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Tag: new metal music

0 Out Now! NOVA SPEI Unleashes New Voice and Rebirth! w/ New Album “Trinitas” and Embark on Quebec Tour

  • November 6, 2026
  • by Asher
  • · Music News · Nova Spei (Bam&Co. Heavy)

NEWS RELEASE

Montreal, QC – November 6, 2026

Out Now! NOVA SPEI Unleashes New Voice and Rebirth! w/ New Album “Trinitas” and Embark on Quebec Tour

L-R – Cédrick Charland (Lead Guitarist) | Julien De Carufel (Drums) | Emmanuelle Desbiens-Dubois (Vocal) | Nicolas Dumais-Brouillette (Bass, Vocal) | Dany Soucy (Founder, Rhythm Guitarist)

Photo Credit – Étienne Dionne (Mute Drummer)

​

Reborn with a revitalized lineup and a powerful new voice, Quebec’s modern metal force Nova Spei is proud to announce the release of their long-awaited third full-length album, “Trinitas,” available now as of November 6, 2026 via Bam & Co. Heavy. Marking a new era for the Quebec metallers, the album arrives alongside an extensive run of Quebec tour dates that will see the band bring its renewed energy and explosive live show to audiences across the province throughout November and December (dates listed below).
​
For founding guitarist and principal songwriter Dany Soucy (guitar), “Trinitas” represents far more than the next entry in Nova Spei‘s discography. It is the culmination of years of perseverance, reinvention, and a determination to emerge stronger following lineup changes that challenged the band’s future.
​
​“Writing Trinitas was both a challenge and a burden. There was the fear of not being able to compose an album that would do justice to its predecessor. The departure of the previous lead singer had a significant emotional impact, and having to rebuild a new dynamic was somewhat daunting. In the end, it was the change Nova Spei needed to get back on its feet and move forward into another chapter of its life,” explains Soucy.
​
That rebirth can be heard immediately throughout “Trinitas”. Building upon the modern metal foundation of 2021’s “Sequentis”, the album introduces a more organic and groove-driven approach while simultaneously embracing greater aggression. A key element in that evolution is the arrival of Emmanuelle Desbiens-Dubois (vocals), whose commanding vocal performance adds a new dimension to Nova Spei‘s sound.
​
​“We’ve realized what we’ve always wanted in the past, preserving our identity while adding a touch of aggression. Choosing a female voice for the lead vocals has significantly boosted the intensity we were aiming for,” says Soucy.
​
Produced and mixed by renowned Quebec metal producer Francis Perron (Voivod, Martyr), “Trinitas” captures a rawer and more energetic sound than its predecessors. Influenced by modern metal, metalcore, industrial rock, and progressive metal, the record balances technical precision with memorable grooves and immediate songwriting.
​
Originally conceived as a stylistic continuation of “Sequentis,” the album took on a new life during the recording process.
​​
“For Trinitas, we wanted a follow-up in the style of Sequentis. However, as we worked with Francis Perron, the focus shifted toward a much more organic approach, prioritizing groove simplicity to hook the listener more easily despite the overall aggression,”
explains Soucy.
​
Lyrically, “Trinitas” explores deeply personal and socially conscious themes. Throughout its thirteen tracks, the album tackles addiction, betrayal, depression, manipulation, trauma, Indigenous experiences, resilience, and personal rebirth. From the rallying cry of “Renaissance”, chronicling the band’s own struggles and comeback, to the emotionally charged “M’entends-tu!?”, the Indigenous-focused “Déraciné”, and the crushing, groove-driven single “Enterré Vivant,” the record offers one of Nova Spei‘s most diverse and impactful lyrical journeys to date.
​
The album also includes the instrumental composition “Résonance,” a deeply personal track exploring the lasting impact of loss, as well as the closing piece “Draps Blancs,” which examines the fragility of life through the story of a routine medical procedure ending in tragedy.
​
Adding to the significance of the release, “Trinitas” is the first Nova Spei album recorded in a professional studio after the band’s previous two records were produced in-house. The album was later mastered by acclaimed engineer Maor Appelbaum, whose credits include work with Faith No More and Yes.
​
Formed in 2012 by Dany Soucy, Nova Spei has become one of Quebec’s most persistent French-language metal acts. Since debuting as direct support for Anonymus on their 2017 Quebec tour, the band has performed more than 100 shows throughout Quebec and Ontario while sharing stages with many of the province’s notable metal acts. Their music has also reached wider audiences through placements during Montreal Canadiens games at the Bell Centre and regular radio support across Quebec.
​
Now featuring Emmanuelle Desbiens-Dubois (vocals), Dany Soucy (guitar), Nicolas Dumais (bass), Julien De Carufel (drums), and Cédrick Charland (lead guitar), Nova Spei enters its next chapter revitalized and ready to bring “Trinitas” to audiences throughout Quebec.

