Streaming Now! AUTUMN LIES BURIED New EP “Mob Mentality” via Exitus Stratagem Records
+ THE HELLHOWLER TOUR (NC/GA/FL/TN/IN) w/ Casket Robbery, My Own Will
L-R – Perry Jones – Guitar, Cole Hill – Drums, Kaelin Wilkins – Vocals, Cane Potter – Guitar, Marcus Nettles – Bass
Photographer Credit – Cody Petty
Extreme metal outfit Autumn Lies Buried is proud to announce the release of their highly anticipated “Mob Mentality” EP, available worldwide starting June 6th, 2025. The release coincides with the first date of the Hell Howler Tour, where the band will share stages with Casket Robbery across the United States. The EP delivers the band’s signature blend of extreme metal styles with a powerful social message. The band comments:
“Mob Mentality is a reiteration of what we were talking about in previous songs like Inhuman Skin. The common people have been trained to think they are powerless to change their course in life. They think that the hands of the powerful will hold them down generation after generation, and that’s “Just the way it is. Well, we are preaching sin with Mob Mentality, and by sin, we mean Strength In Numbers. We cannot be held down if we band together against the grifters, charlatans, oppressors, and connivers. Burn it all.”
‘The EP is a call to arms against injustice. Fuel for the fire that cleanses,’ the band continues. All members contributed to the writing process, with each individual taking responsibility for fine-tuning and lyrics, followed by collaborative adjustments. This democratic approach to songwriting reflects the band’s commitment to their message of collective action and solidarity.
Autumn Lies Buried delivers an anti-fascist message with their music while still maintaining a fun and jovial environment for all present at their live shows. Fans can expect breakneck energy with a positive message, if not a bit violent sometimes. The band just wants to have fun and wants the same for everyone there. The Hell Howler Tour runs from June 6th to June 15th, giving fans across the United States the opportunity to experience Autumn Lies Buried’s notoriously energetic live performances. They are recommended for fans of Tech N9ne, The Acacia Strain, and Twisted Insane.
Listen to the full stream premiere for “Mob Mentality” on Decibel Magazine HERE.
Edmonton, Canada’s Famous Strangers, is proud to unveil their fourth single entitled “L.S.C.” as they gear up for perfmances at this year’s festival appearances at Decimate Metalfest (Millet, AB – June 13-14), Armstrong Metal Fest (Armstrong, BC – July 11-12) and Loud As Hell Open Air (Drumheller, AB – Aug 1-3) along with upcoming tour dates to be announced.
“L.S.C..”is meant to take you on a ride. It starts soft, like it is letting you in slowly, and then it flips the switch. The heaviness hits out of nowhere. It grabs you, shakes you, and then drags you through the rest of the track without letting go. It eases you in, then completely takes over, and by the time it is done, it feels like it has drained the life out of you in the best way.
“LSC is one of the most intense and personal songs we’ve released. It digs deep into power, obsession, and emotional survival, all wrapped in a sound that’s meant to hit you hard and stay with you. It is heavy, emotional, and completely unhinged in the best way. Come get some,” adds guitarist Jeff Kittilitz.
Famous Strangers wants fans’ listening experience to be unpredictable, emotional, and honest. This single, and everything they have been working on, doesn’t stick to one lane. They jump from the heaviest riffs they can come up with to slow, bluesy, chilled-out moments. It’s all over the place, and they know not everyone is going to be into that…and that’s okay.
What they hope is that it opens people up a little, even if it’s not what they usually listen to. There’s so much music out there that people miss out on because they’re stuck in one genre or one mindset. Famous Strangers are trying to break through that and just write what feels real, no matter what it sounds like. They are about being fearless in their songwriting. Put everything on the table, be yourself, and don’t hold back. That’s the energy they’re trying to give people when they press play.
Famous Strangers has had a healthy and steady evolution. Since their earlier singles in 2024, Famous Strangers have started to lock in with each other creatively and naturally found a sound that they can all stand behind. It flows and feels more cohesive, and everyone in the band feeds off each other in a way that keeps pushing the songs to a new level.
About: Since their formation in 2023, Famous Strangers‘ signature blend of haunting melodies, powerful vocals, and immersive soundscapes has captivated listeners. The band brings together accomplished musicians whose past experiences in various musical projects have shaped their collective sound. Their diverse influences converge in a unique sonic experience characterized by atmospheric instrumentals and a dynamic vocal approach that seamlessly shifts between melodic and aggressive. They are recommended for fans of Halestorm, Judas Priest, Dio, and Arch Enemy.
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“Haunting, Stirring and Impactful…those words just keep going through our mind as we take in the new single “I’ll See You In The Stars” from Famous Strangers. This one is quite unique with a powerful intensity that is full of rhythm and achieves the rare feat of fury as a pure form of beauty. We really dig this one and you can catch it on your Home for the Best New Rock…” – WJOE – Findlay’s Home for Rock & Roll
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NASTYVILLE New Music Video “Rockin’ Through The Night”
New Album “Rebirth” Out June 2025
Following the release of “Power To The People“, Italian hard rockers Nastyville return with their brand-new single “Rocking Through The Night”, available now on all digital platforms. The track is the second single from the band’s upcoming full-length album “Rebirth“, due out on June 6th, 2025, via Rockshots Records.
Described by the band as “the essence of our will to move forward, to leave the past behind and redefine our sound”, “Rocking Through The Night” is a hard rock statement loaded with attitude, fire, and the desire to break free. Massive old-school riffs meet a cutting-edge rhythm section and a soaring vocal performance, capturing the raw power of a band that’s found its voice again.
The track, along with the entire “Rebirth” album, was recorded at Ivorytears Music Works Recording Studio (Somma Lombardo, VA), produced by the band and mixed and engineered by Alessandro Del Vecchio (Hardline, Vanden Plas, Revolution Saints, Giant).
To accompany the release, Nastyville has also unveiled the official music video for “Rocking Through The Night”, available now at:
LISTEN: https://lnk.to/OLUlqP
VIDEO: https://youtu.be/Cd-fZ_OSuyk
Formed in 2012, Nastyville has built its name on gritty, no-frills rock rooted in glam and street metal, enriched by years of touring and sharing stages with acts like Skid Row, Crashdïet, Steel Panther, and The Dead Daisies. “Rebirth” marks not just a return but a redefinition, pushing the band toward a more powerful, personal, and evolved sound.
For fans of: Skid Row, Crashdïet, Hardcore Superstar, Steel Panther, The Dead Daisies.
