Tag: Opeth

0 SENNIGHT Shares Their “Golden Crown” Off Upcoming 2021 Album “New Takes The Old”, Track Premiere via Metal-Rules, Featuring Album Guests Brian Kingsland (Nile, Imperishable), Ron Dalton Jr. (Your Chance to Die, Final Curse), Alex Parra (Paladin, Sadistic Ritual)

March 19, 2021
by Asher
· Music News · Sennight

NEWS RELEASE

Montreal, QC – March 19, 2021

For fans of Katatonia, Opeth, Kamelot

SENNIGHT Shares Their “Golden Crown” Off Upcoming 2021 Album “New Takes The Old”

Track Premiere via Metal-Rules

Featuring Album Guests Brian Kingsland (Nile, Imperishable),
Ron Dalton Jr. (Your Chance to Die, Final Curse), Alex Parra (Paladin, Sadistic Ritual)

L-R – Sennight – Adam Mast – Bass, Vocal | Trevor Norris – Guitar

Atlanta’s Sennight drives forth with their heavy, melancholic brand of melodic metal that can quickly be felt by the listener who is washed over with pronounced energy. It commands attention and is not a sound that is easily forgotten. Compared to their earlier demos, which were more of an alternative metal sound, their music has gotten faster and more energetic since then.

Planning to release their first full-length “New Takes The Old”, which features guests Brian Kingsland (Nile, Imperishable), Ron Dalton Jr. (Your Chance to Die, Final Curse, Blackwater Drowning, Azymyth), and Alex Parra (Paladin, Sadistic Ritual) later in 2021 to follow their 2019 debut EP “Fear of The Unseen”. The duo of Adam Mast (Bass, Vocals) and Trevor Norris (Guitar) are ready to introduce more of themselves to the world with the release of the third single from the upcoming 10 track album.

Entitled “Golden Crown”, the single is a heavy detuned track that features a brilliant solo from guest guitarist Ron Dalton Jr.

Vocalist/bassist Adam Mast explains “Golden Crown” in further detail:

“We used a rarer guitar tuning on Golden Crown – BADGBE (Standard tuning with bottom E down a 5th), which took us out of our comfort zone for riffs and chords, but we were really happy how the track finally came together. Somehow the song took on a heavier pocket/down tempo feeling while staying with that cold melodic vibe that we like to use. There’s also a fabulously ripped solo by Ron Dalton Jr., and it has to be one of the best on the album. The lyrics sort of play between nebulous themes of change, death, and leaving behind old states of being to embrace new ones.”

“Golden Crown”, Sennight‘s third single can be heard via its premiere on Metal-Rules HERE.

Spotify pre-save here.

Sennight‘s forthcoming album “New Takes The Old” will be comprised of ten songs with a variety of colors, sometimes energetic and penetrating, other times somber and plodding. The album was recorded over several sessions at Jam Room Studio in Columbia, SC, and a few parts were done remotely at guitarist Trevor Norris’ home studio. Brian Kingsland (Nile, Imperishable) and Alex Parra (Paladin, Sadistic Ritual) also recorded their guest solos remotely. The lyrical content on the album is largely inspired by various European mythologies and epic stories: people striving and persevering against terrible odds and having otherworldly experiences.

Ever ambitious, Sennight has more plans for releases after this upcoming 2021 album drops.

Recommended for fans of Katatonia, Opeth, and Kamelot, Sennight‘s previous singles “Arise” and “Tearing Free”, can also be heard on Bandcamp, Spotify. Apple Music.

Track Listing:
1. Perfect Symmetry
2. New Takes The Old – ft. guest solo Brian Kingsland (Nile, Imperishable)
3. Tearing Free – ft. guest solo Ron Dalton Jr.
4. When Daylight Dies
5. Golden Crown – ft. guest solo Ron Dalton Jr.
6. Who Am I – ft. guest solo Alex Parra (Paladin, Sadistic Ritual)
7. Arise – ft. guest solo Ron Dalton Jr.
8. I Am
9. Misbegotten
10. Go

Album Band Line Up:
Adam Mast – Vocals, Bass, Guitars
Trevor Norris – Solo guitars
David Holquin – Drums

More info:
Facebook.com/sennightofficial
Instagram.com/sennight.official
EPK

About:

Atlanta’s Sennight was founded in 2017 by bassist/vocalist/songwriter Adam Mast. After years of playing bass in the extreme metal scene, his musical tastes and direction changed and he began writing in a more melodic/heavy metal direction. Influenced by melodic metal bands such as Katatonia, Opeth, and Kamelot, he sought to craft a sound with heavy guitars and drums entwined with harmonic vocal melodies.

Sennight’s first EP “Fear of the Unseen” came out in May 2019, recorded at Jam Room Studio in Columbia, SC with engineer Zac Thomas. Joining in on the studio tracks were a couple of ace North Carolina metal musicians: Drummer David Holquin (Violent Life Violent Death) and guitarist Ron Dalton Jr. (Your Chance to Die, Final Curse).

