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Tag: Shadow of intent

0 Streaming Now! Canada’s EVERY HOUR KILLS (ft. guests from Vildhjarta, Shadow of Intent) Darkest, Heaviest Material Yet On New EP “Vacua”, Full Stream Premiere via TheProgspace

  • October 6, 2021
  • by Asher
  • · Every Hour Kills · Music News

NEWS RELEASE

Montreal, QC – October 6, 2021

For fans of Veil of Maya, Born of Osiris, Periphery, Erra, Spiritbox

Streaming Now! Canada’s Every Hour Kills Presents Their Darkest, Heaviest Material Yet In “Vacua”

Full Stream Premiere via TheProgspace

New EP “Vacua” Out October 8th

EP Guests:
Calle Thomer (Vildhjarta, Humanity’s Last Breath),
Chris Wiseman (Currents, Shadow of Intent)
  

 Calgary’s formidable modern metal act Every Hour Kill’s has been shunning and breaking genre rules throughout their career with each release surpassing the last in musicianship and experimentation. The latest offering “Vacua” due out on October 8th is the biggest departure yet and although not everyone might like it; guitarist and primary songwriter Sacha Laskow wrote what he felt rather than trying to stick to a template of what the band ‘should’ sound like. According to him, fans of progressive music like himself are typically open to a range of sounds, influences, and emotions. He explains the sound change further:

“This record is a culmination of a dark, tumultuous fucked up year in the world and in my personal life, as it was for many people around the world. As lucky as I am to still have work and my basic needs met, the emotional rollercoaster still affected me strongly and I ended up unemployed for a period in 2020, and thus this EP was born. It is both more human in that I collaborated more strongly with new songwriters and Jei on vocals, but also more mechanical as I also wrote with the assistance of AI creation tools, and most of the instrumentation is programmed MIDI. I feel like this is my most honest work as a writer, to express what comes to mind rather than fit into a box or template of what Every Hour Kills ‘should’ sound like. It may alienate some people but so be it!”

Every Hour Kills is a rotating collective ensemble featuring the core of ex-Divinity / Enditol guitarist and producer Sacha Laskow, bassist Brent Stutsky (ex-Breach of Trust), along with vocalists Jei Doublerice (Despite Exile, Abiogenesis) and Jerrod Maxwell-Lyster (ex-Out of Your Mouth).

Each of the five tracks on “Vacua” were written for the EP, with no filler and nothing left on the cutting room floor. Track “Intransigent” was co-written with Calle Thomer (Vildhjarta, Humanity’s Last Breath) and tracks “Euclidian” and “Tenebrous” were co-written with Chris Wiseman (Currents, Shadow of Intent). The EP was produced, mixed, and mastered by Laskow along with EP artwork done by Erisis Red.

Recommended for fans of Born of Osiris, Periphery, and Vildhjarta, “Vacua” can be heard in full before it officially releases via its premiere on TheProgSpace HERE.

Track Listing:
1. Palindrome (intro) (2:01)
2. Vacua (3:28)
3. Euclidian (2:57)
4. Tenebrous (3:34)
5. Intransigent (4:08)
EP Length: 16:09

EVERY HOUR KILLS
Sacha Laskow: Guitars & Programming
Jerrod Maxwell-Lyster: Vocals
Jei Doublerice: Vocals
Brent Stutsky: Bass

EP Credits:
Music: Tracks 1, 2 – Sacha Laskow
Music: Track 3, 4 – Sacha Laskow, Chris Wiseman
Music: Track 5 – Sacha Laskow, Calle Thommer
Lyrics and Vocals: Tracks 2, 4 – Jerrod Maxwell-Lyster, Jei Doublerice
Lyrics and Vocals: Tracks 3, 5 – Jei Doublerice

