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Tag: metal

0 Canada’s VARIUS Tease Upcoming Melodic Death Metal EP “Concordance” With Trailer, New EP “Concordance” Out November 5th

  • September 15, 2021
  • by Asher
  • · Music News · Varius

NEWS RELEASE

Montreal, QC – September 15, 2021

Canada’s VARIUS Tease Upcoming Melodic Death Metal EP “Concordance” With Trailer 

New EP “Concordance” Out November 5th


L-R: Joel Tassillo (Bass) / Joey Scaringi (Vocals) / Vladimir Prokhorov (Drums) / Patrick Forlin (Guitar)
Photo Credit: Britney Goertz

Canada’s Varius are releasing a new EP “Concordance” later this year and the first glimpse into the mayhem within is the EP trailer, teasing at what is in store.

Watch the EP trailer at the following link: https://youtu.be/z8o8HaRX0Gg

Although melodic death metal and thrash elements are the “core” of their sound, they always want to emphasize that their influences are a lot more diverse than just those styles. They take an experimental approach to their music and often try to marry heavy metal elements together with elements from other genres.

The band says they are extremely proud of this release as they explain further:

“We think our excitement for it is going to translate to our fans. People who are already familiar with us will probably catch on to songs like “Concordance of the Legionfall” and “Gut Shoveler” right away, and new fans who are into the more extreme end of the metal spectrum will probably be attracted to those. We covered some new ground with songs like “Golden Crown” and “Lament of Dissonance”, so we think our fans will be turned on to a new (but just as heavy) aspect of our sound. With any luck, those songs might attract some new types of listeners as well.”

Varius covers several different lyrical themes through their music, so people who are into fantasy, science fiction, post-apocalyptic or psychological kinds of themes can find plenty of intriguing lyrics in those.

“Concordance” was engineered, mixed, and mastered by Eddie Lucciola of 414 Recordings. Eddie is a talented up-and-coming engineer and producer who also develops digital plugins with Kiive Audio. Eddie’s expertise in engineering contributed massively to putting “Concordance” together.

The diversity of the riffs and the lyrics will connect with all kinds of heavy metal fans making this well-rounded release suitable for all types, especially those who enjoy Dethklok, Death and Children of Bodom.

“Concordance” comes out on November 5, 2021


Track Listing:
1. Golden Crown (6:03)
2. Concordance of the Legionfall (4:59)
3. Lament of Dissonance (4:43)
4. Gut Shoveler (5:28)
Digital EP Length: 21:14
Note: Physical CD copies of Concordance will feature a bonus track (previously released digitally – 2019)
5. P.I.S.S. (3:22) (CD Bonus Track)
EP Length (CD version): 24:40

For more info:
Facebook.com/Varius.band
Instagram.com/varius.official
EPK

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Rockshots Records – HOLLOW Announce New Album “Tower” Out November 26th + Streaming Title Track

  • September 15, 2021
  • by Asher
  • · HOLLOW - ROCKSHOTS RECORDS · Music News

NEWS RELEASE

Montreal, QC – September 15, 2021



Rockshots Records – HOLLOW Announce New Album “Tower” + Streaming Title Track

New Album “Tower” Out November 26th

Rockshots Records is proud to announce they will once again be releasing the next recording from Swedish power prog band HOLLOW, lead by Andreas Stoltz (ex-Binary Creed). Entitled “Tower”, the fourth album follows 2019’s “Between Eternities of Darkness”, which marked the band’s return after a 20-year hiatus since unleashing the 1999 album “Architects of The Mind” via Nuclear Blast Records.

Featuring 10 tracks, “Tower” is a story album best listened to as a whole, which tells a tale of transformation with its blend of progressive metal/rock, power, melodic death and thrash elements. Andreas Stoltz is accompanied by drummer Stalder Zantos who also appeared on “Between Eternities of Darkness”.

“Working with Stalder Zantos has been a more continuous element in writing the material for Tower than on Between Eternities of Darkness and this has definitely influenced the outcome as has contributed more on this album than on the previous one,“ adds Stoltz.

On HOLLOW‘s “Architect of the Mind” artificial intelligence and creation was the topic, on “Between Eternities of Darkness” parenthood and tragedy and for “Tower” the concept of inner and outer freedom is explored. It’s also about belonging and transcendence and Stoltz hopes these are things that most people can relate to.