TRACK LISTING:
1. The Journey Of Rebirth
2. Power To The People
3. Run Wild, Rev High!
4. Rocking Through The Night
5. Unstoppable (Sia Cover)
6. We Give It All
7. Miss You
8. Yellow Schoolbus
9. Stay Out, Stay Out
10. Sex O’ Clock
11. Rock’n’Roll Experience
NASTYVILLE Line Up:
Marco Luraschi (Mark Lee): Vocals
David Visin (Dave Wild): Guitars
Christian De Gaudenzi (Dega): Guitars
Carlo Giordano (The Horv): Bass
Christian Tabita (Chris Tabeat): Drums
CREDITS: Produced by NASTYVILLE
Recorded at IVORYTEARS MUSIC WORKS RECORDING STUDIO, SOMMA LOMBARDO (VA)
Mixed and Engineered by Alessandro Del Vecchio
ABOUT:
Nastyville is an Italian hard rock band formed in 2012 by drummer Danny Boy and guitarist David “Dave Wild,” with the aim of refreshing the rock genre. The first studio album, “Viva Hell-A” (released in 2015), features old-fashioned guitar riffs and the flavor of the best street/glam rock with Lex on vocals, Kruska on bass guitar, and Manuel on guitar. After Lex and Kruska left, the band continued its journey with Marco “Mark Lee” on vocals and Fabian Anderchen on bass guitar, releasing in 2017 their second studio album, “Glam Caramel”. This album, marked by heavier sounds, gave the band the opportunity to open the Italian tour dates for Skid Row, Crashdïet, Enuff Z’Nuff, Adam Bomb, John Corabi, Simon Wright, and many others. “Songs of Threesome”, released in 2022, was their third studio album and featured a new lineup with Christian “Dega” on guitar and Paul “Cannibal” (ex-Thee S.T.P.) on bass guitar.
In 2023, founding member and drummer Danny Boy and bassist Paul left the band and were soon replaced by Christian “Chris Tabeat” on drums and Carlo “The Horv” on bass guitar. After the release of the two singles “Red Black…Or Green?” and “Livin’ in A Mess”, the band with its new lineup consisting of Marco “Mark Lee” on vocals, David “Dave Wild” on guitar, Christian “Dega” on guitar, Christian “Chris Tabeat” on drums and Carlo “The Horv” on bass guitar, worked tirelessly on new studio material. The year 2024 was a very good year when the band played many dates across Italy and abroad. The opening act for Steel Panther in Milan (Alcatraz) deserves special mention. The band spent the last months of the year working on a brand-new album, entering the studio in December to start recording their fourth studio album under the supervision of producer, singer, and songwriter Alessandro Del Vecchio.
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Meshing styles like post-metal, gothic/doom, punk, post-hardcore/screamo, post-rock, shoegaze, black/death metal, and alternative rock, Italian experimental metal outfit SVNTH‘sfourth studio album, “Pink Noise Youth,” is ready for its coronation on April 18th, 2025, via These Hands Melt Records.
Before it officially unleashes digitally and physically (CD / Vinyl), SVNTH has teamed up with Decibel Magazine for the album’s full-stream premiere, which can be heard HERE.
The band comments on the release of “Pink Noise Youth”:
“If the previous record Spring in Blue was about facing life’s struggles from a childhood perspective, Pink Noise Youth is based on exploring awareness as an adult in late youth, trying to give a voice to a generation emotionally unstable and chaotic as pink noise. It is the second part of the band’s own “trilogy of colors”. Musically, we intended to stay outside of genres and labels where elements of hardcore, metal, shoegaze, post-rock, and unconventional instrumentation such as electric indian sitar, classical, and 12-string guitars are blended in the same pot. People will surely welcome it with curiosity.”
Vocalist and bassist Rodolfo Ciuffo adds:
“Lyrically, most of the inspiration comes from personal life events, relationships, and conversations with people and reflections about existential topics; in several cases, it also comes from movies and books.”
Following SVNTH‘s 2020 “Spring in Blue”, “Pink Noise Youth” demonstrates the band’s continued evolution, deliberately transcending genre boundaries. The album promises to take listeners on a cohesive journey through its carefully crafted track sequence, maintaining the band’s tradition of creating conceptually unified works. The music from SVNTH has always aimed to give the listener emotional vibes. This record, in particular, is conceptually based on exploring late youth emotions, and the music created reflects such instability.
Recommended for fans of Deafheaven, Alcest, and Agalloch, “Pink Noise Youth” is due out on April 18, 2025, on Vinyl, CD, and Digital via These Hands Melt Records and is available for pre-order / pre-save at https://lnk.to/SVNTH
The musical versatility of SVNTH’s sound can be witnessed live in April and May with tour dates in Italy, Germany, the Netherlands, Belgium, the UK, and Switzerland (dates listed below).
SVNTH – Pink Noise Youth EU Tour:
April 17 – Bologna, Italy – Alchemica
April 18 – Milan, Italy – Legend Club
April 19 – Rome, Italy – Traffic Live
May 7 – Pfaffenhofen am der lim, Germany – Stockerhof
May 8 – Bamberg, Germany – UpYours
May 9 – Cologne, Germany – Valhalla
May 10 – Delft, Netherlands – OJV de Koornbeurs
May 11 – Ypres, Belgium – Art Vort’n Vis
May 12 – London, UK – Moor Beer Co
May 14 – Zurich, Switzerland – Ebrietas
Album Cover – Pink Noise Youth – Artwork by Tryfar
With a various background of musical influences and artistic inspirations, SVNTH (written all caps and pronounced “Seventh”, formerly “Seventh Genocide”) from Rome, Italy has been shaping a unique equilibrium of sounds through the years moving across a huge variety of directions on the palette of contemporary alternative music to create a distinctive soundtrack for inner emotions, life scenarios, and existentialist questioning. Expanding the energy of black and post-metal over the mellow and contemplative boundaries of shoegaze, art pop, and cinematic post-rock.
From the vivid early black gaze melodies of the debut “Breeze of Memories” (2015) to the long song structures with acoustic overtures and Godspeed You! Black Emperor inspired sections of the monumental “Toward Akina” (2017); SVNTH confirms this more complex approach on the double LP “Spring in Blue” (2020), the childhood chapter of a trilogy of colors based on emotions in different phases of life.
The upcoming “Pink Noise Youth” (2025) gets back to a more traditional song format, introducing a unique use of Indian sitar, and an array of acoustic instruments and singing expressions, which develops SVNTH to a one-of-a-kind sound and personality.
As of today, the band has done several tours and single shows all over Europe and in the USA touching even non-frequently toured countries such as Albania and Turkey and performing at notable festivals like Rockstadt and Frantic Fest, bringing a defining cathartic live energy.
