Tag: music

0 GRAVEMASS (ft. members of Zimmers Hole, 3 Inches of Blood, Revocation) Drops “This Is the Way” Video ft. Armstrong Metal Fest 2025 Footage + Debut Album Out March 2026

February 13, 2026
by Asher
· GraveMass · Music News

NEWS RELEASE

Montreal, QC – February 13, 2026

West Coast Death Metal Titans GRAVEMASS (ft. members of Zimmers Hole, 3 Inches of Blood, Revocation) Drops “This Is the Way” Video ft. Armstrong Metal Fest 2025 Footage

Debut Album “This Is The Way” Out March 6th, 2026 via End Game Records

Photo Credit – Derek Carr

L-R – Destroyer of Souls – Drums – Bowels of Hell – Bass – Murderer of Colonizers – Guitar – Mayan Hate – Guitar – Lorde Heathen – Vocals

West Coast death metal juggernaut Gravemass has officially announced the release of their highly anticipated debut album, “This Is the Way,” arriving March 6, 2026, via End Game Records. To mark the occasion, the band has unleashed the album’s crushing title track alongside a brand‑new music video featuring explosive live footage captured during their 2025 performance at Armstrong Metal Fest.

“This is the title track of our debut album!! THIS IS THE WAY!!!! Footage from our Armstrong Metal Fest 2025 performance! Hails to our Gravemass Family!!! \,,/\,,/” the band shared in their announcement.

Formed by long‑time veterans of the Vancouver metal scene, Gravemass is a supergroup built from decades of collective experience. Its members have performed in some of the most influential and notorious bands on the West Coast, including Zimmers Hole, Punch Drunk, 3 Inches of Blood, Revocation, Just Cause, West of Hell, Savannah, Process, Subversion, and The Golers.

The lineup includes Lord Heathen – Vocals (Zimmers Hole, Mechanism), Mayan Hate – Guitar (Savannah, Just Cause, Dialed), Murderer of Colonizers – Guitar (Process, Punch Drunk, Savannah), Bowels of Hell – Bass (Subversion, The Golers, Zucckuss), Destroyer of Souls – Drums (Zimmers Hole, 3 Inches of Blood, Revocation). Together, they channel a sound described by the band as “brutal, angry, fast, dark and evil.”

Gravemass’ formation, as guitarist Mayan Hate explains, was a natural extension of decades‑long friendships within the Vancouver metal scene. He wrote the foundation of the debut album over two months between other projects and shared it with vocalist Lorde Heathen, who immediately signed on. From there, the rest of the lineup, fellow West Coast metal veterans they had all known for years, fell into place. The writing process remained intentionally raw and instinctive: riffs first, lyrics second, and only the material that felt right survived. True to their no‑nonsense ethos, Mayan Hate believes fans of extreme music will embrace the new material, stating simply that “if you like brutal, you will dig it.”

Lyrically, Lorde Heathen draws from the chaos and decay of the modern world, channeling that bleakness into the band’s sinister sound. Musically, Gravemass pulls from the lineage of extreme metal’s greats, Slayer, Venom, Morbid Angel, Watain, and Napalm Death, while shaping their identity through decades immersed in death, black, and speed metal. With their second album already in early writing stages and set to be a more collaborative effort, the band emphasizes that their true power is unleashed onstage, where their live performance brings every element of Gravemass together in a full‑force assault meant for the masses.

Watch the newly released music video for “This Is the Way” as it captures that ferocity firsthand, showcasing the band’s commanding presence at Armstrong Metal Fest 2025.

Music Video – This Is The Way – https://www.youtube.com/watch?v=sR9gy-AD8-E

Add to your Spotify playlist – https://open.spotify.com/track/0JPFvvKR06w1ofDskaoeE4

Previous Singles:

Music Video – Fallen – https://www.youtube.com/watch?v=OQ4ws87xOJs

Music Video – Spitting Hell – https://www.youtube.com/watch?v=r477FZl1VFo

Music Video – Slaves to Pain – https://www.youtube.com/watch?v=9cW-Rk9koq0

Digital singles available at https://gravemass.bandcamp.com/

Track Listing:
1. Slaves To Pain – 2:38
2. This Is The Way – 3:45
3. Horned King – 2:54
4. Harvest of Souls – 2:53
5. Spitting Hell – 2:07
6. Black Bell – 2:50
7. Fallen – 3:27
8. Gravemass – 3:51
9. Abandon – 2:01
10. Poison Temple – 3:11
Album Length: 29:41

Album Band Line Up:
Lorde Heathen – Vocals
Mayan Hate – Guitar
Murderer of Colonizers – Guitar
Bowels of Hell – Bass
Destroyer of Souls – Drums

Album Recording Credits:
• All songs performed by: Gravemass
• All songs written by: Mayan Hate and Lorde Heathen
• Produced by: Tim Creviston
• Mixed by: Tim Creviston
• Mastered by: Tim Creviston
• Album Artwork by: Gravemass
• Member of SOCAN
• Canadian Content (MAPL)

More info:

https://endgamerecords.com/

http://www.gravemass.com/

https://www.facebook.com/people/Grave-Mass/61556695854887/

https://www.instagram.com/gravemass1/

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“Hold on to your hats, buds. Your eyes and ears are in for a blinding treat. Canada’s black/death metal band GraveMass just released the aural assault known as “Fallen.” The song and the video are delightfully overwhelming. ” – Metal Sucks

““Fallen” is a brutal, pummeling track with vocals that range from a guttural growl to a nasal screech, creating a blistering death metal assault. The black-and-white video with its flashing lights and quick cuts combines imagery of nature and religion in a way that perfectly complements the sonic onslaught of the video. It’s a breakneck track that leaves carnage in its wake, and you’ll want to check it out.” – New Noise Magazine

“With “Fallen,” GraveMass offers a glimpse into what promises to be a searing, unholy debut album. It’s a declaration of intent—and a brutal reminder that Canadian metal is as fierce and alive as ever.” – See Rock Live

“Gravemass Deliver Evil with Latest Single & Video, “Fallen”” – V13

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0 Rockshots Records – Italian Folk Metal AEXYLIUM Shares New Lyric Video “Eclissi” From Album “Myth of Mankind”

February 11, 2026
by Asher
· Aexylium (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – Feb 11, 2026

Italian Folk Metal AEXYLIUM Shares New Lyric Video “Eclissi” From Album “Myth of Mankind”

Rockshots Records is proud to announce the release of the new lyric video for “Eclissi”, taken from “Myth of Mankind“, the third full-length album by Italian folk metal act Aexylium.

“Eclissi” marks a defining moment in Aexylium’s artistic journey. Musically rooted in the band’s unmistakable fusion of modern metal intensity and traditional folk instrumentation, the track stands out as the first song in the band’s career written entirely in Italian, a deliberate and meaningful choice that reinforces its emotional impact and narrative depth. Layered choirs, wide melodic lines, and a carefully balanced orchestral framework make “Eclissi” one of the most evocative compositions on “Myth of Mankind,” while also enhancing its strong potential in a live setting where audience interaction becomes an integral part of the song’s identity.

Commenting on the track, the band explains that “Eclissi fits perfectly with the musical lines of the album and represents a new expressive space for us. Writing in Italian allowed the lyrics to flow more naturally, strengthening the emotional connection between words and music while the choirs make it especially powerful during live performances.”