“The relating bit is important, since art – regardless of form – is a meeting of emotions and ideas. It needs to find something to resonate within the person who takes part in it. When asked, I find it hard to describe the music, but it’s metal. It has distorted guitars, double bass drums and harks back to bands like Judas Priest and Queensryche. But there is also quite a bit of contemporary metal on Tower. Since this is a concept album with the ambition of conveying a story, listening to it as a whole is encouraged. I hope you can find something that resonates with you on it. Hopefully, HOLLOW’s fans will be able to trace today’s music back to Modern Cathedral and Architect of the Mind. I’ve made an effort to keep it as straightforward and simple as possible. I think most fans will have no trouble recognizing it as HOLLOW.” comments Stoltz.

In preview to the “Tower” release on November 26th, HOLLOW is revealing the album’s title track as the first single. It’s a traditional metal song with some nice riffing and a catchy chorus. The song’s tale is about the protagonist who grows up in seclusion and their contact with the world outside the Tower is limited to their guardian/teacher.

Stoltz explains the title track in further detail:

“Tower (the title track of the album) was one of the first songs to be completed and it’s also a great representation of the album as well as HOLLOW’s music. I wanted to write a record that was a bit more uplifting than the previous one and it all fell into place when I realized that Tower (the album) was going to be a kind of fantasy story. But also about inner change. In a sense, we’re all trapped in our towers, ie our minds. This song started the writing process of the whole album.”

Listen to “The Tower” at https://youtu.be/dlExXc_b0wc

Album Pre-save – https://bfan.link/the-tower
CD pre-order – https://bit.ly/hollow_cd

“Tower” is due out November 26th, 2021 via Rockshots Records.


Track Listing:
1. Birth (3:45)
2. The Tower (3:25)
3. Guardian (3:49)
4. The Waiting Is Over (3:26)
5. Destroyer of Worlds (3:38)
6. Every Drop of My Blood (3:58)
7. Sunrise (3:29)
8. A Home Forgotten (3:30)
9. Nation of Man (3:42)
10. Wander On (3:39)
Album Length: 36:24

For more info:
Rockshots.eu
Facebook.com/hollowsweden
Instagram.com/hollowsweden
Twitter.com/hollowsweden

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 The Design Abstract Continue Their Melodeath SciFi Saga With “Born of Machines” Off “Metemtechnosis” Out Oct 29th

  • September 14, 2021
  • by Asher
  • · Music News · The Design Abstract

NEWS RELEASE

Montreal, QC – September 14, 2021

 

The Design Abstract Continue Their Melodeath SciFi Saga With “Born of Machines” Off “Metemtechnosis”

New Album “Metemtechnosis” Out October 29th via Abstrakted Records

L-R – Matt Ngo (Guitar) | Voiicide (Vocals, Bass, Synth) | Logan Mayhem (Guitar, Synth)
Photo Credit: Tami Martin

 

Canada’s The Design Abstract have a new album coming out that will continue their sci-fi narrative that is accompanied by a flurry of growls, epic riffs and harsh blastbeats. The single “Born of Machines” is heavily influenced by Gothenburg Melodeath, as it features a fairly traditional song structure, and sports several catchy riffs and solos. The lyrics tell of a great technological rebirth taking place. The band explains the track further:

“It is the first track fully written and recorded by Matt on guitar! We thought it was a fitting welcome to the band to make sure the first thing to come out after Technotheism had him prominently featured. Born of Machines is a catchy track in the style of (our take on the) old Gothenburg Melodeath, meaning in many ways it’s what you’d expect: mixed vocals, awesome riffs, some flashy solos, and a general feeling of anticipation and excitement. In that way, it’s a perfect first single for the album, even if it’s not entirely indicative of the sound of the album.” 

The album “Metemtechnosis” is a sci-fi melodic death metal album that uses orchestral and electronic elements to tell the story of humanity being reborn as a creation of hyper-intelligent technology. Themes that deconstruct the ideas of technology, humanity, and utopia are explored to the sound of huge, riffy, and comprehensive songs. It is the fifth release from The Design Abstract and according to them, a massive improvement on the last one “Technotheism” in writing, recording and production. The concept album spans nine tracks that are intended to be listened to in order to fully experience the story.