Wasting no time, Sennight reentered the Jam Room Studio in late 2019, again with Thomas at the console, and began recording their first LP “New Takes The Old” with guitarist Trevor Norris officially joining the band in early 2020. Holquin and Dalton Jr. helped again with studio tracking and the sessions along with guest guitar solo appearances from mainstay southeastern metallers Brian Kingsland (Nile, Imperishable) and Alex Parra (Paladin, Sadistic Ritual).

Up to this point, the writing has been done by Mast who fully demos the songs on a DAW and sends them to the other studio players. The guitar solos are fully made by the individual players and the drums are creatively improved by the drummer. When it comes to their live shows, metal fans can anticipate a high energy set with a big guitar sound, in true classic rock band style with no backing tracks. Sennight’s debut album “New Takes the Old” can be expected in 2021.

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
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0 MetalInsider Track Premiere: Sennight Offer Up A Taste Of Their Upcoming 2021 Album With Melancholic “Arise”

December 9, 2020
by Asher
· Music News · Sennight

NEWS RELEASE

Montreal, QC – December 9, 2020

For fans of Katatonia, Opeth, Kamelot

Sennight Offer Up A Taste Of Their Upcoming 2021 Album With Melancholic “Arise”

Track Premiere via MetalInsider

Featuring Album Guests Brian Kingsland (Nile, Imperishable),
Ron Dalton Jr. (Your Chance to Die, Final Curse), Alex Parra (Paladin, Sadistic Ritual)

L-R – Sennight – Adam Mast – Bass, Vocal | Trevor Norris – Guitar

Atlanta’s Sennight is dropping a new single “Arise” off their upcoming 2021 album “New Takes The Old”.

Sennight drives forth with their heavy, melancholic brand of melodic metal that can quickly be felt by the listener who is washed over with pronounced energy. It commands attention and is not a sound that is easily forgotten. Compared to their first demos, which were more of an alternative metal sound, their music has gotten faster and more energetic since then.

Lyrical content from Sennight is largely inspired by various European mythologies and epic stories: people striving and persevering against terrible odds and having otherworldly experiences. The single “Arise” is heavy rock infused with extreme metal rhythms along with a guest solo by Ron Dalton Jr. (Your Chance to Die, Final Curse, the band explains the track in their own words:

“Arise takes influence from a few different heavy music genres including heavy and extreme metal. Lyrically the song talks about breaking free of any inhibitions and fears in order to have a full life experience. ‘Arise, untied, the iron pulled apart.’”

Hopeful and confident, the forthcoming album “New Takes The Old” will be comprised of ten songs with a variety of colors, sometimes energetic and penetrating, other times somber and plodding. The album was recorded over several sessions at Jam Room Studio in Columbia, SC, and a few parts were done remotely at guitarist Trevor Norris’ home studio. Brian Kingsland (Nile, Imperishable) and Alex Parra (Paladin, Sadistic Ritual) also recorded their guest solos remotely.

Ever ambitious, Sennight has more plans for releases after this upcoming 2021 album drop.

Recommended for fans of Katatonia, Opeth, and Kamelot, “Arise” can be heard via its premiere on MetalInsider HERE.

Sennight‘s previous single “Tearing Free”, can also be heard on Bandcamp, Spotify. Apple Music.

Album Band Line Up:
Adam Mast – Vocals, Bass, Guitars
Trevor Norris – Solo guitars
David Holquin – Drums

More info:
Facebook.com/sennightofficial
Instagram.com/sennight.official
EPK

About:

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 The Reticent’s New Video “Stage 3 – The Palliative Breath” Continues The Tale of A Man’s Battle With Alzheimer’s Disease From Concept Album “The Oubliette”, Lyric Video Premiere via NewFuryMedia

November 11, 2020
by Asher
· Music News · The Reticent

NEWS RELEASE

Montreal, QC – November 11, 2020

For fans of Opeth, Porcupine Tree, Katatonia, The Contortionist, King Crimson

The Reticent’s New Video “Stage 3 – The Palliative Breath”
Continues The Tale of A Man’s Battle With Alzheimer’s Disease From Concept Album “The Oubliette”

Lyric Video Premiere via NewFuryMedia

Out Now! New Album “The Oubliette” via Heaven & Hell Records

North Carolina conceptual metal proggers The Reticent released their latest critically acclaimed concept album entitled “The Oubliette” via Heaven & Hell Records this past September. The full length was produced again by Jamie King (BTBAM, The Contortionist, Scale The Summit), and it tells the tale of man’s battle with Alzheimer’s disease.

