Tag: stream

0 HELLFIRE 76 New Video “Rags to Rage” Is A Rip Roaring Rock Title Track Off New Album Out End of Nov 2024

November 14, 2024
by Asher
· Hellfire 76 · Music News

NEWS RELEASE

Montreal, QC – November 14, 2024

HELLFIRE 76 New Video “Rags to Rage” Is A Rip Roaring Rock Title Track Off New Album Out End of Nov 2024

North Carolina, USA’s, Southern Metal duo Hellfire 76 has just dropped their rippin’ new video for single “Rags to Rage” the title track from their upcoming first full-length, which hits speakers on November 29th. The song showcases the band’s signature combination of fuzzed-out grooves and occult-themed storytelling, drawing from founding member Von Bury’s New Orleans roots. The band comments on the single:

“Musically, it’s fast and aggressive; lyrically, it’s pretty much an “action/reaction” lyric- each to its own interpretation. Simply put, we wanted a song that kicked down the door right from the start. It’s full of fast grooves with rapid-fire lyrics.”

The two-piece outfit, featuring Von Bury (guitar/bass/organ/vocals) (formerly of the Southern Gothic act LOVESUCKER and the Occult Rock act and Napalm Recording artist BLOODY HAMMERS) and Mike McGuiness (drums) (formerly of the Industrial Metal act FACE THE WORLD), delivers a massive wall of sound that belies their minimal lineup. Recorded in a single take, “Rags to Rage” demonstrates the raw power and precision that has earned Hellfire 76 recognition as one of the heaviest two-piece acts in the local scene.

Looking to branch out further, the act challenges metal and rock fans to indulge with their new music video, which can be seen and heard via its premiere on GhostCultMagazine HERE.

All killer-no filler, this two-piece brings 110% to their album “Rags To Rage”. The overall theme of this record is dark, taboo, spooky, tongue-in-cheek, fuzzed-out southern metal. Von Bury explains further:

“The album RAGS TO RAGE is a continuation of our first release, in that the subject matter is all thought-provoking. As for a lot of music, we want the lyrics to be literal but also open to the listener’s interpretation. Sticking with the theme and ideas of Voodoo, Witchcraft, The Occult, and other oddities. We want to take the listeners on a dark and ominous journey into a place they don’t normally think about.”

For fans of Melvins, Clutch, Killing Joke, and Fu Manchu, “Rags To Rage” is available for album pre-order at https://hellfire76.bandcamp.com.

Previous Music Video – The Omen – https://youtu.be/eKTyZMM-pn8

Track Listing:
1. Rags to Rage – 3:33
2. Steal Your Soul – 3:25
3. 1000 Crimes – 3:38
4. As Above – 3:44
5. The Keepers – 3:40
6. Magic and Religion – 3:23
7. Black Angel – 3:43
8. The Omen – 5:45
Album Length: 30:52

More info: Hellfire76.com | Facebook.com/Hellfire76nc | Instagram.com/hellfire76nc

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“Dark, mysterious, foreboding, yet strangely inviting. This is the latest single (The Omen) from HELLFIRE ‘76, a band that brings together the things you love about heavy music: bold, swinging riffs, gruff manic vocals, crunchy chugging rhythms. “The Omen” has got it all going on, which lyrically “is about how religion uses fear to prey on weak minds to do the dirty work.” – Doomed and Stoned

“Drink the concoction prepared by the band, a cocktail of blood riffs, genuine rhythms and distorted vocals that you can find in the dirtiest pubs in New Orleans! Fans of Kyuss, ZZ Top, Killing Joke, The Melvins and Clutch will be thrilled!” – Heavy Mag

“In the radius of bituminous rhythms, nevertheless animated by a Rock energy, we frankly opt more for cousinage with CLUTCH, a formation that has always been able to evolve between thickness, melody and conciseness. With, as a bonus, these hints of greasy and oily Blues which inject a kind of groove and sap within a Metal which should not silence or ignore its affinities with the severe and groovy Metal proper to Pantera.” – Integral Metal

“Hellfire 76 comes at you hard and heavy and without mercy.” – Doomed Nation

“Hellfire 76, A duo devoted to rampaging Stoner-Doom-Psych-Metal, which swings to dense blues licks that suggest a Triceratops mating with a Sherman Tank!” – Q C Nerve

The Hellfire 76 use the masks of voodoo, witchcraft, the occult and tarot cards to tell us stories of how Evil has taken over our world, ruled by liars, impostors and careerists. People are flooded with a river of lies, perpetrated by governments and the Church, which obscure our view of the Truth.” – Progressive Rock Journal
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0 Streaming Now! Montreal’s CHÜZO Take Over The World w/ Aggro-Metal and New EP “M.T.M.D (Maximum Threshold, Minimum Decay)”

November 14, 2024
by Asher
· CHUZO · Music News

NEWS RELEASE

Montreal, QC – November 14, 2024

Streaming Now! Montreal’s CHÜZO Take Over The World w/ Aggro-Metal and New EP “M.T.M.D (Maximum Threshold, Minimum Decay)”

Produced by Kevin Jardine (Slaves On Dope)

L to R: Alex S (Bass), Cristian S (Guitars/Vocals), Mischa M (Vocals), Carlos G (Drums)

Photo Credit @stutteringuzii (Instagram)

Montreal, Canada’s CHÜZO is ready to take on the metal world with the introduction of their self-described Aggro-Metal and new EP entitled “M.T.M.D (Maximum Threshold, Minimum Decay)”. The three-track record marks the next chapter and true representation of what their sound is meant to be with the fresh new lineup who are hungry to showcase what this forthcoming EP will spark.