Recommended for fans of Gojira, Tesseract, Killswitch Engage, Spiritbox, and Architects, “Trinitas” is available as of November 6, 2026, via Bam & Co. Heavy.

CD + Vinyl – https://www.novaspei.com/marchandise​

Add to your Spotify playlist – https://open.spotify.com/album/6FNKvSvJhwBHYfrXaLuEFY

​Music Video – “Enterré Vivant” – https://www.youtube.com/watch?v=yJB1wzRomFg​

Lyric video “Déraciné” – https://www.youtube.com/watch?v=0xn2xKYt0pc

​Music video “Renaissance” at https://www.youtube.com/watch?v=FagxvgWJTes

​

======

In support of their forthcoming album “Trinitas,” due November 6, 2026, through Bam&Co-Heavy, Québec modern metal standouts NOVA SPEI will embark on a five-date album release tour across their home province. The trek launches in their hometown of Trois-Rivières and continues through La Baie, Quebec City, and Montreal, with support from Unless We Fight on all shows and additional performances from Insurrection, Matante Mutante, Unpunished, Burning Attic, Carry The Cross, and Castor on select dates.

Nova Spei ‘Trinitas’ Tour Dates:​
Nov 6 – Le Nord-Ouest – Trois-Rivières, QC w/ Insurrection, Unless We Fight
Nov 7 – Paradox – La Baie, QC w/ Matante Mutante, Unless We Fight
Nov 13 – Source de la Martinière – Québec City, QC w/ Unpunished, Unless We Fight
Nov 14 – Foufounes Electriques – Montréal, QC – w/ Burning Attic, Unless We Fight
Dec 5 – Le Murdoch – Sherbrooke, QC – w/ Carry The Cross, Castor

Track Listing:​
1. Trinitas – 1:38
2. Renaissance – 2:37
3. M’entends-tu!? – 2:16
4. Déraciné – 4:07
5. Hypnose Collective – 3:23
6. Sentence – 3:39
7. Bourreau – 2:53
8. Résonance – 2:03
9. Enterré Vivant – 3:19
10. Aucun Regret – 4:15
11. Traitre – 3:40
12. Vautours – 3:38
13. Draps Blancs – 2:52
Album Length: 40:27

Album and Live Band Lineup:​
Cédrick Charland – Lead Guitarist
Dany Soucy – Founder, Rhythm Guitarist
Emmanuelle Desbiens-Dubois – Vocals
Julien De Carufel – Drum
Nicolas Dumais-Brouillette – Bass, Vocals

For more info:

​https://www.novaspei.com/​

​https://www.facebook.com/NovaSpei​

​https://www.instagram.com/novaspei​

– 30 –

“All in all, Trinitas is a real success that I wholeheartedly recommend to metal fans, even those who rarely listen to French-language bands. And if you have the chance to see Nova Spei live, go for it. It’s well worth it!’ – Metal Universe

“The major new development comes behind the microphone with the arrival of Emmanuelle Desbiens-Dubois. Her vocal versatility allows the band to operate on two levels: a gritty, at times abrasive delivery, but also much more melodic and velvety passages. This duality between female and male vocals has become the new signature of Nova Spei. It’s a choice that adds an extra dimension to the compositions and could appeal to fans of Spiritbox or the new incarnation of Linkin Park. Emmanuelle doesn’t simply add a female voice to the mix; she genuinely transforms the band’s dynamic.” – Ars Media QC

