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Tag: Scar Symmetry

0 Reality Grey To Release Pure Melodic Anger With New Album “Beneath This Crown” Out May 7, 2021

  • February 18, 2021
  • by Asher
  • · Music News · Reality Grey

NEWS RELEASE

Montreal, QC – February 18, 2021

For fans of Soilwork, As I Lay Dying, Scar Symmetry, Lamb of God, Unearth

Reality Grey To Release Pure Melodic Anger With New Album “Beneath This Crown”

“Beneath This Crown” Out May 7, 2021

 

L-R – Francesco Inchingolo (Drums), Alex Giustino (Bass), Tommaso Montenegro (Vocals), Anto Addabbo (Guitars/Clean Vocals), Alberto Pinto (Guitars)

Italy’s Reality Grey has a new album“Beneath This Crown” in the works, with an anticipated release date of May 7, 2021, through Blood Blast Distribution, powered by Nuclear Blast.

Reality Grey has three official music videos out for tracks off of “Beneath This Crown”, “Daybreakers” (2018), “The Void” (2018), and “The Fury” (2019). These videos are the first glimpse into the current phase of Reality Grey. The album shows a marked evolution in the band’s sound, something that will intrigue current fans and entice new ones. Reality Grey is excited to show off comments on the album:

“The recording process for Beneath This Crown” was totally different than with other records. We had the chance to do the pre-production at Divergent Studios, we had as much time as we needed to arrange the album, so we could do more experimentation with our music, with clean vocals, synths, kind of some spacey/soundtrack-like feel, something we wanted to do since 2006, but we didn’t have money/time for that.”

Each one of the 13 tracks is a stand-alone track with a unique vibe, texture, and meaning but the overall result is a consistent, progressive feel.

According to Reality Grey, this is their most innovative and modern record yet, with just the right amount of emotion and technical finesse. “Beneath This Crown” is recommended for fans of As I Lay Dying, Scar Symmetry, and Lamb of God.

“Beneath This Crown” will be out via Blood Blast Distribution, powered by Nuclear Blast as of May 7, 2021.

Album pre-save – https://backl.ink/144305702

Watch “Daybreakers” on YouTube – https://youtu.be/spOgWpdGcwY

Watch “The Void” on YouTube – https://youtu.be/nUnldMsfKDA

Watch “The Fury” on YouTube – https://youtu.be/hFEyqEh00Os


Track Listing:
1. Legion (Intro) (1:51)
2. Fade In Fear (4:44)
3. Kings Of Nothing (5:18)
4. Preachers Of Hatred (4:05)
5. Daybreakers (5:37)
6. Powerblast (4:09)
7. Multidimensional Hollow (4:16)
8. The Fury (4:01)
9. Dreaming (Feat. Milly Florio from End Of Skyline) (5:13)
10. Reascent (4:01)
11. Beneath This Crown (5:28)
12. Indelible Stains (3:39)
13. The Void (4:34)
Album Length: 57:03

For more info:
Facebook.com/RealityGrey
Instagram.com/realitygrey
EPK

Reality Grey is supported by the Programmazione Puglia Sounds Record – 2020/2021 and REGIONE PUGLIA FSC 2014/2020 – Patto per la Puglia Investiamo nel vostro futuro.

About:
Hailing from South Italy, Reality Grey stands tall in the Italian metal scene. Formed in 2004, Reality Grey began their quest to redefine melodic death metal. As a tight-knit 5 piece band, Reality Grey incorporates a modern hybrid of extreme music: melody, brutality; blending complex, yet catchy songwriting. Fearsome death growls & clean vocals give way to razor-sharp guitar riffs and fusion-oriented solos, Reality Grey set out to create something all their own.

With the release of the debut full-length album “Darkest Days Are Yet To Come” in 2006, in the heat of the melodic death metal revolution, Reality Grey managed to secure their first record deal with Razar Ice Records USA. Songs like “Reality Grey” and “Never again” racked up hundreds of thousands plays on the old MySpace allowing the band to tour, gaining popularity well beyond the Italian borders. Following up with EP “Day Zero”, Reality Grey began to push their own boundaries. Ferocious, yet melodic, with a no-holds-barred songwriting attitude. Songs like “Day Zero” and “Slavery” emerged the band’s experimental side, synths, melancholic pianos, and acoustic guitars; perfectly fused with intoxicating sonic aggression.

After years of non-stop touring alongside bands like Deicide, Unearth, Municipal Waste, Sadist, Malevolent Creation, and more, the critically acclaimed “Define Redemption” is released by Bakerteam/Scarlet Records; sending the band on their first headline tour in Japan. Reality Grey, now having been featured on worldwide publications Metal Injection, Metal Hammer UK, Metal Temple, and Metal.de, released 2018’s “The Void”. Reviewed as “a complete and total aural devastation…” that “will blow your speaker out” by Metal Injection.

Reality Grey has completed work on their upcoming full-length due out May 7th 2021 (Blood Blast Distribution powered by Nuclear Blast). Looking ahead with tours and festival appearances on their sights, Reality Grey will continue to push ambitiously, earning their place among the pantheon of heavy music.

Now, having inked a worldwide deal with Extreme Management Group (EMG), the band says “We’re thrilled to announce that we have started working with Extreme Management Group! Definitely the right place for us. Big news is coming very soon. Stay tuned!” EMG said, “We are excited to be working with Reality Grey. They have some really fantastic music. We expect big things to come from this partnership.”.