Recorded, Mixed & Mastered: Sacha Laskow – Perfect Filth Studios
Additional Vocal Engineering: Jei Doublerice at Exiled Media & Joe Hoferat J & C Studios
Every Hour Kills uses: Toontrack, Fractal Audio, Neura IDSP, ML Sound Labs, Ownhammer, Bareknuckle Pickups
EP Artwork: Erisis Red
Band Photo: Nicco Van Hamja

For more info:
EveryHourKills.com
Facebook.com/EveryHourKills
YouTube.com/everyhourkills
Instagram.com/alansachalaskow
Twitter.com/everyhourkills
EPK

About:
“Every hour wounds, but the last one kills” – Anonymous

Every Hour Kills is a rotating collective ensemble featuring the core of ex-Divinity / Enditol guitarist and producer Sacha Laskow, bassist Brent Stutsky (ex-Breach of Trust), along with vocalists Jei Doublerice (Despite Exile, Abiogenesis) and Jerrod Maxwell-Lyster (ex-Out of Your Mouth).

Every Hour Kills was built to challenge the idea of what defines a “band”. Rather, the group sees itself as a constantly evolving musical collective; guest vocalists and soloists across the songs bring their own unique artistry and elevate the collective impact of Every Hour Kills’ brand. The lyrics, artwork, visuals, and themes all look toward the future, asking the key postmodern question of how will emerging technology and our humanity progress and co-exist?

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Every Hour Kills Juxtapose Angular Heaviness With Soaring Melody On “Euclidian”

  • June 4, 2021
  • by Asher
  • · Every Hour Kills · Music News

NEWS RELEASE

Montreal, QC – June 4, 2021

For fans of Veil of Maya, Born of Osiris, Periphery, Erra, Spiritbox

Every Hour Kills Juxtapose Angular Heaviness With Soaring Melody On “Euclidian”

Every Hour Kills, from Calgary, Canada, has a reputation for putting out solid, immersive EPs and creatively artistic music videos. Their latest work “Vacua” is expanding on their trademark sound, albeit it’s a twisted, heavier version than what fans have got used to over the years. This new release will see a new vocalist in the form of Jei Doublerice (Abiogenesis, Despite Exile, Sensory Amusia) and with his inclusion; EHK does away with a lot of the melody and clean vocals, swapping them for brutal breakdowns and turbulent vocals. The initial glimpse into this new form is through the single “Euclidian”.

The single was co-written with Chris Wiseman (Currents, Shadow of Intent) and is an introduction to the new style with Doublerice. His riffing style complements Sacha Laskow’s perfectly and what came out was an amalgamation of this technical riffing with whacky synths/time signatures/cinematic breakdown. Doublerice came in over top with his signature intense style to wrap everything up. This is the shortest song on the EP and gets in and gets out with no filler.

Acknowledging that this new EP might not be for everyone, founder, guitarist, and producer Sacha Laskow, shares that this work is the result of a “dark, tumultuous fucked up year” for him personally, along with many other people. He explains further:

“As lucky as I am to still have work and my basic needs met, the emotional rollercoaster still affected me strongly and I ended up unemployed for a period in 2020, and thus this EP was born. It is both more human in that I collaborated more strongly with new songwriters and Jei on vocals, but also more mechanical as I also wrote with the assistance of AI creation tools, and most of the instrumentation is programmed MIDI. I feel like this is my most honest work as a writer, to express what comes to mind rather than fit into a box or template of what Every Hour Kills ‘should’ sound like. It may alienate some people but so be it!”

“Vacua” will be the fourth studio release from the band, following “Every Hour Kills” (2015), “Fragile Machine” (2018) and “Re:awaken” (2020). The djenty scorecore is recommended for fans of Veil of Maya, Born of Osiris, and Periphery

The single “Euclidian” is out now as of June 4th and can be heard on the following platforms:

YouTube – https://youtu.be/pD7ZRyeu0P4
Spotify, Apple Music, Bandcamp – https://everyhourkills.com/ig/

EP “Vacua” will be released later this year.

