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Tag: Opeth

0 Mütherload Release New Single “Iniquity” Off Upcoming EP “Ü” Out July 9th

  • June 16, 2021
  • by Asher
  • · Mütherload · Music News

NEWS RELEASE

Montreal, QC – June 16, 2021

For fans of Lamb of God, In Flames, Mastodon, Opeth, Tool

Mütherload Release New Single “Iniquity” Off Upcoming EP “Ü” Out July 9th

A provocative blend of thrash, groove and death metal, Mütherload from London, Canada has a new single “Iniquity” out supporting the release of their debut EP “Ü”. While this is the first release from the band under this name, four of five members worked together previously in Heaven Ablaze.

They still keep a bit of the thrash riffs they were known for previously, but over the years they’ve put more focus into the groove, songwriting, and feel. Not every song has a guitar solo in it, and not every riff has a lead over it. This shouldn’t dissuade long time fans though, as the band explains:

“So far, the few people who have heard the EP seem to love it, so hopefully we maintain that reaction with everyone else who hears it. We feel we captured our live energy in the studio quite well, and it’s that energy that our fans love the most about us.”

When asked about lyrical themes, the band is sparse on details, instead of encouraging listeners to read the lyrics and decide for themselves how the words fall out and work with the music.

Mütherload works collectively, with the majority of the melodies and riffs being concocted by guitarists Patrick Davison and Derek Haley. After they set the foundation, the rest of the music just flows. Most of Mütherload’s music starts off on the acoustic guitar. Stripping the music down to its most humble form allows them to add what is needed instead of fighting to take away what has been set in stone so to speak. You can always add salt, but you can’t take it out later.

A sonic smorgasbord of all things heavy, Mütherload is recommended for fans of In Flames, Mastodon, Lamb of God and Opeth.

The single “Iniquity” can be heard via its premiere on TheCirclePit‘s YouTube channel – https://youtu.be/mNY_MdMLzgs

The full EP “Ü” is out July 9, 2021.

Music Video – The Visitor – https://youtu.be/M_-RLpnxlNQ

Track Listing:
1. Insect (3:54)
2. The Visitor (3:39)
3. Ü (0:44)
4. Iniquity (3:06)
5. Thaügüst (1:43)
6. Lamia (3:24)
EP Length: 16:32

EP and Live Band Line Up:
Patrick Davison – Guitar
Derek Haley – Guitar
Chris McKichan – Bass
Matt Ashton – Drums
Derek Lee – Vocals

More Info:
Facebook.com/mutherloadband
Instagram.com/mutherload
EPK

– 30 –

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Feral Elegance And Bleak Majesty Collide In Fell Harvest’s “Titanicide” Off “Pale Light In A Dying World”

  • June 8, 2021
  • by Asher
  • · Fell harvest · Music News

NEWS RELEASE

Montreal, QC – June 8, 2021

For fans of Pallbearer, Paradise Lost, Opeth, My Dying Bride, Agalloch, Type O Negative

Feral Elegance And Bleak Majesty Collide In Fell Harvest’s “Titanicide” Off “Pale Light In A Dying World”


Photo Credit: Sean Castenada
L-R – Joseph Fell – Bass/Vocals, Angel Enkeli – Drums, Liam Duncan – Guitars

Hailing from Cheyenne, Wyoming, USA, Fell Harvest etch out their place in the world of doom metal. They first introduced themselves to the scene in 2020 with a self-titled EP and are now following it up with a “Pale Light In a Dying World”.

Most of the tracks on this album were written by bassist/vocalist Joseph Fell including the first single “Titanicide”, which also happens to be the album’s opening track. He explains the track in his own words:

“This song is built around a collection of riffs I wrote more than 20 years ago. It has heavy influence from 90s bands like Samael and At The Gates. These riffs sat homeless in the back of my head all this time because I never felt an urge to unify and complete them. The title and lyrics are about transcending and ultimately destroying one’s idols, both literally and metaphysically.”

Fell and the rest of the band are excited to get feedback about this release; compared to its predecessor, it has more progressive elements while maintaining the straightforward doom and death metal tropes, and lyrical concepts. Those who are familiar with the band will notice a markedly different vocal style coming from Fell, entirely “clean” with no death or black metal harshness, which is the result of lung damage he sustained from contracting COVID during recording.

The album was mixed and mastered by Alexander Backlund, the man behind 1914’s “The Blind Leading the Blind”. It is recommended for fans of Paradise Lost, Opeth, and My Dying Bride.

“Titanicide” can be heard via its premiere on OutlawsofTheSun HERE.

“Pale Light In A Dying World” is out on July 16, 2021.

Album pre-orders on FellHarvest.Bandcamp.com

Track Listing:
1. Titanicide (4:36)
2. Pale Light In a Dying World (8:23)
3. The Lark at Morning (7:10)
4. The Wind That Shakes the Barley (4:32)
5. Thy Barren Fields (6:40)
6. The Ghosts of Scapa Flow (9:08)
Album Length: 40:32

Album Credits:
• All songs performed by: Joseph Fell, Liam Duncan, Angel Enkeli
• All songs written by: Joseph Fell
• Produced by: Joseph Fell
• Mixed by: Alexander Backlund
• Mastered by: Alexander Backlund
• Album Artwork by: Sam Nelson/Stigma Art

Album Recording Band Line Up:
Joseph Fell – Bass, Vocals, Additional Guitars
Liam Duncan – Lead and Rhythm guitars
Angel Enkeli – Drums
Alexander Backlund – Synths and programming

Live Band Line Up:
Joseph Fell – Bass, Vocals
Liam Duncan – Lead and Rhythm Guitars
Angel Enkeli – Drums

For more info:
Facebook.com/fellharvest
YouTube
Spotify
EPK

About:
Fell Harvest, doom metal from Cheyenne, Wyoming, USA, strives to weave a tapestry of melody, despair, and longing to chronicle the last lights of a dying world.

