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Tag: modern metal

0 A Metal Odyssey of Self and Survival – NIGHT’S EDGE Unveils New Video “Shapes in Grey Space II : Soaring” Ahead of New Album Out Aug 21st

  • August 20, 2025
  • by Asher
  • · Music News · Night's Edge

NEWS RELEASE

Montreal, QC – August 20, 2025

A Metal Odyssey of Self and Survival – NIGHT’S EDGE Unveils New Video “Shapes in Grey Space II: Soaring” Ahead of New Album “The World That Never Was” Out Aug 21st

With their fourth full-length album, “The World That Never Was,” set to drop on August 21st, 2025, Baltimore-based trio NIGHT’S EDGE is unveiling one last visual offering ahead of release day. In collaboration with Ghost Cult Magazine, the band premieres the music video for “Shapes in Grey Space II: Soaring”, the second installment in a three-part suite that closes the album. The two-and-a-half-minute ballad of symphonic alternative metal track unfolds a Twilight Zone-inspired narrative, exploring themes of isolation and the transformative journey of self-discovery it can spark.

“Soaring is a hardcore banger in ¾, as fancy as it is intense. The sudden pauses and shifts in direction of the music catch you off guard, while the vocals make you feel like you are ascending into the chorus, with mixed feelings of freedom while remaining tethered to reality. The words reflect our inner turmoil of free will versus the outside forces that control us. When writing Soaring, Damian constantly referred to the movie “Chronicle,” a found-footage thriller about teenagers who get superpowers. Not sure how that connects, that is for you to figure out!” adds Brian Haran – Vocals, Bass, Keys, Programming.

Watch and listen to “Shapes in Grey Space II: Soaring” via Ghost Cult Magazine HERE.

Since forming in 2018, Night’s Edge has undergone several lineup shifts and sonic evolutions, making notable strides since their 2019 debut. Rooted in the Alternative Metal realm yet defying easy classification, their sound blends gothic metal, progressive rock, and nu-metal influences into a heady mix of heaviness and pop sensibility, wrapped in layers of synths and theatrical flair. Their upcoming album, “The World That Never Was,” delves into themes of lost identity and the voids we fall into—obsession, rage, and uncertainty. In its closing arc, the album tells a parable: the protagonist wakes in a world where humanity has vanished and is forced to confront their reflection in the silence… or so it appears.

“We are immensely proud of this album. The World That Never Was has the strongest songwriting that Night’s Edge has ever brought forward, and these powerful songs elevate the three of us as musicians and as a band. It has presented challenges to all of us, as Performers and as writers, and has resulted in a genuine expression of music that is uniquely us. The album flows dramatically from piece to piece, with each song offering something different and contributing a different part from which the whole is built. No two songs sound the same, but every second of the album is unmistakably Night’s Edge. The recording and production process challenged all of us but allowed us to become even more intimate with each song. The lyrical themes that wrap through the album have become hooks in each of our brains, and we feel like each of us left a part of ourselves in this record. The World That Never Was is dense but digestible, complex but immediate, grim but beautiful. It is an album of contrasts, an album of ambition, and Night’s Edge’s most definitive musical statement,” says Haran

“The World That Never Was” follows releases Strangers – LP (2023), Night’s Edge – EP (2022), The Darkest Side of Dreams – LP (2020), and Shades of Dusk – LP (2019) and is recommended for fans of Coheed and Cambria, Avantasia, System of a Down, HIM, and Deftones.

