Tag: news

0 SHORES OF NULL Announces Live Album “Beauty Over Europe” Out May 2025; Unveil “The Last Flower” Live Video From Aschaffenburg 2023

January 10, 2025
by Asher
· Music News · Shores of Null (Spikerot Records)

NEWS RELEASE

Montreal, QC – January 10, 2025

SHORES OF NULL Announces Live Album “Beauty Over Europe” Out May 2025; Unveil “The Last Flower” Live Video From Aschaffenburg 2023

Italian melancholic dark metal SHORES OF NULL announces they will be unraveling a live album for May 2025. Enitled “Beauty Over Europe” the live record features 10 tracks that were recorded during their monumental 2023 European tour with Swallow The Sun, Draconian, and Avatarium. Throughout that tour, Shores of Null performed 35 shows across 18 countries, including Norway, Denmark, Germany, the UK, Ireland, France, Italy, Switzerland, Netherlands, and Hungary, bringing their critically acclaimed album “The Loss Of Beauty” to the stage.

The live recordings, captured in the cities of Leipzig, Munich, Aschaffenburg, Budapest, and Belfast, preserve the raw and emotive energy of their performances. Each track reflects the band’s ability to blend melancholic melodies with crushing heaviness, offering fans a visceral live experience.

“Beauty Over Europe” is both a celebration of the tour and a gift to all fans of the band. Exactly two years after that unforgettable journey, this live album offers a chance to relive the emotional intensity and true essence of Shores Of Null’s live performances.

Guitarist Gabriele Giaccari comments:

“This tour was an incredible journey, the longest in our career, and a true milestone for Shores Of Null. As the promotional tour for The Loss Of Beauty, our latest and most acclaimed album to date, it was an honor to bring these songs to life across 35 shows in 18 countries. Sharing the stage with monumental bands like Swallow The Sun and Draconian—huge inspirations for our music—was unforgettable. Despite the melancholy of their sound, they’re some of the most fun and genuine people we’ve met, and by the end of this epic journey, we were proud to call them friends.

We owe special thanks to our incredible crew—Petri, Matti, Mikko, and Tero—who ensured everything ran seamlessly and made this experience unforgettable. To pay homage to this extraordinary chapter, we decided to produce a live album. Recorded during key moments of the tour, it captures the essence of these unforgettable performances and is dedicated to all the people who supported us live and shared these magical moments with us.”

Today, Shores of Null shares a live video clip from their tour stop in Aschaffenburg, Germany performing “The Last Flower” – https://youtu.be/w-Hq69KG2RM

Spotify – https://spoti.fi/3BU584W

Setlist:
1. Transitory (Live intro)
2. Destination Woe (Live in Leipzig)
3. Nothing Left To Burn (Live in Leipzig)
4. Quiescent (Live in Munich)
5. The Last Flower (Live in Aschaffenburg)
6. Black Drapes For Tomorrow (Live in Budapest)
7. A Nature in Disguise (Live in Munich)
8. Darkness Won’t Take Me (Live in Belfast)
9. My Darkest Years (Live in Aschaffenburg)
10. Blazing Sunlight (Live Outro)

Live Recording: Matti Kynsijärvi
Mixing and Mastering: Marco Mastrobuono at Bloom Recording Studios

Band:
Davide Straccione – Vocals
Gabriele Giaccari – Guitars, Backing Vocals
Raffaele Colace – Guitars, Backing Vocals
Lorenzo Carlini – Live Bass
Matteo Capozucca – Bass
Emiliano Cantiano – Drums

“The Loss of Beauty” is Shores Of Null’s fourth album and follows the acclaimed “Beyond The Shores (On Death And Dying)”, unanimously considered by fans and critics as one of the Doom Metal gems of recent years. The lyrics celebrate beauty in imperfection and transience and are meant to be an invitation to seek beauty in little things, especially those unexpected and ephemeral.

Stylistically, “The Loss of Beauty” continues along the sulcus set forth by “Quiescence” and “Black Drapes For Tomorrow”, its melancholic dark metal with a wide range of influences, from gothic metal to doom metal and melodic black/death metal, with frequent use of vocal harmonies and deep growls.

The album consists of 13 songs, while the LP version only contains 11, the two extra tracks are bonus tracks that can be found on the CD version as well as on the streaming platforms. Dark and heavy, tinged with feelings of despair and melancholy, “The Loss Of Beauty” was released on March 24th, 2023, and is recommended for fans of Swallow The Sun, Borknagar, and Paradise Lost.

Album Stream:

YouTube – https://youtu.be/vWOcwJYjhq8

Spotify – https://spoti.fi/3ZckbMW

Album order (Digital, CD, Vinyl) – https://linktr.ee/thelossofbeauty

For more info: Spikerot.com | Shoresofnull.com

About:

Shores of Null stand out from their contemporaries with their ability to blend seemingly disparate elements into their sound, overwhelmingly heavy and soothing at the same time: blackened aggression stands alongside gothic-doom sections without either sounding out of place. Their music can be both melancholic yet majestic, made of chorale-like guitar textures across the instrument’s entire range, sustained by a powerful rhythmic section and punctuated by a refined mixture of clean and growled vocals, along with extensive use of pleasing vocal harmonies which have become the band’s trademark through the years.

The Rome-based metal band has been an unwavering presence within the metal underground since their musical outset in 2013, churning out a series of impressive records: the melodic and somber “Quiescence” (Candlelight, 2014), the darker and more complex “Black Drapes For Tomorrow” (Candlelight/Spinefarm, 2017), and the ambitious “Beyond The Shores (On Death And Dying)” (Spikerot Records, 2020), a 38-minute long doom manifesto that sees guest appearances of the doom-titans Mikko Kotamäki (Swallow The Sun) and Thomas A.G. Jensen (Saturnus), along with the angelic voice of Elisabetta Marchetti (Inno).

Shores Of Null’s fourth album, “The Loss Of Beauty”, released in March 2023, was hailed as one of the best albums of the year within the genre. The band supported the release with an extensive EU/UK tour alongside Swallow The Sun, Draconian, and Avatarium, followed by standout performances at major festivals like Hellfest, Rock Imperium, and 70000 Tons Of Metal among others, further solidifying their status as one of the rising forces in the metal scene.

