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Tag: news

0 Rockshots Records – EMBRYO New Video “Darkest Lights” ft. Drummer George Kollias (Nile) Off Forthcoming Album “A Vivid Shade on Misery” Out March 2023

  • January 17, 2023
  • by Asher
  • · Embryo (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – January 17, 2023

​

Rockshots Records – EMBRYO New Video “Darkest Lights” ft. Drummer George Kollias (Nile)

New Album “A Vivid Shade on Misery” Out March 17th

Italian melodic death Embryo is sharing the first glimpse of brutality from their forthcoming fifth album “A Vivid Shade on Misery”, which features the band’s recruitment of international drumming powerhouse George Kollias (Nile) for its recording. Due out on March 17th, 2023 via Rockshots Records, Embryo shares its first single “Darkest Lights” accompanied by a music video. The track is melodic, but with an unforgettable groove.

Watch and listen to “Darkest Lights” at the following links:

Digital – https://bfan.link/darkest-lights

​

“A Vivid Shade on Misery” follows the band’s 2017’s “A Step Beyond Divinity” (Art Gates Records), 2015’s Self-Titled (logic(il)logic Records) that featured Fleshgod Apocalypse’s drummer Francesco Paoli, 2010’s “No God Slave” and their 2006 debut “Chaotic Age”.

Since the band’s inception, Embryo has toured across Europe with Melechesh, Keep of Kalessin, Tribulation, Nile, Immolation, Ragnarok, Monuments of Misanthropy, and Suffocation along with performing on festivals such as Masters of Rock (CZ), and Total Metal Festival (Italy).

Embryo began writing their fifth offering in 2020 with George Kollias and entered the Domination Studio in July 2021 with producer Simone Mularoni, and engineer Simone Bertozzi.

Monolithic, intense, powerful, technical, and melodic this new album features eight brand new tracks and is another concept album like its predecessor “A Step Beyond Divinity”. The band is inspired by historical Italian figures of the Renaissance era and their tormented lives, their absolute genius, and the gifts they gave to the world. While the previous album “A Step Beyond Divinity” was inspired by Leonardo Da Vinci, this new work is totally inspired by Michelangelo Merisi alias Caravaggio, an Italian painter active in Rome for most of his artistic life.

“With “A Vivid Shade on Misery” we want to have listeners dive into our world by giving them brutal and atmospheric music melted together in the way we love to do plus having Kollias drum on this new album, one of the best drummers in the world, is just an absolute honour. Overall, fans will find this album has the “Embryo” matrix, there’s no doubt about that. It will be a more direct record and its songs make up a pattern that takes the listener on a journey through torments and anxieties, but which at the same time gives him pure energy.” adds the band.

From the band’s first album “Chaotic Age” (2006) to today, Embryo‘s music has evolved over the years. On the first record, they were more brutal and messier, now their compositions are much more “thought out” and brilliant. If they had to use one word to describe their compositional evolution they would say “sharp”.

Recommended for fans of Strapping Young Lad, Meshuggah, Fear Factory, Death, and Dimmu Borgir, Embryo will be sharing singles and videos in the coming months in lead up to the record’s release.

Album pre-order – https://bit.ly/Embryo_CD​

Current Line-Up:​
Roberto Pasolini – Vocals
Eugenio Sambasile – Guitars
Simone Solla – Keyboards
Gabriel Pignatta – Bass
George Kollias – Drums (guest)

Track Listing:​
1. Pride – 3:58
2. Highest Fame – 4:19
3. Darkest Lights – 4:01
4. The Seed of Lividity – 4:02
5. MMDC – 5:04
6. Medusa – 4:18
7. Vanitas – 3:59
8. Concrete Visionary – 3:29
Album Length: 33:13

A Vivid Shade On Misery album credits:​
The album was recorded in July 2021 @ Domination Studio – San Marino
Technicians: Simone Mularoni, Simone Bertozzi.
Mixed and Mastered by Simone Mularoni.
Drums recorded @ George Kollias Studio

For more info:​
​https://www.rockshots.eu​
​http://www.embryo-online.com​
​https://www.facebook.com/EMBRYO.DeathMetal​
​https://www.instagram.com/embryo_official​
​https://www.twitter.com/EMBRYOmetalband​

About: After a couple of self-produced works and a first album (“Chaotic Age”) Embryo found its sound and recorded “No God Slave” (2010) with producer Simone Mularoni. The album received very good reviews and led the band to play new gigs in Switzerland, Germany, and Italy and be part of Kung Fu Factory’s Supremacy MMA videogame soundtrack with 2 songs. In 2014 Embryo first recorded a promo at Atomic Stuff Studio with Oscar Burato, then, in May, the band recorded the new self-titled cd at Domination Studio with Simone Mularoni. During the summer they played the main stage at Masters of Rock in the Czech Republic and Total Metal Festival in Italy. In October Embryo signed a deal with logic(il)logic Records for the release of the album and the reissue of “No God Slave” with some bonus tracks. In December the band made a little tour in Eastern Europe. The new album “Embryo” came out on the 10th of February 2015. The album received great reviews worldwide and Embryo started a European tour in May with Melechesh, Keep of Kalessin, and Tribulation. After a great show at MetalFest in the Czech Republic in July, the band joined Nile and Suffocation for the second part of their European tour in September. In 2016 the band has been part of the second leg of the “What Should Not Be Unearthed” Nile tour with Melechesh and Mithridatic. Embryo finished the recordings of the new album in January at Domination Studios again with guru Simone Mularoni. The band played at the 2017 edition of MetalFest in the Czech Republic on Sunday, June 4th, and signed a deal with Art Gates Records for the release of the 4th studio album “A Step Beyond Divinity” which came out on the 27th of October 2017 in Spain and the 24th of November 2017 in the rest of the world. The album has been enthusiastically reviewed entering the 2017 best albums of the year charts in various webzines all over the world. In November 2019 the band joined “The Last Atonement European tour” supporting Immolation, Ragnarok, and Monuments of Misanthropy for all the shows. In December the band released a free download digital EP including the new song Misguided legacy and three live songs taken from a live show of the band. In 2020 the famous drummer George Kollias (Nile) joined Embryo in the writing of the new album. The band entered again Domination Studio in July 2021 to record the brand new fifth album “A Vivid Shade On Misery”, which will be released in early 2023, anticipated by the video of the new song “Darkest Lights”. Stay tuned!

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 WACKEN METAL BATTLE CANADA Announces Battle Rounds – One Unsigned Canadian Band To Play Wacken Open Air 2023

  • January 17, 2023
  • by Asher
  • · Music News · Wacken Metal Battle Canada

NEWS RELEASE

Montreal, QC – January 17, 2023

WACKEN METAL BATTLE CANADA Announces Battle Rounds

– One Unsigned Canadian Band To Play Wacken Open Air 2023 –

Wacken Metal Battle Canada is proud to announce its 2023 battle rounds being held from coast to coast for one unsigned Canadian band to perform on one of the world’s most prestigious stages and largest metal festival Wacken Open Air, with over 80,000 people in attendance, held in Wacken, Germany for now over 30 years. (dates listed below)

WMBC has been on pause since 2019, due to the Covid pandemic, and has hosted battles across Canada from 2013 until 2019, with one skip year in 2017.

