Tag: Opeth

0 “Watch The Weather Change” The New Music Video From Progressive Collective LUNAR (ft. members from Helion Prime, Beholder, Mokili Wa) Off Fourth Studio Album “Tempora Mutantur” Out Jan 2025

November 22, 2024
by Asher
· Lunar · Music News

NEWS RELEASE

Montreal, QC – November 22, 2024

“Watch The Weather Change” The New Music Video From Progressive Collective LUNAR

ft. members Helion Prime, Beholder, Vis Mystica, Mokili Wa, Nordic Frost, Outloud, Double Vision

Fourth Studio Album “Tempora Mutantur” Out Jan 2025 via Saibot Reigns Records

Making Live Debut at Hyperspace Metal Festival 2025 (Vancouver, BC) – April 11th

Top 1st Row – Ryan Price – Bass, Alex Bosson – Drums
Middle 2nd Row – Connor McCray – Lead Guitar, Chandler Mogel – Clean Vocals
Bottom 3rd Row – Carlos Alvarez – Rhythm Guitar, Brian Lewis – Growl Vocals, Anthony Stahl – Keyboards

Progressive collective LUNAR, founded by drummer Alex Bosson (Helion Prime, Planeswalker) and Ryan Erwin who passed in 2018 and continues in his memory to present their fourth full-length “Tempora Mutantur” to follow 2023’s “The Illusionist”.

For this new record, there’s a fresh lineup to change it up from their previous one with the addition of guitarists Carlos Alvarez and Connor McCray (Vis Mystica) along with keyboardist Anthony Stahl plus album guests Wayne Ingram (Wildrun), Joe Gullace (Thank You Scientist) and Sam Vallen (Caligula’s Horse).

A collaboration of musical minds, and with anything LUNAR does; “Tempora Mutantur” is an emotional thematic listening experience with lots of ups and downs musically and lyrically dealing with the passing of time and the effects it has on us physically and mentally.

Originally the album was to be a 4 track EP with seasonal concepts, but as the cooperative wrote more and more, they decided they wanted it to be more and have some general passing of time themes as well, so they pushed forward with a full album experience.

“This album deals with something everyone can relate to and no one can escape: the passing of time. We get older, our perspective changes, and we gain some things, and lose others… sometimes the things and ones we love. And we struggle and fight along the way. This album deals with some of the highs and lows we deal with along this journey we all share. Hopefully, the fans will be able to resonate with it and find some solace and aid in their own experiences of time passing. I believe the songwriting has gotten stronger over the years. I think the songs are a bit more well-structured. But I think the overall sound of the band has remained pretty consistent over the years. The music is very “prog,” so it’s been diverse I think from day 1. Probably even more so now than it was at first.” adds Bosson.

Today, LUNAR presents its first single “Watch The Weather Change” accompanied by a music video. The closing track of the album speaks of dealing with denial and mental vacancy.

“While this is technically the last of a 3 part song on the album, I felt this song encapsulates the feeling of the album best. It has some wonderful shreddy sections on each instrument, a simpler structure with a mix of heavy elements of growl vocals, and a good catchy chorus. This was the first time we’ve ever been able to shoot an actual band footage music video overlooking a beautiful Los Angeles skyline. We shot this footage almost a year ago and I’m excited to get to share it with the world!” adds Bosson.

Watch and listen to the video for “Watch The Weather Change” at https://youtu.be/WKdnZD_DJsE

Spotify – https://spoti.fi/4g0ita5

Recommended for fans of Opeth, Caligula’s Horse, Haken, Tool, and Porcupine Tree, LUNAR’s fourth studio album “Tempora Mutantur” is due out January 31, 2025, from Saibot Reigns Records.

Album pre-order – http://lunarbandofficial.bandcamp.com/

A studio project since first conceived in 2014, LUNAR will make its live debut next year at the 2025 Hyperspace Metal Festival in Vancouver, BC, Canada on April 11th. Info here.

(Album Artwork by Ed Bosson)

Track Listing:
1. A Summer To Forget – 6:37
2. Fall Back Into Old Habits – 11:16 ft. guest guitar solo by Wayne Ingram (Wilderun)
3. Seasonal Interlude – 4:47
4. Weakening Winter Touch – 8:46
5. Spring In My Step – 7:26
6. Tempora Mutantur: Part I – Passage of Time – 3:12 ft. guest guitar solo by Sam Vallen (Caligula’s Horse)
7. Tempora Mutantur: Part II – Broken Pendulum – 3:47
8. Tempora Mutantur: Part III – Watch The Weather Change – 4:51
Album Length: 50:45

Album Credits:
Performance and Writing credits – full info HERE.
Produced by: Alex Bosson
Mixed by: Carlos Alvarez
Mastered by: Tony Lindgren

Album Main Lineup:
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Carlos Alvarez – Rhythm Guitar
Connor McCray – Lead Guitar
Ryan Price – Bass
Alex Bosson – Drums
Anthony Stahl – Keyboards

Live Lineup:
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Jordan Price – Guitars
Ryan Price – Bass
Alex Bosson – Drums

For more info: Facebook.com/lunarbandofficial | Instagram.com/lunarbandofficial | X.com/LunarBandOffcl

– 30 –

“It’s really well done technically by a band that clearly cares about their music and can play.” – Rock The Joint Mag (The Illusionist 2023)

“If I had one word to describe this album, it would be this one: whirlwind… “The Illusionist” is an album that is living. From its jazzy highs to its heavy metal lows, this album is constantly on its toes, never repeating itself and never, ever growing complacent. A wonderful whirlwind indeed. 9/10” – Ever Metal