Album pre-order (out Aug 21st) – https://nightsedge.bandcamp.com

Spotify – https://open.spotify.com/artist/5YEhprmAqIyaGmzH1qQInZ​

Night Drive Visualizer – Love Fiction – https://youtu.be/MoRXlrnX6aQ​

Music Video – If You Loved Me – https://youtu.be/0Fj6gIMd6dA​

YouTube Stream – Someone To Stay – https://youtu.be/fg-P90AQvrA​

Lyric Video – Smite – https://youtu.be/pMg-S0fn-Nk​

Upcoming Show Dates:​
Aug 23 – Roachfest – Hollywood, MD
Sept 12 – Zen West – Baltimore, MD – ALBUM RELEASE PARTY
Sept 20 – Asbury Park Brewery – Asbury Park, NJ
Oct 10 – The Depot – Baltimore, MD

Album Artwork by Eden Wormwood

Track Listing:​
1. Someone To Stay (4:11)
2. If You Loved Me (3:51)
3. Man of Many Faces (4:23)
4. Love Fiction (4:14)
5. Wish You Wouldn’t (4:09)
6. Overdue For Destruction (2:50)
7. Smite (3:46)
8. Ataecina (5:08)
9. Shapes In Grey Space I: Reaching (7:43)
10. Shapes In Grey Space II: Soaring (2:41)
11. Shapes In Grey Space III: Separating (5:23)
Total Length: 48:32

Recording and Live Line Up:​
Brian Haran – Vocals, Bass, Keys, Programming
Damian Remmell – Guitars
Dan Hunt – Drums

More info: Nightsedgeband.com | Facebook.com/nightsedgeband | Instagram.com/nights_edge_band

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““Smite” offers a taste of the band’s ever-evolving sound, merging gothic, progressive, and nu metal influences.” – Metal Insider
​
“You’re going for a ride today with the premiere of the music video for “Love Fiction,” the latest single from Night’s Edge. A cool visual accompaniment, the premise of the video, a sped-up night drive of the city and the freeway, complements the song’s intensity well. The single is from the band’s latest record, The World That Never Was. Featuring eleven new tracks, the album is set to be released on August 21st. “Love Fiction” is an introduction to this era of Night’s Edge, their third full-length since first emerging in 2018. The song is a profound reflection on depression and mental health. It romanticizes depression, likening it to a partner who is always there for someone as if the condition itself has become a security blanket.” – V13
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“Night’s Edge is a dynamic three-piece pushing the boundaries of alternative metal with a sound that straddles gothic melodrama, modern heaviness, and synth-drenched theatrics…. a collection of tracks that fuse headbanging weight with danceable grooves, rich atmospherics, and introspective lyricism. With influences ranging from HIM, System of a Down, Deftones, to Coheed and Cambria, Night’s Edge has carved a uniquely immersive and cinematic sound that evokes both the personal and the fantastical.” – Crannk
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​
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“The best part was how they fused a heavy sense of emotion in the music. You can hear it, and feel it, and they don’t hold back.” – Metal Temple

—
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0 MARBLE GHOSTS Signs with Self Made Records L.L.C. / Earache Digital Distro For New EP “The Greatest Divide” Out May 23rd

  • May 14, 2025
  • by Asher
  • · Marble Ghosts · Music News

NEWS RELEASE

Montreal, QC – May 14, 2025

MARBLE GHOSTS Signs with Self Made Records L.L.C. / Earache Digital Distro For New EP “The Greatest Divide” Out May 23rd

Performing at NXT Level Festival In Ottawa – May 22nd

L-R – Adam Hansen (Guitar), Dylan Gunnell (Vocals), Paulo Ferraz (Bass), Jer Renaud (Drums)

Photographer Credit – Lisa Thompson (Dark Moon Productions)

Ottawa, Canada’s Marble Ghosts announces they have signed with Self-Made Records L.L.C. with digital distro from Earache Records for the release of their sophomore EP “The Greatest Divide” out on May 23, 2025.

“We are extremely excited to have signed with Self Made Records LLC. Even though we’ve only been working with the label for a short time, we have seen how closely the label works with bands and how invested they are in our success,” adds the band.

The band is a boundary-pushing ensemble known for its distinctive blend of metal, grunge, and punk influences. Emerging in 2023 onto the Canadian music scene with a distinctive sound and a fierce commitment to challenging societal norms, Marble Ghosts is a band with a message.