Produced by Kevin Jardine (Slaves On Dope), the EP is a full audio assault upon all the senses from the heavy riffs to the soaring vocals of Brazilian transplant and new vocalist Mischa M. She is joined by local first-generation Chilean Canadian and mastermind Cristian S. along with Carlos G from Venezuela and Alex S from Russia whom all have found Montreal, Canada to be home to breed their ‘Aggro Metal’, a blender of grindcore, Swedish death metal and a touch of thrash metal crossed over with hardcore punk.

“The sound of the band evolved from, initially, grindcore, to hardcore, to now Aggro Metal. This is finally what CHÜZO was meant to sound like after many years and many ex-band members. This mark III version of the band is the final evolution in the sound of CHÜZO.” adds Cristian S.

The EP’s lyrics are driven by self-reflection and daily struggles. The inspiration for writing comes from life experiences and trying to live past them, especially the traumatic ones. Using all bad energy from bad experiences to create something positive for yourself and the world. This EP speaks of vengeance and the bad side of dedicating your life to achieving your desired revenge despite your own life and sanity. Brutal Social Justice.

For fans of Sepultura (Cavalera Bros era 84-96), At the Gates, Napalm Death, Slipknot, and Fuck the Facts, “M.T.M.D (Maximum Threshold, Minimum Decay)” is due out on November 15, 2024, and can be heard in full before it officially drops via its stream premiere on Decibel Magazine HERE.

EP pre-order/digital per-save is available at the following links:

Bandcamp – https://chuzomtl.bandcamp.com/album/m-t-m-d-maximum-threshold-minimum-decay

Digital Pre-Save – https://distrokid.com/hyperfollow/chzo/mtmd

Lyric Video – Brand New Cell – https://youtu.be/61YlVuG3gsI

EP Artwork by Draught https://www.instagram.com/draught___/

Track Listing:
1. The Brutalator – 3:39
2. Brand New Cell – 3:12
3. Bruised and Broken – 4:21

More Info: Instagram.com/chuzo.band | Facebook.com/chuzo.band

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0 Out Now! Canada’s HETEROMORPHIC ZOO Unleashes “New World” EP and “Ritual of Fidelity” Music Video

October 11, 2024
by Asher
· Heteromorphic Zoo · Music News

NEWS RELEASE

Montreal, QC – October 11, 2024

Out Now! Canada’s HETEROMORPHIC ZOO Unleashes “New World” EP and “Ritual of Fidelity” Music Video

Produced by Chris Wiseman (Shadow of Intent, Currents), Mixed and Mastered by Christian Donaldson (Cryptopsy)

Left: Jon Power (Bass), Center front: Megan Ash (Violin), Center back: Ray Heberer (Guitar, live vocals), Right: Bryce Butler (Drums)

Photo Credit – Rico Marques

Emerging metal act Heteromorphic Zoo, from Victoria, BC, Canada, is set to captivate audiences with their debut EP “New World”, produced by Chris Wiseman (Shadow of Intent, Currents) plus mixed and mastered by Christian Donaldson (Cryptopsy). Coinciding with the EP launch, the band has unveiled the music video for their single “Ritual of Fidelity”, which they comment on:

“This song is about an ancient power awakening within a great tomb, filled with monsters. The leaders declare their loyalty (or fidelity) to the overlord. Musically, the actual “ritual of fidelity” takes place in the middle of the song. It’s a classical 3-voice fugue between the violin, lead guitar, and rhythm guitars + bass with a subject, tonal response, 2 counter subjects, and everything. Of course, it’s not a pure fugue since other instruments are also playing, but that’s the skeleton of it, and the callback to an old baroque form brings out the ritualistic nature of the song.”

“Ritual of Fidelity” has a memorable lead guitar melody during its chorus, chuggy yet melodic verse riffs, and an overall more neoclassical sound. The violin is fairly subdued and in the background until the moment of the ritual fugue, since that moment is meant to introduce it to the listener for the first time.

Born from a desire to create “Worship Music for Monsters”, Heteromorphic Zoo‘s five-track EP showcases a diverse and extreme sound that pushes the boundaries of modern metal. Lyrically, “New World” tells the story of a grand alliance of monstrous beings invading a new realm, with perspectives shifting between the monsters, their overlord, and their enemies. The band’s innovative approach combines groove and melody, intricate riffs, and powerful breakdowns, resulting in a sonic experience that defies easy categorization. They are recommended for fans of In Flames, Within the Ruins, and Ne Obliviscaris.

Watch the music video for “Ritual of Fidelity” via TheCirclePit at https://youtu.be/YQ3D1dLu1eA

Released on October 10th, 2024, “New World” is available at the following links:

https://heteromorphiczoo.bandcamp.com/album/new-world

Music Video – Avatara – https://youtu.be/nWZVq-u7Lec

Music Video – Napalm – https://youtu.be/vYY6nMhP3p4

Track Listing:
1. Ritual of Fidelity – 3:29
2. Your Final Seconds (feat. Ville Hokkanen) – 3:42
3. Napalm – 4:22
4. Avatara – 3:39
5. Aura of Despair – 3:41
Total Length 18:53

EP Credits:
All songs performed by:
Heteromorphic Zoo
Coty Garcia – Vocals
Megan Ash – Violin
Ray Heberer – Guitar, Bass
Bryce Butler – Drums

All songs written by:
Ray Heberer (SOCAN member)
Produced by Chris Wiseman
Mixed by Christian Donaldson
Mastered by Christian Donaldson
Album Artwork by Lordigan Pedro Sena
Music is Canadian Content – MAPL

Album band lineup:
Coty Garcia – Vocals
Megan Ash – Violin
Ray Heberer – Guitar, Bass
Bryce Butler – Drums

Live band lineup:
Ray Heberer – Vocals, Guitar
Megan Ash – Violin
Jon Power – Bass
Bryce Butler – Drums