The album was recorded, mixed, and mastered by Davide Tavecchia at Twilight Studio, ensuring a powerful yet detailed production that highlights both the band’s metallic core and its rich instrumental textures. The front cover was designed by Gustavo Sazes (Arch Enemy, Machine Head, Amaranthe).”Myth of Mankind” represents the most mature and personal chapter in Aexylium’s discography, addressing introspective and abstract themes while consciously stepping beyond genre stereotypes without losing sight of the band’s roots.

Formed in Italy in 2014, Aexylium have steadily built a strong reputation within the European folk metal scene, performing at major festivals such as Dong Open Air, Tanzt!, and Montelago Celtic Festival and sharing the stage with acts including Blind Guardian, Elvenking, Wind Rose, and TÝR. Following the releases of “Tales From This Land” (2018) and “The Fifth Season” (2021), the band returns with “Myth of Mankind“, an album that fully encapsulates their growth in terms of songwriting, production, and artistic vision.

The lyric video for “Eclissi” offers listeners and media partners a focused insight into one of the album’s most distinctive tracks, highlighting both its linguistic uniqueness and its role within the conceptual and musical framework of “Myth of Mankind“.

Watch and listen to “Eclissi” at https://www.youtube.com/watch?v=P1b0_21hujw

For fans of Eluveitie, Korpiklaani, Amorphis, Folkstone, Alestorm, and Mago de Oz, “Myth of Mankind” (released May 23, 2025) is available digitally and on CD at https://lnk.to/koGz58.

Track Listing:
1 – Fontes et Omnia
2 – The Queen
3 – Hexe
4 – Into Oblivion
5 – In Sorrow
6 – Myth of Mankind
7 – Eclissi
8 – Wild Hunt
9 – Surrender
10 – Northern Lights
11 – Eternity

BAND LINEUP
SAM BIGANZOLI – Vocals
ARIANNA BELLINASO – Vocals
FABIO BUZZAGO – Guitar
LUCA PERRONE – Guitar
GABRIELE CACOCCIOLA – Bass
ALBERTO MEZZANOTTE – Drums
FEDERICO BONOLDI – Violin
LEANDRO PESSINA – Flute
STEFANO COLOMBO – Keyboards

ALBUM CREDITS:
Main Music Composer: Fabio Buzzago
Lyrics: Fabio Buzzago, Gabriele Cacocciola, Samuele Biganzoli
Orchestrations: Fabio Buzzago, Stefano Colombo
Production: Davide Tavecchia, Buzzago Fabio, Stefano Colombo, Alberto Bernasconi
Recording, Mixing, Mastering: Davide Tavecchia (Twilight Studio)
Graphics: Gustavo Sazes

More info:
https://www.rockshots.eu

FOLLOW:
https://www.instagram.com/aexylium_official
https://www.facebook.com/aexylium

ABOUT:

Aexylium was formed in 2014 in Italy, merging the distinctive sound of traditional instruments with the modern intensity of metal.

The band has performed at many renowned European festivals, including Dong Open Air, Tanzt!, Mead & Greed, Montelago Celtic Festival, Malpaga Folk & Metal, Druidia, and more. During these events, Aexylium shared the stage with several notable bands such as Blind Guardian, Elvenking, Wind Rose, Týr, Vision Divine, Furor Gallico, Temperance, and others.

Their debut album, ‘Tales From This Land’ (2018), was released through Underground Symphony Records. It was recorded at Twilight Studio by Davide Tavecchia and mastered by Simone Mularoni (Elvenking, DGM, Secret Sphere, etc.).

In 2021, Aexylium signed a deal with Rockshots Records for their second album, ‘The Fifth Season’. The album was recorded at Twilight Studio with the artwork designed by Jan Yrlund of Darkgrove Design (Testament, Manowar, Korpiklaani). To date, the band has released six music videos as singles.

Compared to the last studio album, the band has welcomed Alberto Mezzanotte (drums), Luca Perrone (Guitar), and the frontman Sam Biganzoli into its lineup.

Aexylium’s partners include Solar Guitars, Footblaster, Liuteria Cocopelli, and Firebird Strumenti Musicali.

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0 Edmonton’s FAMOUS STRANGERS Ignite The Universe With New Video “Deepstar” + Show Date w/ DANKO JONES

January 28, 2026
by Asher
· Famous Strangers · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – January 28, 2026

Edmonton’s FAMOUS STRANGERS Ignite The Universe With New Video “Deepstar”

+ Show Date w/ DANKO JONES – Feb 6th at Sherwood Park Festival Place

L-R – Jeff Kittlitz (Guitar, Vocals), Braden Sustrik (Bass, Vocals), Amanda Kiernan (Vocals), Brian Jolly aka “Beej” Beejerson (Drums)

Edmonton, Canada’s alt‑metal visionaries Famous Strangers, have unveiled the long‑anticipated music video for “Deepstar,” their debut 2024 single and the first song the band ever released. After two years in the vault, the cinematic visual finally arrives in 2026, marking a major milestone in the band’s evolving creative journey.

Originally released in September 2024, “Deepstar”, mixed by Juno‑winner Phil Anderson (Econoline Crush, Garth Prince, Van Halst) and mastered by world‑renowned engineer Maor Appelbaum (Faith No More, Dokken, Dream Theater, Limp Bizkit), introduced listeners to Famous Strangers’ signature blend of atmospheric storytelling, haunting melodies, and emotional intensity. The new long‑form video brings the track’s cosmic narrative fully to life.

Vocalist Amanda Kiernan describes the origins of the song as deeply personal and unexpectedly cosmic:

“I started writing this song literally just describing my friend Mileena, how she makes me feel, and how her presence feels in the room. It all came together so perfectly when I added all the space and healing. The world needs a hero, and I put those two together… it just happened, flooding the paper like some epic extraterrestrial being. What’s even better is that she agreed to be Deepstar and be in our video. We are honored and blessed to have her.”

Guitarist Jeff Kittlitz recalls how naturally the music itself formed:

“Deep Star came together quickly and organically. While exploring presets on my new Fractal FM9, I landed on a tone that instantly brought to mind classic Deep Purple and Black Sabbath, and the main riff came together almost immediately. Once I brought it to Beej, the song fell into place fast and gave Amanda plenty of space to write. It was one of the first songs the four of us created together. During recording, the ending evolved in the studio, and we loved it so much we kept it. It was one of those moments that proves the magic that happens when everyone’s locked in. At its core, it’s a straight‑up rock song.”

Kittlitz adds:

“Deep Star is coming. This was the very first song we ever released, and the video has been two years in the making. We’re fired up that it’s finally unleashed. A dark cosmic tale of a woman from space sent to save our doomed souls. Massive thanks to Brad Thompson, Mileena Kombat, and Shade Nightclub for helping summon this beast.”

“Deepstar” represents the earliest spark of what would become Famous Strangers, a band that formed almost by accident, yet grew into something powerful and intentional. Since their formation in 2023, the group has released four singles, each expanding their sonic universe: (Deepstar 2024), (George 2024), (I’ll See You In The Stars 2025), and (L.S.C. 2025).

These tracks have positioned Famous Strangers as one of Canada’s most intriguing emerging heavy acts. The band has performed at Armstrong MetalFest, Loud As Hell Open Air Festival, and shared stages with Revocation, Danko Jones, Three Inches of Blood, Riot City, and more. Their dark aesthetic, emotional depth, and cinematic approach to songwriting continue to draw attention across the metal and hard‑rock landscape.

