodhu | Instagram.com/sinofgodmetal

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“This isn’t just an all out sonic barrage, though. There are lulls where the “heavy” gets a chance to build before all Hell is once again let loose upon the listener. Lyrics are guttural and harsh, and the guitars have that classic deathmetal sawtooth edge to them. Sin of God manage to pack quite a few riffs in amongst the rapid-fire rhythms, and the drums are impressive. Maintaining a speedy double kick through most songs to keep you heart racing,” – The Moshville Times

““No Return” is an absolutely brutal death metal track, full of raging guitars and non-stop blast beats that create an intense and chaotic atmosphere for the whole song. The lyrics tackle addictive desires and how they can be all-consuming. At the same time, the rather disturbing lyric video sees the lyrics over a viscerally all-too-realistic image of angels and Jesus amongst devils in Hell. It’s all a classic death metal sound and imagery, and it gets really creepy.” – New Noise Magazine

“The upcoming Blood Bound by Sin of God is the fourth full release from the Hungarian Extreme Metal monsters and it is the best record they have ever fucking made. It is as brutal as having a stream roller run over you, slowly crushing every bone and muscle inside your body. It’s as vicious as being dressed in a meat suit while a pack of hungry, rabid dogs are set upon you. And it’s as heavy as having concrete poured down your throat, before your corpse is thrown into the deep, dark sea. It is, quite frankly, fucking brilliant…Let’s face it, Sin of God don’t fuck about and if you’re coming to Blood Bound expecting anything other than the most extreme of metal, then you’re gonna have a bad time and don’t let the door hit you on the way out. Blood Bound is a statement that Sin of God are making a claim for the Extreme Metal throne, and on the strength of this, it’s hard to see how anyone could possibly stop them.” – Black Metal Archive

“It is the sound of a machine gun that immediately kick-starts the album and it comes at you courtesy of all four musicians. It is instantly clear: Blood Bound is brutal, crushing black/death metal with no hint of mercy. The singer Tamás Schupkégel deploys two tones and uses two channels to disseminate his preachy and ominous augury. The guitar is sharp. The warm drum sound and the barrage of artillery that goes boom is probably the album’s highlight. The drummer loves his drum rolls and his blast beats and more power to him… Call yourself a fan of Aeon, Cryptopsy, God Among Insects or Pestilence? Exitus Stratagem has a CD for you! No wonder the cover art depicts a symphonic (so-called) ‘metal’ chick singer and her wimpy accolades. They are being assailed by Sin Of God and their actual metallic and symphonic music. ” – Metallian.com

“Hungarian Extreme Metal masters Sin Of God have signed with Exitus Stratagem Records and will present their new album, Blood Bound, next month. Something that will excite old and new-school Death Metal fans, this new album echoes brutality and softness and is a mark of the challenges faced since 2016’s Aenigmata.” – Metal Talk

“I tell you that if what you are looking for are really strong emotions, this is your album. The six strings are lethal and insidious in equal measure. They cut your throat the same with sharp attacks of tremolo picking, which chill your blood with riffs darker than Lucifer’s soul. The voices are angry and macabre at all times. Yes, they are even when they anecdotally decide to use narrated clean vocals. In general, there is no feeling of respite, neither in instruments nor in vocal cords. Percussion is very extremist. Fast is very fast, and so is resounding. The use of the double pedal deserves special mention. It is a submachine gun that never uses ammunition. Don’t miss the initial ‘Bloodbound‘ nor ‘No Return (From Hell)‘ and ‘The Unbelief‘. ¡What savagery for Odin!” – Broken Tomb Magazine

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0 Streaming Now! TUMBLEWEED DEALER Invite You Into Their Lush Psychedelic Swamp With Full Stream Of “Dark Green”

February 6, 2025
by Asher
· Music News · Tumbleweed Dealer

NEWS RELEASE

Montreal, QC – February 6, 2025

Streaming Now! TUMBLEWEED DEALER Invite You Into Their Lush Psychedelic Swamp With Full Stream Of “Dark Green”

L-R – Seb Painchaud – Bass & Guitars, Jean-Baptiste Joubaud – Synths & Programming, Angelo Fata – Drums & Percussions

Photo Credit – PAULINE DELABORDE PHOTOGRAPHIE

Montreal, Canada’s Tumbleweed Dealer is proud to present their monumental fourth album “Dark Green”. This marks the culmination of an eight-year journey for the band, resulting in their most ambitious and fully realized work to date. Listeners can now immerse themselves in all ten tracks of this genre-defying masterpiece, experiencing the album as it was intended – a complete, transformative journey through sound and emotion. The band comments:

“We simply can’t wait to share this new album with everyone, from old fans, whose expectations we hope to obliterate, to potential new listeners who might be going in with absolutely no clue as to what they should expect. We strived to constantly contrast old sonorities with new tendencies. We layered influences over each other to create something original yet oddly nostalgic.”

From the opening notes of “A Distant Figure In The Fog” to the closing moments of “A Soul Made Of Sludge”, “Dark Green” takes the listener on an unparalleled auditory adventure. Each track builds upon the last, creating a cohesive narrative that explores themes of nature, consciousness, and the human experience. The album’s production quality shines throughout, with every instrument and effect meticulously placed to create a rich, enveloping soundscape.

As you listen to the album stream, pay attention to the intricate details and hidden layers within each track. Tumbleweed Dealer has crafted “Dark Green” to be an album that reveals new secrets with each listen, much like revisiting a favorite film or novel. Let the music wash over you, and prepare to be transported to the lush, mysterious world of “Dark Green”, which will be especially intriguing to those with an interest in Opeth, Cynic, and Rush.

Due out on February 7, 2025, “Dark Green” can be heard in full before its official release via its album stream premiere on TheProgSpace HERE.

Recommended for fans of Elder, Ohm, Camel, Opeth, and Cynic, “Dark Green” is available for album pre-order at https://tumbleweeddealer420.bandcamp.com/album/dark-green

Video – Dark Green – https://youtu.be/L73im_7hOWs

Video – Ghosts Dressed In Weeds feat. Ceschi – https://youtu.be/E06a90W8hFo

Track Listing:
1. A Distant Figure In The Fog (2:52)
2. Sparks Adrift In The Louisiana Nightsky (3:39)
3. A Plant That Thinks It’s Human (3:34)
4. Becoming One With The Bayou (3:19)
5. Dragged Across The Wetlands (2:56)
6. Dark Green (4:48)
7. Ghosts Dressed In Weeds (5:31)
8. Moss On The Mind (3:13)
9. Body Of The Bog (6:34)
10. A Soul Made Of Sludge (3:49)

Album Recording Credits:
• All songs performed by: Tumbleweed Dealer
• All songs written by: Tumbleweed Dealer
• Produced by: Jean-Baptiste Joubaud
• Mixed by: Jean-Baptiste Joubaud
• Mastered by: Harris Newman
• Album Artwork by: Glenn Le Calvez