For more info:
EveryHourKills.com
Facebook.com/EveryHourKills
YouTube.com/everyhourkills
Instagram.com/alansachalaskow
Twitter.com/everyhourkills

About:
“Every hour wounds, but the last one kills” – Anonymous

Every Hour Kills is a rotating collective ensemble featuring the core of ex-Divinity / Enditol guitarist and producer Sacha Laskow, bassist Brent Stutsky (ex-Breach of Trust), along with vocalists Jei Doublerice (Despite Exile, Abiogenesis) and Jerrod Maxwell-Lyster (ex-Out of Your Mouth).

Every Hour Kills was built to challenge the idea of what defines a “band”. Rather, the group sees itself as a constantly evolving musical collective; guest vocalists and soloists across the songs bring their own unique artistry and elevate the collective impact of Every Hour Kills’ brand. The lyrics, artwork, visuals, and themes all look toward the future, asking the key postmodern question of how will emerging technology and our humanity progress and co-exist?

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Québec’s Drown In The Abyss Emerge To Pull You Asunder With Chaotic Single “Rising From The Tides”

  • December 21, 2020
  • by Asher
  • · Drown In The Abyss · Music News

NEWS RELEASE

Montreal, QC – December 21, 2020

For fans of Shadow of Intent, Lorna Shore, Signs of The Swarm, Thy Art Is Murder

Québec’s Drown In The Abyss Emerge To Pull You Asunder With Chaotic Single “Rising From The Tides”

Single Co-Produced by Chris Wiseman (Shadow of Intent), Mixed and Mastered by Christian Donaldson (Cryptopsy) 

Both epic and brutal, Drown In The Abyss founded by Alexandre Lavoie with Sam Caron, mixes Lavoie’s love for video game music with deathcore to bring you a listening experience that is refreshing in its aggression and blend of styles.

As the band names suggest, the thematic elements of the debut track are about sea creatures invading our lands on earth. The duo tells an imaginative story, filled with destruction and chaos. While there may be some hints of real social events or politics, they are highly metaphoric.

“Rising From The Tides” is the first song the band wrote, with the help of Chris Wiseman from Shadow Of Intent and Currents. Overall, it has been a while in the works, but now the final product is ready to wash over listeners around the world and drench them in a dark and abrasive new sound. Lavoie comments on the process:

“This has been a pretty long process because of some life events, but a very fun and informative one. I used to produce Hip-Hop beats and this is way different. In Hip-Hop, everything is a pattern that repeats itself with minor changes in different sections, in metal, it’s a whole new level of production. You have so many things to write, arrange, and mix. This was for me, a big learning experience and this album is going to help me a lot on my producing / mixing journey.”

The juxtaposition that the band balances cannot be understated. Those who enjoy deathcore and death metal mashed with an orchestra will take interest in Drown In The Abyss especially current fans of Shadow of Intent, Lorna Shore and Signs of the Swarm.

The debut single and title track co-produced by Chris Wiseman (Shadow of Intent) plus mixed and mastered by Christian Donaldson (Cryptopsy) from the forthcoming 2021 album is now available as of December 18th, 2020 on the following links:

YouTube
Spotify
Bandcamp
Apple Music

Single Recording Band Line Up:
Alexandre Lavoie – Guitars
Sam Caron – Vocalist

Single Credits:
• All songs performed by: Alexandre Lavoie, Sam Caron
• All songs written by: Sam Caron
• Produced by: Alexandre Lavoie, Chris Wiseman
• Mixed by: Christian Donaldson
• Mastered by: Christian Donaldson
• Album Artwork by: Ryan Bittner
• Logo – Caelan Stokkermans

For more info:
Facebook.com/drownintheabyss
Instagram.com/Drownintheabyss
EPK

About:
Drown In The Abyss was formed in Québec, Canada by Alexandre Lavoie. An unrelenting barrage of chaos and brutal riffs, it takes form as a symphonic deathcore band with lyrical themes primarily revolving around huge creatures of the abyss invading dry land.