Fell Harvest grew out of a former project of Joseph Fell (bass/vocals); which found its completed form as a trio with the additions of Angel Enkeli (drums) and Liam Duncan (guitars). The name Fell Harvest came from a dream Fell had where he was walking through a deserted vineyard with every vine bearing bleached bones and rotting flesh. He woke up and wrote a short poem called “The Fell Harvest” about the images and feelings.

Probably the most unique aspect of their live sound is rooted in the fact they are a trio. It’s somewhat rare these days to see a three-piece band in extreme metal, and even more rare to see one that is as melodically driven as Fell Harvest. Fans can hear parallels to bands like Paradise Lost and Rotting Christ, but more careful listeners can hear nods to Venom and King’s X as well.

The band debuted a self-titled EP in 2020 and is following it up with “Pale Light In A Dying World” out on July 16, 2021.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s Mütherload’s New Music Video “The Visitor” Makes Contact With The Unknown; New EP “Ü” Out July 9th, 2021

  • May 11, 2021
  • by Asher
  • · Mütherload · Music News

NEWS RELEASE

Montreal, QC – May 11, 2021

For fans of Lamb of God, In Flames, Mastodon, Opeth, Tool

Canada’s Mütherload’s New Music Video “The Visitor” Makes Contact With The Unknown

New EP “Ü” Out July 9th, 2021

Hailing from London, ON, Canada, Mütherload has risen from the ashes of Heaven Ablaze, and has been intriguing metalheads already with their video for “The Visitor”. This single, off the upcoming debut EP “Ü”, has already been released and is viewable on YouTube – https://youtu.be/M_-RLpnxlNQ

As the band puts it, “The Visitor” is one of the darker songs on the record, being in a much lower tuning than the last half of the six-track EP. They explain the track in their own words:

“The Visitor was the first release for us and was also chosen for our first music video. The song was originally written years ago as an acoustic song which is why if you listen carefully, you can hear an acoustic track in the chorus. We feel this song best represents our sound as there is a little bit of everything in there. There’s groove, thrash, melody, dynamics, and flow. It’s definitely one of our favorites to play live as well.”

Mütherload started when guitarist Patrick Davison randomly ran into drummer and former bandmate Matt Ashton, several years after his hiatus from Heaven Ablaze had started. After the first jam, four songs were written and the group took off from there. Having previously worked together in Heaven Ablaze, the chemistry was instantly rekindled and everything just clicked.

The tracks presented on the EP are the ones that best sum up the current sound of Mütherload. There’s no concept approach to it, although a few of the tracks do flow in and out of each other. It’s a real, raw, ‘here’s-who-we-are’ style of recording.

Melodic, and groovy, Mütherload is recommended for fans of Lamb of God, In Flames, and Mastodon.

The full EP “Ü” is out July 9, 2021.

Track Listing:
1. Insect (3:54)
2. The Visitor (3:39)
3. Ü (0:44)
4. Iniquity (3:06)
5. Thaügüst (1:43)
6. Lamia (3:24)
EP Length: 16:32

EP and Live Band Line Up:
Patrick Davison – Guitar
Derek Haley – Guitar
Chris McKichan – Bass
Matt Ashton – Drums
Derek Lee – Vocals

More Info:
Facebook.com/mutherloadband
Instagram.com/mutherload
EPK

– 30 –

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 SENNIGHT Shares Their “Golden Crown” Off Upcoming 2021 Album “New Takes The Old”, Track Premiere via Metal-Rules, Featuring Album Guests Brian Kingsland (Nile, Imperishable), Ron Dalton Jr. (Your Chance to Die, Final Curse), Alex Parra (Paladin, Sadistic Ritual)

  • March 19, 2021
  • by Asher
  • · Music News · Sennight

NEWS RELEASE

Montreal, QC – March 19, 2021

For fans of Katatonia, Opeth, Kamelot

SENNIGHT Shares Their “Golden Crown” Off Upcoming 2021 Album “New Takes The Old”

Track Premiere via Metal-Rules

Featuring Album Guests Brian Kingsland (Nile, Imperishable),
Ron Dalton Jr. (Your Chance to Die, Final Curse), Alex Parra (Paladin, Sadistic Ritual)


L-R – Sennight – Adam Mast – Bass, Vocal | Trevor Norris – Guitar

Atlanta’s Sennight drives forth with their heavy, melancholic brand of melodic metal that can quickly be felt by the listener who is washed over with pronounced energy. It commands attention and is not a sound that is easily forgotten. Compared to their earlier demos, which were more of an alternative metal sound, their music has gotten faster and more energetic since then.

Planning to release their first full-length “New Takes The Old”, which features guests Brian Kingsland (Nile, Imperishable), Ron Dalton Jr. (Your Chance to Die, Final Curse, Blackwater Drowning, Azymyth), and Alex Parra (Paladin, Sadistic Ritual) later in 2021 to follow their 2019 debut EP “Fear of The Unseen”. The duo of Adam Mast (Bass, Vocals) and Trevor Norris (Guitar) are ready to introduce more of themselves to the world with the release of the third single from the upcoming 10 track album.

Entitled “Golden Crown”, the single is a heavy detuned track that features a brilliant solo from guest guitarist Ron Dalton Jr.

Vocalist/bassist Adam Mast explains “Golden Crown” in further detail:

“We used a rarer guitar tuning on Golden Crown – BADGBE (Standard tuning with bottom E down a 5th), which took us out of our comfort zone for riffs and chords, but we were really happy how the track finally came together. Somehow the song took on a heavier pocket/down tempo feeling while staying with that cold melodic vibe that we like to use. There’s also a fabulously ripped solo by Ron Dalton Jr., and it has to be one of the best on the album. The lyrics sort of play between nebulous themes of change, death, and leaving behind old states of being to embrace new ones.”