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“Do you dig blackgaze, in the vein of Deafheaven and Alcest? What about post-hardcore? What about a mixture of the two?! Well my dears, you’re in a bit of luck, because the Italian experimental band Svnth just released their new single “Cinnamon Moon.” Give it a lil listen” – Metal Sucks
“This is not music that settles into one feeling; it is an album that lives in the tension between them, where grief fuels rebellion, where pain and resilience are inseparable, and where every song feels like a battle between destruction and redemption. In the end, it does not leave the listener broken, but neither does it offer false comfort. It does not promise that everything will be okay, but it does promise that the struggle is worth something. It is an album that carries both the weight of sorrow and the fire of defiance, the burden of grief and the light of something that refuses to die. 9/10″ – Metal-Temple (2025 – Pink Noise Youth)
“SVNTH‘s penchant for stylistic amalgamation and intra-song change is revealed again in “Narrow, Narrow“. In its opening phase a lilting guitar gently and mysteriously rings, gilded in reverb, eventually paired with a gritty and growling bass chewing gravel way down below. It’s an entrancing but still somewhat menacing overture, but you can begin to feel the intensity and turmoil build as that phase evolves and the music in the upper reaches begins to swarm and sear and the drums start hammering. And then, with the briefest pause, the band shift, and charge. As the rhythm section surges, the guitars still brilliantly ring but pulsate like hot blood in the veins, and the vocals are even more scorching. The bassist seizes attention here, but so do the vocals as they change to mid-ranging singing with a gloomy cast. Yet the fiery race resumes, fierce but also stricken, and then accelerates even more. The guitars writhe and wail; the somber but soulful singing returns; the bass fervently throbs; the screams join in; keyboards ring as if yearning; and the music builds to a distressing finale. Considered in the context of the new album’s conceptual theme, it channels (at least to this writer) senses of wistfulness and remembrance, but also of loss and grief, and a kind of rage over the unfairness of losing something or someone that can’t be recovered, and can’t be explained as anything that makes sense.” – No Clean Singing
“This is arguably SVNTH’s defining effort to date, and will hopefully see them gain a foothold within the scene at large…” – Distorted Sound Magazine (2020 – Spring in Blue)
“SVNTH sets out in hopes of bridging the rift of a jealous god, welding genres into music that can appeal to all sensibilities, without sacrificing integrity (or intensity)” – Toilet ov Hell (2020 – Spring in Blue)
“”Distortions, speed and sinister atmosphere as the tradition black imposes but also delicate chiselations from which a light filters that suggests possible trajectories capable of questioning the dictatorship of matter, Spring in Blue is an album that is not afraid to face the recognized columns of Ercole gender and to push it far beyond 8.5/10” – Grind On The Road
“an interesting take on black metal, delving deeper into psychedelia and post-rock influences on new EP SVNTH. Though the tremolo-picked guitar playing and blast beats accompanied by howled screams still remain, they are met with shimmering melodies, ambient stretches and Pink Floyd-esque guitars.” – Decibel Magazine (2018 – EP SVNTH)
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SHORES OF NULL Shares New Live In Munich Video “Quiescent”
New Live Album “Beauty Over Europe” Out May 2025
+ Launch CD Pre-Order / Digital Pre-Save
+ EU Tour Dates
Italian melancholic dark metal band Shores Of Null are proud to announce the release of their first live album, “Beauty Over Europe”, set to drop on May 9th, 2025 via Sulphur Music / Masked Dead Records.
The live album features 10 tracks recorded during their monumental 2023 European tour with Swallow The Sun, Draconian, and Avatarium. Throughout that tour, Shores of Null performed 35 shows across 18 countries, including Norway, Denmark, Germany, the UK, Ireland, France, Italy, Switzerland, the Netherlands, and Hungary, bringing their critically acclaimed album “The Loss Of Beauty” to the stage.
The live recordings, captured in the cities of Leipzig, Munich, Aschaffenburg, Budapest, and Belfast, preserve the raw and emotive energy of their performances. Each track reflects the band’s ability to blend melancholic melodies with crushing heaviness, offering fans a visceral live experience.
“Beauty Over Europe” is both a celebration of the tour and a gift to all fans of the band. Exactly two years after that unforgettable journey, this live albumoffers a chance to relive the emotional intensity and true essence of Shores Of Null’s live performances.
Reflecting on the experience, vocalist Davide Straccione shared:
“Our 2023 European tour with Swallow The Sun, Draconian, and Avatarium was one of the most beautiful and intense experiences of my life. Night after night, we poured everything we had into our performances, connecting deeply with audiences across 18 countries. This live album is our way of preserving and sharing that beauty, not only as a gift to those who joined us in the crowd but also for those who couldn’t be there to witness it.”
A live version of their song “Quiescent”, recorded in Munich, is now available on all major streaming platforms and YouTube, accompanied by an exclusive video featuring live and behind-the-scenes footage from the tour.
Shores of Null has also announced a series of upcoming tour dates, featuring a mix of festival appearances and indoor shows across Italy, Germany, Austria, and the UK (dates listed below).
Setlist:
1. Transitory (Live intro)
2. Destination Woe (Live in Leipzig)
3. Nothing Left To Burn (Live in Leipzig)
4. Quiescent (Live in Munich)
5. The Last Flower (Live in Aschaffenburg)
6. Black Drapes For Tomorrow (Live in Budapest)
7. A Nature in Disguise (Live in Munich)
8. Darkness Won’t Take Me (Live in Belfast)
9. My Darkest Years (Live in Aschaffenburg)
10. Blazing Sunlight (Live Outro)
Live Recording: Matti Kynsijärvi
Mixing and Mastering: Marco Mastrobuono at Bloom Recording Studios
Band:
Davide Straccione – Vocals
Gabriele Giaccari – Guitars, Backing Vocals
Raffaele Colace – Guitars, Backing Vocals
Lorenzo Carlini – Live Bass
Matteo Capozucca – Bass
Emiliano Cantiano – Drums
Shores of Null 2025 Tour Dates:
30.04 – DE Saalfeld – Klubhaus (w/ Décembre Noir, Praise The Plague)
01.05 – DE Dresden – HD (w/ Décembre Noir)
02.05 – DE Berlin – Walpurgisnacht (w/ And Oceans, Heretoir, Décembre Noir)
03.05 – AT Innsbruck – Abyss Bar
11.05 – IT Verona – Isola Rock (w/ Dark Lunacy)
15.06 – IT Lignano Sabbiadoro – Arena Alpe Adria (w/ In Flames, Lacuna Coil)
28.08 – UK London – The Black Heart (w/ The Crawling)
29.08 – UK Leeds – The Fenton (w/ The Crawling)
30.08 – UK Plymouth – One For Sorrow festival (w/ The Crawling and more)
31.08 – UK Bristol – The Gryphon (w/ The Crawling)
Shores of Null stand out from their contemporaries with their ability to blend seemingly disparate elements into their sound, overwhelmingly heavy and soothing at the same time: blackened aggression stands alongside gothic-doom sections without either sounding out of place. Their music can be both melancholic yet majestic, made of chorale-like guitar textures across the instrument’s entire range, sustained by a powerful rhythmic section and punctuated by a refined mixture of clean and growled vocals, along with extensive use of pleasing vocal harmonies which have become the band’s trademark through the years.
The Rome-based metal band has been an unwavering presence within the metal underground since their musical outset in 2013, churning out a series of impressive records: the melodic and somber “Quiescence” (Candlelight, 2014), the darker and more complex “Black Drapes For Tomorrow” (Candlelight/Spinefarm, 2017), and the ambitious “Beyond The Shores (On Death And Dying)” (Spikerot Records, 2020), a 38-minute long doom manifesto that sees guest appearances of the doom-titans Mikko Kotamäki (Swallow The Sun) and Thomas A.G. Jensen (Saturnus), along with the angelic voice of Elisabetta Marchetti (Inno).
