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Tag: Opeth

0 The Reticent Streaming Concept Album “The Oubliette”; A Tale of Man’s Battle With Alzheimer’s Disease; Album Stream Premiere via TheProgSpace

  • September 23, 2020
  • by Asher
  • · Music News · The Reticent

(contact info below)

 

NEWS RELEASE

Montreal, QC – September 23, 2020

 

 

For fans of Opeth, Porcupine Tree, Katatonia, The Contortionist, King Crimson

The Reticent Streaming Concept Album “The Oubliette”; A Tale of Man’s Battle With Alzheimer’s Disease

Album Stream Premiere via TheProgSpace

New Album “The Oubliette” Out September 25th via Heaven & Hell Records

North Carolina conceptual metal proggers The Reticent will be releasing their new album entitled “The Oubliette” via Heaven & Hell Records on September 25th. Produced again by Jamie King (BTBAM, The Contortionist, Scale The Summit), the album tells a tale of man’s battle with Alzheimer’s disease. Before it officially drops, the band wants to share this story with the full length’s stream premiere on TheProgSpace HERE. 

“The Oubliette” follows the band’s critically acclaimed 2016 release “On The Eve Of A Goodbye”, which was an autobiographical concept record that chronicled the day before, day of, and the day after the suicide of band founder Chris Hathcock’s childhood friend Eve. Critics and fans of the record alike were moved by the compelling narrative and heartrending performances along with the band’s award-winning live performances that are both an audiovisual and emotional experience that utilizes film, story-telling, and the sheer intensity of the music.

Even though the recording of “The Oubliette” was delayed four times due to a severe injury to Hathcock’s right arm (the deltoid bursa to be exact), he was able to perform all instruments on the full length, he actually began lining up players to fill in for him as doctors told him he may be endangering his arm’s functionality if he didn’t take an extended break from playing. Luckily, rest allowed him to recuperate enough to complete the record. Although, the process was slowed because he was in pain the entire time. Every recording session began with him taking at least 800 mg of Ibuprofen to make it through.

Finally completing “The Oubliette”, The Reticent shares another stirring autobiographical tale, this time about the tragedy of Alzheimer’s disease. The album follows the journey of an old man named Henry, which is based upon a relative of songwriter Chris Hathcock who’s real name was Cyrus. The name Henry was chosen as a somewhat more universal name, but also because Henry was one of the Alzheimer’s patients featured prominently in the documentary “Alive Inside”. The concept of the album is to demonstrate Henry’s descent through the seven stages of Alzheimer’s.  He doesn’t know where he is or why he’s there.  He doesn’t remember his wife is dead.  He doesn’t recognize his son.  Step by step the disease takes his memories, his ability to speak, his ability to walk, his ability to breathe.  The music of “The Oubliette” traverses styles as divergent as jazz and black metal all within the framework of emotionally driven progressive metal.  With each track sonically independent from its predecessor, the album moves the listener from experience to experience, vague memories to dreams and nightmares all toward its heartbreaking finale. Fans and critics alike will be very eager to sink their teeth into another intense emotional outpouring of progressive metal.

Chris Hathcock adds:

“As with my previous album, I hope that ‘The Oubliette’ will provide listeners with a rich and emotionally challenging audio experience.  This is undoubtedly the most ambitious record The Reticent has attempted to date.  The hope is that listeners will be personally affected by the music on a deep level and that it may draw some attention to a disease that is frighteningly prominent but frequently poorly understood.  There will be moments that are soothing and there will be moments that are overwhelming.  The story I have to tell is not a happy one but it is an important one – and it is often through the pain that we find the most profound reflection and calls to action.”  

“The Oubliette” is due out via Heaven & Hell Records on September 25, 2020.

Album Pre-Order HERE.

Music Video – Stage 2: The Captive – YouTube


Track Listing:
1. Stage 1 – His Name Is Henry (9:46)
2. Stage 2 – The Captive (6:00)
3. Stage 3 – The Palliative Breath (7:13)
4. Stage 4 – The Dream (11:47)
5. Stage 5 – The Nightmare (12:14)
6. Stage 6 – The Oubliette (10:38)
7. Stage 7 – ________ (6:10)
Album Length: 1:03:50

Album Band Line Up:
Chris Hathcock – Guitars, Bass, Keyboards, Drums, Vocals, Additional Percussion
James Nelson – Lead Guitars

Live Band Line Up:
Chris Hathcock – Vocals, Guitar
James Nelson – Lead Guitar, Backing Vocals
Cliff Stankiewicz – Bass
Mitch Moore – Drums

For more info:
HeavenandHellRecords.com
TheReticent.net
EPK

– 30 –

“it’s clear that this is a very personal story from Chris Hathcock. He poured his heart and soul into the concept, and the way the tracks flowed, the story is very real and vivid. Alzheimer’s is a terrible disease, because it mostly affects the patient’s loved ones more than the patient himself. It’s a long process of slowly letting go, until the disease claims another victim. This process is carefully matriculated through music here, and it’s something all fans of music will want to experience. Especially considering the number of us who have been affected in one way or another by this ravaging disease. 9/10” – Metal Temple

“Prog’s most emotionally gutwrenching one-man band returns with plenty more feels… The Oubliette is the next album released under The Reticent‘s name, and tells the story of the protagonist Henry’s decline as a result of Alzheimer’s disease, heavy subject matter again inspired by life experience of Hathcock. The Reticent‘s track record for dealing with such serious subject matter was promising, and with The Oubliette they deliver on said promise.” – Metal Storm

“The Reticent have delivered a narrative masterpiece… I give 10 out of 10 bangs” – Rock Magazine.net

“In a way, Chris pulled off the perfect fusion of PINK FLOYD’s The Wall and Operation Mindcrime by QUEENSRYCHE, all treated with the sensitivity of a modern Crossover between OPETH and EDGE OF SANITY. We obviously recognize the paw of Neal Morse and Steven Wilson in the most complex and melodic parts, but this fourth LP of the master arises in synthesis of the modern progressive.” – Metalnews.fr