Previous winners have been The Slyde (Toronto, ON – 2019), Centuries of Decay (Toronto, ON – 2018), Profaner (Hamilton, ON – 2016), Vesperia (Toronto, ON – 2015), Mutank (Montreal, QC – 2014), Crimson Shadows (Toronto, ON – 2013).

Wacken Metal Battle Canada Trailer – https://youtu.be/b55Fh5Vo64k​

Battles will be hosted in the following cities: Vancouver, BC, Edmonton, AB, Calgary, AB, Toronto, ON, Hamilton, ON, Ottawa, ON, Montreal, QC, and Quebec City, QC.

All bands will be performing in front of experienced music industry professionals who will be making judgments at each qualifying round based on various categories of professionalism and musicianship.

Here’s the full list of dates below, event links for each battle can be found on https://www.facebook.com/MetalBattleCanada.Official/events​

Battle Rounds​
​
Vancouver – Preliminary Round
Thurs, Feb 23 – The Cobalt w/ Ape War, Hunting Giants, Hyperia, Pharm, QUASICOSM
​
Calgary – Preliminary Rounds
Tue, January 17 – Dickens w/ Grim Prognosis, Lÿnx, Tyrants of Chaos
Wed, February 1 – Dickens
Wed, February 15 – Dickens
Wed, March 1 – Dickens
​
Edmonton – Preliminary Rounds
Thurs, Jan 19 – Starlite Room w/ Fall of Earth, Withered Days, Enosis
Thurs, Feb 2 – Starlite Room w/ Arcane Tyrant, Repugnant Scum, Malicious Intent
Sun, Feb 5 – Starlite Room w/ Pre Breaker, Sparrow Blue, The Judge The Juror
Thurs, Feb 16 – Starlite Room w/ Rising Sun, The Usual Suspects, Hollow Point & Buried Beneath
​
Hamilton – Preliminary Rounds
Fri, Jan 27 – Mainstage Studios w/ Sarcophilous, Aquila, Eaten by Sharks, Hollow Core, Death Perception
​
Toronto – Preliminary Rounds
Sat, Jan 28 – Hard Luck w/ Ammo, AxMinister, Devil Witch, Xephyr
Sat, Feb 4 – Hard Luck w/ Phantom, Burdizzo, Bloody Monroe, CNTRL
Fri, Feb 24 – Bovine Sex Club w/ Superchucker, I See Aura, Active Arson, Hellrager
​
Ottawa – Preliminary Round
Fri, March 24 – Mavericks
​
Quebec City – Preliminary Round
Fri, Feb 24 – Quebec City – La Source de la Martiniere
​

Montreal – Preliminary Rounds
Fri, Feb 17 – Piranha Bar
Fri, March 3 – Piranha Bar
Sat, March 11 – Piranha Bar
​
Montreal – Eastern Final (Ottawa vs Montreal vs Quebec City)
Fri, March 31 – Piranha Bar
​
Toronto – Ontario Final:
TBA
​
Calgary Final:
Fri, March 10 – Dickens
​
Calgary – Western Final (BC, AB)
Sat, April 1 – Dickens
​
Toronto – National Final:
Sat, May 13 – Lee’s Palace
​

About: Wacken Metal Battle Canada is part of an international competition that sees bands from across the country battle each other for the chance of winning their spot among 29 other countries’ champions, and represent Canada in an international battle of the bands at the world’s largest outdoor metal festival: Wacken Open Air. The battles have been hosted at the festival for over a decade giving independent bands the opportunity to showcase their talents to an international audience along with the chance to win multiple prizes.

How it works:
​
Participating cities will host qualifying rounds plus a city final organized by a local city concert promoter where one band will move forward to the Canadian national final (date and city to be determined). The winner of the national final will move on to perform at the Wacken Open Air 2023 and compete against the winners of 29 other countries in a final global battle. All bands will be judged during battle rounds by respected local music industry representatives.

Rules for participation: ​​https://metalbattle.ca/rules.html​

Links:​
​Metal-Battle.com​
​MetalBattle.ca​
​
Facebook.com/MetalBattleCanada.Official​
​Twitter.com/MetalBattleCan​
​Instagram.com/MetalBattleCanada.Official​

– 30 –

Media Partners:​
Bravewords
Metal-Rules
Absolute Underground
BrokenNeckRadio
V13
Metal Devastation Radio
Rich Embury (internationally syndicated DJ)
​
​Promoter Partners:​
Boonsdale Records
Dungeonworks Productions
The Invisible Orange
Big Nate Productions
ConcertWorks

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

​

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0 Canada’s NOMAD Combine A Ballad With Groovy Death Metal In “Revolution” Off “The Mountain” Out March 2023; Mastered by Christian Donaldson (Cryptopsy)

  • January 16, 2023
  • by Asher
  • · Music News · Nomad

NEWS RELEASE

Montreal, QC – January 19, 2022

​

Canada’s NOMAD Combine A Ballad With Groovy Death Metal In “Revolution” Off “The Mountain” Out March 2023

Mastered by Christian Donaldson (Cryptopsy)

L-R – Josh MacDonald (Bass), Matt Johnstone (Guitar/Vocals), Bretton Melanson, (Drums/Vocals), Jeff Mabb (Guitar/Vocals)
Photo Credit – Chris Geistlinger

Nomad is a progressive death metal band from British Columbia’s Okanagan Valley in Canada who are excited to finally be releasing their debut album “The Mountain” this coming March. “Revolution” is the second single off the album and it is their most dynamic offering, featuring clean vocals and harmonies for the first half with a crushing ass kicking at the end. It’s a call to action, a challenge to take making the world a better place into your own hands. They comment on the track:

“The first half is our “ballad” with clean vocals, and the second half is rocking out to one hell of a sludge/groove riff, start light, go heavy, it’s kind of our “One”. The lyrics call for a revolution, a societal change, redistribution of wealth, symbiosis with nature, and to stop messing up the damn planet so our kids have a decent world to live in. The album title comes from the final line of the song, and the “fuck you” is directed to those that put profits over the preservation of our planet.”

Nomad is still early in their career and has cycled through different singers who have each brought their own style to the table and impacted the music in their own ways. Their new shared vocals setup, where three of the four musicians are vocalists, really lets them combine different styles taking the best of what they’ve had in the past from an old-school raw sound to a more refined modern sound.

The progressive melodic groove/death metal is recommended for fans of Lamb of God, Pantera, and Sepultura.

Listen to “Revolution” via its premiere on NoCleanSinging HERE.​

“The Mountain” is due out on March 3, 2023, and was mixed by drummer Bretton Melanson and mastered by Christian Donaldson (Cryptopsy). It is recommended for fans of Gojira, Lamb of God, and Pantera.