“What it means here is suffocation. Enterré Vivant — buried alive — began as a reflection on watching someone close struggle with illness, on being locked inside a situation you refuse but cannot leave, and the band pushed the metaphor until it turned literal. The song moves on a lurching, mechanical guitar figure with more than a little Fear Factory in its DNA, all industrial edges and deliberate repetition, and the rhythm section plays into the downstroke rather than around it. The lyrics were written collectively, and it shows: the phrasing has the clipped urgency of five people arguing their way toward the same conclusion. The real news is the voice sitting on top of it. Emmanuelle Desbiens-Dubois joined in 2025 alongside lead guitarist Cédrick Charland, and her arrival rewires the architecture rather than just the paint. Nova Spei spent two albums as a French-language groove-metal band with a male vocalist out front; this is not a cosmetic swap. She sits further forward in the mix than her predecessor and moves between a clean upper register and a full-throated scream inside single phrases, which finally gives the band the dynamic range its riffs have always implied.” – See Rock Live Mag

“Nova Spei enters a powerful new era with this groove-driven, hard-hitting release. Trapped in a situation you refuse to accept but cannot escape? It’s a theme that will resonate with anyone who has lived through it or watched someone close endure the same struggle, making this track an easy connection point for listeners in 2026. Emmanuelle’s arrival truly brings a new visceral intensity to the band. I can’t wait to hear the entirety of Trinitas.” – Ondes Chocs

“Ultimately, that’s what I appreciated about Trinitas. The concept is present, but the album doesn’t rely solely on it. There are hard-hitting riffs, solid rhythms, several genuinely compelling shifts in atmosphere, and, above all, that vocal combination that gives this new incarnation of the band its own distinct character. After the lineup changes and challenges Nova Spei has faced, the band could have easily returned by simply picking up where it left off. Instead, Trinitas feels like the work of a band determined to move forward. And sometimes, coming back stronger begins with accepting that you won’t return exactly as you were before.” – Eloquence Art

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 From OMINOUS ECLIPSE To ALTERSOUL: New EP “Origins” Pays Tribute To Fallen Bandmate; Unveil Reforged Single “Abandoned”

  • October 28, 2026
  • by Asher
  • · Altersoul · Music News

NEWS RELEASE

Montreal, QC – October 28, 2026

From OMINOUS ECLIPSE To ALTERSOUL: New EP “Origins” Pays Tribute To Fallen Bandmate

Unveils Reforged Single “Abandoned”

L-R: Theo Konrad (drums), James Close (guitar & vocals), Graham Murphy (guitar & vocals), Evan Ferguson (bass)

Brockville, ON progressive death metal outfit ALTERSOUL proudly announces the release of its debut EP, “Origins,” a deeply personal collection that bridges the past and future of the band while honoring the legacy of a fallen friend. Alongside the announcement, the band is unveiling the music video for the EP’s lead single, “Abandoned”, a reimagined version of the oldest composition in their catalog.
​
Born from the ashes of longtime Ontario metal act Ominous Eclipse, Altersoul represents both a continuation and a rebirth. Following over a decade of writing, recording, and performing together, founding members James Close (Guitar/Vocals) and Graham Murphy (Guitar/Vocals) made the difficult decision to retire the Ominous Eclipse name and begin a new chapter. The transition took on an even deeper meaning after the tragic passing of bassist and founding member Ryan Clements in August 2024.
​
The result is “Origins,” an EP that serves as both a tribute and a mission statement.
​
​“When Ryan passed away, these songs became even more sentimental. After years of history, they closed out the band’s final set as Ominous Eclipse. As we transition into Altersoul, we wanted to revisit these tracks and finally give them the studio treatment they deserved. This EP is our reminder of where we came from,” explains James Close.
​
Featuring newly recorded versions of three foundational compositions originally featured on Ominous Eclipse’s debut album, “Origins” revisits the first songs written by Graham Murphy, James Close, and Ryan Clements. While the original recordings captured the band’s youthful ambition, the new versions realize the full creative vision that was impossible to achieve over a decade ago.
​
Recorded, produced, mixed, and mastered entirely by the band, “Origins” showcases Altersoul‘s commitment to complete creative independence. Real orchestral instrumentation, enhanced arrangements, and dynamic production transform these early compositions into expansive modern progressive death metal works.
​
Leading the release is “Abandoned,” a track that traces its roots back to an acoustic guitar composition Murphy wrote around 2009-2010.
​
​“‘Abandoned’ is a symbolic debut for us because it’s both the oldest song in our catalog and a re-recording from our past,” says Murphy. “I wrote the original guitar part after becoming heavily inspired by Immortal’s “All Shall Fall”. When we revisited the song for Altersoul, we kept the heart of the composition intact while expanding it with orchestral arrangements and modern production.”
​
The song’s lyrics tell the story of a man abandoned in a frozen wasteland, facing his final moments as he succumbs to the cold. Musically, the track mirrors that journey, balancing harsh aggression with cinematic orchestral passages.
​
​“The orchestral elements alternate between peaceful symphonic moments and traditional metal sections to symbolize the body’s fight against the cold. The finale represents the character’s final breath and eventual acceptance of his fate,” adds Close.​
​
​
The EP also features newly realized versions of “End of Days” and “Beyond the Apocalypse,” songs that hold special significance within the band’s history. Together, the trio of tracks serves as a reflection of the friendships, memories, and musical foundations that shaped both Ominous Eclipse and Altersoul.
​
A special guest appearance from Andrew Poskus, Ominous Eclipse’s original drummer, adds another layer of nostalgia and closure to the project. Ironically, despite being the band’s original drummer, Origins marks the first official release to feature his recorded performances.
​
Musically, Altersoul continues to blur genre lines by fusing death metal, technical death metal, thrash, black metal, progressive metal, folk influences, orchestral arrangements, and atmospheric passages into a sound that is entirely their own.
​
More importantly, “Origins” marks the beginning of an ambitious new era.
​
​“We’ve got multiple albums’ worth of material that has never been heard. As much as we’ve written hours of new music, we felt it was important to start by revisiting the songs that made us. These are the building blocks everything else grew from,” says Close.
​
For Altersoul, “Origins” is more than a debut release. It is a tribute to a friend, a celebration of a shared history, and the first step toward a promising future.