With the release of the “Deepstar” video, Famous Strangers close the loop on their earliest chapter while stepping boldly into their next. Their upcoming 2026 full‑length album promises to expand their universe even further, darker, deeper, and more immersive than ever.

For fans of Halestorm, Nothing More, Sevendust, Butcher Babies, and Bad Omens, watch the “Deepstar” video via Space Untravel’s YouTube channel – https://www.youtube.com/watch?v=nXBDka5r1UQ

Add “Deepstar” to your Spotify playlist – https://open.spotify.com/track/70ubKz5KnptZEvLHi5KpbY

In additional news, Famous Strangers have been chosen as local support for Danko Jones‘ show date in Sherwood Park, AB, a suburb of Edmonton, on February 6th at Sherwood Park Festival Place. For more info, please visit https://festivalplace.ca/events/danko-jones-2/

Previous Singles:

Music Video- L.S.C. – https://www.youtube.com/watch?v=EXowgk7zopA

Music Video – I’ll See You In The Stars – https://www.youtube.com/watch?v=OtdfaMp4Hec

Lyric Video – George – https://www.youtube.com/watch?v=fz85ChqELO4

More info:

Famousstrangersband.com

Facebook.com/profile.php?id=61559110131774

Instagram.com/famousstrangersband

Tiktok.com/@famousstrangersband

About: Formed through a collision of ideas, personalities, and musical histories, Famous Strangers craft a sound that is as moody and mysterious as it is intense. Their music blends atmospheric textures with melodic and aggressive vocals, creating a sonic world that feels both intimate and otherworldly.

Each member brings years of experience from previous projects, shaping a band that thrives on creativity, experimentation, and emotional honesty. Their music is recorded and mixed almost entirely in‑house by guitarist Jeff Kittlitz, keeping their sound raw, authentic, and fully under their artistic control.

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“Haunting, Stirring and Impactful…those words just keep going through our mind as we take in the new single “I’ll See You In The Stars” from Famous Strangers. This one is quite unique with a powerful intensity that is full of rhythm and achieves the rare feat of fury as a pure form of beauty. We really dig this one and you can catch it on your Home for the Best New Rock…” – WJOE – Findlay’s Home for Rock & Roll

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0 Canadian Prog CANDOR ZEALOT (ft. ex-members of Annihilator, The Slyde) Make Their Debut w/ Single “Lie For Country”

January 20, 2026
by Asher
· Candor Zealot · Music News

NEWS RELEASE

Montreal, QC – January 20, 2026

Canadian Prog CANDOR ZEALOT (ft. ex-members of Annihilator, The Slyde) Make Their Debut w/ Single “Lie For Country”

L-R – Chris Gagnon (Guitar, Vocals) | Nate Silva (Lead Vocals, Guitar) | Dino Soares (Drums) | Alberto Campuzano (Bass Guitar, Vocals)

Photo Credit: Ryan Stacey

Canadian (Ottawa, ON) progressive metal newcomers Candor Zealot are set to make their explosive debut with “Lie For Country”, the first in a series of singles to be released throughout 2026. With a sound that fuses the melodic intricacy of Rush and Dream Theater with the raw energy of Megadeth, Billy Talent, and Killswitch Engage, Candor Zealot are poised to deliver a fresh yet nostalgic take on modern progressive rock and heavy metal.

Formed by frontman Nate Silva after the disbandment of his previous project, The Slyde, in 2019, Candor Zealot emerged from years of creative exploration, pandemic delays, and solo ventures. Recruiting many of the same musicians from The Slyde, Silva describes the band as a “spiritual successor” to his earlier work, only this time with a sharper name and a renewed focus on honesty and intensity.

“‘Lie For Country’ is our debut single, and we wanted to introduce ourselves with breakneck speed, musical intensity, and a poignant political message. There are influences of Megadeth, Killswitch Engage, Billy Talent, and even System of a Down in this track, and it’s a song about being manipulated and politically indoctrinated without thinking critically. We are proud of this track, and we are pumped to release it!” – Nate Silva, Candor Zealot

Rather than releasing a traditional full-length album, Candor Zealot will roll out six singles across 2026, each designed to capture attention in today’s fast-paced listening culture. Fans can expect melodic hooks, technical proficiency, and thought-provoking lyrics that tackle both politics and relationships, two universal themes that resonate deeply.

Candor Zealot is comprised of seasoned musicians with deep roots in Canada’s metal scene, including ex-members of Annihilator and The Slyde. Frontman Nate Silva (vocals/guitar), formerly of The Slyde, is an international touring artist and academic researcher on chiptune music. Guitarist Chris Gagnon, based in Ottawa, is a versatile performer active in eight tribute bands covering acts from Queen to Rage Against the Machine. Drummer Dino Soares, a longtime collaborator with Silva since their teenage years, continues to freelance in Kingston’s music scene. On bass, Alberto Campuzano, formerly of Annihilator, also performs with Toronto’s Metallica tribute act Sandman. Collectively, the band brings decades of experience and a proven pedigree, highlighted by Silva, Soares, and Campuzano’s performance at Wacken Open Air in Germany after winning the 2019 Wacken Metal Battle Canada with The Slyde.

With “Lie For Country” as their fiery introduction, Candor Zealot plans to release five more singles throughout 2026, followed by additional recordings in 2027.

Listen to “Lie For Country” at the following links:

Add yo your Spotify playlist – https://distrokid.com/hyperfollow/candorzealot/lie-for-country-2

Music Video – https://www.youtube.com/watch?v=f26f_KNVBq0

For more info:

http://candorzealot.com/

https://www.facebook.com/profile.php?id=61582854735079

https://www.instagram.com/candorzealot

https://www.tiktok.com/@candorzealot

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0 Ottawa’s DOLL Premiere New Single “Bear Claw” To Follow 2025 Comeback Album “Better Days, Better Times”

January 16, 2026
by Asher
· DOLL · Music News

NEWS RELEASE

Montreal, QC – January 16, 2026

Ottawa’s DOLL Premiere New Single “Bear Claw” To Follow 2025 Comeback Album “Better Days, Better Times”

Ottawa alternative rock band DOLL launches into 2026 with the release of their explosive new single “Bear Claw,” premiering today exclusively via New Noise Magazine alongside a brand‑new lyric video. The track serves as the next chapter in the band’s creative resurgence following their 2025 comeback album “Better Days, Better Times.”

“Bear Claw” continues DOLL’s evolving “Animal Crackers” trilogy, which began earlier this year with the fan‑favourite single “Shark Bait,” featured on “Better Days, Better Times.”

“We had such an amazing response to our first ‘Animal Crackers’ concept with ‘Shark Bait. We always planned to release three animal‑themed songs, but that positive feedback really propelled us as we finalized the next piece of the trilogy, Bear Claw,” the band explains.

The band believes fans will connect strongly with this new installment:

“I think it’s safe to say this is our best effort yet. We brought back some of that legacy DOLL riffing, mixed in the hardcore elements we toyed with in ‘Shark Bait,’ and really pushed ourselves creatively with the vocals and lyrics. We hope this one is just as well received, if not better. I guess it depends on whether you’re more of a land or sea animal lover.”

The single’s artwork pays homage to classic Smokey the Bear posters, reimagined through DOLL’s gritty, tongue‑in‑cheek lens. Artist Mark Kidd once again brought the concept to life with bold character design and a nostalgic yet rebellious aesthetic.