“I feel like Lunar has captured the balance between accessibility and technicality very well. I hear many of the same elements in their sound that, when employed well, make bands like Dream Theater, King Crimson, Voïvod and even Sigh so engaging. I love when an album comes out of nowhere (for me, anyway) and makes this much of an impression.” – The Metal Crypt

“As I said at the start, when I heard this album I was immediately grabbed by it. The story works nicely, it is very character based and features plenty of emotions which as a listener I certainly could relate to. The music is terrific with all the players putting in excellent performances and the instrumentation used in a clever way to match all that is going on with the lead character. There are moments of heavy prog as well as metal, but melody runs through the heart of it. The fact that some of the people in the band have never met or even been in the same room together is remarkable as it sounds like everyone was on the same hymn sheet and it doesn’t sound pieced together. That is a great credit to the writing, arranging as well as all the musicians doing their parts to the benefit of the whole piece. An absolutely delightful as well as enjoyable album.” – CGCM Rock Radio

“The concept is that there are songs that are angry, songs that are confused, songs that are depressed, and everywhere in between. Styles on the album run the gambit from Progressive Metal with melodic vocals, to moments of Jazz, to cookie monster Thrash…. The musicianship is solid on all of the parts, with some excellent performances, notably vocalist Chandler Mogel… it does warrant checking out for Prog-Metal fans that like a mix of growler and melodic vocals.” – Metal Express Radio

“The Illusionist again is at the highest level of the progsphere, Bosson’s continuation of the Lunar name, honouring his co-founder and friend, through the medium of progressive metal, is an advantageous endeavour. 9/10” – Musipedia of Metal

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canadian Proggers THE WRING Showcases Riffs and Fingerwork On New Guitar Video “Blur” + New Album “Nemesis” Out Now!

October 13, 2024
by Asher
· Music News · The Wring

NEWS RELEASE

Montreal, QC – October 13, 2024

Canadian Proggers THE WRING Showcases Riffs and Fingerwork On New Guitar Video “Blur”

New Album “Nemesis” Out Now! via WormHoleDeath Records

The Wring – Album Lineup – L-R – Kyle Brian Abbott – Drums, Don Dewulf – Guitars, Reggie Hache – Bass, Vocals & Keyboards

Canadian proggers The Wring released their much-anticipated fourth studio album “Nemesis” this past September. This album marks a significant step in the band’s journey, showcasing a more cohesive and refined sound that blends their heavy rock roots with progressive and jazz influences. With eight tracks spanning just over 40 minutes, “Nemesis” adds a new, technical twist to progressive metal.

Today, Guitarist Don Dewulf shares his latest video for the instrumental track “Blur” via its premiere on V13.net HERE.

“Frank Zappa once said: “lyrics (in his songs) wouldn’t exist at all if it weren’t for the fact that we live in a society where instrumental music is irrelevant”. As someone who appreciates all forms of very progressive music, but also values Frank’s sentiments, if I am going to create an instrumental, it had better be short and interesting. For me, YYZ is the gold standard with La Villa being a stretched-out older cousin. I like to think Blur checks a few of those boxes and that people will enjoy what it has to say.” adds Dewulf.

The Wring‘s new album “Nemesis” explores themes of external and internal conflict, with each song representing a different facet of our struggles. From the driving intensity of tracks like “Badlands” and “The Sword” to the melodic intricacy of “The Nail” and “Before I Disappear”, the album is a dynamic journey through the band’s musical and lyrical vision. Reggie Hache’s expanded role on vocals, bass, and keyboards brings a new depth to The Wring’s sound, while Dewulf’s guitar work continues to anchor the band’s heavy yet nuanced approach.

Throughout “Nemesis,” the playing is tight, precise, and yet still free-flowing. Each instrument complements the others and often provides a steady hand while the other players move in different directions.

Guitarist Don Dewulf comments:

“Thematically, Nemesis speaks to conflict of all sorts. Musically, there is a similar conflict of musical styles. The central idea of every Wring album is to combine many genres in a single song, so while nothing is new, hopefully, the combination can seem fresh or different. For many listeners, even the most dedicated, certain musical stylings are an onerous listen – jazz, prog, even classical. The idea of Nemesis is to give the listener a way to enjoy odd times, peculiar harmony, and aggressive riffs without having to give up their soul to do it. The backbone of every song is firmly rooted in traditional hard rock so there is always something to grab onto.”

Enjoy “Nemesis” as a metal album, a prog album, a rock album, or even a pseudo-jazz affair; it’s all of those things. It is recommended for fans of Dream Theater, Opeth, and Porcupine Tree.

“Nemesis” was released on September 27, 2024, via Wormholedeath Records, with distribution by Aural/Orchard.

Spotify – https://spoti.fi/3U6DZl0

Bandcamp – https://thewring2.bandcamp.com/album/nemesis

Digital Album – https://orcd.co/nemesispre-save

“The Sword” – Music Video – https://youtu.be/LLkIs2V6BWQ

“The Nail” – Music Video – https://youtu.be/oXZmIOmkU_0

Track Listing:
1. Badlands – 5:13
2. The Nail – 5:29
3. Blur – 4:17
4. The Sword – 5:37
5. Before I Disappear – 4:39
6. Welshrats – 5:18
7. Dark Passenger – 5:20
8. Nemesis – 4:47
Total 40:40

More info: www.thewring.ca | https://www.facebook.com/thewringband | https://www.instagram.com/wringband

-30-

“Prog’s Tracks Of The Week (Aug 16)” – The Sword – The Wring – Prog Magazine

“There is a distinct, and quite energetic, 90s prog feel to Nemesis, reminiscent of bands such as Watchtower and Galactic Cowboys. The songs are loaded with intricate drumming, rock-solid bass playing, and great riffs and solos. Hache’s vocals may not work for everyone but they do for me, making this a super addition to any prog fan’s catalog. 4/5” – Heavy Music HQ