Shores Of Null’s fourth album, “The Loss Of Beauty”, released in March 2023, was hailed as one of the best albums of the year within the genre. The band supported the release with an extensive EU/UK tour alongside Swallow The Sun, Draconian, and Avatarium, followed by standout performances at major festivals like Hellfest, Rock Imperium, and 70000 Tons Of Metal among others, further solidifying their status as one of the rising forces in the metal scene.
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Metal Hammer writers’ top metal albums of 2023 – Edwin McFee – #20 – Shores of Null – The Loss of Beauty
“With The Loss Of Beauty, SHORES OF NULL have produced their second world class record in a row.” – Distorted Sound Mag (9/10)
“The deep, dark, poetic brilliance behind The Loss Of Beauty is undeniable, and Shores Of Null’s doomy melancholic style is especially ideal for those considering themselves fans of Swallow The Sun, Draconian and Saturnus.” – Metal Storm (8,5/10)
“The Loss of Beauty is a morose and often magnificent listen.” – Metal Hammer UK (8/10)
“The Loss of Beauty is an engaging, exquisite, and moving slice of melodic doom that further cements Shores of Null’s esteemed position in the scene.” – Dead Rhetoric (9/10)
“The Loss of Beauty is an incredibly strong and versatile album, on which themes known from genres such as post black metal or post punk are presented in a diverse and varied manner.” – BetreutesProggen (13/15)
“Once again, Shores of Null continue to impress with yet another slab of high-quality doom/death that seems the quintet on an upwards trajectory.” – Angry Metal Guy (4/5)
“With lyrics like “my loneliness will guide me” and “isolation will set us free,” classic doom drumming, and impressive vocals, Shores of Null announce their intent to deliver the best doom album of 2023.” – Noizze UK (9/10)
“Un grato disco de casi una hora de música, donde la melancolía no es predominante, sino lo melódico, y eso es cae a la perfección.” – Metallerium (9.2/10)
“A savourer, en s’aimant. A savourer, l’esprit ouvert aux beautés que l’on croit – ou que l’on relègue au rang d’- insignifiantes et qui sont le sel du monde qui nous entoure. A savourer, tout simplement..” – Soil Chronicles (9/10)
“Shores of Null haben für mich mit The Loss of Beauty einen heißen Anwärter auf mein Album des Jahres veröffentlicht, das ich jedem Fan von melancholischem Metal mit Doom, Gothic, Melodic Death und Black Metal Einflüssen nur wärmstens empfehlen kann! Von mir gibts für dieses Meisterwerk die Höchstnote!.” – Sound Magnet (10/10)
“If “Beyond the Shores (On Death and Dying)” granted them the status of Masters of the Genre, with “The Loss of Beauty” we cannot help but acknowledge their unquestionable talent for creating stunning beauty that goes under your skin, both with music and words.” – Tuonela Magazine
“It is an album with many faces, a true chameleon, that shows the best of heavy, doom, dark, gothic, death, and a pinch of black metal. The musicians of this band are playing at the very highest level and it is unprecedented what this band is capable of.” – Zware Metalen (94/100)
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SIEGE PERILOUS Launches Kickstarter For Concept Album “Becoming the Dragon” ft. Guests Fabio Lione and Kristin Starkey
A narrative-driven punch of epic fantasy power metal featuring incredible guests like Fabio Lione and Kristin Starkey!
L-R – Eric Fischer (Bass) | Mark Girard (Drums) | Shaughnessy McDaniel (Vocals) | Scott Hancock (Guitar) | Cody Martinez (Guitar)
Photo Credit: Underhill Imagery
Unveiling their monumental musical odyssey and EP “Creation’s Call” in August 2024, Denver’s fantasy power metal warriors Siege Perilous unveil plans for their first full-length album.
Entitled “Becoming the Dragon,” the album is the band’s biggest and most ambitious work yet—a cinematic, narrative journey set in a world of warriors, dragons, and destiny. To help Siege Perilous unleash this epic power metal story, the band enlisted two of the most epic voices in the genre: Fabio Lione (Angra, ex-Rhapsody of Fire), a legendary power metal voice, and Kristin Starkey (Twilight Force, Temperance), the powerful contralto who brings her operatic touch to the tale.
A single narrative power metal opera from start to finish, “Becoming the Dragon” is centered around the Child of Prophecy, the hero who slays the dragon, played by Fabio Lione, but then comes to question whether he is truly a hero or simply a pawn of an ancient prophecy. After a journey of self-discovery that takes him across a vast fantasy world he, aided by the mystic Sorceress (Kristin Starkey), takes on the forces of destiny itself to forge a new future.
To bring this concept record to life, Siege Perilous is using Kickstarter and, once again, enlisting the help of power metal fans.
Vocalist Shaughnessy McDaniel comments:
“After the incredible reception we received for ‘Creation’s Call’, we couldn’t wait to bring people what they had been asking for, a full-length album. We are so excited and blown away that we get to work with the legendary Fabio Lione and the absurdly talented Kristin Starkey to bring this fun yet meaningful fantasy story to life, and Kickstarter is such a great way to help an up-and-coming band like Siege Perilous maximize this opportunity. The dream for this album is big! And while we are self-funding about half of it, we need some help to bring this full epic vision to life and to reach its full potential. Heroes of power! Warriors of metal! Keepers of the flame! Join us on an epic quest!”
Check out the exclusive rewards you can receive with your Kickstarter pledges, from Vinyl to classic rewards like CDs, t-shirts, and stickers to a few fun experiences by Siege Perilous.
“If you’ve ever wanted a power metal anthem written about your DnD Campaign, a favorite fantasy story, or a historical epic, now is your opportunity to bring those stories to life with a custom hand-crafted power metal track. This and many other cool rewards can be yours and 100% of the profits from this campaign will go into the production and promotion of “Becoming the Dragon.” We have many stretch goals including enhancing our vinyl, filming great music videos, and more! Thank you for contributing and helping us summon this fantasy into being. Share the campaign, spread the word and together we will continue to keep the dream of heavy metal burning bright!” adds McDaniel.