“We wanted to revive some of the artwork we grew up with. We went heavy on that Smokey‑the‑Bear look, but added our own comedic twist, putting Doll on the hat and rebranding Smokey as Grungey. He’s got a chip on his shoulder, some attitude,” the band adds.

Musically, “Bear Claw” taps into the band’s classic sound while pushing into new territory. The track features signature leads, heavy wah‑wah pedal work, Christina’s unmistakable bends, and bursts of rapid‑fire strumming. The chorus hits with a hardcore‑infused punch from Pete, driven by drop‑tuned guitars that add weight and urgency.

The band also leaned into atmosphere and tension, crafting a breakdown recorded through a low‑fi head and amp setup to create a spooky, suspenseful moment before slamming back in with the crunch of the PRS MT100. The result is a dynamic blend of old‑school grit and modern heaviness, achieved without relying on keyboards, instead letting raw instrumentation carry the emotion.

With “Bear Claw,” DOLL continue to build on their renewed momentum, delivering a track that’s fierce, fun, and unmistakably their own.

“This song is definitely our most creative vocally. Christina changed up the delivery in ways we haven’t done before. We wanted the song to be fun, with some light‑hearted lyrics, but still true to the raw rock vocal and lyrical style that DOLL has always been about.”

Watch the “Bear Claw” lyric video via its premiere on New Noise Magazine HERE.

Add to your Spotify Playlist – https://open.spotify.com/track/1BGF0Pec0KtHMKPFUaOIPY

Single Recording Credits:
• All songs performed by: Doll
• All songs written by: Doll
• Produced by: Josh Hart
• Mixed by: Josh Hart
• Mastered by: Josh Hart
• Single Artwork by: Mark Kidd
• Member of SOCAN
• Canadian Content (MAPL)

Single Band Line Up: Pete Kasper, Christina Kasper, Josh Hart

More info: https://www.facebook.com/dollband | https://www.instagram.com/dollbandmusic/

About: After a long hiatus, DOLL returned in 2025 with their album “Better Days, Better Times,” re‑establishing themselves as one of Ottawa’s most compelling alternative rock acts. Formed in Ottawa, Ontario, DOLL first broke onto the scene with their 2009 debut “Inside The Dollhouse,” followed by 2011’s “The Ragdoll Diaries.” Their music has been featured on MuchMusic and MusiquePlus, and the band has shared stages with Three Days Grace, Lacuna Coil, Danko Jones, Spinnerette, Protest the Hero, Band of Skulls, Anvil, Halestorm, SNFU, Hanzel Und Gretyl, Civet, The Creepshow, Die Mannequin, and more.

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What the press has said about DOLL:

!earshot – August 2025 – Top 20 Loud – #5 – DOLL – Canadian Campus Radio Charts (2025 – Better Days, Better Times)

!earshot – August 2025 – Top 200 – #55 – DOLL – Canadian Campus Radio Charts (2025 – Better Days, Better Times)

“#1 Doll – Zach’s Picks of the Week – July 7 – 12, 2025 – Canadian Beats (2025 – Better Days, Better Times)

“In one of the best comeback stories in music in 2025, Canadian Alt-Rock duo DOLL will release their first new collection of material since 2011’s The Ragdoll Diaries… In addition to five slamming originals, DOLL chips in an inspired take on the Deep Purple classic rock anthem – “Smoke On the Water!” “- Ghost Cult Magazine (2025 – Better Days, Better Times)

“Doll sharpens their grit with new muscle and melody. Their return after more than a decade is not a nostalgia trip but a rebirth. The Ottawa band’s forthcoming EP Better Days, Different Times (July 18th) expands their core formula of raw energy and no-frills honesty by inviting new players and broader sonic choices into the mix. But even with cello flourishes and genre jumps, their identity remains firmly intact.” – Amplify The Noise (2025 – Better Days, Better Times)

“The new track ‘Shark Bait’ from Doll is a blast! The world has been celebrating the 50th anniversary of “JAWS” and now we have a brand new punk-fueled bite in the pants to go along with all of the bloody hoopla. ‘Shark Bait’ is basically straight ahead hardcore riffage with razor sharp teeth, fun lyrics and a precursor to their new EP, ‘Better Days, Different Times’ set for a July 18th release. Catch it on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll (2025 – Better Days, Better Times)

“DOLL has returned as potent and as impressive as they were before but with greater impact we suggest, Better Days, Better Times quite simply a must exploration for punk and feral rock hearts.” – The Ring Master Review (2025 – Better Days, Better Times)

“Christina Kasper’s changeable voice is impressive.” – Keep On Rocking (2025 – Better Days, Better Times)

“‘Bleeding’ is a colourful mixture of Hard and Alternative Rock, paired with influences from Punk and Gothic, in a very melancholic sounding melody. The powerful voice of singer Christina Kasper dominates like a siren. ” – Metal Heads Forever Magazine (2025 – Better Days, Better Times)

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0 SIEGE PERILOUS Unveils First Single “As the Dragon Falls” ft. Fabio Lione From the Concept Album “Becoming the Dragon” Out March 2026

January 16, 2026
by Asher
· Music News · Siege Perilous

NEWS RELEASE

Montreal, QC – January 16, 2026

SIEGE PERILOUS Unveils First Single “As the Dragon Falls” ft. Fabio Lione From the Concept Album “Becoming the Dragon” Out March 2026

A narrative-driven punch of epic fantasy power metal featuring incredible guests like Fabio Lione and Kristin Starkey!

Left to Right: Mark Girard (Drums) | Eric Fischer (Bass) | Shaughnessy McDaniel (Vocals) | Ryan Flanagan (Guitar) | Scott Hancock (Guitar)

Photographer Credit – Gii Astorga

Colorado power metal storytellers Siege Perilous ignite the next chapter of their musical saga with the release of their first single and music video, “As the Dragon Falls”, featuring legendary vocalist Fabio Lione (Rhapsody, Angra). The track serves as the first glimpse into the band’s sweeping debut concept album, “Becoming the Dragon,” out March 27, 2026.

Forged from the camaraderie of live‑action roleplay and a shared love of epic storytelling, Siege Perilous has built a reputation for crafting cinematic, narrative‑driven metal that blends myth, history, and high‑fantasy adventure. Their upcoming full‑length album marks the culmination of years of collaborative writing, world‑building, and musical evolution.

“As the Dragon Falls” is more than a single; it’s a milestone for the band, especially for vocalist Shaughnessy McDaniel, who has been a devoted Rhapsody fan since his teens.

“As the Dragon Falls represents a true heavy metal dream come true for all of us, but especially for Shaughnessy. Working with Fabio far exceeded anything we could have hoped for. His classic soaring vocals combined with Shaughnessy’s lower register create a really unique and cool power metal sound,” adds the band.

The song’s narrative twist, where slaying the dragon becomes a metaphor for the double‑edged nature of achieving one’s goals, adds a bittersweet emotional core to the track. Lione himself was drawn to the story and, according to the band, “really gave it his all.”

Musically, the single fuses Siege Perilous’ signature melodic power with the symphonic grandeur of classic Rhapsody, delivering a heroic anthem that darkens into something far more ominous by its final moments.

Watch and listen to the music video for “As the Dragon Falls” featuring Fabio Lione via its premiere on MetalAddicts HERE.