“The Oubliette – being a true concept album – follows the 7 stages of Alzheimer’s. And – by that same token – tries to portray the emotions of the afflicted. In a way, this record is like one of those deep, dark, gleamy chocolate cakes. The ones that look at you with ominous malevolence, just before the evil clown jumps out. This thing is so full of psychological horrors and innuendo that – after a few listens – you start getting the jitters. Not because of the clown, of course, but because all of that has the ring of truth to it. And worse, the disease could hit you, too. Because there’s no defense.” – Rock Music Raider

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Skyless Aeons Signs To CDN Records For New Album “Drain The Sun” Out October 2nd

  • September 15, 2020
  • by Asher
  • · Music News · Skyless Aeons

(contact info below)

NEWS RELEASE

Montreal, QC – September 15, 2020

Interview request at asher[@]ashermediarelations[.]com

For fans of Opeth, Dark Tranquillity, Death, Garden of Shadows, Dissection

Skyless Aeons Signs To CDN Records For New Album “Drain The Sun” Out October 2nd


L-R: Stefan Oliva (Bass), Nicholas Luck (Guitars/Vocals), Nathan Ferreira (Lead Vocals), Martin Burchill (Drums)
Photo Credit: Skye Camara

Canada’s Skyless Aeons announce they have signed with CDN Records for the release of their new album “Drain The Sun” on October 2nd, 2020. The band was already in motion to unleash the album independently, with two singles recently discharged in promotion of it.

Singles:
“Go Forth and Multiply” here.
“Dimensional Entrapment” here.

The band comments:

“We are very excited to be working with CDN and to be on a roster alongside some of the sickest and nastiest bands from our area and beyond. They’ve been in business since the 90s and we know their old school approach of going through the underground is the perfect way to get our strange music in the ears of those who will truly appreciate it”

 

A unique blend of extreme metal styles come forth on the album “Drain the Sun”, which is loosely intended to be a concept album, with a much darker, more focused and tense sound than fans will expect. The title is a metaphor: “the sun” refers to whatever it is that gives us life, light, purpose, structure, or pleasure. In countless forms, humans have a habit of taking something that is good for us and abusing it until it literally destroys us. The band explains this further:

“Even if you’re aware of it happening (and a lot of us are), the machinations of society and the bleak reality of everyday living force us towards the sun in order to cope. Everyone has their sun – that thing that makes life bearable and worth living – and everyone will drain their sun until it cannot provide any more energy, collapses in on us and we are sent hurtling into the abyss. This album is our artistic interpretation of both where we’re at and a terrible warning of what we’re headed towards.”

 

This new album adds more progressive, technical, and yet somehow more deliberate and doomy influences simultaneously, leading to a more progressive death metal sound.

Album pre-order on CDN Records here (CD), Bandcamp (Digital)


Track Listing:
1. Ascension Towards Nothing (6:30)
2. A Consciousness Decays (7:09)
3. Go Forth and Multiply (3:19)
4. The Age of Regression (7:32)
5. Dimensional Entrapment (6:31)
6. Path of Desolation (6:15)
7. Drain The Sun (8:05)
Album Length: 45:23

More info:
Facebook.com/SkylessAeons
EPK

About:

Around 2014, guitarist Nicholas Luck and drummer Martin Burchill met as a result of an errant bus ride in London, Canada. At this time, Burchill was looking for a stable project after drumming in various rock/punk/metal bands over the last decade or so, and Luck, only 18 at the time, was looking to start a death metal band.

Vocalist Nathan Ferreira and bassist Steve Oliva followed shortly after and with a scathing collective disdain for the larger structures of society and a commitment to constant evolution in sound and ethos the band recorded and released the “Era of Famine” EP in 2016.

The band has already gained a reputation through local shows as one of the more unique and energetic death metal bands in the scene, opening up for artists such as Ashbringer, The Convalescence, Nesseria, and Killitorous – a wide variety of styles, yet somehow, Skyless Aeons shares musical similarities with all of them.

At a live show, one can expect certain synchronicity and chemistry that can only come from years of experience and practice feeding off of each other’s ideas. Couple that with vocalist Ferreira’s on-stage recklessness mixed with unusually sardonic and self-deprecating stage banter, and it’s no surprise that Skyless Aeons are gaining notoriety and drawing more and more people to their local performances as of late.

2020 brings a new album “Drain the Sun”; it takes a different approach, using much heavier and expansive riffing textures and shows refining and maturation of the band’s identity. It can best be described as “; progressive death metal” with some dissonant, doom-influenced leanings.

– 30 –

“This debut EP by Skyless Aeons is monstrous. 35-minutes and four sweeping songs worth of intense songs blackened-death: riffs aplenty, interesting transitions, and solos smothered by a lead-heavy old-school sounding production. The vocals are inhuman and loud in the mix fluctuating from mid-to-high range shrieks similar to Anaal Nathrakh to mid-range growls. There are moments of real technical efficiency – think Gorguts and Mithras – along with an atmospheric undertone akin to Ulcerate and Flourishing. I highly recommend it.” – Akerblogger

“There’s a rich diversity to Skyless Aeons’ music, even though their material is cohesive and doesn’t feel the need to go into extra clean, girlfriend metal territories to get the point across. The four tracks (all between seven to eleven minutes) are progressive affairs without too much fluff. The guitars of Nicholas Luck alternate between early 90s tremolos, a modern dissonant approach to black metal and a healthy dose of melancholic Nordic melodic death metal and he plays everything well.”  – Metantoine’s Magickal Realm

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Skyless Aeons Premiere “Dimensional Entrapment” via NoCleanSinging; New Album “Drain The Sun” Out October 2nd

  • September 11, 2020
  • by Asher
  • · Music News · Skyless Aeons

(contact info below)

NEWS RELEASE

Montreal, QC – September 11, 2020


Interview request at asher[@]ashermediarelations[.]com

For fans of Opeth, Dark Tranquillity, Death, Garden of Shadows, Dissection

Skyless Aeons Premiere “Dimensional Entrapment” via NoCleanSinging

New Album “Drain The Sun” Out October 2nd


L-R: Stefan Oliva (Bass), Nicholas Luck (Guitars/Vocals), Nathan Ferreira (Lead Vocals), Martin Burchill (Drums)
Photo Credit: Skye Camara

Canada’s Skyless Aeons are unveiling their next single “Dimensional Entrapment” via NoCleanSinging HERE.