“A lesson in classic and modern prog metal! Had Doug Pinnick and Jim Matheos come together for a joint project in the late 80’s, throwing together the progressive list of one with the groovy cornerstones of the other background band, wouldn’t it be so unlikely that the fantastic output wouldn’t stray too far from the Canadians at THE WRING in terms of sound. The band has already released three notable records in the past and has also attracted international attention with “Spectra” (2022)… THE WRING has already created some exciting moments on “Spectra”; However, “Nemesis” is finally the Champions League format that a trio with such advantages would actually have belonged in from the start. 9/10″ – PowerMetal.de

“Heads up prog-metal fans! Canada’s The Wring have a hot new number with “The Sword” and it’s not messin’ around. An early peak from their forthcoming album “Nemesis” due to drop on Sept. 27th, “The Sword” is complex with high power riffs, solos, a double kick throughout and soaring vocals that makesfor a beast of a track. Catch “The Sword” from The Wring on your Home for the Best New Rock…W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“This album marks a significant step in the band’s journey, showcasing a more cohesive and refined sound that blends their heavy rock roots with progressive and jazz influences. With eight tracks spanning just over 40 minutes, “Nemesis” adds a new, technical twist to progressive metal. – The Prog Space

“recommended to every fan of technically perfect, slightly metallic prog rock, great bass lines” – Betreutes Proggen

“The hard prog songs are powerful and impress in their arrangements. 8/10” – Soundmagnet

“9 years and 4 albums into this band’s career have helped create some astonishing prog metal. It can get as catchy as hard rock radio, it can get as adventurous as jazz metal, and everything in between. I hear as much from bands like Watchtower as I hear as proggier sides of Between The Buried and Me and Cynic. There’s a dark sense of curiosity going on throughout the album that keeps it intriguing. If this sounds like it could be for you (keeping in mind it is all clean vocals), this is more than worth your time. It’s mesmerizing music written without being too wanky and written for the sake of fretboard Olympics, this is authentic. Seriously, give it a spin if you need some throwback but modern prog metal in your life.” – Heavy Debriefings

“The Wring strikes me as a band that explore a variety of progressive rock with a similar attitude as Rush in many ways, but making use of more contemporary impulses as they traverse the landscapes they explore. And I’d hazard a bet that many of the people that find that description interesting will find this album to be an enjoyable one.” – Progressor

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Moncton’s OMNIVIDE Confronts The Destructive Tendencies Of Humanity With Brutal “Opulence” Off Debut Album “A Tale of Fire” Out March 2024

February 7, 2024
by Asher
· Music News · Omnivide

NEWS RELEASE

Montreal, QC – February 7, 2024

Moncton’s OMNIVIDE Confronts The Destructive Tendencies Of Humanity With Brutal “Opulence”

Debut Full-Length “A Tale Of Fire” Out March 22, 2024

L-R – Alex Cormier (Bass), Nicolas Pierre Boudreau (Guitar), Samuel Frenette (Guitar & Vocals), Samuel Lavoie (Keyboards), Marc-André Richard (Drums)

Photo Credit – Deepti Suddul – DeeptiSuddul.com

Moncton, Canada’s Omnivide is a dynamic metal force formed in 2020 by members of the Sunbird project, and they are gearing up for the release of their debut album, “A Tale of Fire”, scheduled for March 2024. Breaking away from paying homage to others to enter the realm of original music, Omnivide fuses progressive metal, death metal, and melodic/symphonic metal into a grandiose, brutal, beautiful, dark, and melancholic sonic experience. Their latest single “Opulence” comes with a band playthrough video and is sure to draw in metal fans with a wide range of backgrounds. The band comments:

“This song is one of the most in-your-face and brutal on the album, having much less of the orchestral elements present throughout most of the songs, as we wanted to have a song that stood in contrast to the rest of the album and provided variety in the pacing and sonic content of the tracks.”

The relentless energy of the music matches the lyrical content, which describes how humans came from the earth but are now polluting it and over-consuming its resources to the point of changing the global climate. It paints a metaphor of humans being gluttons that are taking pieces of the earth for themselves with no self-control or regard for the planet, and the earth shifting from being a fertile ground for human life to actively trying to eradicate a species that has essentially become a parasite.

Omnivide’s goal is to have their music illustrate the brutality and destructive power of nature, which can and will defend itself when threatened, and does so in a ruthless manner that is almost incomprehensible to our human minds. “Opulence” serves as a prime example of their musical diversity, with its relentless energy and thought-provoking lyrics. It is recommended for fans of The Black Dahlia Murder, Opeth, and Alkaloid.

Watch and listen to the band playthrough video for “Opulence” via its premiere on TheProgSpace HERE.

Due out on March 22, 2024, “A Tale of Fire” is available for album pre-save at https://linktr.ee/omnivide.

Lyric Video – “Holy Killer” – https://youtu.be/gwIYIHQK_i0

Spotify – https://spoti.fi/3HR8e91

Track Listing:
1. Clarity – 6:44
2. Opulence – 4.48
3. Desolate – 7:35
4. A Tale of Fire – 5:05
5. Cosmic Convergence – 5:04
6. Holy Killer – 5:06
7. Death Be Not Proud – 6:32
8. Stoned Dragon – 7:45
Album Length: 48:44

More info: Omnivide.ca

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s PHAETON’s Now Streaming Instrumental Prog Space Adventure “Between Two Worlds”

April 20, 2023
by Asher
· Music News · Phaeton

NEWS RELEASE

Montreal, QC – April 20, 2023

Canada’s PHAETON’s Now Streaming Instrumental Prog Space Adventure “Between Two Worlds”