“It gives me great pleasure to tell you that Creation’s Call is a blast. Siege Perilous has succeeded in creating what I would call Epic Power Metal for the Working Man. They don’t waste your time with overlong symphonic interludes between tracks, melodramatic narration, or overproduction that tests the limits of your sanity. The band gets right to the point and pulls you into their epic tales of heroic daring immediately. This is a nice breath of fresh air and if this EP is anything to go by, Siege Perilous has a great future ahead of them. Yes, this could be considered power metal but the no-nonsense approach and urgency to the songwriting makes this release absolutely worth checking out for those of us in the NWOTHM scene. Plus, it’s really just a lot of fun. This one is highly recommended. THENWOTHM SCORE: 9/10” – The NWOTHM
“‘Creation’s Call’ never gets boring, even on Heavy Rotation. Five gifted musicians have succeeded in creating a varied EP. The twin guitar solos are convincing the whole time. It’s just a shame that it ends after twenty-one minutes. It makes you wish for a full-length album. And, of course, a thrilling live performance. 9.3/10” – Metalheads Forever Magazine
“solid power metal style that should satiate any LARP-attendees or Dungeons and Dragons mavens. Keep an eye on this quintet – wield thy sword as they lead the battle charge for more quality power metal from the states. 8/10” – Dead Rhetoric
“There are any number of quality bands like Siege Perilous active right now but the style is popular (and I love it) and these guys are as decent as the next similar act. They lean more the Metal side of the equation using the folk and orchestral moments as flavour, not the main style. CREATION’S CALL is a fine effort and I could easily see them on tour with Brothers Of Metal, All For Metal, Fellowship and other costumed Metal heroes. Worth checking out!” 4/5 – Metal Rules
“Denver metal mob reckon that their goal on “Creation’s Call” was to build a world and tell a story in “three to five minutes.” It’s a world of fantasy, as “Oathsworn” proves, where metal rules and swords are held high. “Across The Rubicon,” however, is delivered with such skill that you can’t resist getting sucked in with them. Shaughnessy McDaniel has a brilliant “metal” voice, roaring on “Sons Of The Verdant,” and guitar duo Scott Hancock and Cody Martinez can knock out a NWOBHM riff like it’s 1982, as the title song underlines. “Brothers Of Five” brings the epic one last time, galloping in proper fashion, and it’ll be interesting to see how Siege Perilous develops. This is one hell of an opening statement, mind you. 8.5/10” – Maximum Volume Music
“Creation’s Call not only highlights Siege Perilous’ dedication to epic storytelling but also emphasises their versatility within the power metal genre. With influences ranging from historical events to high fantasy, this EP offers a rich and varied auditory experience that will captivate fans. Prepare to embark on a grand journey through myth and history as Siege Perilous delivers their latest saga.” – Amplify The Noise
“Creation’s Call it is a cohesive and well-crafted work, where the combination of rich letters in history and fantasy, with a meticulous musical execution, it makes mandatory, regardless of its short duration. [82%]” – Via Nocturna
“Creation’s Call doesn’t get boring even in heavy rotation. Five gifted musicians have created a varied EP. The solos of the twin guitars are convincing across the board. It’s just a shame that it’s over after twenty-one minutes. You want a full-length album. And of course a sweaty live performance. 9.4/10” – Keep On Rocking
“Colorfully mixed NWOTHM/Epic Heavy/Power Metal elixir that appeals to a broad range of fans between ALESTORM, BATTLEROAR, ETERNAL CHAMPION, GATEKEEPER, IRON MAIDEN, RUNNING WILD and WRATHBLADE. Awakens a huge appetite for a full long-play album. On this EP you can clearly see that the band has enormous potential and has already given a great taste of their skills. Conclusion: Strong-looking genretobak that falls out of the usual range! 8,5/10” – FFM-Rock
““Oathsworn” simply explodes out of the gate. The band ratchets every possible dial up to 11 and charges into battle with an epic statement of intent.” – Nine Circles
““Brothers Of The Five” offers classic power metal as you would appreciate it. The strain on the neck muscles is correspondingly high and in some places the number cannot deny a slight Maiden stable smell.” – Hellfire Magazin
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Canadian Power Thrash PHEAR’s New Lyric Video Reigns In A “New World Error”
New Album “Save Our Souls” (Produced by Jon Howard (Threat Signal)) Out Now!
Live Lineup – PHEAR – Alex Zubair – Guitar, Pat Rogers – Guitar, Chris Boshis – Bass Guitar / Backing Vocals, Andrew Suarez – Drums, Patrick Mulock – Vocals
Canadian power thrashers PHEAR have a new lyric video to reign in the “New World Error”. The track is off their second full-length album “Save Our Souls”, which was unleashed this past February from Golden Robot Records.
“New World Error” is a musical and lyrical statement on all the terrible atrocities going on in the world today.
“Humans are sometimes the plague of humanity.” adds the band.
Watch and listen to “New World Error” via its premiere on MetalAddcist HERE.
Produced, mixed, and mastered by Jon Howard (Threat Signal), Phear‘s sophomore album “Save Our Souls” can be best described as their heaviest offering to date and follows the award-winning album “Instanitarium” (2019), and the critically acclaimed EP “The Curse Lives On” (2020).
Extremely passionate, and driven, along with their arena-caliber sound, PHEAR is always thinking of new ways to entertain its fans, and “Save Our Souls” is no exception. Mostly written during the dark times of COVID-19, the record has taken four years to complete. Led by Patrick Mulock and producer Jon Howard in the studio, each musician was pushed hard to get the best out of each of them and they delivered.
“We had a lot of time to craft these songs. We didn’t have any time restraints. We would go into the studio and do three songs at a time. We were very excited to work with Jon Howard (Threat Signal) again. Jon is the sixth member of Phear. The studio experience was great as we fed off each other’s ideas. We pushed each other to get the best performances we could. There are NO FILLERS here. Seven String guitars have played a big part in this. Our sound has grown. The bass guitar on this album is HUGE! The drumming from Mike Harshaw was also very aggressive. If you were to ask me now… This is the heaviest Phear has ever been… for now lol!” adds Mulock.
A listening experience of thrash, prog, and classic metal elements, PHEAR offers a strong balance from infectious choruses to melodic and growling vocals for true heavy metal nostalgia. Their two previous singles, the album’s title track and “Snake” are sure to make fans throw up their hail horns and headbang with a sore neck. Plus the band offers up their cover version of Nevermore‘s “Narcosynthesis”.
PHEAR features Patrick Mulock (Lead Vocals) (Eidolon, Rampage), Pat Rogers (Lead & Rhythm Guitars) (Profaner- 2016 Wacken Metal Battle Canada Champions), Alex Zubair (Lead & Rhythm Guitars) (Burn to Black, Nadar Sadek, Iomair, Nephelium), Andrew Suarez (Drums) (Fatality, The Slyde – 2023 Wacken Metal Battle Canada Champions) and Chris Boshis (Bass) (Conflicted).
Throughout their existence, PHEAR has had the honour of opening for German metal legend UDO DIRSCHNEIFER, THE DEAD DAISIES, and STRYPER, along with performing on a pre-show for icons and heroes IRON MAIDEN in 2019 in Toronto at Budweiser Stage.