 

The premise of the single is how humans are bound to the limits of their finitude, and the only things that give us comfort and relief are the things that will eventually destroy us. “Dimensional Entrapment” provides some of the most dissonant material the band has written, with subtle nods to Ulcerate and Portal that grows into a powerful melody.

 

A unique blend of extreme metal styles come forth on the album “Drain the Sun”, which is loosely intended to be a concept album, with a much darker, more focused and tense sound than fans will expect. The title is a metaphor: “the sun” refers to whatever it is that gives us life, light, purpose, structure, or pleasure. In countless forms, humans have a habit of taking something that is good for us and abusing it until it literally destroys us. The band explains this further:

“Even if you’re aware of it happening (and a lot of us are), the machinations of society and the bleak reality of everyday living force us towards the sun in order to cope. Everyone has their sun – that thing that makes life bearable and worth living – and everyone will drain their sun until it cannot provide any more energy, collapses in on us and we are sent hurtling into the abyss. This album is our artistic interpretation of both where we’re at and a terrible warning of what we’re headed towards.”

 

This new album adds more progressive, technical, and yet somehow more deliberate and doomy influences simultaneously, leading to a more progressive death metal sound.

Album pre-order on Bandcamp.

First Single: “Go Forth and Multiply” here.


Track Listing:
1. Ascension Towards Nothing (6:30)
2. A Consciousness Decays (7:09)
3. Go Forth and Multiply (3:19)
4. The Age of Regression (7:32)
5. Dimensional Entrapment (6:31)
6. Path of Desolation (6:15)
7. Drain The Sun (8:05)
Album Length: 45:23

More info:
Facebook.com/SkylessAeons
EPK

About:

Around 2014, guitarist Nicholas Luck and drummer Martin Burchill met as a result of an errant bus ride in London, Canada. At this time, Burchill was looking for a stable project after drumming in various rock/punk/metal bands over the last decade or so, and Luck, only 18 at the time, was looking to start a death metal band.

Vocalist Nathan Ferreira and bassist Steve Oliva followed shortly after and with a scathing collective disdain for the larger structures of society and a commitment to constant evolution in sound and ethos the band recorded and released the “Era of Famine” EP in 2016.

The band has already gained a reputation through local shows as one of the more unique and energetic death metal bands in the scene, opening up for artists such as Ashbringer, The Convalescence, Nesseria, and Killitorous – a wide variety of styles, yet somehow, Skyless Aeons shares musical similarities with all of them.

At a live show, one can expect certain synchronicity and chemistry that can only come from years of experience and practice feeding off of each other’s ideas. Couple that with vocalist Ferreira’s on-stage recklessness mixed with unusually sardonic and self-deprecating stage banter, and it’s no surprise that Skyless Aeons are gaining notoriety and drawing more and more people to their local performances as of late.

2020 brings a new album “Drain the Sun”; it takes a different approach, using much heavier and expansive riffing textures and shows refining and maturation of the band’s identity. It can best be described as “; progressive death metal” with some dissonant, doom-influenced leanings.

– 30 –

“This debut EP by Skyless Aeons is monstrous. 35-minutes and four sweeping songs worth of intense songs blackened-death: riffs aplenty, interesting transitions, and solos smothered by a lead-heavy old-school sounding production. The vocals are inhuman and loud in the mix fluctuating from mid-to-high range shrieks similar to Anaal Nathrakh to mid-range growls. There are moments of real technical efficiency – think Gorguts and Mithras – along with an atmospheric undertone akin to Ulcerate and Flourishing. I highly recommend it.” – Akerblogger

“There’s a rich diversity to Skyless Aeons’ music, even though their material is cohesive and doesn’t feel the need to go into extra clean, girlfriend metal territories to get the point across. The four tracks (all between seven to eleven minutes) are progressive affairs without too much fluff. The guitars of Nicholas Luck alternate between early 90s tremolos, a modern dissonant approach to black metal and a healthy dose of melancholic Nordic melodic death metal and he plays everything well.”  – Metantoine’s Magickal Realm

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 The Reticent’s Next Concept Album “The Oubliette” Is A Tale of Man’s Battle With Alzheimer’s Disease; Music Video Premiere “The Captive” via MetalInjection; New Album “The Oubliette” Out September 25th via Heaven & Hell Records

  • August 27, 2020
  • by Asher
  • · Music News · The Reticent

(contact info below)

 

NEWS RELEASE

Montreal, QC – August 27, 2020


For fans of Opeth, Porcupine Tree, Katatonia, The Contortionist, King Crimson

The Reticent’s Next Concept Album “The Oubliette” Is A Tale of Man’s Battle With Alzheimer’s Disease

Music Video Premiere “The Captive” via MetalInjection

New Album “The Oubliette” Out September 25th via Heaven & Hell Records

NC’s The Reticent return in 2020 with a new album entitled “The Oubliette” set for release on Heaven & Hell Records on September 18th. The full length is produced again by Jamie King (BTBAM, The Contortionist, Scale The Summit) to follow the band’s critically acclaimed 2016 release “On The Eve Of A Goodbye”, which was an autobiographical concept record that chronicled the day before, day of, and the day after the suicide of band founder Chris Hathcock’s childhood friend Eve. Critics and fans of the record alike were moved by the compelling narrative and heartrending performances along with the band’s award-winning live performances that are both an audiovisual and emotional experience that utilizes film, story-telling, and the sheer intensity of the music.

Even though the recording of “The Oubliette” was delayed four times due to a severe injury to Hathcock’s right arm (the deltoid bursa to be exact), he was able to perform all instruments on the full length, he actually began lining up players to fill in for him as doctors told him he may be endangering his arm’s functionality if he didn’t take an extended break from playing. Luckily, rest allowed him to recuperate enough to complete the record. Although, the process was slowed because he was in pain the entire time. Every recording session began with him taking at least 800 mg of Ibuprofen to make it through.