Add to your Spotify Playlist – pre-save – https://distrokid.com/hyperfollow/siegeperilous/as-the-dragon-falls-feat-fabio-lione

“Becoming the Dragon” is a ten‑part epic chronicling the rise, fall, and metamorphosis of the “Child of Prophecy,” a hero who must confront fate, tragedy, and ultimately his own transformation into the titular dragon. The album features guest performances from both Fabio Lione and powerhouse vocalist Kristin Starkey (Twilight Force, Temperance), who also serves as McDaniel’s vocal mentor.

“Creating a massive, sweeping power metal epic has been a dream since before we even formed this band. This album represents our collective experience, skill, hopes, and dreams as musicians,” says the band.

The record showcases the band’s evolution since their earlier EPs, with more complex arrangements, expanded vocal range, and orchestration that heightens the album’s cinematic scope. Each track stands alone as a powerful metal anthem, yet together they form a cohesive narrative journey.

Their writing process is uniquely collaborative; every member contributes to the story and the music, resulting in songs that carry the DNA of the entire band. This approach, while unconventional, has become one of their greatest strengths.

Recommended for fans of Wind Rose, Hammerfall, Sabaton, Blind Guardian, and Iron Maiden, “Becoming the Dragon” is due out on March 27, 2026 and available for pre-order / pre-save at the following link:

https://siegemetal.bandcamp.com/album/becoming-the-dragon

Track Listing:
1. Overture (Instrumental) – (2:37)
2. Ancient Rite – (4:37)
3. As the Dragon Falls (feat. Fabio Lione) – (4:33)
4. Child of Prophecy – (4:05)
5. Shattered Mirage – (4:07)
6. Chieftain – (4:03)
7. Cut Down – (3:01)
8. Echoes of Home (feat. Kristin Starkey) – (4:48)
9. Becoming the Dragon – (5:09)
10. Eschaton – (7:50)
Album Length: 44:54

More info: Siegemetal.com | Facebook.com/siegeband | Instagram.com/siegeperilousmetal | Tiktok.com/@siegemetal

About:

Siege Perilous is a Colorado‑based power metal band specializing in epic, cinematic storytelling through music. Formed by Shaughnessy McDaniel (vocals), Scott Hancock (guitar), and Mark Girard (drums)—later joined by Eric Fischer (bass) and Ryan Flanagan (guitar/arrangements), the band draws from fantasy, history, and myth to craft immersive metal narratives. Their debut album, Becoming the Dragon, arrives March 27, 2026.

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“It gives me great pleasure to tell you that Creation’s Call is a blast. Siege Perilous has succeeded in creating what I would call Epic Power Metal for the Working Man. They don’t waste your time with overlong symphonic interludes between tracks, melodramatic narration, or overproduction that tests the limits of your sanity. The band gets right to the point and pulls you into their epic tales of heroic daring immediately. This is a nice breath of fresh air and if this EP is anything to go by, Siege Perilous has a great future ahead of them. Yes, this could be considered power metal but the no-nonsense approach and urgency to the songwriting makes this release absolutely worth checking out for those of us in the NWOTHM scene. Plus, it’s really just a lot of fun. This one is highly recommended. THENWOTHM SCORE: 9/10” – The NWOTHM

“‘Creation’s Call’ never gets boring, even on Heavy Rotation. Five gifted musicians have succeeded in creating a varied EP. The twin guitar solos are convincing the whole time. It’s just a shame that it ends after twenty-one minutes. It makes you wish for a full-length album. And, of course, a thrilling live performance. 9.3/10” – Metalheads Forever Magazine

“solid power metal style that should satiate any LARP-attendees or Dungeons and Dragons mavens. Keep an eye on this quintet – wield thy sword as they lead the battle charge for more quality power metal from the states. 8/10” – Dead Rhetoric

“There are any number of quality bands like Siege Perilous active right now but the style is popular (and I love it) and these guys are as decent as the next similar act. They lean more the Metal side of the equation using the folk and orchestral moments as flavour, not the main style. CREATION’S CALL is a fine effort and I could easily see them on tour with Brothers Of Metal, All For Metal, Fellowship and other costumed Metal heroes. Worth checking out!” 4/5 – Metal Rules

“Denver metal mob reckon that their goal on “Creation’s Call” was to build a world and tell a story in “three to five minutes.” It’s a world of fantasy, as “Oathsworn” proves, where metal rules and swords are held high. “Across The Rubicon,” however, is delivered with such skill that you can’t resist getting sucked in with them. Shaughnessy McDaniel has a brilliant “metal” voice, roaring on “Sons Of The Verdant,” and guitar duo Scott Hancock and Cody Martinez can knock out a NWOBHM riff like it’s 1982, as the title song underlines. “Brothers Of Five” brings the epic one last time, galloping in proper fashion, and it’ll be interesting to see how Siege Perilous develops. This is one hell of an opening statement, mind you. 8.5/10” – Maximum Volume Music

“Creation’s Call not only highlights Siege Perilous’ dedication to epic storytelling but also emphasises their versatility within the power metal genre. With influences ranging from historical events to high fantasy, this EP offers a rich and varied auditory experience that will captivate fans. Prepare to embark on a grand journey through myth and history as Siege Perilous delivers their latest saga.” – Amplify The Noise

“Creation’s Call it is a cohesive and well-crafted work, where the combination of rich letters in history and fantasy, with a meticulous musical execution, it makes mandatory, regardless of its short duration. [82%]” – Via Nocturna

“Creation’s Call doesn’t get boring even in heavy rotation. Five gifted musicians have created a varied EP. The solos of the twin guitars are convincing across the board. It’s just a shame that it’s over after twenty-one minutes. You want a full-length album. And of course a sweaty live performance. 9.4/10” – Keep On Rocking

“Colorfully mixed NWOTHM/Epic Heavy/Power Metal elixir that appeals to a broad range of fans between ALESTORM, BATTLEROAR, ETERNAL CHAMPION, GATEKEEPER, IRON MAIDEN, RUNNING WILD and WRATHBLADE. Awakens a huge appetite for a full long-play album. On this EP you can clearly see that the band has enormous potential and has already given a great taste of their skills. Conclusion: Strong-looking genretobak that falls out of the usual range! 8,5/10” – FFM-Rock

““Oathsworn” simply explodes out of the gate. The band ratchets every possible dial up to 11 and charges into battle with an epic statement of intent.” – Nine Circles

““Brothers Of The Five” offers classic power metal as you would appreciate it. The strain on the neck muscles is correspondingly high and in some places the number cannot deny a slight Maiden stable smell.” – Hellfire Magazin

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0 Gore House Productions – Slam Titans INSECT INSIDE Unleashes “Carnal Ruins” From New Album “Reborn in Blight” Out March 2026

January 14, 2026
by Asher
· Insect Inside (Gore House Productions) · Music News

NEWS RELEASE

Montreal, QC – January 14, 2026

Slam Titans INSECT INSIDE Unleashes “Carnal Ruins”

New Album “Reborn in Blight” Out March 2026 via Gore House Productions

Rising slam force Insect Inside are preparing to unleash their next wave of devastation with the release of “Carnal Ruins,” the newest single from their upcoming full‑length “Reborn in Blight”, arriving March 6th, 2026, via Gore House Productions. Emerging from the Eastern European underground, the band has sharpened their sound into something unmistakably their own, tight, aggressive, and drenched in the bleak atmosphere of the death metal that shaped them.

