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Tag: music

0 Montreal’s Post Metal Milanku Bathe In Melancholy Through “À l’aube; de leurs silences” Off “À l’aube” Out March 2023

  • January 26, 2023
  • by Asher
  • · Milanku (Folivora) · Music News

NEWS RELEASE

Montreal, QC – January 26, 2023

​

Montreal’s Post Metal Milanku Bathe In Melancholy Through “À l’aube; de leurs silences” Off “À l’aube” Out March 2023

Photo Credit – Alexandra Stairs

If Milanku draws its origins from the work of Milan Kundera, the soundtrack is definitely more on the side of the thundering density of the being than of its “unbearable lightness”, galvanized by the Czech author. Following 5 years of absence, Milanku finally unveils a brand new single entitled “À l’aube; de leurs silences” (“In the dawn; of their silences”), which is an eleven-minute, slow, post-metal piece full of angst. This single is the first from the band’s upcoming fifth album “À l’aube”, which will be made available on March 31st, 2023 via labels Folivora Records (Canada), D7i (Canada/USA), and Moment of Collapse (EU). Milanku comments on the album:

“The song yearns to satisfy, through a sequence of ambient arrangements, the sometimes melancholic and other times rougher disconnect we all suffer from. It is a big opening number for this post-rock-shoegaze 5 piece whose upcoming album is poignant, intense, and heavily influenced by the emotions of despair and loneliness brought on by the pandemic. We think that fans will be happy, our first single is for them and is over 10 minutes of typical Milanku “mind travel” music.”

When it comes to writing, the music is normally built before the lyrics. Then the lyrics and vocals are composed and placed on the songs. They are very much influenced by the process of creating music. The result is the music presented with an intense emotional show accompanied by a slew of imagery. A performance filled with intensity and the feeling of pleasure shown by the band members from playing on stage.

This album has been four years in the making, and the band expects that it will be very well received. Sad, heavy, and melancholic, Milanku is heavily influenced by post-metal, hardcore, and crust. They are recommended listening for fans of Mogwai, GYBE!, and Neurosis.

Watch and listen to the music video for “À l’aube; de leurs silences” via its premiere on IDIOTEQ HERE.

Single pre-save – https://bfan.link/a-l-aube-de-leurs-silences​

In additional news, Milanku will be performing in Québec City on February 17, 2023, at the Pantoum during the Phoque OFF Festival. More info can be found here.

Track Listing:​
1. À l’aube; de leurs silences – 10:54
2. À l’aube; il sera déjà trop tard – 8:04
3. À l’aube; prêchant la mauvaise nouvelle – 5:43
4. À l’aube; de la grande tristesse – 4:55
5. À l’aube; nous sommes disparus – 8:41
Album Length: 38:16

Album and Live Band Lineup:​
François Lemieux (Guitar, Synthesizer)
Carl Ruest (Guitar, Vocals)
Guillaume Chamberland (Bass, Vocals)
Guillaume Boudreau-Monty (Drums)
Jean-François Bourbonnais (Guitar)

For more info: Facebook.com/milankuband | Instagram.com/milankuband​

About: If Milanku draws its origins from the work of Milan Kundera, the soundtrack is definitely more on the side of the thundering density of the being than of its “unbearable lightness”, galvanized by the Czech author.
​
From the start, Milanku hammers out its brutal character, infused with melancholy, even dystopia, and standing straight upright on the wire: defiant, shouting, and inspired.
​
Mesmerized by the warrior’s rage, flayed by its own doldrums, the quartet relies on pared-down arrangements and an oft-staged vocal presence, harmonizing like an instrument, and howling at the big time, but plastered with a disquieting sense of dilettante.
​
At the heart of the enterprise, tearing off the peels of flapping skins, we explore the state of affairs of the contemporary genre, tragic, desolate, where any notion of common sense seems diffuse in the amalgam of trompe-l’oeil. The texts are meditative, inquisitive and the observations that emanate from them, weep and persist in trying to make sense of it, through its ever-growing losses of illusion.
​
With four full-length releases behind them, both in Canada (D7I Records, Désordre Ordonné, L’oeil du Tigre), and abroad (Tokyo Jupiter Records (Japan), Moments of Collapse (Germany), Replenish Records (USA), GS production records (Russia), We are Grain of Sand (Russia) Alerta-Antifascista, Milanku presents today À l’aube (Folivora, 2023), a five-track burn that breathes new life into a caste of disenfranchised people, imbued with a disarming lucidity, and gives itself a framework and a voice to pull its head out of the swamp.
​
International recognition
​
The band has been affiliated with several; indie labels and distributors over the years, namely: in Canada (D7I Records, Désordre Ordonné, L’oeil du Tigre), Jupiter Records (Japan), Moments of Collapse (Germany), Replenish Records (USA), GS production records (Russia), We are Grain of Sand (Russia) as well as Alerta-Antifascista (Germany).
​
In 2016, the band will continue to tour Europe, visiting the Netherlands, Germany, Poland, the Czech Republic, Slovakia, and Austria.
​
The band’s albums have been consistently recognized at the GAMIQ since 2013 in addition to jumping on a plethora of specialized year-end lists around the globe.

– 30 –

“The slowness of the post-hardcore of Milanku or the erasure of the world.” – Weirdsound.net

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 THE CONVALESCENCE Release Claymation Video For “No Survivors” ft. CARNIFEX’s Scott Ian Lewis + USA Tour Dates w/ Casket Robbery, Ignominious

  • January 26, 2023
  • by Asher
  • · Music News · The Convalescence

NEWS RELEASE

Montreal, QC – January 26, 2023

 

THE CONVALESCENCE Release Claymation Video For “No Survivors” ft. CARNIFEX’s Scott Ian Lewis

March 2023 USA Tour Dates w/ Casket Robbery, Ignominious

The Convalescence is a five-member symphonic deathcore band formed in Toledo, USA in early 2011. The Convalescence blends black metal/horror theatrics with intense death metal style blast beats and shredding guitar along with brutal slamming breakdowns and catchy melodies. Since their inception, they have amassed an impressive discography including five full-length albums, and have toured extensively across the planet. The latest from them is the single “No Survivors” featuring Scott Ian Lewis of Carnifex accompanied by a claymation music video. Vocalist Keith Wampler details the single and the upcoming album:

“The single is one of the hardest-hitting songs we’ve ever released. The lyrics and video were inspired by the Alien films, and having Scott doing some nasty guest vocals really helped give it the brutality we were looking for. We played it live throughout our recent European Tour and absolutely loved the energy it brings to the stage. We’re looking forward to this one being a part of our live show for many tours to come. This new album is basically like one big horror movie, song by song each one tells a story. Each one is brutal in its own way.”