Album pre-order (CD, Digital) – Nomadbc.bandcamp.com​

Previous single – “Burning Alive” – https://youtu.be/N4uKBAfxc4c ​​

Track Listing:​
1. Burning Alive (4:30)
2. Haunted (6:00)
3. Revolution (6:05)
4. Relentless (6:09)
5. A Lonely Wanderer (5:08)
6. Blood Moon (9:40)
7. Rise in the Fall (6:20)
8. Processor (6:56)
9. Choke (8:52)
Album Length: 59:38

Album Credits:​
– All songs written and performed by Nomad.
– Additional writing contributions by past members:
Kasey Klassen
Lorne Valliers
Dylan Heska
Justin Kleinsasser
– Mixed by Bretton Melanson
– Mastered by Christian Donaldson
– Album Artwork by: Angela Grimmuza/ Art Of Grimmuza
– MAPL – Canadian Content

Album and Live lineup:​
Bretton Melanson: Drums/Vocals
Matt Johnstone: Guitar/Vocals
Jeff Mabb: Guitar/Vocals
Josh MacDonald: Bass

For more info: Facebook.com/nomadmetal | Instagram.com/nomadbandbc​

About: Nomad is a dynamic, progressive death metal band from the Okanagan Valley in British Columbia, Canada and consists of drummer/vocalist Bretton Melanson; guitarist/vocalist Matt Johnstone; guitarist/vocalist Jeff Mabb; plus bassist Josh MacDonald. Kickstarted by Johnstone who was looking for an outlet, he approached Melanson and since the material felt right and with their previous history playing together, the ball was rolling. Over a few years, there was a lineup flux, with each additional leaving their mark on the material. Ultimately, they then recruited Mabb as a second guitarist and MacDonald on bass, and working collaboratively, they weave their melodic, groovy death metal.

Looking to avoid the violence and gore tropes that are quite prominent in metal music, they tend to tell stories based on fictional characters, historical events, science fiction, and astrophysics. Each member adds their own flair to the songs, imprinting their distinct influences.

When they hit the stage, the audience is greeted by multiple vocalists that deliver a massive wall of layered sound, integrated sound effects, and a well-thought-out visual element. They played Canada’s prominent Armstrong Metalfest in 2016-2019 and performed alongside bands such as Kataklysm, Origin, Soulfly, and Alestorm. They are releasing their debut album “The Mountain” in 2023.

– 30 –

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Rockshots Records – Return To AVALAND – New Album “The Legend of the Storyteller” ft. Guests From TSO, Edguy, Sortilège Out March 2023; Streaming First Single “Crimson Tyranny”

  • January 16, 2023
  • by Asher
  • · Avaland (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – January 16, 2023

​

Rockshots Records – Return To AVALAND – New Album “The Legend of the Storyteller” Out March 2023

Streaming First Single “Crimson Tyranny”

Album Guests Zak Stevens (ex-Savatage/TSO), Madie (ex-Nightmare/Faith In Agony), Pierre “Cara” Carabalona (Eltharia),
Ivan Castelli (Lionsoul), Angèle Macabiès, Jens Ludwig (Edguy), Bruno Ramos (Sortilège/ex-Manigance)

​

The mystical world of Avaland returns in 2023 with the fantasy symphonic power metal band’s sophomore full-length “The Legend of the Storyteller” due out on March 31st, 2023 via Rockshots Records following their 2021 debut “Theater of Sorcery”.

Compared to its predecessor, “The Legend Of The Storyteller” is heavier and is a much more epic power metal record full of anthems upon anthems for fans to chant to as they are taken on a journey over twelve theatric tracks. The record also hears double vocal duties from Adrien G. Gzagg and Jeff Kanji along with album guests that include Zak Stevens (ex-Savatage/TSO), Madie (ex-Nightmare/Faith In Agony), Pierre “Cara” Carabalona (Eltharia), Ivan Castelli (Lionsoul), Angèle Macabiès, Jens Ludwig (Edguy) and Bruno Ramos (Sortilège/ex-Manigance).

Lead by Adrien G. Gzagg (Autor/Composer/Lead Singer/Synths and Orchestrations), the album’s storyline is aprequel to the band’s first album “Theater of Sorcery” as he explains further:

“This album, as the first one, is a journey, a trip out of our world, into the universe of Avaland. We enjoy seeing Avaland as a great saga, as a movie, or series. We feel like listening to Avaland is like watching Game Of Thrones, The Lord Of The Rings, or reading comics, it’s an escape from everyday life. For this album, we took a lot of inspiration from Game Of Thrones and Arthurian Myths. We love fantasy and mythologies and we also find ourselves having a great fascination for alchemy and esoterism. Time is also a great subject, it’s mystical… in fact, time will be at the center of this saga. This new opus is showing a heavier and darker atmosphere of Avaland’s theatrical universe. Are you ready to be part of “The Legend Of The Storyteller”?”

Avaland‘s first single in support of “The Legend Of The Storyteller” is entitled “Crimson Tyranny” (feat. Cara, Madie & Zak Stevens).

“This song is the first one I composed for this album. It defines the atmosphere for this new album: darker than “Theater Of Sorcery”, but also more epic, especially with its mighty chorus (with some Blind Guardian influences). It’s a mind-sticking song, beware of this infernal hook “Crimson! Tyranny!”. The title of the song is a tribute to “In the Court of the Crimson King” by King Crimson.” adds Adrien G. Gzagg.

Listen to “Crimson Tyranny” (feat. Cara, Madie & Zak Stevens) at the following links:

​​
In additional news, Avaland will be touring Europe during spring 2023 supporting legendary bands Rhapsody Of Fire and Sortilège.
​
​Avaland is recommended for fans of Savatage, Angra, Avantasia, Symphony X, and Queen.
​
Album pre-order – https://bit.ly/StorytellerCD​
​
Album Pre Save – https://bfan.link/the-legend-of-the-storyteller​

Track Listing:
1. The Vision – 2:03
2. Crimson Tyranny – 6:45
3. Insurrection – 4:42
4. To Be The King – 4:34
5. Secret Night – 3:24
6. Kingslayer – 4:10
7. The Gift – 4:48
8. Out Of The Fog – 5:11
9. Betrayers – 5:23
10. Madness Of The Wise – 5:27
11. You’ll Be The Legend – 5:17
12. Lies – 10:29
(Bonus Track – La Folie Du Sage)
Album Length: 1:02:19

Avaland is:
Adrien G. Gzagg (Autor/Composer/Lead Singer/Synths and Orchestrations)
Jeff Kanji (Lead Singer/Additional Voices and Guitars)
Lucas Martinez (Guitars)
Camille Souffron (Bass)
Leo Mouchonay (Drums)

For more info:
​
Roc​kshots.eu​
​Avaland-themetalopera.com​
​Facebook.com/avaland.metal.opera​
​Instagram.com/avaland_metal_opera​
​Twitter.com/AvalandMetal​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 ALL ELSE FAILS Presents Music Video For Their Cover Of Death’s “Crystal Mountain” Off “The Incident at Black Lake”

  • January 12, 2023
  • by Asher
  • · All Else Fails · Music News

NEWS RELEASE

Montreal, QC – January 12, 2023

 

ALL ELSE FAILS Presents Music Video For Their Cover Of Death’s “Crystal Mountain”

New EP “The Incident at Black Lake” Out Now!

