Tag: noise

0 Descend Into Post-Metal Despair With “To Which I Bore Witness” From THEY GRIEVE + Post Album Teaser & Pre-Order

November 28, 2022
by Asher
· Music News · They Grieve

NEWS RELEASE

Montreal, QC – November 28, 2022

Descend Into Post-Metal Despair With “To Which I Bore Witness” From THEY GRIEVE + Post Album Teaser & Pre-Order

Photo Credit – Ev Osmanovic

“To Which I Bore Witness” is the second release from Canada’s post-metal duo They Grieve via Silent Pendulum Records. Taking the form of an introspective journey, it is meant to be depressing. The listener will be confronted with sad, loud music that’s not meant to cross into anger. The band wants people to sit with the album’s sadness and find comfort or kinship within. Each element of the release from the music, to the artwork, to the liner notes, is very intentional and suggested to be enjoyed as a whole. The band explains further:

“This album, both lyrically and musically, tries to capture the uncomfortable juxtaposition between weakness and weight. We are constantly trying to express the ways in which the ugliness and decay we see in the world sets itself down and plants its roots inside of us—how the weight of the world transforms into our own weakness once it has done so. We try to capture this feeling of juxtaposition and tension within the music itself by oscillating between ambient, textural drones and heavy, doom-laden riffs.”

They Grieve hopes that their music fills a niche not quite like other post-metal acts who are currently active. They feel that they offer a nuanced blend of doom(ish) metal and post-metal ambiance without diving into the more typical harsh noise territory. The production value of “To Which I Bore Witness” is a clear step up for them. Compared to the self-recorded debut EP, “I Made My Sacrifice Accordingly”, this new offering does a much better job of capturing the atmosphere and energy of their live performances.

A cold embrace of post-metal colliding with ambient drone, “To Which I Bore Witness” is recommended for fans of The Body, Cult of Luna, and Bell Witch. The album was produced by Topon Das (F*ck The Facts) at Apartment 2 Studio along with mastering done by Dave Williams at Eight Floors Above and additional tracks recorded by Alex Jakimczuk at Uppercut Studios. Album artwork was done by Pascale Arpin.

It can now be pre-ordered with a release date of February 24, 2023, via Silent Pendulum Records.

Album teaser – https://youtu.be/I2x696h8LCw

Album pre-order

– https://silentpendulumrecords.com/collections/all-products

– https://silentpendulumrecords.bandcamp.com/album/to-which-i-bore-witness

Track Listing:
1. Wither (7:12)
2. Under the Weight (7:23)
3. If Light Should Appear (7:00)
4. To Which I Bore Witness (6:43)
5. Guided (3:18)
6. Weakness (8:01)
Album Length: 39:40

Album Band Lineup:
Gary Thibert: Guitars, Bass, Vocals
Deniz Güvenç: Drums, Synthesizers, Piano, Vocals

Album Recording Credits:
• All songs performed by: Deniz Guvenc & Gary Thibert
• All songs written by: Deniz Guvenc & Gary Thibert
• Produced by: Topon Das at Apartment 2 Studios
• Mixed by: Topon Das at Apartment 2 Studios
• Mastered by: Dave Williams at Eight Floors Above
• Album Artwork by: Pascale Arpin
• Additional tracks recorded by Alex Jakimczuk at Uppercut Studios

For more info:
www.facebook.com/theygrieve
www.instagram.com/theygrieve
www.soundcloud.com/theygrieve
https://theygrieve.bandcamp.com

About: They Grieve is a two-piece doom, drone, and post-metal band based in Ottawa, Canada. Drawing influence from both minimalist ambient music and down-tempo metal, they blend warm synthesizers, electronics, and lofty guitar drones into mournful hymns and monolithic dirges with urgency, tension, and weight.

Members Gary Thibert and Deniz Güvenç formed They Grieve in 2015 with the intent to experiment with new forms and processes for songwriting, collaboration, and improvisation. Their first EP, I Made My Sacrifice Accordingly, was self-recorded and self-released in late 2016. In 2018, it was re-released with an added bonus track and accompanying music video through Transcending Records.