More Info: https://linktr.ee/heteromorphiczoo

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““Napalm” is indeed fiery, but at its core it’s a jackhammer fest that will loosen your teeth and disjoint your spine, accompanied by utterly deranged vocals that sound like a fight between bull elephants, howler monkeys, and a pack of demons that just escaped Hell. Oh, but there’s more! Exotic melodies spin through all the bombs dropping and the jackhammers busting up granite, and a violin takes the exultant soloing role, elevating the music to head-spinning glory.” – No Clean Singing

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0 Out Now! CHAIN CODE’s Spacey, Progressive Debut Album “Synthetic Outcomes”

October 1, 2024
by Asher
· Chain Code · Music News

NEWS RELEASE

Montreal, QC – October 1, 2024

Out Now! CHAIN CODE’s Spacey, Progressive Debut Album “Synthetic Outcomes”

“Synthetic Outcomes” Out Oct 1st, 2024

Chain Code, the progressive rock project from Milwaukee, USA, is now officially reeling their debut album, “Synthetic Outcomes”, which will hurtle listeners through time and space as they go on a sonic journey through a dystopian future where technology has overtaken humanity, blending complex melodies, dissonant chords, and thought-provoking lyrics into a cohesive and immersive experience. Mastermind MuRphry shares his thoughts on the album:

“I am pleased to finally unleash this labor of love. I started this project in 2022 and manically wrote two albums, fixated on creating paranoid yet beautiful progressive rock to express my enjoyment of dystopian science fiction that sees humanity losing its very essence to machines. The initial point musically was to have Adrian Belew join Voivod in my bizarro musical mind. I encourage any weirdo to put on a set of headphones and take a trip to our future with the chaotic elegance that is Chain Code!”

Each track on the concept album offers a unique perspective on the overarching theme of the consequences of humanity’s overreliance on technology. From the frantic energy of the opening track “Human(kind of)” to the haunting beauty of “In Line” Chain Code masterfully balances chaos and harmony, creating a sound that is both challenging and rewarding.

“Synthetic Outcomes” invites listeners to immerse themselves in a world where technology has the upper hand, but the future is still uncertain. It is recommended for fans of progressive rock, sci-fi themes, King Crimson, and Talking Heads.

Listen to “Synthetic Outcomes” at the following links:

Bandcamp – https://chaincode.bandcamp.com/album/synthetic-outcomes

YouTube – https://bit.ly/3zG4hn8

Track Listing:
1. Human(kind of) (8:12)
2. A New Face (4:42)
3. They’re NOT Mad Scientists (4:16)
4. Unlearn (6:18)
5. My Buddy (3:54)
6. Inadequate (4:27)
7. Junk Piles and Their Lonely Owners (5:16)
8. Reaching Out (7:02)
9. In Line (8:00)

More info: Facebook.com/ChainCodeBand

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“the new track (In Line) is a bold musical statement with one foot in modern progressive technical musical prowess, but with eye on the class and lyricism of the distant past greats of the genre.” – Ghost Cult Magazine

“Progressive rock fans, get ready to be captivated by the latest offering from Chain Code, a unique and complex solo project led by the enigmatic MuRphry who channels his love for prog rock and sci-fi into a potent sonic experience… ‘A New Face’ is a short, yet windy, frantic, and complex song that is as unpredictable as it is catchy.” – The ProgSpace

“If System of the Down and Primus had a child, that child would sound like the debut single “A New Face” from Chain Code… With a unique blend of melody, dissonance, and intricately stringed arrangements, Chain Code is set to spin progressive rock on its head not only with their debut single but also with their debut album Synthetic Outcomes” – Amplify The Noise

“As debut albums come, Synthetic Outcomes is quite exceptional… Keep an eye open for this captivating artist, and beware of our computer overlords that are just around the corner waiting to take over for good.” – Disagreemeent.nl

“US band Chain Code are out with the album “Synthetic Outcomes”, and progressive metal is the style explored on this production. That being said, a lot of the heart and the soul of this band appears to revolve around aesthetics from the 1970s, and then from more expressive bands from the progressive rock tradition back then. With plenty of references to King Crimson, possibly also Gentle Giant, and if you know about a band from that era that played around with avantgarde tendencies and whimsical attitudes there’s a good chance that you’ll encounter references in that line too. With a bit of a theatrical display in the vocals department to boot, and some of the flamboyant aspects from the symphonic progressive rock tradition added as a bit of a subtle seasoning. But the band have chosen to explore those landscapes in a metal guise. An understated one at that, but still with metal rather than prog as the expression and orientation of choice. An album to seek out if the idea of exploring expressive 1970s progressive rock in a metal guise strikes you as an appealing proposition.” – Progressor

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0 Out Now! Ophidian Memory Unleashes New Melodic Death Album “Carrion Lord”

September 27, 2024
by Asher
· Music News

NEWS RELEASE

Montreal, QC – September 27, 2024

Ophidian Memory Unleashes New Melodic Death Album “Carrion Lord”

Melodic death metal project Ophidian Memory, the brainchild of Blake Lamoureux, is set to release its latest album “Carrion Lord” on September 27th, 2024. Ophidian Memory, hailing from Des Moines, USA, is known for its innovative approach to metal, using melodic death metal as a foundation to incorporate elements of black metal, thrash, progressive metal, and metalcore. “Carrion Lord” continues this tradition, offering a heavier and more unrelenting sound compared to its predecessor “Our Shattered Garden”. Lamoureux comments:

“Carrion Lord is the most ambitious and brutal Ophidian Memory release to date. The lyrics portray themes of deception, sacrifice, undreamt horror, and war. Musically the death and black metal notches have been turned all the way up, while the progressive notch has been turned down greatly until late in the album, giving a reprieve to the listener for a slight moment until the record ultimately closes with a ripping epic finishing track.”