L-R: – Coco Lee ( Bass / Vocals ) Nelson Collins – Lee ( Drums ) Barrett Klesko ( Vocals / Guitar ) John Saturley ( Guitar )
Photo Credit – Barrett Klesko – FadeBack Studios United

Canada’s All Else Fails have been working on their latest EP “The Incident at Black Lake” for the last two years and released it this past September. Intended to be listened to as a whole, it is a personal foray into the darkness of depression and the torment of addiction. To round the EP out, the final track is a cover of “Crystal Mountain” originally performed by Death.

According to Chuck Schuldiner, the song deals with the troubles they had with their former neighbours in Florida. Religious bigots, they lived in their ‘crystal mountain’ and stood against everyone else. While attending church regularly they disapproved and criticized all those around them. Schuldiner quips:

“Religion certainly isn’t a bad thing, but if it serves to make somebody feel better while hurting others and then go to church to beseech God for forgiveness on Sunday morning…I guess it doesn’t work very well (laugh).”

All Else Fails shares their thoughts on the track:

“This is a song we love and felt that we could cover faithfully at its core, while adding our own twists to its soundscape, to justify its existence. Lyrically it speaks to religious oppression on a personal and community level.”

Guitarist/vocalist Barrett Klesko wrote his parts while being submerged in the darkest, most distressed headspace he has ever been in resulting in the intensely dark “The Incident at Black Lake”. He cites that through the fog and sensation of reality warping around him, he somehow found clarity in his writing. He thinks this EP is beautiful, there is elegance in darkness; it’s sad because he knows the turmoil and pain it took to write it, and that it’s powerful because it’s the first time he has truly been honest in his music.

Technical, melodic, and haunting, the EP is recommended for fans of Revocation, Soilwork, and Fleshgod Apocalypse.

The video for “Crystal Mountain” can be seen and heard via its premiere on TheCirclePit – https://youtu.be/Fx5mMMgOZy0

​

The EP “The Incident at Black Lake” was released on September 30, 2022.

“The Incident at Black Lake” is available at Allelsefails.bandcamp.com, Spotify, Apple Music.

​

Music Video – I, Defiler – https://youtu.be/RwNjIFc6aPY​

Music Video – Devour the Sun ft. Seedy Mitchell – https://youtu.be/2npL3dWJifo​

Track Listing:​
1. I, Defiler (5:48)
2. Devour the Sun (8:24) ft. Seedy Mitchell
3. Flesh /Excess /Wealth (5:36)
4. Crystal Mountain (5:19)
EP Length: 25:09

All Else Fails is:
Barrett Klesko – Vocals, Guitar
John Saturley – Guitar
Coco Lee – Bass, Vocals
Nelson Collins-Lee – Drums

About:

Over the last 15 years, Edmonton, Alberta based award-winning metal band All Else Fails has become a cornerstone of the melodic heavy metal community in Canada. Combining intense riffs, intricate rhythm sections, brutal guttural screams, and melodic yet unusual vocal lines paired with relevant and relatable lyrics, All Else Fails’ message resonates with us all.

Formed in 2006 with the release of their self-titled EP, All Else Fails has gone on to release 9 studio albums, many of which have garnered awards and nominations from across the Canadian music industry and have propelled the band into live performances all over the world, including their massively successful tour of India in 2017.

For the past two years, the band has been hard at work writing their new EP “The Incident at Black Lake.” A deeply personal, brutally honest, and staggeringly complex take on the reality-bending mental struggles of vocalist and founder, Barrett Klesko (The Misfires, The Order of Chaos). The band is filled out by guitarist John Saturley (The Order of Chaos, Skepsis), bassist and vocalist Coco Lee (Eternal Prophecy), and drummer Nelson Collins-Lee (The 21st Agenda, Skepsis). The EP is produced by Bevin Booth of In the Booth Recordings and engineered at The Electric Treehouse in Edmonton, Alberta.

In 2022, the band is returning to their DIY roots by mindfully abandoning their social media and redirecting their energy to contributing to their local metal scene by building a direct personal connection to their fans and followers, living in line with a humanist philosophy and encouraging a culture of support between artists. All Else Fails’ new single “Flesh /Excess /Wealth” drops in early September with the full EP “The Incident at Black Lake” releasing September 30th. Fans can experience their explosive new live show this fall in Western Canada.

– 30 –

“The Incident at Black Lake might be “just” a four-track EP by All Else Fails, but its 25 minutes of music are absolutely intense and electrifying, proving why they’re undoubtedly one of the most important names of the Canadian Metalcore scene.” – The Headbanging Moose​
​
​“The EP itself is a cyclone of melodic metalcore fire, death metal toxicity and progressive imagination revealing ALL ELSE FAILS at their most open, intense and thrilling.” – The Ringmaster Review​
​
​“Being dark in nature, it tells the suffering that Klesko was facing and what he was seeing in his head. While very dark at times, it’s mind-bendingly beautiful to see it from this perspective. And I can’t wait to hear what else the band has to offer.” 4/5 – Metal Epidemic​
​
​“Canadian band All Else Fails are out with the EP “The Incident at Black Lake”, and this is a production that probably will be of interest to some fans of progressive metal. While a variety of a core based style of metal is at the heart of the proceedings here, the different vocal tones, the changes and alterations over to atmospheric laden and melodic metal, what might be described as thrash metal as well as some quirky instrument movements and expressive arrangement choices does add what I’d describe as a progressive spirit to the proceedings here… If metalcore with an expressive orientation and progressive aspirations sounds interesting to you, this is an EP you might consider becoming a bit more familiar with.” – Progressor​
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 CRS Find Melodic Death Metal Success With New Single “The Failure”

  • January 12, 2023
  • by Asher
  • · CRS · Music News

NEWS RELEASE

Montreal, QC – January 12, 2023

​

CRS Find Melodic Death Metal Success With New Single “The Failure”

CRS – L-R – Tavo Ramirez (Drums), Kello Gonzalez (Bass), Kath Danzig (guest vocals) – Hideki Inukai (Guitar), Sir Oz (Vocals), Francisco Oroz (Guitar)
Photo Credit – Carlos Hemosillo

Hailing from Sonora, Mexico, the death metal act CRS started back in 1991, and since then has been cranking out punishing technical riffs, and evil growls. Their beginning influences were in the realm of technical death metal and death metal, but they have always sought out different song structures and embraced fusion. They have a new single featuring guest vocals from Kath Danzig coming out that takes them in a new direction toward the melodic end of the spectrum. “The Failure” talks about how we, as a human race, have failed. Not caring about tomorrow, nor the young ones, we are a failure. A disgrace to intelligence. How there is no empathy, just emptiness. The band explains further:

“CRS has always wanted to be versatile. We want to offer music that we like, we never think about music styles, but about a good metal song. In the case of “The Failure” we made an exception, we did seek to make a “melodic death metal” since we had never done it before, even though we really like that style. The single has an important message, humanity is a failure and it has screwed up the whole planet. Having a female guttural singer as a guest brings an interesting shine to the band.”