They Grieve are set to release their first full-length album entitled To Which I Bore Witness. Recorded at Apartment 2 with Topon Das of Fuck the Facts, this album presents a marked change in the band’s sound. Moving away from the harsh-noise influence on their first album, To Which I Bore Witness unveils a much more refined approach to texture and atmosphere while simultaneously shifting to a slower, heavier pace.

Employing a nuanced sense of harmony, the result is an emotional, dynamic, and doom-laden take on post-metal.

– 30 –

—
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0 Canada’s Alienatör Are Now Streaming Politically Charged Album “Regrets”

November 24, 2022
by Asher
· Music News · Alienator

NEWS RELEASE

Montreal, QC – November 24, 2022

Canada’s Alienatör Are Now Streaming Politically Charged Album “Regrets”

New Album “Regrets” Out Nov 25th

(L to R) Sean Skillen – Bass/Back-up Vocals, Brad King – Guitar/Vocals, Simon Paquette – Drums
Photo Credit – Peter David Wragg

Alienatör is a sludge metal band from Thunder Bay, Canada that combine punk, hardcore, and noise rock elements into a stripped-down package, full of razor-sharp riffs and memorable hooks. They are now streaming their second album “Regrets”, which promises to be darker, more focused, and more intense than their first.

Composed during the claustrophobia of the 2020 election and the global pandemic, “Regrets” channels rage while the lyrics express alienation, grief, pain, and disgust at the state of the modern world. The band comments on the album:

“Regrets is a grim postcard from the depths of the human psyche. Our darkest release yet, it is a reaction to years of deep political turmoil, the erosion of truth, as well as personal politics of grief, loss, and struggle. It’s an album that touches on personal and social themes. Flourishes of melody drenched in a caustic sludge, painted in shades of black. We still have some blistering fast punk-influenced tunes but we’re branching out and showing our songwriting depth.”

Within “Regrets” are eleven heavy-hitting songs with enough variety to keep even the most discerning metalheads interested. From the odd time signatures in the off-kilter “Revisionist History” that speaks of the erosion of truth in our public discourse and the dangerous narcissists who create their own reality to the bleak history being told in “Irreconcilable” that is equal in both horrific subject matter and dynamic riffs, there is something for everyone on this record.

The record was produced and mixed by bassist/vocalist Sean Skillen, mastered by Brad Boatright and the album artwork was done by Peter David Wragg. Aggressive and emotional, it is recommended for fans of Neurosis, Botch, and Jesus Lizard.

“Regrets” drops officially on Friday, November 25th, and can be heard in full via its album stream premiere on Doomed & Stoned HERE.

Album pre-order – https://alienator.bandcamp.com

Music Video – The Priest – https://youtu.be/TJxF6Qs3Bws

Track Listing:
1. Revisionist History – 2:10
2. Loss Leader – 4:03
3. Blood Red Blood – 3:08
4. Regrets – 3:44
5. The Priest – 5:30
6. The Less Dead – 1:56
7. Flat Earth Society – 2:51
8. Irreconcilable – 2:59
9. Your Funeral – 3:20
10. Wounded Birds – 4:10
11. Dark Matters – 4:09
Album Length: 38:04

Album Recording Credits:
– All songs performed by: Alienator
– Music by Alienator
– Lyrics by Brad King
– Produced by: Sean Skillen
– Mixed by: Sean Skillen
– Mastered by: Brad Boatright
– Album Artwork by: Peter David Wragg
– Member of SOCAN
– Canadian Content (MAPL)

Album and Live Line Up:
Brad King – Vocals, Guitar
Sean Skillen – Bass, Vocals
Simon Paquette – Drums

For more info:
Exitmusicstudio.ca/alienator
Facebook.com/alienatorband
Instagram.com/alienatorband

About: Hailing from Thunder Bay, ON, Canada, Alienatör is a sludge metal band that combines punk, hardcore, and noise rock elements into a stripped-down package, full of razor-sharp riffs and memorable hooks.

Their debut album, “Pariahs,” released in 2109 moves from fast and aggressive to slow and swampy with touches of experimental weirdness. Many of the lyrics are about how we numb ourselves to the pain and disappointment of everyday life.

Fast forward to 2022, and the band is ready to unleash their follow-up, entitled “Regrets,” which introduces new drummer Simon Paquette to the fold. The album is bleak and abrasive, with moments of calm, melody, and beauty to juxtapose against the ugliness. Raw, uncompromising, and dark, it is emotionally heavy music that reflects a chaotic time in history.