The Design Abstract formed with the singular goal of making symphonic death metal that was forward-thinking and played heavily on Sci-Fi tropes. The thesis of the project has always been to blend orchestra, death metal, electronic/industrial, as well as traces of post or prog metal.

The science-fiction infused melodic death metal is suitable for fans of Scar Symmetry, Fleshgod Apocalypse and Soilwork.

“Born of Machines” can be heard via TheCirclePit – https://youtu.be/1LgkZKwNFT4

The album “Metemtechnosis” drops on October 29, 2021 via Abstrakted Records.

Album pre-order – https://design.bandcamp.com


Track Listing:
1. Digital Dawn (8:03)
2. Born of Machines (4:35)
3. The Hybrid Awakening (7:07)
4. Organic Data Fusion (5:45)
5. Metropolis II (4:42)
6. Aberration Omega (3:33)
7. Upheaval (Instrumental) (2:00)
8. Sentinels (3:10)
9. Decryptor (6:32)
Album Length: 45:31

Album Band Line Up:
Voiicide – Vocals, Bass, Scoring/Sampling/Programming
Logan Mayhem – Guitars, Modular synthesis
Matt Ngo – Guitars

For more info:
Facebook.com/thedesignabstract
Instagram.com/thedesignabstract
EPK

About:
The Design Abstract is a 3-piece Symphonic Melodic Death Metal band from Kitchener-Waterloo, ON, Canada. The band focuses heavily on storytelling and worldbuilding with a futuristic and sci-fi narrative to each album they create. The Design Abstract formed in 2011 as a solo project under the name Design, and after many lineup changes, grew into a musical entity that presents a bold, epic, and even monolithic fusion of orchestra, synth, and melodic death metal. Sweeping symphonic passages, harsh industrial elements, highly proficient and memorable guitar work, and brutal guttural vocals mixed with soaring cleans are all blended in many ways to put forth a truly unique and powerful musical experience.

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“Incorporating old school sci-fi visual elements with choppy electronics, catchy guitar parts and perfectly timed kick drums, this track (Parallel Projection) is a synth metal blast!” – Metal Injection

“A symphonic technical death metal masterpiece with an amazing concept to keep you engaged from start to finish \m/” – Heavy New York 

“Now for some nerd shit. Technotheism is a concept record about the future that at it’s core is a melodic death metal record, but the band dabbles with electronic elements, technicality, and grand orchestrations throughout. Fans of Last Chance To Reason and really any band Mike Semesky (Ordinance, Raunchy, etc) has been a part of will probably dig this.” – Metal Injection

“This is a grandiose affair, full of musicality, technicality, and narrative. Thirteen tracks of symphonic melodic death metal that tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between.” – The Prog Space

“I love hearing something ambitious and genre-bending when a band can follow through on their vision.  The Design Abstract is one such band, one that had an idea and put it together almost flawlessly… This album is every bit as diverse, colorful, and epic as I had hoped, and there are jaw-dropping moments galore.  I absolutely love this record.” – The Prog Mind

“The Design Abstract goes for a big symphonic style in extreme metal, with a few twists and surprises along the way. Fans of the dystopian and/or futuristic sounds may find the album especially interesting. The Design Abstract is the symphony that remains after the alien zombies have taken over and this is the music that they want the world to hear to remind everyone that the zombies are horrible beings that enjoy tormenting the population with grandiose cacophony. When can the party begin, right?” – Metal Bulletin Zine 

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ASHER MEDIA RELATIONS

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0 Rockshots Records – Signum Draconis Shares Video “Gate of Hell (Arrival of Charon)”, Out Nov 12th – The Divine Comedy: Inferno

  • September 14, 2021
  • by Asher
  • · Music News · Signum Draconis (Rockshots Records)

NEWS RELEASE

Montreal, QC – September 14, 2021

Rockshots Records – Signum Draconis Shares Video “Gate of Hell (Arrival of Charon)”

Out Nov 12th – The Divine Comedy: Inferno


Rockshots Records announces they will be releasing on November 12th, 2021, Signum Draconis‘ heavy metal opera of Inferno, from The Divine Comedy written by Dante Alighieri.

Featuring 17 songs by the band all sung in English, the double CD album is the first in a triptych of the complete work of Dante’s magnum opus with Purgatory and Paradise to follow, and will also feature duets with selected special guest vocalists, narrations of selected chants, and an orchestral accompaniment by the Bratislava Symphony Orchestra and Choir.