Album Band Line Up:
Seb Painchaud – Bass & Guitars
Angelo Fata – Drums & Percussions
Jean-Baptiste Joubaud – Synths & Programming

Guest Musicians:
Antoine Baril – Mellotron, Hammond Organ & Keyboards on tracks 1, 2, 3, 4, 6, 8, 9 & 10
Guillaume Audette – Wurlitzer, Rhodes and Church Organ on tracks 8 & 10
Jocelyn Couture – Trumpet & Flugel Horn on tracks 4, 5, 7 and 9
Loïc Roy-Turgeon – Trombone on tracks 4 and 5
Zach Strouse – Saxophone on track 6
And special guest star Ceschi Ramos as himself on track 7

More info: Facebook.com/TumbleweedDealer | X.com/westernhorror | Instagram.com/tumbleweeddealer | Spotify

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“The epic song (Dark Green) is a good indication of what the rest of the record holds, which is plenty of blues, psychedelia, and prog rock.” – Decibel Magazine

“How about a new prog-rock instrumental?! The title track “Dark Green” from the forthcoming album has arrived from progressive stoner rockers, TUMBLEWEED DEALER and we’re digging it. We’ve also had the opportunity to preview the new album and it’s also a strong statement and should sit well with prog lovers. Keep an eye out for the album to be released on Feb. 7th and catch the single “Dark Green” now on your Home for the Best New Rock…” – WJOE – Findlay’s Home for Rock & Roll

“Tumbleweed Dealer’s “Dark Green,” the title track from their upcoming album out on February 7th, is a lesson in blending diverse musical influences into a singular, gripping piece. Clocking in at just under five minutes, the song showcases the band’s evolution and fearless creativity by weaving elements of blues, psychedelia, and progressive rock into a dynamic and unpredictable journey. The track builds a narrative through its seamless shifts in tone and texture. From introspective melodies to bursts of raw energy, the track balances complexity with accessibility. Antoine Baril’s vintage keys anchor the composition, giving it a retro flair, while Zach Strouse’s saxophone solo adds an unexpected but welcome layer of richness. Tumbleweed Dealer’s roots in extreme music shine subtly through black metal-inspired melodies and brief flashes of double bass drum that are a nod to their past without overshadowing their current direction. This contrast between intensity and finesse underscores the band’s skill in pushing genre boundaries.“Dark Green” not only introduces the thematic essence of the album but it also captures the spirit of exploration that has defined Tumbleweed Dealer’s evolution.” – Amplify The Noise

” a bold evolution of their signature blend of bluesy desert rock and progressive experimentation.” – Montreal Rocks

“This is one of those compositions that requires total immersion. Clean singing, bah who needs singing at all?! Recorded with finetuned care so you can hear all the little fret squeaks before they ramp up the ambience straight from a John Fruscianterecord. With synths and other keys that chameleon-ize said maestro’s voice, later emulating the sound of a backing choir that then morphs into church organ. When the atmospherics basking in the background saunter forth, the darker shades of green start to realize and the track enters the domain of prog royalty. As a double kick is racing the throbbing-for-the-last-gasp procreative releases of the bass before flamenco-picking a Morricone lick ghosted into a pregnant silence to just nod for the memory of a note that enticingly lures like an anglerfish with, “you ready for more?” The timestamp at termination is 4:51 but this is some form of dimension-manipulating chronomancy because the track feels like it is over quicker than Napalm Death’s “You Suffer.” That means I’m either suffering from THC-induced crapulence or my favorite drug just happens to be music; and when it’s layered this well, with so much to encounter on repeat listens, it can truly have the magical property of transcendental transportation.” – No Clean Singing

—–
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0 Streaming Now! Prog Collective LUNAR Unveils Groundbreaking Concept Album “Tempora Mutantur”

January 30, 2025
by Asher
· Lunar · Music News

NEWS RELEASE

Montreal, QC – January 31, 2024

Streaming Now! Prog Collective LUNAR Unveils Groundbreaking Concept Album “Tempora Mutantur”

ft. members Helion Prime, Beholder, Vis Mystica, Mokili Wa, Nordic Frost, Outloud, Double Vision

Fourth Studio Album “Tempora Mutantur” Out Jan 2025 via Saibot Reigns Records

Making Live Debut at Hyperspace Metal Festival 2025 (Vancouver, BC) – April 11th

Top 1st Row – Ryan Price – Bass, Alex Bosson – Drums
Middle 2nd Row – Connor McCray – Lead Guitar, Chandler Mogel – Clean Vocals
Bottom 3rd Row – Carlos Alvarez – Rhythm Guitar, Brian Lewis – Growl Vocals, Anthony Stahl – Keyboards

Sacramento, USA’s progressive metal pioneers LUNAR are set to release their most ambitious project to date, “Tempora Mutantur” on January 31, 2025. A meticulously crafted concept album that explores the intricate passages of time, personal transformation, and emotional landscapes, the record represents a milestone in the band’s continuing musical evolution. They comment on the release:

“We’re very excited to present our new album “Tempora Mutantur” to the world! This album is more thematic rather than conceptual like the last album. This album deals with something everyone can relate to and no one can escape: the passing of time. As we get older, our perspective changes, we gain some things, and lose others… sometimes the things and ones we love. And we struggle and fight along the way.”

Lunar hopes that fans will be able to resonate with the album and find some solace in it as it is highly relatable to the theme of time passing. Continued and driven by drummer and primary songwriter Alex Bosson (Helion Prime, Planeswalker) after the passing of co-band founder Ryan Erwin in 2018, the album is the result of a deeply personal and introspective creative process.

The album’s eight tracks weave a complex narrative that explores themes of seasonal change as metaphors for personal growth, mental health, and the passage of time. From the opening track to the three-part title suite that closes the album, Lunar demonstrates its unique ability to transform personal struggles into universal musical statements that resonate with listeners on multiple levels. The album is recommended for fans of Haken, Tool, and Porcupine Tree.

Listen to the album stream premiere of “Tempora Mutantur” via Decibel Magazine HERE.

Lunar‘s fresh lineup features guitarists Carlos Alvarez and Connor McCray (Vis Mystica) along with keyboardist Anthony Stahl plus album guests Wayne Ingram (Wildrun), Joe Gullace (Thank You Scientist), and Sam Vallen (Caligula’s Horse).

A studio project since first conceived in 2014, LUNAR will make its live debut next year at the 2025 Hyperspace Metal Festival in Vancouver, BC, Canada on April 11th. Info here.

LUNAR’s “Tempora Mutantur” will be available from Saibot Reigns Records as of January 31st, 2025.