– 30 –

“Reality Grey give off a viciousness and expertise hard to find in other bands. The instrumental expertise of each component is absolute, slighting touching tech-death side of acts like The Faceless but remaining ‘catchy’ in their complexity” – Metal Hammer

“It’s complete and total aural devastation with some seriously chunky moments, so it lives right up to what you’d expect a song called “The Void” to do.” – Metal Injection

“Reality Grey will serve the world of metal excellently both as an all round, no nonsense, metal act and as a brigde band for younger fans of heavy music” – Metalunderground.at  
—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 The Design Abstract Observe A Synthetic Assault w/ Video “Parallel Projection”, Lyric Video Premiere via TheCirclePit, New Sci-Fi Album “Technotheism” Out Now! via Abstrakted Records 

  • February 16, 2021
  • by Asher
  • · Music News · The Design Abstract

NEWS RELEASE

Montreal, QC – February 16, 2021

For fans Septicflesh, Scar Symmetry, Dimmu Borgir, Fleshgod Apocalypse, Machina

The Design Abstract Observe A Synthetic Assault w/ Video “Parallel Projection”

Lyric Video Premiere via TheCirclePit

New Sci-Fi Album “Technotheism” Out Now! via Abstrakted Records 


L-R: Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming)
Photo Credit – Tami Martin

Unleashing their melodic death sci-fi escapade “Technotheism” on Jan 29th, Ontario, Canada’s The Design Abstract are sharing with fans their latest lyric video for the track “Parallel Projection” in support of the full-length. The song is choppy electronic arpeggio punches along with the kick drum in perfect time, creating a more synthetic sound than most of the songs before it on the record. It features a very traditional song structure and some of the catchiest guitar parts you will on “Technotheism”.

The band adds:

“Parallel Projection is a very unique track in the context of Technotheism, since it contains almost no orchestral elements whatsoever. This track is the furthest we have ever gone into combining arpeggiated industrial electronic music with fairly straightforward melodic death metal. You could say it’s the most “minimal” track on the album if there even is such a thing with a band like us. The bridge was inspired by Gojira, which is an influence that also sets it apart from the rest of the album. We knew very early on that this song was going to be “single material”. “

Teaming up with TheCirclePit, the video can be viewed at https://youtu.be/x3IsfmpyTO8

The Design Abstract‘s new album “Technotheism” invokes the futuristic sounds of science fiction, as the band takes a step away from the traditional use of orchestral writing, by making it the soundtrack for anything space or cyberpunk related.

Still, in the experimental age for the band, each song is written completely differently and by different members of the band. “Technotheism” is purely a science fiction story told as such in a monumental thirteen track work of symphonic melodic death metal. It tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. The band explains the album:

“We incorporate a blend of metal, orchestra, and industrial music that hasn’t been done in this way. Nobody can top the orchestral metal masterpieces like Death Cult Armageddon by Dimmu Borgir or Codex Omega by Septicflesh, however, we push this genre into the distant future, with the sounds of a cyberpunk dystopia punctuating every release.

This album is the absolute pinnacle of what the band is currently capable of, which speaks volumes to the fact that most of it was written so long ago. Most metal bands who incorporate orchestral writing do so in a pointedly antiquated way: the goal is to sound a bit archaic. The sound of The Design Abstract is rooted in futuristic science fiction. It’s a classically scored orchestra, but it sounds anything but old fashioned.”

The dramatic, grandiose music is presented in an articulate, but extreme wall of sound suitable for fans of science fiction, and melodic death metal and bands such as Fleshgod Apocalypse, Machina, and Dimmu Borgir.

“Technotheism” is available now via Abstrakted Records on the following digital platforms for stream and download.

YouTube
Bandcamp
Spotify
Apple Music

Previous videos:
“The Apotheosis” – YouTube (Music Video)
“The Return” – YouTube (Lyric Video)
“Annihilation” – YouTube (Quarantine Music Video)


Track Listing:
1. Relentless (2:05)
2. Deus Est Machina (6:33)
3. The Apotheosis (1:54)
4. Among the Stars (1:36)
5. The Resistance (4:37)
6. Voidwalkers (3:46)
7. The Omnisphere (1:32)
8. Data Shield Attack (6:18)
9. The Return (3:41)
10. Elucidate (1:11)
11. Parallel Projection (3:46)
12. Annihilation (3:46)
13. A World of One (4:00)
Album Length: 44:50

More info:
Facebook.com/thedesignabstract
Instagram.com/voiicide
EPK

About:

The Design Abstract is a two-piece sci-fi-themed symphonic melo-death band from Ontario, Canada consisting of Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming). The band formed with a single goal: to create a blend of industrial-influenced symphonic metal that had never been done before. Since the debut album Emanate in 2017, The Design Abstract has sought to shed the antiquated tendencies of orchestral metal bands, instead pushing far into the future conceptually and lyrically. With each subsequent release (Corrupt in 2019 and Esoteric in 2020), the band pushed further into “melodic death metal” territory, brandishing more comprehensive riffs, technical drum writing, and more guttural vocals, but never lost the industrial-electronic edge or the massive and dramatic orchestral passages. The cumulation of this sound is their latest album Technotheism due out Jan 29, 2021.

A grandiose display of musicality, technicality, and narrative, the sophomore full length is a monumental 13-track work of symphonic melodic death metal that tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. One thing you’ll notice about Technotheism is how it’s structured and how it all flows together. The pattern of the types of tracks, the order, and their function was very carefully planned out in a way that few albums are.