The Convalescence expects the album will be received well by the fans, as they do their very best to step things up on each record. They worked with producer Jason Suecof on this one at Audiohammer Studios in Florida who has worked with most of their favorite bands (The Black Dahlia Murder, Carnifex, Deicide, Job For A Cowboy) and they were beyond stoked he was down to do the recording with them. In their opinion, they’ve created the heaviest The Convalescence album so far. The full-length was mastered by Christian Donaldson (Cryptopsy) and is expected for release summer 2023.

Filthy, brutal, and symphonic, The Convalescence is recommended for fans of Carnifex, The Black Dahlia Murder, and Chelsea Grin.

Listen and watch to “No Survivors” ft. Carnifex’s Scott Ian Lewis at https://youtu.be/YQVSCu57aSs

​

In additional news, The Convalescence will be hitting the road this coming March for the “No Survivors Tour” with support from Casket Robbery and Ignominious. Tickets and info are available at Tconband.com.

The Convalescence – No Survivors Tour w/ Casket Robbery, Ignominious​
3/10 – Jackson, MI @ The Music Box
3/11 – Toledo, OH @ Main Street Bar & Grill
3/12 – New Haven, IN @ Carl’s Tavern
3/13 – Louisville, KY @ Mag Bar
3/14 – Overland Park, KS @ Vivo Live Events
3/15 – Tulsa, OK @ The Whittier Bar
3/16 – Fort Worth, TX @ The Rail Club DFW
3/17 – San Antonio, TX @ Bonds Rock Bar
3/18 – Houston, TX @ House Of Blues
3/19 – New Orleans, LA @ Gasa Gasa
3/20 – Pensacola, FL @ The Handlebar
3/21 – Sanford, FL @ West End Trading Co.
3/22 – Murfreesboro, TN @ Crossroads
3/23 – Knoxville, TN @ Brickyard Bar & Grill
3/24 – Lakewood, OH @ The Foundry
3/25 – Chesterfield, MI @ Diesel Concert Lounge

For more info:​
​http://tconband.com​
​https://www.facebook.com/theconvalescence​
​https://www.instagram.com/theconvalescenceofficial​
​https://twitter.com/tconband​

About: The Convalescence is a five-member symphonic deathcore band formed in Toledo, OH in early 2011. The Convalescence blends black metal/horror theatrics with intense death metal style blast beats and shredding guitar along with brutal slamming breakdowns and catchy melodies. The band tours nearly non-stop racking up nearly 1,000 live performances across nine countries.

The Convalescence has released four full-length albums, two EPs, and two stand-alone singles resulting in over one million plays on Spotify and Youtube each. The band also released two documentaries via Amazon Prime Video in 2020 supported by a sold-out movie theatre screening of them both in Maumee, OH on October 30, 2020. The band recently finished recording their fifth full-length album with producer Jason Suecof at Audiohammer Studios with a projected release in 2023.

– 30 –
​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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0 Minimalist Drone Collides With Dreary Doom In “Wither” Off THEY GRIEVE’s New Album “To Which I Bore Witness” Out Feb 2023 via Silent Pendulum Records

  • January 25, 2023
  • by Asher
  • · Music News · They Grieve

NEWS RELEASE

Montreal, QC – January 25, 2022

​

Minimalist Drone Collides With Dreary Doom In THEY GRIEVE’s “Wither”

New Album Out Feb 2023 via Silent Pendulum Records

Produced by Topon Das (F*ck The Facts)

Photo Credit – Nick Shaw

“To Which I Bore Witness” is the second release from Canada’s post-metal duo They Grieve. Intended to be an introspective journey, it is meant to be depressing. The listener will be confronted with sad, loud music that’s not meant to cross into anger. The latest single is “Wither”, the album opener, which happened to be written twice. The band explains in detail:

“The decision to scrap the original version in its entirety was anxiety-inducing at first, but clearly feels like the right decision now that everything is said and done. We spent a lot of time fine-tuning the last half of the song, and the ending was one of our favourite parts to write—in fact, it is still one of our favourite parts to play live. Writing this song really forced us to get more comfortable with not only using samples in a live context, but also with blending and balancing tones and dynamics at the same time to ensure everything hits in the right place. Without our electronics, we would need 5 or 6 guitarists to pull this off on stage.”

The band’s first EP was written quickly out of excitement for their new project. At first, they didn’t quite know what the band would end up being. Since then they have honed their sound and that is reflected in this new offering, which listeners will find more refined and nuanced. They slowed down, got heavier, leaned more into their drone, minimalist, and doom influences, and steered away from the colder, noisier moments on the first EP. They also note that the production level is much better thanks to Topon Das (F*ck The Facts) at Apartment Two Studio along with mastering done by Dave Williams at Eight Floors Above and additional tracks recorded by Alex Jakimczuk at Uppercut Studios. The album artwork was done by Pascale Arpin.

They Grieve took a long time to fine-tune these songs. Several of them were completely finished and even performed live before they eventually re-wrote them from the ground up. They actively collaborate on each song leaning into their individual strengths.

Self-described as tense atmospheres and sad riffs, “To Which I Bore Witness” and the single “Wither” is recommended for fans of Bell Witch, Thou, and Year of No Light. The album is being released on February 24, 2023, via Silent Pendulum Records.

Watch and listen to the video for “Wither” via its premiere on DoomedandStoned HERE.

Digital pre-save – https://distrokid.com/hyperfollow/theygrieve/wither​

Album pre-order:

– https://silentpendulumrecords.com/products/they-grieve-lp​

– https://silentpendulumrecords.bandcamp.com/album/to-which-i-bore-witness​

Music Video – “To Which I Bore Witness” – https://youtu.be/MV5DMP0rERE​

Album teaser – https://youtu.be/I2x696h8LCw​

Track Listing:​
1. Wither (7:12)
2. Under the Weight (7:23)
3. If Light Should Appear (7:00)
4. To Which I Bore Witness (6:43)
5. Guided (3:18)
6. Weakness (8:01)
Album Length: 39:40

Album Band Lineup:​
Gary Thibert: Guitars, Bass, Vocals
Deniz Güvenç: Drums, Synthesizers, Piano, Vocals

Album Recording Credits:​
• All songs performed by: Deniz Guvenc & Gary Thibert
• All songs written by: Deniz Guvenc & Gary Thibert
• Produced by: Topon Das at Apartment 2 Studios
• Mixed by: Topon Das at Apartment 2 Studios
• Mastered by: Dave Williams at Eight Floors Above
• Album Artwork by: Pascale Arpin
• Additional tracks recorded by Alex Jakimczuk at Uppercut Studios

For more info:​
​www.facebook.com/theygrieve ​
​www.instagram.com/theygrieve ​

About: They Grieve is a two-piece doom, drone, and post-metal band based in Ottawa, Canada. Drawing influence from both minimalist ambient music and down-tempo metal, they blend warm synthesizers, electronics, and lofty guitar drones into mournful hymns and monolithic dirges with urgency, tension, and weight.