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Metal Hammer writers’ top metal albums of 2023 – Edwin McFee – #20 – Shores of Null – The Loss of Beauty

“With The Loss Of Beauty, SHORES OF NULL have produced their second world class record in a row.” – Distorted Sound Mag (9/10)

“The deep, dark, poetic brilliance behind The Loss Of Beauty is undeniable, and Shores Of Null’s doomy melancholic style is especially ideal for those considering themselves fans of Swallow The Sun, Draconian and Saturnus.” – Metal Storm (8,5/10)

“The Loss of Beauty is a morose and often magnificent listen.” – Metal Hammer UK (8/10)

“The Loss of Beauty is an engaging, exquisite, and moving slice of melodic doom that further cements Shores of Null’s esteemed position in the scene.” – Dead Rhetoric (9/10)

“The Loss of Beauty is an incredibly strong and versatile album, on which themes known from genres such as post black metal or post punk are presented in a diverse and varied manner.” – BetreutesProggen (13/15)

“Once again, Shores of Null continue to impress with yet another slab of high-quality doom/death that seems the quintet on an upwards trajectory.” – Angry Metal Guy (4/5)

“With lyrics like “my loneliness will guide me” and “isolation will set us free,” classic doom drumming, and impressive vocals, Shores of Null announce their intent to deliver the best doom album of 2023.” – Noizze UK (9/10)

“Un grato disco de casi una hora de música, donde la melancolía no es predominante, sino lo melódico, y eso es cae a la perfección.” – Metallerium (9.2/10)

“A savourer, en s’aimant. A savourer, l’esprit ouvert aux beautés que l’on croit – ou que l’on relègue au rang d’- insignifiantes et qui sont le sel du monde qui nous entoure. A savourer, tout simplement..” – Soil Chronicles (9/10)

“Shores of Null haben für mich mit The Loss of Beauty einen heißen Anwärter auf mein Album des Jahres veröffentlicht, das ich jedem Fan von melancholischem Metal mit Doom, Gothic, Melodic Death und Black Metal Einflüssen nur wärmstens empfehlen kann! Von mir gibts für dieses Meisterwerk die Höchstnote!.” – Sound Magnet (10/10)

“If “Beyond the Shores (On Death and Dying)” granted them the status of Masters of the Genre, with “The Loss of Beauty” we cannot help but acknowledge their unquestionable talent for creating stunning beauty that goes under your skin, both with music and words.” – Tuonela Magazine

“It is an album with many faces, a true chameleon, that shows the best of heavy, doom, dark, gothic, death, and a pinch of black metal. The musicians of this band are playing at the very highest level and it is unprecedented what this band is capable of.” – Zware Metalen (94/100)

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0 FEN’s Doug Harrison Unveils New Single for Solo Project SLUG COMPARISON – Fuzzy And Upbeat Get Ready To “March Through The Forest”

January 10, 2025
by Asher
· Music News · Slug Comparison

NEWS RELEASE

Montreal, QC – January 10, 2025

FEN’s Doug Harrison Unveils New Single for Solo Project SLUG COMPARISON – Fuzzy And Upbeat Get Ready To “March Through The Forest”

Doug Harrison (Slug Comparison) – Photo Credit: Bailey Ennig

Rising from the creative depths of FEN‘s vocalist and guitarist Doug Harrison, Slug Comparison launches its fuzzy and upbeat new single “March Through the Forest”. Emerging from an unconventional creative process, the track marks a bold departure from previous acoustic-driven sounds into a more aggressive, electric-driven aesthetic. Harrison explains the background to the track:

“This song came after a hike with a friend in the North Shore mountains of Vancouver. The day started off damp and cold. As we climbed, it began to snow, a dusting at first, but it cast this beautiful veil over the ground wherever the trees opened up into a clearing. We kept going, and it was a whiteout by the time we finally reached the summit. Then we stood there at the edge of these sheer granite cliffs that we couldn’t see below us, and ravens wove in and out of the clouds, disappearing and reappearing. “March Through the Forest” is an account of that day, which was a good one.”

Fans of Harrison‘s work with FEN will recognize his signature approach to songwriting—a fluid blend of grunge, progressive rock, indie, and metal influences. “March Through the Forest” showcases his ability to push musical boundaries while maintaining an authentic creative voice.

The track is part of Slug Comparison’s upcoming musical offerings for 2025, signaling an exciting new chapter for the project. Doug Harrison produced the single with mixing done by Ben Kaplan (Biffy Clyro, Bend Sinister, Ninjaspy, Mother Mother, Corb Lund) and mastered by Brock McFarlane at CPS Mastering (Mother Mother, Corb Lund.

While the current sound leans into more upfront, riff-heavy rock, Harrison assures fans that future releases will continue to explore the moody, acoustic-based territories that defined his earlier work. “March Through the Forest” is recommended for fans of Mother Mother, The Killers, and Rush.

Listen to the single at the following links:

YouTube – https://youtu.be/WPwp061C0ZU

Spotify – https://spoti.fi/3PtN98j

More info: Slugcomparison.com | Instagram.com/slugcomparison | Facebook.com/slugcomparison

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“Canadian auteur explores expectancy and desperation to find cathartic cleansing of his soul. 4/5” – Dmme.net – Let It Rock (When You Were Living Here 2019)

“One of my favourite songs of the year” (about “Bringer of Doom”) –Dutch Progressive Rock Radio (Self-Titled 2014)

“Simply engulfs the imagination and emotions” -The Ringmaster Reviews (Self-Titled 2014)

#30 of The Rickter Scale’s Top 100 albums of 2014 – Rickter Scale Rock Radio (Self-Titled 2014)

“Stirs the senses, taking the listener on a voyage of imagination and emotion.”-Sonic Abuse (Self-Titled 2014)

Slug Comparison Self-Titled Album #5 on DPRP’s Top Progressive Metal Albums of 2014

“Spell binding” -Your Music Blog (Self-Titled 2014)

“Songs that are all of the highest caliber” – PowerofMetal.dk (Self-Titled 2014)

“a true gem of prog rock” – Living Music Blog (Self-Titled 2014)

“Ahh, the glorious beauty of the brooding and gloomy mind of Doug Harrison” (5 stars) – Sea of Tranquility (Self-Titled 2014)

“a lot of work and effort has gone into this album, and it pays off spectacularly” -Wonderbox Metal (Self-Titled 2014)

9.2/10 – Metal Imperium – (Self-Titled 2014)

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0 Kelowna’s SWEETBEAST Unveils Sludgy Stoner Video “Illusion” ft. Space Queen Off Debut Album “Illusions” Out Feb 2025

January 9, 2025
by Asher
· Music News · SweetBeast

NEWS RELEASE

Montreal, QC – January 9, 2024

Kelowna’s SWEETBEAST Unveils Sludgy Stoner Video “Illusion” ft. Space Queen

Debut Album “Illusions” Out Feb 21st, 2025

L-R – Eric Gorzynski – Vocals/Guitar, Alex Graham – Backup Vocals/Bass, Colton Schofield – Drums, John Hermary – Vocals/Guitar

Hailing from Canada’s Okanagan Valley in Kelowna, BC, SweetBeast is gearing up to make its debut full-length “Illusions” heard by the masses this coming February 2025. Unshackling the first single “Dream Eater” this past November, they are offering the next glimpse into their pressurized sludgy psychedelic stoner rock with their new music video for “Illusion”, which features vocal harmonies done by the lovely ladies of Vancouver trio Space Queen.