– 30 –

“A symphonic technical death metal masterpiece with an amazing concept to keep you engaged from start to finish \m/” – Heavy New York

“Now for some nerd shit. Technotheism is a concept record about the future that at it’s core is a melodic death metal record, but the band dabbles with electronic elements, technicality, and grand orchestrations throughout. Fans of Last Chance To Reason and really any band Mike Semesky (Ordinance, Raunchy, etc) has been a part of will probably dig this.” – Metal Injection

“This is a grandiose affair, full of musicality, technicality, and narrative. Thirteen tracks of symphonic melodic death metal that tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between.” – The Prog Space

“The Canadian The Design Abstract continues exactly where the appetizer “Esoteric”, published last year, caused unimagined enthusiasm. As a result, the duo from Ontario cuts even more clearly into the notch of futuristic sci-fi melodic death metal, which lives largely from orchestral and symphonic density, but which also steers very sophisticated and elegant in the right direction… Rarely do you hear such an exciting album that continues to rotate a unique spindle of ideas between melodic and progressive elements. Death metal meets industrial, songs that are staged in a great symphonic and epic breadth. 9.5/10″ ” – Zephyrs Odem

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 The Design Abstract Shares Quarantine Video “Annihilation”, New Sci-Fi Album “Technotheism” Out Now! via Abstrakted Records 

  • February 5, 2021
  • by Asher
  • · Music News · The Design Abstract

NEWS RELEASE

Montreal, QC – February 5, 2021

For fans Septicflesh, Scar Symmetry, Dimmu Borgir, Fleshgod Apocalypse, Machina

The Design Abstract Shares Quarantine Video “Annihilation”

New Sci-Fi Album “Technotheism” Out Now! via Abstrakted Records 

L-R: Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming)
Photo Credit – Tami Martin

Unleashing their melodic death sci-fi escapade “Technotheism” on Jan 29th, Ontario, Canada’s The Design Abstract are sharing with fans their latest video for the track “Annihilation” in support of the full-length. The video was filmed while the band, like many others, are observing Covid 19 quarantine lockdown.

The band comments:

“While we’re in lockdown, we wanted to share Annihilation, which can be best summarized in one word… ‘Violent’… From the gut-wrenching opening bass line to the slap-in-the-face industrial transitions, this song is indisputably the angriest and most irreverent on the album. The ending buildup and breakdown push into deathcore territory while the orchestral parts soar higher than ever.”

Watch and listen to “Annihilation” on YouTube here.

The Design Abstract‘s new album “Technotheism” invokes the futuristic sounds of science fiction, as the band takes a step away from the traditional use of orchestral writing, by making it the soundtrack for anything space or cyberpunk related.

Still, in the experimental age for the band, each song is written completely differently and by different members of the band. “Technotheism” is purely a science fiction story told as such in a monumental thirteen track work of symphonic melodic death metal. It tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. The band explains the album:

“We incorporate a blend of metal, orchestra, and industrial music that hasn’t been done in this way. Nobody can top the orchestral metal masterpieces like Death Cult Armageddon by Dimmu Borgir or Codex Omega by Septicflesh, however, we push this genre into the distant future, with the sounds of a cyberpunk dystopia punctuating every release.

This album is the absolute pinnacle of what the band is currently capable of, which speaks volumes to the fact that most of it was written so long ago. Most metal bands who incorporate orchestral writing do so in a pointedly antiquated way: the goal is to sound a bit archaic. The sound of The Design Abstract is rooted in futuristic science fiction. It’s a classically scored orchestra, but it sounds anything but old fashioned.”

The dramatic, grandiose music is presented in an articulate, but extreme wall of sound suitable for fans of science fiction, and melodic death metal and bands such as Fleshgod Apocalypse, Machina, and Dimmu Borgir.

“Technotheism” is available now via Abstrakted Records on the following digital platforms for stream and download.

YouTube
Bandcamp
Spotify
Apple Music

Previous videos:
“The Apotheosis” – YouTube (Music Video)

“The Return” – YouTube (Lyric Video)


Track Listing:
1. Relentless (2:05)
2. Deus Est Machina (6:33)
3. The Apotheosis (1:54)
4. Among the Stars (1:36)
5. The Resistance (4:37)
6. Voidwalkers (3:46)
7. The Omnisphere (1:32)
8. Data Shield Attack (6:18)
9. The Return (3:41)
10. Elucidate (1:11)
11. Parallel Projection (3:46)
12. Annihilation (3:46)
13. A World of One (4:00)
Album Length: 44:50

More info:
Facebook.com/thedesignabstract
Instagram.com/voiicide
EPK

About:

The Design Abstract is a two-piece sci-fi-themed symphonic melo-death band from Ontario, Canada consisting of Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming). The band formed with a single goal: to create a blend of industrial-influenced symphonic metal that had never been done before. Since the debut album Emanate in 2017, The Design Abstract has sought to shed the antiquated tendencies of orchestral metal bands, instead pushing far into the future conceptually and lyrically. With each subsequent release (Corrupt in 2019 and Esoteric in 2020), the band pushed further into “melodic death metal” territory, brandishing more comprehensive riffs, technical drum writing, and more guttural vocals, but never lost the industrial-electronic edge or the massive and dramatic orchestral passages. The cumulation of this sound is their latest album Technotheism due out Jan 29, 2021.

A grandiose display of musicality, technicality, and narrative, the sophomore full length is a monumental 13-track work of symphonic melodic death metal that tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. One thing you’ll notice about Technotheism is how it’s structured and how it all flows together. The pattern of the types of tracks, the order, and their function was very carefully planned out in a way that few albums are.