“Golden Crown”, Sennight‘s third single can be heard via its premiere on Metal-Rules HERE. 

Spotify pre-save here.

Sennight‘s forthcoming album “New Takes The Old” will be comprised of ten songs with a variety of colors, sometimes energetic and penetrating, other times somber and plodding. The album was recorded over several sessions at Jam Room Studio in Columbia, SC, and a few parts were done remotely at guitarist Trevor Norris’ home studio. Brian Kingsland (Nile, Imperishable) and Alex Parra (Paladin, Sadistic Ritual) also recorded their guest solos remotely. The lyrical content on the album is largely inspired by various European mythologies and epic stories: people striving and persevering against terrible odds and having otherworldly experiences.

Ever ambitious, Sennight has more plans for releases after this upcoming 2021 album drops.

Recommended for fans of Katatonia, Opeth, and Kamelot, Sennight‘s previous singles “Arise” and “Tearing Free”, can also be heard on Bandcamp, Spotify. Apple Music.


Track Listing:
1. Perfect Symmetry
2. New Takes The Old – ft. guest solo Brian Kingsland (Nile, Imperishable)
3. Tearing Free – ft. guest solo Ron Dalton Jr.
4. When Daylight Dies
5. Golden Crown – ft. guest solo Ron Dalton Jr.
6. Who Am I – ft. guest solo Alex Parra (Paladin, Sadistic Ritual)
7. Arise – ft. guest solo Ron Dalton Jr.
8. I Am
9. Misbegotten
10. Go

Album Band Line Up:
Adam Mast – Vocals, Bass, Guitars
Trevor Norris – Solo guitars
David Holquin – Drums

More info:
Facebook.com/sennightofficial
Instagram.com/sennight.official
EPK

About:

Atlanta’s Sennight was founded in 2017 by bassist/vocalist/songwriter Adam Mast. After years of playing bass in the extreme metal scene, his musical tastes and direction changed and he began writing in a more melodic/heavy metal direction. Influenced by melodic metal bands such as Katatonia, Opeth, and Kamelot, he sought to craft a sound with heavy guitars and drums entwined with harmonic vocal melodies.

Sennight’s first EP “Fear of the Unseen” came out in May 2019, recorded at Jam Room Studio in Columbia, SC with engineer Zac Thomas. Joining in on the studio tracks were a couple of ace North Carolina metal musicians: Drummer David Holquin (Violent Life Violent Death) and guitarist Ron Dalton Jr. (Your Chance to Die, Final Curse).

Wasting no time, Sennight reentered the Jam Room Studio in late 2019, again with Thomas at the console, and began recording their first LP “New Takes The Old” with guitarist Trevor Norris officially joining the band in early 2020. Holquin and Dalton Jr. helped again with studio tracking and the sessions along with guest guitar solo appearances from mainstay southeastern metallers Brian Kingsland (Nile, Imperishable) and Alex Parra (Paladin, Sadistic Ritual).

Up to this point, the writing has been done by Mast who fully demos the songs on a DAW and sends them to the other studio players. The guitar solos are fully made by the individual players and the drums are creatively improved by the drummer. When it comes to their live shows, metal fans can anticipate a high energy set with a big guitar sound, in true classic rock band style with no backing tracks. Sennight’s debut album “New Takes the Old” can be expected in 2021.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 MetalInsider Track Premiere: Sennight Offer Up A Taste Of Their Upcoming 2021 Album With Melancholic “Arise”

  • December 9, 2020
  • by Asher
  • · Music News · Sennight

NEWS RELEASE

Montreal, QC – December 9, 2020

For fans of Katatonia, Opeth, Kamelot

Sennight Offer Up A Taste Of Their Upcoming 2021 Album With Melancholic “Arise”

Track Premiere via MetalInsider

Featuring Album Guests Brian Kingsland (Nile, Imperishable),
Ron Dalton Jr. (Your Chance to Die, Final Curse), Alex Parra (Paladin, Sadistic Ritual)


L-R – Sennight – Adam Mast – Bass, Vocal | Trevor Norris – Guitar

Atlanta’s Sennight is dropping a new single “Arise” off their upcoming 2021 album “New Takes The Old”.

Sennight drives forth with their heavy, melancholic brand of melodic metal that can quickly be felt by the listener who is washed over with pronounced energy. It commands attention and is not a sound that is easily forgotten. Compared to their first demos, which were more of an alternative metal sound, their music has gotten faster and more energetic since then.

Lyrical content from Sennight is largely inspired by various European mythologies and epic stories: people striving and persevering against terrible odds and having otherworldly experiences. The single “Arise” is heavy rock infused with extreme metal rhythms along with a guest solo by Ron Dalton Jr. (Your Chance to Die, Final Curse, the band explains the track in their own words:

“Arise takes influence from a few different heavy music genres including heavy and extreme metal. Lyrically the song talks about breaking free of any inhibitions and fears in order to have a full life experience. ‘Arise, untied, the iron pulled apart.’”

Hopeful and confident, the forthcoming album “New Takes The Old” will be comprised of ten songs with a variety of colors, sometimes energetic and penetrating, other times somber and plodding. The album was recorded over several sessions at Jam Room Studio in Columbia, SC, and a few parts were done remotely at guitarist Trevor Norris’ home studio. Brian Kingsland (Nile, Imperishable) and Alex Parra (Paladin, Sadistic Ritual) also recorded their guest solos remotely.

Ever ambitious, Sennight has more plans for releases after this upcoming 2021 album drop.

Recommended for fans of Katatonia, Opeth, and Kamelot, “Arise” can be heard via its premiere on MetalInsider HERE.