Born in Abitibi-Témiscamingue, Québec, Lavoie started producing music in 2017 making hip-hop beats. His passion for metal and playing guitar slowly came back and he left the hip hop genre for something more brutal and epic. Film music has always been one of the most inspiring music genres for him, so he wanted to introduce the orchestra behind the brutal riffs.

After playing guitar for nearly seven years, he decided to form his own band with the help of his vocalist friend, Sam Caron. Thus Drown In The Abyss was born. Part horror, part orchestra, but entirely heavy, the band is a force to be reckoned with.

In 2021, they will release their introductory album “Rising From The Tides” and on December 18, 2020, they will reveal the debut single and the title track, which was co-produced by Chris Wiseman (Shadow of Intent) plus mixed and mastered by Christian Donaldson (Cryptopsy).

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Norwegian Death Metal Féleth Premiere Album Stream “Depravity” via Metal Injection; Due Out May 22nd via DeadPop Records

  • May 20, 2020
  • by Asher
  • · Feleth · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – May 20, 2020

For fans of Sylosis, Dying Fetus, Cryptopsy, Archspire, Shadow of intent, Cattle Decapitation

Norwegian Death Metal Féleth Premiere Album Stream “Depravity” via Metal Injection

Due Out May 22nd via DeadPop Records

Nestled in the small northern Norwegian town of Alta, far above the Arctic circle, there’s a rumbling of brutality shaking the earth from a young, dynamic metal quintet known as Féleth. Creating heavy, melodic assaults, that transcends the traditional limits of the genre, these great northern Norwegians, are taking their influences of death metal, thrash, deathcore, rock and even elements of Jazz to unleash to the world their debut album “Depravity” due out via DeadPop Records on May 22, 2020.

Today, the band has teamed up with Metal Injection for the album’s exclusive full stream premiere HERE.

The band adds:

“After some years experimenting with a full lineup we’ve seem to have found our style. Hard, tricky death metal influenced by the whole death metal genre and more. We’ve worked hard and relentlessly on an album that we consider ready for the world, thanks in big part to the amazing production of Cryptopsy’s Christian Donaldson, who we can’t believe wanted to work on the record with us!”

“We are happy to share this piece we’ve been working on, bringing the best (in our minds) out of the different extreme metal genres. We’ve been grinding hard on this album for over a year, and we’re extremely grateful to anyone who will give this album from the middle of nowhere in the far north of Norway a listen!”

With songs like ‘Swan Song’ showing off their deathcore influences, to the epic ‘Dissolution’ jumping from death metal to jazz to black metal seamlessly, and tracks like ‘Pale Tongue’ transforming from in your face death metal to a beautiful ambient soundscape, Féleth is a band that is ready to rise to the occasion and leap into the international moshpit.

The album was mixed and mastered by death metal legend, Christian Donaldson (Cryptopsy, Shadow of Intent, The Agonist, Beyond Creation) at The Grid Productions plus features guest vocals from hometown hero, singer/songwriter Petter Carlsen.

Album pre-save for Spotify, Apple Music, and all other major digital platforms HERE.

In additional news, the band will be performing on May 23rd a live stream gig for Alta Live, a local music festival in the band’s hometown of Alta, Norway. The live stream will be done in a large warehouse, with 10-metre high pyro, full light rig, a multi-camera production. Feleth will play a 45-minute set beginning at 9 pm Central European Summer Time (GMT+2). Further info can be found here.