– 30 –

“A symphonic technical death metal masterpiece with an amazing concept to keep you engaged from start to finish \m/” – Heavy New York

“Now for some nerd shit. Technotheism is a concept record about the future that at it’s core is a melodic death metal record, but the band dabbles with electronic elements, technicality, and grand orchestrations throughout. Fans of Last Chance To Reason and really any band Mike Semesky (Ordinance, Raunchy, etc) has been a part of will probably dig this.” – Metal Injection

“The Canadian The Design Abstract continues exactly where the appetizer “Esoteric”, published last year, caused unimagined enthusiasm. As a result, the duo from Ontario cuts even more clearly into the notch of futuristic sci-fi melodic death metal, which lives largely from orchestral and symphonic density, but which also steers very sophisticated and elegant in the right direction… Rarely do you hear such an exciting album that continues to rotate a unique spindle of ideas between melodic and progressive elements. Death metal meets industrial, songs that are staged in a great symphonic and epic breadth. 9.5/10″ ” – Zephyrs Odem

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Canada’s The Design Abstract Are Streaming Their Science Fiction Masterpiece “Technotheism”, Full Stream Premiere via Bravewords, “Technotheism” Out Jan 29th via Abstrakted Records 

  • January 28, 2021
  • by Asher
  • · Music News · The Design Abstract

NEWS RELEASE

Montreal, QC – January 28, 2021

For fans Septicflesh, Scar Symmetry, Dimmu Borgir, Fleshgod Apocalypse, Machina

Canada’s The Design Abstract Are Streaming Their Science Fiction Masterpiece “Technotheism”

Full Stream Premiere via Bravewords

“Technotheism” Out Jan 29th via Abstrakted Records 

L-R: Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming)
Photo Credit – Tami Martin

The Design Abstract, from Ontario, Canada are now streaming their new album “Technotheism”. The album invokes the futuristic sounds of science fiction, as the band takes a step away from the traditional use of orchestral writing, by making it the soundtrack for anything space or cyberpunk related.

Still, in the experimental age for the band, each song is written completely differently and by different members of the band. “Technotheism” is purely a science fiction story told as such in a monumental thirteen track work of symphonic melodic death metal. It tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. The band explains the album:

“We incorporate a blend of metal, orchestra, and industrial music that hasn’t been done in this way. Nobody can top the orchestral metal masterpieces like Death Cult Armageddon by Dimmu Borgir or Codex Omega by Speticflesh, however, we push this genre into the distant future, with the sounds of a cyberpunk dystopia punctuating every release.

This album is the absolute pinnacle of what the band is currently capable of, which speaks volumes to the fact that most of it was written so long ago. Most metal bands who incorporate orchestral writing do so in a pointedly antiquated way: the goal is to sound a bit archaic. The sound of The Design Abstract is rooted in futuristic science fiction. It’s a classically scored orchestra, but it sounds anything but old fashioned.”

The dramatic, grandiose music is presented in an articulate but extreme wall of sound suitable for fans of science fiction, and melodic death metal and bands such as Fleshgod Apocalypse, Machina, and Dimmu Borgir.

“Technotheism” is streaming now via its premiere on Bravewords HERE.

“Technotheism” is out on January 29, 2021 via Abstrakted Records. Album pre-order – https://design.bandcamp.com/

“The Apotheosis” – YouTube (Music Video), Spotify

“The Return” – YouTube (Lyric Video), Spotify


Track Listing:
1. Relentless (2:05)
2. Deus Est Machina (6:33)
3. The Apotheosis (1:54)
4. Among the Stars (1:36)
5. The Resistance (4:37)
6. Voidwalkers (3:46)
7. The Omnisphere (1:32)
8. Data Shield Attack (6:18)
9. The Return (3:41)
10. Elucidate (1:11)
11. Parallel Projection (3:46)
12. Annihilation (3:46)
13. A World of One (4:00)
Album Length: 44:50

More info:
Facebook.com/thedesignabstract
Instagram.com/voiicide
EPK

About:

The Design Abstract is a two-piece sci-fi-themed symphonic melo-death band from Ontario, Canada consisting of Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming). The band formed with a single goal: to create a blend of industrial-influenced symphonic metal that had never been done before. Since the debut album Emanate in 2017, The Design Abstract has sought to shed the antiquated tendencies of orchestral metal bands, instead pushing far into the future conceptually and lyrically. With each subsequent release (Corrupt in 2019 and Esoteric in 2020), the band pushed further into “melodic death metal” territory, brandishing more comprehensive riffs, technical drum writing, and more guttural vocals, but never lost the industrial-electronic edge or the massive and dramatic orchestral passages. The cumulation of this sound is their latest album Technotheism due out Jan 29, 2021.

A grandiose display of musicality, technicality, and narrative, the sophomore full length is a monumental 13-track work of symphonic melodic death metal that tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. One thing you’ll notice about Technotheism is how it’s structured and how it all flows together. The pattern of the types of tracks, the order, and their function was very carefully planned out in a way that few albums are.

– 30 –

“A symphonic technical death metal masterpiece with an amazing concept to keep you engaged from start to finish \m/” – Heavy New York 

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Canada’s The Design Abstract Flirts With The Future With New Album “Technotheism” Out Jan 29th, Streaming Singles “The Apotheosis” and “The Return”

  • January 21, 2021
  • by Asher
  • · Music News · The Design Abstract

NEWS RELEASE

Montreal, QC – January 21, 2021

For fans Septicflesh, Scar Symmetry, Dimmu Borgir, Fleshgod Apocalypse, Machina

Canada’s The Design Abstract Flirts With The Future With New Album “Technotheism” Out Jan 29th

Streaming Singles “The Apotheosis” and “The Return”

Out on January 29, 2021, “Technotheism” is the second full-length album from the band who also have two EPs in their catalogue. For those already familiar with their music, the creative blend of industrial and orchestra continue in “Technotheism”, albeit being even more technical and expansive than the previous releases. The band maintains that this will be the flagship album for them.

The two singles from the album “The Apotheosis” and “The Return” have already been released and are now streaming.