The record follows the journey of an old man named Henry, which is based upon a relative of songwriter Chris Hathcock who’s real name was Cyrus. The name Henry was chosen as a somewhat more universal name, but also because Henry was one of the Alzheimer’s patients featured prominently in the documentary “Alive Inside”. The concept of the album is to demonstrate Henry’s descent through the seven stages of Alzheimer’s. He doesn’t know where he is or why he’s there. He doesn’t remember his wife is dead. He doesn’t recognize his son. Step by step the disease takes his memories, his ability to speak, his ability to walk, his ability to breathe.

To lyrically visualize the third stage of Alzheimer’s, The Reticent has put together a new lyric video for “Stage 3 – The Palliative Breath”.

Hathcock adds about the track:

“Henry has brief moments of clarity when he realizes that “holes are deepening in his mind” and he vaguely grasps some of what’s happening to him. More calm and reflective the music echoes the patience that the doctors urge. The beautiful thoughtful acoustic opening gives way to powerful progressive rock, calm folk, and driving metal all to the conclusion that Henry’s best is long behind him.“

The video for “Stage 3 – The Palliative Breath” can be watched and heard via its premiere on NewFuryMedia HERE.

The Reticent‘s new album “The Oubliette” follows the band’s2016 release “On The Eve Of A Goodbye”, which was an autobiographical concept record that chronicled the day before, day of, and the day after the suicide of band founder Chris Hathcock’s childhood friend Eve. Critics and fans of the record alike were moved by the compelling narrative and heartrending performances along with the band’s award-winning live performances that are both an audiovisual and emotional experience that utilizes film, story-telling, and the sheer intensity of the music.

Even though the recording of “The Oubliette” was delayed four times due to a severe injury to Hathcock’s right arm (the deltoid bursa to be exact), he was able to perform all instruments on the full length, he actually began lining up players to fill in for him as doctors told him he may be endangering his arm’s functionality if he didn’t take an extended break from playing. Luckily, rest allowed him to recuperate enough to complete the record. Although, the process was slowed because he was in pain the entire time, every recording session began with him taking at least 800 mg of Ibuprofen to make it through.

Chris Hathcock comments on “The Oubliette”:

“As with my previous album, I hope that ‘The Oubliette’ will provide listeners with a rich and emotionally challenging audio experience. This is undoubtedly the most ambitious record The Reticent has attempted to date. The hope is that listeners will be personally affected by the music on a deep level and that it may draw some attention to a disease that is frighteningly prominent but frequently poorly understood. There will be moments that are soothing and there will be moments that are overwhelming. The story I have to tell is not a happy one but it is an important one – and it is often through the pain that we find the most profound reflection and calls to action.”

“The Oubliette” (Heaven & Hell Records) is available on Heavenandhellrecords.com (CD), Bandcamp, Spotify, Apple Music.

Music Video – Stage 2: The Captive – YouTube

Track Listing:
1. Stage 1 – His Name Is Henry (9:46)
2. Stage 2 – The Captive (6:00)
3. Stage 3 – The Palliative Breath (7:13)
4. Stage 4 – The Dream (11:47)
5. Stage 5 – The Nightmare (12:14)
6. Stage 6 – The Oubliette (10:38)
7. Stage 7 – ________ (6:10)
Album Length: 1:03:50

Album Band Line Up:
Chris Hathcock – Guitars, Bass, Keyboards, Drums, Vocals, Additional Percussion
James Nelson – Lead Guitars

Live Band Line Up:
Chris Hathcock – Vocals, Guitar
James Nelson – Lead Guitar, Backing Vocals
Cliff Stankiewicz – Bass
Mitch Moore – Drums

For more info:
HeavenandHellRecords.com
TheReticent.net
EPK

– 30 –

“Each time I have listened to this, my rating of it has gone up until it could not go any higher. This album will hit the spot musically, tug at the heart strings and chill you to the bone. 5/5 – The ProgSpace

“Once again The Reticent enlist the aid of Jamie King for production, giving The Oubliette the same quality in sound and balance as its predecessor. The instruments sound fantastic, and Hathcock’s singing is stellar. His blend of clean (often yearning) vocals and harsh moments used to demonstrate the confusion and fury of Henry is perfectly arranged… I can safely say my expectations have been met, and at times exceeded, by The Oubliette. Hathcock has taken yet another personal subject and transformed it into a taut, compelling progressive metal opus” – Angry Metal Guy

“it’s clear that this is a very personal story from Chris Hathcock. He poured his heart and soul into the concept, and the way the tracks flowed, the story is very real and vivid. Alzheimer’s is a terrible disease, because it mostly affects the patient’s loved ones more than the patient himself. It’s a long process of slowly letting go, until the disease claims another victim. This process is carefully matriculated through music here, and it’s something all fans of music will want to experience. Especially considering the number of us who have been affected in one way or another by this ravaging disease. 9/10” – Metal Temple