Sennight‘s previous single “Tearing Free”, can also be heard on Bandcamp, Spotify. Apple Music.


Track Listing:
1. Perfect Symmetry
2. New Takes The Old – ft. guest solo Brian Kingsland (Nile, Imperishable)
3. Tearing Free – ft. guest solo Ron Dalton Jr.
4. When Daylight Dies
5. Golden Crown – ft. guest solo Ron Dalton Jr.
6. Who Am I – ft. guest solo Alex Parra (Paladin, Sadistic Ritual)
7. Arise – ft. guest solo Ron Dalton Jr.
8. I Am
9. Misbegotten
10. Go

Album Band Line Up:
Adam Mast – Vocals, Bass, Guitars
Trevor Norris – Solo guitars
David Holquin – Drums

More info:
Facebook.com/sennightofficial
Instagram.com/sennight.official
EPK

About:

Atlanta’s Sennight was founded in 2017 by bassist/vocalist/songwriter Adam Mast. After years of playing bass in the extreme metal scene, his musical tastes and direction changed and he began writing in a more melodic/heavy metal direction. Influenced by melodic metal bands such as Katatonia, Opeth, and Kamelot, he sought to craft a sound with heavy guitars and drums entwined with harmonic vocal melodies.

Sennight’s first EP “Fear of the Unseen” came out in May 2019, recorded at Jam Room Studio in Columbia, SC with engineer Zac Thomas. Joining in on the studio tracks were a couple of ace North Carolina metal musicians: Drummer David Holquin (Violent Life Violent Death) and guitarist Ron Dalton Jr. (Your Chance to Die, Final Curse).

Wasting no time, Sennight reentered the Jam Room Studio in late 2019, again with Thomas at the console, and began recording their first LP “New Takes The Old” with guitarist Trevor Norris officially joining the band in early 2020. Holquin and Dalton Jr. helped again with studio tracking and the sessions along with guest guitar solo appearances from mainstay southeastern metallers Brian Kingsland (Nile, Imperishable) and Alex Parra (Paladin, Sadistic Ritual).

Up to this point, the writing has been done by Mast who fully demos the songs on a DAW and sends them to the other studio players. The guitar solos are fully made by the individual players and the drums are creatively improved by the drummer. When it comes to their live shows, metal fans can anticipate a high energy set with a big guitar sound, in true classic rock band style with no backing tracks. Sennight’s debut album “New Takes the Old” can be expected in 2021.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 The Reticent’s New Video “Stage 3 – The Palliative Breath” Continues The Tale of A Man’s Battle With Alzheimer’s Disease From Concept Album “The Oubliette”, Lyric Video Premiere via NewFuryMedia 

  • November 11, 2020
  • by Asher
  • · Music News · The Reticent

NEWS RELEASE

Montreal, QC – November 11, 2020

 

 

For fans of Opeth, Porcupine Tree, Katatonia, The Contortionist, King Crimson

The Reticent’s New Video “Stage 3 – The Palliative Breath”
Continues The Tale of A Man’s Battle With Alzheimer’s Disease From Concept Album “The Oubliette”

Lyric Video Premiere via NewFuryMedia

Out Now! New Album “The Oubliette” via Heaven & Hell Records

North Carolina conceptual metal proggers The Reticent released their latest critically acclaimed concept album entitled “The Oubliette” via Heaven & Hell Records this past September. The full length was produced again by Jamie King (BTBAM, The Contortionist, Scale The Summit), and it tells the tale of man’s battle with Alzheimer’s disease.

The record follows the journey of an old man named Henry, which is based upon a relative of songwriter Chris Hathcock who’s real name was Cyrus. The name Henry was chosen as a somewhat more universal name, but also because Henry was one of the Alzheimer’s patients featured prominently in the documentary “Alive Inside”. The concept of the album is to demonstrate Henry’s descent through the seven stages of Alzheimer’s.  He doesn’t know where he is or why he’s there.  He doesn’t remember his wife is dead.  He doesn’t recognize his son. Step by step the disease takes his memories, his ability to speak, his ability to walk, his ability to breathe.

To lyrically visualize the third stage of Alzheimer’s, The Reticent has put together a new lyric video for “Stage 3 – The Palliative Breath”.

Hathcock adds about the track:

“Henry has brief moments of clarity when he realizes that “holes are deepening in his mind” and he vaguely grasps some of what’s happening to him.  More calm and reflective the music echoes the patience that the doctors urge.  The beautiful thoughtful acoustic opening gives way to powerful progressive rock, calm folk, and driving metal all to the conclusion that Henry’s best is long behind him.“

The video for “Stage 3 – The Palliative Breath” can be watched and heard via its premiere on NewFuryMedia HERE.

The Reticent‘s new album “The Oubliette” follows the band’s2016 release “On The Eve Of A Goodbye”, which was an autobiographical concept record that chronicled the day before, day of, and the day after the suicide of band founder Chris Hathcock’s childhood friend Eve. Critics and fans of the record alike were moved by the compelling narrative and heartrending performances along with the band’s award-winning live performances that are both an audiovisual and emotional experience that utilizes film, story-telling, and the sheer intensity of the music.

Even though the recording of “The Oubliette” was delayed four times due to a severe injury to Hathcock’s right arm (the deltoid bursa to be exact), he was able to perform all instruments on the full length, he actually began lining up players to fill in for him as doctors told him he may be endangering his arm’s functionality if he didn’t take an extended break from playing. Luckily, rest allowed him to recuperate enough to complete the record. Although, the process was slowed because he was in pain the entire time, every recording session began with him taking at least 800 mg of Ibuprofen to make it through.