The album’s closing track, “Illusion” captures the essence of awakening and self-discovery, with fuzzed-out guitars and emotional guitar solos that drive the message home. Space Queen‘s vocal harmonies elevate the song to new heights, creating a rich tapestry of sound that invites listeners to explore the depths of their realities. With its haunting lyrics and dynamic instrumentation, “Illusion” serves as both a rallying cry and a moment of introspection.

The band comments on the making of the song:

“We laid down this entire album, live off the floor, in just 2 days. Now of course there were a few overdubs that we plugged in during that weekend but by the end of the 2 days, all that was left was the mixing and mastering. We also added some special treats post-production that made the songs really pop, like vocal harmonies in the song “Illusion” done by our friends in Space Queen, and a few studio effects for added flavor. When we told the studio what we had planned to accomplish that weekend they thought we were crazy, and said it’s usually at least a week of studio time to get all those songs laid out. But we got it done and couldn’t be happier with the results.”

Watch and listen to “Illusion” ft. Space Queen via its premiere on DoomedAndStoned HERE.

Digital pre-save – https://distrokid.com/hyperfollow/sweetbeast/illusion-feat-space-queen-single

SweetBeast‘s first studio album “Illusions” is a sonic exploration of shifting realities, blending heavy, distorted riffs with introspective lyrics. It invites listeners to journey inward and outward, reflecting the complex relationship between mind, sound, and reality. The record leans heavily on low-tuned guitars, swirling effects, and a tight rhythm section that creates a dense, atmospheric sound. There’s a hypnotic groove throughout, with moments of psychedelic exploration, where riffs evolve into mind-bending progressions. The songs fluctuate between creative riffs and light, airy melodies that offer a contrast, pushing the boundaries of stoner rock.

Recommended for fans of Queens Of The Stone Age, All Them Witches, Kyuss, and Alice In Chains, SweetBeast‘s album “Illusions” is due out on February 21st, 2025 from Humalien Records, and will be available for pre-order at https://sweetbeastrock.bandcamp.com/

First Single – “Dream Eater” – https://youtu.be/ErLKQGlu8Qk

Digital – https://distrokid.com/hyperfollow/sweetbeast/dream-eater

Track Listing:
1. 70/30 – 7:57
2. Thunder – 4:01
3. Dream Eater – 5:29
4. Midnight – 4:38
5. Plastic People – 6:41
6. Illusion ft. Space Queen – 11:26
Album Length – 40:12

More info: SweetBeast.ca | Facebook.com/SweetBeastFuzz | Instagram.com/sweetbeastfuzz | Tiktok.com/@sweetbeastfuzz

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“The record (Illusions) is characterized by heavy grooves, memorable licks, and catchy, heavy, doomy goodness. Any lovers of the groove will definitely be fans of this one.” – Decibel Magazine

“SweetBeast creates tunes akin to an acid trip in the 70s — ideal for headbanging and perfect for getting lost in.” – Kelowna Now

“Making their first appearance on stage in Vancouver after making the trek from Kelowna, something I always appreciate. Shows the band believes they have something more people need to hear and are willing to live the road life to spread their sound. With this confidence comes a great live show, exactly what we got last night. Still grooving in the stoner/psych rock vein, SB leaned into the psychedelic direction a little more. Some great damn rock songs in here lead by a great singer armed with a voice that fit the vibe/sound so well. Fuzz heavy guitars shredding away and more than a few great little solos gave this set its flavor. Got some heavy 70’s era psychedelic vibes with all the wonderful squeals and squeaks coming from them. Just beautiful. Far and away though, the sexiest part of this offering were those drums. With the drummer exuding confidence in their ability, they gave us a great set full of wonderful licks and fills. Always in command on each song they were a blast to watch, full of fun grooves to dance to.” – Elder God Productions (Live Review – RED GATE 22/11/03 – Vancouver)

Video Endorsement from Dave Catching (Queens of the Stone Age / Eagles of Death Metal / Rancho De La Luna recording studio): Dave Catching Intro For SweetBeast at Tune It Down Turn It Up 2020

“They have beautiful harmonies and great melodies, I can’t wait to get them down here to make the album they deserve to make and unleash it upon the world..” – Dave Catching

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0 Exitus Stratagem Records – Hungary’s SIN OF GOD Unleashes Rotting Chaos With New Animated Video “No Return” From Fourth Studio Album “Blood Bound” Out February 2025

January 8, 2025
by Asher
· Music News · Sin of God (Exitus Stratagem Records0

NEWS RELEASE

Montreal, QC – January 8, 2024

Hungary’s SIN OF GOD Unleashes Rotting Chaos With New Animated Video “No Return”

Fourth Studio Album “Blood Bound” Out February 18th, 2025 via Extius Stratagem Records

L-R:: Balázs Botyánszki (drums) / Krisztián Páncél (bass) / Tamás Kis (guitar) / Tamás Schupkégel (vocals)

Photo credit: László Varga/VARESZ.Fotó

Exitus Stratagem Records announces their signing of Hungarian extreme metal masters SIN OF GOD for their fourth studio album “Blood Bound” out February 2025. Following their album “Aenigmata” released in 2016, “Blood Bound” has come a long way from its writing inception in 2019, and unfortunate setbacks with lineup changes and COVID to finally make its way to the studio in 2022/23 with the mixing and mastering done by the super-talented Sam Winslow in 2024.

With influences in thrash, ODM, and blackened and progressive death metal, Sin of God‘s next sacrificial offering will please both old and new-school death metal fans at the same time. This new full-length presents a collection of variations that exhibit brutality and softness. It is something fans have heard in the past from the band but it has never sounded like this.

“We all think fans will love it. It’s somewhat different from its predecessors. It’s more complex and based on modern death metal. We built Blood Bound musically on contrasts. There are amazingly fast parts (260 BPM,) but really slow parts as well.” adds guitarist Tamás Kis.

Exploring our present society, “Blood Bound” resonates with everything surrounding us, from the good and the bad to the beautiful and ugly, to life and death.