“Prog’s most emotionally gutwrenching one-man band returns with plenty more feels… The Oubliette is the next album released under The Reticent‘s name, and tells the story of the protagonist Henry’s decline as a result of Alzheimer’s disease, heavy subject matter again inspired by life experience of Hathcock. The Reticent‘s track record for dealing with such serious subject matter was promising, and with The Oubliette they deliver on said promise.” – Metal Storm

“The Reticent have delivered a narrative masterpiece… I give 10 out of 10 bangs” – Rock Magazine.net

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canadian Progressive Death Skyless Aeons Streaming New Album “Drain The Sun”, Album Stream via MetalInsider

October 1, 2020
by Asher
· Music News · Skyless Aeons

(contact info below)

NEWS RELEASE

Montreal, QC – October 1, 2020

Interview request at asher[@]ashermediarelations[.]com

For fans of Opeth, Dark Tranquillity, Death, Garden of Shadows, Dissection

Canadian Progressive Death Skyless Aeons Streaming New Album “Drain The Sun”

Album Stream via MetalInsider

“Drain The Sun” Out via CDN Records

L-R: Stefan Oliva (Bass), Nicholas Luck (Guitars/Vocals), Nathan Ferreira (Lead Vocals), Martin Burchill (Drums)
Photo Credit: Skye Camara

Canada’s Skyless Aeons will be unleashing their new album “Drain The Sun” via CDN Records on October 2nd, 2020. Before the record officially drops, they have teamed with MetalInsider.net for its full stream HERE.

Meticulous and methodical, the writing process for “Drain The Sun” was roughly two years long to follow their debut EP “The Era of Famine” released in 2016. This new album adds more progressive, technical, and yet somehow more deliberate and doomy influences simultaneously, leading to a more progressive death metal sound.

The band comments on “Drain The Sun”:

“We are extremely excited to finally be releasing our first full-length “Drain the Sun”. On our previous EP four years ago, we were more focused on paying tribute to some of our favourite bands and getting every good idea we had onto a recording. With our new album, we wanted to create something that felt like a complete album from front to back. On “Drain the Sun” we have found our true sound, one that adds more from death, doom, and progressive metal to create a more atmospheric experience. Expect the same melodic turbulence and technical flourishes as before, with a darker, more dissonant approach all our own that we hope will bring in a variety of new extreme metal fans.”

Album pre-order on CDN Records here (CD), Bandcamp (Digital)

Track Listing:
1. Ascension Towards Nothing (6:30)
2. A Consciousness Decays (7:09)
3. Go Forth and Multiply (3:19)
4. The Age of Regression (7:32)
5. Dimensional Entrapment (6:31)
6. Path of Desolation (6:15)
7. Drain The Sun (8:05)
Album Length: 45:23

More info:
Facebook.com/SkylessAeons
EPK

About:

Around 2014, guitarist Nicholas Luck and drummer Martin Burchill met as a result of an errant bus ride in London, Canada. At this time, Burchill was looking for a stable project after drumming in various rock/punk/metal bands over the last decade or so, and Luck, only 18 at the time, was looking to start a death metal band.

Vocalist Nathan Ferreira and bassist Steve Oliva followed shortly after and with a scathing collective disdain for the larger structures of society and a commitment to constant evolution in sound and ethos the band recorded and released the “Era of Famine” EP in 2016.

The band has already gained a reputation through local shows as one of the more unique and energetic death metal bands in the scene, opening up for artists such as Ashbringer, The Convalescence, Nesseria, and Killitorous – a wide variety of styles, yet somehow, Skyless Aeons shares musical similarities with all of them.

At a live show, one can expect certain synchronicity and chemistry that can only come from years of experience and practice feeding off of each other’s ideas. Couple that with vocalist Ferreira’s on-stage recklessness mixed with unusually sardonic and self-deprecating stage banter, and it’s no surprise that Skyless Aeons are gaining notoriety and drawing more and more people to their local performances as of late.

2020 brings a new album “Drain the Sun”; it takes a different approach, using much heavier and expansive riffing textures and shows refining and maturation of the band’s identity. It can best be described as “; progressive death metal” with some dissonant, doom-influenced leanings.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
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0 The Reticent Streaming Concept Album “The Oubliette”; A Tale of Man’s Battle With Alzheimer’s Disease; Album Stream Premiere via TheProgSpace

September 23, 2020
by Asher
· Music News · The Reticent

(contact info below)

NEWS RELEASE

Montreal, QC – September 23, 2020

For fans of Opeth, Porcupine Tree, Katatonia, The Contortionist, King Crimson

The Reticent Streaming Concept Album “The Oubliette”; A Tale of Man’s Battle With Alzheimer’s Disease

Album Stream Premiere via TheProgSpace

New Album “The Oubliette” Out September 25th via Heaven & Hell Records

North Carolina conceptual metal proggers The Reticent will be releasing their new album entitled “The Oubliette” via Heaven & Hell Records on September 25th. Produced again by Jamie King (BTBAM, The Contortionist, Scale The Summit), the album tells a tale of man’s battle with Alzheimer’s disease. Before it officially drops, the band wants to share this story with the full length’s stream premiere on TheProgSpace HERE.