Chris Hathcock comments on “The Oubliette”:

“As with my previous album, I hope that ‘The Oubliette’ will provide listeners with a rich and emotionally challenging audio experience.  This is undoubtedly the most ambitious record The Reticent has attempted to date.  The hope is that listeners will be personally affected by the music on a deep level and that it may draw some attention to a disease that is frighteningly prominent but frequently poorly understood.  There will be moments that are soothing and there will be moments that are overwhelming.  The story I have to tell is not a happy one but it is an important one – and it is often through the pain that we find the most profound reflection and calls to action.”  

“The Oubliette” (Heaven & Hell Records) is available on Heavenandhellrecords.com (CD), Bandcamp, Spotify, Apple Music.

Music Video – Stage 2: The Captive – YouTube


Track Listing:
1. Stage 1 – His Name Is Henry (9:46)
2. Stage 2 – The Captive (6:00)
3. Stage 3 – The Palliative Breath (7:13)
4. Stage 4 – The Dream (11:47)
5. Stage 5 – The Nightmare (12:14)
6. Stage 6 – The Oubliette (10:38)
7. Stage 7 – ________ (6:10)
Album Length: 1:03:50

Album Band Line Up:
Chris Hathcock – Guitars, Bass, Keyboards, Drums, Vocals, Additional Percussion
James Nelson – Lead Guitars

Live Band Line Up:
Chris Hathcock – Vocals, Guitar
James Nelson – Lead Guitar, Backing Vocals
Cliff Stankiewicz – Bass
Mitch Moore – Drums

For more info:
HeavenandHellRecords.com
TheReticent.net
EPK

– 30 –

“Each time I have listened to this, my rating of it has gone up until it could not go any higher. This album will hit the spot musically, tug at the heart strings and chill you to the bone. 5/5 – The ProgSpace

“Once again The Reticent enlist the aid of Jamie King for production, giving The Oubliette the same quality in sound and balance as its predecessor. The instruments sound fantastic, and Hathcock’s singing is stellar. His blend of clean (often yearning) vocals and harsh moments used to demonstrate the confusion and fury of Henry is perfectly arranged… I can safely say my expectations have been met, and at times exceeded, by The Oubliette. Hathcock has taken yet another personal subject and transformed it into a taut, compelling progressive metal opus” – Angry Metal Guy

“it’s clear that this is a very personal story from Chris Hathcock. He poured his heart and soul into the concept, and the way the tracks flowed, the story is very real and vivid. Alzheimer’s is a terrible disease, because it mostly affects the patient’s loved ones more than the patient himself. It’s a long process of slowly letting go, until the disease claims another victim. This process is carefully matriculated through music here, and it’s something all fans of music will want to experience. Especially considering the number of us who have been affected in one way or another by this ravaging disease. 9/10” – Metal Temple

“Prog’s most emotionally gutwrenching one-man band returns with plenty more feels… The Oubliette is the next album released under The Reticent‘s name, and tells the story of the protagonist Henry’s decline as a result of Alzheimer’s disease, heavy subject matter again inspired by life experience of Hathcock. The Reticent‘s track record for dealing with such serious subject matter was promising, and with The Oubliette they deliver on said promise.” – Metal Storm

“The Reticent have delivered a narrative masterpiece… I give 10 out of 10 bangs” – Rock Magazine.net

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canadian Progressive Death Skyless Aeons Streaming New Album “Drain The Sun”, Album Stream via MetalInsider

  • October 1, 2020
  • by Asher
  • · Music News · Skyless Aeons

(contact info below)

 

NEWS RELEASE

Montreal, QC – October 1, 2020

 

Interview request at asher[@]ashermediarelations[.]com

For fans of Opeth, Dark Tranquillity, Death, Garden of Shadows, Dissection

Canadian Progressive Death Skyless Aeons Streaming New Album “Drain The Sun”

Album Stream via MetalInsider

“Drain The Sun” Out via CDN Records


L-R: Stefan Oliva (Bass), Nicholas Luck (Guitars/Vocals), Nathan Ferreira (Lead Vocals), Martin Burchill (Drums)
Photo Credit: Skye Camara

Canada’s Skyless Aeons will be unleashing their new album “Drain The Sun” via CDN Records on October 2nd, 2020. Before the record officially drops, they have teamed with MetalInsider.net for its full stream HERE.

Meticulous and methodical, the writing process for “Drain The Sun” was roughly two years long to follow their debut EP “The Era of Famine” released in 2016. This new album adds more progressive, technical, and yet somehow more deliberate and doomy influences simultaneously, leading to a more progressive death metal sound.

The band comments on “Drain The Sun”:

“We are extremely excited to finally be releasing our first full-length “Drain the Sun”. On our previous EP four years ago, we were more focused on paying tribute to some of our favourite bands and getting every good idea we had onto a recording. With our new album, we wanted to create something that felt like a complete album from front to back. On “Drain the Sun” we have found our true sound, one that adds more from death, doom, and progressive metal to create a more atmospheric experience. Expect the same melodic turbulence and technical flourishes as before, with a darker, more dissonant approach all our own that we hope will bring in a variety of new extreme metal fans.”

Album pre-order on CDN Records here (CD), Bandcamp (Digital)


Track Listing:
1. Ascension Towards Nothing (6:30)
2. A Consciousness Decays (7:09)
3. Go Forth and Multiply (3:19)
4. The Age of Regression (7:32)
5. Dimensional Entrapment (6:31)
6. Path of Desolation (6:15)
7. Drain The Sun (8:05)
Album Length: 45:23

More info:
Facebook.com/SkylessAeons
EPK

About:

Around 2014, guitarist Nicholas Luck and drummer Martin Burchill met as a result of an errant bus ride in London, Canada. At this time, Burchill was looking for a stable project after drumming in various rock/punk/metal bands over the last decade or so, and Luck, only 18 at the time, was looking to start a death metal band.

Vocalist Nathan Ferreira and bassist Steve Oliva followed shortly after and with a scathing collective disdain for the larger structures of society and a commitment to constant evolution in sound and ethos the band recorded and released the “Era of Famine” EP in 2016.