“We are in decline and we haven’t got much time before we hit the bottom. There is less and less beauty in our present world. We are rapidly marching towards the rotting chaos. People do nothing about it. They destroy but do not build. So let it be! As you look at our album artwork, it is metaphorically based on humanity’s current state in the light of human history. We wanted it to be realized in the style of Renaissance paintings therefore the contrast is extremely sharp between beauty and uglyness. Pure and evil. Perfect and deformed. There are also religious references, and Biblical characters, too.” says Kis.

“Blood Bound” is not a concept album, but it is united by the pain and rage that boils inside and felt over seven tracks that are simple and raw, yet ferocious and gentle. To give fans their first experience with the album, Sin of God is unveiling the first single “No Return” accompanied by an animated video. The song is about a person who cannot get rid of drugs and sacrifices everything is going to hell.

The band comments:

“No Return is our favorite song on Blood Bound. It is the essence of what we want to express musically and lyrically as well. The fall of our present society. That’s what it’s all about. Our vocalist Tamás Schupkégel wrote the lyrics. On first hearing it is about a drug addict descending into madness, falling into his very own hell which he created from the many pains he experienced and committed towards others during his life. We consume, we devour, we destroy. We create non-existent problems for ourselves while not dealing with the real ones. It’s so comfortable. Sticking our heads in the sand. Only our comfort is important. We are addicted to our ego. While the trees and waters disappear and only the sand remains. The emptiness. The loneliness. The pain. We build our hell. And there is no return!”

Watch and listen to the video from “No Return” via its premiere on Slam Worldwide at https://youtu.be/r9vmBJSdu_U

Digital Single pre-save – https://hypeddit.com/sinofgod/noreturn1

CD pre-order – https://www.exsrmusic.com/store/p/sin-of-god-blood-bound-lp-cd

Recommended for fans of Aborted, Bloodbath, Cattle Decapitation, Cryptopsy, and Psycroptic, Sin of God’s new album “Blood Bound” is due on February 18, 2025, and available for physical pre-order and digital pre-save at the following links:

https://hypeddit.com/sinofgod/bloodbound

Track Listing:
1. Blood Bound (3:52)
2. Black Waves (4:16)
3. No Return (4:58)
4. The Unbelief (4:49)
5. Diabolical Agitation (7:44)
6. Obulus (3:28)
7. Cerebral Malfunction (4:02)
Album Length: 33:09

Album Credits:
Album recorded at: Denevér Hangstúdió, Hungary
Mixed and mastered by Sam Winslow/Sam Winslow Music
Album artwork by Tamás Kis

Album Band Lineup:
Tamás Schupkégel – Vocals
Tamás Kis – Guitar
Michele Gawen Augello – Bass
Balázs Botyánszki – Drums

Live Band Lineup:
Tamás Schupkégel – Vocals
Tamás Kis – Guitar
Krisztián Páncél – Bass
Balázs Botyánszki – Drums

More info:

Exsrmusic.com | Facebook.com/ExSRecords | Instagram.com/exsrmusic

Sinofgod.com | Facebook.com/sinofgodhu | Instagram.com/sinofgodmetal

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“The record is just killer, full of menacing death metal that doesn’t lean too hard into the old- or new-school sound; think a crossbreed of Book of Black Earth, Deicide, and Fleshgod Apocalypse sans opera, and you’ll have some idea of what these guys are like. Modern death metal fans will love the band’s technicality and production, while classic headbangers will dig their atmosphere and badass riffs. Definitely get into them.” – Metalsucks (Aenigmata – 2016)

“Aenigmata is the band’s latest release, a merciless, destructive Death Metal album in its finest form. Inspired by the occult writings of Alchemy and the dissection of the faith in mankind, the album delivers much darkened and more ferocious sounds than the previous releases. Having a close kinship with bands like Morbid Angel, Immolation, Nile, Behemoth, Krisiun, Dead Congregation and the likes in terms of sonority, the opus is a perfect blending of unilluminated Traditional Death Metal & remorseless Brutal/Technical Death Metal. The 09 tracked album is likely to be embraced by the fans of OSDM & Dark Themed Technical Death Metal.” – Extreminal (Aenigmata – 2016)

“The Hungarians from Sinf Of God play high-energy death metal, and when their riffs hit our eardrums, you get the impression that Attila himself is leading the wild hordes, leaving behind fields of destruction strewn with the corpses of enemies.” – KVLT (Aenigmata – 2016)

“There’s very little to complain about “Aenigmata”, it sounds damn good, both from a musical and production perspective. The songs are varied and technical and it took a few spins for the record to settle but that normally is a good thing as it grows for each spin… it’s a solid Death Metal record and with this, I should go easily to it when digging out Brutal music.” – Metal Kaoz – (Aenigmata – 2016)

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0 Out Now! Brian Kingsland (NILE, Imperishable, Enthean) Releases Classical / Spanish Guitar Album “Translation”

January 8, 2025
by Asher
· Brian Kingsland · Music News

NEWS RELEASE

Montreal, QC – January 8, 2025

Out Now! Brian Kingsland (NILE, Imperishable, Enthean) Releases Classical / Spanish Guitar Album “Translation”

Known for his role in extreme metal bands such as NILE, Imperishable, and Enthean, composer /guitarist and vocalist Brian Kingsland is sharing his other passion in music, with his debut classical / Spanish guitar album entitled “Translation” due out on January 8, 2025.

Kingsland‘s musical taste has always been wide from his pursuit of extreme metal to learning blues licks, and jazz theory, to impossible techniques. Classical guitar is another evolution in his musical journey. Beginning private classical studies in the early 2000s, Kingsland performed live many times, but never recorded any of the material. After many years of making heavy metal records, he felt it was time to reinvest in his classical pursuits. Performing compositions from some of his favorite composers Francisco Tarrega, Agustín Barrios Mangoré, Antonio Lauro, Andrés Segovia, Heitor Villa-Lobos, and Isaac Albéniz, the 11-track tribute can be best described as a beautiful and poetic of musical interpretation of some of the world’s greatest classical guitarists.

“I have always been attracted to Spanish and South American classical guitar music. I find it rhythmically diverse and harmonically rich. It has unique challenges that deviate from the traditional classical guitar. I think guitar and music fans alike will enjoy hearing another side of my musical expression,” adds Kingsland.

With classical music, particularly solo performances, it is up to the performer to interpret their vision of the song. Although he or she may not be the author, they’re the vessel for the music to be expressed. Thus, Kingsland believes it is a collaboration, and with “Translation” he wants listeners to join him on a journey through Spain and South America to appreciate the genius of these composers, and be enveloped in these wonderful masterpieces.

