Tag: new

0 Streaming Now! TUMBLEWEED DEALER Invite You Into Their Lush Psychedelic Swamp With Full Stream Of “Dark Green”

February 6, 2025
by Asher
· Music News · Tumbleweed Dealer

NEWS RELEASE

Montreal, QC – February 6, 2025

Streaming Now! TUMBLEWEED DEALER Invite You Into Their Lush Psychedelic Swamp With Full Stream Of “Dark Green”

L-R – Seb Painchaud – Bass & Guitars, Jean-Baptiste Joubaud – Synths & Programming, Angelo Fata – Drums & Percussions

Photo Credit – PAULINE DELABORDE PHOTOGRAPHIE

Montreal, Canada’s Tumbleweed Dealer is proud to present their monumental fourth album “Dark Green”. This marks the culmination of an eight-year journey for the band, resulting in their most ambitious and fully realized work to date. Listeners can now immerse themselves in all ten tracks of this genre-defying masterpiece, experiencing the album as it was intended – a complete, transformative journey through sound and emotion. The band comments:

“We simply can’t wait to share this new album with everyone, from old fans, whose expectations we hope to obliterate, to potential new listeners who might be going in with absolutely no clue as to what they should expect. We strived to constantly contrast old sonorities with new tendencies. We layered influences over each other to create something original yet oddly nostalgic.”

From the opening notes of “A Distant Figure In The Fog” to the closing moments of “A Soul Made Of Sludge”, “Dark Green” takes the listener on an unparalleled auditory adventure. Each track builds upon the last, creating a cohesive narrative that explores themes of nature, consciousness, and the human experience. The album’s production quality shines throughout, with every instrument and effect meticulously placed to create a rich, enveloping soundscape.

As you listen to the album stream, pay attention to the intricate details and hidden layers within each track. Tumbleweed Dealer has crafted “Dark Green” to be an album that reveals new secrets with each listen, much like revisiting a favorite film or novel. Let the music wash over you, and prepare to be transported to the lush, mysterious world of “Dark Green”, which will be especially intriguing to those with an interest in Opeth, Cynic, and Rush.

Due out on February 7, 2025, “Dark Green” can be heard in full before its official release via its album stream premiere on TheProgSpace HERE.

Recommended for fans of Elder, Ohm, Camel, Opeth, and Cynic, “Dark Green” is available for album pre-order at https://tumbleweeddealer420.bandcamp.com/album/dark-green

Video – Dark Green – https://youtu.be/L73im_7hOWs

Video – Ghosts Dressed In Weeds feat. Ceschi – https://youtu.be/E06a90W8hFo

Track Listing:
1. A Distant Figure In The Fog (2:52)
2. Sparks Adrift In The Louisiana Nightsky (3:39)
3. A Plant That Thinks It’s Human (3:34)
4. Becoming One With The Bayou (3:19)
5. Dragged Across The Wetlands (2:56)
6. Dark Green (4:48)
7. Ghosts Dressed In Weeds (5:31)
8. Moss On The Mind (3:13)
9. Body Of The Bog (6:34)
10. A Soul Made Of Sludge (3:49)

Album Recording Credits:
• All songs performed by: Tumbleweed Dealer
• All songs written by: Tumbleweed Dealer
• Produced by: Jean-Baptiste Joubaud
• Mixed by: Jean-Baptiste Joubaud
• Mastered by: Harris Newman
• Album Artwork by: Glenn Le Calvez

Album Band Line Up:
Seb Painchaud – Bass & Guitars
Angelo Fata – Drums & Percussions
Jean-Baptiste Joubaud – Synths & Programming

Guest Musicians:
Antoine Baril – Mellotron, Hammond Organ & Keyboards on tracks 1, 2, 3, 4, 6, 8, 9 & 10
Guillaume Audette – Wurlitzer, Rhodes and Church Organ on tracks 8 & 10
Jocelyn Couture – Trumpet & Flugel Horn on tracks 4, 5, 7 and 9
Loïc Roy-Turgeon – Trombone on tracks 4 and 5
Zach Strouse – Saxophone on track 6
And special guest star Ceschi Ramos as himself on track 7

More info: Facebook.com/TumbleweedDealer | X.com/westernhorror | Instagram.com/tumbleweeddealer | Spotify

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“The epic song (Dark Green) is a good indication of what the rest of the record holds, which is plenty of blues, psychedelia, and prog rock.” – Decibel Magazine

“How about a new prog-rock instrumental?! The title track “Dark Green” from the forthcoming album has arrived from progressive stoner rockers, TUMBLEWEED DEALER and we’re digging it. We’ve also had the opportunity to preview the new album and it’s also a strong statement and should sit well with prog lovers. Keep an eye out for the album to be released on Feb. 7th and catch the single “Dark Green” now on your Home for the Best New Rock…” – WJOE – Findlay’s Home for Rock & Roll

“Tumbleweed Dealer’s “Dark Green,” the title track from their upcoming album out on February 7th, is a lesson in blending diverse musical influences into a singular, gripping piece. Clocking in at just under five minutes, the song showcases the band’s evolution and fearless creativity by weaving elements of blues, psychedelia, and progressive rock into a dynamic and unpredictable journey. The track builds a narrative through its seamless shifts in tone and texture. From introspective melodies to bursts of raw energy, the track balances complexity with accessibility. Antoine Baril’s vintage keys anchor the composition, giving it a retro flair, while Zach Strouse’s saxophone solo adds an unexpected but welcome layer of richness. Tumbleweed Dealer’s roots in extreme music shine subtly through black metal-inspired melodies and brief flashes of double bass drum that are a nod to their past without overshadowing their current direction. This contrast between intensity and finesse underscores the band’s skill in pushing genre boundaries.“Dark Green” not only introduces the thematic essence of the album but it also captures the spirit of exploration that has defined Tumbleweed Dealer’s evolution.” – Amplify The Noise

” a bold evolution of their signature blend of bluesy desert rock and progressive experimentation.” – Montreal Rocks

“This is one of those compositions that requires total immersion. Clean singing, bah who needs singing at all?! Recorded with finetuned care so you can hear all the little fret squeaks before they ramp up the ambience straight from a John Fruscianterecord. With synths and other keys that chameleon-ize said maestro’s voice, later emulating the sound of a backing choir that then morphs into church organ. When the atmospherics basking in the background saunter forth, the darker shades of green start to realize and the track enters the domain of prog royalty. As a double kick is racing the throbbing-for-the-last-gasp procreative releases of the bass before flamenco-picking a Morricone lick ghosted into a pregnant silence to just nod for the memory of a note that enticingly lures like an anglerfish with, “you ready for more?” The timestamp at termination is 4:51 but this is some form of dimension-manipulating chronomancy because the track feels like it is over quicker than Napalm Death’s “You Suffer.” That means I’m either suffering from THC-induced crapulence or my favorite drug just happens to be music; and when it’s layered this well, with so much to encounter on repeat listens, it can truly have the magical property of transcendental transportation.” – No Clean Singing