Track Listing:
1. Ember (4:12)
2. Hollow Words (3:26)
3. Ravenous (4:11)
4. Arise (4:18)
5. Dissolution (4:12)
6. Pestilence (4:42)
7. Pale Tongue (5:48)
8. Swan Song (4:48)
Album Length: 35:40

Album Credits:
Mixing & Mastering: Christian Donaldson
Producer & Recording engineer: Liam Knott
Artwork: Eric Hyrcza at Kahinienn Graphix
Lyrics by: Espen Dagenborg
Music by: Espen Dagenborg,  Alexander Stamnes, Thomas Nyvoll, Brage Ingebrigtsen Westgaard and Aleksander Alsen

Band Members:
Vocals: Espen Dagenborg
Guitar: Alexander Stamnes
Guitar: Thomas Nyvoll
Bass: Brage Ingebrigtsen Westgaard
Drums: Aleksander Alsen

For more info:
Facebook.com/FelethBand
Instagram.com/felethband
EPK

– 30 –

“Féleth: Transcends the traditional limits of the genre…” – Permafrost.today

 

“The new Feléth album is a big melting pot of all things good in modern death metal… They serve up tech-death esque song structures and solos with the beautiful harmonies of melodic death metal and the crushing riffs of a brutal death metal banger. It’s an eclectic listen for sure. There are catchy parts here and there that make the record memorable and add to its replay value. The vocalist on here does an amazing job and the production value is high… Great record!” – Zax Record Reviews

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Norwegian Death Metal Féleth Premiere ‘Ravenous’ via SlamWorldWide; Debut Album “Depravity” Due Out May 22nd via DeadPop Records

  • May 9, 2020
  • by Asher
  • · Feleth · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – May 9, 2020

For fans of Sylosis, Dying Fetus, Cryptopsy, Archspire, Shadow of intent, Cattle Decapitation

Norwegian Death Metal Féleth Premiere ‘Ravenous’ via SlamWorldWide

Debut Album “Depravity” Due Out May 22nd via DeadPop Records

Nestled in the small northern Norwegian town of Alta, far above the Arctic circle, there’s a rumbling of brutality shaking the earth from a young, dynamic metal quintet known as Féleth. Creating heavy, melodic assaults, that transcends the traditional limits of the genre, these great northern Norwegians, are taking their influences of death metal, thrash, deathcore, rock and even elements of Jazz to unleash to the world their debut album “Depravity” due out via DeadPop Records on May 22, 2020.

Today, the band’s fourth single single ‘Ravenous’ is ready to be revealed via its premiere on SlamWorldWide HERE.

With songs like ‘Swan Song’ showing off their deathcore influences, to the epic ‘Dissolution’ jumping from death metal to jazz to black metal seamlessly, and tracks like ‘Pale Tongue’ transforming from in your face death metal to a beautiful ambient soundscape, Féleth is a band that is ready to rise to the occasion and leap into the international moshpit.

The album was mixed and mastered by death metal legend, Christian Donaldson (Cryptopsy, Shadow of Intent, The Agonist, Beyond Creation) at The Grid Productions. The album also features guest vocals from hometown hero, singer/songwriter Petter Carlsen.

Lyrically the album pulls away from traditional death metal tropes, to also criticize capitalism, pollution, fake news, and the depravity of humanity at large. Musically, the full length features beautiful melodic leads, heavy chugging guitars, bass solo’s, fast intricate drum work, and the huge vocal range from the lead vocalist, Espen Dagenborg.

The band’s first two singles off “Depravity” can be heard at the following links:
‘Arise’ – YouTube
‘Pestilence’ – YouTube
‘Swan Song’ – YouTube
Spotify


Track Listing:
1. Ember (4:12)
2. Hollow Words (3:26)
3. Ravenous (4:11)
4. Arise (4:18)
5. Dissolution (4:12)
6. Pestilence (4:42)
7. Pale Tongue (5:48)
8. Swan Song (4:48)
Album Length: 35:40

Album Credits:
Mixing & Mastering: Christian Donaldson
Producer & Recording engineer: Liam Knott
Artwork: Eric Hyrcza at Kahinienn Graphix
Lyrics by: Espen Dagenborg
Music by: Espen Dagenborg,  Alexander Stamnes, Thomas Nyvoll, Brage Ingebrigtsen Westgaard and Aleksander Alsen