“Translation” is available on digital platforms:

YouTube – https://youtube.com/playlist?list=OLAK5uy_liSk-KJEIiEgD3OYfP7_HkBtODWkvcEyo

Spotify – https://spoti.fi/3W6AFYg

Bandcamp – https://briankingsland.bandcamp.com/album/translation

Apple Music – https://apple.co/4fOan40

Track Listing:
1. Capricho Arabe – Francisco Tárrega – (5:26)
2. Choro de saudade – Agustín Barrios Mangoré – (5:52)
3. Vals Op. 8, No.3 – Agustín Barrios Mangoré – (4:32)
4. Julia Florida – Agustín Barrios Mangoré – (3:58)
5. Mazurka Apasionada – Agustín Barrios Mangoré – (6:18)
6. Maria Carolina – Antonio Lauro – (3:18)
7. Vals Venezolano No.3 – Antonio Lauro – (2:33)
8. Estudio sin Luz – Andrés Segovia – (3:00)
9. Prelude 1 – Heitor Villa-Lobos – (4:21)
10. Etude 1 – Heitor Villa-Lobos – (2:36)
11. Zambra Granadina – Isaac Albéniz – (4:50)
Album Length: 47:00

Album Credits:
-All songs performed by Brian Kingsland
-All songs written by Francisco Tarrega, Agustín Barrios Mangoré, Antonio Lauro, Andrés Segovia, Heitor Villa-Lobos, Isaac Albéniz
-Produced by Brian Kingsland
-Mixed by Steve Wilson

-Photo by Casey Coscarelli

-Album artwork by Dan Vadim Von
-Brian Kingsland – Guitarist

More info: https://www.instagram.com/briankingsland

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0 Rockshots Records – UK’s SERPENTYNE Enchant Fans w/ First Single “Prophetess of Dreams” Off New Album “Tales From The Dark” Out Feb 2025

January 7, 2025
by Asher
· Music News · Serpentyne (Rockshots Records)

NEWS RELEASE

Montreal, QC – January 7, 2024

SERPENTYNE Enchant Fans w/ First Single “Prophetess of Dreams”

New Album “Tales From The Dark” Out February 14th, 2025 via Rockshots Records

Serpentyne enchants fans with “Prophetess of Dreams”, the first single from their highly anticipated album “Tales from the Dark” out February 2025. This hard-hitting, fast-paced track is the album’s powerful introduction, showcasing the darker and fiercer side of the band’s evolving sound.

Opening with a “barrage of bullet-like guitar riffs,” as described by the band, “Prophetess of Dreams” immediately sets an intense tone. The song seamlessly combines modern, aggressive metal elements with the symphonic and choral layers that define Serpentyne’s music. Guitarist Lee Willmer utilizes an 8-string guitar to create unprecedented depth and heaviness, while the dual vocals of Maggiebeth Sand and Nigel Middleton add dramatic intensity.

Lyrically, the track delves into humanity’s timeless desire to uncover destiny. The prophetess, a central figure in the song, unveils what lies ahead with lines like, “Tell my fortune today, oracle of answers, will my luck fade away, or is it here to stay?”. This thematic depth, coupled with the band’s dynamic instrumentation, delivers a cinematic and immersive experience.

“Prophetess of Dreams” showcases a symphonic journey that bridges the grandiose with the aggressive. The single’s blend of orchestral arrangements, relentless rhythms, and evocative storytelling sets the stage for the full release of “Tales from the Dark” later this year.

LISTEN TO “Prophetess of Dreams”

Digital – https://lnk.to/ckwx02

Music Video – https://youtu.be/u5g-6pX-7BI

“Tales from the Dark” is due out February 14th, 2025.

Digital pre-save “TALES FROM THE DARK” – https://lnk.to/talesfromthedark

CD pre-order – https://rockshots.eu/products/serpentyne-tales-from-the-dark-cd

Track Listing:
1. Prophetess of Dreams
2. Into The Night
3. Dangerous Mind
4. Ghosts of Times Past
5. Run for Your Life
6. Evil From Within
7. Dreamer
8. Seance
9. March of Death
10. Promised Land

Album Credits:
Maggiebeth Sand – Lead Vocals
Nigel Middleton – Bass and Vocals
Lee Willmer – Guitars
John Haithwaite – Keyboards
Marco – Drums

Recorded by Maggiebeth Sand, Lee Willmer and John Haithwaite
Produced and arranged by Serpentyne
Mixed and Mastered by Justin Hill
Front cover Artwork by Harley Velasquez
Digipack & booklet design by Maggiebeth Sand

More info:
Label: https://www.rockshots.eu
Website: https://www.serpentyne.com
Facebook: https://www.facebook.com/Serpentyneofficial
Instagram: https://www.instagram.com/serpentyneofficial

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0 Prog Guitarist ROD RODRIGUES Reveals Video For Emotional Single “Mom’s Lullaby” Off New Album “Tales Of A Changing Life Part 2”

January 7, 2025
by Asher
· Music News · Rod Rodrigues

NEWS RELEASE

Montreal, QC – January 7, 2024

Prog Guitarist ROD RODRIGUES Reveals Video For Emotional Single “Mom’s Lullaby”

New Album “Tales Of A Changing Life Part 2” Out Now!

Rod Rodrigues – Photo Credit – Heitor Tollezzi

Coming off his recently released, deeply emotional album “Tales Of A Changing Life Part 2”, Brazilian-Canadian guitarist, music teacher, and songwriter Rod Rodrigues is pleased to release the music video for the track “Mom’s Lullaby”. This poignant single fuses blues and progressive rock together in an accessible and heartfelt instrumental that the listener can sink into. Rodrigues explains the background of the track”

“This is the most emotional song I’ve ever written. It’s a heartfelt ballad dedicated to my mom, who has always been my biggest musical influence and supporter. When I was little, she would sing lullabies to help me fall asleep, and this song is my lullaby for her.”

The album, independently released on October 18th, 2024, represents a significant milestone in Rodrigues’ musical career. Throughout his collaborations with guitarists Hugo Mariutti, Angel Vivaldi, and Roy Ziv; bassists Heitor Tenorio and Bruno Ladislau; drummers John Macaluso (ARK, TNT, Yngwie Malmsteen, Riot), Rodrigo Abelha, and Lucas Emidio; as well as Orlan Charles (keyboards, piano, and saxophone), Rodrigo Sperandio (Brazilian viola), and vocalists Wesley Poison, Ana Carla de Carli, Andressa Alves, Caroline Grossi, Matheus Grossi, and Francis Botene, Rodrigues has refined his sound. With over three decades of musical experience, Rodrigues has transformed from a musician playing in cover and wedding bands to an innovative artist pushing the boundaries of progressive rock.