—–
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0 Prog Collective LUNAR Confronts Personal Struggles in “Fall Back Into Old Habits” Lyric Video From New Album “Tempora Mutantur” Out Jan 31st

January 23, 2025
by Asher
· Lunar · Music News

NEWS RELEASE

Montreal, QC – January 23, 2024

Prog Collective LUNAR Confronts Personal Struggles in “Fall Back Into Old Habits” Lyric Video

ft. members Helion Prime, Beholder, Vis Mystica, Mokili Wa, Nordic Frost, Outloud, Double Vision

Fourth Studio Album “Tempora Mutantur” Out Jan 2025 via Saibot Reigns Records

Making Live Debut at Hyperspace Metal Festival 2025 (Vancouver, BC) – April 11th

Top 1st Row – Ryan Price – Bass, Alex Bosson – Drums
Middle 2nd Row – Connor McCray – Lead Guitar, Chandler Mogel – Clean Vocals
Bottom 3rd Row – Carlos Alvarez – Rhythm Guitar, Brian Lewis – Growl Vocals, Anthony Stahl – Keyboards

Sacramento, USA’s progressive metal visionaries LUNAR shares their new lyric video for “Fall Back Into Old Habits”, delivering a powerful exploration of personal patterns and emotional cycles. As the third preview of their upcoming concept album “Tempora Mutantur”, the track promises to be a visceral examination of human vulnerability, showcasing the band’s unique ability to transform personal struggles into universal musical experiences. Drummer Alex Bosson comments on the single:

“This is, I think, the longest, and maybe the “heaviest” song for Lunar thus far. Mostly features the growl vocals from Brian Lewis (although there is some of Chandler’s beautiful voice on here too). Lots of double basses, and multiple shreddy guitar solos (including one from Wildrun’s Wayne Ingram).”

Lyrically, “Fall Back Into Old Habits” deals with addiction, or anything we do that can give us temporary relief to help us get through rough moments, but ultimately have terrible long-term effects on ourselves. The 11-minute epic represents Lunar‘s commitment to creating music that is therapeutically honest and musically innovative.

“Fall Back Into Old Habits” continues Lunar’s tradition of creating progressive metal that challenges listeners to confront their inner landscapes. It is recommended for fans of Haken, Tool, and Porcupine Tree.

Watch and listen to the video for “Fall Back Into Old Habits” via its premiere on MetalAddicts HERE.

Founded by drummer Alex Bosson (Helion Prime, Planeswalker) and Ryan Erwin who passed away in 2018, LUNAR continues in his memory. This fourth full-length “Tempora Mutantur” follows 2023’s “The Illusionist” and features a fresh lineup with the addition of guitarists Carlos Alvarez and Connor McCray (Vis Mystica) along with keyboardist Anthony Stahl plus album guests Wayne Ingram (Wildrun), Joe Gullace (Thank You Scientist) and Sam Vallen (Caligula’s Horse).

A collaboration of musical minds, and with anything LUNAR does; “Tempora Mutantur” is an emotional thematic listening experience with ups and downs musically and lyrically dealing with the passing of time and the effects it has on us physically and mentally.

LUNAR’s “Tempora Mutantur” is due out on January 31, 2025, from Saibot Reigns Records.

Album pre-order – http://lunarbandofficial.bandcamp.com/

Previous Singles

“Watch The Weather Change” – https://youtu.be/WKdnZD_DJsE

“Weakening Winter Touch” – https://youtu.be/0in2WNVshGM

“Spring In My Step – https://youtu.be/mtOhnwOpK_0

A studio project since first conceived in 2014, LUNAR will make its live debut next year at the 2025 Hyperspace Metal Festival in Vancouver, BC, Canada on April 11th. Info here.

(Album Artwork by Ed Bosson)

Track Listing:
1. A Summer To Forget – 6:37
2. Fall Back Into Old Habits – 11:16 ft. guest guitar solo by Wayne Ingram (Wilderun)
3. Seasonal Interlude – 4:47
4. Weakening Winter Touch – 8:46
5. Spring In My Step – 7:26
6. Tempora Mutantur: Part I – Passage of Time – 3:12 ft. guest guitar solo by Sam Vallen (Caligula’s Horse)
7. Tempora Mutantur: Part II – Broken Pendulum – 3:47
8. Tempora Mutantur: Part III – Watch The Weather Change – 4:51
Album Length: 50:45

Album Credits:
Performance and Writing credits – full info HERE.
Produced by: Alex Bosson
Mixed by: Carlos Alvarez
Mastered by: Tony Lindgren

Album Main Lineup:
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Carlos Alvarez – Rhythm Guitar
Connor McCray – Lead Guitar
Ryan Price – Bass
Alex Bosson – Drums
Anthony Stahl – Keyboards

Live Lineup:
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Jordan Price – Guitars
Ryan Price – Bass
Alex Bosson – Drums

For more info: Facebook.com/lunarbandofficial | Instagram.com/lunarbandofficial | X.com/LunarBandOffcl | Spotify

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“It’s really well done technically by a band that clearly cares about their music and can play.” – Rock The Joint Mag (The Illusionist 2023)

“If I had one word to describe this album, it would be this one: whirlwind… “The Illusionist” is an album that is living. From its jazzy highs to its heavy metal lows, this album is constantly on its toes, never repeating itself and never, ever growing complacent. A wonderful whirlwind indeed. 9/10” – Ever Metal

“I feel like Lunar has captured the balance between accessibility and technicality very well. I hear many of the same elements in their sound that, when employed well, make bands like Dream Theater, King Crimson, Voïvod and even Sigh so engaging. I love when an album comes out of nowhere (for me, anyway) and makes this much of an impression.” – The Metal Crypt

“As I said at the start, when I heard this album I was immediately grabbed by it. The story works nicely, it is very character based and features plenty of emotions which as a listener I certainly could relate to. The music is terrific with all the players putting in excellent performances and the instrumentation used in a clever way to match all that is going on with the lead character. There are moments of heavy prog as well as metal, but melody runs through the heart of it. The fact that some of the people in the band have never met or even been in the same room together is remarkable as it sounds like everyone was on the same hymn sheet and it doesn’t sound pieced together. That is a great credit to the writing, arranging as well as all the musicians doing their parts to the benefit of the whole piece. An absolutely delightful as well as enjoyable album.” – CGCM Rock Radio

“The concept is that there are songs that are angry, songs that are confused, songs that are depressing, and everywhere in between. Styles on the album run the gambit from Progressive Metal with melodic vocals, to moments of Jazz, to cookie monster Thrash…. The musicianship is solid on all of the parts, with some excellent performances, notably vocalist Chandler Mogel… it does warrant checking out for Prog-Metal fans that like a mix of growler and melodic vocals.” – Metal Express Radio