“The Oubliette” follows the band’s critically acclaimed 2016 release “On The Eve Of A Goodbye”, which was an autobiographical concept record that chronicled the day before, day of, and the day after the suicide of band founder Chris Hathcock’s childhood friend Eve. Critics and fans of the record alike were moved by the compelling narrative and heartrending performances along with the band’s award-winning live performances that are both an audiovisual and emotional experience that utilizes film, story-telling, and the sheer intensity of the music.

Even though the recording of “The Oubliette” was delayed four times due to a severe injury to Hathcock’s right arm (the deltoid bursa to be exact), he was able to perform all instruments on the full length, he actually began lining up players to fill in for him as doctors told him he may be endangering his arm’s functionality if he didn’t take an extended break from playing. Luckily, rest allowed him to recuperate enough to complete the record. Although, the process was slowed because he was in pain the entire time. Every recording session began with him taking at least 800 mg of Ibuprofen to make it through.

Finally completing “The Oubliette”, The Reticent shares another stirring autobiographical tale, this time about the tragedy of Alzheimer’s disease. The album follows the journey of an old man named Henry, which is based upon a relative of songwriter Chris Hathcock who’s real name was Cyrus. The name Henry was chosen as a somewhat more universal name, but also because Henry was one of the Alzheimer’s patients featured prominently in the documentary “Alive Inside”. The concept of the album is to demonstrate Henry’s descent through the seven stages of Alzheimer’s. He doesn’t know where he is or why he’s there. He doesn’t remember his wife is dead. He doesn’t recognize his son. Step by step the disease takes his memories, his ability to speak, his ability to walk, his ability to breathe. The music of “The Oubliette” traverses styles as divergent as jazz and black metal all within the framework of emotionally driven progressive metal. With each track sonically independent from its predecessor, the album moves the listener from experience to experience, vague memories to dreams and nightmares all toward its heartbreaking finale. Fans and critics alike will be very eager to sink their teeth into another intense emotional outpouring of progressive metal.

Chris Hathcock adds:

“The Oubliette” is due out via Heaven & Hell Records on September 25, 2020.

Album Pre-Order HERE.

Music Video – Stage 2: The Captive – YouTube

Album Band Line Up:
Chris Hathcock – Guitars, Bass, Keyboards, Drums, Vocals, Additional Percussion
James Nelson – Lead Guitars

Live Band Line Up:
Chris Hathcock – Vocals, Guitar
James Nelson – Lead Guitar, Backing Vocals
Cliff Stankiewicz – Bass
Mitch Moore – Drums

For more info:
HeavenandHellRecords.com
TheReticent.net
EPK

– 30 –

“The Reticent have delivered a narrative masterpiece… I give 10 out of 10 bangs” – Rock Magazine.net

“In a way, Chris pulled off the perfect fusion of PINK FLOYD’s The Wall and Operation Mindcrime by QUEENSRYCHE, all treated with the sensitivity of a modern Crossover between OPETH and EDGE OF SANITY. We obviously recognize the paw of Neal Morse and Steven Wilson in the most complex and melodic parts, but this fourth LP of the master arises in synthesis of the modern progressive.” – Metalnews.fr

“The Oubliette – being a true concept album – follows the 7 stages of Alzheimer’s. And – by that same token – tries to portray the emotions of the afflicted. In a way, this record is like one of those deep, dark, gleamy chocolate cakes. The ones that look at you with ominous malevolence, just before the evil clown jumps out. This thing is so full of psychological horrors and innuendo that – after a few listens – you start getting the jitters. Not because of the clown, of course, but because all of that has the ring of truth to it. And worse, the disease could hit you, too. Because there’s no defense.” – Rock Music Raider

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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0 Skyless Aeons Signs To CDN Records For New Album “Drain The Sun” Out October 2nd

September 15, 2020
by Asher
· Music News · Skyless Aeons

(contact info below)

NEWS RELEASE

Montreal, QC – September 15, 2020

Interview request at asher[@]ashermediarelations[.]com

For fans of Opeth, Dark Tranquillity, Death, Garden of Shadows, Dissection

Skyless Aeons Signs To CDN Records For New Album “Drain The Sun” Out October 2nd

L-R: Stefan Oliva (Bass), Nicholas Luck (Guitars/Vocals), Nathan Ferreira (Lead Vocals), Martin Burchill (Drums)
Photo Credit: Skye Camara

Canada’s Skyless Aeons announce they have signed with CDN Records for the release of their new album “Drain The Sun” on October 2nd, 2020. The band was already in motion to unleash the album independently, with two singles recently discharged in promotion of it.