Recommended for fans of Death, Revocation, Gojira, Children of Bodom, and Opeth, “Origins” is due out on November 27th, 2026.

EP pre-save – https://altersoul1.bandcamp.com/​

Listen to “Abandoned” at the following links:

Video – https://www.youtube.com/watch?v=HBWhsc7uRWA

​Spotify – https://open.spotify.com/track/0EaBnR0ukoISeGnnf2ymJT

​

Track Listing:​
1. Abandoned – (5:20)
2. End of Days – (4:09)
3. Beyond the Apocalypse – (5:14)
EP Length: 14:43

EP Band Lineup:​
Graham Murphy – Guitar/Vocals
James Close – Guitar/Vocals/Additional Instruments
Evan Ferguson – Bass
Andrew Poskus – Drums
​Additional Guest Recording:​
Wenhao Zhou – Piano
Heather Istead – Oboe

Live Band Lineup:​
Graham Murphy – Guitar/Vocals
James Close – Guitar/Vocals
Evan Ferguson – Bass
Theo Konrad – Drums

More info:

​https://www.altersoulband.com/​

​https://www.facebook.com/altersoulband​

​https://www.instagram.com/altersoul.band​

About: Altersoul is a four‑piece metal band from Brockville, Ontario, formed by James Close (Guitar/Vocals) and Graham Murphy (Guitar/Vocals) after more than a decade performing as Ominous Eclipse. Joined by Evan Ferguson (Bass) and Theo Konrad (Drums), the band blends death metal, progressive elements, orchestral arrangements, and diverse influences into a sound that is both volatile and deeply atmospheric. Altersoul is a spiritual continuation of Ominous Eclipse, reborn with a new name, a new vision, and a renewed dedication to creating meaningful, meticulously crafted music.

-30-​

​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 CAVERNOUS MAW Unleashes Video “The Yeti Approaches the Wall” From New EP “Ancestral Lands Beyond the Antarctic Ice Wall”

  • October 27, 2026
  • by Asher
  • · Cavernous Maw · Music News

NEWS RELEASE

Montreal, QC – October 27, 2026

CAVERNOUS MAW Unleashes Video “The Yeti Approaches the Wall” From New EP “Ancestral Lands Beyond the Antarctic Ice Wall”