Members Gary Thibert and Deniz Güvenç formed They Grieve in 2015 with the intent to experiment with new forms and processes for songwriting, collaboration, and improvisation. Their first EP, I Made My Sacrifice Accordingly, was self-recorded and self-released in late 2016. In 2018, it was re-released with an added bonus track and accompanying music video through Transcending Records.

They Grieve are set to release their first full-length album entitled To Which I Bore Witness. Recorded at Apartment 2 with Topon Das of Fuck the Facts, this album presents a marked change in the band’s sound. Moving away from the harsh-noise influence on their first album, To Which I Bore Witness unveils a much more refined approach to texture and atmosphere while simultaneously shifting to a slower, heavier pace.

Employing a nuanced sense of harmony, the result is an emotional, dynamic, and doom-laden take on post-metal.

– 30 –

“In the song (To Which I Bore Witness) itself, the music lumbers like a wounded leviathan, staggering ahead with terrific heaviness through corrosive chords and pounding drums — and unexpectedly, it also gets significantly louder, all the better to crush the listener into submission. Enhancing the daunting atmosphere of the music, the vocals scar the senses with harsh howls of ruinous torment, and a guitar wails in bitter grief. Suddenly, just as the video’s protagonist lands on a barren beach (to meet her other self), the music dramatically changes. A slow piano melody ethereally rings in moody but mesmerizing fashion above a humming bass and steady beats. That interlude only seems to magnify the bruising impact of what follows it. The piano still rings, but the rough reverberations that surround it abrade like heavy-grit sandpaper, and the screams reach new heights of harrowing intensity. The drums boom, the chords scrape and moan, the feeling of immense desolation becomes staggering. The protagonist buries the box she removed from within forest roots and wanders away, alone.” – No Clean Singing​
​
​“As you can probably imagine from the song titles, They Grieve are not a happy band. The duo infuse a lifetime’s worth of depression and darkness into their music, drawing inspiration from acts like Grieve, Amarok and Burning Witch.” – Decibel Magazine (All That a Body Can Suffer off I Made My Sacrifice Accordingly)​
​
​“[…] a surprisingly nuanced take on sludge metal.” – Dreams of Consciousness​
​
​“Previously I had compared the music to an introspective journey. This feels more like sinking into quicksand.” – Metal Trenches (I Made My Sacrifice Accordingly)

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)
​

 

0 ODINFIST’s Conjures Up Heavy Metal Magic In “Metalmancer” Off Upcoming “Remade In Steel” Out March 2023

  • January 23, 2023
  • by Asher
  • · Music News · Odinfist

NEWS RELEASE

Montreal, QC – January 25, 2023

 

Odinfist Conjures Up Heavy Metal Magic In “Metalmancer”

New Album “Remade In Steel” Out March 2023

Hailing from British Columbia’s Okanagan Valley in Canada, Odinfist is a high-flying, guitar-playing, crowd-chanting traditional heavy metal band that’s been around for 16 years, bringing elements of power metal, thrash metal, and the new wave of British heavy metal together. They’ve already amassed seven albums and now they are adding “Remade In Steel” to their impressive discography. The second single they have coming at ya in advance of the album is “Metalmancer”. Drenched in classic 80s metal riffs with some hair metal influences in the verses, the lyrics describe a protagonist as they’re being exposed to new ideas and how they can forge a new path in life. The guitar solos are fucking sick, boys, Odinfist explains, they continue:

“This one is unique because it has completely different riffs for the first verse and second verse, and both riffs make a reappearance at the end of the song. The chorus is a pretty simple, but driving riff, with one of Justin’s patented melodies over top. There’s a big, stompy, half-time feel breakdown in the middle that leads into a gnarly solo section. While the song structure isn’t totally conventional, it’s still a catchy, rockin’ tune with a melodic, shout-along chorus.”

The band continues to share that over the course of their musical careers, they’ve always prioritized making music that they enjoy and want to listen to first. Each album is a snapshot of where they were mentally, creatively, and socially– but they’ve always wanted to explore new spaces within the genre and try to push into places they hadn’t been before. “Remade in Steel” is true to Odinfist’s roots in traditional heavy metal, offering its listeners the same energy and sound that they’ve come to expect from the band, but still shows off the band’s love for discovery.

Listen to “Metalmancer” via its premiere on Metal-Rules HERE. ​

A smorgasbord of different metal genres across six heavy metal tracks, “Remade In Steel” is recommended for fans of Riot City, Eternal Champion, and Cauldron. the album is due out on March 10, 2023, and is available for pre-order at https://odinfist.bandcamp.com/album/remade-in-steel​

Previous single: “Riffmaster” – https://youtu.be/uJyYAEJxxvY​

Track Listing:​
1. Riffmaster – 6:28
2. Metalmancer – 4:36
3. Remade in Steel – 5:16
4. Allfather – 6:52
5. Deadline – 5:16
6. Masquerade – 8:34
Album Length: 37:02
​
​Album Recording Credits:​
• All songs performed by: Odinfist
• All songs written by: Odinfist
• Produced by: Shane Bouthillier
• Mixed by: Shane Bouthillier
• Mastered by: Shane Bouthillier
• Album Artwork by: Art of Grimmuza
• Canadian Content (MAPL)

Album and Live Band Line Up:​
Tyler Anderson – Lead Vocals and Guitar
Bradley Caulien – Drums
Justin Ketterer – Guitar and Backing Vocals
Jesse Valstar – Bass

For more info: Facebook.com/Odinfist | Instagram.com/odinfist.official​

About: Odinfist has been bringing heavy metal to the Okanagan Valley for sixteen years, and has participated in a variety of major shows and festivals across Western Canada. They have played with a variety of other bands such as Kataklysm, Thor, 3 Inches of Blood, etc. Members of Odinfist are also very involved with the Okanagan Metal scene. The band is all about fun, melodic heavy metal that you mosh, party, or just have a good time to, with a relentlessly energetic and entertaining live show.