– 30 –

“Noisy post-hardcore sludge, full of energy and rage… a genuine ass-kicker of a record.” – Decibel

“This band is burly, grimy, and the sonic manifestation of discontent. If it’s motivational music you seek, back away slowly. Alienatör ply their trade in the margins of metal, with elements of sludge, noise rock, hardcore, heavy metal, and crust punk. Listeners of Pariahs, the band’s debut full-length, will hear shades of Unsane, Red Fang, Cursed, Kvelertak, Acid Bath, and Cancer Bats, among other guitar-heavy acts by whom sophistication and polish are eschewed.” – Lambgoat

“Pariahs shows Alienatör firing all of their creative cylinders and marks a multifaceted, all-consuming sludge opera delivered with convincing force and accents.” – Idioteq

“Gritty, high-octane sludge…” – Metal Trenches

“From beginning to end Alienatör offers up a truly murky, chunky yet noise filled sound that tears at your ear drums, but in the best possible way. Each track is a madhouse of artery stopping, head banging sludge and noise rock that you cannot simply turn away from.” – Cadaver Garden

“Alienator are miserable and they’d like you to join them.” – Lambgoat

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Canada’s Alienatör Confront Tough Issues With Hardcore Sludge In New Album “Regrets” Out November 2022

October 20, 2022
by Asher
· Alienator · Music News

NEWS RELEASE

Montreal, QC – October 20, 2022

Canada’s Alienatör Confront Tough Issues With Hardcore Sludge In New Album “Regrets”

New Album “Regrets” Out Nov 25th

(L to R) Sean Skillen – Bass/Back-up Vocals, Brad King – Guitar/Vocals, Simon Paquette – Drums
Photo Credit – Peter David Wragg

Alienatör is a sludge metal band from Thunder Bay, Ontario, Canada that combines punk, hardcore, and noise rock elements into a stripped-down package, full of razor-sharp riffs and memorable hooks. They are gearing up to release their second album “Regrets” this fall and it is chock full of dark themes, ferocious intensity, and raw emotion. The first single off the album is “Blood Red Blood”, which vocalist/guitarist Brad King outlines:

“This one is a real barn burner and one of our first collaborative songwriting efforts. I showed up with the opening riff, which has an odd time signature, that we counted as 9/8 or something wacky. Sean wrote the rest of the music around it. I like the breakdown in the middle a lot, where we trade vocal lines back and forth. It’s a fun one to play live. The lyrics are about the cycle of violence and toxic masculinity. Basically how hurt people hurt people and how what we do to others eventually gets paid back to us in the end. Blood in, blood out.”

Listen to “Blood Red Blood” via its premiere on Bravewords HERE.

Alienatör’s previous album was written as a two-piece, but for this new offering, the band consists of vocalist/guitarist Brad King, bassist/vocalist Sean Skillen and Simon Paquette on drums, which has taken their songwriting to the next level. They still have some blistering fast punk-influenced tunes, but they’re branching out and showing their creative depth on songs like “The Priest”, “Irreconcilable” and “Dark Matters”. They delve into gritty topics such as alienation, grief, pain, and disgust at the state of the modern world. Composed during the claustrophobia of the 2020 election and the global pandemic the album channels more rage than its predecessor.

Alienatör started out cobbling bits of different heavy styles together, juxtaposing very fast, thrashy material with slower doomy influences and weird experimentation. Over time, they have forged their own sound which carries a lot of the energy of punk and post-hardcore, with a heavy, abrasive edge and introspective or socially conscious lyrics. They are recommended for fans of Unsane, Melvins, and Neurosis.