A crushing new chapter begins as Cavernous Maw, the Minneapolis duo, expands its vision with a concept-driven journey into the unknown with the release of its brand-new video, “The Yeti Approaches the Wall,” from their new EP “Ancestral Lands Beyond the Antarctic Ice Wall,” out now as of October 27th, 2026.
​
Blending relentless death metal intensity with emotional weight, memorable melodies, and unexpected influences drawn from black metal, technical death metal, and classic extreme metal, “The Yeti Approaches the Wall” marks the next evolutionary step for the two-piece act.
​
Comprised of longtime friends and collaborators Niilo Smith (Vocals/Guitar) and Ben Fagerness (Drums), Cavernous Maw was born from a desire to strip away complications and focus purely on creating music. After years of playing together in various projects, the pair embraced the simplicity and creative freedom of a two-member lineup, forging a sound that is equal parts brutal, dynamic, and unmistakably their own.
​
The new single showcases a more mature and refined version of the vision first introduced on their debut EP, “Primitive.”​
​
​“The Yeti Approaches the Wall was the first song we wrote for our next EP. It started as nearly all of our songs do, the two of us jamming in the practice space, locking onto a riff and expanding it. The arrangement and drum parts were carefully crafted to keep the energy flowing from beginning to end. Lyrically, the song is about exactly what the title suggests: a yeti approaching a wall. Whether that wall is physical or mental is up to the listener,” adds Ben.
​
Serving as the opening chapter of a larger concept, the track introduces listeners to a mysterious protagonist embarking on a journey beyond the boundaries of his known world. Throughout “Ancestral Lands Beyond the Antarctic Ice Wall,” the EP follows the yeti’s path of discovery, curiosity, growth, understanding, and ultimately, humanity’s downfall.
​
The EP’s central theme explores exploration, self-discovery, and the pursuit of knowledge. What begins as a literal story about a yeti reaching the edge of the world becomes a broader metaphor for pushing beyond personal limitations and remaining curious about what lies beyond the horizon.
​
Musically, the new release builds upon the foundation established by their EP “Primitive.” While the debut evolved organically and initially wasn’t even intended to feature vocals, “Ancestral Lands Beyond the Antarctic Ice Wall” was conceived from the start as a fully realized death metal record. The result is a collection of songs with stronger structure, deeper arrangements, and a more focused songwriting approach while maintaining the raw energy and riff-driven assault that defines Cavernous Maw.
​
The band’s songwriting process remains firmly rooted in old-school collaboration. The band develops every song together in the rehearsal space, where riffs are shaped, arrangements refined, and ideas transformed into complete compositions through a shared creative vision.
​
To add to the project’s authenticity, the band recorded “Ancestral Lands Beyond the Antarctic Ice Wall” largely live in their practice space before adding vocals. The accompanying video for “The Yeti Approaches the Wall” further demonstrates the duo’s commitment to immersive storytelling. In preparation for filming, Ben and Niilo even constructed a rudimentary “Viking hut” from pine branches on location, a detail that appears briefly in the final video for eagle-eyed viewers to discover.
​
Beyond the fantasy narrative, Cavernous Maw‘s lyrical themes draw inspiration from humanity, history, ancestral living, exploration, and the natural world. The band’s ethos celebrates curiosity, self-reliance, and the enduring spirit of discovery that has driven civilization from its earliest beginnings to the modern age.
​
With additional material already written for future releases and a dedicated recording studio currently under construction, Cavernous Maw shows no signs of slowing down.
​
​“We absolutely love this new EP record, and we hope fans will too. “It’s a more mature expansion of our original vision. Fans can expect a lot more music from Cavernous Maw in the future.”

Fans of Nile, Behemoth, Cannibal Corpse, Death, and Borknagar will find plenty to appreciate in Cavernous Maw‘s blend of crushing heaviness, technical precision, and thematic ambition.

Watch and listen to “The Yeti Approaches the Wall” via its video premiere on Decibel Magazine HERE.

The EP “Ancestral Lands Beyond the Antarctic Ice Wall” is available at the following links:

Spotify – https://open.spotify.com/album/20OJGUrdNrYr6uocmOZmC9​

Bandcamp (100 hand-numbered limited edition CDs available) – https://cavernousmaw.bandcamp.com/album/ancestral-lands-beyond-the-antarctic-ice-wall​

Track Listing:​
1. The Yeti Approaches the Wall – 3:43
2. Choke to Choke – 2:49
3. Forever and a Day – 3:10
4. Onward to Salvation – 3:17
5. Ash for Bread, Poison for Rain – 4:21

More info: https://linktr.ee/cavernousmaw​

​Cavernous Maw is a two-piece death metal band dedicated to crafting heavy, brutal, emotional, and immersive extreme music. Drawing inspiration from nature, history, humanity, and exploration, the duo combines old-school death metal aggression with modern songwriting sensibilities to create a powerful and distinctive sound.