Singles:
“Go Forth and Multiply” here.
“Dimensional Entrapment” here.

The band comments:

“We are very excited to be working with CDN and to be on a roster alongside some of the sickest and nastiest bands from our area and beyond. They’ve been in business since the 90s and we know their old school approach of going through the underground is the perfect way to get our strange music in the ears of those who will truly appreciate it”

A unique blend of extreme metal styles come forth on the album “Drain the Sun”, which is loosely intended to be a concept album, with a much darker, more focused and tense sound than fans will expect. The title is a metaphor: “the sun” refers to whatever it is that gives us life, light, purpose, structure, or pleasure. In countless forms, humans have a habit of taking something that is good for us and abusing it until it literally destroys us. The band explains this further:

“Even if you’re aware of it happening (and a lot of us are), the machinations of society and the bleak reality of everyday living force us towards the sun in order to cope. Everyone has their sun – that thing that makes life bearable and worth living – and everyone will drain their sun until it cannot provide any more energy, collapses in on us and we are sent hurtling into the abyss. This album is our artistic interpretation of both where we’re at and a terrible warning of what we’re headed towards.”

This new album adds more progressive, technical, and yet somehow more deliberate and doomy influences simultaneously, leading to a more progressive death metal sound.

Album pre-order on CDN Records here (CD), Bandcamp (Digital)

More info:
Facebook.com/SkylessAeons
EPK

About:

– 30 –

“This debut EP by Skyless Aeons is monstrous. 35-minutes and four sweeping songs worth of intense songs blackened-death: riffs aplenty, interesting transitions, and solos smothered by a lead-heavy old-school sounding production. The vocals are inhuman and loud in the mix fluctuating from mid-to-high range shrieks similar to Anaal Nathrakh to mid-range growls. There are moments of real technical efficiency – think Gorguts and Mithras – along with an atmospheric undertone akin to Ulcerate and Flourishing. I highly recommend it.” – Akerblogger

“There’s a rich diversity to Skyless Aeons’ music, even though their material is cohesive and doesn’t feel the need to go into extra clean, girlfriend metal territories to get the point across. The four tracks (all between seven to eleven minutes) are progressive affairs without too much fluff. The guitars of Nicholas Luck alternate between early 90s tremolos, a modern dissonant approach to black metal and a healthy dose of melancholic Nordic melodic death metal and he plays everything well.” – Metantoine’s Magickal Realm

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Skyless Aeons Premiere “Dimensional Entrapment” via NoCleanSinging; New Album “Drain The Sun” Out October 2nd

September 11, 2020
by Asher
· Music News · Skyless Aeons

(contact info below)

NEWS RELEASE

Montreal, QC – September 11, 2020

Interview request at asher[@]ashermediarelations[.]com

For fans of Opeth, Dark Tranquillity, Death, Garden of Shadows, Dissection

Skyless Aeons Premiere “Dimensional Entrapment” via NoCleanSinging

New Album “Drain The Sun” Out October 2nd

L-R: Stefan Oliva (Bass), Nicholas Luck (Guitars/Vocals), Nathan Ferreira (Lead Vocals), Martin Burchill (Drums)
Photo Credit: Skye Camara

Canada’s Skyless Aeons are unveiling their next single “Dimensional Entrapment” via NoCleanSinging HERE.

The premise of the single is how humans are bound to the limits of their finitude, and the only things that give us comfort and relief are the things that will eventually destroy us. “Dimensional Entrapment” provides some of the most dissonant material the band has written, with subtle nods to Ulcerate and Portal that grows into a powerful melody.

This new album adds more progressive, technical, and yet somehow more deliberate and doomy influences simultaneously, leading to a more progressive death metal sound.

Album pre-order on Bandcamp.

First Single: “Go Forth and Multiply” here.

More info:
Facebook.com/SkylessAeons
EPK

About:

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 The Reticent’s Next Concept Album “The Oubliette” Is A Tale of Man’s Battle With Alzheimer’s Disease; Music Video Premiere “The Captive” via MetalInjection; New Album “The Oubliette” Out September 25th via Heaven & Hell Records

August 27, 2020
by Asher
· Music News · The Reticent

(contact info below)

NEWS RELEASE

Montreal, QC – August 27, 2020

For fans of Opeth, Porcupine Tree, Katatonia, The Contortionist, King Crimson

The Reticent’s Next Concept Album “The Oubliette” Is A Tale of Man’s Battle With Alzheimer’s Disease

Music Video Premiere “The Captive” via MetalInjection

New Album “The Oubliette” Out September 25th via Heaven & Hell Records

NC’s The Reticent return in 2020 with a new album entitled “The Oubliette” set for release on Heaven & Hell Records on September 18th. The full length is produced again by Jamie King (BTBAM, The Contortionist, Scale The Summit) to follow the band’s critically acclaimed 2016 release “On The Eve Of A Goodbye”, which was an autobiographical concept record that chronicled the day before, day of, and the day after the suicide of band founder Chris Hathcock’s childhood friend Eve. Critics and fans of the record alike were moved by the compelling narrative and heartrending performances along with the band’s award-winning live performances that are both an audiovisual and emotional experience that utilizes film, story-telling, and the sheer intensity of the music.