Album pre-order – http://lunarbandofficial.bandcamp.com/

Videos:

“Watch The Weather Change” – https://youtu.be/WKdnZD_DJsE

“Weakening Winter Touch” – https://youtu.be/0in2WNVshGM

“Spring In My Step – https://youtu.be/mtOhnwOpK_0

“Fall Back Into Old Habits” – https://youtu.be/J4jTMq-XaTY

(Album Artwork by Ed Bosson)

Track Listing:
1. A Summer To Forget – 6:37
2. Fall Back Into Old Habits – 11:16 ft. guest guitar solo by Wayne Ingram (Wilderun)
3. Seasonal Interlude – 4:47
4. Weakening Winter Touch – 8:46
5. Spring In My Step – 7:26
6. Tempora Mutantur: Part I – Passage of Time – 3:12 ft. guest guitar solo by Sam Vallen (Caligula’s Horse)
7. Tempora Mutantur: Part II – Broken Pendulum – 3:47
8. Tempora Mutantur: Part III – Watch The Weather Change – 4:51
Album Length: 50:45

Album Credits:
Performance and Writing credits – full info HERE.
Produced by: Alex Bosson
Mixed by: Carlos Alvarez
Mastered by: Tony Lindgren

Album Main Lineup:
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Carlos Alvarez – Rhythm Guitar
Connor McCray – Lead Guitar
Ryan Price – Bass
Alex Bosson – Drums
Anthony Stahl – Keyboards

Live Lineup:
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Jordan Price – Guitars
Ryan Price – Bass
Alex Bosson – Drums

For more info: Facebook.com/lunarbandofficial | Instagram.com/lunarbandofficial | X.com/LunarBandOffcl | Spotify

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“It’s really well done technically by a band that clearly cares about their music and can play.” – Rock The Joint Mag (The Illusionist 2023)

“If I had one word to describe this album, it would be this one: whirlwind… “The Illusionist” is an album that is living. From its jazzy highs to its heavy metal lows, this album is constantly on its toes, never repeating itself and never, ever growing complacent. A wonderful whirlwind indeed. 9/10” – Ever Metal

“I feel like Lunar has captured the balance between accessibility and technicality very well. I hear many of the same elements in their sound that, when employed well, make bands like Dream Theater, King Crimson, Voïvod and even Sigh so engaging. I love when an album comes out of nowhere (for me, anyway) and makes this much of an impression.” – The Metal Crypt

“As I said at the start, when I heard this album I was immediately grabbed by it. The story works nicely, it is very character based and features plenty of emotions which as a listener I certainly could relate to. The music is terrific with all the players putting in excellent performances and the instrumentation used in a clever way to match all that is going on with the lead character. There are moments of heavy prog as well as metal, but melody runs through the heart of it. The fact that some of the people in the band have never met or even been in the same room together is remarkable as it sounds like everyone was on the same hymn sheet and it doesn’t sound pieced together. That is a great credit to the writing, arranging as well as all the musicians doing their parts to the benefit of the whole piece. An absolutely delightful as well as enjoyable album.” – CGCM Rock Radio

“The concept is that there are songs that are angry, songs that are confused, songs that are depressing, and everywhere in between. Styles on the album run the gambit from Progressive Metal with melodic vocals, to moments of Jazz, to cookie monster Thrash…. The musicianship is solid on all of the parts, with some excellent performances, notably vocalist Chandler Mogel… it does warrant checking out for Prog-Metal fans that like a mix of growler and melodic vocals.” – Metal Express Radio

“The Illusionist again is at the highest level of the progsphere, Bosson’s continuation of the Lunar name, honouring his co-founder and friend, through the medium of progressive metal, is an advantageous endeavour. 9/10” – Musipedia of Metal

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0 Exitus Stratagem Records – THIRTEEN GOATS Open Up The Pit For Glacial Mutilation Metal Festival + “Tour of The Black Flame” w/ OPAL IN SKY, NAMELESS KING + New Album “Capricorn Rising” Out Now!

January 22, 2025
by Asher
· Music News · Thirteen Goats

NEWS RELEASE

Montreal, QC – January 22, 2024

THIRTEEN GOATS Open Up The Pit For Glacial Mutilation Metal Festival

+ Vancouver Island Tour Dates – “Tour of The Black Flame” w/ OPAL IN SKY, NAMELESS KING

New Album “Capricorn Rising” Out Now! via Exitus Strategem Records

“It’s really strong. GREAT musicians, great production, as well as a very progressive aspect without losing the darkness.” – Kelly Schaefer, Atheist

L-R: Thirteen Goats Current Lineup | Rob Fitz-Gerald (Lead & Rhythm Guitars, Backing Vocals) | Graham K. Miles (Lead Vocals, Lead & Rhythm Guitars) | Cody Lewichew (Bass, Gang Vocals) | Leonid Verman (Drums, Gang Vocals) – Photo Credit: Kevyn Lilith Hoskin

Vancouver, Canada’s Thirteen Goats announce they will be performing on this year’s lineup for the Glacial Mutilation Metal Festival being held over three nights in Vancouver, BC from February 20th to 22nd at The Wise Hall. Thirteen Goats will be the festival’s opening band alongside The Hallowed Catharsis (Vancouver, BC), Dawn of Ouroboros (Oakland, CA), Black Pestilence (Calgary, AB), and Rat King (Seattle, WA).

The festival lineup also features Exist (Baltimore, MD), Bonded By Blood (Pomona, CA), Xoth (Seattle, WA), Terrifier (Vancouver, BC), Celestial Wizard (Denver, CO), Nomad (Okanagan, BC), Art of Attrition (Red Deer, AB) and more!

Full details and lineup are available at the following links:

Facebook Event – https://www.facebook.com/events/3676238119297179

Tickets – https://orangetickets.ca/detalles_evento.php?id_evento=1872

In additional news, Thirteen Goats will be storming Vancouver Island, BC in March 2025 for the “Tour of The Black Flame” supporting OPAL IN SKY alongside NAMELESS KING (dates listed below). Thirteen Goats is touring in support of their second album—the extreme metal rock opera “Capricorn Rising” unleashed on Exitus Stratagem Records this past July.

Tour of The Black Flame w/ Opal In Sky, Nameless King, Thirteen Goats
Tickets available at – https://orangetickets.ca/
March 20 – Nanaimo, BC – The Globe
March 21 – Victoria, BC – Phoenix Bar
March 22 – Port Alberni, BC – Rainbow Room
March 23 – Cumberland, BC – Masonic Hall

Thirteen Goats’s “Capricorn Rising,” tells the story of their mascot, Shepherd: a goat-skull-wearing Antichrist who raises an army of animals to liberate the earth from humanity’s constant wars and greed. This high-concept narrative is delivered with Thirteen Goats‘ signature blend of infernal riffs, huge hooks, and uniquely theatrical songwriting.

Each song on the album is part of a broader narrative that explores themes of disillusionment, radicalization, and rebellion as Shepherd and his 12 demon goats wage their crusade. Thirteen Goats delivers a unique blend of death and thrash metal, combined with a storytelling approach that takes listeners on a journey through the darkest aspects of both human and animal nature.