– 30 –

“…pure and hard Heavy Metal, from the old school, in the purest style of IRON MAIDEN, JUDAS PRIEST, and other bands of the well-known NWOBHM…” – Necromance Magazine

“Odinfist has a damn good grasp on the metal jugular without ruining the authenticity of the medium.” – Metalpsalter

“They capture the old school sound better than most of the competition, without a doubt” – Foul Feast Webzine

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 TONIC BREED “Fuel The Fire” w/ New Music Video ft. Dirk Verbeuren (Megadeth), Bernt Jansen (Artch/Wig Wam)

  • January 20, 2023
  • by Asher
  • · Music News · Tonic Breed

NEWS RELEASE

Montreal, QC – January 20, 2023

​

TONIC BREED “Fuel The Fire” w/ New Music Video ft. Dirk Verbeuren (Megadeth), Bernt Jansen (Artch/Wig Wam)

EP “Fuel The Fire” Out Now! ft. guests from Megadeth, Soilwork, Kamelot and more!

Norwegian one-man thrash Tonic Breed‘s is unleashing the latest music video for the opening title track off the latest EP “Fuel The Fire”. The video features guests Dirk Verbeuren (Megadeth) and Bernt Jansen (Artch/Wig Wam).

“Fuel the Fire: A song that repeats itself twice with two different endings, which correlates with the lyrics. A new start, let us say it like that. Fast, energic, and groovy. You get it all in this song with tons of riffs. The only Tonic Breed to include blast beats – Dirk Verbeuren is a beast on the drums!”

Watch and listen to “Fuel the Fire” at https://youtu.be/zRlfo3g4bEE

​

Tonic Breed was established in 2006 as a full-on thrash quartet that abruptly disbanded in 2019. With much thought by founding member Patrik K. Svendsen, he decided to take the reins to reinvent the band and keep its candle burning for its next release as part of its new chapter. The outcome is now a one-man thrash army led by Svendsen with support from metal friends to give metalheads raw, energetic hard-hitting thrash, with melodic and groovy elements.

Entitled “Fuel The Fire”, the four-track EP was recorded over 18 months with multiple sound engineers from different countries, along with guest musicians Dirk Verbeuren (Megadeth), Bernt Jansen (Artch/Wig Wam), Björn Strid (Soilwork), Martin Skriubakken (Endezzma), and Oliver Palotai (Kamelot).

“Being a full-pieced band for 13 years, Tonic Breed gained tons of experience in the music scene. After the third and last split up in 2019, I decided to reinvent the band. I now operate alone as a songwriter, but with great company in my songs. I believe the EP will not disappoint the Tonic Breed fanbase. The starter songs are right up there in the alley they would expect.” adds Patrik K. Svendsen.

Tonic Breed‘s EP “Fuel the Fire” was released on July 22, 2022, and is available on all digital platforms including Spotify and Apple Music.

Previous music videos:

​

​

Track Listing:​
1. Fuel the Fire (4:56) ft. Dirk Verbeuren (Megadeth), Bernt Jansen (Artch/Wig Wam)
2. No Rocks on the Scotch (4:11) ft. Björn Strid (Soilwork), Martin Skriubakken (Endezzma)
3. H.E. Antagonist (3:43) ft. Oliver Palotai (Kamelot) (guitar solo)
4. Blood Moon (4:07)
EP Length: 16:57

EP Band Line Up:​
Patrik K. Svendsen
EP Guests: Dirk Verbeuren (Megadeth), Bernt Jansen (Artch/Wig Wam), Björn Strid (Soilwork), Martin Skriubakken (Endezzma), Oliver Palotai (Kamelot)

For more info:​
​https://tonicbreed.com​
​https://facebook.com/tonicbreed​
​https://instagram.com/tonicbreed​

– 30 –

“LISTENING TO “FUEL THE FIRE” IS ESSENTIAL THIS YEAR.” – Broken Tomb
​
“ALONG WITH FUEL THE FIRE TONIC BREED GIVES US A GREAT LOOK AT WHAT A MUST-HAVE LP TO COME COULD BE. IT LOOPS ON MY TURNTABLE. CHEERS!” – Among The Living
​
“THIS EP IS A PIECE OF FEROCIOUSLY. HEADBANGING THRASH METAL WITH BRAINS AND IF YOU LOVE THRASH AND HEAVY METAL IN GENERAL. THEN THIS IS WORTH. CHECKING OUT!” – Melodic.net
​
“FUEL THE FIRE IS AN EP THAT WILL EASILY DELIGHT ALL FANS OF THRASH METAL” – Odymetal

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s THE WRING Shares New Video “Sins” Off New Album “Spectra” Out Now! via WormHoleDeath Records

  • January 17, 2023
  • by Asher
  • · Music News · The Wring

NEWS RELEASE

Montreal, QC – January 17, 2023

 

Canada’s THE WRING Shares New Video “Sins” Off New Album “Spectra” Out Now! via WormHoleDeath Records

The Wring, hailing from Sudbury, Canada released their third album “Spectra” this past December via WormHoleDeath Records. It’s an assertive mix of different styles including hard rock, jazz, metal, classical, 80’s rock, and 70’s rock. Solo artist Don Dewulf brought the idea to a myriad of professional players that include Marco Minnemann (The Aristocrats), vocalist Chandler Mogel, Canadian bass superstar Reggie Hache and sessions keyboardist Isamu McGregor to form the full-length. There is a wide range of influences that are apparent on the record with its vivid progressive sound that is tight, concise, and well-executed with interesting melody, rhythm, and lyrical themes.

Dewulf comments on the album:

“I am very proud of the compositions on this album. Prog music can tend to be grandiose; I wanted this album to be the opposite of that. I like to think that the guitar parts are interesting and somewhat unique and span a very wide range of styles, influences, and execution. The vocals come straight out of the 80s with great melody and delivery, offering a very grounded counterpoint to the, often, odd time and melody structure. There are also keyboards hidden in the mix that offer an almost subliminal base on which everything else is built. The cover has a cool 70’s vibe that is simple but offers a depth of meaning that will be very personal to each observer; a reflection of the musical content within.”

Today in support of the album, The Wring is sharing their next lyric video for the track “Sins”, Dewulf explains the song in further detail:

“I love the main riff. It’s another odd time thing (in 13 this time) but the vocals really smooth it out. Has a total Metallica middle part that jumps out of nowhere! Marco’s playing on this was inhuman. The lyrics came from my dismay at how humanity can have advanced so much and in so many ways and yet still do absolutely horrifying things to each other. How many years will it take for Ukraine to recover from Russia’s insanity?”

Listen to “Sins” via its premiere on SonicPerspectives HERE.

“Spectra” was produced by Don Dewulf, mixed by Francis Perron at Radicart Studios, mastered by Yannick St-Amand, and the album artwork was done by Gord Woolley.

“Spectra” was released on December 16, 2022, via WormHoleDeath Records and is recommended listening for fans of Opeth, Porcupine Tree, and Rush.