Recommended for fans of Iron Maiden, Megadeth, Judas Priest, Dream Theater (prog elements), and Metallica, PHEAR‘s latest album “Save Our Souls”, released on February 13th, 2025, is available from Golden Robot Records at the following link (Spotify, Apple Music, Amazon) – https://orcd.co/save-our-souls
Track Listing
1. Aftershock (5:11)
2. Save Our Souls (6:39)
3. Snake (5:26)
4. Narcosynthesis* (5:29) (*Nevermore Cover)
5. New World Error (5:11)
6. Lease on Life (7:02)
7. Bleed (7:57)
8. On Thin Ice (8:20)
9. Delusions (Live) 6:45)
Album Length: 58:03
Album Credits:
All songs performed by: Phear
All songs written by: Phear
*excluding “Narcosynthesis” Written by Nevermore
Produced by: Jon Howard and Phear
Mixed by: Jon Howard and Phear
Mastered by: Jon Howard (Woodward Avenue Studios)
Album Artwork for “Save Our Souls”: Drake Mefestta
Recording Band Line Up:
Patrick Mulock – Lead Vocals
Chris Boshis – Bass Guitars, Backing Vocals
Alex Zubair – Lead Guitar, Rhythm Guitar
Pat Rogers – Lead Guitar, Rhythm Guitar
Mike Harshaw – Drums
Live Band Line Up
Patrick Mulock – Lead Vocals
Chris Boshis – Bass Guitar, Backing Vocals
Alex Zubair – Lead Guitar, Rhythm Guitar
Pat Rogers – Lead Guitar, Rhythm Guitar
Andrew Suarez – Drums
“This album has a lot of (gillend) guitar playing, an excellent rhythm section and good vocals. Nice use has been made of the distribution over the headset. Due to the verse-chorus structure, some parts are somewhat predictable. Yet it is quite well put together vocally and instrumentally. The choruses in particular stick pleasantly in your head.” – Maxazine.nl
“Thrashy power metal, just a really cool sound from the get go…. and a cover of Nevermore’s Narcosynthesis to give you a little idea of their vibe.” – MoshPit Radio 89.9 FM – Madison, WI
“Part HM, part Power, with a sprinkling of Metalcore, Prog and Thrash, this is stoopid infectious” – Cult Metal Flix
““The Curse Lives On is a testimonial to what power / thrash metal can do to your soul, deep, dark and loud. just crank it up and feel the Phear.” – Bravewords (2020 – The Curse Lives On)
“PHEAR have so much potential and really reminded of bands like NEVERMORE, EIDOLON and late eighties FATES WARNING. You have a top notch singer and a great backing band, they have a lot of potential that’s for sure. A band to look out for in 2020!” – Metal Temple (2020 – The Curse Lives On)
“With the sonic power of IRON MAIDEN, blended with the classic style of JUDAS PRIEST, PHEAR bring to life their monster live shows to the ears of fans across the globe.” – KNAC (2020 – The Curse Lives On)
“The live songs were recorded in Toronto and this recording shows that the band seems to be able to deliver a live show like any good seasoned band. There are good interactions with the crowd, just enough to show a frontman able to get them going without being overbearing and breaking the flow of the show. One can’t help but smile when he goes, “Scream for me Toronto!” in very Bruce Dickinson fashion. I wish I head heard the originals but suffice it to say that their songwriting style is very much influenced by Maiden, though much closer to their post-reunion output that any of the classic ’80s stuff. Bottom line, this is over an hour of cool material kind of anonymized by a nondescript name. Worth checking out if you’re into newer Maiden. This is a band that might go places if they play their cards right. 4/5″ – The Metal Crypt (2020 – The Curse Lives On)
“If you are looking for some great classic sounding metal with fantastic vocals, amazing guitar work, give Phear a listen by checking out both Insanitarium and The Curse Lives On, both available now and catch them live when you get the chance. I guarantee you’ll love it all.” – Metal Master Kingdom
“Mixing the components of the NWOBHM era, blending them and sculpting them around their sound, making this offering by the Canadan-quintet a must in the air-guitar collection.” Metal Temple (2019 – Insanitarium)
“Mississauga-based Phear packs quite a punch on its debut full-length release, Insanitarium, The band’s brand of power/thrash metal is a perfect blend of melody and ferocity.” – Bravewords (2019 – Insanitarium)
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Montreal Aggro-Metal CHÜZO Kick-Off Ontario Tour Dates + New Lyric Video “Bruised and Broken”
New EP “M.T.M.D (Maximum Threshold, Minimum Decay)” Out Now!
Produced by Kevin Jardine (Slaves On Dope)
L to R: Alex S (Bass), Cristian S (Guitars/Vocals), Mischa M (Vocals), Carlos G (Drums)
Photo Credit @stutteringuzii (Instagram)
Montreal aggro-metal troupe CHÜZO is kicking off their Ontario weekend warrior dates in Oshawa, Toronto, and Hamilton. The tour dates are in support of their latest EP “M.T.M.D (Maximum Threshold, Minimum Decay)”unleashedthis past October and produced with Kevin Jardine (Slaves On Dope, Uplift Recording Studio) (dates listed below).
To get fans hyped for the pit, the band is sharing their new lyric video for the intense knock-out track “Bruised and Broken”. The song is about being pushed, provoked, and instigated to the point of no return, and the inevitable result of that subjugated person losing their temper and inflicting red.
CHÜZO also performed last week at Wacken Metal Battle Canada‘s third round in Montreal and captured their experience, which can be viewed in the following video – https://youtu.be/fEvpxS5hmWU
The band adds:
“This is a video done by our drummer and editor Carlos Gutierrez, showing the action that happened at the Wacken Metal Battle 2025 at Piranha Bar in Montreal, Quebec. Even though we weren’t victorious, we were very stoked and thankful to perform in this battle. We played one of our best shows, one of our most passionate performances. We thank everyone who was involved with the organization of this metal battle. We thank the bands that played. We especially thank the people who got into our show and the pit. The judges were very cool and fair with their critiques. We put our heart and soul on that stage and we will be doing it again next year.”
TOUR DATES
March 14 – The Atria – Oshawa, ON – info
March 15 – Duffy’s Tavern – Toronto, ON – info
March 16 – Doors Pub – Hamilton, ON – info
CHÜZO‘s new EP “M.T.M.D (Maximum Threshold, Minimum Decay)” is a three-track record that marks the next chapter and a true representation of what the quartet’s sound is meant to be.
“This new EP was to showcase our new lineup with our newest songs that are truly representative of our musical style, a style that we proudly call ‘Aggro-Metal.’ Very aggressive metal songs that have relatable themes that anyone can listen to and understand. This EP is our audio shotgun blast to the world to pay attention to and to mosh intensively during our live sets.” adds guitarist Cristian S.
CHÜZO‘s new lineup features the ensnaring vocals of Taiwanese Brazilian transplant Mischa M joining local first-generation Chilean Canadian and mastermind Cristian S. along with Carlos G from Venezuela and Alex S from Russia who all have found Montreal, Canada to be their home-to-breed their blender of grindcore, Swedish death metal, thrash, and hardcore punk to transform a sub-genre dubbed ‘Aggro Metal’.
The EP’s lyrics are driven by self-reflection and daily struggles. The inspiration for writing comes from life experiences and trying to live past them, especially the traumatic ones. Using all bad energy from bad experiences to create something positive for yourself and the world. This EP speaksof vengeance and the bad side of dedicating your life to achieving your desired revenge despite your own life and sanity. Brutal Social Justice.
For fans of Sepultura (Cavalera Bros era 84-96), At the Gates, Napalm Death, Slipknot, and Fuck the Facts, “M.T.M.D (Maximum Threshold, Minimum Decay)” was released on November 15, 2024.
Canadian College Radio Loud Charts – December 2024 – top 20 loud #20 – CHÜZO – M.T.M.D.