In preview to the upcoming album, the band is sharing the lyric video for the first single “Gate of Hell (Arrival of Charon)”, which can be viewed at https://youtu.be/KmMkvFwr1QQ 



“Chant III of Inferno, one of the best-known chants in the entire Divine Comedy, reflects the moment in which Dante and Virgilio arrive at the gate of Hell and read those famous words as a warning written on the door. These verses were treated with special interest, the weight falling and leaving the absolute prominence to the classical orchestra. As a curiosity, the inspiration for the creation of the melody for the intro, I have to say that it caught me by surprise in my free time and since it seemed perfect I was forced to write it on a napkin. During the song we will be able to listen to another duet, this time carried out by our singer Max Morelli in the character of ‘Dante’ and Mr. Mark Boals as ‘Virgil’. At the end of the song, ‘Charon’ the ferryman enters the scene, played by our guest star Mr. Ben Jackson, who everyone will surely remember as the guitarist of the mythical band Crimson Glory.” adds guitarist Oscar Grace.

Single stream links:
Spotify – https://spoti.fi/3nIvJZh 

Album Teaser – https://youtu.be/8Pm1JxewMNs

Album pre-order – https://bit.ly/SignumDraconis_CD 

Signum Draconis takes their name from the medieval knights’ Order of the Dragon, and has opted for a classic 80s-influenced metal sound in homage to the rock and metal icons that inspired them to be musicians, and aim to produce a truly musical, timeless and epic recording that will absorb and reward from repeated and dedicated listening.

Guitarist and composer Oscar Grace reflects on the history of the project:

“The story of Signum Draconis can be said to begin in 2010, after two years crossing what felt like a personal hell, I was sitting in my car gazing at the sky when a message came to me as it were, a vision clear as day: ‘Put The Divine Comedy to music!’ At that moment Signum Draconis was born. I returned home immediately and hunted out an old copy of Dante’s masterpiece I had owned for years and began furiously reading. Two full years of study and research followed, reading and re-reading all three books many times and even traveling to Florence to visit the 13th Century poet’s own house, trying to envisage what it would have been like to be him and the world in which he lived his story.”

It took two years to extract the parts that would form the material for the songs, and a further year working with my good friend Frederick Pollock to compose the lyrics, bringing to each song its own meaning whilst maintaining the thread that binds all the songs together, at all times remaining faithful to the source and paying the utmost respect to the poet Dante with regards to the correct register with perfect meter and rhyme in English. 

I believe Dante’s Inferno perfectly suits the musical style of Heavy Metal, but given the epic scale and cultural importance of Dante’s books, I wanted to bring something else to the music, something that lent grandeur and elegance, and to that end, I began to write parts for a symphony orchestra, in an old-fashioned way, with a fountain pen and sheet music and no new technology to guide my hand.”

Overall, this project took four years to compose the music for the band as well as the orchestra and along the way Oscar Grace searched for the companions who would join him on this voyage of grand musical ambitions. The first was Francesco Micieli, the drummer with whom he had already worked on other projects, then Max Morelli to be the voice of the band, and later on, after an arduous search, Oscar Grace found Filippo Martignano for keyboards and Stefano Antonelli on bass.

Once all the compositions were finished the band set about recording in the Domination Studio of San Marino, taking advantage of the experience and professionalism of Simone Mularoni as a sound technician. For the recording of the orchestral parts, Signum Draconis chose to work with the Bratislava Symphony Orchestra, having spoken with the director, David Hernando Rico, who helped them enormously and who showed such enthusiasm for the music and the project overall.

Track Listing:
CD 1:
1. In the Midway of Life’s Journey (5:14)
2. The Mission of Virgil (3:44)
3. Gate of Hell (Arrival of Charon) (5:58)
4. The Borderland (4:48)
5. Whirlwind of Lovers (5:11)
6. Under Eternal Rain (4:50)
7. To the Edge of Stygian Lagoon (4:45)
8. Regnum Dite (2:36)
9. Burning Graves (5:50)
10. Phlegethon (The Bloody River) (6:00)
11. Forest of Suicides (5:48)
12. Firestorm (6:11)