Digital (Spotify, Apple Music) – https://orcd.co/spectrapreorder​

CD – https://thewring2.bandcamp.com/album/spectra​

Music Video – “Stiletto” ft. Marco Minnemann – https://youtu.be/vX__TLpYZGo​

Music Video – “From Mars” ft. Marco Minnemann – https://youtu.be/UcN5dV_3ntI​

Track Listing:​
1. Stiletto 4:40
2. Stones & Bones 4:58
3. The Prince 3.54
4. The Wolf 5:00
5. Tin Man 5:25
6. From Mars 4:43
7. Sins 4:43
8. Fallen 5:05
Album Length: 38:28

Album Recording Line Up:​
Don Dewulf – Guitars
Marco Minnemann – Drums
Chandler Mogel – Vocals
Reggie Hache – Bass & Keyboards
Isamu McGregor – Keyboards

For more info:​
​http://www.thewring.ca​
​https://www.facebook.com/thewringband​
​https://www.instagram.com/wringband​

– 30 –

“Here’s one for prog dorks. This outfit’s third outing (Spectra) features drums by Marco Minnemann so you know the rhythms are mad. The regulars in the band ain’t slouches either though. This is intricate and melodic prog done well.” – Metal Injection

“Tired of prog metal bands who fire away odd rhythms, fast solos and complex arrangements? Half of them trying to sound like Dream Theater but all failing completely? Look no further. The Wring from Canada offers great musicians who find their own way through the prog metal jungle. I said great musicians and I really stand for that. Or how about Marco Minneman (drums), Chandler Mogel (vocals), Don Dewulf (guitars), Reggie Hache (bass, keyboards) and Isamu McGregor (keyboards)? This is their third full length album, which follows upon The Wring (2017) and Project Cipher (2021). Sometimes they are a bit more commercial, like in the first song ”Stiletto”, reminding me a lot of Threshold. Other songs bring a bombastic wall of sound, with riffs do die for – ”The Wolf” is a great example. The early parts of ”Fallen” has some Rush vibes (of the later and more rock base Rush era) and also softer parts Mogel is a very good vocalist, and he can alter his voice a lot. Something of a voice chameleon!” – Melodic.net
​
“Here we have some progressive metal/classic metal, getting a little more into some more typical prog metal with good technical/complex stuff and yeah, keyboards!” – The Moshpit 89.9 FM – Madison, WI

““Wring² Project Cipher comes with a heavy, classic rock feel, but there’s an epic, questing nature to tunes like Sorceress, Steelier and Dose that pushes The Wring beyond metal norms and into prog territory.” – Prog Magazine

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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0 Canada’s RED CAIN Delivers A Progressive Vector of Infection With New Single “Blight”

  • January 17, 2023
  • by Asher
  • · Music News · Red Cain

NEWS RELEASE

Montreal, QC- January 17, 2023

 

Canada’s RED CAIN Delivers A Progressive Vector of Infection With New Single “Blight”

L to R: Samuel Ridout (guitar), Tyler Corbett (guitar), Evgeniy Zayarny (vocals), Kalie Yan (bass, vocals), Taylor Gibson (drums)

​

Calgary, Canada’s fantasy prog power metal Red Cain is kicking off the beginning of 2023 with their next The Wheel of Time (novel/TV series) inspired single entitled “Blight” that continues the storyline from their previous single “The Fisher King“ released this past November.

An epic and progressive track, “Blight” shreds fans into another voyage of storytelling, vocalist Evgeniy Zayarny explains further:

“Blight is defined as an organic contagion that damages, destroys, or corrupts. In the Wheel of Time universe, where the Dark One touches the world, uncontrolled and aberrant growth sprouts and covers the land, home to malign flora and monstrous fauna. With this track, we moved the needle firmly into the progressive part of our prog power style, delivering an atmospheric, chilling, and dynamic performance meant to mimic the unstoppable advancement of the Blight over the land. Is the Blight a disease or a majestic triumph of organic life without limits? With this Tesseract, Ihsahn, and Insomnium-influenced track, we explore this idea.
​
The concept of “Blight” came out of a question – what is the ideal state in the evolution of organic life? Influenced by authors like Stanislaw Lem and Adrian Tchaikovsky, this has long been a theme in science fiction and is becoming relevant in the modern era. The Blight also plays a key role within the Wheel of Time universe, and the concept sets the stage for a musical exploration from our end where another evolution to our sound likewise takes root.”

“Blight” was mastered by Alan Sascha Laskow (Every Hour Kills, ex-Divinity) and mixed by Tyler Corbett, (Sole Audio).

Listen to “Blight” via its premiere on Sonic Perspectives HERE.

Red Cain, from Calgary, Canada is a modern progressive metal project with Eastern European roots. They have been making waves since their first release in 2016, with award-winning music videos and concept albums “Kindred: Act I” and “Kindred: Act II”. Red Cain’s first two full albums conceptually told a sprawling story of how raw and primal ancient myth collides with modern society and human yearning toward the stars, toward perfection. The albums contained a ton of genre inspirations, from gothic rock to ambient electronica, power, black, and death metal, and were universally lauded for their inventiveness, variety, and strong conceptual content. They continue this momentum with forthcoming releases.

Red Cain is recommended for fans of Kamelot, Symphony X, Myrath, Powerwolf, Mastodon, and The Contortionist.

Red Cain is:​
Evgeniy Zayarny – Vocals
Samuel Ridout – Guitars
Tyler Corbett – Guitars
Kalie Yan – Bass, Vocals
Taylor Gibson – Drums

For more info:​
​https://redcain.ca​
​https://www.facebook.com/redcainofficial​
​https://instagram.com/redcainarmy​
​https://redcain.bandcamp.com​
​Spotify​

About:

Melancholy and Rage

Born out of the vast prairies and snowy peaks of Alberta, Canada, Red Cain is a modern progressive metal project with Eastern European roots. With intricate songwriting, powerful vocals, eerie soundscapes, and strong electronic-backed groove, Red Cain champion a fluid, dynamic, and unique style centered around telling dark, conceptual Faustian sagas and constructing those into an unforgettable live experience. Described by frontman Evgeniy Zayarny as a vehicle of “Melancholy and Rage”, Red Cain delivers power, flair, thematic Slavic influence, and intricate, lethal edge in their work. Listeners might well pick out elements reminiscent of such luminary acts as Kamelot, Symphony X, Tesseract, Lord of the Lost, whipped into a venomous new shape. The current incarnation of this Canadian metal band is of these influences mixed with a lot of vodka and Eastern European melancholy, shaken and stirred.

Red Cain self-released its debut self-titled EP in North America in 2016 to excellent reviews, and followed this up with two award-winning full-length albums, “Kindred: Act I” in 2019, and AFA-funded “Kindred: Act II” in 2021, working with Sliptrick Records globally to have over 3500+ physical copies sold, as well as over 200,000 digital streams to date. The band has hit #1 on the Canadian National Loud Charts on multiple occasions and is a 1x winner and 3x nominee for the Metal Recording of the Year at the YYC Music Awards.