Listeners can expect furious riffage, ambitious song structures, and even occasional female guest vocals (courtesy of guest artist Carly Ellen Jones). What they shouldn’t expect is a record that plays it safe or falls neatly into one specific subgenre. Thirteen Goats is recommended for fans of Lamb of God, Carcass, and Mastodon.

Released on July 12, 2024, “Capricorn Rising” is available from Exitus Stratagem Records at https://www.exsrmusic.com/store/p/pre-sale-thirteen-goats-capricorn-rising

Spotify – https://spoti.fi/41hkue1

Music Videos:

Murder Lives in the Heart – https://youtu.be/hpgqlbehecM

Sign of the Goat – https://youtu.be/D_J3sPkBPxU

A Wolf in Shepherd’s Clothing – https://youtu.be/6J5wSen7Emc

More info: Exsrmusic.com | ThirteenGoats.com

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“It’s really strong. GREAT musicians, great production, as well as a very progressive aspect without losing the darkness.” – Kelly Shaefer from Atheist

“take a spin around the room with Thirteen Goats’ “high-concept narrative” and take on modern metal stylized by everything from Mastodon and Carcass to Cannibal Corpse and Lamb of God.” – Decibel Magazine

“Tinnitist Album of The Week! Thirteen Goats ‘Capricorn Rising’ – Exitus Stratagem Records – https://tinnitist.com/2024/07/11/albums-of-the-week-thirteen-goats-capricorn-rising/

“All in all, on “Capricorn Rising” the gentlemen from the West Coast combine the universal power of North American thrash metal into a versatile, interesting and, above all, powerful record.8/10″ – Power-Metal.de

“What makes this turbocharged song (Sign of The Goat) so damned much diabolical fun is the band’s melding of viscerally compulsive grooves, head-spinning instrumental pyrotechnics, and rapid-fire vocal assaults — and doing so in a way that makes the track highly infectious too. The song vividly intersects with the tech-death sphere through flurries of quickly darting, swirling, and swarming riffage, deliriously cavorting arpeggios, and a multitude of percussive fusillades. As displayed in the video, fingers and limbs fly like the wind, and the guttural barks and hair-raising screams in the vocal department rhythmically eject the violent words just as fast and just as furiously. But, as forecast, the song is also a viscerally groovesome beast. It’s almost relentlessly hard-slugging, but what really stands out are brutish, muscle-galvanizing jackhammer-bursts, the first of which comes only 25 seconds into the track. Another one of those episodes sets itself up as the backdrop for crazed guitar soloing that sounds like the ecstasies of fiends. And we did warn you — this thing is also immediately catchy and enduringly addictive. It comes recommended for fans of Bolt Thrower, Archspire, and Lamb of God.” – NoCleanSinging

“To get some idea of Thirteen Goats’ approach to heavy music, consider that the Straight’s own Mike Usinger once asked readers to imagine “Vulgar Display of Power-era Pantera in a cage match with Cannibal Corpse and Ministry.” That’s a great start, but it doesn’t account for tracks like “Beheading Zoo”, which tops neck-snapping thrash with enough throat-shredding black-metal screams to please even the most discerning Mayhem fan. Or “Murder Lives in the Heart”, which throws a soaring refrain of heaven-sent clean vocals (courtesy of Carly Ellen Jones) into the mix… Capricorn Rising is that rarest of things in today’s world: a true album, with a set of songs designed to be listened to in sequence. Those songs tell the tale of Shepherd, a man so distraught over the state of the world—endless wars, environmental devastation, and other human-made disasters—that he sells his soul for the power to communicate with non-human creatures… Capricorn Rising is a saga replete with scorched-earth mayhem and mass slaughter—something you can bang your head to while pondering your own complicity in the global capitalist exploitation of ecosystems and peoples alike. In other words, it’s basically the perfect LP for our profoundly fucked-up epoch.” – Georgia Straight (Vancouver Weekly)

“they turn on the thrusters for “Beheading Zoo” and “Permission To Die,” closer “Animal Kingdom” is a quasi-ballad with a ferocious second half. ” – Heavy Music Headquarters

“their music gets the blood pumping. Sounding something like Archspire mixed with Blackening-era Machine Head, the tracks on Capricorn Rising are direct and violent. ” – Metal Utopia

“I’d say this is melodic death, some brutal death stuff, melodic music, black metal vox, growns and clean vox too.” – 89.9 WORT FM – The Moshpit (Madison, WI)

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0 Out Now! TZIMANI’s New Album “I Feel Fine” via Glory or Death Records (Vinyl) & Noize Cartel (Digital)

November 15, 2024
by Asher
· Music News · Tzimani

NEWS RELEASE

Montreal, QC – November 15, 2024

Out Now! TZIMANI’s New Album “I Feel Fine” via Glory or Death Records (Vinyl) & Noize Cartel (Digital)

L-R – Eddie Vazquez – Guitars, Bass, Synthesizers, Vox – Seb Vazquez – Drums,
Photo Credit: Chris Mcfly

Breaking out with their self-titled debut EP in 2018, San Diego, USA’s Eddie and Seb Vazquez brother duo that makes Tzimani are excited to unveil their first full-length album entitled “I Feel Fine”, now available as of November 15th on Glory or Death Records (Vinyl) and Noize Cartel (Digital).

“This album has been a trial of our toughest mental and emotional challenges to not only complete but to release into the ether as it took us over two years to complete from the time we first recorded drums back in August 2022 to when we finally had masters in hand in June of 2024. In a lot of ways, this album represents an emotional rebirth of the band with efforts to take on the world in the metal scene after a protracted period of relative inactivity dating back to mid-2019 after we wrapped up our touring to promote the 2018 EP.

We plan on rebuilding the momentum that was lost during the pandemic years and hitting the ground with a renewed vigor and sense of excitement to bring our live performance to places we have not been to and recapture the support of all the fans we left hanging over the last five years to let them know that we are back! We are ready to reclaim the title as the fearless gruesome twosome in the music sphere and we could not be more thrilled to be working with Buddy and Ygor and the Glory or Death Records label and having them allow us to try to transcend our music and reach the broadest audience.” adds Sebastien Vazquez.

Picking up right where the 2018 EP dropped off, Tzimani‘s album “I Feel Fine” features the same elements of catchy hooks, clean rhythms, and dynamic vocal lines. However, there are bits of deviation when it comes to injecting new elements. Fans will hear an added synthesizer for some of the tracks, an exploration into AOR rock, and some expressions of today’s modern music scene for this collection of eight songs of their finest hour adds.\

Sebastien Vazquez explains further:

“You know those albums that you listen to over and over again and you just know when the first song hits your sense of familiarity, nostalgia, warmth, and comfort? That is what we are trying to encapsulate. The album is straightforward heavy metal mixed with modern elements with a dash of AOR and we feel it is the best representation to show everyone what we are capable of. We are also trying to represent the future of the band and give everyone an entry into some of the larger questions that we struggle with and how we choose to represent that with our songwriting. We are not the type of band that is capable of singing about stories, dragons, and swords, but we excel at writing tunes that people can genuinely relate to and connect with.”