CD 2:
13. On Geryon’s Back (1:10)
14. Ten Moats of Damnation (Interlude: The Ulysses’ Chant) (11:31)
15. In Hands of Titans (5:28)
16. Cocytus (The Ice Terror) (8:28)
17. Lucifer (7:46)

Special guests include:
RENATO CARROZZO as Storyteller
CHIARA MANESE as Beatrice
MARK BOALS as Virgil
BEN JACKSON as Charon
KSENIA GLONTY as Francesca
LUCA PAOLINI as Pluto
ANDREA RANFA as Brunetto Latini
FREDERICK POLLOCK as Ulysses
SIMONE MULARONI as Nimrod ‘The Titan’
OLEG SMIRNOFF as Count Ugolino

Band line up:
Max Morelli (Vocals)
Oscar Grace (Guitars)
Filippo Martignano (Keyboards)
Stefano Antonelli (Bass)
Francesco Micieli (Drums)

More info:
Rockshots.eu
https://www.facebook.com/signumdraconis
https://www.instagram.com/signumdraconis

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—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 Decibel Mag Now Streaming Deformatory’s “Inversion of the Unseen Horizon”

  • September 9, 2021
  • by Asher
  • · Deformatory · Music News

NEWS RELEASE

Montreal, QC – September 9, 2021

Decibel Mag Now Streaming Deformatory’s “Inversion of the Unseen Horizon”

Ottawa’s Deformatory has a new album and it is now streaming in full over on Decibel Magazine HERE.

“Inversion of the Unseen Horizon” is the fifth release from Deformatory, adding to previous works, ”A Prelude Of…” (2011); “In The Wake of Pestilence” (2013); “Malediction” (2016); and “Bilateral Carnage” (Split with Blood of Christ, 2018).

The concept album follows the story of a malevolent interdimensional entities that seek to enslave and consume all light from the universe. Lyrically and musically, Deformatory has gone to great lengths to ensure a brutal, captivating and cohesive work of art. The band shares their take on the overall experience they are trying to convey:

“For us, the artwork and concept of the album were just as important as the music and songwriting. Our hope is that every audio and visual release that is connected to this album helps the listener dive deeper into the totality of our creation.”

Deformatory shares their hopes for the album’s reception:

“We hope it gets received the way we receive it when playing it. We have tons of fun jamming the songs and it automatically causes our heads to bang. It’s a heavy and jam-packed album that has a little bit of everything wrapped in brutal death metal packaging. Our hope is that fans of all extreme metal spectrums will find at least one thing in it to enjoy.”

Deformatory has a high level of chemistry when it comes to writing, on this album, there are some songs that were written in just an hour or two because we were in the pocket and everything flowed the way it should. According to the band, they don’t put a lot of thought into the writing, nor do they concern themselves with the theory behind it. If it sounds good to them and makes them want to demolish the room, then it’s a keeper.

Recommended for fans of Hate Eternal, Cryptopsy, and Morbid Angel, “Inversion of the Unseen Horizon” can be enjoyed on
physical CD and digital download at http://deformatory.bandcamp.com

Previous Videos:
In The Embervoid Where Dead Stars Reign – https://youtu.be/7M5DSSNg3fY
Beyond The Abhorrence – https://youtu.be/Hj9B4QPJ-YI
Impaled Upon The Carrionspire ft. Jon Levasseur (ex-Cryptopsy) – https://youtu.be/03VlbpSDNmU
Summoning The Cosmic Devourer – https://youtu.be/FIdlOiOR1Zs


Track Listing:
Chapter I – INCEPTION: THE CYRU’XILEAN NEXUS
1. Within The Astral Abscess (5:20)
2. Behold, The Apex of Decay (4:36)
3. Enginieering The Wvrmhorde (4:39)

Chapter II – INCURSION: THE PROTOTYPAL ESCHATON
4. Summoning The Cosmic Devourer (7:13)
5. Masticated By An Infinite Shadow (4:30)
6. In The Embervoid Where Dead Stars Reign (3:52)

Chapter III – INVERSION: THE HORIZONTAL REFLECTION
7. Deciphering The Archetype (3:53)
8. Impaled Upon The Carrionspire (5:01) (Classical guitar and solos by Jon Levasseur (ex-Cryptopsy))
9. Beyond The Abhorrence (4:13)
Album Length: 43:21

Album Band Line Up:
Charlie Leduc – Guitars & Vocals
Neil Grandy – Drums

For more info:
http://www.deformatory.ca
http://www.facebook.com/deformatory
http://www.instagram.com/deformatory
EPK

About:
Deformatory is a death metal band from Ottawa, Ontario, Canada. Forming in 2010, they set out to create an extreme sound, fusing together classic influences (Cryptopsy, Morbid Angel, Suffocation, etc.) and their love for modern tech death. The result is a uniquely relentless blend of death metal that can only hail from the Northern hemisphere.