Finally completing “The Oubliette”, The Reticent shares another stirring autobiographical tale, this time about the tragedy of Alzheimer’s disease. The album follows the journey of an old man named Henry, which is based upon a relative of songwriter Chris Hathcock who’s real name was Cyrus. The name Henry was chosen as a somewhat more universal name, but also because Henry was one of the Alzheimer’s patients featured prominently in the documentary “Alive Inside”. The concept of the album is to demonstrate Henry’s descent through the seven stages of Alzheimer’s.  He doesn’t know where he is or why he’s there.  He doesn’t remember his wife is dead.  He doesn’t recognize his son.  Step by step the disease takes his memories, his ability to speak, his ability to walk, his ability to breathe.  The music of “The Oubliette” traverses styles as divergent as jazz and black metal all within the framework of emotionally driven progressive metal.  With each track sonically independent from its predecessor, the album moves the listener from experience to experience, vague memories to dreams and nightmares all toward its heartbreaking finale. Fans and critics alike will be very eager to sink their teeth into another intense emotional outpouring of progressive metal.

Chris Hathcock adds:

“As with my previous album, I hope that ‘The Oubliette’ will provide listeners with a rich and emotionally challenging audio experience.  This is undoubtedly the most ambitious record The Reticent has attempted to date.  The hope is that listeners will be personally affected by the music on a deep level and that it may draw some attention to a disease that is frighteningly prominent but frequently poorly understood.  There will be moments that are soothing and there will be moments that are overwhelming.  The story I have to tell is not a happy one but it is an important one – and it is often through the pain that we find the most profound reflection and calls to action.”  

Today, the band shares the first tale and the second track on the emotionally gripping release “The Captive”.

Hathcock explains:

“The song starts with Henry hearing the orderly instructs him to return to his room as marching drums cadence him to get moving  Now convinced that he is being wrongly imprisoned and believing his wife is being kept from him, Henry begins to oscillate between anger and despair made all the worse by the fact that he still doesn’t understand what’s happening to him. Decidedly aggressive death metal spearheads the track before Henry’s anger falls into a defeated frustration represented by the pensive midsection.”

Watch and listen to the video for “The Captive” via its premiere on MetalInjection HERE.

“The Oubliette” is due out via Heaven & Hell Records on September 25, 2020.

Album Pre-Order HERE.


Track Listing:
1. Stage 1 – His Name Is Henry (9:46)
2. Stage 2 – The Captive (6:00)
3. Stage 3 – The Palliative Breath (7:13)
4. Stage 4 – The Dream (11:47)
5. Stage 5 – The Nightmare (12:14)
6. Stage 6 – The Oubliette (10:38)
7. Stage 7 – ________ (6:10)
Album Length: 1:03:50

Album Band Line Up:
Chris Hathcock – Guitars, Bass, Keyboards, Drums, Vocals, Additional Percussion
James Nelson – Lead Guitars

Live Band Line Up:
Chris Hathcock – Vocals, Guitar
James Nelson – Lead Guitar, Backing Vocals
Cliff Stankiewicz – Bass
Mitch Moore – Drums

For more info:
HeavenandHellRecords.com
TheReticent.net
EPK

– 30 –

“First-rate Progressive Metal, technically high-standing and delivered with a very high level of genuine emotion and passion.” – Rock Music Raider, review of “On the Eve of a Goodbye”

“…The fact is On the Eve of a Goodbye is one of the best concept albums of recent memory” – Angry Metal Guy, review of “On the Eve of a Goodbye”

“This record is why I listen to music.” – The Gauntlet, review of “On the Eve of a Goodbye”

“The Reticent is progressive in the truest sense of the term, and remains one of the best-kept secrets in metal…Once again, The Reticent delivers a stirring and unforgettable album that will absolutely appeal to fans of Opeth (especially Damnation and Heritage-era Opeth), Porcupine Tree, Tool, A Perfect Circle, Katatonia and Anathema.” – Hard Rock Haven, review of “Le Temps Detruit Tout”

“The Reticent’s On the Eve of a Goodbye took me by surprise and proceeded to floor me in all its heartbreaking, sophisticated glory” – Teeth of the Divine, review of “On the Eve of a Goodbye”

“I can safely say that this album stands with any classic concept album that people will try and compare it with” – Power of Metal, review of “On the Eve of a Goodbye”

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Skyless Aeons Present Dissonant Hymns For Global Catastrophe With “Drain The Sun”; Premiere First Single “Go Forth and Multiply” via GhostCultMag; New Album “Drain The Sun” Out October 2nd

  • August 19, 2020
  • by Asher
  • · Music News · Skyless Aeons

(contact info below)

 

NEWS RELEASE

Montreal, QC – August 19, 2020

 

Interview request at asher[@]ashermediarelations[.]com

For fans of Opeth, Dark Tranquillity, Death, Garden of Shadows, Dissection

Skyless Aeons Present Dissonant Hymns For Global Catastrophe With “Drain The Sun”

Premiere First Single “Go Forth and Multiply” via GhostCultMag

New Album “Drain The Sun” Out October 2nd


L-R: Stefan Oliva (Bass), Nicholas Luck (Guitars/Vocals), Nathan Ferreira (Lead Vocals), Martin Burchill (Drums)
Photo Credit: Skye Camara

Hailing from London, Canada, Skyless Aeons bring forth a unique blend of extreme metal styles with their first full-length album “Drain The Sun” due out October 2nd, 2020.

Meticulous and methodical, the writing process for “Drain The Sun” was roughly two years long, the songs being shaped and directed according to the concept the band created. The band shares the inspiration being the album:

“Our inspiration comes from the faults in the human condition we encounter in our everyday lives: greed, over-consumption, over-population, the failure to recognize our dogmatic beliefs are wrong leading to division. The music serves as a warning call to what will happen if we fail to recognize the error of our ways, some of which we already see happening in civil unrest.”

Compared to the initial release, the new offering maintains the chunky melodic death metal riffing and occasional black metal flourishes of the previous, but also has much more detailed and structured songwriting, much tighter musicianship and higher-quality production values.

The anti-natalist single, “Go Forth and Multiply” is a short, sweet punch to the gut that came together in a fit of inspiration. It speaks of humanity’s relentless desire to multiply and overpopulate, creating a world full of defective minds that never wanted to be born, with nothing better to do than populate the earth further. The song shows up, hits hard, and leaves, and it’s the best sneak preview for some of the musical and lyrical themes that are explored in greater depth on the album.