Tzimani is recommended for fans of Van Halen, Haunt, Striker, Traveler, Skull Fist, and Cauldron.

Tzimani‘s new album “I Feel Fine” is now available as of Nov 15th, 2024 on Vinyl and digitally at the following links:

Spotify – https://spoti.fi/40NvoHW

Digital – http://tzimani.bandcamp.com/

Vinyl – https://www.gloryordeathrecords.com/shop/p/tzmani-i-feel-fine-pre-order-

Previous singles:

I Feel Fine – https://youtu.be/xll4IuaBIP0

“We Stand and Fight” – https://youtu.be/8yneRSyOlHY

“Haunting” – https://youtu.be/0NB9XxLAABs

Track Listing:
1. We Stand and Fight (4:30)
2. Breaker (3:28)
3. Hold On (4:31)
4. Haunting (3:59)
5. Endless Road (5:24)
6. Bleeding Life (3:29)
7. Empty (3:27)
8. I Feel Fine (4:56)
Album Length: 33:45

More info: https://www.facebook.com/tzimaniofficial | https://www.instagram.com/tzimani_official

About: Formed in 2017, Tzimani hit the ground running with their debut demo and a relentless West Coast and Southwest tour, winning over fans with electrifying performances in cities like Portland, Seattle, and Texas. Their 2018 self-titled EP, released via Noize Cartel Records, became a launching pad that propelled them into the national spotlight. With over 100 shows across North America and standout appearances at major festivals, the band quickly built a reputation as a live act not to be missed.

Drawing from legendary influences like Iron Maiden, Van Halen, and Mötley Crüe, Tzimani’s music is a bold fusion of melodic AOR and the raw power of old-school heavy metal. With twin-guitar leads, soaring solos, and thunderous drumming, their sound is equal parts grit and glory. Eddie’s vocals, reminiscent of Dio, along with his fierce guitar work, channel the spirit of classic rock while still pushing forward into new sonic territory.

After their 2020 expanded re-release of the EP, Tzimani faced an unexpected pause as the world shut down. But through the stillness, the brothers’ creativity simmered, building anticipation for their next big move. Now, with their first full-length “I Feel Fine” (Out Nov 2024), they’re stepping into uncharted territory by incorporating synthesizers to deepen their sound, adding a dynamic, atmospheric layer that brings new emotion and energy to their music.

Tzimani’s partnership with Glory or Death Records marks the beginning of a fresh journey. With their signature blend of melody and muscle, the band is primed to reach a broader audience and reignite their momentum on stages across the country. The stage is set, the wheels are turning again, and Tzimani is ready to reclaim their place as a force in the rock and metal scene.

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“the blistering new single “Haunting” from metal duo Tzimani! Driving speed riffs, AOR keys, breakout solos and soaring vocals make “Haunting” a very cool track.” – WJOE – Findlay’s Home for Rock & Roll

“At full throttle (opening track We Stand And Fight, for instance) they’ll take you right back to the glory days of names like The Rods, or any of those classic US power metal names of the early eighties, but the key to Tzimani’s appeal is their ability to add huge doses of melody to the muscle; When they get this right, as they do on Hold On and Empty, the sound they create – like the Adrian Smith-penned Iron Maiden classics of the mid eighties – is hard to resist… This really is top notch stuff, and I can’t recommend it highly enough if you like proper, old school heavy metal like it used to be made.” – Sentinel Daily

“I Feel Fine is a ….hmm.. fine collection of classic heavy metal songs, with enough energy and punch to make you hit the replay button” – Velvet Thunder

“Typically, when promo proclaims that a band represents a “bold new take” on a traditional, well-trod style, you can expect the same: yet another forgettable “revitalization” of a sound and aesthetic that has been done to death, reanimated, and then slaughtered by copycats once more. In the case of Tzimani, the status quo is effectively put in its place.” – Sleeping Village

“Electrifying pace sets ‘We Are The Ones’ on fire, hurtling along at full velocity, displaying all the hallmarks associated with the “foot on the monitor” style of traditional heavy metal. Hitting hard like an out of control wrecking ball” – Frenzy Fire / Metal Gods TV

” refreshing heavy rock 8/10″ – SoundMagnet (German)

” This two piece hailing from San Diego shredded their way through their set. Straight up heavy metal brothers rocking their way across North America. Eddie can really play the guitar. Each song they played were full of mean riffs and ripping solos.” – Metal As Medicine (Live Review – 2019 – Kelowna, BC)

” They surprised us all when vocalist/guitarist Eddie Vazquez announced that they were the only other band on the bill. It was their best time to shine. Kudos to you Vazquez brothers!… Tzimani set up shop, and made that stage their biatch! Soon enough they began playing songs that were not included in their demo such as “Overdrive,” and dished out their hits “Final Hour” and “Get Me Out Of Here” which are available on their demo. These bros emitted a tremendous confidence and were still glowing from their recent inaugural American tour.” – Ugh Metal (Live Review – 2017 – San Diego, CA)

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0 Streaming Now! Quebec’s TROLLWAR’s Symphonic Melo-Death EP “Tales from the Frozen Wastes” ft. Guests From Kalmah, Atavistia

November 14, 2024
by Asher
· Music News · Trollwar

NEWS RELEASE

Montreal, QC – November 14, 2024

Streaming Now! Quebec’s TROLLWAR’s Symphonic Melo-Death EP “Tales from the Frozen Wastes”

EP Guests Veli-Matti Kananen (Kalmah), Mattias Sippola (Atavistia)

The wait is over! Quebec symphonic melodic death masters Trollwar are proud to present the full stream premiere of their highly anticipated EP “Tales from the Frozen Wastes”, before its official release on November 15, 2024.

Check out the EP stream premiere on Decibel Magazine HERE.

“Tales from the Frozen Wastes” marks a significant evolution in Trollwar‘s sound, showcasing a perfect blend of their brutal roots with refined symphonic orchestrations and progressive elements. The EP takes listeners on a journey through a dark dimension, exploring themes of fallen deities, the realm of the dead, and the consequences of mortal ambition. The band comments on the changes that can be found on the record:

“I think our EP could be described as a renewal. A renewal of our music and a new maturity for our music. I do think that you can hear it through our songs in this release. The ‘Unseen One’ and ‘In the Fields of Frost’ are both great songs that we wrote a couple of years ago, while ‘Bane of the Underworld’ and ‘The Offering’ are pretty much the new Trollwar that you should expect going forward. These two songs show a clear upgrade of how we write our music.”

This release represents the culmination of years of hard work and musical growth Trollwar has dedicated to their sound. They’ve pushed themselves to create something that’s not just heavy and melodic, but also tells a compelling story through both music and lyrics.