“Mom’s Lullaby” embodies this transformation, offering listeners an intimate glimpse into the emotional landscape that has shaped his musical vision. It is recommended for fans of Rush, Steve Vai, and Joe Satriani.

Watch and listen to “Mom’s Lullaby” at https://youtu.be/rP6oSwPRxGE

“Tales of a Changing Life Part 2” is available at the following links:

Spotify – https://spoti.fi/3CwoigV

Bandcamp (CD + Digital) – https://rodrodrigues.bandcamp.com/album/tales-of-a-changing-life-part-2

Video – “Inukshuk” ft. John Macaluso (drums), Angel Vivaldi (second guitar solo) – https://youtu.be/00i4UQ45AGw

Video – “On The Road” ft. Rodrigo Sperandio (Brazilian viola) – https://youtu.be/T1du5ofuRCM

Track Listing:
1 – Inukshuk – Feat. Angel Vivaldi and John Macaluso (6:31)
2 – On The Road (5:24)
3 – East Coast Memories – Feat. Roy Ziv (6:24)
4 – Dust In My Eyes (6:01)
5 – Saudade – Feat.Wesley Poison (1:41)
6 – Mom’s Lullaby (5:40)
7 – Tales Of A Changing Life Suite – Feat. Hugo Mariutti (11:32)
Total Time: 42:02

More info: Rodrodrigues.net | Facebook.com/rodrodriguesofficial | Instagram.com/rodrodriguesofficial

About:

Fusing prog rock with Latin rhythms guitar virtuoso Rod Rodrigues has studied with renowned musicians Kiko Loureiro (Megadeth) and Greg Howe (Justin Timberlake, Michael Jackson) and has received degrees from IG&T and Claretiano University. Since 1997, he has been sharing his knowledge and skills as a music teacher in Brazil, Canada, and Europe. His e-book Guitar Shred (2016) was released in both languages, Portuguese and English, and in 2018, the guitarist and teacher launched his online training course Extreme Guitar Workout, which has attracted hundreds of students from around the world. Over the years, he has also been a member of various bands, including Enemies of Reality and Falling Into a Dream (a Dream Theater tribute band).

As a solo artist, Rodrigues released his first EP in 2010, titled “The First Step: Introduction”, which gained recognition in several music publications, including Guitar Player, Cover Guitarra, and Guitarload, among others. In 2019, he released his single “T.A.G.” followed by his concept EP, “Tales of a Changing Life Part 1” in 2022. Notably, “Tales of a Changing Life Part 1” featured the talented Marco Sfogli (James LaBrie, Premiata Forneria Marconi) on the track “Woodbine Sunset”.

Thanks to his outstanding work on “Tales of a Changing Life Part 1”, Rodrigues was voted one of the top 20 Guitar Players of 2022 by the readers of Brazilian Roadie Crew Magazine.

Released in October 2024, Rod Rodrigues produced his first full-length, “Tales of a Changing Life Part 2”, with mixing by Renato Osório and mastering by Kris Crummett (Nick Johnston, Issues, Sleeping With Sirens). For the album’s guests, Rodrigues recruited guitarists Hugo Mariutti, Angel Vivaldi, and Roy Ziv; bassists Heitor Tenorio and Bruno Ladislau; drummers John Macaluso (ARK, TNT, Yngwie Malmsteen, Riot), Rodrigo Abelha, and Lucas Emidio; as well as Orlan Charles (keyboards, piano, and saxophone), Rodrigo Sperandio (Brazilian viola), and vocalists Wesley Poison, Ana Carla de Carli, Andressa Alves, Caroline Grossi, Matheus Grossi, and Francis Botene.

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“Rod Rodrigues’ upcoming release, Tales of a Changing Life Part 2, represents more than just a continuation of his musical journey—it’s a deeply personal reflection of the changes he’s experienced over the past decade. After a 12-year hiatus from releasing solo work, Rodrigues returns with an instrumental album that captures a rollercoaster of emotions through complex compositions and masterful collaborations. His ability to mix diverse musical influences is evident throughout, weaving together personal experiences, Brazilian rhythms, and progressive rock.” – Prog-Sphere (2024)

“In Tales of a Changing Life Part 2, Rodrigues not only showcases his technical virtuosity but also his ability to convey deep emotion and narrative through his compositions. His work stands as a shining example of how diverse musical influences can be melded into something both experimental and accessible. This is an album that takes listeners on a transformative journey, and in doing so, solidifies Rod Rodrigues as a unique voice in contemporary progressive music.” – Prog Archy (2024)

“Following closely the work of legendary drummer John Macaluso already brought great discoveries to my proggy table, and Rod Rodrigues’ new album makes no exception here. In best instrumental prog fusion manner, he tells the “Tales of a Changing Life” with the focus on his virtuoso guitar playing, carried by challenging yet groovy rhythm patterns, cool bass lines, and some beautiful keyboard interplays. All-together a wonderful listen if you’re into instrumental wizardry. ” – The Prog Space (2024)

“Obviously, much of the spotlight here is placed on Rodrigues’ prodigious grasp of the electric guitar. Although the album’s metal-ish side doesn’t stand any bit above what we’ve already heard from that corner of prog metal, Rod makes himself out to be an absolutely brilliant fusion guitarist, possibly one of the best I’ve heard in recent years. “Dust in My Eyes” might be my favorite track on the album for this very reason; Rod’s marriage of keen instrumental wandering and tight melodic passages is gorgeous.”- Riffage (2024

“Guitar virtuoso Rod Rodrigues latest release ‘Tales of a Changing Life is a conceptual record celebrating the changes in Rod’s life that have taken place over recent years. Straight from the Satriani-Vai-Johnson line of melodic guitar shredders, Rodrigues infuses his guitar playing style with prog, metal, fusion and jazz. While only a 5 song EP, there is a lot of great guitar work in this collection with an abundance of melodies. Perhaps not as much of a household name, Rodrigues is definitely worth getting to know.” – The Prog Report (2022)

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0 Out Now! TZIMANI’s New Album “I Feel Fine” via Glory or Death Records (Vinyl) & Noize Cartel (Digital)

November 15, 2024
by Asher
· Music News · Tzimani

NEWS RELEASE

Montreal, QC – November 15, 2024

Out Now! TZIMANI’s New Album “I Feel Fine” via Glory or Death Records (Vinyl) & Noize Cartel (Digital)

L-R – Eddie Vazquez – Guitars, Bass, Synthesizers, Vox – Seb Vazquez – Drums,
Photo Credit: Chris Mcfly

Breaking out with their self-titled debut EP in 2018, San Diego, USA’s Eddie and Seb Vazquez brother duo that makes Tzimani are excited to unveil their first full-length album entitled “I Feel Fine”, now available as of November 15th on Glory or Death Records (Vinyl) and Noize Cartel (Digital).