The album is best experienced as a front-to-back listening journey, with each track offering a unique blend of subgenres that keeps the listener engaged throughout. Lyrically, “Carrion Lord” delves deeper into the fictional universe of “Existence”, a dark fantasy epic created by Lamoureux that has become the cornerstone of Ophidian Memory‘s conceptual approach.

On this album, Ophidian Memory has moved away from the progressive metal feel, choosing to take on a darker and heavier tone which reflects the brutal narrative this time around. Expect lots of unhinged vocals, riffs for days, and oppressive drums. For those who love extreme metal of all decades, in the vein of The Black Dahlia Murder, Behemoth, and Blood Red Throne, this one’s for you.

“Carrion Lord” is available at the following links:

Album Stream – https://youtu.be/Vf5F9SW1eA4

Bandcamp – https://ophidianmemory.bandcamp.com/

Spotify – https://spoti.fi/3BiMNxv

Track Listing:
1. The Mausoleum – (5:13)
2. Hunger Of Your Deceased Deity – (4:52)
3. A Jewel In Grocinia – (5:23)
4. Fleshbinding Ritual- (4:08)
5. Carrion Lord – (5:19)
6. The Murder On Warforged Soil – (6:17)
7. Hollowed – (3:50)
8. Sculptors Of Seraphic Tributes- (11:14)
9. Kept From Dust – (4:22)
10. Bloodborne – (4:40)

More Info: https://www.instagram.com/ophidianmemory/

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0 Exitus Stratagem Records – Streaming Now! THIRTEEN GOATS’ Wild Death Metal Rock Opera “Capricorn Rising” + “Planet of the Goats Tour” w/ FALL OF EARTH

July 11, 2024
by Asher
· Music News · Thirteen Goats

NEWS RELEASE

Montreal, QC – July 11, 2024

Streaming Now! THIRTEEN GOATS’ Wild Death Metal Rock Opera “Capricorn Rising”

“Planet of the Goats Tour” w/ FALL OF EARTH

New Album “Capricorn Rising” Out July 12th, 2024 via Exitus Strategem Records

“It’s really strong. GREAT musicians, great production, as well as a very progressive aspect without losing the darkness.” – Kelly Schaefer, Atheist

L-R: Thirteen Goats Current Lineup | Rob Fitz-Gerald (Lead & Rhythm Guitars, Backing Vocals) | Graham K. Miles (Lead Vocals, Lead & Rhythm Guitars) | Cody Lewichew (Bass, Gang Vocals) | Leonid Verman (Drums, Gang Vocals) – Photo Credit: Kevyn Lilith Hoskin

Vancouver, Canada’s Thirteen Goats are proud to release their second album—the extreme metal rock opera “Capricorn Rising”. It tells the story of their mascot, Shepherd: a goat-skull-wearing Antichrist who raises an army of animals to liberate the earth from humanity’s constant wars and greed. This high-concept narrative is delivered with Thirteen Goats‘ signature blend of infernal riffs, huge hooks, and uniquely theatrical songwriting. They comment on the album:

“We think fans are going to get everything they loved about our first record, only more of it—and more focused. We’re exploring similar themes on this release, but we’ve connected them by weaving a cohesive story throughout these nine tracks that gives more context to the different musical and tonal shifts. And just like on the last record, we haven’t been afraid to break the rules.”

Each song on the album is part of a broader narrative that explores themes of disillusionment, radicalization, and rebellion as Shepherd and his 12 demon goats wage their crusade. Thirteen Goats delivers a unique blend of death and thrash metal, combined with a storytelling approach that takes listeners on a journey through the darkest aspects of both human and animal nature.

Listeners can expect furious riffage, ambitious song structures, and even occasional female guest vocals (courtesy of guest artist Carly Ellen Jones). What they shouldn’t expect is a record that plays it safe or falls neatly into one specific subgenre. Thirteen Goats is recommended for fans of Lamb of God, Carcass, and Mastodon.

Listen to the album’s full stream premiere via Decibel Magazine HERE.

Due out on July 12, 2024, “Capricorn Rising” is available from Exitus Stratagem Records for album pre-order at https://www.exsrmusic.com/store/p/pre-sale-thirteen-goats-capricorn-rising

Music Video – Murder Lives in the Heart – https://youtu.be/hpgqlbehecM

In additional news, following their performance at this year’s Armstrong Metal Fest (July 12/13), Vancouver’s Thirteen Goats announce that they will be hitting the road this July and August for their first major Western Canadian tour. They will be co-headlining the “Planet of the Goats Tour” with Edmonton’s Fall of Earth.

Planet of The Goats Tour – Fall of Earth, Thirteen Goats
July 19 – Red Deer, AB – The Vat
July 20 – Edmonton, AB – Starlite Room
July 21 – Lloydminster, SK – The Sticks
July 23 – Brandon, MB – Eastside Eatery
July 24 – Winnipeg, MB – Bulldog Event Center
July 25 – Regina, SK – The Exchange
July 26 – Lethbridge, AB – The Slice
July 27 – Calgary, AB – Rec Room
July 31 – Kelowna, BC – Dunn Enzies (venue change from Revelry)
Aug 1 – Kamloops, BC -The Blue Grotto
Aug 2 – Penticton, BC – Clancy’s
Aug 3 – Vancouver, BC – The Fox Cabaret

Track Listing:
1. Sign of the Goat (4:53)
2. Murder Lives in the Heart (5:30)
3. A Wolf in Shepherd’s Clothing (4:10)
4. Global Fuckup (3:57)
5. Beheading Zoo (3:44)
6. Permission to Die (3:48)
7. Beating the Disease (4:24)
8. Goats of War (5:25)
9. Animal Kingdom (6:19)