L-R – Colin Righton – Drums & Percussion, Daniel Airth – Lead & Rhythm Guitars, Kevin Thiessen – Lead & Rhythm Guitars, Keyboards, Ferdy Belland – Electric & Fretless Bass
Photo by Julian Bueckert

Get ready to soar through the cosmos with Canada’s Phaeton and their second expansive album “Between Two Worlds”. They anticipate taking their listeners through space and time and feel a complete visceral release that can only be found through progressive metal. They consider this full-length to be a major step up for them and have focused on being sharp and clever to grab people’s ears with melody lines of the twin guitars instead of vocals. They continue to share their excitement for the release:

“We pushed ourselves as musicians, we pushed ourselves as instrumentalists, and we pushed ourselves as a unit to create something that had to at least be on par with the first album – and we surpassed all our expectations. We’re hoping that fans of prog-metal find something enjoyable in these tunes and will urge them into repeat listening, and we hope all the twists and turns and corners and swerves we’ve woven together will surprise and delight. And with us re-energized for live performance, we aim to convince the world that you can say so much…without saying a word.”

There is certainly no ‘sophomore slump’ happening with “Between Two Worlds”, which will accompany listeners on an emotional journey – the classic goal of all instrumental progressive metal. This release is just a taste of what’s to come from Phaeton, who has more material being written.

Phaeton emerged virtually fully formed from the start. As soon as they realized they were onto something explosive and exciting, they followed the blazing comet to the final impact, splitting the hardened crust of progressive metal complacency and bursting forth the white-hot magma of fresh reinvention. “Between Two Worlds” is recommended for fans of Opeth, Gojira, and Meshuggah.

“Between Two Worlds” can be heard in full via its full-stream album premiere on TheProgSpace HERE.

“Between Two Worlds” is due out April 21st, 2023, and available for pre-order at Phaetonband.bandcamp.com

Band playthrough – “Monsoon” – https://youtu.be/-sRzrejyHuA

Track Listing:
1. Predestination – 4:57
2. Oceans of Time – 6:44
3. Terra Australis – 4:42
4. Monsoon – 6:06
5. Refraction – 4:48
6. Geomorphic – 4:51
7. Magma Chamber – 6:09
8. Between Two Worlds – 9:21
Album Length: 47:40

For more info: Facebook.com/Phaetonband | Instagram.com/phaetonband | Twitter.com/phaetonband

About: PHAETON was formed in Kimberley, BC in March 2017 by Kevin Thiessen (lead & rhythm guitar), Daniel Airth (lead & rhythm guitar), Colin Righton (drums & percussion), and Ferdy Belland (electric & fretless bass). Combining technically ferocious compositions of modern metal with the ambitious song-arrangement mindset of classic prog-rock, PHAETON (named for the theoretical proto-planet which collided with Ancient Earth during the Primordial Era) stands alone in the wilderness of British Columbia with their unique approach to instrumental prog-metal.

Phaeton is:
Kevin Thiessen – Lead & Rhythm Guitars, Keyboards
Daniel Airth – Lead & Rhythm Guitars
Ferdy Belland – Electric & Fretless Bass
Colin Righton – Drums & Percussion

Discography
2018 – Self Titled – LP
2023 – Between Two Worlds – LP

– 30 –

“Top-tier instrumental prog-metal-math music from the East Kootenay region performed by a quartet of veteran musicians.” – Stuart Derdeyn (The Vancouver Sun)

“The sound on all seven tracks is huge and if there was a “best sounding hammer-ons” award then March of the Synthetics could be a contender.” – Stuart Derdeyn (The Vancouver Sun)

“An epic Progressive Metal listening experience.” – Trevor Hatter (BeatRoute Magazine)

“This badass band makes a devastating impact with their high velocity musical assault.” – Time Lord (Progarchy)

“A sparkling, sizzling debut from PHAETON, taking us on a futuristic musical journey, with deep roots in the ancient past.” – Stephen Conrad (Progressive Rock Fanatics)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Enter The World of “Antimatter” From Vancouver Orchestral Metal Ensemble OPUS ARISE (ft. members of Svneatr, Thousand Arrows, Ysgaroth)

January 10, 2023
by Asher
· Music News · Opus Arise

NEWS RELEASE

Montreal, QC – January 10, 2023

Enter The World of “Antimatter” From Vancouver Orchestral Metal Ensemble OPUS ARISE (ft. members of Svneatr, Thousand Arrows, Ysgaroth)

New Album “The Network” Out Now!

L-R – Derek Ho – Cello (live only), Matthew Logan – Drums, Violin II, Ellen Smith – Viola, Michelle Gao – Violin I, Kyle Hagen, Shawn Hillman – Guitar, Cello, Matthew Hannah – Keyboards

Photo Credit Jade Weekes

Canadian orchestral metal ensemble Opus Arise (ft. members of Svneatr, Thousand Arrows, Ysgaroth) released their sophomore album “The Network” this past December. The concept record is a cyberpunk tale that brings together classical strings and metal rhythms to create luscious soundscapes to dissonant chaos.

Today, in support of the full-length, the band is sharing their next video for the third track “Antimatter”. The band explains the storyline behind the song:

“After numerous calculations, the protagonist approaches the substation and plays the Antimatter progression. They are immediately scanned and digitized. The moment the song drops into the metal section signifies their entry into the network. The rest of the song follows them individually as they lead their own paths through the network, discovering its capabilities. However, after a bunch of fun and games exploring, they both eventually become curious about their past lives in 2017 and 1976.”

Watch and listen to “Antimatter” via its premiere on MetalInsider HERE.