CRS has always loved clean guitar passages and melodic guitar solos, so this time we wanted to compose a full-death melodic song, at least their version. It has a comfortable structure, but without losing the intensity that they have come to be known for. It will still be recognizable for current fans and add a new dimension that will intrigue those who are hearing them for the first time.

“The Failure” wasn´t originally for CRS, but they liked it so much that they kept it. They cite that the freshness comes from the freedom in thinking it was for someone else. With both English and Spanish vocals, it stands out among other songs in the genre. It is recommended for fans of Meshuggah, Fear Factory, and Carcass.

Listen to “The Failure” ft. guest vocals from Kath Danzig via its premiere on NoCleanSinging HERE.

For more info: Facebook.com/crsmetalband | Youtube.com/@CRSBAND | Instagram.com/crsmetalband​

About: CRS is a Death Metal band from Sonora, Mexico, formed in 1991 with the name Cirrosis by Francisco “Chucky” Oroz and Sir OZ, are the only original members in the current lineup. Due to their technical capacity to adhere to progressive elements and melodic solos, CRS quickly gained notoriety in the local and national scene. Their live performances were characterized by intensity and fury, becoming a cult band. In 1996, “Joseph Lev” joined the band and they recorded their first demo “La Tierra de la Adicción” which was distributed limitedly. In 1999, CRS entered the studio and recorded the album “Reciclando Desesperación” in Spanish, offering a range of different Death Metal styles, highlighting the quality of its production.

In 2001, CRS decided to break up, and its members continued with their personal and professional projects. In 2014, Concreto Records decided to reissue the album “Reciclando Desesperación” describing it as “The maladaptive sound that disturbed a style in Mexico that can currently give lessons to current modern bands”.

In 2019, CRS returned to record their second studio album “The Collector of Truths” with Concreto Records. Two international musicians play as guests in the album, Kevin Talley (Dying

Fetus, Suffocation, Chimaira), on drums, and Linus Klausenitzer (Obscura, Alkaloid) on bass. In September 2020, CRS recorded a Live Session for the Mexican online festival “Moshfest” which became an EP called “Live in isolotation” featuring Kello Gonzalez on bass, who became an official member on December 2021.

In March 2022, they released a new single titled “The enemy has always been me”. In October 2022, CRS played live after twenty years with the Brazilian band Sepultura. On that same date, Hideki Inukai joined the band on the second guitar.

– 30 –

“Where this album shines the most is in its flow. Throughout its eight tracks, CRS manages to build momentum song after song. There are fast parts and great guitar solos aplenty. However, CRS never slip on their songwriting. It’s an album that’s just always in that groovy death zone. Even when tracks like “The Daydreamer’s Nightmare” takes us into a spaced-out, relaxed solo or others like “The Art of Breathing”, that takes the album down a notch, CRS really lose nothing. They manage to bring a lot of out of their sound. Hell, “A Better Place to Hate” and ” “Tan Lejos de Dios (Nowhere.. But Here)” both have some tasty, thrashy bits to open them up.” – Metal Injection

“Now, as we nearly enter a new decade, CRS have returned with a full-length of groove/death metal with a technical spark. This spark comes in the form of shredding guitar solos and guest spots from drummer Kevin Talley on a few songs and Obscura/Alkaloid bassist Linus Klausenitzer on “The Art Of Breathing.” Those two musicians are at such a high skill level that the listener will immediately recognize their work. Their inclusion gives gravitas to the songs they are on, though the group does fine on their own with tunes like the anthemic “Resistencia” and Meshuggah-esque “Asfixia.” – Heavy Music Headquarters

“… Fast forward to now and the band comes roaring back to life on their sophomore effort The Collector of Truths and it’s a love letter to the time they left behind. Industrial bombast, guttural death metal, and melodically progressive strains of genius all play out in equally large parts over the course of these eight tracks” – Nine Circles

“There is a wonderful sense of pervasive evil that dominates the record from tracks like album opener ‘Asfixia’ to ragers like The Daydreamer’s Nightmare. I love this sense of harsh realities and raw brutality. It gives The Collector Of Truths a sense of authenticity, showing that the band emerged from true struggle to birth this record unto the world.” – Two Guys Metal Review

“CRS, or CIRROSIS, a band that plays their own brand of simplistic, mellow Technical Death Metal. Their debut album “The Collector of Truths” is proof that the genre does not need to be as complex as possible in order to be good. You know those albums that just get better as they play? This record is exactly that, the last few tracks forming the peak, the monumental conclusion.” – Metal Temple​
​–
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Canada’s Alienatör Look At Current Events Through Hardcore Sludge In “The Less Dead” + New Album “Regrets” Out Now!

  • January 12, 2023
  • by Asher
  • · Alienator · Music News

NEWS RELEASE

Montreal, QC – January 12, 2022

 

Canada’s Alienatör Look At Current Events Through Hardcore Sludge In “The Less Dead”

New Album “Regrets” Out Now!

(L to R) Sean Skillen – Bass/Back-up Vocals, Brad King – Guitar/Vocals, Simon Paquette – Drums
Photo Credit – Peter David Wragg

Alienatör is a sludge metal band from Ontario, Canada that combines punk, hardcore, and noise rock elements into a stripped-down package, full of razor-sharp riffs and memorable hooks. They have recently released their second album, “Regrets”, which is a grim postcard from the depths of the human psyche. Their darkest release yet, it is a reaction to years of deep political turmoil, the erosion of truth, as well as personal politics of grief, loss, and struggle. It’s an album that touches on personal and social themes. Flourishes of melody drenched in a caustic sludge, painted in shades of black. The music video for “The Less Dead” gives a glimpse of the band performing live, channeling all their energy and passion into their art. They describe the theme behind the song:

“The “less dead,” is a term for those that are considered less of a priority for police investigations and therefore are easy victims for predators – sex workers, people of color, the poor, etc. Written before the George Floyd murder but certainly reinforced by it. The closest to a straight-ahead punk song on the album. Simon’s tom work in the bridge really elevates it.”

The video for “The Less Dead” can be viewed via its premiere on Decibel Magazine HERE. ​

Alienatör started out very sludgy but as they mature they are cobbling bits of different heavy styles together, juxtaposing very fast, thrashy stuff with slower doomy stuff. They slowly forged their own sound which carries a lot of the energy of punk and post-hardcore but still has a heavy edge.