To celebrate the premiere, Trollwar will be hosting a live Q&A session on their official YouTube channel on the release date (Nov 15th). The band will discuss the creation of the EP, share behind-the-scenes stories, and answer fan questions. They are recommended listening for fans of Equilibrium, Wintersun, and Ensiferum.

Due out on November 15th, “Tales from the Frozen Wastes” is available for digital pre-save – https://distrokid.com/hyperfollow/trollwar/tales-from-the-frozen-wastes

Track Listing:
1. Prologue (2:00)
2. The Unseen One (7:05) ft. Keyboard Solo by Veli-Matti Kananen (Kalmah)
3. Bane of the Underworld (5:26)
4. In The Fields of Frost (4:05)
5. The Offering (5:46) ft. Clean Vocal / Choir by Mattias Sippola (Atavistia)
EP Length: 24:24

More info:

Trollwar.wixsite.com/trollwar | Facebook.com/Trollwar | x.com/trollwarqc | Instagram.com/trollwarmetal/

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“Trollwar waste no time lighting a fire under the listener with blazing and darting riffage, booming and battering drums, soaring symphonics, savage snarls, and heroic choral singing. But a finger-tapped guitar also introduces magically swirling melodies; grim vibrating fretwork and heavily jolting grooves throw us into fierce combat; and rippling keyboard tones add to the song’s fantastical glories. The band build toward an extravagant finale, hard-hitting and sky-flying, entirely in keeping with the song’s overarching mythic aura.” (Single – Bane of The Underworld) – No Clean Singing

“No scene outplays another on this vivid EP. From start to finish, the blend of orchestration and metal is curated in a way that the Fantasy plays through, while the harshness of its tale is presented with wicked solos, stunning riffs, and masterful sound. As a Fantasy fanatic, and a metalhead, this EP is a stunning display of talent and imagination, utilizing skill and story to present to us one hell of an adventure. 9/10” – All Father Metal

Top 20 2018 Metal album from Quebec by Metal Universe (Oath of the Storm LP – 2018)

“The whole record is an adventure; the sequencing flows well from song to song and is bumpered nicely by an intro that sets the mood, plus an outro that gently brings things to a close, returning the listener safely back to their respective realities. At the end of the day, I definitely think Trollwar is onto something here; they are proudly waving the folk-metal banner and are destined for big things.” – PureGrainAudio (Oath of the Storm LP – 2018)

”The vocals are abrasively savage, and the swirling keyboard melody is like ear heroin. I can’t help myself — the song pushes too many buttons for me to resist.” – No Clean Singing (Oath of the Storm LP – 2018)

“OATH OF THE STORM has a wave of well-written catchy songs, good production, lots of intensity and power as well, which is something some of the other bands lack. TrollWar is a pretty appropriate name for this enjoyable act and OATH OF THE STORM is one of the more intense Folk Metal albums out this year.” – Metal Rules (Oath of the Storm LP – 2018)

“Overall, this was an outstanding album, for a band that clearly has a lot to offer. What I can’t figure out is why no one has signed them yet? The production is excellent. They have a sophistication and complexity in their sound that few others do, yet each track is very easy to listen to. It’s like you combined the best of the old, IRON MAIDEN, with the best of the new, WINTERSUN, and you have TROLLWAR, with their own unique flair. The melodies are both playful and dangerous, and the entire album is excellent from the opener through the closer. “Oath of the Storm” is a fascinating glimpse into the soul of the band, where they let it all out there for you to enjoy. And enjoy it I did!” – 9/10 – Metal Temple (Oath of the Storm LP – 2018)

”the tracks are face smashing and memorable with enough layers to satisfy even the most tech savvy of you folksters”…….”It’s hard to necessarily give you specifics other than multiple layers of instrumentation, blast beats, keys and symphonic touches with shredding guitar and vocals.”- Folk Metal.NL (Oath of the Storm LP – 2018)

“TROLLWAR deliver “Oath of the Storm”, a strong second work that should not only be interesting for fans of FINNTROLL and ENSIFERUM… The Canadians’ independent, accordion-driven folk black metal proves that real fighting roles don’t just inhabit Scandinavia and the surrounding area. Then a resounding “kippis!” or an elegant “à votre santé!”. 4/5″ – Stormbringer

“Uncompromising and lovable – Oath Of The Storm… Conclusion: “Oath Of The Storm” is an interesting folk metal album and for fans of EQUILIBRIUM or FINNTROLL. TROLLWAR is characterized by good song progression and incredible joy in playing… So if you’re still looking for a Christmas present, you can grab it here without hesitation.” – Metal.de

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0 HELLFIRE 76 New Video “Rags to Rage” Is A Rip Roaring Rock Title Track Off New Album Out End of Nov 2024

November 14, 2024
by Asher
· Hellfire 76 · Music News

NEWS RELEASE

Montreal, QC – November 14, 2024

HELLFIRE 76 New Video “Rags to Rage” Is A Rip Roaring Rock Title Track Off New Album Out End of Nov 2024

North Carolina, USA’s, Southern Metal duo Hellfire 76 has just dropped their rippin’ new video for single “Rags to Rage” the title track from their upcoming first full-length, which hits speakers on November 29th. The song showcases the band’s signature combination of fuzzed-out grooves and occult-themed storytelling, drawing from founding member Von Bury’s New Orleans roots. The band comments on the single:

“Musically, it’s fast and aggressive; lyrically, it’s pretty much an “action/reaction” lyric- each to its own interpretation. Simply put, we wanted a song that kicked down the door right from the start. It’s full of fast grooves with rapid-fire lyrics.”

The two-piece outfit, featuring Von Bury (guitar/bass/organ/vocals) (formerly of the Southern Gothic act LOVESUCKER and the Occult Rock act and Napalm Recording artist BLOODY HAMMERS) and Mike McGuiness (drums) (formerly of the Industrial Metal act FACE THE WORLD), delivers a massive wall of sound that belies their minimal lineup. Recorded in a single take, “Rags to Rage” demonstrates the raw power and precision that has earned Hellfire 76 recognition as one of the heaviest two-piece acts in the local scene.

Looking to branch out further, the act challenges metal and rock fans to indulge with their new music video, which can be seen and heard via its premiere on GhostCultMagazine HERE.

All killer-no filler, this two-piece brings 110% to their album “Rags To Rage”. The overall theme of this record is dark, taboo, spooky, tongue-in-cheek, fuzzed-out southern metal. Von Bury explains further:

“The album RAGS TO RAGE is a continuation of our first release, in that the subject matter is all thought-provoking. As for a lot of music, we want the lyrics to be literal but also open to the listener’s interpretation. Sticking with the theme and ideas of Voodoo, Witchcraft, The Occult, and other oddities. We want to take the listeners on a dark and ominous journey into a place they don’t normally think about.”