The band has created 13 videos, of which 2 are full-length, high-production music videos for “ZERO” and “Juliet”. The latter two videos have won 17 awards at international music festivals, including the Berlin Short Film Festival, Venice Shorts, Global Shorts, IndieX FilmFesti, AIFF, and Hollywood Art & Movie Awards, among others. The band has a strong history of collaboration, with a highlight being our work with Juno Award-winning vocalist Kobra Paige of heavy metal band Kobra and the Lotus, on the track “Wing of the Crow”.

Red Cain released our latest album “Kindred: Act II” globally with Sliptrick Records in 2021, with a particular focus on promotion and engagement in the United States and Eastern Europe, where the band has received significant traction in 2020-21. With live performances stunted by COVID, the band has focused strongly on building out the concept behind the two-album “Kindred” arc with non-musical collateral, creating story content and custom art for the album concept.

With a significant upward trend of fan interest for this release, and 100,000 + digital streams, Red Cain has our set sights firmly set on another ambitious and conceptually exciting project, with the next release cycle coming in 2023.

– 30 –

What the press is saying:

“This is a track (Sunshine (Blood Sun Empire) that infuses their progressive and power metal sound, similar to that of Symphony X and Kamelot. Alongside this, there are also faint similarities to bands like Dream Theater and even Korn. This is a nearly 6 minute track that doesn’t let up and doesn’t fear to change up its style throughout.” – Metal Injection

#10 Red Cain !earshot – The National Loud Chart For the Week Ending: Tuesday, February 9, 2021 (Earshot)

“From the proggy goodness of album opener “Kindred”, to the blast beats of “Baltic Fleet”, to the epic closer “Sunshine (Blood Sun Empire), there is something here for every fan of progressive power metal. With this being Act II in Red Cain’s Kindred body of work, I really feel as though I entered a movie theater right in the middle of an epic saga. Each song is a journey in and of itself, but each also contributes to the overall fantastic voyage. I will absolutely be purchasing Act I of this amazing tale and listen from start to finish, the way it was intended. Do yourself a favor and do the same!” – Metal Rules

“If you like your music melodic, mysterious, and gothic, with a progressive power metal base, then this is for you. This has been a joy to review and yet another band to add to my favoured list. ” – The Prog Space

“Zayarny is a powerhouse vocalist and the contortions he forces into Red Cain make for a very diverse record.. the talent behind the record is undeniable, and at the very least, Kindred proved far more creative and thought-provoking than most death metal records I’ve recently tackled. You should give it a shot — even if you’re not a big weenie..” – Angry Metal Guy

“Overall, ‘Kindred: Act II’ is an interesting mix of styles that combine together in technical wizardry to set the backdrop for the continued tales of the warrior Zalcoatl. There’s some unexpected musical influences that bubble to the surface, particularly the liberal use of electronic elements provides a futuristic, yet gothic, element to the tales. Vocally, there’s some clear inspiration from Kamelot going on here. They’re predominantly clean, but with a wide range between high pitched and deep passages. The guitar work is pretty varied as well and at times even hits a distinctly djent groove that seems to appear out of nowhere!… Fans of Kamelot and Mastodon alike will find some common ground with ‘Kindred: Act II’ (and Act I for that matter).” – Uber Rock

“These seasoned metal performers brought me to school with a clear cut album, delivered beautifully across seven tracks. The epic highs and lows of the album leave me wanting more… My hat is off to RED CAIN!” – Metal Temple

“With a flurry of progressive guitars, grandiose vocals and intriguingly wild effects, Red Cain burn brightly from the very start with the opening track, Kindred.” – Games, Brrraaains & A Head-Banging Life

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Rockshots Records – EMBRYO New Video “Darkest Lights” ft. Drummer George Kollias (Nile) Off Forthcoming Album “A Vivid Shade on Misery” Out March 2023

  • January 17, 2023
  • by Asher
  • · Embryo (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – January 17, 2023

​

Rockshots Records – EMBRYO New Video “Darkest Lights” ft. Drummer George Kollias (Nile)

New Album “A Vivid Shade on Misery” Out March 17th

Italian melodic death Embryo is sharing the first glimpse of brutality from their forthcoming fifth album “A Vivid Shade on Misery”, which features the band’s recruitment of international drumming powerhouse George Kollias (Nile) for its recording. Due out on March 17th, 2023 via Rockshots Records, Embryo shares its first single “Darkest Lights” accompanied by a music video. The track is melodic, but with an unforgettable groove.

Watch and listen to “Darkest Lights” at the following links:

Digital – https://bfan.link/darkest-lights

​

“A Vivid Shade on Misery” follows the band’s 2017’s “A Step Beyond Divinity” (Art Gates Records), 2015’s Self-Titled (logic(il)logic Records) that featured Fleshgod Apocalypse’s drummer Francesco Paoli, 2010’s “No God Slave” and their 2006 debut “Chaotic Age”.

Since the band’s inception, Embryo has toured across Europe with Melechesh, Keep of Kalessin, Tribulation, Nile, Immolation, Ragnarok, Monuments of Misanthropy, and Suffocation along with performing on festivals such as Masters of Rock (CZ), and Total Metal Festival (Italy).

Embryo began writing their fifth offering in 2020 with George Kollias and entered the Domination Studio in July 2021 with producer Simone Mularoni, and engineer Simone Bertozzi.

Monolithic, intense, powerful, technical, and melodic this new album features eight brand new tracks and is another concept album like its predecessor “A Step Beyond Divinity”. The band is inspired by historical Italian figures of the Renaissance era and their tormented lives, their absolute genius, and the gifts they gave to the world. While the previous album “A Step Beyond Divinity” was inspired by Leonardo Da Vinci, this new work is totally inspired by Michelangelo Merisi alias Caravaggio, an Italian painter active in Rome for most of his artistic life.

“With “A Vivid Shade on Misery” we want to have listeners dive into our world by giving them brutal and atmospheric music melted together in the way we love to do plus having Kollias drum on this new album, one of the best drummers in the world, is just an absolute honour. Overall, fans will find this album has the “Embryo” matrix, there’s no doubt about that. It will be a more direct record and its songs make up a pattern that takes the listener on a journey through torments and anxieties, but which at the same time gives him pure energy.” adds the band.

From the band’s first album “Chaotic Age” (2006) to today, Embryo‘s music has evolved over the years. On the first record, they were more brutal and messier, now their compositions are much more “thought out” and brilliant. If they had to use one word to describe their compositional evolution they would say “sharp”.