“Regrets” is bleak and abrasive but with moments of calm, melody, and beauty to juxtapose against the ugliness. It is dark, cathartic and explores personal themes of discontent, racism, and abuse of power in Canada and the erosion of truth we’ve seen in modern times. It is recommended for fans of Jesus Lizard, Unsane, and Melvins.

“Regrets” available on Spotify, Alienator.bandcamp.com (CD)

Previous music videos can be seen on the band’s YouTube here.

 

Track Listing:​
1. Revisionist History – 2:10
2. Loss Leader – 4:03
3. Blood Red Blood – 3:08
4. Regrets – 3:44
5. The Priest – 5:30
6. The Less Dead – 1:56
7. Flat Earth Society – 2:51
8. Irreconcilable – 2:59
9. Your Funeral – 3:20
10. Wounded Birds – 4:10
11. Dark Matters – 4:09
Album Length: 38:04

Album Recording Credits:​
– All songs performed by: Alienator
– Music by Alienator
– Lyrics by Brad King
– Produced by: Sean Skillen
– Mixed by: Sean Skillen
– Mastered by: Brad Boatright
– Album Artwork by: Peter David Wragg
– Member of SOCAN
– Canadian Content (MAPL)

Album and Live Line Up:​
Brad King – Vocals, Guitar
Sean Skillen – Bass, Vocals
Simon Paquette – Drums

For more info:
​Exitmusicstudio.ca/alienator​
​Facebook.com/alienatorband​
​Instagram.com/alienatorband​

About: Hailing from Thunder Bay, ON, Canada, Alienatör is a sludge metal band that combines punk, hardcore, and noise rock elements into a stripped-down package, full of razor-sharp riffs and memorable hooks.

Their debut album, “Pariahs,” released in 2109 moves from fast and aggressive to slow and swampy with touches of experimental weirdness. Many of the lyrics are about how we numb ourselves to the pain and disappointment of everyday life.

Fast forward to 2022, and the band is ready to unleash their follow-up, entitled “Regrets,” which introduces new drummer Simon Paquette to the fold. The album is bleak and abrasive, with moments of calm, melody, and beauty to juxtapose against the ugliness. Raw, uncompromising, and dark, it is emotionally heavy music that reflects a chaotic time in history.

– 30 –

“Noisy post-hardcore sludge, full of energy and rage… a genuine ass-kicker of a record.” – Decibel

“Aggression is the name of the game in the latest offering from Thunder Bay, Ontario crew ALIENATÖR. Brad King (guitar, vox), Sean Skillen (bass, vox), and Simon Paquette (drums) pack a big wallop for a band of three. Their sound is a hash of sludge, hardcore, noise, and crust, with a message that’s urgent and dire… Regrets plays out like a nervous breakdown, but a damned exhilarating one.” – Doomed and Stoned

“Dark, powerful and honest.” – Metal Noise.

“Music that will leave you feeling elated even if it’s covered in so much dirt and slime.” – GBHBL

“If you’re after something heavy and different, go for this because this is impressive.” – My Global Mind ​
​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Rockshots Records – Australia’s NOTHING SACRED Unleash “Drone” Off Forthcoming EP “Leviathan” Out Feb 2023

  • January 12, 2023
  • by Asher
  • · Music News · Nothing Sacred (Rockshots Records)

NEWS RELEASE

Montreal, QC – January 12, 2022

​

Rockshots Records – Australia’s NOTHING SACRED Unleash “Drone” Off Forthcoming EP “Leviathan” Out Feb 2023

Set to unleash their new EP “Leviathan” this coming February via Rockshots Records to follow their first album in 30 years entitled “No Gods” released in 2021, Australia’s Nothing Sacred are sharing their second single “Drone”.

“The lyrics were written around the current situation in Ukraine and the atrocities of modern warfare. It’s sad that nowadays we still find excuses where it’s alright to take other people’s lives and land. I’m not sure how this is ok and it’s heartbreaking that it can still happen today. Again this is by no means an attack on the good people of Russia. What’s happening is no more their fault than it is ours.” comments drummer Sham.

Listen to “Drone” at the following links

YouTube – https://youtu.be/BaG_fxlBAdk​

Spotify, Apple Music – https://bfan.link/drone-2

 

Fans of Nothing Sacred will notice on the band’s forthcoming EP “Leviathan” that there has been a lineup change that now sees the return of Chris Stark taking the reins as lead vocalist, replacing James Davies. Stark had previously sung with the band for a number of years and has now returned in time to lay down the vocal tracks for their next monster.

The EP “Leviathan” is a mix of new and older tracks that builds on what the band did with the album “No Gods”. It has plenty of riffs, killer solos, and big melodies from vocalist Chris Stark. The EP also includes the song “Sudden Death”, a thrashy unreleased track that was a mainstay during the band’s live gigs in the mid-’80s plus re-recordings of a few tracks from the band’s first album “Let Us Prey” and two new songs. All the new songs were written in group sessions with everyone jamming, throwing around riffs and arrangements into the mix. Overall, the EP is a blend of old and new, and something they could get done without a follow-up taking too long.

Album Pre-order – https://bit.ly/LeviathanCD​

Digital – https://bfan.link/leviathan-1​

First single / Title track “Leviathan”

Music Video – https://youtu.be/zgLYldc8b60

​

Track Listing:​
1. Leviathan – 3:27
2. Drone – 4:35
3. Guardian – 3:40
4. SirMegma – 3:02
5. Sudden Death – 2:29
6. DroneTrance – 4:33
EP Length: 21:49

Nothing Sacred is:
Stu Bedford – Guitar
Chris Stark – Vocals
Karl Lean – Bass
Sham – Drums
George Larin – Guitar

For more info: Rockshots.eu | Facebook.com/NothingSacredMetal | Instagram.com/nothingsacredaustralia | Nothingsacredau.bandcamp.com​

About: Conceived in Melbourne in 1983, Nothing Sacred went on hiatus for two decades. During the 80s, the heavy metal band unleashed their EP “Deathwish”, which catapulted them as one of the most sought-after pit makers with the record’s title track becoming a classic within the Australian metal scene. Three years later in 1988, Nothing Sacred unleashed the full-length entitled “Let Us Prey” on Cleopatra Records. Unfortunately a year after that LP’s release, the band disbanded in 1989. Lead guitarist Mark Woolley, bassist Karl Lean, and drummer Sham went on to contribute to Hobbs’ Angel of Death‘s early work in the late 1980s. Woolley also appeared on Hobbs’ first self-titled album in 1988. Vocalist Mick Burnham later joined the short-lived Melbourne band Seizure in 1993.

Although their tenure was short-lived, Nothing Sacred still remains an underground metal phenomenon in Australia. Songs from the Deathwish EP still get airplay on several Australian metal radio programs.