Vancouver’s Opus Arise‘s latest album, “The Network”, is a cyberpunk world filled with neon lights backed by progressive metal riffs and classical themes. The eight-track record was produced and mastered by Maor Appelbaum; mixed by Ryan Shepard, with the album artwork done by Daniel Reyes. The nine players on the record bring forth their skills on guitar, cello, bass, drums, violin, keyboards, viola, and contrabass in a sometimes collaborative effort, which is primarily composed and scored by Matthew Logan and Matthew Hannah. The drums were recorded in a mansion back in 2018 where the original rehearsal space was, and the same location was used to film the music videos for the singles “Reminiscence”, “Change” and “Inner Skepticism”.

“The Network” has a modern metal influence and different composers from their first album. It is best described as orchestral neo-classical instrumental progressive metal and is recommended for fans who enjoy Powerglove, Scale The Summit, and Animals As Leaders.

“The Network” is available at Opusarise.bandcamp.com, Spotify.

To watch previous music videos, please the band’s YouTube.

Track Listing:
1) Inner Skepticism – 5:50
2) Electric Jungle – 6:02
3) Antimatter – 3:22
4) Digital Soundscape – 4:38
5) Reminiscence – 5:21
6) Change – 5:23
7) Timeshift – 5:21
8) The Unanswered Question – 5:13
Album Length: 41:13

Album Band Lineup:
Shawn Hillman Guitar, Cello on “Digital Soundscape”
James Readman: Guitar
Daniel Carmago: Bass Guitar (Tracks 1-3, 5-7)
Matthew Logan: Drums, Violin II
Matthew Hannah: Keyboards
Michelle Gao: Violin I
Ellen Smith: Viola
Darrell Bennett: Cello
Kyle Hagen: Contrabass, Bass Guitar (Track 8)

For more info:
https://www.facebook.com/opusarise
https://www.instagram.com/opusarise
https://twitter.com/OpusArise

– 30 –

“An instrumental journey with a lot of charisma… Anyone who likes to think outside the box from time to time and likes instrumental music should definitely give “The Network” a try.” – PowerMetal.de

“… this is great progressive music… the album is strongly recommended if you’re open minded and you like your music to sound like a detailed and complex story. Great stuff!” – Metal Rules

“Sometimes there comes a prog metal act with something new or at least different than most others. And Opus Arise surely fits this description! Their songs are instrumental to begin with. But that’s far from all.” – Melodicnet

“A magnificent album, original, inventive and of great musicality.” – Pierre Davidson – A Progressive Life – CFUZ 92.9 FM – Penticton, BC

““Inner Scepticism,” shimmers through the linement of time and brings about an intricate braid.” – The Median Man

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

Unsubscribe | Update your profile | Montreal, QC

0 Out Now! Canadian Cinematic Post / Prog Rock In Solastalgia, EitherWay Debut EP “Morii”

October 8, 2021
by Asher
· In Solastalgia, EitherWay · Music News

NEWS RELEASE

Montreal, QC – October 8, 2021

For fans of Milanku, Mogwai, Godspeed You! Black Emperor, Opeth, Neurosis

Out Now! Canadian Cinematic Post / Prog Rock In Solastalgia, EitherWay Debut EP “Morii”

Montreal, Canada’s In Solastalgia, EitherWay releases the debut EP “Morii”, out now as of Friday, October 8th.

The EP is a visual and instrumental post / progressive rock experience created from the mind of Jean Philippe Hébert. The six-song recording’s goal is to merge together a post-apocalyptic screenshot of a non-utopic universe within its 29-minute atmospheric journey.

“I’m is trying to create a complex, visual listening experience, like a short movie or a trip, in which the music itself changes intensity, emotions and comes in waves, there is a playful side that works with a nostalgic side,” explains Hébert.

Heavily influenced by film scores, In Solastalgia, EitherWay will likely continue further down this path, becoming more and more complex, with bigger arrangements and more instrumentation, when Hébert attends film school.

Stating that he is a rather shy person, it took him some time to get In Solastalgia, EitherWay off the ground. About a year ago, he started showing his music and received enough positive feedback that it encouraged him to go ahead with this project. He also became fascinated by the idea of Solastalgia and the effect that environmental change has on our collective mental health.

In Solastalgia, EitherWay is recommended for fans of Opeth, GodSpeed! You Black Emperor, Russian Circles and Mogwai.

“Morii” is available via Insolastalgiaeitherway.bandcamp.com, Spotify

Show Dates:
Oct 24 – Quebec City, QC – La Source de la Martinière

Track Listing:
1. Good People, Bad Medecin. (4:25)
2. Opia (6:40)
3. Morii (4:45)
4. The Warlike Fox (2:59)
5. Zenozyne (5:39)
6. La Solastalgie (4:36)
EP Length: 29:07

EP Recording Credits:
• All songs performed by: Jean Philippe Hébert and Max Gosselin on Drums
• All songs written by: Jean Philippe Hébert
• Produced by: Jean Philippe Hébert
• Mixed by: Ryan Battistuzzi
• Mastered by: Ryan Battistuzzi
• EP Artwork by: Jean Philippe Hébert and photo by Élise Charbonneau

EP Recording Band Line Up:
Jean Philippe Hébert on guitars, keys and Max Gosselin on Drums

Live Band Line Up:
Jean Philippe Hébert – Guitars
Balloo – Bass
Vithou – Keys
Gabriel – Guitars
Maxu – Drums

More Info:
Facebook.com/In-Solastalgia-EitherWay-113534206766985
Instagram.com/insolastalgiaeitherway
EPK

About:
Jean Philippe Hébert is an academically trained guitarist. Originally from Québec City, JP was educated at Notre-Dame-De-Foy campus, a private college in the outskirts of Quebec capital. He grew up surrounded by nature with one brother and two parents in the medical field.

As a young boy, JP would admire a guitar that had been hung on the wall of his house for ages, until he found the courage to ask for the instrument and some lessons. As a teenager, JP played a lot, concentrating his efforts towards a heavy style of music, until he started college and began studying classical and jazz. He is also a multi-instrumentalist; playing not only guitar but piano, drums and bass as well as banjo, mandolin and other specialized guitars.