“‘A Brazilian vocalist, a Chilean guitarist, a Russian bassist and a Venezuelan drummer walk into a Montreal metal bar’ might sound like the beginning of a borderline funny joke, but it, in a roundabout way, speaks to the christening of thrash, punk, death-beat quartet CHÜZO. The band’s latest EP — M.T.M.D.(Maximum Threshold, Minimum Decay) — is the latest in a long line of releases since forming in 2020 and sees the light of day today. The band has a lot to say about their latest endeavour, but fans of old Sepultura, Napalm Death, At the Gates and Fuck the Facts should find something of interest ” – Decibel Magazine
““Bruised and Broken” is definitely a rager. Mischa and Christian belt out the words in a tandem of furious screams and monstrous roars. Behind them, the song discharges high-speed percussive obliteration and punk beats, a violent churn of high-grit riffage, and bowel-loosening bass-quakes. The band also work in mean-eyed slashing chugs, a brutalizing breakdown that seems to get more thuggish but no less head-hooking as the seconds pass, an explosion of boiling and battering grindcore mayhem, and another hardcore beatdown that’s probably a sure-fire mosh trigger in a live show — with Mischa‘s screaming voice still coming for your throat with no-holds-barred intensity. Just this one song proves that for Chüzo the label “Aggro Metal” isn’t false advertising. It’s a gut-slugging, bone-smashing, vocally blistering, and viciously eviscerating outburst, and it also proves to be a pretty addictive piece of rage-fueled catharsis too. Speaking of live shows, the video gives a good sense of what the band’s live sets are about, and a good sense of how much fun they had beating the shit out of things in that rage cage.” – No Clean Singing
“The band has just released M.T.M.D., an acronym that stands for Maximum Threshold, Minimum Decay, to testify how high the group’s ambitions are. The perspective could at first glance be assimilated to that of the variegated groove metal universe, but on closer inspection there is much more in the folds of the individual songs, characterized by the desire to release vital energy and give voice to impulses, emotions, feelings. The sound matrix is brutal, at times unstoppable, and characterized by the fierce performance of the gritty Mischa Mai microphones: combining power, imagination and a pinch of healthy madness the quartet gave full demonstration of their qualities.” – Rock Hard Italy
“M.T.M.D is a crucial chapter in Chüzo’s evolution, showcasing a lineup that’s finally found its voice. Their journey is a testament to the transformative power of music and the ability to channel personal struggles into a collective outcry for justice.” – Amplify The Noise
“It might be something of a cliché but it remains true; this isn’t simply an EP. It’s a promo for helping Chüzo find a major label for a debut full length… [8/10]” – Metal Noise
“CHÜZO have achieved several things on “MTMD (Maximum Threshold, Minimum Decay)” that other bands dream of for an entire career. On the one hand, the clever balancing act is impressive between old school credibility and new school influences. A factor that plays a striking role in the overall absolutely high-class work is that Canadians walk in a straightforward and focused manner in the ear. The three songs on the EP entitled “MTMD” are fast-paced in nature, mill into the ear canals at massive speed and –’s most important aspect – remains there… The EP is catchy, intense and yet has matured, multi-layered and serious Half-life to be equipped. Conclusion: Check in, buy, leave, killer!” – Metal Division Magazine
“Their common points: knowing how to intelligently mix the best of grindcore mixed with Swedish death, with a touch of hardcore thrash from a punk perspective. Chüzo calls his music, « Aggro Metal ». The theme of their songs, telling their life experiences, shouting their anger at the traumas experienced. The kind of text that allows you to let off steam and make yourself understood even if you have gaps in English. Chüzo is a sort of best of aggressive metal music with this vengeful punk attitude: Chüzo would be a disciple of Napalm Death. Damn their music is good to hear. For fans of Sepultura and the Cavalera brothers, Chüzo is for you, Cristian S. sings with the same kind of vocal intonation as Max C. For Christmas, I would like Chüzo to tour the old continent within the next 2 years. If I had the means, I would participate financially in their future tour. There are small (et larger) concert halls waiting for you. The day we can do a concert at the Kjbi, Chuzo is automatically on the bill” – Margoth PDF Webzine
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Newfoundland Blackened Thrash Duo ARTACH Unleash Video “Macha”
New Album “Morrigan…Goddess of War” Out Mid-March 2025
Newfoundland, Canada’s black metal duo ARTACH announces the release of their latest album “Morrigan…Goddess of War” due out on March 21st, 2025 via Depressive Illusions Records. This third full length represents the band’s strongest material yet. It’s a relentless assault of blackened thrash metal that captures the intensity and fury the duo have always strived for. From crushing riffs to searing melodies, every track on this release is forged with raw passion.
“We’ve poured everything into this record, and we can’t wait for fans to experience the full force of Morrigan…Goddess of War.” adds Sruthán (Guitar/Bass).
Today, Artach unveils the lead single “Macha”, one of the three songs that are part of the Morrigan trilogy on the album with the songs that also includes “Badb”, and “Nemain”.
Sruthán (Guitar/Bass). explains further:
“Macha, one of the Morrígan, was known for her prophetic visions and her role as a fierce protector of warriors. She is sometimes considered one aspect of the Morrígan, a trio of war goddesses.
The three goddesses, and what elements they represent, that make up the Morrígan in Irish mythology are:
Macha – War, sovereignty, horses.
Badb – Battle, death, chaos.
Nemain – Frenzy, panic, terror.
Together, they represent different aspects of war, fate, and destruction in Celtic mythology.”
Artach is a two-man black metal band (Sruthán: Guitar/Bass, Fíochmhar: Battery/Vokills/Keys) based in St. John’s, Newfoundland, Canada. Being from the foggiest, snowiest, wettest, windiest, and gloomiest capital city in Canada, one should not be surprised that this fuels the creation of Black Metal. Their inspiration comes from the land, nature, the bleak weather of the Canadian North, and influential black metal bands.
Since the duo’s formation in the spring of 2019, Artach has been consistently releasing new music. The band’s debut album “Chronicles of a Black Winter” was released digitally during February 2020 and later unleashed on physical CD by Depressive Illusions Records. In 2021, the band returned with their next offering “Sworn To Avenge”, a full-length scourge of raw and relentless bruting gloom. In 2024, Artach took an experimental direction with the EP “Sgrios”, which was a black metal spin on industrial metal sounds.
Now in 2025, they unleash their third full length offering with “Morrigan…Goddess of War” for release in mid-March.