Dark, focused, and tense, Skyless Aeons is recommended for fans of Opeth, Dark Tranquillity, Death, and Swallow the Sun.

Listen to “Go Forth and Multiply” via its premiere on GhostCultMag HERE.

Album pre-order on Bandcamp.


Track Listing:
1. Ascension Towards Nothing (6:30)
2. A Consciousness Decays (7:09)
3. Go Forth and Multiply (3:19)
4. The Age of Regression (7:32)
5. Dimensional Entrapment (6:31)
6. Path of Desolation (6:15)
7. Drain The Sun (8:05)
Album Length: 45:23

More info:
Facebook.com/SkylessAeons
EPK

About:

Around 2014, guitarist Nicholas Luck and drummer Martin Burchill met as a result of an errant bus ride in London, Canada. At this time, Burchill was looking for a stable project after drumming in various rock/punk/metal bands over the last decade or so, and Luck, only 18 at the time, was looking to start a death metal band.

Vocalist Nathan Ferreira and bassist Steve Oliva followed shortly after and with a scathing collective disdain for the larger structures of society and a commitment to constant evolution in sound and ethos the band recorded and released the “Era of Famine” EP in 2016.

The band has already gained a reputation through local shows as one of the more unique and energetic death metal bands in the scene, opening up for artists such as Ashbringer, The Convalescence, Nesseria, and Killitorous – a wide variety of styles, yet somehow, Skyless Aeons shares musical similarities with all of them.

At a live show, one can expect certain synchronicity and chemistry that can only come from years of experience and practice feeding off of each other’s ideas. Couple that with vocalist Ferreira’s on-stage recklessness mixed with unusually sardonic and self-deprecating stage banter, and it’s no surprise that Skyless Aeons are gaining notoriety and drawing more and more people to their local performances as of late.

2020 brings a new album “Drain the Sun”; it takes a different approach, using much heavier and expansive riffing textures and shows refining and maturation of the band’s identity. It can best be described as “; progressive death metal” with some dissonant, doom-influenced leanings.

– 30 –

“This debut EP by Skyless Aeons is monstrous. 35-minutes and four sweeping songs worth of intense songs blackened-death: riffs aplenty, interesting transitions, and solos smothered by a lead-heavy old-school sounding production. The vocals are inhuman and loud in the mix fluctuating from mid-to-high range shrieks similar to Anaal Nathrakh to mid-range growls. There are moments of real technical efficiency – think Gorguts and Mithras – along with an atmospheric undertone akin to Ulcerate and Flourishing. I highly recommend.” – Akerblogger

“There’s a rich diversity to Skyless Aeons’ music, even though their material is cohesive and doesn’t feel the need to go into extra clean, girlfriend metal territories to get the point across. The four tracks (all between seven to eleven minutes) are progressive affairs without too much fluff. The guitars of Nicholas Luck alternate between early 90s tremolos, a modern dissonant approach to black metal and a healthy dose of melancholic Nordic melodic death metal and he plays everything well.”  – Metantoine’s Magickal Realm

—

ASHER MEDIA RELATIONS
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0 Toronto’s Prospects Announce Intriguing New Prog Track “Orphic Trigger” Off EP “Recalling”

  • August 7, 2020
  • by Asher
  • · Music News · Prospects

(contact info below)

NEWS RELEASE

Montreal, QC – August 7, 2020

For fans Between The Buried And Me, The Contortionist, Opeth, Protest The Hero

Toronto’s Prospects Announce Intriguing New Prog Track “Orphic Trigger” Off EP “Recalling”

EP “Recalling” Out September 4th

Progressive metal act Prospects have unleashed a new single “Orphic Trigger” coming from the upcoming four-track EP “Recalling” due out September 4th, 2020.

Founded in 2014 by multi-instrumentalists Robert Medeiros, Prospects combines influences from acts like Opeth and The Contortionist for chillingly heavy tracks with multiple layers. In a niche, but thriving genre, the band aims to broaden their horizons and bring together fans from different backgrounds, united by a love of heavy and experimental music. The band explains one of the unique challenges they had when recording this album:

“Since there is some distance between band members, we all recorded/tracked the instrumentals on our own, compiled them into an organized folder, and sent them to be mixed and mastered by Jamie King. Vocals were recorded by Mike Indovina.”

“Orphic Trigger” can be enjoyed as individual songs or as an entire EP experience; with only 4 songs, but 32 minutes of audio you can rest assured that each song is its own adventure entirely. Even though there are snippets of a storyline from the previous album, 2017’s “Calling Of A Red Bird”, they all feel original and cohesive.

With Medeiros on vocals, keys, and guitar, Matt Dalton on guitar and vocals, drummer Anthony Zicari and bassist Mathew Lothian, Prospects builds a catalogue of melodic and rhythmic interest, looking outside of metal to genres like jazz, orchestral, and world music for further inspiration. Perfect for deep thinking, subculture aficionados, lovers of the outdoors, hipsters, and geeks, Prospects weaves together technicality with melody.

For fans of Between The Buried And Me, The Contortionist and Opeth, Prospects is heavy, melodic, and exotic.

“Orphic Trigger” is now available as of August 7, 2020 and can be heard on the following links:
YouTube
Bandcamp
IGTV

along with Spotify, Apple Music, Google Play, Amazon HERE.

The full “Recalling” EP will be released on September 4, 2020.

Band Line Up:
Robert Medeiros – Guitar/Keys/Vocals
Matt Dalton – Guitar/Vocals
Matthew Lothian – Bass
Anthony Zicari – Drums

For more info:
Facebook.com/prospectsmusicoffical
Instagram.com/prospectsband
EPKAbout:
Prospects is a Toronto progressive metal band founded in 2014 by multi-instrumentalist Robert Medeiros. Generally inspired by modern metal and acts from numerous other genres Prospects released their debut “The Calling of a Red Bird” in 2017 as a foray into the plethora of bedroom level studio albums.

Following this advent, Medeiros took a short hiatus to refine his songwriting and production skills. He would meet guitarist Matt Dalton in 2019 and form the initial line up with Mathew Lothian on bass shortly after.