“The Illusionist again is at the highest level of the progsphere, Bosson’s continuation of the Lunar name, honouring his co-founder and friend, through the medium of progressive metal, is an advantageous endeavour. 9/10” – Musipedia of Metal

—
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0 TUMBLEWEED DEALER Creates A Groovy Soundtrack For Alan Moore’s Retelling of Swamp Thing’s Origin w/ “Ghosts Dressed In The Weeds” Off New Album “Dark Green” Out Feb 2025

January 21, 2025
by Asher
· Music News · Tumbleweed Dealer

NEWS RELEASE

Montreal, QC – January 21, 2025

TUMBLEWEED DEALER Creates A Groovy Soundtrack For Alan Moore’s Retelling of Swamp Thing’s Origin w/ “Ghosts Dressed In The Weeds”

New Album “Dark Green” Out February 2025

L-R – Seb Painchaud – Bass & Guitars, Jean-Baptiste Joubaud – Synths & Programming, Angelo Fata – Drums & Percussions

Photo Credit – PAULINE DELABORDE PHOTOGRAPHIE

Set to release their fourth studio album “Dark Green” this February 2025, Montreal, Canada’s instrumental progressive psychedelic groove metal triad Tumbleweed Dealer is sharing their second single “Ghosts Dressed In The Weeds”.

Unlike all other tracks on the record, “Ghosts Dressed In The Weeds” is the band’s first foray into music with vocals as they paired up with Ceschi Ramos, whose versatility matches the group’s genre-bending sound.

Composed specifically for Tumbleweed Dealer to collaborate with Ceschi Ramos. The band first gave it a more repetitive pattern so Ramos could do a 16-bar rap. The trio then wrote the melodies with his voice in mind, and they crafted parts to serve as choruses. Ramos listened to the song over and over again as he wrote down his words. It became a symbiotic experience, which made the writing even more special as it stands alone as the only vocal track among an otherwise instrumental album.

Seb Painchaud explains the track further:

“The lyrics for Ghosts Dressed In Weeds were mostly written by Ceschi Ramos. I wrote the hooks first and let him in on my inspiration for this album: Alan Moore’s re-imagining of Swamp Thing’s origin story. The emphasis is on the moment where Swamp Thing gets dissected and has his worst enemy laugh while he explains to him that he is not a man turned into a plant, but rather a plant that absorbed a dead man’s memories through osmosis. That exact moment is the inspiration for the album. I didn’t want Ceschi to write specifically ABOUT the graphic novel though. It was enough for him to capture the essence of having your whole world turned upside down, your whole self-perception changed. When Swampy receives the news, he freaks out, breaks free, runs away, and lies down in a swamp without moving for over a month. We’ve all had moments where we just wanted to lay down in a marsh and die. We have felt like we didn’t know how to make sense of a revelation that shatters our self-image. My exact words to Ceschi were that he needed to capture that “How do I go on from here?” moment we have all had. And I think he did that perfectly.”

Watch and listen to the lyric video for “Ghosts Dressed In The Weeds” via its premiere on New Noise Magazine HERE.

The new album “Dark Green” is Tumbleweed Dealer‘s effort to capture two essential parts in Alan Moore’s retelling of Swamp Thing’s origin. Firstly, the main character’s struggle and loss of identity. Secondly, they wanted to capture the antagonist’s transformation into nature’s anger towards men.

Each song is meant to feel like a complete journey where listeners are transported to a world where blues, psychedelia, and progressive rock intertwine. It’s been a long-awaited record and marks a bold new chapter for them since 2016’s “TDIII – Tokes, Hatred & Caffeine”. It’s a culmination of their growth as musicians and their desire to create something truly unique. Other notable guests on the album are Zach Strouse’s (Rivers Of Nihil, Burial In The Sky) guest saxophone solo and Antoine Baril’s (Augury, Obliveon) vintage keys for the album’s title track.

“I think the evolution between our third album, and this new one, will surprise some people. We didn’t write a follow-up to our last record. Instead, we incubated the band’s sound and sped up its evolution. If we kept on pace to release an album every year like we did at first, this would’ve been the 10^th one. But we had kids, and that slowed down the process—so this is an evolutionary leap forward that might be jarring. I think that anyone who enjoyed our previous releases will still find what they liked in our sound while enjoying the new variety we’ve brought to it.” says Painchaud.

Due out on February 7, 2025, “Dark Green” is recommended for fans of Elder, Ohm, Camel, Opeth, and Cynic, and is available for album pre-order at https://tumbleweeddealer420.bandcamp.com/album/dark-green

First Single / Title Track – Dark Green – https://youtu.be/L73im_7hOWs

Album Band Line Up:
Seb Painchaud – Bass & Guitars
Angelo Fata – Drums & Percussions
Jean-Baptiste Joubaud – Synths & Programming

More info: Facebook.com/TumbleweedDealer | X.com/westernhorror | Instagram.com/tumbleweeddealer

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“The epic song (Dark Green) is a good indication of what the rest of the record holds, which is plenty of blues, psychedelia, and prog rock.” – Decibel Magazine

“Tumbleweed Dealer’s “Dark Green,” the title track from their upcoming album out on February 7th, is a lesson in blending diverse musical influences into a singular, gripping piece. Clocking in at just under five minutes, the song showcases the band’s evolution and fearless creativity by weaving elements of blues, psychedelia, and progressive rock into a dynamic and unpredictable journey. The track builds a narrative through its seamless shifts in tone and texture. From introspective melodies to bursts of raw energy, the track balances complexity with accessibility. Antoine Baril’s vintage keys anchor the composition, giving it a retro flair, while Zach Strouse’s saxophone solo adds an unexpected but welcome layer of richness. Tumbleweed Dealer’s roots in extreme music shine subtly through black metal-inspired melodies and brief flashes of double bass drum that are a nod to their past without overshadowing their current direction. This contrast between intensity and finesse underscores the band’s skill in pushing genre boundaries. “Dark Green” not only introduces the thematic essence of the album but it also captures the spirit of exploration that has defined Tumbleweed Dealer’s evolution.” – Amplify The Noise

—–
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0 Out Now! TZIMANI’s New Album “I Feel Fine” via Glory or Death Records (Vinyl) & Noize Cartel (Digital)

November 15, 2024
by Asher
· Music News · Tzimani

NEWS RELEASE

Montreal, QC – November 15, 2024

Out Now! TZIMANI’s New Album “I Feel Fine” via Glory or Death Records (Vinyl) & Noize Cartel (Digital)

L-R – Eddie Vazquez – Guitars, Bass, Synthesizers, Vox – Seb Vazquez – Drums,
Photo Credit: Chris Mcfly

Breaking out with their self-titled debut EP in 2018, San Diego, USA’s Eddie and Seb Vazquez brother duo that makes Tzimani are excited to unveil their first full-length album entitled “I Feel Fine”, now available as of November 15th on Glory or Death Records (Vinyl) and Noize Cartel (Digital).