“This album has been a trial of our toughest mental and emotional challenges to not only complete but to release into the ether as it took us over two years to complete from the time we first recorded drums back in August 2022 to when we finally had masters in hand in June of 2024. In a lot of ways, this album represents an emotional rebirth of the band with efforts to take on the world in the metal scene after a protracted period of relative inactivity dating back to mid-2019 after we wrapped up our touring to promote the 2018 EP.

We plan on rebuilding the momentum that was lost during the pandemic years and hitting the ground with a renewed vigor and sense of excitement to bring our live performance to places we have not been to and recapture the support of all the fans we left hanging over the last five years to let them know that we are back! We are ready to reclaim the title as the fearless gruesome twosome in the music sphere and we could not be more thrilled to be working with Buddy and Ygor and the Glory or Death Records label and having them allow us to try to transcend our music and reach the broadest audience.” adds Sebastien Vazquez.

Picking up right where the 2018 EP dropped off, Tzimani‘s album “I Feel Fine” features the same elements of catchy hooks, clean rhythms, and dynamic vocal lines. However, there are bits of deviation when it comes to injecting new elements. Fans will hear an added synthesizer for some of the tracks, an exploration into AOR rock, and some expressions of today’s modern music scene for this collection of eight songs of their finest hour adds.\

Sebastien Vazquez explains further:

“You know those albums that you listen to over and over again and you just know when the first song hits your sense of familiarity, nostalgia, warmth, and comfort? That is what we are trying to encapsulate. The album is straightforward heavy metal mixed with modern elements with a dash of AOR and we feel it is the best representation to show everyone what we are capable of. We are also trying to represent the future of the band and give everyone an entry into some of the larger questions that we struggle with and how we choose to represent that with our songwriting. We are not the type of band that is capable of singing about stories, dragons, and swords, but we excel at writing tunes that people can genuinely relate to and connect with.”

Tzimani is recommended for fans of Van Halen, Haunt, Striker, Traveler, Skull Fist, and Cauldron.

Tzimani‘s new album “I Feel Fine” is now available as of Nov 15th, 2024 on Vinyl and digitally at the following links:

Spotify – https://spoti.fi/40NvoHW

Digital – http://tzimani.bandcamp.com/

Vinyl – https://www.gloryordeathrecords.com/shop/p/tzmani-i-feel-fine-pre-order-

Previous singles:

I Feel Fine – https://youtu.be/xll4IuaBIP0

“We Stand and Fight” – https://youtu.be/8yneRSyOlHY

“Haunting” – https://youtu.be/0NB9XxLAABs

Track Listing:
1. We Stand and Fight (4:30)
2. Breaker (3:28)
3. Hold On (4:31)
4. Haunting (3:59)
5. Endless Road (5:24)
6. Bleeding Life (3:29)
7. Empty (3:27)
8. I Feel Fine (4:56)
Album Length: 33:45

More info: https://www.facebook.com/tzimaniofficial | https://www.instagram.com/tzimani_official

About: Formed in 2017, Tzimani hit the ground running with their debut demo and a relentless West Coast and Southwest tour, winning over fans with electrifying performances in cities like Portland, Seattle, and Texas. Their 2018 self-titled EP, released via Noize Cartel Records, became a launching pad that propelled them into the national spotlight. With over 100 shows across North America and standout appearances at major festivals, the band quickly built a reputation as a live act not to be missed.

Drawing from legendary influences like Iron Maiden, Van Halen, and Mötley Crüe, Tzimani’s music is a bold fusion of melodic AOR and the raw power of old-school heavy metal. With twin-guitar leads, soaring solos, and thunderous drumming, their sound is equal parts grit and glory. Eddie’s vocals, reminiscent of Dio, along with his fierce guitar work, channel the spirit of classic rock while still pushing forward into new sonic territory.

After their 2020 expanded re-release of the EP, Tzimani faced an unexpected pause as the world shut down. But through the stillness, the brothers’ creativity simmered, building anticipation for their next big move. Now, with their first full-length “I Feel Fine” (Out Nov 2024), they’re stepping into uncharted territory by incorporating synthesizers to deepen their sound, adding a dynamic, atmospheric layer that brings new emotion and energy to their music.

Tzimani’s partnership with Glory or Death Records marks the beginning of a fresh journey. With their signature blend of melody and muscle, the band is primed to reach a broader audience and reignite their momentum on stages across the country. The stage is set, the wheels are turning again, and Tzimani is ready to reclaim their place as a force in the rock and metal scene.

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“the blistering new single “Haunting” from metal duo Tzimani! Driving speed riffs, AOR keys, breakout solos and soaring vocals make “Haunting” a very cool track.” – WJOE – Findlay’s Home for Rock & Roll

“At full throttle (opening track We Stand And Fight, for instance) they’ll take you right back to the glory days of names like The Rods, or any of those classic US power metal names of the early eighties, but the key to Tzimani’s appeal is their ability to add huge doses of melody to the muscle; When they get this right, as they do on Hold On and Empty, the sound they create – like the Adrian Smith-penned Iron Maiden classics of the mid eighties – is hard to resist… This really is top notch stuff, and I can’t recommend it highly enough if you like proper, old school heavy metal like it used to be made.” – Sentinel Daily

“I Feel Fine is a ….hmm.. fine collection of classic heavy metal songs, with enough energy and punch to make you hit the replay button” – Velvet Thunder

“Typically, when promo proclaims that a band represents a “bold new take” on a traditional, well-trod style, you can expect the same: yet another forgettable “revitalization” of a sound and aesthetic that has been done to death, reanimated, and then slaughtered by copycats once more. In the case of Tzimani, the status quo is effectively put in its place.” – Sleeping Village

“Electrifying pace sets ‘We Are The Ones’ on fire, hurtling along at full velocity, displaying all the hallmarks associated with the “foot on the monitor” style of traditional heavy metal. Hitting hard like an out of control wrecking ball” – Frenzy Fire / Metal Gods TV

” refreshing heavy rock 8/10″ – SoundMagnet (German)