“The Apotheosis” – YouTube (Music Video), Spotify

“The Return” – YouTube (Lyric Video), Spotify

The singles are respectively the second oldest and second newest tracks on the album, and the bulk of the album lands somewhere in the middle in terms of writing and sound. “The Apotheosis” is two minutes packed full of everything The Design Abstract is capable of, and “The Return” is a more open and whimsical track revisiting some of the elements that made the earlier releases work. The band remarks on the singles:

“They were carefully chosen to show the scope of the album at large. “The Apotheosis” was written with the explicit purpose of showing off everything the band could do in one two minute whirlwind. The synth in this track is something very unique and indicative of the character of the band, and the structure is a fresh take on the genre. “The Return” is a triumphant song, littered with innovative, instrument layering and crunchy synth sounds. We really wanted to turn the contrast up so to speak: the guitar work is noticeably more death metal, but the vocals and orchestral passages are more soaring than ever. The outro features a notably unique synth solo, followed by the anthemic chorus.”

The Design Abstract crosses all the lines of the musical spectrum, darting from harsh industrial, soaring orchestral, melodic death complete with guttural screams contrasted with crystal clean singing finished off with a generous serving of synth. Each element is worked into the songs in a unique and comprehensive way.

Recommended for fans of Septicflesh, Scar Symmetry, and Dimmu Borgir, “Technotheism” is suitable for a variety of music fans.

“Technotheism” is out on January 29, 2021. Album pre-order – https://design.bandcamp.com/

More info:
Facebook.com/thedesignabstract
Instagram.com/voiicide
EPK

About:

The Design Abstract is a two-piece sci-fi-themed symphonic melo-death band from Ontario, Canada consisting of Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming). The band formed with a single goal: to create a blend of industrial-influenced symphonic metal that had never been done before. Since the debut album Emanate in 2017, The Design Abstract has sought to shed the antiquated tendencies of orchestral metal bands, instead pushing far into the future conceptually and lyrically. With each subsequent release (Corrupt in 2019 and Esoteric in 2020), the band pushed further into “melodic death metal” territory, brandishing more comprehensive riffs, technical drum writing, and more guttural vocals, but never lost the industrial-electronic edge or the massive and dramatic orchestral passages. The cumulation of this sound is their latest album Technotheism due out Jan 29, 2021.

A grandiose display of musicality, technicality, and narrative, the sophomore full length is a monumental 13-track work of symphonic melodic death metal that tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. One thing you’ll notice about Technotheism is how it’s structured and how it all flows together. The pattern of the types of tracks, the order, and their function was very carefully planned out in a way that few albums are.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 FRACTAL CYPHER Announce Local Montreal Mini-Album Launch Jan 11th @ Foufounes Electriques

  • December 6, 2018
  • by Asher
  • · Fractal Cypher · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – December 6, 2018

For fans of Symphony X, Dream Theater, Scar Symmetry, Sonata Arctica, Kamelot

FRACTAL CYPHER Announce Local Montreal Mini-Album Launch Jan 11th @ Foufounes Electriques

Out Now! Mini-Album “Prelude To An Impending Outcome” 

Music Video “From The Above And To The Stars”


L – R: Steven Cope (Drums), Tommy Fradette (Bass), Simon Lavoie (Vocals), Ludovick Daoust (Keyboards), Vincent Bruneau (Guitars)
Photo Credits : Eric Sanchez Photography

Releasing their 4 song mini-album “Prelude To An Impending Outcome” at the beginning of November, Montreal prog quartet FRACTAL CYPHER confirm they will be hosting their local CD album launch on January 11th, 2019 at the infamous Foufounes Electriques. Joining them on the line up will be a stack of talent from Montreal’s progressive metal scene with Darkeon, Unbeing, Moth and Unveil. Full details can be found here.


The band’s new mini-album “Prelude To An Impending Outcome” was produced by Chris Donaldson (Cryptopsy, The Agonist, Beyond Creation) and promises to be a roller coaster of genres across completely different sounding songs with intimate lyrics influenced by personal experiences. Each track has a different prominent genre influence from power ballad, blues, djent and jazz with the band’s heavy and melodic base as an anchor. The album artwork was done by Silent Q Design out of Montreal and foreshadows the moody and existential prog metal that lies within. Although this album is more intimate with different textures and influences, the reception to its predecessor should be a prime indication of the talents of FRACTAL CYPHER; this next release is sure to be a masterwork.

The band adds:

“’Prelude To An Impending Outcome’ is a mini album of 4 songs that are completely different from one to another to create a maximum roller coaster effect and make it non linear and interesting to listen to. The clash of style is more important and more obvious than our previous album, but the songs have gained in maturity in term of songwriting and sound. The vibe of this mini-album is really more intimate, due to the lyrics and the overall ambiance/universe of the songs. The melodic side of the band is still really present, offering catchy vocal lines and outstanding solos all over the songs.”

“Prelude To An Impending Outcome” is available for download and stream on Bandcamp, Spotify and iTunes.

Music Video – “From The Above And To The Stars”

Track Listing:
1. Coming Back To Life (10:13)
2. The Grandeur Of It All (6:52)
3. From The Above And To The Stars (8:04)
4. Red Lady (9:30)
Mini-Album Length: 34:30
 

For more info:
https://www.facebook.com/fractalcypher
https://twitter.com/FractalCypher
https://www.instagram.com/fractalcypherofficial
Youtube: https://tinyurl.com/ycb7bspd

BIO:

Fractal Cypher exists to captivate audiences with progressive instrumentals that cut through the mesmerizing vocals and provide a new perspective on each listen. Straight out of the heart of Canada’s metal scene, these Montreal metallers constantly shift their compositions with seamless transitions and theatrical interludes to keep audiences on their toes.

Since 2014, Simon Lavoie (vocals), Ludovick Daoust (keyboard), Vincent Bruneau (guitar), Tommy Fradette (bass) and Steven Cope (drums) have been committed to a constant evolution; the powerful quintet is just as versatile in their music as they are in their musical interests, darting between djent and classic rock whilst anchoring on a power and death metal core.