“This album has been a trial of our toughest mental and emotional challenges to not only complete but to release into the ether as it took us over two years to complete from the time we first recorded drums back in August 2022 to when we finally had masters in hand in June of 2024. In a lot of ways, this album represents an emotional rebirth of the band with efforts to take on the world in the metal scene after a protracted period of relative inactivity dating back to mid-2019 after we wrapped up our touring to promote the 2018 EP.

We plan on rebuilding the momentum that was lost during the pandemic years and hitting the ground with a renewed vigor and sense of excitement to bring our live performance to places we have not been to and recapture the support of all the fans we left hanging over the last five years to let them know that we are back! We are ready to reclaim the title as the fearless gruesome twosome in the music sphere and we could not be more thrilled to be working with Buddy and Ygor and the Glory or Death Records label and having them allow us to try to transcend our music and reach the broadest audience.” adds Sebastien Vazquez.

Picking up right where the 2018 EP dropped off, Tzimani‘s album “I Feel Fine” features the same elements of catchy hooks, clean rhythms, and dynamic vocal lines. However, there are bits of deviation when it comes to injecting new elements. Fans will hear an added synthesizer for some of the tracks, an exploration into AOR rock, and some expressions of today’s modern music scene for this collection of eight songs of their finest hour adds.\

Sebastien Vazquez explains further:

“You know those albums that you listen to over and over again and you just know when the first song hits your sense of familiarity, nostalgia, warmth, and comfort? That is what we are trying to encapsulate. The album is straightforward heavy metal mixed with modern elements with a dash of AOR and we feel it is the best representation to show everyone what we are capable of. We are also trying to represent the future of the band and give everyone an entry into some of the larger questions that we struggle with and how we choose to represent that with our songwriting. We are not the type of band that is capable of singing about stories, dragons, and swords, but we excel at writing tunes that people can genuinely relate to and connect with.”

Tzimani is recommended for fans of Van Halen, Haunt, Striker, Traveler, Skull Fist, and Cauldron.

Tzimani‘s new album “I Feel Fine” is now available as of Nov 15th, 2024 on Vinyl and digitally at the following links:

Spotify – https://spoti.fi/40NvoHW

Digital – http://tzimani.bandcamp.com/

Vinyl – https://www.gloryordeathrecords.com/shop/p/tzmani-i-feel-fine-pre-order-

Previous singles:

I Feel Fine – https://youtu.be/xll4IuaBIP0

“We Stand and Fight” – https://youtu.be/8yneRSyOlHY

“Haunting” – https://youtu.be/0NB9XxLAABs

Track Listing:
1. We Stand and Fight (4:30)
2. Breaker (3:28)
3. Hold On (4:31)
4. Haunting (3:59)
5. Endless Road (5:24)
6. Bleeding Life (3:29)
7. Empty (3:27)
8. I Feel Fine (4:56)
Album Length: 33:45

More info: https://www.facebook.com/tzimaniofficial | https://www.instagram.com/tzimani_official

About: Formed in 2017, Tzimani hit the ground running with their debut demo and a relentless West Coast and Southwest tour, winning over fans with electrifying performances in cities like Portland, Seattle, and Texas. Their 2018 self-titled EP, released via Noize Cartel Records, became a launching pad that propelled them into the national spotlight. With over 100 shows across North America and standout appearances at major festivals, the band quickly built a reputation as a live act not to be missed.

Drawing from legendary influences like Iron Maiden, Van Halen, and Mötley Crüe, Tzimani’s music is a bold fusion of melodic AOR and the raw power of old-school heavy metal. With twin-guitar leads, soaring solos, and thunderous drumming, their sound is equal parts grit and glory. Eddie’s vocals, reminiscent of Dio, along with his fierce guitar work, channel the spirit of classic rock while still pushing forward into new sonic territory.

After their 2020 expanded re-release of the EP, Tzimani faced an unexpected pause as the world shut down. But through the stillness, the brothers’ creativity simmered, building anticipation for their next big move. Now, with their first full-length “I Feel Fine” (Out Nov 2024), they’re stepping into uncharted territory by incorporating synthesizers to deepen their sound, adding a dynamic, atmospheric layer that brings new emotion and energy to their music.

Tzimani’s partnership with Glory or Death Records marks the beginning of a fresh journey. With their signature blend of melody and muscle, the band is primed to reach a broader audience and reignite their momentum on stages across the country. The stage is set, the wheels are turning again, and Tzimani is ready to reclaim their place as a force in the rock and metal scene.

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“the blistering new single “Haunting” from metal duo Tzimani! Driving speed riffs, AOR keys, breakout solos and soaring vocals make “Haunting” a very cool track.” – WJOE – Findlay’s Home for Rock & Roll

“At full throttle (opening track We Stand And Fight, for instance) they’ll take you right back to the glory days of names like The Rods, or any of those classic US power metal names of the early eighties, but the key to Tzimani’s appeal is their ability to add huge doses of melody to the muscle; When they get this right, as they do on Hold On and Empty, the sound they create – like the Adrian Smith-penned Iron Maiden classics of the mid eighties – is hard to resist… This really is top notch stuff, and I can’t recommend it highly enough if you like proper, old school heavy metal like it used to be made.” – Sentinel Daily

“I Feel Fine is a ….hmm.. fine collection of classic heavy metal songs, with enough energy and punch to make you hit the replay button” – Velvet Thunder

“Typically, when promo proclaims that a band represents a “bold new take” on a traditional, well-trod style, you can expect the same: yet another forgettable “revitalization” of a sound and aesthetic that has been done to death, reanimated, and then slaughtered by copycats once more. In the case of Tzimani, the status quo is effectively put in its place.” – Sleeping Village

“Electrifying pace sets ‘We Are The Ones’ on fire, hurtling along at full velocity, displaying all the hallmarks associated with the “foot on the monitor” style of traditional heavy metal. Hitting hard like an out of control wrecking ball” – Frenzy Fire / Metal Gods TV

” refreshing heavy rock 8/10″ – SoundMagnet (German)

” This two piece hailing from San Diego shredded their way through their set. Straight up heavy metal brothers rocking their way across North America. Eddie can really play the guitar. Each song they played were full of mean riffs and ripping solos.” – Metal As Medicine (Live Review – 2019 – Kelowna, BC)

” They surprised us all when vocalist/guitarist Eddie Vazquez announced that they were the only other band on the bill. It was their best time to shine. Kudos to you Vazquez brothers!… Tzimani set up shop, and made that stage their biatch! Soon enough they began playing songs that were not included in their demo such as “Overdrive,” and dished out their hits “Final Hour” and “Get Me Out Of Here” which are available on their demo. These bros emitted a tremendous confidence and were still glowing from their recent inaugural American tour.” – Ugh Metal (Live Review – 2017 – San Diego, CA)