In 2012, Nothing Sacred performed a series of 30th anniversary shows with Ross Percy (Ion Drive, Little House Godz) joining George Larin on guitar that included a support slot for the ex-Iron Maiden vocalist’s Paul Di’AnnoP/Blaze Bayley Australian tour. Despite the success, the band agreed not to continue and returned to retirement.

In 2015, the band decided to re-activate with a lineup of Sham, Karl Lean, George Larin, Ross Percy, and new vocalist Chris Stark. A slot on Melbourne’s Brewtality Metal Festival received positive reviews before the band embarked on a short tour of Japan (That footage was released in 2021 as a part of a 3 disc boxset), which inspired them to continue and lead the band to headline day one of the Steel Assassins Festival in Sydney.

Line-up changes again slowed the band, James Davies was recruited for vocals along with Stu Bedford on guitar. From there, the band spent most of 2019 and 2020 writing and recording, what was their first full-length in over 30 years. Entitled “No Gods”, the record witnessed Nothing Sacred‘s resurrection to the metal world. The album peaked on the Australian iTunes metal charts in October 2021 at #4 along with metal media outlets giving multiple praising reviews.

Now ready to follow up “No Gods”, Nothing Sacred has gone through another lineup change swapping singer James Davies out with the return of Chris Stark. Chris had sung with the band previously for a number of years and has now returned in time to lay the vocal tracks down on their next release “Leviathan” set for release in February 2023 via Rockshots Records.

– 30 –

Australian iTunes charts, October 2021. No Gods #4 in the Metal charts.
​
“The highly infectious intensity this album began with has not diminished in any way shape or form. And if you ask me – the thirty-year wait for a new album has been well and truly worth it.” – Metal Roos – 4.5 / 5 – No Gods
​
“Dramatic speed changes with a dense rhythm section. Powerful vocals with that speed metal scream added to the top. They are definitely very good at what they do.” – Metal Epidemic – 4 / 5 – No Gods
​
“Excellent production but above all the perfect rhythmic synchrony between the powerful riffs and the war machine called Sham behind the skins … A record for those who inevitably feel strong and ready to never back down. A great Job.” – Metal Wave (Italy) – No Gods
​
“ ‘No Gods’ is full of dark, yet energetic riffs with a vocal style that is easy to understand yet doesn’t sound whiny or too dramatically sorrowful.” – Brutalism.com
​
“In their decades amiss from the public NOTHING SACRED has managed to keep under wraps a form that manages to sound contemporary yet as well offers the classical indulgences of Thrash roots.” – Metal Temple
​
“Time may have marched on, but with ‘No Gods’, the band pick up almost exactly where they left off 30 years ago … there is a lot of quality here and a real chemistry bubbling beneath that surface.” – Metal Digest
​
“Overall, if you are a fan of US power metal, more melodic thrash metal and, of course, power-thrash, you should check this album out” – Metal Music Archives – 4 / 5 – No Gods
​
“This new album, “No Gods” is a culmination of musical experience and renewed energy … a band who have nothing to prove and are just enjoying the creativity.” – UK Thrasher
​
“If you ever come across this EP (“Deathwish”) , do not hesitate to get it! It’s essential listening for lovers of obscure old school metal.” – Encyclopedia Metallum

​
​–
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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0 Bravewords Premiere – Strap In For The Twists And Turns Of Traditional Heavy Metal With ODINFIST’s “Riffmaster” Off Upcoming Album “Remade In Steel” Out March 2023

  • January 11, 2023
  • by Asher
  • · Music News · Odinfist

NEWS RELEASE

Montreal, QC – January 11, 2023

 

Strap In For The Twists And Turns Of Traditional Heavy Metal With ODINFIST’s “Riffmaster”

New Album “Remade In Steel” Out March 2023

Odinfist is well known in the Canadian underground metal scene for wild antics, a long-running metal fest, and of course, tight riffs and groovy licks. They’ve put out several releases of fun, energetic, and seriously kick-ass metal since 2009, and now they have “Remade In Steel” coming out shortly. The first single to get the world hyped is “Riffmaster”; it’s guitar-driven, epic speed metal with Deep Purple vibes that tells about a bad-ass wizard dude who brings the true metal to the people of Earth and passes judgment on the enemies of metal. The band explains the track with exuberance:

“Justin wrote the main chorus riff years ago, and we could never fit it into a song until now! We jammed it and just kept throwing in riffs, and they all just worked. That’s where the idea for the title “Riffmaster” came from. It definitely took some reworking and rearranging to get it to sound like a song, and when it did, we knew we had come up with something special. The lyrics are very Judas Priest: Painkiller, Starbreaker, Exciter, etc. A cosmic being comes to earth and brings heavy metal to the people. The Riffmaster himself can be seen on the album cover, upon his metal steed, wielding his tome of riffs.”

Compared to their older stuff, Odinfist is sure fans will love the new album as it promises throwbacks to their original sounds but with a new creative direction that unfolds over six songs that are longer and more complex than their previous material. As the band says, each song on “Remade in Steel” offers a unique musical experience, where you don’t always know what’s going to come next in a song or a track. The end result is a complete album that has a little bit for everyone, and a sense of completion at the very end.

Saucy, melodic, and barbaric. Get ready to take a roller coaster ride through the twists and turns of traditional heavy metal. Odinfist is recommended for fans of Savatage, Riot City, and Eternal Champion.

Listen to “Riffmaster” via its premiere on Bravewords HERE.

“Remade In Steel” is due out March 10, 2023 and available for pre-order at https://odinfist.bandcamp.com/album/remade-in-steel​

Track Listing:​
1. Riffmaster – 6:28
2. Metalmancer – 4:36
3. Remade in Steel – 5:16
4. Allfather – 6:52
5. Deadline – 5:16
6. Masquerade – 8:34
Album Length: 37:02
​
​Album Recording Credits:​
• All songs performed by: Odinfist
• All songs written by: Odinfist
• Produced by: Shane Bouthillier
• Mixed by: Shane Bouthillier
• Mastered by: Shane Bouthillier
• Album Artwork by: Art of Grimmuza
• Canadian Content (MAPL)

Album and Live Band Line Up:​
Tyler Anderson – Lead Vocals and Guitar
Bradley Caulien – Drums
Justin Ketterer – Guitar and Backing Vocals
Jesse Valstar – Bass

For more info: Facebook.com/Odinfist | Instagram.com/odinfist.official​

About: Odinfist has been bringing heavy metal to the Okanagan Valley for sixteen years, and has participated in a variety of major shows and festivals across Western Canada. They have played with a variety of other bands such as Kataklysm, Thor, 3 Inches of Blood, etc. Members of Odinfist are also very involved with the Okanagan Metal scene. The band is all about fun, melodic heavy metal that you mosh, party, or just have a good time to, with a relentlessly energetic and entertaining live show.