More info: Exsrmusic.com | ThirteenGoats.com

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“What makes this turbocharged song (Sign of The Goat) so damned much diabolical fun is the band’s melding of viscerally compulsive grooves, head-spinning instrumental pyrotechnics, and rapid-fire vocal assaults — and doing so in a way that makes the track highly infectious too. The song vividly intersects with the tech-death sphere through flurries of quickly darting, swirling, and swarming riffage, deliriously cavorting arpeggios, and a multitude of percussive fusillades. As displayed in the video, fingers and limbs fly like the wind, and the guttural barks and hair-raising screams in the vocal department rhythmically eject the violent words just as fast and just as furiously. But, as forecast, the song is also a viscerally groovesome beast. It’s almost relentlessly hard-slugging, but what really stands out are brutish, muscle-galvanizing jackhammer-bursts, the first of which comes only 25 seconds into the track. Another one of those episodes sets itself up as the backdrop for crazed guitar soloing that sounds like the ecstasies of fiends. And we did warn you — this thing is also immediately catchy and enduringly addictive. It comes recommended for fans of Bolt Thrower, Archspire, and Lamb of God.” – NoCleanSinging

What the press said about 2022 album “Servants of the Outer Dark”:

#14 on Top 20 – Loud – Canadain College Radio – August 2022 (Earshot)

“An alchemical style reminiscent of Cannibal Corpse, Misery Index, classic Megadeth, melodic Swe-death, and all eras of Death and Carcass.” – Decibel

“Rips, we’re here for it.” – MetalSucks

“Perfectly marries old school death metal, blackened tendencies, and heavy metal choruses.” – Metal Injection

“THIRTEEN GOATS unapologetically raise the deathcore flag for the new decade and absolutely don’t care what people think.” – Exclaim!

“Think Vulgar Display of Power-era Pantera in a cage match with Cannibal Corpse and Ministry.” – The Georgia Straight

“A gut-punching and head-hooking offering of death metal that borrows liberally from many of the genre’s subsets, as well as bringing in elements of thrash, black metal, and grindcore.” – No Clean Singing

“With a name like THIRTEEN GOATS, it’s gonna be evil. It’s cool, thrashy, blackened groove metal, a little like a Lamb of God sound with a bit more heavy brutality going on and a dash of black metal evilness. Great stuff!” – The Mosh Pit on WORT 89.9 FM (Madison, WI)

“THIRTEEN GOATS make seriously good music and sound like they have a lot of fun doing it. They write great upbeat thrash songs with strong melodies that appropriately sway from sinister to camp and pull it off tremendously. For some classic charcuterie of extreme metal mixed with a bit of tongue in cheek, you’re well looked after here.” – Heavy Mag

“THIRTEEN GOATS is a new strength in the extreme scene.” – Metal Temple

“The starting point of Thirteen Goats and their debut album Servants Of The Outer Dark is death metal, but it doesn’t remain tied to it. They explore all types, including tech death and melodic death metal, and even genres outside of that like thrash, groove, and doom metal. Each song brings out a unique side to the band, whether it’s the politically charged ‘Prisoner’s Anthem’ or the body horror of ‘Sub-Being.’” – Heavy Music Headquarters

“Canada’s THIRTEEN GOATS are incredibly fun to listen to and at multiple points subtly humorous—and, as such, make themselves easily a breath of fresh air within the technical scene. That sense of fun is backed up with very proficient playing and dizzying creativity, far beyond what you would expect from a debuting act’s first full length… Servants of the Outer Dark is an excellent debut full-length from these guys and I can’t wait to hear more!” [9/10] – Metal Observer

“All you need is love? No. All you need is THIRTEEN GOATS. Their debut album has everything your heart could desire in a Metal record, it’s a metaphorical pizza with all the toppings and a better thrill ride of a first crack we defy you to find!” [8.5/10] – Metal Noise

“These guys have the ability and the chops to succeed, whilst channeling bands like Lamb Of God into their output.” – Man of Much Metal

“This is so good.” – Stephen Quinn, The Early Edition (CBC Radio One)

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0 Streaming Now! Halifax’s TURBO’s “Broke And Ugly” Is A Gritty Return To Aggressive, Thrashy Nitro Rock!

July 11, 2024
by Asher
· Music News · Turbo

NEWS RELEASE

Montreal, QC – July 11, 2024

Streaming Now! Halifax’s TURBO’s “Broke And Ugly” Is A Gritty Return To Aggressive, Thrashy Nitro Rock

Halifax, Canada’s Turbo is back and louder than ever with the release of their shiny second album “Broke & Ugly”. Known for their gritty, in-your-face sound, Turbo has once again delivered a raw and powerful collection of tracks that will leave listeners begging for more. Like your disheveled uncle on Christmas morning, Turbo is trashed, pissed off, and sick of your shit, bringing an intensity and energy that is unmatched in today’s music scene. They comment on the release:

“‘Broke and Ugly’ is our second testament to the ups and downs of the rock-and-roll lifestyle, and it comes in swingin’ HARD. The music is raw, greasy, and mean; but it’s also tight, coordinated, and flashy. The lyrics are defiant and visceral, painting a real picture of where Evan’s mind was during the writing process of the album. Themes go from party anthems to drugs, to women of flings-past, to life on the road, and back again. It’s edgy, it’s real, and it’s undeniably Turbo.”

Turbo was created with a singular vision: to create something bigger, badder, and unapologetically aggressive. Evan Frizzle (vocals/guitar), Sylvain Coderre (drums), Lindsey Dicks (guitar), and Henry MacDonald (bass) have poured their hearts and souls into this album, crafting a unique sound that blends thrash, NWOBHM, glam metal, punk rock, and hardcore. The result is an original, aggressive, and varied listening experience that grabs you by the cojones and doesn’t let go.