Their forthcoming second EP, “The Greatest Divide,” is inspired by our reality, from the ultra-rich and the shrinking middle class to widening gaps in political and religious ideologies that are beginning to challenge and even erode fundamental human rights. Similar to their first EP, these next five songs in their catalog highlight their diverse influences and styles and seek to lift the marginalized through powerful messaging.

With this release, the band asks, “Are you ready to cross the greatest divide?” It is the type of divide that has splintered friendships and even families, where viewpoints differ so greatly, that we can see one another as enemies- traitors. While this seems bleak, some of the stories told through the lyrics are inspired by people who have crossed the greatest divide. But this wasn’t without hardship, as it was often the threat of losing their loved ones, their mental health, and even their own identity that forced the change.

To date, the socially conscious quartet has shared two singles from the five-track EP “Distance Between” and “Eat The Rich”, which is accompanied by a music video that can be viewed at https://youtu.be/pfka0QU68ug

​

“Eat The Rich”, the song, is a statement of today’s political climate shifting to serve the wealthy or the “1%”. The video is a message from Marble Ghosts to the rest of us. It paints the picture of two massively divergent groups- the people who are struggling to hold on, the ones staying in broken, abusive relationships to avoid being homeless, and increasingly out-of-touch billionaires who could effect real, meaningful change with their bank accounts. Instead, the ultra-wealthy constantly seek more and more ways to enrich themselves.

Vocalist Dylan Gunnell explains further:

“This song ‘Eat The Rich’ is about the ultra-wealthy, and the great divide is clear with every billion added to their coffers while the people that enrich them through a broken system continue to suffer. While the chorus is metaphorical, the band also envisioned an alternate reality in writing the lyrics: our planet has been devastated by a zombie plague. The ultra-rich are waiting for a shuttle to carry them to Mars, but it malfunctions, and they are trapped. The undead descend on them, and they are torn to pieces by the horde, the horde that once worked for them, that kept capitalism strong, the people that made them rich. In that reality, their fair share will be paid with a pound of their flesh.”

Musically, “Eat the Rich” has a droning bass that mixes with soft yet acidic vocals in the verses. The long-held scream in the chorus gives way to harmony that grows increasingly layered as the song evolves, creating the perfect contrast. The dirty guitar solo blends into mocking laughter and then powers into a final chorus with three-part harmonies.

Their music is recommended for fans of Breaking Benjamin, Shinedown, Saint Asonia, and Three Days Grace.

Marble Ghosts’ sophomore EP “The Greatest Divide” will be released on May 23, 2025.

Digital pre-save (all platforms) https://earache.lnk.to/TheGreatestDivide​

Bandcamp pre-order – https://marbleghosts.bandcamp.com/​

First Single “Distance Between” – https://youtu.be/tE-M5vDS_uk​

Spotify – https://spoti.fi/40D2I4h​

Show Dates:​
May 22 – Ottawa – NXT Level Festival – The Brass Monkey w/ Crimson Ash, Love and Mayhem, Tucana – info​

Album Artwork by:​
Marble Ghosts font: Crossfade Productions
EP cover art: Edith Fluet

Track Listing:​
1. Distance Between (3:38)
2. Eat the Rich (4:16)
3. Trafficked (The Devil Inside) (4:19)
4. Gloom (4:24)
5. Osmium (4:48)
EP Length: 21:26
​
​Band Line Up (EP)​
Dylan Gunnell – Lead Vocals and Lyrics
Adam Hansen – Guitar
Paul R. Champagne – Bass
Jer Renaud – Drums
​
​Band Line Up (Live)​
Dylan Gunnell – Lead Vocals
Adam Hansen – Guitar and Backing Vocals
Paulo Ferraz – Bass
Jer Renaud – Drums