With the initial 2017 release of Calling of a Red Bird utilizing midi drums, the group was looking for a real drummer that could fill the role. After posting in several online forums and Facebook groups, it wasn’t too long before finding drummer Anthony Zicari and things fell into place.

As rehearsals became a regular thing and a few songs started shaping up the band aimed to find their way onto local bills around the GTA (greater Toronto area).

Back to the recording sessions, the band has been working on their new EP “Recalling” expected for release in 2020. Working with Jamie King (Between The Buried And Me, The Contortionist, Etc) for mixing and mastering, the band is confident a great product for the masses. The EP “Recalling” is a collection of old and new material, showcasing where the band has come from, but also where they are heading!

– 30 –

—

ASHER MEDIA RELATIONS
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0 Rockshots Records: Progressive Death ISLE OF THE CROSS New Music Video ‘The Wolf’ Debut Album “Excelsis” Out Now!

  • July 16, 2020
  • by Asher
  • · Isle of The Cross · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – July 16, 2020

Interview Request at asher[@]ashermediarelations[.]com

For fans of Symphony X, Ayreon, Opeth

Rockshots Records: ISLE OF THE CROSS New Music Video ‘The Wolf’

Debut Album “Excelsis” Out Now!

Progressive-death metal band ISLE OF THE CROSS have unleashed their new video ‘The Wolf’ in support of their debut album “Excelsis” released this past February via Rockshots Records.

The video is for tracks “The Wolf, Pt I. Invocation” and “The Wolf, Pt II. Sanctuary”.

Watch the video at this link HERE.  

The band explains in further detail:

“The two ‘Wolf’ tracks take a little diversion from the storyline on the album in order to pay homage and deliver a message to a small parish that celebrated its 50th anniversary this year.

‘The Wolf, Pt I. Invocation’ is an octagonal ritual where the leader welcomes and initiates the obliteration of the innocent minds of children. ‘The Wolf, Pt II. Sanctuary’ is a direct message to the small parish previously mentioned and quite timely as they celebrate their 50th anniversary this year. Though it truly is a universal message to all leaders and followers of religious sects and cults who are so violently overcome by their own self-righteous pride and arrogance; having a form of Godliness and blindly believing through their own willing enslavement that they are actually ‘serving God.’ One of the cardinal sins in the world and one radicals’ are highly fond of, is the brainwashing and tormenting of an innocent mind; especially that of a child. Though redemption is never too far of a reach for any of us and so of utmost importance is the closing monologue.”

Infusing a blend from the avant-garde realms of extreme, symphonic, melodic, and technical death-metal, ISLE OF THE CROSS is led by composer and multi-instrumentalist Je Schneider.

The debut full length “Excelsis” is a concept release based on a tale of two lovers amidst betrayal, murder and their search to reunite in the afterlife. From the immediate and vicious thrust of the opening track ‘Sacrifice’, the listener is quickly catapulted into an enigmatic journey of sonic power. From the furious to the melodious opuses on the album, the listener is enveloped in a dynamic exploration until the very end. At the heart of ISLE OF THE CROSS is the conveyance of depth, poignancy, and redemption through the endurance of tragedy.

‘Excelsis’ was produced, mixed and mastered by Je Schneider.
Album available at the following links:
Rockshots Records’ official store – (CD)
Spotify, Apple Music, Amazon, Google Play HERE.


Track Listing:
1. Sacrifice (4:14)
2. Tartarus (8:25)
3. Excelsis (4:35)
4. The Wolf, Pt. I. Invocation (1:09)
5. The Wolf, Pt. II. Sanctuary (7:20)
6. Stars (6:25)
7. Empyrean (7:42)
8. Paradigm (4:21)
9. Breatheia (5:57)
10. The 9th Circle, Pt. I. Caina (2:28)
11. The 9th Circle, Pt. II. Judecca (0:53)
12. The 9th Circle, Pt. III. Inferno (8:34)
Album Length: 1:02:04

ISLE OF THE CROSS is:
Je Schneider – Lead Songwriter & Lyricist, Multi-Instrumentalist, Vocalist
Eric Gillette – Lead Guitar
Diane Lee – Vocals
Eric Castiglia – Vocals

For more info:
Rockshots.eu
IsleofTheCross.net
Facebook.com/Isleofthecross

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Montreal Progressive Death MESSORA Premiere Music Video ‘The Door’

  • July 10, 2020
  • by Asher
  • · Messora · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – July 10, 2020

 

 

For fans of Opeth, Children of Bodom, Lamb of God, Psycroptic, Gojira

Montreal Progressive Death MESSORA Premiere Music Video ‘The Door’

Debut Album ‘The Door’ Out Now!

  

Photo Credit: Vladim Vilain

Unleashing the debut album “The Door” this past October, Montreal’s Messora are excited to share the new music video for the album’s title track. Produced entirely by the band and a group of friends, the conception and production of the video was a massive undertaking for them.

“It is a collection of imagery and aesthetics meant to reflect and enhance the sounds and themes of “The Door”. We are extremely pleased and proud to be able to share it today.” says vocalist/guitarist Zach Dean.

The music video for “The Door” can be viewed via its premiere on BeheadingTheTraitor HERE.

Formed as a solo recording project in 2016 in Montréal, Québec, Messora has become a band that obscures and challenges genres. To the band, the music comes as what feels best in the moment. To the fans, it is a kaleidoscope of sound that appears different at every glance and to every eye.

Messora has been described as Death Metal, Black Metal, Thrash Metal, Progressive Metal, Melodic Metal, and Doom Metal by fans and showgoers. The elements that make up the music may seem familiar to some, yet the whole remains a challenge to define.

The band knows how to set themselves apart from others musically as well as aesthetically, with showmanship and presentation second only to musical performance during their live show. They demand attention with their presentation, but keep it with the strength of their performance and musicianship. Having shared the stage with bands such as Carach Angren, Mors Principium Est, and Wolfheart, Messora always delivers, visually, aesthetically and musically.