The album artwork for “Broke & Ugly” was created by a good friend of the band Tim Murray, and perfectly captures the essence of the band’s raw and unfiltered style. The cover depicts a dive-bar nightmare bathroom, filled with Easter eggs from Turbo‘s previous songs and a green hand grabbing for some shit-tickets from a busted-ass urinal. It’s a fitting visual for an album that promises to be a grimy slab of thrash, sleazy, and louder than anything you’ve heard before. Get ready for Turbo‘s distinct flavor and an absolute slaughter in seven tracks. It is recommended for fans of W.A.S.P., Motorhead, and Judas Priest.

Listen to the album’s full stream premiere via Bravewords HERE.

Album order for “Broke and Ugly” due out on July 12th, 2024 is available at https://turboasfvck.bandcamp.com/merch

Music Video – “Down In Mexico” – https://youtu.be/7HousH65t8s

Spotify – https://distrokid.com/hyperfollow/turbo5/down-in-mexcio-pre-release

Track Listing:
1. Ruthless Forever
2. Ignite the Night
3. No Savior
4. Scorpio Garbage Fire
5. PissJugs and Rattlesnakes
6. Nothing to Nowhere
7. Broke & Ugly
8. Down in Mexico
Total Length: 29:12

Lineup:
Evan Frizzle: Vox, Lead & Rhythm Guitar
Lindsey Dicks: Lead & Rhythm Guitar
Henry MacDonald: Bass Guitar
Sylvian Coderre: Drums

For more info:
Facebook.com/TURBOFAF
Instagram.com/turboasfvck

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“The cartoon-ish cover art with toxic green/red colors could bring more smiles to the fold – Turbo executing a great crossover sound that stands on the edge of thrash, punk and NWOBHM/heavy metal. Broke & Ugly could be your soundtrack when needing an ideal wind down from your back breaking, seemingly never over work week. 8.5/10” – Dead Rhetoric

“the band is insanely tight, with Frizzle and fellow six stringer Lindsey Dicks really giving it some violence riff wise and soloing like their lives depended on it. Similarly, the rhythm section of Sylvain Coderre (d) and Henry MacDonald take no prisoners and submit to no-one in their ability to hold things together at high velocity. Very impressive. As we get deeper into the twenty first century, bands are running out of ways to repackage, remake and remodel, so the freshness with which Turbo approach the task in hand has to be applauded. This is fun to listen to – and it certainly sounds like the band had fun getting the album down, and sometimes a bit of joie de vivre is all any of us need. But when you are able to mix that in with a killer technique and a sharp ear for a metal tune well, good times await!” – Sentinel Daily

“Turbo’s second full length album is the equivalent of getting into a newly juiced up hotrod, the roof reeled back in, as you’re flooring it down the highway until your smoke trails combust. From start to finish, Turbo live up to their name in droves and then some with energy that cannot be denied and a plethora of tracks that offer much to be remembered. Though boasting a full nine tracks, Broke & Ugly doesn’t even eclipse a full half hour and therefore opens itself up for numerous relistens. It starts up, gets you in the mood to kick some butt, yet doesn’t attempt to overstay its welcome to any degree. For me personally, this style of speed metal can be a vast hit or miss but I thoroughly enjoyed my time with this record, and during its duration I was brought on board with Turbo’s infectious power.” – The Razor’s Edge

“TURBO is Halifax’s answer to Motorhead…” – The East Mag

“It is a thrash metal rollercoaster of a musical ride that grabs you by the dick and doesn’t let go until bust a riff-inspired ear nut.” – Slickster Magazine

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0 Canada’s MARBLE GHOSTS Drop New Video “False Heroes” For Debut Self-Titled EP Out Now!

March 1, 2024
by Asher
· Marble Ghosts · Music News

NEWS RELEASE

Montreal, QC – March 1, 2024

Canada’s MARBLE GHOSTS Drop New Lyric Video “False Heroes” For Debut Self-Titled EP Out Now!

L-R – Paul R. Champagne (Bass), Adam Hansen (Guitar, Backing Vocals), Dylan Gunnell (Vocals), Jérôme Renaud (Drums)

Photo Credit – Lisa Thompson (Dark Moon Productions)

Dropping their debut self-titled EP this Friday, March 1st, Ottawa, Canada’s Marble Ghosts are presenting their latest video for their track “False Heroes”, the second to last song on the release that is a sludgy verse mixed with a towering harmony-laced chorus and a powerful, thundering instrumental end.

Lyrically, “False Heroes” is aimed at the institutions of old and those who continue to prop them up. Originally titled Marble Ghosts, the name was changed when the band realized that it was the perfect name for the band itself.

They explain further about the song:

“In the current culture, where some believe we should return to a golden past, False Heroes counters that with a resounding NO. The song seeks to eviscerate male privilege, divisive hateful religious figures, but most of all, the ghosts of the past, still seen as trailblazers and nation builders. Inspired by the dismantling of controversial statutes worldwide, but specifically, the downing of the statue of John A. MacDonald, Canada’s first PM and the architect of the residential school system, False Heroes is a warning against romanticizing and celebrating figures whose mindsets were at their core harmful and led in many cases to abusive and criminal acts.”

Watch and listen to the lyric video “False Heroes” via its premiere on Bravewords HERE.

Recently emerging onto the Canadian metal scene with a distinctive sound and a fierce commitment to challenging societal norms, Marble Ghosts comprises a dynamic lineup that uniquely blends genres and generations, featuring a death metal drummer, an old-school metal bassist, a grunge-influenced singer, and a metalcore guitar player. This eclectic mix not only defines their sound but also underscores the band’s commitment to breaking musical boundaries.