More info: Facebook.com/marbleghosts | Instagram.com/marbleghostsofficial​

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“Their sound is a unique blend of soft underscoring elements and heavy riffs.” – Decibel Magazine
​
“We are living in pretty divided times and this is explicitly displayed right from the get-go with the single “Distance Between” A strong opening, it is heavy, furious, and sets the mood for the rest of the record. An intense album you can listen to over and over and still find cathartic release of angst, anger and outreach. This is a solid brand of high-octane alternative rock mixed with an old school metal vibe. 8/10” – Metal Temple
​
“Marble Ghosts’ latest single, “Distance Between,” is a relentless blast of punk-metal energy that sets the tone for their upcoming EP, The Greatest Divide (April 4th). The track showcases the band’s unique ability to fuse aggression and melody into a seamless and high-octane performance. From its rapid-fire verses to its towering choruses, “Distance Between” never loses its intensity. The song’s razor-sharp guitars anchor the chaos and deliver not one but two blistering solos that elevate the track’s raw power. Meanwhile, the desperate screams layered over the final crescendo inject a tangible urgency that drives home the song’s message about the fractures in modern society. The song’s technical precision and anthemic qualities plus the band’s punk edge keeps the energy raw and unfiltered, evoking a battle cry to confront the growing divides in the world around us. “Distance Between” and Marble Ghosts prove they’re not just pushing genre boundaries. They’re demolishing them.” – Amplify The Noise

“We have been patiently waiting for a new cut from heavy masters’ Marble Ghosts and they have delivered. The new single “Distance Between” lands today and it’s a special one. The first single to be released from their forthcoming album “The Greatest Divide” (April 4th), “Distance Between” accomplishes what every band hopes to…a monumental track that separates itself from everything else. Driving riffs, top tier vocals, a punchy rhythm section and of course solo breaks that just take flight – Marble Ghosts are back and we’re thrilled they exceeded our ridiculously unfair expectations! Catch it on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll​
​
​“get these guys in your ear holes” – Rock-N-Review​
​
​“When a band is said to be for fans of Shinedown, Breaking Benjamin and Three Days Grace, this puts a lot of pressure on that band to live up to expectations, especially those of lifelong fan of all of those acts. However, Canadian’s Marble Ghosts have produced quite an exciting debut EP that’s made up of a mix of metal genres from metalcore and grunge to death metal. ‘Lie To Me’ has a heavy bass line intro before thick guitar riffs join in. This intensity is matched by the vocals, which seem to be drenched in emotion and this is what makes it a real must listen on the EP. Whilst the lyrics themselves don’t vary much, they don’t need to, because it feels like this track is about putting across a certain atmosphere rather than writing an epic tale. The band do delve into the political in ‘False Heroes’, where they question outdated thinking with such lines as “boys will be boys, all the while accompanied by an unsettling melody in a minor key. They use their own country’s history to influence this song, which the EP artwork and the band’s name are all linking together. 8/10” Powerplay Magazine UK

—
ASHER MEDIA RELATIONS
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0 YESTERDAY’S HERO New Video “What I Needed” Off Debut Album “Ways To Hate” Out Now!

  • January 24, 2025
  • by Asher
  • · Music News · Yesterday's Hero

NEWS RELEASE

Montreal, QC – January 25, 2025

YESTERDAY’S HERO New Video “What I Needed” Off Debut Album “Ways To Hate” Out Now!

Ohio alternative metal Yesterday’s Hero has a new music video to offer up to fans for their track “What I Needed” featured on their debut album “Ways To Hate”. It is a hooky distorted riffing song, guitarist Tony Smith wrote it with his son playing the drums. A Rise Against-inspired banger. It’s a song that is medication for the wounds that we’ve all been dealt.

“Waking up to the realization that not everything is as it seems and really accepting that. It’s what a lot of us need to move forward in life. Sometimes in the middle of a struggle, you may not realize it’s “What I Needed”. adds Smith.

Watch and listen to “What I Needed” via its premiere on Ghost Cult Magazine HERE.

Yesterday’s Hero is a good time band. They have more fun out at the shows than they probably should. They are no choir boys and they bring that signature sound with their first full-length “Ways To Hate”. It was purposely recorded in analog to give you a real album experience and not just singles spread out. The tracklisting was designed for each song to complement the next from beginning to end along with feeling the music and its emotions of struggling with a bleeding heart at the end of a tumultuous relationship

A fusion of high-energy grooves with timeless melodies to get your blood pumping and moshing in the pit, Yesterday’s Hero is recommended for fans of Chevelle, Rise Against, Killswitch Engage, Godsmack, and Seether.