Band Members:
Vocals: Espen Dagenborg
Guitar: Alexander Stamnes
Guitar: Thomas Nyvoll
Bass: Brage Ingebrigtsen Westgaard
Drums: Aleksander Alsen

For more info:
Facebook.com/FelethBand
Instagram.com/felethband
EPK

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Norwegian Death Metal Féleth Premiere ‘Swan Song’ via Metal-Rules; Debut Album “Depravity” Due Out May 22nd via DeadPop Records

  • April 29, 2020
  • by Asher
  • · Feleth · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – April 29, 2020

For fans of Sylosis, Dying Fetus, Cryptopsy, Archspire, Shadow of intent, Cattle Decapitation

Norwegian Death Metal Féleth Premiere ‘Swan Song’ via Metal-Rules

Debut Album “Depravity” Due Out May 22nd via DeadPop Records

Nestled in the small northern Norwegian town of Alta, far above the Arctic circle, there’s a rumbling of brutality shaking the earth from a young, dynamic metal quintet known as Féleth. Creating heavy, melodic assaults, that transcends the traditional limits of the genre, these great northern Norwegians, are taking their influences of death metal, thrash, deathcore, rock and even elements of Jazz to unleash to the world their debut album “Depravity” due out via DeadPop Records on May 22, 2020.

Today, the band’s third single ‘Swan Song’ is ready to be revealed via its premiere on Metal Rules.com HERE.

The track shows off more of their deathcore influences compared to other songs on the album such as the epic ‘Dissolution’ that jumps from death metal to jazz to black metal seamlessly, and ‘Pale Tongue’, transforming from in your face death metal to a beautiful ambient soundscape.

The album was mixed and mastered by death metal legend, Christian Donaldson (Cryptopsy, Shadow of Intent, The Agonist, Beyond Creation) at The Grid Productions. The album also features guest vocals from hometown hero, singer/songwriter Petter Carlsen.

Lyrically the album pulls away from traditional death metal tropes, to also criticize capitalism, pollution, fake news, and the depravity of humanity at large. Musically, the full length features beautiful melodic leads, heavy chugging guitars, bass solo’s, fast intricate drum work, and the huge vocal range from the lead vocalist, Espen Dagenborg.

The band’s first two singles off “Depravity” can be heard at the following links:
‘Arise’ – YouTube
‘Pestilence’ – YouTube
Spotify


Track Listing:
1. Ember (4:12)
2. Hollow Words (3:26)
3. Ravenous (4:11)
4. Arise (4:18)
5. Dissolution (4:12)
6. Pestilence (4:42)
7. Pale Tongue (5:48)
8. Swan Song (4:48)
Album Length: 35:40

Album Credits:
Mixing & Mastering: Christian Donaldson
Producer & Recording engineer: Liam Knott
Artwork: Eric Hyrcza at Kahinienn Graphix
Lyrics by: Espen Dagenborg
Music by: Espen Dagenborg,  Alexander Stamnes, Thomas Nyvoll, Brage Ingebrigtsen Westgaard and Aleksander Alsen

Band Members:
Vocals: Espen Dagenborg
Guitar: Alexander Stamnes
Guitar: Thomas Nyvoll
Bass: Brage Ingebrigtsen Westgaard
Drums: Aleksander Alsen

For more info:
Facebook.com/FelethBand
Instagram.com/felethband
EPK

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Norwegian Death Metal Féleth To Release Debut Album “Depravity” May 22nd via DeadPop Records

  • April 22, 2020
  • by Asher
  • · Feleth · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – April 22, 2020

For fans of Sylosis, Dying Fetus, Cryptopsy, Archspire, Shadow of intent, Cattle Decapitation

Norwegian Death Metal Féleth To Release Debut Album “Depravity” via DeadPop Records

Debut Album “Depravity” Due Out May 22nd

Streaming Singles ‘Arise’ & “Pestilence’

Nestled in the small northern Norwegian town of Alta, far above the Arctic circle, there’s a rumbling of brutality shaking the earth from a young, dynamic metal quintet known as Féleth. Creating heavy, melodic assaults, that transcends the traditional limits of the genre, these great northern Norwegians, are taking their influences of death metal, thrash, deathcore, rock and even elements of Jazz to unleash to the world their debut album “Depravity” due out via DeadPop Records on May 22, 2020.