Even though the recording of “The Oubliette” was delayed four times due to a severe injury to Hathcock’s right arm (the deltoid bursa to be exact), he was able to perform all instruments on the full length, he actually began lining up players to fill in for him as doctors told him he may be endangering his arm’s functionality if he didn’t take an extended break from playing. Luckily, rest allowed him to recuperate enough to complete the record. Although, the process was slowed because he was in pain the entire time. Every recording session began with him taking at least 800 mg of Ibuprofen to make it through.

Chris Hathcock adds:

Today, the band shares the first tale and the second track on the emotionally gripping release “The Captive”.

Hathcock explains:

“The song starts with Henry hearing the orderly instructs him to return to his room as marching drums cadence him to get moving Now convinced that he is being wrongly imprisoned and believing his wife is being kept from him, Henry begins to oscillate between anger and despair made all the worse by the fact that he still doesn’t understand what’s happening to him. Decidedly aggressive death metal spearheads the track before Henry’s anger falls into a defeated frustration represented by the pensive midsection.”

Watch and listen to the video for “The Captive” via its premiere on MetalInjection HERE.

“The Oubliette” is due out via Heaven & Hell Records on September 25, 2020.

Album Pre-Order HERE.

Album Band Line Up:
Chris Hathcock – Guitars, Bass, Keyboards, Drums, Vocals, Additional Percussion
James Nelson – Lead Guitars

Live Band Line Up:
Chris Hathcock – Vocals, Guitar
James Nelson – Lead Guitar, Backing Vocals
Cliff Stankiewicz – Bass
Mitch Moore – Drums

For more info:
HeavenandHellRecords.com
TheReticent.net
EPK

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“First-rate Progressive Metal, technically high-standing and delivered with a very high level of genuine emotion and passion.” – Rock Music Raider, review of “On the Eve of a Goodbye”

“…The fact is On the Eve of a Goodbye is one of the best concept albums of recent memory” – Angry Metal Guy, review of “On the Eve of a Goodbye”

“This record is why I listen to music.” – The Gauntlet, review of “On the Eve of a Goodbye”

“The Reticent is progressive in the truest sense of the term, and remains one of the best-kept secrets in metal…Once again, The Reticent delivers a stirring and unforgettable album that will absolutely appeal to fans of Opeth (especially Damnation and Heritage-era Opeth), Porcupine Tree, Tool, A Perfect Circle, Katatonia and Anathema.” – Hard Rock Haven, review of “Le Temps Detruit Tout”

“The Reticent’s On the Eve of a Goodbye took me by surprise and proceeded to floor me in all its heartbreaking, sophisticated glory” – Teeth of the Divine, review of “On the Eve of a Goodbye”

“I can safely say that this album stands with any classic concept album that people will try and compare it with” – Power of Metal, review of “On the Eve of a Goodbye”

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0 Skyless Aeons Present Dissonant Hymns For Global Catastrophe With “Drain The Sun”; Premiere First Single “Go Forth and Multiply” via GhostCultMag; New Album “Drain The Sun” Out October 2nd

August 19, 2020
by Asher
· Music News · Skyless Aeons

(contact info below)

NEWS RELEASE

Montreal, QC – August 19, 2020

Interview request at asher[@]ashermediarelations[.]com

For fans of Opeth, Dark Tranquillity, Death, Garden of Shadows, Dissection

Skyless Aeons Present Dissonant Hymns For Global Catastrophe With “Drain The Sun”

Premiere First Single “Go Forth and Multiply” via GhostCultMag

New Album “Drain The Sun” Out October 2nd

L-R: Stefan Oliva (Bass), Nicholas Luck (Guitars/Vocals), Nathan Ferreira (Lead Vocals), Martin Burchill (Drums)
Photo Credit: Skye Camara

Hailing from London, Canada, Skyless Aeons bring forth a unique blend of extreme metal styles with their first full-length album “Drain The Sun” due out October 2nd, 2020.

Meticulous and methodical, the writing process for “Drain The Sun” was roughly two years long, the songs being shaped and directed according to the concept the band created. The band shares the inspiration being the album:

“Our inspiration comes from the faults in the human condition we encounter in our everyday lives: greed, over-consumption, over-population, the failure to recognize our dogmatic beliefs are wrong leading to division. The music serves as a warning call to what will happen if we fail to recognize the error of our ways, some of which we already see happening in civil unrest.”