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0 Out Now! Ophidian Memory Unleashes New Melodic Death Album “Carrion Lord”

September 27, 2024
by Asher
· Music News

NEWS RELEASE

Montreal, QC – September 27, 2024

Ophidian Memory Unleashes New Melodic Death Album “Carrion Lord”

Melodic death metal project Ophidian Memory, the brainchild of Blake Lamoureux, is set to release its latest album “Carrion Lord” on September 27th, 2024. Ophidian Memory, hailing from Des Moines, USA, is known for its innovative approach to metal, using melodic death metal as a foundation to incorporate elements of black metal, thrash, progressive metal, and metalcore. “Carrion Lord” continues this tradition, offering a heavier and more unrelenting sound compared to its predecessor “Our Shattered Garden”. Lamoureux comments:

“Carrion Lord is the most ambitious and brutal Ophidian Memory release to date. The lyrics portray themes of deception, sacrifice, undreamt horror, and war. Musically the death and black metal notches have been turned all the way up, while the progressive notch has been turned down greatly until late in the album, giving a reprieve to the listener for a slight moment until the record ultimately closes with a ripping epic finishing track.”

The album is best experienced as a front-to-back listening journey, with each track offering a unique blend of subgenres that keeps the listener engaged throughout. Lyrically, “Carrion Lord” delves deeper into the fictional universe of “Existence”, a dark fantasy epic created by Lamoureux that has become the cornerstone of Ophidian Memory‘s conceptual approach.

On this album, Ophidian Memory has moved away from the progressive metal feel, choosing to take on a darker and heavier tone which reflects the brutal narrative this time around. Expect lots of unhinged vocals, riffs for days, and oppressive drums. For those who love extreme metal of all decades, in the vein of The Black Dahlia Murder, Behemoth, and Blood Red Throne, this one’s for you.

“Carrion Lord” is available at the following links:

Album Stream – https://youtu.be/Vf5F9SW1eA4

Bandcamp – https://ophidianmemory.bandcamp.com/

Spotify – https://spoti.fi/3BiMNxv

Track Listing:
1. The Mausoleum – (5:13)
2. Hunger Of Your Deceased Deity – (4:52)
3. A Jewel In Grocinia – (5:23)
4. Fleshbinding Ritual- (4:08)
5. Carrion Lord – (5:19)
6. The Murder On Warforged Soil – (6:17)
7. Hollowed – (3:50)
8. Sculptors Of Seraphic Tributes- (11:14)
9. Kept From Dust – (4:22)
10. Bloodborne – (4:40)

More Info: https://www.instagram.com/ophidianmemory/

-30-

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0 Canada’s MARBLE GHOSTS Drop New Video “False Heroes” For Debut Self-Titled EP Out Now!

March 1, 2024
by Asher
· Marble Ghosts · Music News

NEWS RELEASE

Montreal, QC – March 1, 2024

Canada’s MARBLE GHOSTS Drop New Lyric Video “False Heroes” For Debut Self-Titled EP Out Now!

L-R – Paul R. Champagne (Bass), Adam Hansen (Guitar, Backing Vocals), Dylan Gunnell (Vocals), Jérôme Renaud (Drums)

Photo Credit – Lisa Thompson (Dark Moon Productions)

Dropping their debut self-titled EP this Friday, March 1st, Ottawa, Canada’s Marble Ghosts are presenting their latest video for their track “False Heroes”, the second to last song on the release that is a sludgy verse mixed with a towering harmony-laced chorus and a powerful, thundering instrumental end.

Lyrically, “False Heroes” is aimed at the institutions of old and those who continue to prop them up. Originally titled Marble Ghosts, the name was changed when the band realized that it was the perfect name for the band itself.

They explain further about the song:

“In the current culture, where some believe we should return to a golden past, False Heroes counters that with a resounding NO. The song seeks to eviscerate male privilege, divisive hateful religious figures, but most of all, the ghosts of the past, still seen as trailblazers and nation builders. Inspired by the dismantling of controversial statutes worldwide, but specifically, the downing of the statue of John A. MacDonald, Canada’s first PM and the architect of the residential school system, False Heroes is a warning against romanticizing and celebrating figures whose mindsets were at their core harmful and led in many cases to abusive and criminal acts.”

Watch and listen to the lyric video “False Heroes” via its premiere on Bravewords HERE.

Recently emerging onto the Canadian metal scene with a distinctive sound and a fierce commitment to challenging societal norms, Marble Ghosts comprises a dynamic lineup that uniquely blends genres and generations, featuring a death metal drummer, an old-school metal bassist, a grunge-influenced singer, and a metalcore guitar player. This eclectic mix not only defines their sound but also underscores the band’s commitment to breaking musical boundaries.

Despite being a relatively new band, Marble Ghosts demonstrates a clear musical direction. Their first EP showcases five compelling songs that highlight their diverse influences and styles. As a band, they embrace generational differences, allowing their music to evolve organically as they grow more comfortable with each other.

Explaining the origin of their band name, Marble Ghosts draws inspiration from historical figures revered by some as pioneers and trailblazers but who also committed terrible crimes. The band seeks to call out the tradition that these effigies represent. Their music is recommended for fans of Shinedown, Saint Asonia, and Three Days Grace.

Marble Ghosts’ debut EP is due out on March 1, 2024.

Digital – https://marbleghosts.bandcamp.com/album/marble-ghosts-2

EP preview – https://youtu.be/QZzpK6x6PK0

For those in the Ottawa area, Marble Ghosts are hosting their EP release show on February 29 2024 at The 27 Club. Info here.

Track Listing:
1. Old School (3:10)
2. Lie to Me (4:22)
3. Alone (4:03)
4. False Heroes (4:33)
5. End of the World (3:58)
EP Length: 20:07

More info: Facebook.com/marbleghosts | Instagram.com/marbleghostsofficial

-30-

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0 Canada’s Macabre Metallers BLOOD OPERA Announce Album “Songs in the Key of Death” Out End of Feb 2024; Album Guests Morgan Lander (Kittie), Maurizio Guarini (Goblin)

February 5, 2024
by Asher
· Blood Opera · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – February 5, 2024

Canada’s Macabre Metallers BLOOD OPERA Announce Album “Songs in the Key of Death” Out End of Feb 2024

Album Guests Morgan Lander (Kittie), Maurizio Guarini (Goblin)

Track Voice Over Guests – Tony Todd (Candyman), Adrienne Barbeau (The Fog), Linnea Quigley (The Return of the Living Dead), Michael Berryman (The Hills Have Eyes, X-Files, Star Trek)

Top L-R – RIP Junk (Guitar, Vocals), Damien Deathgasm (Bass, Vocals)
Bottom L-R – Max Murder Lead Vocals), Muerto McBrains (Drums, Programming)
Photo Credit – Craig Leonard (Billy Bones)