“Carnal Ruins” embodies that evolution. Described by the band as the album’s main brawler, the track delivers hardcore‑infused groove, relentless blastbeats, and a stripped‑down attack that pays homage to New York death metal icons like Soils of Fate, Internal Bleeding, and Dying Fetus. It stands as both a tribute and a declaration of the band’s place among slam’s heaviest modern acts.

The single follows the crushing momentum of “Hiveborn Abomination,” featuring Defeated Sanity’s Josh Welshman, a track that showcases the band’s ability to merge speed, groove, and suffocating atmosphere. Together, these singles set the stage for an album promising overwhelming heaviness, sharpened songwriting, and a deeper dive into the band’s dark, atmospheric tendencies.

This growth stems from a disciplined writing process shaped by distance; members living in different cities compose individually before refining ideas together. Daniel leads the songwriting, while he and Ivan craft the album’s apocalyptic lyrical vision, telling vivid stories of humanity’s extinction and the rise of an insectoid race.

Formed from a shared obsession with slamming brutality, Insect Inside evolved from casual jam sessions into a full‑fledged force featuring seasoned veterans: Bogdan (bass), Pavel (guitar), Daniel (vocals), and Ivan (drums). Their live shows are notorious for chaotic energy, relentless pits, and even fans in dinosaur costumes, a raw spirit reflected in the band’s shift toward a more visceral production style on “Reborn in Blight.”

Visually anchored by artwork the band calls gloomy and disgusting, the album delivers a grotesque fusion of groove‑based slam and dark brutal death metal across ten crushing tracks.

With “Carnal Ruins,” Insect Inside delivers another strike before the full album drops, a clear statement of intent and a promise of the brutality still to come.

Listen to “Carnal Ruins” at https://www.youtube.com/watch?v=q3wB_kSpCzY

Add to your Spotify playlist – https://open.spotify.com/album/4ZtW0SfFfeoCuA1x1zBUMy

and previous single “Hiveborn Abomination” with guest vocals from Josh Welshman of Defeated Sanity at the following links:

YouTube – https://www.youtube.com/watch?v=OhaFr5xtoEo

Drum Playthrough – https://www.youtube.com/watch?v=2sfgjF0-JVw

Recommended for fans of Relics of Humanity, Internal Bleeding, Stabbing, Devourment, and Disfigurement of Flesh, “Reborn in Blight” will be available March 6, 2026, via Gore House Productions.

Pre‑orders are now live on Digital, Vinyl, CD, and Cassette: https://orcd.co/reborn-in-blight

Track Listing:
1. Echoes Of The Swallowed Sinners – 3:31
2. Abhorrent Landscape (feat. Cephalotripsy) – 2:54
3. Fragments – 2:18
4. Putrid Lament – 3:35
5. Hiveborn Abomination (feat. Defeated Sanity) – 2:51
6. Flesh Cathedral – 3:00
7. Obscuration Worship – 1:20
8. Carnal Ruins – 2:45
9. Parasite Messiah (feat. Pestilectomy) – 3:29
10. Reborn In Blight – 5:22

Album and Live Band Line Up:
Daniel Sementsov – Drums
Bogdan Pisavnin – Bass
Pavel Pleshkov – Guitar
Ivan Tyulkin – Vocals

More info:

https://gorehouseproductions.com/

https://www.facebook.com/insectinsideslam

https://www.instagram.com/insect_inside

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“Insect Inside relies on unpredictability to elevate beyond the brutal stereotype. Shifting tempos, groovy rhythms, technical leads, pinch harmonics, and flashes of dissonance keep its grinding slams and beatdown sections from growing too stagnant… Insect Inside’s The First Shining of New Genus offers concussive slam that will get you buzzing.” – Angry Metal Guy

“A surprisingly level of hookiness invades Insect Inside, while they still deliver on all of the body-crippling violence you would expect from such an act. The First Shining of New Genus is a release that you can groove along with in addition to getting your daily dose of utter brutality.” – Dead Rhetoric

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0 Exitus Stratagem Records – Tech-Death Shredder MATT MILLER Unleashes Guitar Playthrough for “Maimed Paralyzed Dead” From Latest Album “Fiber Tormentum”

January 14, 2026
by Asher
· Matt Miller · Music News

NEWS RELEASE

Montreal, QC – January 14, 2026

Tech-Death Shredder MATT MILLER Unleashes Guitar Playthrough for “Maimed Paralyzed Dead” From Latest Album “Fiber Tormentum”

L-R – Justice Robinett (Bass), Jordan Kelso (Drums, Synth), Matt Miller (Guitars, Synth), Biko Wright (Vocals)

Photo Credit – Lilly May Everett

Technical death metal visionary Matt Miller has unveiled a new guitar playthrough video for “Maimed Paralyzed Dead,” one of the most harrowing and cinematic tracks from his latest full‑band album, “Fiber Tormentum,” released through Exitus Stratagem Records. The video captures Miller’s trademark blend of precision, intensity, and melodic ferocity, offering fans a close look at the technical prowess behind one of the album’s most monstrous compositions.

“Maimed Paralyzed Dead” occupies a pivotal place in the album’s overarching sci‑fi narrative, depicting the grotesque physical consequences of alien‑engineered DNA manipulation.

“Musically, it’s something out of a monster movie. Like a zombie crawling on the floor or lumbering toward its victim.” The playthrough highlights the track’s relentless rhythmic shifts, soaring leads, and crushing atmosphere, all of which have become defining elements of Miller’s evolving sound,” explains Miller.

The release of the “Maimed Paralyzed Dead” guitar playthrough marks another step in that progression, offering fans a visceral look into the technical and emotional core of “Fiber Tormentum.” With its blend of cinematic horror, technical mastery, and thematic depth, the track stands as a testament to Miller’s commitment to crafting music that is both overwhelming and unforgettable.

Watch the playthrough: https://www.youtube.com/watch?v=FBIYWn7U8RI

“Fiber Tormentum” represents a major turning point in Miller’s career. Originally conceived as an instrumental record, the album transformed once he realized the material demanded a broader emotional and narrative range. The addition of vocalist Biko Wright, drummer Jordan Kelso, and bassist Justice Robinett elevated the project into a fully realized band.

“I knew it needed to be a proper album with vocals and the input of other people to make it come to life. This album features the heaviest, most melodic, and most technical music in my catalog so far,” adds Miller.

The album blends technical death metal, power metal, progressive elements, and epic vocal hooks into a sound Miller describes as relentless, soaring, crushing, intense, and epic. Lyrically, “Fiber Tormentum” forms a loose concept album centered on an advanced alien civilization subtly reshaping human DNA to enslave humanity. The story draws influence from real‑world anxieties and the societal fallout of the COVID‑19 era, giving the record a thematic weight that matches its musical aggression.

The album’s artwork, created by the late Joshua Nassaru Ward (Voraath), visually captures the torment of the narrative. The central figure’s face contorts in agony as its DNA fibers are forcibly rewritten, echoing the album’s themes of transformation, invasion, and loss of autonomy. The title itself, Fiber Tormentum, references the sound a Roman ballista makes when its ropes tighten before firing, a metaphor for tension, destruction, and the inevitability of conflict.