Deformatory independently released their full-length debut, “In The Wake of Pestilence”, in December of 2013. This pummeling 9-track debut has been exceptionally well-received by fans worldwide, and has been cited as being an “outstanding and monstrous debut album. Essential.” (Frank Rini – AllAboutTheRock, ex: Internal Bleeding), and “flawless in every way” (TheBloodShed).

Having shared the stage with bands like Cryptopsy, Napalm Death, Obscura, Beyond Creation, Gorod, Archspire, and Fuck The Facts, Deformatory is more than comfortable delivering their crushing brand of extreme metal to live, screaming, and sweaty audiences.

The band’s sophomore release, “Malediction”, was released worldwide via CDN Records in 2016, with additional singles “Once Upon the Cross” (Deicide cover), and “Myiasis” both in 2018. Since then, DEFORMATORY has been developing their 3rd full-length album entitled “Inversion of the Unseen Horizon”, which they plan to unveil in the Fall of 2021 as an independent release.

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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Instagram @AsherMedia
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0 Calgary’s SYRYN Reveal New Single “Madness Becomes Me” Off Forthcoming 2022 Album

  • September 9, 2021
  • by Asher
  • · Music News · SYRYN

NEWS RELEASE

Montreal, QC – September 9, 2021



Calgary’s SYRYN Reveal New Single “Madness Becomes Me” Off Forthcoming 2022 Album


L-R – Paulo Rage (Guitar), Byron Gorieu (Guitar), Sloan Voxx (Vocals), Lyxx Rose (Bass), Bryan Campbell (Drums)
Photo Credit – Dana Zuk (Dana Zuk Photography)

Calgary’s SYRYN are offering up a new epic single to seduce fans of melodic power metal. Entitled “Madness Becomes Me”, the song is a preview to their forthcoming yet-to-be-titled 2022 album to follow their debut 2020 full-length “Beyond The Depths”.

Featuring powerful soaring vocals, storytelling, galloping riffs and rhythm, the track leads the listener on an adventure of “twists, turns and burns”.

To reveal “Madness Becomes Me”, Syryn is sharing a lyric video for new fans and their loyal legion of Syrynites (fans of Syryn) to sing along to at the following link: https://youtu.be/XuhptqpyWRU

The new single was produced by the band with mixing and mastering done by Craig Carswell (RedBlack Recording).

The band adds:

“We would like to express our eternal gratitude to each and every being who has listened to our music, who has attended our live shows, who have purchased and worn our merchandise, who has offered kind words and encouragement. Most of all, thank you for being you and letting us be a part of your lives. From the bottom of our hearts, we appreciate you and your support!”

Digital stream and download are available at the following links:
Syryn.bandcamp.com
https://spoti.fi/3gZO8wh
https://apple.co/3tcDEyk


Single Art Credit: Fish Tailed Goat

About:
Calgary based metal band combining the roots of Blues, the domination of Power Metal and the rapid shreds of Thrash.

SYRYN will seduce and entice you with mysterious and menacing melodies, fierce guitar shreds, captivating vocals and swift drum attacks.

In Greek mythology, the Sirens were dangerous creatures, who lured nearby sailors with their enchanting music and voices to shipwreck on the rocky coast of their island.

SYRYN have come a long way since their inception and the finalizing of their lineup. They released their debut album in January of 2020 and are currently working on their sophomore album. The release of their first album heeded consciousness to the world about the group, resulting in major growth of their fan base and the international distribution of their music and merchandise. They have had the honor and pleasure of participating in Loud as Hell Festival, Decimate Metalfest, and Metalocalypstick Festival and hope to continue on their festival journey by playing various other festivals world-wide. Additionally, in 2019, SYRYN proudly wore the title of one of Wacken Metal Battle’s Canadian Semi-Finalists!