Album pre-order – https://alienator.bandcamp.com

Album and Live Line Up:
Brad King – Vocals, Guitar
Sean Skillen – Bass, Vocals
Simon Paquette – Drums

For more info:
Exitmusicstudio.ca/alienator
Facebook.com/alienatorband
Instagram.com/alienatorband

– 30 –

“Noisy post-hardcore sludge, full of energy and rage… a genuine ass-kicker of a record.” – Decibel

“Pariahs shows Alienatör firing all of their creative cylinders and marks a multifaceted, all-consuming sludge opera delivered with convincing force and accents.” – Idioteq

“Gritty, high-octane sludge…” – Metal Trenches

“Alienator are miserable and they’d like you to join them.” – Lambgoat

—
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0 EPK – The Great Sabatini – Goodbye Audio (2018)

October 2, 2018
by Asher
· EPKs · The Great Sabatini

The Great Sabatini – Goodbye Audio (2018)

For fans of Melvins, Unsane, Neurosis, Metz, KEN mode, and Today Is The Day

Release Date: November 16, 2018

PR Rep – Jon Asher – ashermedia (@)gmail.com

Sales links: Bandcamp | Big Cartel

Record Label(s): No List Records, Ancient Temple Records, No Why Records, Pink Lemonade

Download promotional photo | Download album artwork

“The band’s noisy riffs border on doom, with yelled vocals and a punchy rhythm section; fans of Melvins, Unsane and KEN mode will find plenty to love here.” – Decibel Magazine

“Montreal’s the Great Sabatini practice sludgy hardcore with tinges of noise rock, but most importantly do it with a ferocity rarely seen nowadays. Their approach is downright venomous, hitting the midpoint between Melvins’ Stoner Witch and Unsane’s Scattered, Smothered, & Covered — violent, calculating and downright disturbing. Goodbye Audio is the band’s latest offering, fans of the aforementioned as well as Helmet, KEN Mode, Today is the Day and others, pay attention, this record is for you.” – Revolver Mag

“Goodbye Audio is a heady album in all of the best ways possible, honouring the past while also elevating the genre in ways so unexpected and desperately needed.” – Exclaim!

“Four years on from their psyche ravaging third album, Dog Years, Canadian noise sludgers The Great Sabatini return with another maelstrom of noise bred dissonance which, to continue a trend set from their first releases, is their most irresistible trespass to date. Goodbye Audio is around thirty five minutes of sonic abrasion as unpredictable creatively it is expectantly striking; an invasion of raw and toxic noise intent on caustic seduction.” – The Ringmaster Review

“If you were impressed with The Great Sabatini’s 2014 ‘Dog Years’ LP then prepare to have your jaw kicked off your silly face, because ‘Goodbye Audio’ is even better. ” – Collective Zine

“The other half is a wall of incredibly weighty, borderline-doom metal wailing, contingent upon instrumental tones that constrict like pythons and don’t let go.” – Stereogum

“…hails from further out in left-field with more peaks and valleys than the heads-down-tits-up sludgy rock they fire at you from the stage…these dudes have a 90s alt-rock edge grinding against their love affair with riffs that crash bolts of lightning into stacks of Orange amps in delivering a rumbling calling card of hellacious noise.” – Decibel Magazine

“In 2012, the unpredictability and wickedness of Matterhorn and the gritty violence of the companion release The Royal We established the group as one to watch closely; Dog Years confirms that attention was well worth it.” – Exclaim! Magazine

“The Great Sabatini are not just playing by-the-numbers sludge, but rather mixing things up, and transposing their punk attitude into new forms of musical expression beyond what you might be expecting.” – The Sleeping Shaman

The Great Sabatini – Goodbye Audio (2018)
Release Date: November 16, 2018
LABEL: No List Records, Ancient Temple Records, Pink Lemonade, No Why Records
DISTRIBUTION: Independent

Track Listing:
1. Still Life With Maggots (2:06)
2. Dog Years (4:21)
3. Strip Mall or, The Pursuit Of Crappiness Parts 1-4 (3:11)
4. You’re Gonna Die (Unsatisfied) (3:28)
5. Tax Season In Dreamland (4:06)
6. Brute Cortege (3:16)
7. Hand Of Unmaking (14:06)
Album Length: 34:37

Sales link: Bandcamp | Big Cartel | Spotify

Album credits
• All songs were written and performed by The Great Sabatini
• Produced by: Sean Pearson (Cursed, Shallow North Dakota)
• Mixed by: Scott Evans (Kowloon Walled City)
• Mastered by: Carl Saff (Kowloon Walled City, Big Business, KEN mode)
• Album Artwork by: Sean Arsenian/Marisa Parisella

Available on Spotify, ITunes, and Bandcamp

Album and live Band Line-Up:

Sean Sabatini (guitar/vocals)

Joey Sabatini (bass/vocals)

Rob Sabatini (guitar/vocals)

Steve Sabatini (drums/vocals)

L-R – Rob Sabatini (guitar/vocals), Joey Sabatini (bass/vocals), Steve Sabatini (drums/vocals), and Sean Sabatini (guitar/vocals)
Photo credit: Dave Levitt Photography

SHORT BIO:

Since forming in Montreal, Canada in late 2007, The Great Sabatini has released four EPs and four full length albums, and logged seemingly endless tour dates around North America and Europe. The music is an aggressive mixture of noise rock, doom, hardcore, and metal wrapped up in a burly sludge aesthetic.