Miller’s journey to this moment began in 2020, when he launched his solo project during the pandemic. After touring the United States with Rings of Saturn on the Cyber Shred Tour 2022, he assembled his current lineup and soon after embarked on a European tour supporting death metal pioneers Possessed. Each member brings a diverse musical background, ranging from metal and jazz to folk and bluegrass, resulting in a dynamic and collaborative creative process.

“We strive to offer a show that grabs everyone’s attention. We play crushing technical music, but we want everyone to sing along and bang their heads,” says Miller.

The making of “Fiber Tormentum” was marked by its share of memorable moments. Vocalist Biko Wright tracked his parts between filming sessions for the Discovery Channel’s Expedition Bigfoot. The band became such regulars at a local Subway during recording that staff reserved a table for them every Tuesday and Thursday night. Their attempts to record samples using high‑end pianos and harps in music stores resulted in them being banned from multiple locations. And somewhere on the album, a hidden “One Take Willy” outburst, Biko’s triumphant shout after nailing a one‑take performance, awaits listeners with sharp ears.

Miller’s musical evolution has been steady and relentless. From his early instrumental EP in 2017 to the 2022 release of “Monument of Velocity” and his extensive catalog of covers and original material, he has consistently pushed the boundaries of extreme music. Now aligned with Extreme Management Group and backed by a full band of world‑class musicians, he continues to expand his reach and refine his sound.

Recommended for fans of Necrophagist, Symphony X, Wintersun, The Faceless, and Death, “Fiber Momentum” (released Sept 12th) is available on all major platforms through Exitus Stratagem Records.

Digital – https://hypeddit.com/mattmiller/fibertormentum

CD – https://www.exsrmusic.com/store/p/wnn3m10s6beq0pbmnot0e17ghvj629

Guitar Playthrough – Descent into Violence – https://www.youtube.com/watch?v=RCj0AKSkSTc

Music Video – Effecively Neutralized – https://www.youtube.com/watch?v=hJDoR9JL9b8

Band Playthrough – Summoned – https://www.youtube.com/watch?v=5FJxxg_dd2k

Track Listing:
1. Descent into Violence (5:04)
2. Summoned (3:33)
3. Effectively Neutralized (4:53)
4. Blight and Disfigurement (3:23)
5. Maimed Paralyzed Dead (3:12)
6. Horror Beyond Comprehension (3:15)
7. Fiber Tormentum (Instrumental) (3:31)
8. Abiotic Origin (3:14)
Album Length: 30:08

Album Lineup:
Matt Miller (Guitars, Synth)
Jordan Kelso (Drums, Synth)
Justice Robinett (Bass)
Biko Wright (Vocals)

For more info:

Exsrmusic.com | Shreded1.com | Facebook.com/matt.miller.96995238 | Instagram.com/mattmiller630

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“All in all, it’s a fascinating song (Effectively Neutralized) — head-spinning and heart-palpitating but also a heavy-hitter and a conjurer of strange, sinister, and haunting visions. In other words, in the space of just five minutes it pulls off a lot of impressive feats. And the well-filmed and well-edited video for it is a perfect complement, in that it shows us how all these talented performers executed all the impressive accomplishments.” – NoCleanSinging

“Hell yeah. Holy moly canoli. Fiverr to Fiber Momentum, and that was the album. This song is Descent into Violence. Holy moly canoli, dude. Go support, Matt Miller. That was absolutely badass. Total shredding. Jordan, also a homie of mine, your drums are incredible. The new singer, Bo, I love the harsh vocals in the clean. Total is it almost the cleans almost reminded me of Queensryche meets Cannibal Corpse. It’s pretty freaking sweet. And of course, Justice always lays down the heavy bass with the beautiful bass faces. But an absolutely incredible album….Matt Miller, you could find him everywhere. He’s an incredible guitar player, one of the best guitar players of our generation. Remember, this is Fiber Tormentum courtesy of Exitus Stratagem Records. So, a huge shout-out to them as well. Matt Miller has so many more songs. If you guys like this song (Descent into Violence), believe me, this guy is an absolute shred master. Not only does he do like a ton of his own originals, he does a ton of covers, and also he’s just a shred master of all sorts. Just exactly how they say, melodic, technical, and death. But I will definitely say the big thing that stands apart about this whole song is great structure, absolutely shredding on all levels, and the vocals are just 100% one-of-a-kind. And I totally enjoyed it. Guys, I love you guys from the bottom of my heart. This has been Matt Miller with his new song, Descent into Violence. Pick up the new album on September 12, Fiber Tormentum.” – Omar Rodriguez – The Metal Mixtape – YouTube Channel

“The songs on “Fiber Tormentum” are rather good, and make for very interesting listening sessions.” – Metal Temple

“”Fiber Tormentum” is a real killer and so refreshingly creative that you can’t help but toast this previously unknown genius in awe! Cheers! 9/10″ – PowerMetal.de

“Soaring, crushing, ferocious, emotive, and relentless, are words that strongly describe Decrepit Shed. The album has a lot to offer from various metal sub-genres and encompasses the best elements of technical guitar playing while still having well-written songs”. – Brave Words

“Monument of Velocity” initially had a different title and was not going to be a Matt Miller release and some of the songs were written with vocals in mind and were not going to be instrumental, however, it turned out to be the sixth of seven powerful albums in his discography. contains eight tracks full of technical and progressive metal eliciting feelings of suspense, and tension while being fun, melodic and brutally heavy. Miller’s melodic and relentless music has a wide range of influences and is recommended for fans of Jeff Loomis, Necrophagist, and Obscura.” – Rock’n’ Load

“Even though Miller’s music is instrumental, he likes to think of the guitar as a voice. Which in turn makes him ask what is the guitar saying? He is able to easily convey emotion, tone, and a story even without the use of vocals. Throughout his releases, his music has developed a more modern sound in both the music and the production. Musically the songs are more well written and a lot of the ideas he writes are being accurately represented. He is always trying to push himself as a musician and this is reflected in his discography. Influenced primarily by technical and progressive death metal with a dash of power metal and symphonic metal as well, Matt Miller’s music is recommended for fans of Obscura, Dragon Force, and Racer X” – Metal Sucks

“Mr. Miller can shred like his fingers are on fire” – Ever-Metal.com

“Matt shreds all over this album with guitar solos galore”. – Transcending the Mundane

“Soaring, crushing, ferocious, and emotive, Miller conveys a wide range of tones throughout his instrumental music. It is recommended for fans of Dragon Force, Racer X, and Jeff Loomis” – Metal-Rules

“For guitar enthusiasts, I guess it is a feast for the eyes and ears.” – Antichrist Magazine

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0 RAVENMOCKER Unleashes A Fierce First Step Into a New Era of Melodic Death Metal w/ Debut Single “Infallible”

January 12, 2026
by Asher
· Music News · Ravenmocker

NEWS RELEASE

Montreal, QC – January 12, 2026

RAVENMOCKER Unleashes A Fierce First Step Into a New Era of Melodic Death Metal w/ Debut Single “Infallible”

From L – R – Dylan Suierveld – Drums, George Patmas – Guitar, Tom Tierney – Guitar and Vocals, Will Buckley – Bass

Photo Credits – Kim Moran – Photographer

Southern California’s newest force in melodic death metal, Ravenmocker, has released their debut single, “Infallible”, accompanied by a music video to mark the band’s official arrival and the first of several tracks set to drop throughout the year. Formed in 2025 by guitarist/vocalist Tom Tierney, the band emerges from a period of personal upheaval, creative rebirth, and a desire to carve out a culturally rooted identity inspired by Native American lore.