Compared to the initial release, the new offering maintains the chunky melodic death metal riffing and occasional black metal flourishes of the previous, but also has much more detailed and structured songwriting, much tighter musicianship and higher-quality production values.

The anti-natalist single, “Go Forth and Multiply” is a short, sweet punch to the gut that came together in a fit of inspiration. It speaks of humanity’s relentless desire to multiply and overpopulate, creating a world full of defective minds that never wanted to be born, with nothing better to do than populate the earth further. The song shows up, hits hard, and leaves, and it’s the best sneak preview for some of the musical and lyrical themes that are explored in greater depth on the album.

Dark, focused, and tense, Skyless Aeons is recommended for fans of Opeth, Dark Tranquillity, Death, and Swallow the Sun.

Listen to “Go Forth and Multiply” via its premiere on GhostCultMag HERE.

Album pre-order on Bandcamp.

More info:
Facebook.com/SkylessAeons
EPK

About:

– 30 –

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ASHER MEDIA RELATIONS
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0 Toronto’s Prospects Announce Intriguing New Prog Track “Orphic Trigger” Off EP “Recalling”

August 7, 2020
by Asher
· Music News · Prospects

(contact info below)

NEWS RELEASE

Montreal, QC – August 7, 2020

For fans Between The Buried And Me, The Contortionist, Opeth, Protest The Hero

Toronto’s Prospects Announce Intriguing New Prog Track “Orphic Trigger” Off EP “Recalling”

EP “Recalling” Out September 4th

Progressive metal act Prospects have unleashed a new single “Orphic Trigger” coming from the upcoming four-track EP “Recalling” due out September 4th, 2020.

Founded in 2014 by multi-instrumentalists Robert Medeiros, Prospects combines influences from acts like Opeth and The Contortionist for chillingly heavy tracks with multiple layers. In a niche, but thriving genre, the band aims to broaden their horizons and bring together fans from different backgrounds, united by a love of heavy and experimental music. The band explains one of the unique challenges they had when recording this album:

“Since there is some distance between band members, we all recorded/tracked the instrumentals on our own, compiled them into an organized folder, and sent them to be mixed and mastered by Jamie King. Vocals were recorded by Mike Indovina.”

“Orphic Trigger” can be enjoyed as individual songs or as an entire EP experience; with only 4 songs, but 32 minutes of audio you can rest assured that each song is its own adventure entirely. Even though there are snippets of a storyline from the previous album, 2017’s “Calling Of A Red Bird”, they all feel original and cohesive.

With Medeiros on vocals, keys, and guitar, Matt Dalton on guitar and vocals, drummer Anthony Zicari and bassist Mathew Lothian, Prospects builds a catalogue of melodic and rhythmic interest, looking outside of metal to genres like jazz, orchestral, and world music for further inspiration. Perfect for deep thinking, subculture aficionados, lovers of the outdoors, hipsters, and geeks, Prospects weaves together technicality with melody.

For fans of Between The Buried And Me, The Contortionist and Opeth, Prospects is heavy, melodic, and exotic.

“Orphic Trigger” is now available as of August 7, 2020 and can be heard on the following links:
YouTube
Bandcamp
IGTV

along with Spotify, Apple Music, Google Play, Amazon HERE.

The full “Recalling” EP will be released on September 4, 2020.

Band Line Up:
Robert Medeiros – Guitar/Keys/Vocals
Matt Dalton – Guitar/Vocals
Matthew Lothian – Bass
Anthony Zicari – Drums

For more info:
Facebook.com/prospectsmusicoffical
Instagram.com/prospectsband
EPKAbout:
Prospects is a Toronto progressive metal band founded in 2014 by multi-instrumentalist Robert Medeiros. Generally inspired by modern metal and acts from numerous other genres Prospects released their debut “The Calling of a Red Bird” in 2017 as a foray into the plethora of bedroom level studio albums.

Following this advent, Medeiros took a short hiatus to refine his songwriting and production skills. He would meet guitarist Matt Dalton in 2019 and form the initial line up with Mathew Lothian on bass shortly after.

With the initial 2017 release of Calling of a Red Bird utilizing midi drums, the group was looking for a real drummer that could fill the role. After posting in several online forums and Facebook groups, it wasn’t too long before finding drummer Anthony Zicari and things fell into place.

As rehearsals became a regular thing and a few songs started shaping up the band aimed to find their way onto local bills around the GTA (greater Toronto area).

Back to the recording sessions, the band has been working on their new EP “Recalling” expected for release in 2020. Working with Jamie King (Between The Buried And Me, The Contortionist, Etc) for mixing and mastering, the band is confident a great product for the masses. The EP “Recalling” is a collection of old and new material, showcasing where the band has come from, but also where they are heading!

– 30 –

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