The band has already gained a reputation through local shows as one of the more unique and energetic death metal bands in the scene, opening up for artists such as Ashbringer, The Convalescence, Nesseria, and Killitorous – a wide variety of styles, yet somehow, Skyless Aeons shares musical similarities with all of them.

At a live show, one can expect certain synchronicity and chemistry that can only come from years of experience and practice feeding off of each other’s ideas. Couple that with vocalist Ferreira’s on-stage recklessness mixed with unusually sardonic and self-deprecating stage banter, and it’s no surprise that Skyless Aeons are gaining notoriety and drawing more and more people to their local performances as of late.

2020 brings a new album “Drain the Sun”; it takes a different approach, using much heavier and expansive riffing textures and shows refining and maturation of the band’s identity. It can best be described as “; progressive death metal” with some dissonant, doom-influenced leanings.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 The Reticent Streaming Concept Album “The Oubliette”; A Tale of Man’s Battle With Alzheimer’s Disease; Album Stream Premiere via TheProgSpace

  • September 23, 2020
  • by Asher
  • · Music News · The Reticent

(contact info below)

 

NEWS RELEASE

Montreal, QC – September 23, 2020

 

 

For fans of Opeth, Porcupine Tree, Katatonia, The Contortionist, King Crimson

The Reticent Streaming Concept Album “The Oubliette”; A Tale of Man’s Battle With Alzheimer’s Disease

Album Stream Premiere via TheProgSpace

New Album “The Oubliette” Out September 25th via Heaven & Hell Records

North Carolina conceptual metal proggers The Reticent will be releasing their new album entitled “The Oubliette” via Heaven & Hell Records on September 25th. Produced again by Jamie King (BTBAM, The Contortionist, Scale The Summit), the album tells a tale of man’s battle with Alzheimer’s disease. Before it officially drops, the band wants to share this story with the full length’s stream premiere on TheProgSpace HERE. 

“The Oubliette” follows the band’s critically acclaimed 2016 release “On The Eve Of A Goodbye”, which was an autobiographical concept record that chronicled the day before, day of, and the day after the suicide of band founder Chris Hathcock’s childhood friend Eve. Critics and fans of the record alike were moved by the compelling narrative and heartrending performances along with the band’s award-winning live performances that are both an audiovisual and emotional experience that utilizes film, story-telling, and the sheer intensity of the music.

Even though the recording of “The Oubliette” was delayed four times due to a severe injury to Hathcock’s right arm (the deltoid bursa to be exact), he was able to perform all instruments on the full length, he actually began lining up players to fill in for him as doctors told him he may be endangering his arm’s functionality if he didn’t take an extended break from playing. Luckily, rest allowed him to recuperate enough to complete the record. Although, the process was slowed because he was in pain the entire time. Every recording session began with him taking at least 800 mg of Ibuprofen to make it through.

Finally completing “The Oubliette”, The Reticent shares another stirring autobiographical tale, this time about the tragedy of Alzheimer’s disease. The album follows the journey of an old man named Henry, which is based upon a relative of songwriter Chris Hathcock who’s real name was Cyrus. The name Henry was chosen as a somewhat more universal name, but also because Henry was one of the Alzheimer’s patients featured prominently in the documentary “Alive Inside”. The concept of the album is to demonstrate Henry’s descent through the seven stages of Alzheimer’s.  He doesn’t know where he is or why he’s there.  He doesn’t remember his wife is dead.  He doesn’t recognize his son.  Step by step the disease takes his memories, his ability to speak, his ability to walk, his ability to breathe.  The music of “The Oubliette” traverses styles as divergent as jazz and black metal all within the framework of emotionally driven progressive metal.  With each track sonically independent from its predecessor, the album moves the listener from experience to experience, vague memories to dreams and nightmares all toward its heartbreaking finale. Fans and critics alike will be very eager to sink their teeth into another intense emotional outpouring of progressive metal.

Chris Hathcock adds:

“As with my previous album, I hope that ‘The Oubliette’ will provide listeners with a rich and emotionally challenging audio experience.  This is undoubtedly the most ambitious record The Reticent has attempted to date.  The hope is that listeners will be personally affected by the music on a deep level and that it may draw some attention to a disease that is frighteningly prominent but frequently poorly understood.  There will be moments that are soothing and there will be moments that are overwhelming.  The story I have to tell is not a happy one but it is an important one – and it is often through the pain that we find the most profound reflection and calls to action.”  

“The Oubliette” is due out via Heaven & Hell Records on September 25, 2020.

Album Pre-Order HERE.

Music Video – Stage 2: The Captive – YouTube


Track Listing:
1. Stage 1 – His Name Is Henry (9:46)
2. Stage 2 – The Captive (6:00)
3. Stage 3 – The Palliative Breath (7:13)
4. Stage 4 – The Dream (11:47)
5. Stage 5 – The Nightmare (12:14)
6. Stage 6 – The Oubliette (10:38)
7. Stage 7 – ________ (6:10)
Album Length: 1:03:50

Album Band Line Up:
Chris Hathcock – Guitars, Bass, Keyboards, Drums, Vocals, Additional Percussion
James Nelson – Lead Guitars

Live Band Line Up:
Chris Hathcock – Vocals, Guitar
James Nelson – Lead Guitar, Backing Vocals
Cliff Stankiewicz – Bass
Mitch Moore – Drums

For more info:
HeavenandHellRecords.com
TheReticent.net
EPK

– 30 –

“it’s clear that this is a very personal story from Chris Hathcock. He poured his heart and soul into the concept, and the way the tracks flowed, the story is very real and vivid. Alzheimer’s is a terrible disease, because it mostly affects the patient’s loved ones more than the patient himself. It’s a long process of slowly letting go, until the disease claims another victim. This process is carefully matriculated through music here, and it’s something all fans of music will want to experience. Especially considering the number of us who have been affected in one way or another by this ravaging disease. 9/10” – Metal Temple