Their debut album ‘The Human Paradox’ was released in September of 2016, with the follow up mini-album ‘Prelude To An Impending Outcome’ slated to be revealed in November of 2018.

– 30 –

“Fractal Cypher puts up a great effort of establishing a lot of cinematic overtones on the EP / mini-album and really layer their music masterfully.” – Technical Music Review

“I really enjoyed Fractal Cypher’s debut album The Human Paradox, and this new release is a great overview of what the band’s modern progressive metal is capable of… Another strong release from this up-and-coming group.” – Indy Metal Vault

“The band intended the songs to take the listener on an auditory roller coaster ride, shifting from one genre to another, and I expected an album that’d be all over the place. But it’s not: Fractal Cypher manages to carve its identity out of these influences by forging adventurous tracks that twist and turn on a dime.” – Montreal Rampage

“The album flows wonderfully and consistently with powerful and colorful songs. The music is spacious and well-composed and Fractal Cypher have this musicianship that really gels together.” – Boston Rock Radio

“a great progressive metal record” – Music Addict

—

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#.514.581.5780 | ashermedia@gmail.com
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0 FRACTAL CYPHER’s Premiere New Track ‘The Grandeur of It All’ via Heavy Blog Is Heavy; Mini-Album “Prelude To An Impending Outcome” Out Nov 8th

  • November 5, 2018
  • by Asher
  • · Fractal Cypher · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – November 5, 2018

For fans of Symphony X, Dream Theater, Scar Symmetry, Sonata Arctica, Kamelot

FRACTAL CYPHER’s Premiere New Track ‘The Grandeur of It All’ via Heavy Blog Is Heavy

Mini-Album “Prelude To An Impending Outcome” Out Nov 8th

Music Video “From The Above And To The Stars”


L – R: Steven Cope (Drums), Tommy Fradette (Bass), Simon Lavoie (Vocals), Ludovick Daoust (Keyboards), Vincent Bruneau (Guitars)
Photo Credits : Eric Sanchez Photography

Set to release their 4 song mini-album “Prelude To An Impending Outcome” produced by Chris Donaldson (Cryptopsy, The Agonist, Beyond Creation) this week on November 8th, Montreal prog quartet FRACTAL CYPHER are sharing with fans their next single ‘The Grandeur of It All’ via Heavy Blog Is Heavy at the following link: http://www.heavyblogisheavy.com/2018/11/05/exclusive-premiere-fractal-cypher-introduce-you-to-the-grandeur-of-it-all/

“‘The Grandeur of It All’ is definitely more energetic and straight forward, with back beats on drums, rock n roll riffs on guitars and catchy vocal lines in choruses and verses. There’s a “bluesy” vibe in the song that is quite obvious all the way through, but we keep it progressive in terms of the song structure, dynamics and tempo changes. ‘Let’s have fun!’ is the mood of this song.” explains guitarist Vincent Bruneau.

The band’s new mini-album “Prelude To An Impending Outcome” promises to be a roller coaster of genres across completely different sounding songs with intimate lyrics influenced by personal experiences. Each track has a different prominent genre influence from power ballad, blues, djent and jazz with the band’s heavy and melodic base as an anchor. The album artwork was done by Silent Q Design out of Montreal and foreshadows the moody and existential prog metal that lies within. Although this album is more intimate with different textures and influences, the reception to its predecessor should be a prime indication of the talents of FRACTAL CYPHER; this next release is sure to be a masterwork.

The band adds:

“’Prelude To An Impending Outcome’ is a mini album of 4 songs that are completely different from one to another to create a maximum roller coaster effect and make it non linear and interesting to listen to. The clash of style is more important and more obvious than our previous album, but the songs have gained in maturity in term of songwriting and sound. The vibe of this mini-album is really more intimate, due to the lyrics and the overall ambiance/universe of the songs. The melodic side of the band is still really present, offering catchy vocal lines and outstanding solos all over the songs.”

“Prelude To An Impending Outcome” is available for pre-order on the band’s Bandcamp here.

Track Listing:
1. Coming Back To Life (10:13)
2. The Grandeur Of It All (6:52)
3. From The Above And To The Stars (8:04)
4. Red Lady (9:30)
Mini-Album Length: 34:30
 

For more info:
https://www.facebook.com/fractalcypher
https://twitter.com/FractalCypher
https://www.instagram.com/fractalcypherofficial
Youtube: https://tinyurl.com/ycb7bspd 

BIO:

Fractal Cypher exists to captivate audiences with progressive instrumentals that cut through the mesmerizing vocals and provide a new perspective on each listen. Straight out of the heart of Canada’s metal scene, these Montreal metallers constantly shift their compositions with seamless transitions and theatrical interludes to keep audiences on their toes.

Since 2014, Simon Lavoie (vocals), Ludovick Daoust (keyboard), Vincent Bruneau (guitar), Tommy Fradette (bass) and Steven Cope (drums) have been committed to a constant evolution; the powerful quintet is just as versatile in their music as they are in their musical interests, darting between djent and classic rock whilst anchoring on a power and death metal core.