Despite being a relatively new band, Marble Ghosts demonstrates a clear musical direction. Their first EP showcases five compelling songs that highlight their diverse influences and styles. As a band, they embrace generational differences, allowing their music to evolve organically as they grow more comfortable with each other.

Explaining the origin of their band name, Marble Ghosts draws inspiration from historical figures revered by some as pioneers and trailblazers but who also committed terrible crimes. The band seeks to call out the tradition that these effigies represent. Their music is recommended for fans of Shinedown, Saint Asonia, and Three Days Grace.

Marble Ghosts’ debut EP is due out on March 1, 2024.

Digital – https://marbleghosts.bandcamp.com/album/marble-ghosts-2

EP preview – https://youtu.be/QZzpK6x6PK0

For those in the Ottawa area, Marble Ghosts are hosting their EP release show on February 29 2024 at The 27 Club. Info here.

Track Listing:
1. Old School (3:10)
2. Lie to Me (4:22)
3. Alone (4:03)
4. False Heroes (4:33)
5. End of the World (3:58)
EP Length: 20:07

More info: Facebook.com/marbleghosts | Instagram.com/marbleghostsofficial

-30-

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0 Gore House Productions – Streaming Now! Descend Into The Abyss Of Death Metal With Display Of Decay’s Sixth Album “Vitriol”

October 17, 2023
by Asher
· Display of Decay · Music News

NEWS RELEASE

Montreal, QC – October 17, 2023

Streaming Now! Descend Into The Abyss Of Death Metal With Display Of Decay’s Sixth Album “Vitriol”

New Album “Vitriol” Out October 20th, 2023 via Gore House Productions

(Mixed & Mastered by Chris Donaldson – Cryptopsy)

Alberta Tour Dates (Calgary, Edmonton, Lloydminster)

L – R – Brandon Siefert (Bass), Sean Watson (Guitar / Vocals), Logan Wilson (Drums)

Photo Credit – Display of Decay

Prepare to have your senses shattered as Canada’s Display Of Decay unveils the chaos and power that can only be found in death metal in their sixth album “Vitriol” due out on Friday, October 20th from Gore House Productions.

Before it is officially unleashed, you can check out the whole album via its full-stream premiere on NoCleanSinging HERE.

The eight tracks on “Vitriol” will take listeners through distorted riffs colliding with thunderous percussion, creating a maelstrom of sound that leaves no room for compromise. The lyrical content covers a variety of topics ranging from pop culture references like Diablo & Mass Effect to darker undertones of acts of senseless violence and brutality. The band explains more:

“At long last, we are excited to finally announce our long-awaited new record and 6th installment into the discography, Vitriol! This album took a lot of the technical elements of ‘Art in Mutilation’ and blended them with the classic ‘DOD’ style of ‘bang your head, groovy riffs.’ I believe this album follows the trajectory our style has grown over the years, whilst still paying homage to the first few records of our discography.”

“Vitriol” was mixed and mastered by Christian Donaldson (Cryptopsy) and assistant mix engineer Dominic Grimard. The cover art was done by Caelan Stokkermans with graphic design by Logan Wilson. The writing process consists of Sean Watson (Guitar – Vocals) and Brandon Siefert (Bass) slinging riffs back and forth, and getting a rough layout done to bring to the table. With the return of Logan Wilson halfway through the process, it’s become more of a unified process. ‘Familial Feast’ as an example, was written while they were tracking the record, and after they ended up scrapping a tune halfway through the recording process, this one came together extremely well.

“Vitriol” was born of rage and spite fueled further by the chaos and uncertainty felt worldwide over the last few years. It is recommended for fans of Pantera, Morbid Angel, and Cannibal Corpse.

“Vitriol” will be available on October 20, 2023, via Gore House Productions and is available for pre-order (Vinyl/ CD/ Digital) at https://orcd.co/vitriol

Lyric Video – “The Butcher” – https://youtu.be/8Bz0JKqbSkg

Guitar & Bass Playthrough – “Harbinger” - https://youtu.be/DsRWwIgXIjU

Tour Dates:
Nov 10 – Calgary, AB – Dickens Pub
Nov 11 – Edmonton, AB – Starlite Room
Nov 17 – Lloydminster, AB – Cheers Live

Track Listing:
1. Malicious Motorcide (3:17)
2. The Butcher (4:26)
3. Legion of Doom (4:04)
4. Familial Feast (3:26)
5. Harbinger (3:06)
6. Hot Lead Vengeance (4:01)
7. Slaughtercast (3:54)
8. Vitriol (3:19)
Album Length: 29:36

More info:

Gorehouseproductions.com | Facebook.com/GoreHouseProductionsOfficial | Instagram.com/gorehouseproductions

Displayofdecay.ca | Facebook.com/displayofdecayofficial | Instagram.com/displayofdecayofficial | Tiktok.com/@displayofdecay

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“Edmonton’s long-standing denizens of death metal” – Decibel Magazine

“Should have lots of these from previous record, here are a few “This three-piece, hailing from the Canadian badlands, are an absolutely crushing ode to no-frills, old-school brutality.” – Metal Injection

‘’Perfect for fans of Deicide and Cannibal Corpse” – Bloody-Disgusting

“death metal that is surely to snap your neck and crush your skull.” – My Global Mind

“From pit anthems to intricate playing identifiable sound and raspy deep growls, every reason you love death metal is inside the tracks that lay within “Art in Mutilation.” – Metal Temple

“This is pure North American death metal with a dosage of thrash, but it’s the effective songwriting that keeps your interest from start to finish.” – Dead Rhetoric

“This is Brutal Death Metal that wastes no time on pointless intros or messing around.” – Wonderbox Metal

—
ASHER MEDIA RELATIONS
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0 ORCHID’S CURSE Now Streaming Varied New Melodic Metal EP “The Decay”

June 15, 2023
by Asher
· Music News · Orchid's Curse

NEWS RELEASE

Montreal, QC – June 15, 2023

ORCHID’S CURSE Now Streaming Varied New Melodic Metal EP “The Decay”

L-R = Alex Wrathell (Drums), Brian Jones (Guitar), Keith MacLeod (Guitar), Jason Szeto (Bass), Josh Hogan (Vocals)

Orchid’s Curse formed way back in 2005 with their first release in 2006. 18 years have passed and they have withstood the test of time. Whether persevering through member changes or a pandemic, the band continues to push forward and release new music. “The Decay” is their sixth release and will highlight that the band has no plans to stop creating music any time soon.