Joined by guitarist George Patmas (ex‑Dianthus), drummer Dylan Suierveld (Levinia), and bassist Will Buckley (Levinia, Anubis), the band quickly developed a sound that is both nostalgic and fresh. Their influences span Children of Bodom, Insomnium, Amon Amarth, Kalmah, and Dark Tranquillity, while each member brings unexpected flavors, country, jazz fusion, blues, funk, and classical choral music into the mix.

Ravenmocker’s writing process is collaborative, dynamic, and rooted in emotional honesty. While Tierney currently leads much of the songwriting, every member contributes ideas, arrangements, and refinements.

“We want to write good songs, not just content. These songs were years in the making. The melodies should stick with you. We want people singing with us at shows. We want to give fans something they can feel together,” adds Tierney.

The band’s first single, “Infallible,” represents the moment everything changed for Tierney, the song that pushed him to leave behind a project he’d been part of for five years and fully commit to forging Ravenmocker’s path.

“‘Infallible’ was the turning point. It came from a place in my life that was harming me more than helping me. The guys immediately heard the potential, and it became the first song we worked on. A small clip online hit over 75,000 views, and that connection really showed us this was the right direction. This song started it all,” explains Tierney.

“Infallible” tells the story of a man who has spent too long in darkness, giving everything to an entity that never gave anything back. The track captures the moment he finally walks away, choosing growth, clarity, and self‑determination over turmoil. Musically, the song is energetic and uplifting, while lyrically, it remains cold, rigid, and emotionally raw. This contrast reflects the duality of stepping into a new future while still carrying the weight of resentment, anger, and frustration.

The single artwork mirrors this theme: A lone figure stands in the ruins of a devastated city, surrounded by collapsed towers and shattered structures. Amid the destruction, a statue of a raven remains standing, wings spread, defiant, symbolizing resilience, rebirth, and the courage to rise from ruin.

Watch and listen to the music video for “Infallible” via its premiere on NoCleanSinging HERE.

Spotify pre-save – https://distrokid.com/hyperfollow/ravenmocker/infallible/

More info:

http://www.ravenmocker.net/

http://www.instagram.com/ravenmockerofficial

http://www.facebook.com/ravenmockerofficial

http://www.tiktok.com/ravenmockerofficial

About:

Formed in Southern California in 2025, Ravenmocker is a melodic death metal band founded by guitarist/vocalist Tom Tierney (formerly of Thrown Into Exile). Joined by George Patmas (guitar), Dylan Suierveld (drums), and Will Buckley (bass), the band blends soaring melody with raw aggression, drawing influence from melodic death metal giants while infusing elements of country, jazz, blues, funk, and classical orchestration.

Their music explores personal struggle, emotional catharsis, cultural identity, and the resilience found in confronting darkness head‑on.

In 2026, Ravenmocker will introduce themselves to the global metal community with their debut singles “Infallible” and “Where the Raven Flies,” leading into their first EP.

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0 Gore House Productions – Blast Beats Unleashed INSECT INSIDE Posts Drum Carnage w/ Playthrough “Hiveborn Abomination” From New Album “Reborn in Blight” Out March 2026

January 8, 2026
by Asher
· Insect Inside (Gore House Productions) · Music News

NEWS RELEASE

Montreal, QC – January 8, 2026

Blast Beats Unleashed INSECT INSIDE Posts Drum Carnage w/ Playthrough “Hiveborn Abomination”

New Album “Reborn in Blight” Out March 2026 via Gore House Productions

Gore House Productions has released a brand‑new drum playthrough for “Hiveborn Abomination” from brutal death metal unit Insect Inside, showcasing drummer Daniel Sementsov performing the track with the band’s signature blend of precision, speed, and crushing heaviness. The video arrives in the lead-up to the band’s highly anticipated new album, “Reborn in Blight,” set for release on March 6, 2026.

The playthrough offers an up‑close look at Sementsov’s blistering technique, capturing the relentless blast beats, punishing double‑kick work, and intricate rhythmic shifts that define Insect Inside’s sound. Shot in a clean, focused studio setting, the video highlights the physical intensity and technical mastery behind the band’s latest material.

Watch the drum playthrough at https://www.youtube.com/watch?v=2sfgjF0-JVw

Listen to the blistering track “Hiveborn Abomination” with guest vocals from Josh Welshman of Defeated Sanity at the following links:

YouTube – https://www.youtube.com/watch?v=OhaFr5xtoEo

Add to Spotify Playlist – https://open.spotify.com/track/5m0cWWNqF9DdVqamY0i1AY

Emerging from Chelyabinsk’s underground scene, Insect Inside have carved a reputation for their tight, aggressive sound, an unholy fusion of groove‑heavy slam and oppressive atmospherics. “Reborn in Blight” marks the band’s second full‑length album and showcases a shift toward a rawer, more visceral tone. Lyrically, the record continues their apocalyptic narrative, chronicling humanity’s collapse and the rise of an insectoid race.

The album unfolds as a relentless journey through death metal’s most punishing elements. Fragments erupts with chaotic groove and sinister atmosphere, distilling the band’s love for the genre into a concentrated assault. At the album’s core lies “Hiveborn Abomination,” elevated by Defeated Sanity vocalist Josh Welshman’s ferocious guest performance and serving as one of the band’s most commanding creations to date. “Carnal Ruins” pays homage to the New York death metal tradition with a hardcore‑infused, groove‑driven tribute to pioneers like Soils of Fate, Internal Bleeding, and Dying Fetus. The brutality continues with “Abhorrent Landscape,” featuring Mr. Ochoa of Cephalotripsy, whose gutturals reinforce the album’s slam‑heavy foundation. Meanwhile, “Echoes of the Swallowed Sinners” plunges into the darkest lyrical territory, exploring the abyss of humanity’s disfigured souls. The album closes with its towering title track, “Reborn in Blight,” weaving groove, speed, and soaring guitar solos into a monolithic finale.

Formed from a shared obsession with slamming brutality, Insect Inside began as friends jamming covers before evolving into a full‑fledged force within the brutal death metal realm. Their lineup features seasoned Eastern European veterans: Bogdan (bass – Cold Blooded Murder, Traumatomy), Pavel (guitar – Ocean In My Bath), Daniel (vocals – Nauseating, Morphogenetic Malformation), and Ivan (drums – Nauseating). Writing collaboratively across different cities, the band crafts a sound that is both meticulously constructed and relentlessly heavy. Onstage, they are notorious for chaotic, high‑energy performances filled with mosh pits, slams, and even fans dressed as dinosaurs.

Drawing influence from brutal death and black metal, Insect Inside cite Disentomb, Relics of Humanity, Cryptopsy, Defeated Sanity, and Vulvectomy among their top inspirations. The album’s artwork mirrors the music’s grotesque vision, gloom‑soaked, apocalyptic, and steeped in visceral disgust.

“Reborn in Blight” will be available March 6, 2026, via Gore House Productions.

Pre‑orders are now live on Digital, Vinyl, CD, and Cassette: https://orcd.co/reborn-in-blight

Album and Live Band Line Up:
Daniel Sementsov – Drums
Bogdan Pisavnin – Bass
Pavel Pleshkov – Guitar
Ivan Tyulkin – Vocals

More info:

https://gorehouseproductions.com/

https://www.facebook.com/insectinsideslam

https://www.instagram.com/insect_inside

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