His musical abilities landed him many gigs with prominent local Quebec City acts like Elliot Maginot, Lisa Leblanc and Les Soeurs Boulay to name a few. For over a decade now he has been lead guitarist on many of these projects both in-studio and live settings.

He is currently working on a solo project “In Solastalgia EitherWay”, which is the fruit of many years of work; it was built around the philosopher Glenn Albrecht idea that describes a form of emotional or existential distress caused by environmental change. This project combines JP’s love for nature and music. His influences vary from Godspeed You! Black Emperor to Goat and to heavier things like Opeth. You can hear all these worlds colliding in his music, somehow perfectly placed in chaos.

The goal is to have a 6 song EP entitled “MORII” recorded by 2021 that will then be followed by a series of concerts. The concerts themselves will be worked on as moving portraits, as he will work closely on visuals with videographers. This project is both musical and visual.

– 30-

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canadian Cinematic Post / Prog Rock In Solastalgia, EitherWay Announces Debut EP “Morii” Out Oct 8th

September 27, 2021
by Asher
· In Solastalgia, EitherWay · Music News

NEWS RELEASE

Montreal, QC – September 27, 2021

For fans of Milanku, Mogwai, Godspeed You! Black Emperor, Opeth, Neurosis

Canadian Cinematic Post / Prog Rock In Solastalgia, EitherWay Announces Debut EP “Morii” Out Oct 8th

Montreal, Canada’s In Solastalgia, EitherWay is the visual and instrumental post / progressive rock experience created by Jean Philippe Hébert. To introduce himself and his music, he’s unveiling the debut EP “Morii” on Friday, October 8th, 2021.

In Solastalgia, EitherWay goal is to merge together a post-apocalyptic screenshot of a non-utopic universe within a 6-song act.

As Hébert explains, “I’m is trying to create a complex, visual listening experience, like a short movie or a trip, in which the music itself changes intensity, emotions and comes in waves, there is a playful side that works with a nostalgic side.”

In Solastalgia, EitherWay is recommended for fans of Opeth, GodSpeed! You Black Emperor, Russian Circles and Mogwai.

“Morii” will be available as of October 8th via Insolastalgiaeitherway.bandcamp.com.

Music Video – Opia – https://youtu.be/J6jLojmlgfs
Music Video – Morii – https://youtu.be/TqrsvASAK_4

Track Listing:
1. Good People, Bad Medecin. (4:25)
2. Opia (6:40)
3. Morii (4:45)
4. The Warlike Fox (2:59)
5. Zenozyne (5:39)
6. La Solastalgie (4:36)
EP Length: 29:07

EP Recording Band Line Up:
Jean Philippe Hébert on guitars, keys and Max Gosselin on Drums

Live Band Line Up:
Jean Philippe Hébert – Guitars
Balloo – Bass
Vithou – Keys
Gabriel – Guitars
Maxu – Drums

– 30-

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Knoxville’s Summoner’s Circle Are Now Streaming “Chaos Vector”, Album Stream Premiere via ThePit

August 25, 2021
by Asher
· Music News · Summoner's Circle

NEWS RELEASE

Montreal, QC – August 25, 2021

For fans of Dimmu Borgir, Behemoth, Immortal, Opeth, Tribulation

Knoxville’s Summoner’s Circle Are Now Streaming “Chaos Vector”

Album Stream Premiere via ThePit

New Album “Chaos Vector” Out Aug 27th via Blood Blast Distribution

L-R: Invictus (Drums), Y’takt (Bass), Hex (Keys), Blind (Lead Vocals), Gog (Lead Guitar), Azra (Guitar)
Photo Credit: Rachel Craig Media/Joshua Winstead Photography

“Chaos Vector” is a Lovecraftian cosmic horror tale inspired heavily by H.P. Lovecraft’s The Case of Charles Dexter Ward. This latest installment from Summoner Circle‘s growing discography including “Become None” (LP, 2019); “Tome” (LP, 2018); “First Summoning” (EP, 2015).

The new album tells a story of a man who is interested in the occult, gets in way over his head and discovers a plot by ancient gods to pierce his world and bleed it dry. According to the band, this album is heavier than their previous works and, they feel, more musically ambitious. The songs are shorter and easier to digest while being able to convey a wider range of emotions both in the music and lyrical content. The band has been listening to fans and reworking their music to ensure a solid reception for this alum as they explain their own words:

“We’ve taken note as to what songs from our past albums and EP were the most successful; both at the live shows and in what received the most views/listens on various listening platforms. With that in mind, we worked to write a concept album in which the songs were a little shorter and the longer songs had a better flow to make them not feel as long as they are. That being said, this album is a much heavier album, with songs that can be more easily digested without sacrificing the quality of musicianship or technicality. We think the fans will be very satisfied by this offering and it will prove to be a breakout album for us.”

As this is a concept record, the band is intending to take the audience on a journey into something horrifically unknown. The album starts with a heavy punch (“The Message”) that drops to a haunting sense of dread by the next song (“Of Black Horizons”). The third song (“Vessel”) is a dark and moody blackened doom piece that conveys some of the creepiest elements on the full-length. Entering into (“The Hierophants”), the band begins with a melodic, folk vibe that builds back up the heaviness of the first song. That heaviness, that the fans love, carries into the next two songs (Apostasy and Chaos Vector) before hitting that emotional wall of dread and despair in Terminus Egress. This song is meant to complete a part of the story that has a tragic ending. The next song (“Chrysalis”) is an instrumental interlude before the final song (“The Beyond” which is a melodic epic with a crushingly heavy chorus.