Discography:
2025 – Morrigan…Goddess of War (album)
2024 – Sgrios (EP)
2024 – From The Frozen Vault (EP)
2023 – Hell on Halloween (Single)
2021 – Countess Bathory (Single)
2021 – Sworn to Avenge (album)
2020 – Night Songs (single)
2020 – Chronicles of a Black Winter (album)
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“In my opinion this is another great sounding recording from Artach and if you are a fan of experimental and industrial black metal, you should check out this ep. RECOMMENDED TRACKS INCLUDE “Frozen Factory” and “Atomic Cabaret”. 8 out of 10.” – Occult Black Metal (Sgrios review)
“…offers a unique insight into the inspirations behind Artach with an eclectic and eccentric charm. 7/10” – Metal Noise (Sgrios review)
“With the jagged band name and bleak setting you can look upon the cover and get a taste of what’s in store, then you add in the hooded man with the sword and your ideas may be subverted, perhaps not. This is the real genius of Artach. They are making music that crosses genres; a bit of black metal, death metal, old school horns up fists of air grabbing metal as well.” – Killchain (2021: Sworn to Avenge)
“The song (She Gathers Leaves) is a thrill-ride, but also reveals elements of gothic witchiness. The raw vocals are caught up in a paroxysm of fierce, crazed adoration, venting cold-blooded roars as well as braying, throat-stripping howls and cut-throat screams. The full-throttle drumming is tumultuous, a changing array that hammers, gallops, rocks, thunders, and blasts. Urgently rising chords provide a recurring theme, surrounded by flame-throwing riffs that dart, pulsate, and spasm, drawing on elements of thrash and classic heavy metal as well as black metal. Ecstatically swirling leads further add to the wildness of the song. A mood of mystery does surface in the track’s brief intro, and that mood surfaces again in the song’s back half, leading into a necromantic guitar solo that takes flight in scintillating fashion.” – No Clean Singing (2021: Sworn to Avenge)
“check out Artach for a truly epic journey into the wildernesses that populate the dark fantasy land conjured through their excellent music. This sophomore album tells me that this is a band that will be releasing much good material for years to come and will soon be headlining the epic black metal stages or charts both online and at festivals. An excellent job all round.” – Metal Rules (2021: Sworn to Avenge)
“”Sworn to Avenge is a mind-assaulting record… You’ll hear the influences of classic black metal bands like Venom, early-Bathory as well as elements of the second wave; Immortal, Darkthrone etc. Ugly and uninviting stuff but very satisfying if you enjoy the gloomier side of metal… It’s a mammoth listen and does take its toll, but the array of ideas that Artach showcase does keep things interesting. An hour slips by, the cold has sunk deep into the bones and you’ll be left wondering if you’ll ever be warm again.” – Games, Brrraaains And A Head-Banging Life (2021: Sworn to Avenge)
“Very melodic black metal, yet aggressive and heavy with undeniable influences from plain old straightforward heavy metal, so while things are definitely “black metal”, there’s a lot of discipline at play and this is definitely not your average raw, chaotic black metal. There’s order to the chaos on Sworn to Avenge, but that doesn’t prevent it from being aggressive and sometimes kind of depressing and melancholic despite not descending into the slower playing usually associated with those stylings. It’s a rollercoaster of “fuck yeah!” and “kill me now” (in sort of a good way).” – The Metal Crypt (2021: Sworn to Avenge)
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Orchestral blackened death metal outfit Vortex has emerged from the void with their most ambitious release with their next concept record “Alien Realms”, set for release on April 11th, 2025, alongside the first single “When Humans Defy the Void”. With this release, they also announce eastern Canada tour dates with France’s XAON for April followed by European dates in October and November. They comment on the single:
“This song is a melodic assault, blending thrash-driven verses, hyper-melodic choruses, and an epic finale, all immersed in grand, sweeping orchestrations. Bold and daring, humans leave Earth in search of intelligent extraterrestrial life. This track is divided into three distinct sections: the thrashy, aggressive verses; the ultra-melodic choruses; and the glorious, epic ending.”
The band further explains that “Alien Realms” is a natural progression from their previous work. They’ve enhanced the orchestral elements while pushing deeper into blackened death metal territory. The EP explores humanity’s venture into space in search of intelligent life, though what they discover isn’t quite what they expected.
Known for their ability to seamlessly blend technical prowess with emotional depth, Vortex promises performances that showcase both crushing intensity and melodic sophistication. This can be witnessed at one of their live shows or felt through the song “When Humans Defy the Void”. They are recommended for fans of Septicflesh, Shadow of Intent, and Fleshgod Apocalypse.
Listen to “When Humans Defy the Void” at the following links:
Track Listing:
1. When Humans Defy the Void – 5:03
2. Haunting the Abyss – 5:26
3. Ripping the threads of Reality – 4:10
4. Where Wonders Dwell – 3:00
EP Length: 17:40
Symphony For The Dead Tour – Vortex + XAON (QC, ON, NB)
April 15 – Montreal, QC – Le Petit Campus ***
April 16 – Edmundston, NB – Ateepic *
April 17 – Saint John, NB – Haven Music Hall and Cafe *
April 18 – Moncton, MB – Xeroz *
April 19 – Rimouski, QC – Coop Le Paradis *
April 22 – Ottawa, ON – The Rainbow
April 23 – Drummondville, QC – La Ste-Paix ****
April 24 – Quebec City, QC – L’Anti ****
April 25 – Saguenay, QC – Microbrasserie Port-Alfred
April 26 – Trois-Rivieres, QC – L’Entite **
* Omnivide
** Strigampire
*** Ulfhednar
**** Burning Attic
Vortex is:
Simon Desjardins (Bass)
Mathieu Duguay (Guitars, Orchestrations)
Alexandre Labrie (Vocals)
Dany Lévesque (Guitars)
Olivier Harrisson (Drums)
For more info (Official Website, Socials, Videos, Bandcamp, Spotify, Apple Music): https://linktr.ee/vortexband
– 30 –
Canadian College Radio Charts – August 2023 – top 20 loud – #14 Vortex (earshot)
“#8 on Top 10 Quebec Band 2023 Albums – The Future Remains In Oblivion delivers a solid punch with their intense and well-felt symphonic death metal and, with a quality product like this, they have nothing to envy of the big names in the genre.” – Thorium Mag
“The Future Remains in Oblivion is the collision zone between powdered wig classical and battle jacketed death metal that should hold appeal for fans of Fleshgod Apocalypse, Septicflesh and those who like their Suffocation mixed with Dimmu Borgir.” – Decibel Magazine
“The song’s (The Walls) multi-faceted nature is further revealed in harrowing and haughty growls, jolting chords, and fiery sunbursts of sound, as well as through a swirling melodic guitar solo that spectacularly sends the song into the stratosphere. The song’s finale is itself a full-power spectacle that really gets the adrenaline surging.” – No Clean Singing
“If there’s anything that Vortex nails, it’s drama. Album highlight and banger track “First Blood” is simply massive” – Angry Metal Guy
“For some music is pure escapism but does that still hold true when bands like Canadian Melodic Death Metal monster Vortex whisk the would be listener into a bleak world that is recovering from a devastating cataclysm? Scenes of war and survival are punctuated with harrowing strings, technical riffs, and guttural and Black Metal inspired vocals as the band weave cinematic stories and orchestral touches into their third concept album “The Future Remains In Oblivion”” – Metal Noise
“the title-track The Future Remains In Oblivion, a song that will blow your mind with its insane wall of sounds, background orchestrations, epic passages, striking riffs and solos, and visceral yet intricate drums, resulting in one of the most breathtaking moments of the entire album.” – The Headbanging Moose
“An excellent group that you must discover because of the intensity they are able to show” – Ondes Chocs
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