They were born in blood, conceived in Hell, and reanimated by accident! Bent on cannibalizing the entire human race, Toronto, Canada’s Blood Opera has already infected whole populations with their raunchy and often controversial live displays of violence, gore, and perverse sexual acts! Having feasted on human flesh with bands such as GWAR and being endorsed by the zombie Godfather himself, George A. Romero, these purveyors of so-called “Dead Metal” have quickly become Canada’s number one horror metal act. They are riled up and ready to release their first full-length album “Songs in the Key of Death” on February 24th and to prime listeners for the bloodbath, they have released two video singles “The Gates of Hell” featuring guest keyboards by Maurizio Guarini (Goblin) and “Be My Victim” featuring a voice-over by actor Tony Todd (Candyman), which they share in further detail:

“The Gates of Hell was inspired by the cult film of the same name. Another heavy track brings in more modern influences and progressions. It features guest keyboard work by Goblin’s Maurizio Guarini. “Be My Victim” is a bonus track from 2022 and features actor Tony Todd and is based on the film Candyman. As it is an older song it features a couple of members no longer in the band but as it is an important song for us we wanted to include it. Fans of Ghost will dig this keyboard and chorus-driven rocker.”

On “Songs in the Key of Death”, Blood Opera wants to pay tribute to the genre films they love and mix metal with the macabre. The band was originally to be the live musicians for a proposed Return of the Living Dead musical that unfortunately did not come to fruition.

With powerful operatic vocals, sleazy guitar riffs, and blasphemous lyrics inspired by some of the scariest movies ever made, one thing is for sure- if the gates of Hell are left open, it could mean the end of all humanity!

Due out on February 24, 2024, the fiendish feeding frenzy of “Songs in the Key of Death” is recommended for fans of GWAR, Dokken, and WASP and is available for album pre-order at https://bloodopera.bandcamp.com.

Lyric Video – The Gates of Hell ft. guest keyboards Maurizio Guarini (Goblin) – https://youtu.be/XtL3rOlqB6Q

Music Video – By My Victim ft. voice-over by Tony Todd (Candyman) – https://youtu.be/-WFjtFmdFW4

Spotify – https://spoti.fi/4bjem7z

Track Listing:
1. Just Keep Digging (1:04)
2. Feeding Frenzy (3:49) ft. guest vocals Morgan Lander (Kittie) and voice-over by Linnea Quigley (The Return of the Living Dead)
3. Don’t Go Out Tonight (3:06)
4. Fight to Survive (3:53) ft. voice-over by Michael Berryman (The Hills Have Eyes, X-Files, Star-Trek)
5. A Waste of Good Suffering (3:55)
6. The Gates of Hell ft. guest keyboards Maurizio Guarini (Goblin) (4:51)
7. Breaking News (0:58)
8. Killer Klowns From Outer Space (Cover) (4:19)
9. The Ballad of Father Malone (4:11) ft. voice-over by Adrienne Barbeau (The Fog, Escape From New York)
10. Brundlefly (4:34)
11. Damien (5:11)
12. Be My Victim ft. voice-over by Tony Todd (Candyman) (Bonus Track) (3:59)
13. The Band of the Living Dead (0:30)
14. The Key of Death (0:43)
Album Length: 45:09

More Info: https://bloodopera.ca

-30-

“Toronto’s very own, Blood Opera primed the audience for the forthcoming onslaught…Blood Opera, local purveyors of the horror business, celebrating debauchery by toasting the crowd with a ceremonious Blood Chug!” – John Gallant (Live in Limbo)

“Blood Opera’s new single, “Be My Victim,” is a serious rock n’ roll homage to many aspects of the original Candyman film, including the nostalgia of playing scary childhood games, and the fear of losing complete control.” – Rue Morgue
—
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0 Norway’s Féleth Now Streaming Their Technical Melodic Death Metal Album “Divine Blight” (Mixed and Mastered by Christian Donaldson (Cryptopsy))

November 10, 2022
by Asher
· Feleth · Music News

NEWS RELEASE

Montreal, QC – November 10, 2022

Norway’s Féleth Now Streaming Their Technical Melodic Death Metal Album “Divine Blight”

Mixed and Mastered by Christian Donaldson (Cryptopsy)

Féleth, from northern Norway, is now streaming their second album “Divine Blight”, which they see as a solid step up from 2020’s “Depravity”. They take on real-life events and put them to provocative music best described as melodic death metal with a healthy dose of technical death metal added in. The lyrical themes are often inspired by things that vocalist Espen Dagenborg finds massively wrong such as politicians waging war, being greedy, and also how humans can be extremely hateful against others. Then again there are also songs that are somewhat purely fictional, mostly showcasing his lyrical style.

As Féleth was the continuation of a former thrash metal band, IronBound, it’s natural to say that they started out as a thrash death band. As the then-young boys started to discover the joys of death metal the sound evolved more toward that. Along with the newfound joy came the struggle, for death metal wasn’t easy to play. After finally mastering the ways of death metal and having released “Depravity” disaster struck. The now not-so-young boys had developed a taste for technical death metal and big hooks. When the time came to work on “Divine Blight” they already had a handful of finished songs to choose from, each one a work of art – melodic, technical, brutal art. The band comments:

“After getting signed with our new label “Rob Mules Records” and playing some pretty sick gigs at both Buktafestivalen and Tons of Rock, we’re super stoked to release our new album “Divine Blight”. It was a long and tedious process of selecting, practicing, and recording, but the result will speak for itself. Our best album thus far. It’s a collection of stories based on the dystopian path humanity is set on. We felt that throughout this new journey of an album we’ve refined our songwriting and successfully achieved a style that’s not only ass-whoppingly brutal, but also more complex emotionally and lyrically. It is clear that we’ve got multiple influences and styles throughout the album which all contribute to a massive sonic package. It’s definitely a death metal album with some subtle takes on some of its many subgenres. Two and half years after our debut “Depravity” we’re ready to present ‘DIVINE BLIGHT’.”

The album was mixed and mastered by Christian Donaldson (Cryptopsy) and the album artwork was done by Kahinienn Graphix. The Northern Norwegian technical death rock is recommended for fans of Fit For An Autopsy, Inferi, and Soreption.

The album “Divine Blight” comes out on November 11, 2022, and can be heard in full before its official release on Metal-Rules HERE.