“Prog’s most emotionally gutwrenching one-man band returns with plenty more feels… The Oubliette is the next album released under The Reticent‘s name, and tells the story of the protagonist Henry’s decline as a result of Alzheimer’s disease, heavy subject matter again inspired by life experience of Hathcock. The Reticent‘s track record for dealing with such serious subject matter was promising, and with The Oubliette they deliver on said promise.” – Metal Storm

“The Reticent have delivered a narrative masterpiece… I give 10 out of 10 bangs” – Rock Magazine.net

“In a way, Chris pulled off the perfect fusion of PINK FLOYD’s The Wall and Operation Mindcrime by QUEENSRYCHE, all treated with the sensitivity of a modern Crossover between OPETH and EDGE OF SANITY. We obviously recognize the paw of Neal Morse and Steven Wilson in the most complex and melodic parts, but this fourth LP of the master arises in synthesis of the modern progressive.” – Metalnews.fr

“The Oubliette – being a true concept album – follows the 7 stages of Alzheimer’s. And – by that same token – tries to portray the emotions of the afflicted. In a way, this record is like one of those deep, dark, gleamy chocolate cakes. The ones that look at you with ominous malevolence, just before the evil clown jumps out. This thing is so full of psychological horrors and innuendo that – after a few listens – you start getting the jitters. Not because of the clown, of course, but because all of that has the ring of truth to it. And worse, the disease could hit you, too. Because there’s no defense.” – Rock Music Raider

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Skyless Aeons Signs To CDN Records For New Album “Drain The Sun” Out October 2nd

  • September 15, 2020
  • by Asher
  • · Music News · Skyless Aeons

(contact info below)

NEWS RELEASE

Montreal, QC – September 15, 2020

Interview request at asher[@]ashermediarelations[.]com

For fans of Opeth, Dark Tranquillity, Death, Garden of Shadows, Dissection

Skyless Aeons Signs To CDN Records For New Album “Drain The Sun” Out October 2nd


L-R: Stefan Oliva (Bass), Nicholas Luck (Guitars/Vocals), Nathan Ferreira (Lead Vocals), Martin Burchill (Drums)
Photo Credit: Skye Camara

Canada’s Skyless Aeons announce they have signed with CDN Records for the release of their new album “Drain The Sun” on October 2nd, 2020. The band was already in motion to unleash the album independently, with two singles recently discharged in promotion of it.

Singles:
“Go Forth and Multiply” here.
“Dimensional Entrapment” here.

The band comments:

“We are very excited to be working with CDN and to be on a roster alongside some of the sickest and nastiest bands from our area and beyond. They’ve been in business since the 90s and we know their old school approach of going through the underground is the perfect way to get our strange music in the ears of those who will truly appreciate it”

 

A unique blend of extreme metal styles come forth on the album “Drain the Sun”, which is loosely intended to be a concept album, with a much darker, more focused and tense sound than fans will expect. The title is a metaphor: “the sun” refers to whatever it is that gives us life, light, purpose, structure, or pleasure. In countless forms, humans have a habit of taking something that is good for us and abusing it until it literally destroys us. The band explains this further:

“Even if you’re aware of it happening (and a lot of us are), the machinations of society and the bleak reality of everyday living force us towards the sun in order to cope. Everyone has their sun – that thing that makes life bearable and worth living – and everyone will drain their sun until it cannot provide any more energy, collapses in on us and we are sent hurtling into the abyss. This album is our artistic interpretation of both where we’re at and a terrible warning of what we’re headed towards.”

 

This new album adds more progressive, technical, and yet somehow more deliberate and doomy influences simultaneously, leading to a more progressive death metal sound.

Album pre-order on CDN Records here (CD), Bandcamp (Digital)


Track Listing:
1. Ascension Towards Nothing (6:30)
2. A Consciousness Decays (7:09)
3. Go Forth and Multiply (3:19)
4. The Age of Regression (7:32)
5. Dimensional Entrapment (6:31)
6. Path of Desolation (6:15)
7. Drain The Sun (8:05)
Album Length: 45:23

More info:
Facebook.com/SkylessAeons
EPK

About:

Around 2014, guitarist Nicholas Luck and drummer Martin Burchill met as a result of an errant bus ride in London, Canada. At this time, Burchill was looking for a stable project after drumming in various rock/punk/metal bands over the last decade or so, and Luck, only 18 at the time, was looking to start a death metal band.

Vocalist Nathan Ferreira and bassist Steve Oliva followed shortly after and with a scathing collective disdain for the larger structures of society and a commitment to constant evolution in sound and ethos the band recorded and released the “Era of Famine” EP in 2016.

The band has already gained a reputation through local shows as one of the more unique and energetic death metal bands in the scene, opening up for artists such as Ashbringer, The Convalescence, Nesseria, and Killitorous – a wide variety of styles, yet somehow, Skyless Aeons shares musical similarities with all of them.

At a live show, one can expect certain synchronicity and chemistry that can only come from years of experience and practice feeding off of each other’s ideas. Couple that with vocalist Ferreira’s on-stage recklessness mixed with unusually sardonic and self-deprecating stage banter, and it’s no surprise that Skyless Aeons are gaining notoriety and drawing more and more people to their local performances as of late.

2020 brings a new album “Drain the Sun”; it takes a different approach, using much heavier and expansive riffing textures and shows refining and maturation of the band’s identity. It can best be described as “; progressive death metal” with some dissonant, doom-influenced leanings.