The group has received various positive reviews, and has been featured in various publications such as Bass Player Magazine (UK) (Feature: Lyxx Rose), Powerplay Magazine, Metal Temple, Metal-Rules.com, Metal Master Kingdom, and more!

To truly capture the magic of this band, you will want to experience one of their fun and interactive live performances. Young fans (Syrynites) are always encouraged to join them on stage and they plan to do more local and international touring in the future in hopes of expanding their fan base, and the awareness of their music and group. They hope to be in an area near you soon, and can’t wait to meet you all!

SYRYN is:
Sloan Voxx (Vocals)
Lyxx Rose (Bass)
Byron Gorieu (Guitar)
Paulo Rage (Guitar)
Bryan Campbell (Drums)

For more info:
Syrynmetal.wixsite.com/syrynofficial
Facebook.com/syrynofficial
Twitter.com/syrynofficial
Instagram.com/syrynofficial
EPK

– 30 –

“Beyond the Depths is another sterling example of Canadian might and strength.” – Dead Rhetoric

“And with this song (Dead Men Tell No Tales’, the Canadians clearly show that they want to follow in the footsteps of their compatriots from Unleash The Archers or The Order of Chaos. Power Metal with thrash elements, a singer who can easily stand up to the powerful guitars, the booming bass and the driving drums. The powerful vocals are peppered with high metal screams.”  – MetalHeads Forever Mag

“‘Unbreakable’ comes in like gang busters from the very first note. The senses become infused with the haunting darkness that wants to possess your ears, and it demands your soul. I am captivated with every bass and drum beat which becomes intertangled with strong feminine vocals that speaks directly to me. Women have always faced challenges in any industry, let alone the metal genre, and yet here we are with the band Syryn featuring Sloan Voxx on vocals and their war cry for anyone needing that justifiable push towards righteousness on their own behalf or others. The guitars are sweet, fast, precise and impressively very Iron Maiden-ish. Overall, the entire musicianship impressed me. I actually got goosebumps listening to “Unbreakable.” This band reinforces the notion that metal talent is alive and well in Calgary, AB with bands like Syryn on the scene. I for one am excited and looking forward to listening to their upcoming EP or album in the near future.” – Ingrid Newton, Metal Master Kingdom

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Hails Horns! \m/\m/ Thank Canadian MDs and DJs! #2 Osyron, #3 White Cowbell Oklahoma, #4 Hexenklad – CDN Records !earshot – The National Loud Chart For the Week Ending: Tuesday, September 7, 2021

  • September 8, 2021
  • by Asher
  • · Hexenklad - Heathenheart (CDN Records) (2021) · Osyron · White Cowbell Oklahoma

Hails Horns! \m/\m/ Thank Canadian MDs and DJs! #2 Osyron, #3 White Cowbell Oklahoma, #4 Hexenklad – CDN Records !earshot – The National Loud Chart For the Week Ending: Tuesday, September 7, 2021 https://earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2021-09-07

0 Thrash La Reine New Music Video For Traditional French Canadian Singalong “Au Chant de l’Alouette” | Nouveau vidéoclip de Thrash La Reine pour la chanson traditionnelle canadienne-française « Au chant de l’alouette »

  • September 3, 2021
  • by Asher
  • · Music News · Thrash La Reine

NEWS RELEASE
(version française ci-dessous)

Montreal, QC – September 3, 2021

For fans of Alestorm, Powerwolf, Ghost, King Diamond, Anonymus

Thrash La Reine New Music Video For Traditional French Canadian Singalong “Au Chant de l’Alouette”

This past July, Montreal, Canada’s Thrash La Reine announced they will being taking a hard turn from their classic metal/thrash roots and into folk metal territory with their forthcoming album “Notre-Dame-de-l’Enfer”, which will be a compendium of French Canadian/ Quebec folk tales. To give fans a sneak peek at the full length’s sound, they unleashed its first single “Au Chant de L’Alouette”, a cover of the traditional French Canadian song.

Today, the francophone metal band shares their new music video for the lead single via its premiere on MetalUniverse HERE.

The band explains the track and video:

“A lot of people already know the lyrics of this song as it is often sung in family reunions or at night around campfires. For people who do not know about it, this type of song is a ‘’chanson à répondre’ (answering song)’ which means that the lead singer sings the first line of the verse, then the other singers or crowd answer by singing the same line. It is often sung during parties and gatherings. We wanted to give the song a modern edge, so we changed the melodies a bit and added a lot of gang vocals to throw the party in!”