During October 2019, Messora released their debut album “The Door”. The album shifts between genres, and creates a visceral atmosphere that can’t be confined to a single category, be prepared to hear death, melodic, doom, and progressive elements throughout the seven tracks on the album. Looking to challenge listeners, Messora presents an album that requires attention and an open mind, as Zach Dean quotes:

“I am trying to present fans with a record that you listen to front to back and come out of feeling different. Maybe not even different, maybe just more like yourself. The album as a whole is very varied musically while remaining focused and tight. It’s very clearly a metal album but you can hear that we want to go to different places and incorporate different influences throughout the record. Most of the songs are very long and have very complicated structures and changes, but it’s always meant to feel right and musical rather than abrupt and meaningless.”

Any metal lover who craves proggy and dark music especially along the lines of Opeth, Psycroptic, and Gojira will find Messora to their liking.

“The Door” is available on Bandcamp, Spotify, Apple Music.


Track Listing:
1. The Door (6:04)
2. Tethered (1:34)
3. The Veil (9:40)
4. The Falling Star (8:48)
5. The Pond (5:30)
6. Untethered (3:31)
7. The Tide (9:08)
Album Length: 44:19

More info:
Facebook
Instagram
EPK

– 30 –

“When the album is at its fiercest, I get a distinct GOJIRA vibe…those hard as ice riffs, sterile vocals, and punishing sound.” 8/10 – Metal Temple
“Messora constantly find new directions, evolving their music from one side to the other and back. The fact they can do it flawlessly is a joy [8/10] ” – Metal Noise

“The music is technical, brutal, thoughtful, and emotional; taking the listener on a singular journey to the recesses of your mind… This is music for your ears and soul, so purchase and stream the album at the links below.” – Ghost Cult Mag

“The Door is one record you certainly check out if you want nothing but solid tracks all the way through. This record will certainly put Messora on the metal map.” – Metal Utopia

“Promising career start for the Canadian quartet” – Broken Tomb Magazine

“truly exceptionally talented musicianship that is simply a heavy work of art.” – Boston Rock Radio

“Combining a variety of genres, the group made good impressions on those who shows up early with their tight musicianship and ability to change pace on a moment’s notice” – Apt 613

“… Messora was a whirlwind on stage. It was hard to believe that a half hour had passed when they began to play their final song, as each song had layered onto each other leaving viewers with a feeling that the experience was almost surreal.”- Splice Media Group

 

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher(@)ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia
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0 Cinematic Prog Alizarin Streaming New Album “The Last Semblance” via SonicPerspectives

  • July 8, 2020
  • by Asher
  • · Alizarin · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – July 8, 2020

 

Interview Request at asher[@]ashermediarelations[.]comFor fans of Opeth, Haken, Porcupine Tree, Alice in Chains, Nevermore

Cinematic Prog Alizarin Streaming New Album “The Last Semblance”

Album Stream Premiere via SonicPerspectives

New Album “The Last Semblance” Out July 10, 2020

L-R: Jon Damon (Drums) | Josh Kay (Guitars & Vocals) | Avelino Ramirez (Keyboards) | Terran Fernandez (Bass & Backing Vocals)

Photographer credits: Rob Aft & Christian Robles

On Friday, July 10th, cinematic rock metallers Alizarin will be releasing their sophomore album “The Last Semblance”. Unlike their strictly instrumental debut record “Cast Zenith” (2018), this next release features prominent vocals throughout from guitarist Josh Kay. Rich harmonies and baritone resonance from Kay’s voice add a new dimension to the music, allowing the band’s sound to expand to truly uncharted territory.

The album covers a wide spectrum of sonic landscapes and emphasizes the melodic journey over deliberate technique. Although vocalist and guitarist Joshua Kay is the chief songwriter of Alizarin, the compositions on the new record focus on a balance from each instrument, with less of an emphasis on the domination of guitar solos and a greater exploration of what each musician is capable of. Drawing influence from such groups as Porcupine Tree, Haken, Alice in Chains, Opeth, Portishead, and many more, the result of Alizarin‘s sound is one that is challenging to define, pensive, and often at the crossroads of melody and dissonance.

Today, before the album’s official release, the band has teamed up with SonicPerspectives for the full stream premiere of “The Last Semblance” HERE.

Kay adds:

“We are extremely excited and proud to present our new album ‘The Last Semblance’, a record that defies the expectations of modern progressive music and offers something for every listener. This music takes our brand of cinematic metal we began on our debut record and expands upon it in every single way. Rich and dramatic compositions, unorthodox chord progressions, lush vocals and harmonies, and compelling melodies abound on our new album. We wanted to stand out from our peers and offer something that will be immediately memorable and captivating, yet will continue to reveal new layers of depth upon every listen.”

“The Last Semblance” will be available on Bandcamp (CD and Digital), Spotify, and Apple Music.

Born out of the forward-thinking inclinations of guitarist/vocalist Josh Kay in late 2017, Alizarin is on a mission to explore unconventional rock music. In addition to Kay, the Los Angeles based group consists of Jon Damon on drums, Terran Fernandez on bass guitar and Avelino Ramirez on keyboard.


Track Listing:
1. Elegy Simulacra (7:55)
2. Fathom (6:53)
3. A Wreath of Temperance (6:40)
4. Velvet Margin (5:12)
5. Heirloom (5:35)
6. Zero Sum (7:03)
7. Attenuation (10:36)
8. The Ivory Silo (8:48)
Album Length: 58:46

Album Credits:
• All songs performed by: Alizarin
• All songs written by: Josh Kay
• Produced by: Josh Kay and Alizarin
• Mixed by: Josh Kay
• Mastered by: Jamie King
• Album Artwork by: Josh Kay

Album and Live Band Line Up:
Josh Kay – Guitars and vocals
Jon Damon – Drums
Terran Fernandez – Bass and backing vocals
Avelino Ramirez – Keyboards

For more info:
Alizarinmusic.com
Facebook.com/alizaringroup
Instagram.com/alizarinband
EPK

– 30 –

“in a musical world swollen with progressive bands, Alizarin is a welcome and refreshing alternative, and and The Last Semblance an entertaining listen. Recommended. 4/5” – Dangerdog Music Reviews

“ALIZARIN play scintillating prog-metal and create a sonic soundscape.” – RAMzine