This homage to cosmic horror comes with a short story where each song on the album correlates to a chapter in the story, it is capped with beautiful cover art created by French fine artist Yoann Lossel.

Recommended for fans of Immortal, Opeth and Tribulation, “Chaos Vector” is streaming now in full via its premiere on ThePit HERE.

“Chaos Vector” is officially out on August 27th via Blood Blast Distribution.

Album pre-order / save at the following link: https://backl.ink/145841454

Music Video – Chaos Vector – https://youtu.be/hTM_g0dubI8
Lyric Video – Of Black Horizons – https://youtu.be/ttPffSRrXQ4

Track Listing:
1. The Message (1:02)
2. Of Black Horizons (4:00)
3. Vessel (7:34)
4. The Hierophants (5:17)
5. Apostasy (7:45)
6. Chaos Vector (4:05)
7. Terminus Egress (9:12)
8. Chrysalis (1:35)
9. The Beyond (7:43)
Album Length: 48:17

For more info:
Summonerscircle.com
Facebook.com/summonerscircle
Twitter.com/summoners13
Instagram.com/summonerscircle
EPK

About:
“Let the Summoning Begin…”
Summoner’s Circle is a six-piece theatrical metal band that blends elements of doom, death, black and progressive metal into what they refer to as simply Epic Metal.

For the band, every song in an incantation, every live performance is a Summoning, and everything they do is tied intrinsically to the mythology, or lore, they have created. The lore tells the story of the band’s origins, battles of divine conquest and showcases their creativity and vision, which sets the stage for a very entertaining live performance where bigger is better, and Epic is always the standard.

The Summoners released their first EP, entitled First Summoning, in late 2015. This was followed in 2016 by the single, Become None, and its B-side, Minotaur, both of which are included on their debut full-length release entitled Tome, which was released in June of 2018.

In May of 2019, Tome was repackaged and released as Become None via the Pavement Entertainment label.

In the spring of 2019, Summoner’s Circle joined Children of Bodom, Swallow the Sun and Wolfheart as part of Bodom’s Hexed North American Tour, gaining many new fans and excellent reviews.

In June of 2019, the Six signed a worldwide management deal with Extreme Management Group, Inc. who also manages Suffocation, Cattle Decapitation, Misery Index and many others.

Summoner’s Circle’s second full-length album Chaos Vector is scheduled to be released in 2021 and will be accompanied by a Lovecraft-style cosmic horror short story written by the band. Each song is a chapter in the story.

– 30 –

“Summoners’ Circle have the whole package. Their songs are original and memorable, beautifully written, and hook the listener after the first listening. They have a great stage presence, and the theatricality and imagery of their live performances keep the fans talking about their experience way beyond the day of the show. I am honored to work on the production of their upcoming album.” – Yanic Bercier, Ph.D | Endorser of Yamaha Drums, Sabian, Vic Firth, Evans, AKG, RME, True-Systems, Engl, Ddrum

“Hooked the first time I saw this band play! No two shows are the same and I’m always left wanting more. It’s what music and show should be!” – Lee Abney | Pentagram/Place of Skulls

“These guys are serious about what they do and the costumes and imagery match the grandiose sound they produce.” No Clean Singing

“SUMMONER’S CIRCLE’s full-length debut gets near the 75-minute mark, and yet it succeeds in balancing complexity, heaviness, catchiness, mystery and melodrama to make sure its duration does not become overwhelming. an almost perfect record …especially its flawless production and its tight, inventive songwriting.” – Metal Temple

“Summoner’s Circle is the kind of band you go your whole life hoping to hear and when you finally do it’s even better than you expected. They are the culmination of a lifetime spent listening to music and finally finding something that fits where nothing else has. Plus, brutality aside, they’re just a fantastic group of otherworldly beings.” – Josh Martin 94.3 WNFZ

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Catch A Glimpse Of Madness With “Of Black Horizons” Off “Chaos Vector” From Summoner’s Circle, Lyric Video Premiere via MetalInsider

August 5, 2021
by Asher
· Music News · Summoner's Circle

NEWS RELEASE

Montreal, QC – August 5, 2021

For fans of Dimmu Borgir, Behemoth, Immortal, Opeth, Tribulation

Catch A Glimpse Of Madness With “Of Black Horizons” Off “Chaos Vector” From Summoner’s Circle

Lyric Video Premiere via MetalInsider

New Album “Chaos Vector” Out Aug 27th via Blood Blast Distribution

L-R: Invictus (Drums), Y’takt (Bass), Hex (Keys), Blind (Lead Vocals), Gog (Lead Guitar), Azra (Guitar)
Photo Credit: Rachel Craig Media/Joshua Winstead Photography

Knoxville’s Summoner’s Circle are purveyors of doom, horror and epicness channeled through a spectacular theatrical performance that has been playing across the nation since 2015. The latest from the band is a Lovecraftian adjacent cosmic horror concept album “Chaos Vector”. It is their third full-length album following 2019’s “Become None” and 2018’s “Tome”; they now have a second single from this album, entitled “Of Black Horizons”.

The single is the first full song on the album. It opens with a fast and aggressive kick in the jaw and maintains that energy throughout. Lyrically, this song is a warning of impending doom. The band explains further:

“We wanted the album to start with an up-tempo heavy hitter. We wrote this as a future set opener to get the crowd going right from the start. The song is about a cosmic horror vastly older than the very universe and how nothing can stop its insatiable hunger now that it has its many eyes set on our world. No religion, be it perceived as good or evil, can stand up to the very real might of an all-powerful and all cruel elder god.”

Acknowledging that this past year has been difficult for everyone, the band explains the delay in releasing this album:

“We figured early in 2020, before the pandemic hit, that we would finish the album, get it released and immediately get back to touring. That didn’t happen. Now there is hope for the future, and this amazing album we sat on for over a year is finally being released. We couldn’t be happier with how it turned out – a concept album that was first conceived over two years ago is now here.”