Their debut album ‘The Human Paradox’ was released in September of 2016, with the follow up mini-album ‘Prelude To An Impending Outcome’ slated to be revealed in November of 2018.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
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Join AMR Mailing List

0 FRACTAL CYPHER’s New Music Video Reaches “From The Above And To The Stars”; New Mini-Album “Prelude To An Impending Outcome” Promises A Roller Coaster of Genres

  • October 17, 2018
  • by Asher
  • · Fractal Cypher · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – October 17, 2018

For fans of Symphony X, Dream Theater, Scar Symmetry, Sonata Arctica, Kamelot

FRACTAL CYPHER’s New Music Video Reaches “From The Above And To The Stars”

New Mini-Album “Prelude To An Impending Outcome” Promises A Roller Coaster of Genres


L – R: Steven Cope (Drums), Tommy Fradette (Bass), Simon Lavoie (Vocals), Ludovick Daoust (Keyboards), Vincent Bruneau (Guitars)
Photo Credits : Eric Sanchez Photography

 

Montreal prog quartet FRACTAL CYPHER are premiering their first single and music video “From The Above And To The Stars” on Prog-Sphere.com. The track is off the band’s upcoming mini-album “Prelude To An Impending Outcome” due out this coming November.

“This is the heaviest song on the record, it’s got lots of heavy guitar riffs, it has a Djenty vibe that is quite obvious all the way through. This track was influenced a bit from what we did on our past ‘The Human Paradox’ in terms of the balance between heavy riffs and melodies. On the lyrical aspect, the main topic of the track is about sci-fi stuff, talking about the possibilities of the existence of another civilization in the universe. We made the music relate to the lyrics in terms of chords choices and sonority.” – Fractal Cypher

Watch the video at the following link: http://www.prog-sphere.com/specials/fractal-cypher-video-premiere/ 

“Prelude To An Impending Outcome” is a 4 song mini-album produced by Chris Donaldson (Cryptopsy, The Agonist, Beyond Creation) that promises to be a roller coaster of genres across completely different sounding songs with intimate lyrics influenced by personal experiences. Each track has a different prominent genre influence from power ballad, blues, djent and jazz with the band’s heavy and melodic base as an anchor. The album artwork was done by Silent Q Design out of Montreal and foreshadows the moody and existential prog metal that lies within. Although this album is more intimate with different textures and influences, the reception to its predecessor should be a prime indication of the talents of FRACTAL CYPHER; this next release is sure to be a masterwork.

The band adds:

“’Prelude To An Impending Outcome’ is a mini album of 4 songs that are completely different from one to another to create a maximum roller coaster effect and make it non linear and interesting to listen to. The clash of style is more important and more obvious than our previous album, but the songs have gained in maturity in term of songwriting and sound. The vibe of this mini-album is really more intimate, due to the lyrics and the overall ambiance/universe of the songs. The melodic side of the band is still really present, offering catchy vocal lines and outstanding solos all over the songs.”

“Prelude To An Impending Outcome” is slated for self-release on November 8, 2018 and available for pre-order on the band’s Bandcamp here.

Track Listing:
1. Coming Back To Life (10:13)
2. The Grandeur Of It All (6:52)
3. From The Above And To The Stars (8:04)
4. Red Lady (9:30)
Mini-Album Length: 34:30
 

For more info:
https://www.facebook.com/fractalcypher
https://twitter.com/FractalCypher
https://www.instagram.com/fractalcypherofficial
Youtube: https://tinyurl.com/ycb7bspd 

BIO:

Fractal Cypher exists to captivate audiences with progressive instrumentals that cut through the mesmerizing vocals and provide a new perspective on each listen. Straight out of the heart of Canada’s metal scene, these Montreal metallers constantly shift their compositions with seamless transitions and theatrical interludes to keep audiences on their toes.

Since 2014, Simon Lavoie (vocals), Ludovick Daoust (keyboard), Vincent Bruneau (guitar), Tommy Fradette (bass) and Steven Cope (drums) have been committed to a constant evolution; the powerful quintet is just as versatile in their music as they are in their musical interests, darting between djent and classic rock whilst anchoring on a power and death metal core.

Their debut album ‘The Human Paradox’ was released in September of 2016, with the follow up mini-album ‘Prelude To An Impending Outcome’ slated to be revealed in November of 2018.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
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Join AMR Mailing List

0 Montreal’s FRACTAL CYPHER Unveil Track Listing & Artwork For “Prelude To An Impending Outcome”

  • September 25, 2018
  • by Asher
  • · Fractal Cypher · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – September 25, 2018

For fans of Symphony X, Dream Theater, Scar Symmetry, Sonata Arctica, Kamelot

Montreal’s FRACTAL CYPHER Unveil Track Listing & Artwork For “Prelude To An Impending Outcome”

New Mini-Album Promises A “Roller Coaster of Genres”

 

 

Montreal prog quartet FRACTAL CYPHER are getting ready to release their mini-album “Prelude To An Impending Outcome” in November and have just unveiled the artwork and the track listing. This 4 song mini-album promises to be a roller coaster of genres across completely different sounding songs with intimate lyrics influenced by personal experiences.

“Prelude To An Impending Outcome is a mini album of 4 songs that are completely different from one to another to create a maximum roller coaster effect and make it non linear and interesting to listen to. The clash of style is more important and more obvious than our previous album, but the songs have gained in maturity in term of songwriting and sound. The vibe of this album is really more intimate, due to the lyrics and the overall ambiance/universe of the songs. The melodic side of the band is still really present, offering catchy vocal lines and outstanding solos all over the songs.” – FRACTAL CYPHER

Each track has a different prominent genre influence from power ballad, blues, djent and jazz with the band’s heavy and melodic base as an anchor. The album artwork was done by Silent Q Design out of Montreal and foreshadows the moody and existential prog metal that lies within. Although this album is more intimate with different textures and influences, the reception to its predecessor should be a prime indication of the talents of FRACTAL CYPHER; this next release is sure to be a masterwork.

Track Listing:
1. Coming Back To Life (10:13)
2. The Grandeur Of It All (6:52)
3. From The Above And To The Stars (8:04)
4. Red Lady (9:30)
Mini-Album Length: 34:30

“Prelude To An Impending Outcome” will be self released on November 8th 2018.