Recommended for fans of Strapping Young Lad, Meshuggah, Fear Factory, Death, and Dimmu Borgir, Embryo will be sharing singles and videos in the coming months in lead up to the record’s release.

Album pre-order – https://bit.ly/Embryo_CD​

Current Line-Up:​
Roberto Pasolini – Vocals
Eugenio Sambasile – Guitars
Simone Solla – Keyboards
Gabriel Pignatta – Bass
George Kollias – Drums (guest)

Track Listing:​
1. Pride – 3:58
2. Highest Fame – 4:19
3. Darkest Lights – 4:01
4. The Seed of Lividity – 4:02
5. MMDC – 5:04
6. Medusa – 4:18
7. Vanitas – 3:59
8. Concrete Visionary – 3:29
Album Length: 33:13

A Vivid Shade On Misery album credits:​
The album was recorded in July 2021 @ Domination Studio – San Marino
Technicians: Simone Mularoni, Simone Bertozzi.
Mixed and Mastered by Simone Mularoni.
Drums recorded @ George Kollias Studio

For more info:​
​https://www.rockshots.eu​
​http://www.embryo-online.com​
​https://www.facebook.com/EMBRYO.DeathMetal​
​https://www.instagram.com/embryo_official​
​https://www.twitter.com/EMBRYOmetalband​

About: After a couple of self-produced works and a first album (“Chaotic Age”) Embryo found its sound and recorded “No God Slave” (2010) with producer Simone Mularoni. The album received very good reviews and led the band to play new gigs in Switzerland, Germany, and Italy and be part of Kung Fu Factory’s Supremacy MMA videogame soundtrack with 2 songs. In 2014 Embryo first recorded a promo at Atomic Stuff Studio with Oscar Burato, then, in May, the band recorded the new self-titled cd at Domination Studio with Simone Mularoni. During the summer they played the main stage at Masters of Rock in the Czech Republic and Total Metal Festival in Italy. In October Embryo signed a deal with logic(il)logic Records for the release of the album and the reissue of “No God Slave” with some bonus tracks. In December the band made a little tour in Eastern Europe. The new album “Embryo” came out on the 10th of February 2015. The album received great reviews worldwide and Embryo started a European tour in May with Melechesh, Keep of Kalessin, and Tribulation. After a great show at MetalFest in the Czech Republic in July, the band joined Nile and Suffocation for the second part of their European tour in September. In 2016 the band has been part of the second leg of the “What Should Not Be Unearthed” Nile tour with Melechesh and Mithridatic. Embryo finished the recordings of the new album in January at Domination Studios again with guru Simone Mularoni. The band played at the 2017 edition of MetalFest in the Czech Republic on Sunday, June 4th, and signed a deal with Art Gates Records for the release of the 4th studio album “A Step Beyond Divinity” which came out on the 27th of October 2017 in Spain and the 24th of November 2017 in the rest of the world. The album has been enthusiastically reviewed entering the 2017 best albums of the year charts in various webzines all over the world. In November 2019 the band joined “The Last Atonement European tour” supporting Immolation, Ragnarok, and Monuments of Misanthropy for all the shows. In December the band released a free download digital EP including the new song Misguided legacy and three live songs taken from a live show of the band. In 2020 the famous drummer George Kollias (Nile) joined Embryo in the writing of the new album. The band entered again Domination Studio in July 2021 to record the brand new fifth album “A Vivid Shade On Misery”, which will be released in early 2023, anticipated by the video of the new song “Darkest Lights”. Stay tuned!

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 WACKEN METAL BATTLE CANADA Announces Battle Rounds – One Unsigned Canadian Band To Play Wacken Open Air 2023

  • January 17, 2023
  • by Asher
  • · Music News · Wacken Metal Battle Canada

NEWS RELEASE

Montreal, QC – January 17, 2023

WACKEN METAL BATTLE CANADA Announces Battle Rounds

– One Unsigned Canadian Band To Play Wacken Open Air 2023 –

Wacken Metal Battle Canada is proud to announce its 2023 battle rounds being held from coast to coast for one unsigned Canadian band to perform on one of the world’s most prestigious stages and largest metal festival Wacken Open Air, with over 80,000 people in attendance, held in Wacken, Germany for now over 30 years. (dates listed below)

WMBC has been on pause since 2019, due to the Covid pandemic, and has hosted battles across Canada from 2013 until 2019, with one skip year in 2017.

Previous winners have been The Slyde (Toronto, ON – 2019), Centuries of Decay (Toronto, ON – 2018), Profaner (Hamilton, ON – 2016), Vesperia (Toronto, ON – 2015), Mutank (Montreal, QC – 2014), Crimson Shadows (Toronto, ON – 2013).

Wacken Metal Battle Canada Trailer – https://youtu.be/b55Fh5Vo64k​

Battles will be hosted in the following cities: Vancouver, BC, Edmonton, AB, Calgary, AB, Toronto, ON, Hamilton, ON, Ottawa, ON, Montreal, QC, and Quebec City, QC.

All bands will be performing in front of experienced music industry professionals who will be making judgments at each qualifying round based on various categories of professionalism and musicianship.

Here’s the full list of dates below, event links for each battle can be found on https://www.facebook.com/MetalBattleCanada.Official/events​

Battle Rounds​
​
Vancouver – Preliminary Round
Thurs, Feb 23 – The Cobalt w/ Ape War, Hunting Giants, Hyperia, Pharm, QUASICOSM
​
Calgary – Preliminary Rounds
Tue, January 17 – Dickens w/ Grim Prognosis, Lÿnx, Tyrants of Chaos
Wed, February 1 – Dickens
Wed, February 15 – Dickens
Wed, March 1 – Dickens
​
Edmonton – Preliminary Rounds
Thurs, Jan 19 – Starlite Room w/ Fall of Earth, Withered Days, Enosis
Thurs, Feb 2 – Starlite Room w/ Arcane Tyrant, Repugnant Scum, Malicious Intent
Sun, Feb 5 – Starlite Room w/ Pre Breaker, Sparrow Blue, The Judge The Juror
Thurs, Feb 16 – Starlite Room w/ Rising Sun, The Usual Suspects, Hollow Point & Buried Beneath
​
Hamilton – Preliminary Rounds
Fri, Jan 27 – Mainstage Studios w/ Sarcophilous, Aquila, Eaten by Sharks, Hollow Core, Death Perception
​
Toronto – Preliminary Rounds
Sat, Jan 28 – Hard Luck w/ Ammo, AxMinister, Devil Witch, Xephyr
Sat, Feb 4 – Hard Luck w/ Phantom, Burdizzo, Bloody Monroe, CNTRL
Fri, Feb 24 – Bovine Sex Club w/ Superchucker, I See Aura, Active Arson, Hellrager
​
Ottawa – Preliminary Round
Fri, March 24 – Mavericks
​
Quebec City – Preliminary Round
Fri, Feb 24 – Quebec City – La Source de la Martiniere
​