The intrepid Sabatini’s; Sean (guitar/vocals), Joey (bass/vocals), Rob (guitar/vocals), and Steve (drums/vocals) got together with the intention of pursuing their musical dreams with similar goals: slow it down, tune it down, turn it up and keep screaming. With all four of them belting out the lyrics, they play loud, and with conviction.

The raw sound compliments the persistent theme of mortality that the new album centers on, with Sean concocted most of the lyrics for, but with heavy input from his band mates. Going forward, The Great Sabatini is less focused on complicating their parts and set on being direct along with working together and highlighting each other’s strengths.

LONG BIO:

The years of hard work have paid off and to date The Great Sabatini has released an extensive catalogue of recorded works: ‘Burning Wilderness’ EP (2008); ‘Sad Parade Of Yesterdays’ (2009); ‘Napoleon Sodomite’ EP (2011); ‘The Royal We’ EP (2011); ‘Matterhorn’ (2012); ‘Dog Years’ (2014); a split with Anthesis (2015); a split with Godstopper (2016); and ‘Goodbye Audio’ (2018). To amplify on this impressive discography they have also toured extensively across North America and Europe.

After working together for 11 years, the band has refined their heartfelt noisy sludge to perfection. Overcoming situations that prohibit them from getting together often, demos and samples are passed around amongst themselves until a final cohesive body of work is completed. Their upcoming album “Goodbye Audio” due out November 16th, 2018 is a prime example of the harmony and aptitude that can only come from over a decade of being together; it’s a more robust and evolved sound, but still maintaining the caustic energy they had when they started.

When asked about “Goodbye Audio”, they responded: ‘

“We’re trying to give people a raw-ass document of abrasive sludge and noise rock in the most hi-fi package possible. We’re not interested in polish or smoothing over any rough edges… just achieving something of high sonic quality that presents the band that we are today…”

The raw sound only compliments the persistent theme of mortality that the new album centers on, with Sean concocted most of the lyrics for, but with heavy input from his band mates. Going forward, The Great Sabatini is less focused on complicating their parts and set on being direct along with working together and highlighting each other’s strengths.

“Goodbye Audio” will be available on vinyl from No List Records, Ancient Temple Records and No Why Records. Cassette version will be available from Pink Lemonade and feature an exclusive bonus track “Drain The Swamp” only available on that format. Digital download available on TGS’ Bandcamp here.

Discography:

Goodbye Audio (Full Length) (2018)
Split Tape with Godstopper (2016)
Split mini CD with Anthesis (2015)
Dog Years (Full Length) (2014)
Matterhorn (Full Length) (2012)
The Royal We (EP) (2012)
Napoleon Sodomite (EP) (2011)
Sad Parade Of Yesterdays (Full Length) (2009)
Burning Wilderness (EP) (2008)

Shared the stage with:

Yautja, Pyrrhon, KEN mode, Kvelertak, Today Is The Day, Coliseum, Metz, Valient Thor, CKY, Godstopper, Indian, Dopethrone, Fuck The Facts, and Hivesmasher.