Released on November 24, 2023, “Ways To Hate” is available on all digital platforms at https://distrokid.com/hyperfollow/yesterdayshero/ways-to-hate and https://yesterdayshero.bandcamp.com (CD/digital).

Previous Videos:

Ways To Hate – https://youtu.be/TYftddOAhlA​

Bounce – https://youtu.be/G0P7nnW8wzU​

Track Listing:​
1- Killing Me (3:43)
2- What I Needed (4:06)
3- Ways to Hate (3:38)
4- Bounce (4:12)
5- Be (3:46)
6- Road of Doom (5:26)
7- Life’s So Good (3:46)
Album Length: 28:36

Band Lineup Live and Recording​
Chris Neller – Vocals
Nathan Fike – Lead Guitar
Tony Smith – Guitar
Bill Mizen – Bass
Byron Ferguson – Live Drums and Recorded Drums on track 2. What I Needed, 3. Ways to Hate, 4. Bounce
Jesse Elkins – Recorded Drums on track 1. Killing Me, 5. Be, 6. Road of Doom, and 7. Life’s So Good

More info: Yesterdaysheroband.com | Facebook.com/YesterdaysHeroBand | Instagram.com/hero_yesterdays​

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“This is a great album…. they all sound awesome, being the perfect blend of the early 2000s alt-metal sound and a more modern take, almost bordering on Phil Campbell at times. And, as similar as it all was, I would happily take a lot more of it. Seven tracks just wasn’t enough for me! It sounds great and I think these guys are going to be a big deal soon, if this album is anything to go off!” – Overtone Magazine​
​
​“If you’re a real mensch, then you know when it’s your time to bounce, like the boys in Yesterday’s Hero. The hard rockers are happy to unveil their new music video for “Bounce,” off of their new record, Ways To Hate. The seven-track effort was self-released late last month and checks all the boxes of a no-nonsense, riff-rocking good time. There probably isn’t anywhere more rock n’ roll to record a music video than a car shop, which the band selected as the location of this badass new video clip. The primary riff featured in “Bounce” is one of the first the Ohio quartet conceived for this new record. In a sense, the riff dictated the subject matter of the song, with the band feeling that it really “bounced.” Feeding off of this energy, the song came about rather naturally and cohesively.” – V13​
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​“”When it comes to big riffs, ‘Bounce’ by Yesterday’s Hero doesn’t sell the listener short. Its main thrust sounds like a stoner rock band channelling an old Fugazi tune; the muted riff on the verse adds a sharp edge beneath a great vocal, and exploding into a huge chorus, the band are able to convey a timeless post-grunge sound that sounds massive beneath an enthusiastic hook. If that wasn’t enough, a slow heavy breakdown drawing from a blend of groove metal and hardcore influences increases the tension at the track’s end, ensuring these four minutes leave most rock fans more than satisfied.” – Real Gone Rocks

“The song (Killing Me) is a straightforward alt-metal rager for fans of the late-90s/early-2000s nu-metal scene. The video follows a series of drawings to create a dark and mysterious noir-type atmosphere. ” – New Noise Magazine

—
ASHER MEDIA RELATIONS
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0 Rockshots Records – Brazil’s AS THE PALACES BURN Unlock An Electrifying Sonic Odyssey “Lord Underrated” Off New Album “Drowning Into Shadows” Out Oct 2023

  • September 27, 2023
  • by Asher
  • · As The Palaces Burn (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – September 27, 2023

Rockshots Records – Brazil’s AS THE PALACES BURN Unlock An Electrifying Sonic Odyssey “Lord Underrated”

New Album “Drowning Into Shadows” Out Oct 31st, 2023

Brazil’s “As The Palaces Burn” has carved a distinctive niche with its balanced fusion of aggression and technical finesse. Drawing from a diverse spectrum of influences encompassing traditional Heavy Metal, Thrash Metal, and nuanced hints of Progressive and Modern Metal, the band’s sonic identity is as diverse as it is powerful.