Montreal – Preliminary Rounds
Fri, Feb 17 – Piranha Bar
Fri, March 3 – Piranha Bar
Sat, March 11 – Piranha Bar
​
Montreal – Eastern Final (Ottawa vs Montreal vs Quebec City)
Fri, March 31 – Piranha Bar
​
Toronto – Ontario Final:
TBA
​
Calgary Final:
Fri, March 10 – Dickens
​
Calgary – Western Final (BC, AB)
Sat, April 1 – Dickens
​
Toronto – National Final:
Sat, May 13 – Lee’s Palace
​

About: Wacken Metal Battle Canada is part of an international competition that sees bands from across the country battle each other for the chance of winning their spot among 29 other countries’ champions, and represent Canada in an international battle of the bands at the world’s largest outdoor metal festival: Wacken Open Air. The battles have been hosted at the festival for over a decade giving independent bands the opportunity to showcase their talents to an international audience along with the chance to win multiple prizes.

How it works:
​
Participating cities will host qualifying rounds plus a city final organized by a local city concert promoter where one band will move forward to the Canadian national final (date and city to be determined). The winner of the national final will move on to perform at the Wacken Open Air 2023 and compete against the winners of 29 other countries in a final global battle. All bands will be judged during battle rounds by respected local music industry representatives.

Rules for participation: ​​https://metalbattle.ca/rules.html​

Links:​
​Metal-Battle.com​
​MetalBattle.ca​
​
Facebook.com/MetalBattleCanada.Official​
​Twitter.com/MetalBattleCan​
​Instagram.com/MetalBattleCanada.Official​

– 30 –

Media Partners:​
Bravewords
Metal-Rules
Absolute Underground
BrokenNeckRadio
V13
Metal Devastation Radio
Rich Embury (internationally syndicated DJ)
​
​Promoter Partners:​
Boonsdale Records
Dungeonworks Productions
The Invisible Orange
Big Nate Productions
ConcertWorks

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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0 Canada’s NOMAD Combine A Ballad With Groovy Death Metal In “Revolution” Off “The Mountain” Out March 2023; Mastered by Christian Donaldson (Cryptopsy)

  • January 16, 2023
  • by Asher
  • · Music News · Nomad

NEWS RELEASE

Montreal, QC – January 19, 2022

​

Canada’s NOMAD Combine A Ballad With Groovy Death Metal In “Revolution” Off “The Mountain” Out March 2023

Mastered by Christian Donaldson (Cryptopsy)

L-R – Josh MacDonald (Bass), Matt Johnstone (Guitar/Vocals), Bretton Melanson, (Drums/Vocals), Jeff Mabb (Guitar/Vocals)
Photo Credit – Chris Geistlinger

Nomad is a progressive death metal band from British Columbia’s Okanagan Valley in Canada who are excited to finally be releasing their debut album “The Mountain” this coming March. “Revolution” is the second single off the album and it is their most dynamic offering, featuring clean vocals and harmonies for the first half with a crushing ass kicking at the end. It’s a call to action, a challenge to take making the world a better place into your own hands. They comment on the track:

“The first half is our “ballad” with clean vocals, and the second half is rocking out to one hell of a sludge/groove riff, start light, go heavy, it’s kind of our “One”. The lyrics call for a revolution, a societal change, redistribution of wealth, symbiosis with nature, and to stop messing up the damn planet so our kids have a decent world to live in. The album title comes from the final line of the song, and the “fuck you” is directed to those that put profits over the preservation of our planet.”

Nomad is still early in their career and has cycled through different singers who have each brought their own style to the table and impacted the music in their own ways. Their new shared vocals setup, where three of the four musicians are vocalists, really lets them combine different styles taking the best of what they’ve had in the past from an old-school raw sound to a more refined modern sound.

The progressive melodic groove/death metal is recommended for fans of Lamb of God, Pantera, and Sepultura.

Listen to “Revolution” via its premiere on NoCleanSinging HERE.​

“The Mountain” is due out on March 3, 2023, and was mixed by drummer Bretton Melanson and mastered by Christian Donaldson (Cryptopsy). It is recommended for fans of Gojira, Lamb of God, and Pantera.

Album pre-order (CD, Digital) – Nomadbc.bandcamp.com​

Previous single – “Burning Alive” – https://youtu.be/N4uKBAfxc4c ​​

Track Listing:​
1. Burning Alive (4:30)
2. Haunted (6:00)
3. Revolution (6:05)
4. Relentless (6:09)
5. A Lonely Wanderer (5:08)
6. Blood Moon (9:40)
7. Rise in the Fall (6:20)
8. Processor (6:56)
9. Choke (8:52)
Album Length: 59:38

Album Credits:​
– All songs written and performed by Nomad.
– Additional writing contributions by past members:
Kasey Klassen
Lorne Valliers
Dylan Heska
Justin Kleinsasser
– Mixed by Bretton Melanson
– Mastered by Christian Donaldson
– Album Artwork by: Angela Grimmuza/ Art Of Grimmuza
– MAPL – Canadian Content

Album and Live lineup:​
Bretton Melanson: Drums/Vocals
Matt Johnstone: Guitar/Vocals
Jeff Mabb: Guitar/Vocals
Josh MacDonald: Bass

For more info: Facebook.com/nomadmetal | Instagram.com/nomadbandbc​

About: Nomad is a dynamic, progressive death metal band from the Okanagan Valley in British Columbia, Canada and consists of drummer/vocalist Bretton Melanson; guitarist/vocalist Matt Johnstone; guitarist/vocalist Jeff Mabb; plus bassist Josh MacDonald. Kickstarted by Johnstone who was looking for an outlet, he approached Melanson and since the material felt right and with their previous history playing together, the ball was rolling. Over a few years, there was a lineup flux, with each additional leaving their mark on the material. Ultimately, they then recruited Mabb as a second guitarist and MacDonald on bass, and working collaboratively, they weave their melodic, groovy death metal.

Looking to avoid the violence and gore tropes that are quite prominent in metal music, they tend to tell stories based on fictional characters, historical events, science fiction, and astrophysics. Each member adds their own flair to the songs, imprinting their distinct influences.

When they hit the stage, the audience is greeted by multiple vocalists that deliver a massive wall of layered sound, integrated sound effects, and a well-thought-out visual element. They played Canada’s prominent Armstrong Metalfest in 2016-2019 and performed alongside bands such as Kataklysm, Origin, Soulfly, and Alestorm. They are releasing their debut album “The Mountain” in 2023.

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—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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