– 30 –

“This debut EP by Skyless Aeons is monstrous. 35-minutes and four sweeping songs worth of intense songs blackened-death: riffs aplenty, interesting transitions, and solos smothered by a lead-heavy old-school sounding production. The vocals are inhuman and loud in the mix fluctuating from mid-to-high range shrieks similar to Anaal Nathrakh to mid-range growls. There are moments of real technical efficiency – think Gorguts and Mithras – along with an atmospheric undertone akin to Ulcerate and Flourishing. I highly recommend it.” – Akerblogger

“There’s a rich diversity to Skyless Aeons’ music, even though their material is cohesive and doesn’t feel the need to go into extra clean, girlfriend metal territories to get the point across. The four tracks (all between seven to eleven minutes) are progressive affairs without too much fluff. The guitars of Nicholas Luck alternate between early 90s tremolos, a modern dissonant approach to black metal and a healthy dose of melancholic Nordic melodic death metal and he plays everything well.”  – Metantoine’s Magickal Realm

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Skyless Aeons Premiere “Dimensional Entrapment” via NoCleanSinging; New Album “Drain The Sun” Out October 2nd

  • September 11, 2020
  • by Asher
  • · Music News · Skyless Aeons

(contact info below)

NEWS RELEASE

Montreal, QC – September 11, 2020


Interview request at asher[@]ashermediarelations[.]com

For fans of Opeth, Dark Tranquillity, Death, Garden of Shadows, Dissection

Skyless Aeons Premiere “Dimensional Entrapment” via NoCleanSinging

New Album “Drain The Sun” Out October 2nd


L-R: Stefan Oliva (Bass), Nicholas Luck (Guitars/Vocals), Nathan Ferreira (Lead Vocals), Martin Burchill (Drums)
Photo Credit: Skye Camara

Canada’s Skyless Aeons are unveiling their next single “Dimensional Entrapment” via NoCleanSinging HERE.

 

The premise of the single is how humans are bound to the limits of their finitude, and the only things that give us comfort and relief are the things that will eventually destroy us. “Dimensional Entrapment” provides some of the most dissonant material the band has written, with subtle nods to Ulcerate and Portal that grows into a powerful melody.

 

A unique blend of extreme metal styles come forth on the album “Drain the Sun”, which is loosely intended to be a concept album, with a much darker, more focused and tense sound than fans will expect. The title is a metaphor: “the sun” refers to whatever it is that gives us life, light, purpose, structure, or pleasure. In countless forms, humans have a habit of taking something that is good for us and abusing it until it literally destroys us. The band explains this further:

“Even if you’re aware of it happening (and a lot of us are), the machinations of society and the bleak reality of everyday living force us towards the sun in order to cope. Everyone has their sun – that thing that makes life bearable and worth living – and everyone will drain their sun until it cannot provide any more energy, collapses in on us and we are sent hurtling into the abyss. This album is our artistic interpretation of both where we’re at and a terrible warning of what we’re headed towards.”

 

This new album adds more progressive, technical, and yet somehow more deliberate and doomy influences simultaneously, leading to a more progressive death metal sound.

Album pre-order on Bandcamp.

First Single: “Go Forth and Multiply” here.


Track Listing:
1. Ascension Towards Nothing (6:30)
2. A Consciousness Decays (7:09)
3. Go Forth and Multiply (3:19)
4. The Age of Regression (7:32)
5. Dimensional Entrapment (6:31)
6. Path of Desolation (6:15)
7. Drain The Sun (8:05)
Album Length: 45:23

More info:
Facebook.com/SkylessAeons
EPK

About:

Around 2014, guitarist Nicholas Luck and drummer Martin Burchill met as a result of an errant bus ride in London, Canada. At this time, Burchill was looking for a stable project after drumming in various rock/punk/metal bands over the last decade or so, and Luck, only 18 at the time, was looking to start a death metal band.

Vocalist Nathan Ferreira and bassist Steve Oliva followed shortly after and with a scathing collective disdain for the larger structures of society and a commitment to constant evolution in sound and ethos the band recorded and released the “Era of Famine” EP in 2016.

The band has already gained a reputation through local shows as one of the more unique and energetic death metal bands in the scene, opening up for artists such as Ashbringer, The Convalescence, Nesseria, and Killitorous – a wide variety of styles, yet somehow, Skyless Aeons shares musical similarities with all of them.

At a live show, one can expect certain synchronicity and chemistry that can only come from years of experience and practice feeding off of each other’s ideas. Couple that with vocalist Ferreira’s on-stage recklessness mixed with unusually sardonic and self-deprecating stage banter, and it’s no surprise that Skyless Aeons are gaining notoriety and drawing more and more people to their local performances as of late.

2020 brings a new album “Drain the Sun”; it takes a different approach, using much heavier and expansive riffing textures and shows refining and maturation of the band’s identity. It can best be described as “; progressive death metal” with some dissonant, doom-influenced leanings.

– 30 –

“This debut EP by Skyless Aeons is monstrous. 35-minutes and four sweeping songs worth of intense songs blackened-death: riffs aplenty, interesting transitions, and solos smothered by a lead-heavy old-school sounding production. The vocals are inhuman and loud in the mix fluctuating from mid-to-high range shrieks similar to Anaal Nathrakh to mid-range growls. There are moments of real technical efficiency – think Gorguts and Mithras – along with an atmospheric undertone akin to Ulcerate and Flourishing. I highly recommend it.” – Akerblogger

“There’s a rich diversity to Skyless Aeons’ music, even though their material is cohesive and doesn’t feel the need to go into extra clean, girlfriend metal territories to get the point across. The four tracks (all between seven to eleven minutes) are progressive affairs without too much fluff. The guitars of Nicholas Luck alternate between early 90s tremolos, a modern dissonant approach to black metal and a healthy dose of melancholic Nordic melodic death metal and he plays everything well.”  – Metantoine’s Magickal Realm

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

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