Tour Dates & Festivals:

4 date stretch of Canadian cities on the Yautja/Pyrrhon tour November 2017
European tour November 2015
Fall North American Tour September 17-October 6, 2014
Western Canada/USA tour May 22-June 13, 2014
Calgary Metal Fest (2014)
Eastern Canada tour August 28-September 4, 2013
European tour April 2-April 27, 2013
Western USA/Canada Tour September 28 -October 19, 2012
Midwestern USA/Canada Tour August 2-August 13, 2012
Arsonfest (2012)
North American Tour March 1-March 24 2012
Eastern Canada Tour with KEN Mode August 4-August 14, 2011
North American Tour March 9-April 3rd, 2011
Full North American tour Sept 29-Oct 31, 2010
Eastern USA tour May 13-May 22, 2010
Eastern Canada tour February 11-February 20, 2010
East coast Canada tour September 19-September 28, 2008
Coast to coast Canadian tour February 29-April 5, 2008

Endorsements:

Steve Plays Los Cabos Drum Sticks

0 DRI HIEV featured on Iamtheleastmachiavellian

October 23, 2015
by Asher
· DRI HIEV

http://iamtheleastmachiavellian.blogspot.ca/2015/10/dri-hiev-contravirtual-ep-2015.html

0 EPK – DRI HIEV – CONTRAVIRTUAL + Tour (2015)

August 25, 2015
by Asher
· DRI HIEV

DRI HIEV – CONTRAVIRTUAL (2015)

Contacts: PR Rep – Cara Ashbey – caraashbey[@]gmail.com
Radio Promotions – radiotrackingashermedia[@]gmail.com

Management: Igor Gvozdenovic – igor.gvoz[@]gmail.com

RIYL (Recommended If You Like) = White Lung, Metz, Sonic Youth, Nine Inch Nails, My Bloody Valentine

Facebook | Twitter | Bandcamp | Soundcloud

Sales links: Shake! Records | Bunghole Records

Download Album Art | Download High Resolution Photo

“ They played short, wild bursts of noise punctuated by frontman Carter Crough, dressed in white overalls and a gold lamée mask, weaving, bobbing and rolling around on the stage while howling like the tormented ghost of a tortured serial killer.” – Richard Amery, L.a. Beat

Gritty noise punk with a catchy backbeat. Highly aggressive, highly distorted, very good. – Dave host of Contramandatumon CJSW 90.9 FM

#6 Year end list – Sonikraf

Download Album Cover

Release Date: Sept 25, 2015
Label: Shake! Records and Bunghole Records

Distribution: Shake!Records,Bunghole Records, Split Records
ISRC Codes #: Coming Soon

Sales links: Shake! Records | Bunghole Records

Track Listing

Good Shirt (3:19)
Felix Down (2:48)
OHMz (3:19)
Amberman (2:31)
ContraVirtual (3:34)

Album Length: 14:51 min

Album Credits All songs except track 4 written and performed by DRI HIEV

Track 4 was written and performed by BOOSH! and DRI HIEV

Recorded, Produced, Mixed, and Mastered by Daniel Auger at the Cosmic Mansion in Calgary, AB April 2015

Additional recording and production on track 4 by Brett Klein (aka BOOSH!)

Album Line Up:

Kyle Crough (Bassist), Igor Gvozdenovic (Synth and Samples), Carter Crough (Vocals), and Dan Auger (Guitar)

Top (left to right): Kyle Crough (Bass), Igor Gvozdenovic (Synth and Samples), Carter Crough (Vocals), and Daniel Auger (Guitar and Drum Machine)

Photo credit: Heather Ross

Download Press Photo | Download Album Cover

DRI HIEV is a Calgary noise quartet specializing in creating disorienting music with one foot in modern electronic music and the other in aggressive punk rock.

Three out of four members (Dan Auger, Carter Crough, and Kyle Crough) originally played in Bloody Circuits from Grande Prairie, Alberta, but upon relocating to Calgary they recruited Igor Gvozdenovic and became DRI HIEV. Their live show demands your attention with all members creating a wall of noise while maintaining a steady driving electronic sample to get people moving.

They are going to be touring across Canada with fellow noise enthusiasts Feverfew. DRI HIEV are also releasing their EP CONTRAVIRTUAL on cassette through Shake! Records and Bunghole Records on September 23, 2015.

Tour Dates

Sept 23 Calgary, Alberta – Bamboo

Sept 24 Lethbridge, Alberta – Electric Manor

Sept 25 Regina, Saskatchewan- The German Club

Sept 26 Winnipeg, Manitoba- UMFM

Sept 29 Sudbury, Ontario- TBA

October 7 Winnipeg, Manitoba – Big Fun HQ

October 8 Saskatoon, Saskatchewan – Horse Club

October 9 Calgary, Alberta – Tubby Dog

October 10 Edmonton, Alberta – Acid Church

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