For fans of Melvins, Clutch, Killing Joke, and Fu Manchu, “Rags To Rage” is available for album pre-order at https://hellfire76.bandcamp.com.

Previous Music Video – The Omen – https://youtu.be/eKTyZMM-pn8

Track Listing:
1. Rags to Rage – 3:33
2. Steal Your Soul – 3:25
3. 1000 Crimes – 3:38
4. As Above – 3:44
5. The Keepers – 3:40
6. Magic and Religion – 3:23
7. Black Angel – 3:43
8. The Omen – 5:45
Album Length: 30:52

More info: Hellfire76.com | Facebook.com/Hellfire76nc | Instagram.com/hellfire76nc

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“Dark, mysterious, foreboding, yet strangely inviting. This is the latest single (The Omen) from HELLFIRE ‘76, a band that brings together the things you love about heavy music: bold, swinging riffs, gruff manic vocals, crunchy chugging rhythms. “The Omen” has got it all going on, which lyrically “is about how religion uses fear to prey on weak minds to do the dirty work.” – Doomed and Stoned

“Drink the concoction prepared by the band, a cocktail of blood riffs, genuine rhythms and distorted vocals that you can find in the dirtiest pubs in New Orleans! Fans of Kyuss, ZZ Top, Killing Joke, The Melvins and Clutch will be thrilled!” – Heavy Mag

“In the radius of bituminous rhythms, nevertheless animated by a Rock energy, we frankly opt more for cousinage with CLUTCH, a formation that has always been able to evolve between thickness, melody and conciseness. With, as a bonus, these hints of greasy and oily Blues which inject a kind of groove and sap within a Metal which should not silence or ignore its affinities with the severe and groovy Metal proper to Pantera.” – Integral Metal

“Hellfire 76 comes at you hard and heavy and without mercy.” – Doomed Nation

“Hellfire 76, A duo devoted to rampaging Stoner-Doom-Psych-Metal, which swings to dense blues licks that suggest a Triceratops mating with a Sherman Tank!” – Q C Nerve

The Hellfire 76 use the masks of voodoo, witchcraft, the occult and tarot cards to tell us stories of how Evil has taken over our world, ruled by liars, impostors and careerists. People are flooded with a river of lies, perpetrated by governments and the Church, which obscure our view of the Truth.” – Progressive Rock Journal
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0 Streaming Now! Montreal’s CHÜZO Take Over The World w/ Aggro-Metal and New EP “M.T.M.D (Maximum Threshold, Minimum Decay)”

November 14, 2024
by Asher
· CHUZO · Music News

NEWS RELEASE

Montreal, QC – November 14, 2024

Streaming Now! Montreal’s CHÜZO Take Over The World w/ Aggro-Metal and New EP “M.T.M.D (Maximum Threshold, Minimum Decay)”

Produced by Kevin Jardine (Slaves On Dope)

L to R: Alex S (Bass), Cristian S (Guitars/Vocals), Mischa M (Vocals), Carlos G (Drums)

Photo Credit @stutteringuzii (Instagram)

Montreal, Canada’s CHÜZO is ready to take on the metal world with the introduction of their self-described Aggro-Metal and new EP entitled “M.T.M.D (Maximum Threshold, Minimum Decay)”. The three-track record marks the next chapter and true representation of what their sound is meant to be with the fresh new lineup who are hungry to showcase what this forthcoming EP will spark.

Produced by Kevin Jardine (Slaves On Dope), the EP is a full audio assault upon all the senses from the heavy riffs to the soaring vocals of Brazilian transplant and new vocalist Mischa M. She is joined by local first-generation Chilean Canadian and mastermind Cristian S. along with Carlos G from Venezuela and Alex S from Russia whom all have found Montreal, Canada to be home to breed their ‘Aggro Metal’, a blender of grindcore, Swedish death metal and a touch of thrash metal crossed over with hardcore punk.

“The sound of the band evolved from, initially, grindcore, to hardcore, to now Aggro Metal. This is finally what CHÜZO was meant to sound like after many years and many ex-band members. This mark III version of the band is the final evolution in the sound of CHÜZO.” adds Cristian S.

The EP’s lyrics are driven by self-reflection and daily struggles. The inspiration for writing comes from life experiences and trying to live past them, especially the traumatic ones. Using all bad energy from bad experiences to create something positive for yourself and the world. This EP speaks of vengeance and the bad side of dedicating your life to achieving your desired revenge despite your own life and sanity. Brutal Social Justice.

For fans of Sepultura (Cavalera Bros era 84-96), At the Gates, Napalm Death, Slipknot, and Fuck the Facts, “M.T.M.D (Maximum Threshold, Minimum Decay)” is due out on November 15, 2024, and can be heard in full before it officially drops via its stream premiere on Decibel Magazine HERE.

EP pre-order/digital per-save is available at the following links:

Bandcamp – https://chuzomtl.bandcamp.com/album/m-t-m-d-maximum-threshold-minimum-decay

Digital Pre-Save – https://distrokid.com/hyperfollow/chzo/mtmd

Lyric Video – Brand New Cell – https://youtu.be/61YlVuG3gsI

EP Artwork by Draught https://www.instagram.com/draught___/

Track Listing:
1. The Brutalator – 3:39
2. Brand New Cell – 3:12
3. Bruised and Broken – 4:21

More Info: Instagram.com/chuzo.band | Facebook.com/chuzo.band

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0 Out Now! Canada’s HETEROMORPHIC ZOO Unleashes “New World” EP and “Ritual of Fidelity” Music Video

October 11, 2024
by Asher
· Heteromorphic Zoo · Music News

NEWS RELEASE

Montreal, QC – October 11, 2024

Out Now! Canada’s HETEROMORPHIC ZOO Unleashes “New World” EP and “Ritual of Fidelity” Music Video

Produced by Chris Wiseman (Shadow of Intent, Currents), Mixed and Mastered by Christian Donaldson (Cryptopsy)

Left: Jon Power (Bass), Center front: Megan Ash (Violin), Center back: Ray Heberer (Guitar, live vocals), Right: Bryce Butler (Drums)

Photo Credit – Rico Marques

Emerging metal act Heteromorphic Zoo, from Victoria, BC, Canada, is set to captivate audiences with their debut EP “New World”, produced by Chris Wiseman (Shadow of Intent, Currents) plus mixed and mastered by Christian Donaldson (Cryptopsy). Coinciding with the EP launch, the band has unveiled the music video for their single “Ritual of Fidelity”, which they comment on:

“This song is about an ancient power awakening within a great tomb, filled with monsters. The leaders declare their loyalty (or fidelity) to the overlord. Musically, the actual “ritual of fidelity” takes place in the middle of the song. It’s a classical 3-voice fugue between the violin, lead guitar, and rhythm guitars + bass with a subject, tonal response, 2 counter subjects, and everything. Of course, it’s not a pure fugue since other instruments are also playing, but that’s the skeleton of it, and the callback to an old baroque form brings out the ritualistic nature of the song.”