Music Video – Majesty – https://youtu.be/yce26-EGFMI

Visualizer – Avarice – https://youtu.be/E2J3NnHAmsk

Lyric Video – USA ft. Petter Carlsen – https://youtu.be/7jURKrmgt0M

Track Listing:
1. Majesty – 03:46
2. Caretaker – 03:58
3. Riven – 03:51
4. En Elskovsdans – 03:10
5. The Serpent – 03:32
6. Casanova – 03:35
7. Deadlands – 04:26
8. Absence – 04:09
9. USA – 05:32 ft. gust vocals Petter Carlsen
10. Avarice – 05:33
Album Length: 41:37

Album Credits:
All songs performed by Féleth
Guest vocalist Petter Carlsen on USA
All songs written by Féleth
Produced by Féleth
Mixed and Mastered by Christian Donaldson
Assistant Engineer Jonathan Mazzeo
Album Artwork by Kahinienn Graphix

Live and Album Lineup:
Espen Dagenborg – Vocals
Thomas Nyvoll – Guitar
Alexander Stamnes – Guitar
Brage Ingebrigtsen Westgaard – Bass
Aleksander Alsen – Drums

For more info:
Facebook.com/FelethBand
Instagram.com/felethband

– 30 –

““Majesty” is an exciting introduction to the differing styles and techniques that Féleth intertwine in their songwriting, drawing together ingredients from technical and melodic death metal in a white-hot rush that nevertheless is home to some bone-smashing grooves. “Avarice” puts those genre ingredients on display again, but expands the musical palette and makes the song an even ore multi-faceted and atmospheric experience. With no room to gasp a breath, the song explodes in a flurry of fleet-fingered, fret-leaping guitar work, neck-cracking drumming, and flame-throwing vocal intensity. But groaning chords and shrill, eerie melodic overtones also create dark and deleterious moods, building tension and fear. While the vocals are utterly unhinged in their madness (and doubled in the chorus for extra intensity), squirming guitar arpeggios create a different dimension of insanity, coupled with agony, and martial drum patterns and a misery-steeped closing solo add to the song’s relentless dynamism. On top of all that, the song also punches like a heavyweight fighter.” – No Clean Singing (Divine Blight 2022)

“Feleth is gaining a name for itself despite only being around for a couple of years. They are developing their sound and their technical ability rapidly and this release shows that development, especially in songwriting where they bring different elements in to add color. An excellent example of melodic/technical death metal and worth anyone’s hard-earned cash.” – My Global Mind (Divine Blight 2022)

“Depravity the newest album from Feleth is one brutal album full of riffs and hooks to keep even the most particular entertained. Feleth mix the roots of the Norwegian metal scene, with the death metal tone they strive for to create some well crafted blackened death metal, similar to that of Shadow of Intent.” – Metal Injection (Depravity 2020)

“With a melting pot of ideas, yet rooted in delivering a head-smashing and neck-destroying style of metal, Féleth are aggressive newcomers to a scene that constantly looks to surprise… Féleth deliver heavy and extreme noise so very well.” 9/10 – Games, Brrraaains & A Head-Banging Life (Depravity 2020)

“straight up heaviness and brutality, tech offerings and melodic atmopsheres, and enjoyable groove.” – Dead Rhetoric (Depravity 2020)

“Féleth: Transcends the traditional limits of the genre…” – Permafrost.today (Depravity 2020)

“9/10 “Féleth offer an edge-of-your-seat experience that is both fresh and captivating.” – Metal Inferno (Depravity 2020)

“Féleth does death metal fast and aggressive, reigning in their impressive technical chops for maximum impact, keeping their riffs (and songs, for that matter) relatively short and to the point. They strike a pretty even balance between chunky chords and caustic melodies, most of which are designed to coax headbanging than to impress with virtuosity. The album is front-loaded with catchy bangers, saving the more technical and weird bits for the latter half.” – Tolet Ov Hell (Depravity 2020)
—
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0 Guitarist Frankie C. (Vesperia) Unleashes New Shredding Playthrough “Life By Fire”; Debut EP “Cellular Damascus” Out Now!

May 16, 2019
by Asher
· Frankie C. · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – May 16, 2019

For fans of Marty Friedman, Steve Vai, Joe Satriani, Buckethead, Tony MacAlpine

Guitarist Frankie C. (Vesperia) Unleashes New Shredding Playthrough “Life By Fire”

Debut EP “Cellular Damascus” Out Now!

Frankie C., known for his guitar work in Canadian symphonic death metal band Vesperia recently released his side project entitled “Cellular Damascus” this past March. An instrumental solo project that came to light after he was crowned champion of season one of “Shredders of Metal” presented by Banger TV. The EP is technical, groovy and energetic, and lets the listener focus on the guitar work that he takes great pride in orchestrating.

Posting his next playthrough video in support of his debut, Frankie C. explains ‘Life By Fire’:

“This song is quite a lot of fun to play. There are many exciting melodic themes as well as head banging sections and a lot of notes! To me this song is evil but fun.”

Watch ‘Life By Fire’ at the following link: https://youtu.be/-t8wzZ2aNe8

Previous playthroughs:
‘Fall of The Hammer’: https://youtu.be/ScxRxFp-QUs
‘Cellular Damascus’: https://youtu.be/aCocz8CQCso

Frankie C. adds:

“I want fans to have fun listening to ‘Cellular Damascus’. I wanted to create interesting melodic phrases, but still have heavy riffs to headbang along with, shred hard, but not lose sight of the music and try to have a clear mix where things aren’t overly processed but all instruments/parts are still clear and audible.”

All four tracks on this debut flow together and show off excellent musicianship. Excited to be focusing on more solo work in the future, Frankie C. has confirmed another release in the future.

“Cellular Damascus” is now out as of March 13, 2019, and available for stream and download on Bandcamp, Spotify, Youtube, iTunes.

Track Listing:
1. So It Begins (1:06)
2. Fall Of The Hammer (2:55)
3. Cellular Damascus (3:14)
4. Life By Fire (3:19)
EP Length:

For more info:

Facebook: https://www.facebook.com/frankiecshred

Youtube: https://www.youtube.com/user/arps7
Instagram: https://www.instagram.com/frankiecshred

Bio:

Cellular Damascus is the instrumental solo project from Vesperia’s Frankie Caracci. Looking to try something new and forge his wide array of influences together to make something that is uniquely his own.

The first release, the self-titled EP (2019), introduces fans to the melodic and technical headbanging music on which Caracci solely wrote, performed and produced. Influenced but guitar mavericks such as Jeff Loomis, Joe Satriani, Jason Becker, and Michael Romeo and genres such as modern and classic heavy metal thrash, prog and death metal there is an assortment of features in each track that keep the listener on their toes and attentive to the music.