Set to release their new album “Drowning Into Shadows” on Rockshots Records this coming October 31st, the quartet is unveiling their latest single “Lord Underrated” for metalheads to check out.

The band adds about the track:

“Set to a thundering symphony, the lyrics paint a portrait of an unyielding journey, a battle against the shadows, and a rise to claim a kingdom of one’s own. With every verse, the melody weaves an epic saga, beckoning you to dive into the raw power of metal and experience the triumphant crescendo of ‘Lord Underrated’. Let the electrifying riffs and soaring vocals captivate your senses, as you join this sonic odyssey that echoes with the essence of unexplored might and unshackled dreams.”

Listen at the following links:

Spotify – https://sptfy.com/P035​

YouTube – https://youtu.be/el3Rqx7HoRo

​

Following their EPs “Offer To The Gods” (2022) and “All the Evil” (2020), plus 2019’s debut full-length “End’evour”, which garnered the band nominations from Roadie Crew Magazine’s “Best of the Year” awards in both 2019 and 2020, As The Palaces Burn‘s second full-length “Drowning Into Shadows” is a mesmerizing blazing odyssey through a sonic realm of pure metal mastery. With production helmed by Adair Daufembach and co-produced by Gilson Naspolini at IMGN Studios in Brazil, and then masterfully mixed and mastered by Adair Daufembach at Daufembach Studios in the heart of Los Angeles, the album’s sound is an intoxicating brew of power and precision.

Under the musical visionary and guitarist Diego Bittencourt’s guidance, who crafted all the music and lyrics with a fierce passion, the album emerges as a testament to the band’s indomitable spirit. Alyson Garcia’s vocals pierce through the melodies like a sonic battlecry, while André Schneider’s bass sets the foundation for the musical onslaught. Diego Bittencourt, also lending his commanding vocals, showcases his prowess on guitars that ignite the soul of the album, while Gilson Naspolini’s drums provide the heart-pounding pulse that propels the tracks into pure metal euphoria.

The highlights are “For The Weak”, “Into Emotions” and the last single, “Obbey”. The album is also graced by the captivating track “Some Of Them Died”, a tribute to metal legends that have left an indelible mark on the genre’s landscape. The song is a homage to icons like Children Of Bodom, Nevermore, Dio, Van Halen, Rush, Pantera, Slayer, Death, and Depeche Mode, woven into the very fabric of As The Palaces Burn‘s essence.

The album’s intense artwork by Carlos Fides and the band’s own captivating photo by Eduardo Köenig serve as visual preludes to the sonic journey within. “Drowning Into Shadows” beckons all metal enthusiasts to immerse themselves in its relentless rhythms, soaring melodies, and an unrelenting spirit that resonates through each note. As The Palaces Burn has undoubtedly crafted a masterpiece that stands as a shining testament to the might of heavy metal.

With their music resonating across digital platforms, As The Palaces Burn beckons fans of diverse metal flavors to experience their unique fusion. As they continue to evolve and make their mark on the Brazilian metal scene, their story unfolds with a promising horizon ahead.

Mandatory listening for fans of In Flames, Soilwork, Avatar, and Evergrey, As The Palaces Burn’s new album “Drowning Into Shadows” due out on October 31st, 2023 via Rockshots Records is available for pre-order at https://bit.ly/AsThePalacesBurnCD and digital pre-save – https://bfan.link/drowning-into-shadows​

“Into Emotions” (Music Video) – https://youtu.be/W5M3cFpa7uk

​

Track Listing:​
1. Lord Underrated – 3:49
2. The Hive – 3:28
3. Obey – 3:57
4. As Deep As A River – 4:13
5. Into Emotions – 3:49
6. For The Weak – 4:11
7. Last Ride – 3:44
8. As The Palaces Burn – 2:57
9. Some of Them Died – 8:38
Album Length: 38:51