“Chaos Vector” was written to tell a story, each song is a chapter in this tale and this album is but a single volume in a larger epic which Summoner’s Circle is continually writing.

Horrific but with a dark and beautiful twist, “Chaos Vector” is not for the faint of heart, but for those who are willing to go on an epic, progressive journey through madness. It is recommended for fans of Behemoth, Immortal and Opeth.

Watch the official lyric video for “Of Black Horizons” via its premiere on MetalInsider HERE.

“Chaos Vector” Album pre-order / save at the following links:
Album – https://backl.ink/145841454
Single “Chaos Vector” – https://backl.ink/146809398
Music video “Chaos Vector” – https://youtu.be/hTM_g0dubI8

For more info:
Summonerscircle.com
Facebook.com/summonerscircle
Twitter.com/summoners13
Instagram.com/summonerscircle
EPK

In May of 2019, Tome was repackaged and released as Become None via the Pavement Entertainment label.

In the spring of 2019, Summoner’s Circle joined Children of Bodom, Swallow the Sun and Wolfheart as part of Bodom’s Hexed North American Tour, gaining many new fans and excellent reviews.

In June of 2019, the Six signed a worldwide management deal with Extreme Management Group, Inc. who also manages Suffocation, Cattle Decapitation, Misery Index and many others.

– 30 –

“Hooked the first time I saw this band play! No two shows are the same and I’m always left wanting more. It’s what music and show should be!” – Lee Abney | Pentagram/Place of Skulls

“These guys are serious about what they do and the costumes and imagery match the grandiose sound they produce.” No Clean Singing

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Summoner’s Circle Shares Shredding Guitar Playthrough For Title Track Off Upcoming Album “Chaos Vector”, Playthrough Premiere via GearGods

July 22, 2021
by Asher
· Music News · Summoner's Circle

NEWS RELEASE

Montreal, QC – July 22, 2021

For fans of Dimmu Borgir, Behemoth, Immortal, Opeth, Tribulation

Summoner’s Circle Shares Shredding Guitar Playthrough For Title Track Off Upcoming Album “Chaos Vector”

Playthrough Premiere via GearGods

New Album “Chaos Vector” Out Aug 27th via Blood Blast Distribution

L-R: Invictus (Drums), Y’takt (Bass), Hex (Keys), Blind (Lead Vocals), Gog (Lead Guitar), Azra (Guitar)
Photo Credit: Rachel Craig Media/Joshua Winstead Photography

Summoner’s Circle will be unleashing their third full-length “Chaos Vector” on August 27th via Blood Blast Distribution. The band recently shared the album’s title track as the first single with a music video to support its upcoming release.

Today, they are teaming up with GearGods to premiere the song’s guitar playthrough, which can be viewed HERE.

The single was intentionally written as a shorter song because they needed an extra short track for their set on the 2019 Hexed Tour with Children of Bodom. It was well-received on tour and they felt the chaotic nature and strong hook made it an obvious choice as the first single for the album. They continue to explain:

“Given the worldly turmoil of 2020, Chaos Vector seemed apropos to choose as the title track of the album. The drums for this song were originally written by Yanic Bercier of Gone in April and Quo Vadis and were performed on this album by our current drummer, Invictus, who still performs the original Bercier beats. Yanic also appears in the music video as the drummer for this song. Chaos Vector tells the story of a man who has been driven mad through his practices in the occult. And while he tries tirelessly to warn others of the impending doom he wrought upon this world; he is only perceived as a madman sounding off.”

The music video for “Chaos Vector” can be viewed at https://youtu.be/hTM_g0dubI8

Summoner’s Circle‘s latest album “Chaos Vector” was conceived over two years ago, but the global turmoil slowed down its creation. Now that it is ready for release, the band couldn’t be happier with how it turned out. They are eager to share with fans their love of storytelling and cosmic horror in a concept album that vocalist Blind has been percolating since their formation in 2015. They say that they have scratched every creative itch with this record, and hope fans get the same satisfaction from it.

“Chaos Vector” was recorded by Yanic Bercier (Gone in April, Quo Vadis) at Wavetransform Studios in Knoxville, USA. The album will include a Lovecraft-style cosmic horror short story written by the band where each chapter correlates to a song. This story marks a new chapter in The Lore of The Six and sets a foundation for them conceptually moving forward.

Dark and haunting, Summoner’s Circle is recommended for fans of Dimmu Borgir, Behemoth and Immortal.

Album pre-order / save at the following links:
Album: https://backl.ink/145841454
Single “Chaos Vector”: https://backl.ink/146809398

For more info:
Summonerscircle.com
Facebook.com/summonerscircle
Twitter.com/summoners13
Instagram.com/summonerscircle
EPK

In May of 2019, Tome was repackaged and released as Become None via the Pavement Entertainment label.

In the spring of 2019, Summoner’s Circle joined Children of Bodom, Swallow the Sun and Wolfheart as part of Bodom’s Hexed North American Tour, gaining many new fans and excellent reviews.

In June of 2019, the Six signed a worldwide management deal with Extreme Management Group, Inc. who also manages Suffocation, Cattle Decapitation, Misery Index and many others.

– 30 –

“Hooked the first time I saw this band play! No two shows are the same and I’m always left wanting more. It’s what music and show should be!” – Lee Abney | Pentagram/Place of Skulls

“These guys are serious about what they do and the costumes and imagery match the grandiose sound they produce.” No Clean Singing

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

Page 2 of 12

Asher Media Relations Tweets

Tweets by AsherMedia

Asher Media Email Subscription

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Email Address:

Join 2,163 other subscribers