” This two piece hailing from San Diego shredded their way through their set. Straight up heavy metal brothers rocking their way across North America. Eddie can really play the guitar. Each song they played were full of mean riffs and ripping solos.” – Metal As Medicine (Live Review – 2019 – Kelowna, BC)

” They surprised us all when vocalist/guitarist Eddie Vazquez announced that they were the only other band on the bill. It was their best time to shine. Kudos to you Vazquez brothers!… Tzimani set up shop, and made that stage their biatch! Soon enough they began playing songs that were not included in their demo such as “Overdrive,” and dished out their hits “Final Hour” and “Get Me Out Of Here” which are available on their demo. These bros emitted a tremendous confidence and were still glowing from their recent inaugural American tour.” – Ugh Metal (Live Review – 2017 – San Diego, CA)

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0 MINDREAPER Unveils Epic New Video “The God I Am” In Anticipation of Upcoming Album “Withering Shine (…Into Oblivion)” Out Dec 2024

October 18, 2024
by Asher
· Mindreaper · Music News

NEWS RELEASE

Montreal, QC – October 18, 2024

German Melo-Death MINDREAPER Unveils Epic New Video “The God I Am”

New Album “Withering Shine (…Into Oblivion)” Out Dec 2024 via Death Age Records

L-R: Christian Schoenke – Bass, Marcel Schneider – Drums, Sebastian Rehbein – Lead Vocals, Manuel Nozulak – Additional Vocals, Marcel Bangert – Guitars, Keys

Fans of hard-hitting melodic death metal are in for a treat as Germany’s Mindreaper gears up to premiere their latest music video “The God I Am”. This visual spectacle serves as a powerful prelude to their highly anticipated album “Withering Shine (…Into Oblivion)” set to drop on December 2nd, 2024 via Death Age Records.

“Withering Shine (…Into Oblivion)” stands as Mindreaper‘s magnum opus, seamlessly blending traditional elements with modern symphonic touches to create a unique sonic landscape. The album promises to be a collection of eternal hymns, each track a testament to the band’s musical prowess and emotional depth.

Mindreaper takes listeners on a haunting journey through the echoes of past existences, confronting themes of transience and irrelevance. The album doesn’t shy away from societal critique, tearing open old wounds and processing the lowest socio-cultural structures while keeping an eye on potential apocalyptic dystopias.

Listeners can expect brutally snotty guitars, lung-piercing bass, and stomach-smashing percussion, all embraced by epic orchestral arrangements that avoid falling into kitsch. The varied vocals of two powerful singers add another layer of depth to the already rich soundscape.

As the band puts it, “It is not the raised index finger, but the middle finger that wields the pen and the sword!” It is recommended for fans of Carcass, Edge of Sanity, and At the Gates.

Watch and listen to the video for “The God I Am” via its premiere on TheCirclePit at https://youtu.be/5d3VbD29pPY

Due out on December 2nd, 2024 via Death Age Records, “Withering Shine (…Into Oblivion)” will be available at the following links:

Online Store – https://www.mindreaper.de/shop/de/2-mindreaper-shop

Bandcamp – https://mindreaper.bandcamp.com

Spotify – https://spoti.fi/3rmTjeL

Track Listing:
1 – Withering Shine (… Into Oblivion)
2 – Liberty’s Fate
3 – Death T(h)rust
4 – Nocturnal Animals
5 – Desert Trails
6 – Vengeance Dawn
7 – Power Plant
8 – The God I Am
9 – Bequest for No One
10 – Black Stone Misery
11 – Final Heaven

Line Up:
Sebastian Rehbein – Vocals
Marcel Bangert – Guitars, Keys
Christian Schoenke – Bass
Marcel Schneider – Drums
Manuel Nozulak – Additional Vocals

Album Credits:
Recording and Mixing: Andy Classen’s Stage One Studio
Mastering: Tue Madsen – Sheriff at Antfarm Studio
Music & Arrangement: Marcel Bangert
Lyrics: Sebastian Rehbein

More info: https://www.mindreaper.de | https://www.facebook.com/TheMindreaper | https://www.instagram.com/mindreaper_metal

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0 Out Now! Ophidian Memory Unleashes New Melodic Death Album “Carrion Lord”

September 27, 2024
by Asher
· Music News

NEWS RELEASE

Montreal, QC – September 27, 2024

Ophidian Memory Unleashes New Melodic Death Album “Carrion Lord”

Melodic death metal project Ophidian Memory, the brainchild of Blake Lamoureux, is set to release its latest album “Carrion Lord” on September 27th, 2024. Ophidian Memory, hailing from Des Moines, USA, is known for its innovative approach to metal, using melodic death metal as a foundation to incorporate elements of black metal, thrash, progressive metal, and metalcore. “Carrion Lord” continues this tradition, offering a heavier and more unrelenting sound compared to its predecessor “Our Shattered Garden”. Lamoureux comments:

“Carrion Lord is the most ambitious and brutal Ophidian Memory release to date. The lyrics portray themes of deception, sacrifice, undreamt horror, and war. Musically the death and black metal notches have been turned all the way up, while the progressive notch has been turned down greatly until late in the album, giving a reprieve to the listener for a slight moment until the record ultimately closes with a ripping epic finishing track.”

The album is best experienced as a front-to-back listening journey, with each track offering a unique blend of subgenres that keeps the listener engaged throughout. Lyrically, “Carrion Lord” delves deeper into the fictional universe of “Existence”, a dark fantasy epic created by Lamoureux that has become the cornerstone of Ophidian Memory‘s conceptual approach.

On this album, Ophidian Memory has moved away from the progressive metal feel, choosing to take on a darker and heavier tone which reflects the brutal narrative this time around. Expect lots of unhinged vocals, riffs for days, and oppressive drums. For those who love extreme metal of all decades, in the vein of The Black Dahlia Murder, Behemoth, and Blood Red Throne, this one’s for you.

“Carrion Lord” is available at the following links:

Album Stream – https://youtu.be/Vf5F9SW1eA4

Bandcamp – https://ophidianmemory.bandcamp.com/

Spotify – https://spoti.fi/3BiMNxv

Track Listing:
1. The Mausoleum – (5:13)
2. Hunger Of Your Deceased Deity – (4:52)
3. A Jewel In Grocinia – (5:23)
4. Fleshbinding Ritual- (4:08)
5. Carrion Lord – (5:19)
6. The Murder On Warforged Soil – (6:17)
7. Hollowed – (3:50)
8. Sculptors Of Seraphic Tributes- (11:14)
9. Kept From Dust – (4:22)
10. Bloodborne – (4:40)

More Info: https://www.instagram.com/ophidianmemory/

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