 
For more info:
https://www.facebook.com/fractalcypher
https://twitter.com/FractalCypher
https://www.instagram.com/fractalcypherofficial
Youtube: https://tinyurl.com/ycb7bspd

BIO:

Fractal Cypher exists to captivate audiences with progressive instrumentals that cut through the mesmerizing vocals and provide a new perspective on each listen. Straight out of the heart of Canada’s metal scene, these Montreal metallers constantly shift their compositions with seamless transitions and theatrical interludes to keep audiences on their toes.

Since 2014, Simon Lavoie (vocals), Ludovick Daoust (keyboard), Vincent Bruneau (guitar), Tommy Fradette (bass) and Steven Cope (drums) have been committed to a constant evolution; the powerful quintet is just as versatile in their music as they are in their musical interests, darting between djent and classic rock whilst anchoring on a power and death metal core.

Their debut album ‘The Human Paradox’ was released in September of 2016, with the follow up mini-album ‘Prelude To An Impending Outcome’ slated to be revealed in November of 2018.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
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Join AMR Mailing List

0 NEWS: Bravewords Premiere THE ORDER OF CHAOS Video “Indoctrination”; Shot On Location At Midi Fest In China

  • July 28, 2017
  • by Asher
  • · Music News · The Order of Chaos

(contact info below)

NEWS RELEASE

Montreal, QC – July 28, 2017

For fans of Huntress, Arch Enemy, The Agonist, Scar Symmetry, Armageddon

Bravewords Premiere THE ORDER OF CHAOS Video “Indoctrination”; Shot On Location At Midi Fest In China

In April 2016, Edmonton, AB’s The Order of Chaos had the distinct opportunity to play the MIDI Festival, China’s second largest international outdoor music event. It was an experience like no other that the power metal quintet will not soon forget. The sheer energy from the crowd was immense and thrilling for them to play for an audience that is still just beginning to embrace Western music.

The band’s new video “Indoctrination”, was all shot on location during the fest and Bravewords.com has the exclusive premiere.

The band comments:

“Our tour in China last year was an incredible experience. Walking into the midi festival and seeing a veritable ocean of dedicated metal fans ready to lose their mind to our songs was mind blowing. We think this video captures the energy perfectly.”

To watch “Indoctrination”, directed and edited by guitarist Barrett Klesko, whom also runs FadeBack Studios, check out the following link: http://bravewords.com/news/exclusive-the-order-of-chaos-premier-indoctrination-video-shot-on-location-at-chinas-midi-fest

“Indoctrination” is off THE ORDER OF CHAOS’ latest album “Apocalypse Moon” released via German label Killer Metal Records to follow 2013’s “Sexwitch” EP. The album was recorded/mixed and mastered at the Physics Lab by Terry Paholek in Edmonton and features twelve tracks that showcase the talent and diversity of one of Canada’s up and coming heavy metal bands. The album features Amanda Kiernan (Into Eternity) on vocals, John Simon Fallon and John Saturley on guitar, Tim Prevost on drums and Duncan Hickerty on bass guitar whom has been replaced by Barrett Klesko of All Else Fails for live performances.

Album Stream – https://theorderofchaos.bandcamp.com/album/apocalypse-moon

Track Listing: The Order of Chaos – Apocalypse Moon
1. The Anthem of Pain (5:25)
2. Death After Life (3:56)
3. Indoctrination (4:19)
4. Downfall (4:42)
5. Evil Surrounds Me (4:32)
6. Survival of The Richest (4:17)
7. Apocalypse Moon (4:50)
8. The Venom (2:55)
9. Sexwitch (3:50)
10. Victim of Circumstance (4:26)
11. Deceiver (4:49)
12. The Devil That You Know (6:24)

Show Dates:
Aug 5 – Loud As Hell Fest – Drumheller, AB – infoFor more info:
http://www.theorderofchaos.ca

 

About:

Chaos and Order, two seemingly opposing forces that, when observed closely enough, work together subtly to create art in its most divine form. Enter The Order of Chaos, a highly regarded and well respected heavy metal tour de force from the northern wastelands of Alberta Canada. For the last 10 years, trudging through the snow covered landscape, this band has cut its teeth in the most demanding gigging environment this side of the equator. Now, bringing their unique, fresh and well developed sound to a style of music so saturated with sound-a-likes and copy cats, The Order of Chaos has their sights set across the Atlantic Ocean on the homeland of Heavy Metal… Europe.

With two albums and an EP under their belt, the band is prepared to unleash a torrent of brand new material that will redefine genres and carve a path no heavy metal band has even attempted to produce. Meet Amanda Kiernan, a hurricane of live intensity and energy unmatched by her peers. From soaring melodic choruses to gritty, in your face thrash she doesn’t let up for a moment. Her unique take on metal vocals and prowess as a hybrid singer has affirmed her place in metal history. Backed by the duelling guitar virtuosity of John Simon Fallon and John Saturley, and the brick wall rhythm section of Duncan Hickerty and Tim Prevost, this band is something that must truly be seen to be believed, (just ask anyone who has attended their shows).

In September of 2012, after signing with Red Lion Music, The Order of Chaos made their first appearance overseas, stunning fans at the Turock Open Air Festival and in clubs across central Europe. Then again, just seven months later they returned with Vicious Rumors supporting them on their Electric Punishment Tour, gaining many new fans and quickly securing a solid reputation as a phenomenal live act to behold.

With the future looking bright, the determination to succeed, and the creative talent to put forth a fresh sound for heavy metal lovers everywhere, The Order of Chaos is primed for an assault on stages, record stores and headbangers everywhere.

– 30 –

 

—

ASHER MEDIA RELATIONS
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#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
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