– 30 –

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0 EPK – Dire Peril – Dire Peril – The Extraterrestrial Compendium (2018)

September 4, 2018
by Asher
· Dire Peril · EPKs

Dire Peril – The Extraterrestrial Compendium (LP) (2018)

Release Date: November 9, 2018

Label & distribution: Divebomb Records

For Fans of Iced Earth, Blind Guardian, Symphony X, and Iron Maiden

PR Rep – Jon Asher – ashermedia(@)gmail.com

DirePeril.com | Facebook | Youtube | Bandcamp

iTunes | Spotify | Amazon | DP Online Store | Divebomb Records

Download High Res Photo | Download High Res Album Cover

“Power metal kings, Songs about sci-fi movies, What more do you need? ” – Metal Injection

“It’s the rare power metal record where the artist is as confident in handling its subtle, reserved material as it is its neck-thrashing, riff-centric centerpieces, and Dire Peril manages both aesthetics with more care than the bulk of bands in its genre. As far as straightforward power metal goes, this may well be the very best that 2018 has to offer. ” – Angry Metal Guy

“a sci-fi infused power metal monster. Ashcraft adds a more galloping, Iced Earth, huge and grand guitar riffing to the mix and of course Yelland’s vocals are phenomenal.” – Metal Marks The Spot

” Dire Peril’s first full-length album is an excellent display of American power metal.” – Indy Metal Vault

“Bulletproof songwriting, soaring vocals, tremendous solos, exceptional song-to-song variety, and an uncanny ability to be both a little bit tongue-in-cheek and deadly serious at the same time: what in the goddamn hell more could you ask for? This is a marvelous album. ” – Your Last Rites

“this may well be the best Power Metal has to offer in 2018.” – Metal-Temple

“With their full-length debut, The Extraterrestrial Compendium, they have gone above and beyond my expectations, producing one of the best power metal albums of the year, which manages to be both very dynamic and consistently engaging throughout. I especially recommend it for fans of the harder hitting, more guitar driven side of power metal, as there’s a ton of thrash influence here, as well as a fair bit of classic heavy metal and some slight prog leanings. Everything is done well, with vocalist John Yelland giving the best performance of his career, and overall, it’s an amazing album from start to finish.” – My Global Mind

““in its conceptual and musical depth, Dire Peril’s The Extraterrestrial Compendium is rather epic and entertaining guitar-forward power metal…power metal and sci-fi go together like beer and pizza. Get it. You won’t be disappointed.” – Dangerdog Music Reviews

“DIRE PERIL prove that America still has great talent in the Power Metal realm” – Metal-Temple.com

“a wonderful album that will take you on an intergalactic journey through many popular sci fi movies. It is an album that is full of melodic vocals and kick ass guitars. ” – Baby Dolls and Razor Blades

Seven Kingdom Tour Dates w/ Dire Peril
Nov 14 – Cobra Lounge – Chicago, IL
Nov 15 – Riot Room – Kansas City, MO
Nov 17 – Rockhouse Bar & Grill – El Paso, TX
Nov 18 – Rail Club – Ft. Worth, TX
Nov 19 – Come And Take It Live – Austin, TX
Nov 20 – Southport Hall – New Orleans, LA

The Extraterrestrial Compendium (LP) (2018)

Release Date: November 9, 2018
Label & Distribution: Divebomb Records

Track Listing:

01 – Yautja (Hunter Culture)
02 – Planet Preservation
03 – Enemy Mine
04 – The Visitor
05 – Total Recall
06 – Queen of the Galaxy*
07 – Roughnecks
08 – Blood in the Ice
09 – Heart of the Furyan
10 – Altair IV: The Forbidden Planet
11 – Always Right Here
12 – Journey Beyond the Stars**

*Features Brittney Slayes
**Features Arjen Anthony Lucassen

Album Credits:
• All songs performed by: Dire Peril
• All songs written by: Jason Ashcraft and John Yelland excepting Queen of the Galaxy by Jason Ashcraft and Norman Skinner and Journey Beyond the Stars by Jason Ashcraft, John Yelland and Norman Skinner
• Produced by: Jason Ashcraft
• Mixed by: Carlos Alvarez (Dirty Viking Audio Productions)
• Mastered by: Brett Caldas Lima (Tower Studio)
• Album Artwork by: Gwen Vibancos

Album Band Line Up:
Jason Ashcraft (Guitar, bass)
John Yelland (Vocals)
Featuring Brittney Slayes as guest vocalist on Queen of the Galaxy
Featuring Arjen Anthony Lucassen as a guest

Live Band Line Up:
Jason Ashcraft (Rhythm Guitars)
John Yelland (Vocals)
Chelsea McMasters (Bass)
Steven Soderberg (Lead Guitars)
Tom Tierney (Drums)

Discography:
2018 – The Extraterrestrial Compendium
2016 – The Astronomical Queen of Space and Time (EP Compilation)

L-R – Jason Ashcraft (rhythm, lead, acoustic, bass guitars) & John Yelland (vocals)

SHORT BIO:

Originally formed in 2009, the band went on to create three EPs: Astronomical Minds, Queen of the Galaxy and Through Time and Space, and proceeded to play a handful of local shows, as well as a few out of town gigs. In 2015, feeling like things just weren’t as they should be, Ashcraft decided to take a step back and take a hard look at where the band was headed.

Inspired by all manner of science fiction, especially classic sci-fi movies, Dire Peril regrouped as a double piece; Ashcraft was joined by singer John Yelland, and together they began working on the debut album titled “The Extraterrestrial Compendium,” set for release on November 9, 2018. Recruiting a live line up enabled them to start playing live shows including an upcoming North American tour with Seven Kingdoms allowing the American sci-fi power metal band to reach its final form and share their dark, aggressive adventure with the masses.

LONG BIO:

Dire Peril was an idea that goes as far back as Jason Ashcraft’s (guitars, bass) highschool years. The band’s name was inspired by a PC game he used to play, called “Vampire: The Masquerade – Bloodline”, which has stuck with him ever since. Originally formed in 2009 as the name under which Ashcraft used to perform covers, the band wouldn’t see it’s true form until around 2012, when Jason joined forces with the Bay Area powerhouse vocalist Norman Skinner.

The band went on to create three EPs: Astronomical Minds, Queen of the Galaxy and Through Time and Space, and proceeded to play a handful of local shows, as well as a few out of town gigs. In 2015, feeling like things just weren’t as they should be, Ashcraft decided to take a step back and take a hard look at where the band was headed.

Inspired by all manner of science fiction, especially classic sci-fi movies, Dire Peril regrouped as a two piece; Ashcraft was joined by singer John Yelland, and together they began working on the debut album titled “The Extraterrestrial Compendium,” set for release on November 9, 2018.

‘The Extraterrestrial Compendium’ bases each one of its 12 songs on classic sci-fi movies including Predator, Total Recall, Starship Troopers, and E.T. and features guests Brittany Slayes (Unleash the Archers) and Arjen Anthony Lucassen (Ayreon).

Recruiting a live line up enabled them to start playing live shows including large North American tours with Sirenia and Unleash the Archers plus most recently supporting Seven Kingdoms this coming November on select USA tour dates. The American sci-fi power metal band is close to reaching its final form and is now ready to share their dark, aggressive adventure with the masses.

Shared Stage with:

Sirenia, Threat Signal, Valinor Excelsior, and Winter’s Wake

Tours and Festivals:
2018 – Sirenia NA Tour (April)
2018 – Seven Kingdoms NA Tour (November)

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