Band Lineup:​
Niilo Smith – Vocals/Guitar
Ben Fagerness – Drums

-30-

“One final, and very important point: These songs are also very infectious. They get in, they do their work quickly, and they get out.” – No Clean Singing (2025 – Primitive EP)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 EPK – Atria – New World Nightmare (DEBUT EP) (2018)

  • September 18, 2018
  • by Asher
  • · Atria · EPKs

Atria – New World Nightmare (EP)

For fans of In Flames, Soilwork, Arch Enemy, Trivium

Release Date: November 16, 2018

Label: Self-Release

Distribution: CDN Records

PR Rep – Jon Asher – ashermedia (@)gmail.com

Facebook | Twitter | Instagram | Youtube | Soundcloud | Reverbnation

Sales links: Bandcamp | Distrokid

Download promotional photo | Download album artwork

 

L-R – Tim Ross (guitar), Brent Westmoreland (bass), Tom Emmans (vocals), Matt McGuire (drums), and Travis McGinnis (guitar)

SHORT BIO:

Atria is a anthemic metal band from Ontario, Canada that plays heavy, yet catchy music with prime influences including Lamb of God, Soilwork, Tool and Slipknot. Founded by Tom Emmans (vocals) and Tim Ross (guitar) in August of 2017, they recruited Matt McGuire (drummer), Brent Westmoreland (bass) and Travis McGinnis (guitar) to fill out the lineup and  have played a handful of shows and festivals with a great response and are hungry for more.

 

The debut release for the band, New World Nightmare EP, is due November 16th, 2018 and is just a teaser of what is to be expected from the band. Not just sticking with the usual heavy formula of the genre, they also add plenty of synth and orchestral parts and experiment with varying degrees of technicality. Even as a relatively new band, Atria is finding their place in the Canadian underground scene and making their name known amongst a wide variety of metal fans.

 

LONG BIO:

Atria is a anthemic metal band from Ontario, Canada that plays heavy, yet catchy music with prime influences including Lamb of God, Soilwork, Tool and Slipknot.

Founded by Tom Emmans (vocals) and Tim Ross (guitar) in August of 2017, the band takes its name from a music venue in a nearby city at which Emmans and Ross played their first gig at with a different band. The experiences had at that place resonated enough to be cemented as the band’s moniker. Eventually they recruited Matt McGuire (drummer), Brent Westmoreland (bass) and Travis McGinnis (guitar) to fill out the lineup and  have played a handful of shows and festivals with a great response and are hungry for more.

The debut release for the band, New World Nightmare EP, is due November 16th, 2018 and is just a teaser of what is to be expected from the band. Not just sticking with the usual heavy formula of the genre, they also add plenty of synth and orchestral parts and experiment with varying degrees of technicality. Emmans expands on his vision for the band’s direction: “I’ve always been a fan of catchy choruses. I like when bands can bring something dark and heavy but also give me something to sing along to. We’ve tried to do that with our new single and I think we’ve accomplished that. Also the lyrics have a great deal of depth and personal meaning to them. The rest of the album is much heavier but there are still plenty of good hooks worked in there.”

Even as a relatively new band, Atria is finding their place in the Canadian underground scene and making their name known amongst a wide variety of metal fans.

Atria – New World Nightmare (2018)

Release date: Nov 16, 2018

Track listing
1. New World Nightmare
2. Someone With Me
3. Less Than Equal
4. Follow You Home

EP Length: 24:24

Distribution: CDN Records | Distrokid

Sales link: Bandcamp

 

Album credits
  • All songs were written and performed by Atria
  • Produced and mixed by Jon Howard
  • Mastered by Ryan Smith at Sterling Sound
  • Album Artwork: Mikio Murakami at Silent Q Design

Available on Spotify, ITunes, Amazon, Google Play, iHeartRadio

Mapl and socan-white
 
Album Line up and Live Line Up :
Tom Emmans – Vocals
Tim Ross – Guitar
Travis McGinnis– Guitar
Brent Westmoreland – Bass
Matt McGuire – Drums
 
Discography:
2018 – New World Nightmare (DEBUT)

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