“While some of the material is more fitting to be described as “cinematic rock” due to the instrumental muzak feel of the songs’ structure, this album possesses the punch of a Dream Theater release and the momentum of a King Crimson record.” – Metal Injection (Album Review – Cast Zenith)

—

ASHER MEDIA RELATIONS
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asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Cinematic Prog Alizarin Premiere Single ‘Heirloom’ via TheProgSpace; New Album “The Last Semblance” Out July 10, 2020

  • June 17, 2020
  • by Asher
  • · Alizarin · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – June 17, 2020

For fans of Opeth, Haken, Porcupine Tree, Alice in Chains, Nevermore

Cinematic Prog Alizarin Premiere Single ‘Heirloom’ via TheProgSpace

New Album “The Last Semblance” Out July 10, 2020

L-R: Jon Damon (Drums) | Josh Kay (Guitars & Vocals) | Avelino Ramirez (Keyboards) | Terran Fernandez (Bass & Backing Vocals)

Photographer credits: Rob Aft & Christian Robles

Cinematic rock metallers Alizarin announce they will be releasing their sophomore album “The Last Semblance” on July 10, 2020 and are excited to share the full length’s third single ‘Heirloom’. The track is one of the heavier, more energetic, and harder-hitting songs with some of the strongest vocal parts and strangest grooves on the album.

Today, the band has teamed up with TheProgSpace for the premiere of ‘Heirloom’ HERE.

Vocalist/guitarist Josh Kay explains the track in further detail:

“It is one of the most heavy-hitting, catchy, and melodic tunes that also captures many of the approaches we incorporate. “Heirloom” almost steps into power metal territory, while still holding a firm footing in groove-oriented progressive metal. Thematically, the song considers the timeline of humanity and our intellectual evolution. It looks at humans as emotionally charged and proud “adolescents” of sorts on this timeline, with a long way to go to find a more harmonious existence, if that time ever arrives. ”

Born out of the forward-thinking inclinations of guitarist/vocalist Josh Kay in late 2017, Alizarin is on a mission to explore unconventional rock music. In addition to Kay, the Los Angeles based group consists of Jon Damon on drums, Terran Fernandez on bass guitar and Avelino Ramirez on keyboard.

Alizarin released their first full-length album, titled “Cast Zenith”, in 2018 and is preparing to release their new album “The Last Semblance” in summer 2020. Unlike their strictly instrumental debut record, this follow up release features prominent vocals throughout. Rich harmonies and baritone resonance from Kay’s voice add a new dimension to the music, allowing the band’s sound to expand to truly uncharted territory.

“The Last Semblance” covers a wide spectrum of sonic landscapes and emphasizes the melodic journey over deliberate technique. Although Kay is the chief songwriter of Alizarin, the compositions on the new record focus on a balance of each instrument, with less of an emphasis on the domination of guitar solos and a greater exploration of what each musician is capable of. The album draws influence from such groups as Porcupine Tree, Haken, Alice in Chains, Opeth, Portishead, and many more. The results are a sound that is challenging to define, pensive, and often at the crossroads of melody and dissonance.

Kay adds:

“The album is a work of cinematic progressive metal, centered around brooding melodies and wrapped in epic compositions. There are influences from many styles of music, many beyond metal as well. The music is very melody-driven, with technical aspects in moderation woven into the larger song structures. The chords, melodies, and arrangements are meant to be unpredictable, unconventional, and compelling while remaining extremely listenable and catchy.“

Album pre-order HERE along with an immediate download of singles ‘Heirloom’, ‘Velvet Margin’, and ‘Elegy Simulacra’ plus their previous release “Cast Zenith” available on Spotify and iTunes.


Track Listing:
1. Elegy Simulacra (7:55)
2. Fathom (6:53)
3. A Wreath of Temperance (6:40)
4. Velvet Margin (5:12)
5. Heirloom (5:35)
6. Zero Sum (7:03)
7. Attenuation (10:36)
8. The Ivory Silo (8:48)
Album Length: 58:46

Album Credits:
• All songs performed by: Alizarin
• All songs written by: Josh Kay
• Produced by: Josh Kay and Alizarin
• Mixed by: Josh Kay
• Mastered by: Jamie King
• Album Artwork by: Josh Kay

Album and Live Band Line Up:
Josh Kay – Guitars and vocals
Jon Damon – Drums
Terran Fernandez – Bass and backing vocals
Avelino Ramirez – Keyboards

For more info:
Alizarinmusic.com
Facebook.com/alizaringroup
Instagram.com/alizarinband
EPK

– 30 –

“If you like true prog with many deep routed jazz rhythm changes, close harmonies, and unexpected cadences, this is certainly the album for you. It has a classic sound, which reminds me very much of bands like The Enid and Rush, but also is heavily influenced by more recent developments like Opeth.” – Ever Metal  (Album Review – The Last Semblance)

“While some of the material is more fitting to be described as “cinematic rock” due to the instrumental muzak feel of the songs’ structure, this album possesses the punch of a Dream Theater release and the momentum of a King Crimson record.” – Metal Injection (Album Review – Cast Zenith)

“‘Cast Zenith’ is music that has intelligence and depth, music that takes the listener on an involving journey. This is a great start from this impressive trio and one which promises much for the future, Alizarin are a band that we definitely need to keep an eye on.” – Prog Radar  (Album Review – Cast Zenith)

“Creating songs that can grip the standard listener and help expand their ideas and thoughts on what music should and can be. That’s what makes great prog truly great, and on that note the debut album Cast Zenith is a great album by a fantastic band.” – Metal Assault (Album Review – Cast Zenith)

“There is a lightness, space and confidence on this album, and it certainly doesn’t come across as a self-released debut, but rather from guys who have been around the block. Jazzy prog metal (love the distorted chorded fretless bass on “Anomaly”) which is worth hearing.” – Progressor (Album Review – Cast Zenith)

“There is plenty of variety on this all-instrumental debut. Alizarin have produced a stunning debut, showing compositional chops and instrumental prowess.” – Progressive Rock Fanatics (Album Review – Cast Zenith)

—

ASHER MEDIA RELATIONS
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asher[@]ashermediarelations[.]com
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