– 30 –

“…pure and hard Heavy Metal, from the old school, in the purest style of IRON MAIDEN, JUDAS PRIEST, and other bands of the well-known NWOBHM…” – Necromance Magazine

“Odinfist has a damn good grasp on the metal jugular without ruining the authenticity of the medium.” – Metalpsalter

“They capture the old school sound better than most of the competition, without a doubt” – Foul Feast Webzine

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Progressive Power Metal Act MEDEVIL Announces New Album In Tribute To Fallen Member “Mirror in the Darkness” Out April 2023

  • January 11, 2023
  • by Asher
  • · Medevil · Music News

NEWS RELEASE

Montreal, QC – January 11, 2023

​

Progressive Power Metal Act MEDEVIL Announces New Album In Tribute To Fallen Member “Mirror in the Darkness” Out April 2023

L-R – Brett Gibbs (Guitar) | Eric Wesa (Bass) | Liam Collingwood (Vocals) | Chris Malcolmson (Drums) | Gary Cordsen (Guitar)

Photo Credit: Matthew Collingwood

Canada’s Medevil is gearing up to release their second album “Mirror in the Darkness” in April and the 2015 Wacken Battle Canada national finalist couldn’t be more pleased to show off their updated sound. This album is also bittersweet as it is dedicated to drummer Chris Malcolmson who, since recording, has passed away.

According to the band, this album is a big step up from their previous album, with a more progressive and ambitious direction than before. Overall, the songs have much more variety and a lot more to offer, which should accommodate a wider array of musical tastes from metal fans or fans of music in general. Confident that fans of the first album will enjoy this one, they share their excitement:

“We can’t believe we made it to the finish line, what felt like forever since our debut! “Mirror in the Darkness” for us has been a long time coming, honestly mostly due to our ambitions being much higher this time around. Our goal was to create something better on all fronts compared to the last album, and we really feel like we succeeded. There’s much more to offer here in terms of styles, musicality, and maturity. There are a couple songs here as well that we took a stab at creating something more accessible, which fans of us as well as fans of non-metal music could all enjoy. Despite that, the album as a whole is fittingly a lot darker than “Conductor of Storms” in both lyrics and soundscape.”

“Mirror in the Darkness” is Medevil’s boldest step into different musical stylings than ever before. It is a very dark-sounding album mood-wise and can be described as ‘progressive power metal’ in most areas. It has a lot more inspiration pulled from progressive bands, a lot more focus, and the soundscapes have a lot more depth than they’ve had in the past.

Recommended for fans of Metallica, Mastodon, and Metal Church, “Mirror in the Darkness” comes out on April 7, 2023.

Album teaser – https://youtu.be/ljUlC7DPt40​

Album pre-order – https://medevil.bandcamp.com

​

Track Listing:​
1. Dead Before Birth (6:18)
2. Among Thieves (5:00)
3. Pray for Me (6:35)
4. The Signal (7:22)
5. Smoke and Mirrors (1:48)
6. Weight of the Crown (4:18)
7. Mirror in the Darkness (8:31)
8. Gateways (2:41)
9. Veiled (3:56)
10. No Peace in Rest (9:23)
Album Length: 55:58

Album Recording Lineup:​
Liam Collingwood – Vocals
Gary Cordsen – Lead Guitar
Brett Gibbs – Rhythm Guitar, Lead Guitar & Backup Vocals
Eric Wesa – Bass & Backup Vocals
Chris Malcolmson – Drums
​
​Album Credits:​
All songs performed by Medevil
All songs written by Medevil, except:
The Signal, Mirror in the Darkness & No Peace in Rest written by Medevil & Ken Schellenberg
Smoke and Mirrors written by Ken Schellenberg
Orchestra on Tracks 4, 5, 7 & 10 Arranged and Recorded by Ken Schellenberg
Produced & Mixed by Brett Gibbs & Eric Wesa
Mastered by Jeff Black (Blacknote Music)
http://www.jeffblackmusic.com
Guitars Engineered by Brett Gibbs & Jeff Black (Blacknote Music)
Drums Recorded and Engineered by Larry Anschell (Turtle Recording Studios)
http://www.turtlerecording.com
Vocals for Track 2 – 8 Recorded and Engineered by Brett Gibbs
Vocals for Track 1 & 10 Recorded and Engineered by Tim Neuhaus (Ear Art Music Studios)
http://www.earartmusicstudios.com
Album Cover Art by Ivona Vasileva
Members of SOCAN
Music is Canadian Content (MAPL)

For more info: Facebook.com/medevilband | Twitter.com/MedevilMusic | YouTube | Instagram.com/medevilofficial​

About: Medevil is a highly energetic, fast-paced metal band known for its tight songwriting, intense stage presence, and roaring vocals. They are one of the few metal bands coming out of Chilliwack BC and hold that title proud as they have earned much praise and respect since their inception in 2014. As one of the 6 national finalists of the 2015 Wacken Metal Battle Canada, they are becoming more and more renowned throughout the country; their fame attaining them a following in their local town and across through to Vancouver.

Their music could be described as “power thrash” with half of their set being chorus-driven, and the other half focusing on blistering fast riffs. Influences for the band include Iron Maiden, Megadeth, and Metal Church. Their fast but catchy songs keep the crowd chanting throughout the set, and leave them wanting more. Liam Collingwood, the band’s singer, keeps the band image in theme with the songs while on stage and will wear thematic outfits when the mood demands it.

The band was founded on January 13, 2014, by Eric Wesa (bass), as well as brothers Liam (vocals) and Ross Collingwood (drums). It only took two months after the band’s inception before the boys found the ultimate guitar duo they were looking for, Gary Cordsen and Brett Gibbs. Once the lineup was solidified, they wasted no time performing shows and begin their musical journey. As a band, Medevil has two common goals; to explore their musical talents, and continue performing live for their fast-growing fanbase.

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“Perfectly situated to please fans of classic heavy metal, Conductor Of Storms is very strong debut from the young Medevil.” – The Monolith (2016)​
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​“Rejoice metalheads! Chiliwackian power thrashers, Medevil, has created a top-notch debut full-length album entitled Conductor Of Storms”. – Bravewords (2016)​
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​“Play it loud, play it fast as heavy metal world has found another new soldier to carry on the flag in the form of “Medevil”” – Planet Caravan (2016)​
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​“Conductor of Storms is one of the most complete, fully-formed and damn near perfect debut albums I’ve ever heard from a young heavy metal band. Tracks like Escape – a blustering, no-holds-barred mashup of Metal Church, Megadeth and Overkill – are just so mature, so faultlessly executed and so, well, heavy metal, it beggars belief that they are not being delivered by a band that’s been in the game for thirty years.” – Sentinel Daily (2016)​
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​“Riding out of the cold wastes of western Canada on warhorses of steel comes Medevil with their amazing, self-released debut album Conductor of Storms. Bruising Traditional Heavy Metal is what these guys play and they play it well. Monstrous riffs and pounding, organic drums underscore the powerful vocals and intricate solos. The band has a taste for things epic, so no love songs or cliché odes to the Metal lifestyle here.” – Metal Crypt (2016)​

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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