For more info: Facebook.com/asthepalacesburn | Instagram.com/asthepalacesburn1​

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​

0 Calgary’s EVERY HOUR KILLS Streaming New Single ‘Chosen’ Produced by Joey Sturgis (Asking Alexandria, Emmure, Of Mice & Men)

  • February 12, 2014
  • by Asher
  • · Every Hour Kills

SONG PROMOS CAN BE REQUESTED HERE

(R.I.Y.L. – In Flames, Soilwork, Sevendust, I See Stars, Periphery)

EveryHourKills.com | Facebook | Twitter | Soundcloud | Youtube | Reverbnation | iTunes | CD Baby

Calgary’s EVERY HOUR KILLS Streaming New Single ‘Chosen’ Produced by Joey Sturgis (Asking Alexandria, Emmure, Of Mice & Men)

L-R: Brent Stutsky – Bass | Jerrod Maxwell-Lyster – Vocals | Sacha Laskow – Guitar and Programming | Rob Shawcross – Drums (Photo Credit: Sarah Kitteringham)

There’s a new sound exploding out of Calgary, AB’s rising metal scene, Every Hour Kills is the new modern melodic metal band featuring ex-Divinity guitarist Sacha Laskow, bassist Brent Stutsky (Breach of Trust), drummer Rob Shawcross (ex- Out Of Your Mouth) along with vocalist Jerrod Maxwell-Lyster (Walk As Chaos, Out of Your Mouth, Autobody).

Over the last two years, the band has been busy in the lab working on recording new songs to be unleashed to the masses. Last year saw their first single ‘Deliver Us’ exposed to the world and set the path for their next knock out force ‘Chosen’ produced by Joey Sturgis (Asking Alexandria, Emmure, Of Mice & Men, We Can As Romans).

“It was an awesome experience working with an outside producer this time, especially one as talented as Joey. Usually we’ve done everything ourselves, so it was really interesting getting an outside perspective from someone we respect. We are all beyond stoked with the results; Joey definitely added some of his magic to our vision and took the song up to a higher level. Lyrically the song is basically about rising up in the face of adversity, struggling to make our goals and dreams a reality amidst the chaos of the world and other people trying to drag us down. We are all ‘Chosen’ for something, to take our own path and create our own lives.” comments guitarist Sacha Laskow.

To listen to Chosen, please visit the following links below.

[Download Lyrics – EHK – Chosen]

Youtube Stream – Every Hour Kills – Chosen – http://www.youtube.com/watch?v=GKCMi52kdLs

Soundcloud – Every Hour Kills – Chosen – https://soundcloud.com/alansachalaskow/every-hour-kills-chosen

iTunes – https://itunes.apple.com/ca/album/chosen-single/id810330003

Soundcloud – Every Hour Kills – Deliver Us – https://soundcloud.com/alansachalaskow/every-hour-kills-deliver-us

iTunes – Every Hour Kills – Deliver Us – https://itunes.apple.com/ca/album/deliver-us-single/id663068138

Lyric Video – Every Hour Kills – Deliver Us – http://www.youtube.com/watch?v=m6fry8VN_A0

every hour kills - deliver us - official lyric video

Every Hour Kills plans to continue with their song writing, recording and preparing for show dates in 2014.

Upcoming Show Dates:

Fri, May 2 @ The D, 222 7 St S.W. – Event Details (Wacken Metal Battle Canada) w/ Moosifix, Train Bigger Monkeys, Burning Effigy, Exit Strategy

For more info, please visit the following links:

Official Website: www.everyhourkills.com

Facebook: https://www.facebook.com/EveryHourKills

Twittter: http://www.twitter.com/everyhourkills

Reverbnation: http://www.reverbnation.com/everyhourkills

Soundcloud: https://soundcloud.com/walkaschaos

Youtube: http://youtube.com/everyhourkills

iTunes: https://itunes.apple.com/ca/artist/every-hour-kills/id663068194

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