Musically, “The Decay” is their most mature work yet, consisting of five songs with a variety of different musical influences but also still having the Orchid’s Curse signature sound. Listeners will experience a two-minute thrash banger, a six-minute melodic epic, and everything in between with lyrics that explore the decline and decay of our modern society. The band shares their excitement:

“We are elated to finally be releasing THE DECAY to the masses. Writing for this album started before the pandemic and we are glad the time to release it is finally here. One positive is that with the shutdowns we had a lot of extra time to spend refining these songs to ensure it was the most mature and competent release to date. With each new album we always try to continue to progress and up the ante musically and artistically. We all feel really confident in these songs and this release as a whole.”

They say variety is the slice of life and Orchid’s Curse delivers exactly that. This succinct journey runs the gamut from slow and sludgy to fast and relentless. The EP was produced by the band’s rhythm guitarist, Brian Jones; mixed and mastered by Mike Bowers (Pale Ache), and the EP artwork was done by lead guitarist, Keith MacLeod.

With something for everyone, “The Decay” will be enjoyed by a wide range of metalheads, including those into Darkest Hour, At the Gates, and The Black Dahlia Murder.

“The Decay” is due out Friday, June 16, 2023, and can be heard ahead of its release via its full stream premiere on Decibel Magazine HERE.

Album pre-order – https://orchidscurse.bandcamp.com/

Track Listing:
1. Better Men – 5:42
2. Dead Idols – 4:24
3. The Divergence of Man – 4:45
4. Divided by Everything – 2:31
5. Pay to Prey – 6:24
EP Length: 23:47

Orchid’s Curse is:
Josh Hogan – Vocals
Brian Jones – Guitar/Vocals
Keith MacLeod – Guitar
Jason Szeto – Bass
Alex Wrathell – Drums

For more info: Orchidscurse.com | Facebook.com/orchidscurse | Instagram.com/orchidscurse

About: With over a decade of musical output, Orchid’s Curse continues to create a beautiful amalgamation of brutal metal, progressive melody, and intelligent thought-provoking lyrics. Whether in a live setting or on an album, Orchid’s Curse refuses stagnation and orders your full attention.

Since forming in Dartmouth, Nova Scotia in late 2005, Orchid’s Curse has positioned itself at the forefront of the highly underrated East Coast metal scene in Canada. Ensuring that every show left the band drained of all they had and every album was created with the most care and the best team they could find. Now with their sixth release “The Decay” ready to release, the band continues to position itself at the forefront of maritime metal.

Metalsucks.net captured the band’s goal of blending various genres of metal, declaring “Orchid’s Curse is one of those bands that play around with melodeath, groove, thrash, and occasionally prog with enough fluidity to rid themselves of any sort of pesky sub-genre tags and earn the simple, yet elegant classification of ‘metal’.” while Canada’s Hellbound.ca recognized the bands continued progression and growth over the years stating, “Few bands demand that each album be a progression, a growth, in the way that Orchid’s Curse does. No musical influence is turned away, but everything is twisted, melded into an intense metal experience that makes your head bang one moment and your toes tap the next”

Since 2006 Orchid’s Curse has shared the stage with an incredibly diverse lineup of bands including, The Black Dahlia Murder, Children of Bodom, Every Time I Die, Cancer Bats, 3 Inches of Blood, Goatwhore, Exhumed, Fuck the Facts, KEN Mode, Misery Index, Counterparts, Baptized in Blood, Martyr, Beneath the Massacre, Vilipend, Ion Dissonance, Neuraxis, L’Espirit du Clan, Unexpect, Trigger Effect, Ninjaspy, Unbreakable Hatred, Misguided Aggression, Greber and many more.

– 30 –

“Orchid’s Curse is one of those bands that plays around with melodeath, groove, thrash, and occasionally prog with enough fluidity to rid themselves of any sort of pesky sub genre tags and earn the simple, yet elegant classification of ‘metal’.” – Metal Sucks

“Orchid’s Curse employ their familiar tactic of borrowing the techniques of multiple genres, from filthy death metal riffs to hardcore barks, progressive guitar explorations and dirge-like, doom-influenced song structures.” – Exclaim!

“Thick, brutal, aggressive and borderline cacophonous, at times, Voices is relentlessly engaging and explosive while maintaining a decisively melodic essence.” – Exclaim!

“heavy riffs built for headbanging” – Metal Storm

“Cynics & Liars, is very much an EP which epitomizes everything good about metal in 2016” – PureGrainAudio / V13

“Orchid’s Curse are versatile, able to play everything from menacing thrash to accessible melodeath to punishing metal” – HeavyMetal.About.com

“Every song punches you right between the eyes” – Mettalworx

“This album is just laced with hook after hook. Whether it be a classic metal riff, a psyched out interval or just a standard heavy rock n’ roll beat; the album is catchier than an STD on 2-for-1 night at a brothel.” – Echoes and Dust

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

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