“Ritual of Fidelity” has a memorable lead guitar melody during its chorus, chuggy yet melodic verse riffs, and an overall more neoclassical sound. The violin is fairly subdued and in the background until the moment of the ritual fugue, since that moment is meant to introduce it to the listener for the first time.

Born from a desire to create “Worship Music for Monsters”, Heteromorphic Zoo‘s five-track EP showcases a diverse and extreme sound that pushes the boundaries of modern metal. Lyrically, “New World” tells the story of a grand alliance of monstrous beings invading a new realm, with perspectives shifting between the monsters, their overlord, and their enemies. The band’s innovative approach combines groove and melody, intricate riffs, and powerful breakdowns, resulting in a sonic experience that defies easy categorization. They are recommended for fans of In Flames, Within the Ruins, and Ne Obliviscaris.

Watch the music video for “Ritual of Fidelity” via TheCirclePit at https://youtu.be/YQ3D1dLu1eA

Released on October 10th, 2024, “New World” is available at the following links:

https://heteromorphiczoo.bandcamp.com/album/new-world

Music Video – Avatara – https://youtu.be/nWZVq-u7Lec

Music Video – Napalm – https://youtu.be/vYY6nMhP3p4

Track Listing:
1. Ritual of Fidelity – 3:29
2. Your Final Seconds (feat. Ville Hokkanen) – 3:42
3. Napalm – 4:22
4. Avatara – 3:39
5. Aura of Despair – 3:41
Total Length 18:53

EP Credits:
All songs performed by:
Heteromorphic Zoo
Coty Garcia – Vocals
Megan Ash – Violin
Ray Heberer – Guitar, Bass
Bryce Butler – Drums

All songs written by:
Ray Heberer (SOCAN member)
Produced by Chris Wiseman
Mixed by Christian Donaldson
Mastered by Christian Donaldson
Album Artwork by Lordigan Pedro Sena
Music is Canadian Content – MAPL

Album band lineup:
Coty Garcia – Vocals
Megan Ash – Violin
Ray Heberer – Guitar, Bass
Bryce Butler – Drums

Live band lineup:
Ray Heberer – Vocals, Guitar
Megan Ash – Violin
Jon Power – Bass
Bryce Butler – Drums

More Info: https://linktr.ee/heteromorphiczoo

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““Napalm” is indeed fiery, but at its core it’s a jackhammer fest that will loosen your teeth and disjoint your spine, accompanied by utterly deranged vocals that sound like a fight between bull elephants, howler monkeys, and a pack of demons that just escaped Hell. Oh, but there’s more! Exotic melodies spin through all the bombs dropping and the jackhammers busting up granite, and a violin takes the exultant soloing role, elevating the music to head-spinning glory.” – No Clean Singing

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0 Out Now! CHAIN CODE’s Spacey, Progressive Debut Album “Synthetic Outcomes”

October 1, 2024
by Asher
· Chain Code · Music News

NEWS RELEASE

Montreal, QC – October 1, 2024

Out Now! CHAIN CODE’s Spacey, Progressive Debut Album “Synthetic Outcomes”

“Synthetic Outcomes” Out Oct 1st, 2024

Chain Code, the progressive rock project from Milwaukee, USA, is now officially reeling their debut album, “Synthetic Outcomes”, which will hurtle listeners through time and space as they go on a sonic journey through a dystopian future where technology has overtaken humanity, blending complex melodies, dissonant chords, and thought-provoking lyrics into a cohesive and immersive experience. Mastermind MuRphry shares his thoughts on the album:

“I am pleased to finally unleash this labor of love. I started this project in 2022 and manically wrote two albums, fixated on creating paranoid yet beautiful progressive rock to express my enjoyment of dystopian science fiction that sees humanity losing its very essence to machines. The initial point musically was to have Adrian Belew join Voivod in my bizarro musical mind. I encourage any weirdo to put on a set of headphones and take a trip to our future with the chaotic elegance that is Chain Code!”

Each track on the concept album offers a unique perspective on the overarching theme of the consequences of humanity’s overreliance on technology. From the frantic energy of the opening track “Human(kind of)” to the haunting beauty of “In Line” Chain Code masterfully balances chaos and harmony, creating a sound that is both challenging and rewarding.

“Synthetic Outcomes” invites listeners to immerse themselves in a world where technology has the upper hand, but the future is still uncertain. It is recommended for fans of progressive rock, sci-fi themes, King Crimson, and Talking Heads.

Listen to “Synthetic Outcomes” at the following links:

Bandcamp – https://chaincode.bandcamp.com/album/synthetic-outcomes

YouTube – https://bit.ly/3zG4hn8

Track Listing:
1. Human(kind of) (8:12)
2. A New Face (4:42)
3. They’re NOT Mad Scientists (4:16)
4. Unlearn (6:18)
5. My Buddy (3:54)
6. Inadequate (4:27)
7. Junk Piles and Their Lonely Owners (5:16)
8. Reaching Out (7:02)
9. In Line (8:00)

More info: Facebook.com/ChainCodeBand

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“the new track (In Line) is a bold musical statement with one foot in modern progressive technical musical prowess, but with eye on the class and lyricism of the distant past greats of the genre.” – Ghost Cult Magazine

“Progressive rock fans, get ready to be captivated by the latest offering from Chain Code, a unique and complex solo project led by the enigmatic MuRphry who channels his love for prog rock and sci-fi into a potent sonic experience… ‘A New Face’ is a short, yet windy, frantic, and complex song that is as unpredictable as it is catchy.” – The ProgSpace

“If System of the Down and Primus had a child, that child would sound like the debut single “A New Face” from Chain Code… With a unique blend of melody, dissonance, and intricately stringed arrangements, Chain Code is set to spin progressive rock on its head not only with their debut single but also with their debut album Synthetic Outcomes” – Amplify The Noise

“As debut albums come, Synthetic Outcomes is quite exceptional… Keep an eye open for this captivating artist, and beware of our computer overlords that are just around the corner waiting to take over for good.” – Disagreemeent.nl

“US band Chain Code are out with the album “Synthetic Outcomes”, and progressive metal is the style explored on this production. That being said, a lot of the heart and the soul of this band appears to revolve around aesthetics from the 1970s, and then from more expressive bands from the progressive rock tradition back then. With plenty of references to King Crimson, possibly also Gentle Giant, and if you know about a band from that era that played around with avantgarde tendencies and whimsical attitudes there’s a good chance that you’ll encounter references in that line too. With a bit of a theatrical display in the vocals department to boot, and some of the flamboyant aspects from the symphonic progressive rock tradition added as a bit of a subtle seasoning. But the band have chosen to explore those landscapes in a metal guise. An understated one at that, but still with metal rather than prog as the expression and orientation of choice. An album to seek out if the idea of exploring expressive 1970s progressive rock in a metal guise strikes you as an appealing proposition.” – Progressor

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