With songs like ‘Swan Song’ showing off their deathcore influences, to the epic ‘Dissolution’ jumping from death metal to jazz to black metal seamlessly, and tracks like ‘Pale Tongue’ transforming from in your face death metal to a beautiful ambient soundscape, Féleth is a band that is ready to rise to the occasion and leap into the international moshpit.

The album was mixed and mastered by death metal legend, Christian Donaldson (Cryptopsy, Shadow of Intent, The Agonist, Beyond Creation) at The Grid Productions. The album also features guest vocals from hometown hero, singer / songwriter Petter Carlsen.

Lyrically the album pulls away from traditional death metal tropes, to also criticize capitalism, pollution, fake news and the depravity of humanity at large. Musically, the full length features beautiful melodic leads, heavy chugging guitars, bass solo’s, fast intricate drum work and the huge vocal range from the lead vocalist, Espen Dagenborg.

The band’s to first two singles off “Depravity” can be heard at the following links:
‘Arise’ – YouTube

‘Pestilence’ – YouTube

Spotify


Track Listing:
1. Ember (4:12)
2. Hollow Words (3:26)
3. Ravenous (4:11)
4. Arise (4:18)
5. Dissolution (4:12)
6. Pestilence (4:42)
7. Pale Tongue (5:48)
8. Swan Song (4:48)
Album Length: 35:40

Album Credits:
Mixing & Mastering: Christian Donaldson
Producer & Recording engineer: Liam Knott
Artwork: Eric Hyrcza at Kahinienn Graphix
Lyrics by: Espen Dagenborg
Music by: Espen Dagenborg,  Alexander Stamnes, Thomas Nyvoll, Brage Ingebrigtsen Westgaard and Aleksander Alsen

Band Members:
Vocals: Espen Dagenborg
Guitar: Alexander Stamnes
Guitar: Thomas Nyvoll
Bass: Brage Ingebrigtsen Westgaard
Drums: Aleksander Alsen

For more info:
Facebook.com/FelethBand
Instagram.com/felethband
EPK

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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  • Israel’s SINNERY To Perform at Rockstadt Extreme Fest (RO) + New Video "The Burning" Off Upcoming Album Out Septemb… twitter.com/i/web/status/1… 20 minutes ago
  • Dare to Look Beneath The Waves With EATEN BY SHARKS’ “Shallow Water” rocknloadmag.com/news/dare-to-l… via @rocknloadmag 29 minutes ago
  • GREBER Announce Upcoming Grinding Hardcore Onslaught “Fright Without” Out September 2022 rocknloadmag.com/news/greber-an… via @rocknloadmag 37 minutes ago
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  • Streaming Now! Our Dying World's New Album "Hymns Of Blinding Darkness" dropthespotlight.com/streaming-now-… via @Dropthespotlig1 1 hour ago
  • Israel’s SINNERY To Perform at Rockstadt Extreme Fest (RO) + New Video "The Burning" rocknloadmag.com/news/israels-s… via @rocknloadmag 1 hour ago
  • Israel’s SINNERY To Perform at Rockstadt Extreme Fest (RO) metal-rules.com/2022/06/24/isr… @MetalRulesZine 1 hour ago
  • Streaming Now! Our Dying World’s New Album “Hymns Of Blinding Darkness” metal-rules.com/2022/06/24/str… @MetalRulesZine 1 hour ago
  • Get Ready For The Pit With Celestial Wizard’s “Eternal Scourge” Off “Winds Of The Cosmos” metal-rules.com/2022/06/24/get… @MetalRulesZine 1 hour ago

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