“Notre-Dame-de-l’Enfer” will be unleashed via Quebec-based label Bam & Co this coming Fall 2021 and will be the third release from the band following “La Foi, La Loi, La Croix” (2019) and “Le Métal Est Notre Langue” (2018). It is the band’s attempt to make a metal opera about French Canadian stories, which will shine some light on French folklore presented in an energetic and catchy fashion. Thrash La Reine is recommended for fans of Alestorm, Powerwolf, and King Diamond.

Download or stream “Au Chant de L’Alouette” at the following links:
Thrashlareine.bandcamp.com/track/au-chant-de-lalouette
Spotify – https://spoti.fi/3wQiAPj
Apple Music – https://apple.co/2TNuJ97

For more info:
Thrashlareine.com
Facebook.com/thrashlareine
Instagram.com/thrashlareine
Twitter.com/ThrashLaReine
EPK

===================================================

Pour les fans de Alestorm, Powerwolf, Ghost, King Diamond, Anonymus

Nouveau vidéoclip de Thrash La Reine pour la chanson traditionnelle canadienne-française « Au chant de l’alouette »

En juillet dernier, les montréalais de Thrash La Reine ont mentionné qu’ils s’éloigneraient de leurs influences heavy / thrash pour s’aventurer dans les territoires du folk métal, avec leur prochain album « Notre-Dame-de-l’Enfer », qui sera un recueil de chansons traitant de contes et légendes québécoises et canadiennes-françaises. Pour donner un aperçu du son de l’album, ils ont sorti un premier extrait « Au Chant de L’Alouette », une reprise d’une chanson folklorique canadien-français.

Aujourd’hui, le groupe métal francophone partage un vidéoclip de cette chanson, dont la primeur se fera sur Metaluniverse ICI.

Le groupe explique la chanson et le vidéoclip:

 « On a eu une demande spéciale de jouer cette chanson lors de notre spectacle de la St-Jean-Baptiste en 2019 et on a fini par incorporer cette pièce à notre répertoire, ce qui nous a donné l’idée d’ajouter plus d’éléments folklorique à nos nouvelles chansons. Il y a beaucoup de gens qui connaissent déjà les paroles, étant donné qu’elle est souvent chantée dans les réunions de familles ou sur le bord d’un feu de camp.  On a toutefois voulu y donner une touche moderne et différente, alors nous avons un peu modifié les mélodies et avons ajouté beaucoup de voix en groupes pour la rendre plus festive et rassembleuse ! » 

« Notre-Dame-de-l’Enfer » sortira cet automne, via la maison de disque québécoise Bam & Co, et sera la troisième sortie du groupe après « La foi, la loi, la croix » (2019) et « Le métal est notre langue » (2018). Cet album prendra la forme d’un opéra métal sur les légendes canadiennes-françaises, et saura faire briller le folklore québécois de manière énergétique et accrocheuse.  Thrash La Reine est recommandé pour les fans de Alestorm, Powerwolf et King Diamond. 

Télécharger « Au chant de l’alouette » en suivant les liens suivants :

Thrashlareine.bandcamp.com/track/au-chant-de-lalouette
Spotify – https://spoti.fi/3wQiAPj
Apple Music – https://apple.co/2TNuJ97

– 30 –


—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Newfoundland Black Metal Duo Artach Shares Chilling Lyric Video “Ice Throne”, New Album “Sworn to Avenge” Out Now! via Depressive Illusions Records

  • September 2, 2021
  • by Asher
  • · Artach · Music News

NEWS RELEASE

Montreal, QC – September 2, 2021

For fans of Venom, Immortal, Celtic Frost, Darkthrone, Satyricon

Newfoundland Black Metal Duo Artach Shares Chilling Lyric Video “Ice Throne”

New Album “Sworn to Avenge” Out Now! via Depressive Illusions Records

Canada, St. John’s, Newfoundland’s black metal duo Artach unleashed their latest album “Sworn to Avenge” this past June via Depressive Illusions Records. Heavily influenced by nature and the bleak climate they are surrounded by in the cold frozen north, the band is also inspired by sci-fi fiction, one series, in particular, is Stargate SG-1, which inspired their latest lyric video for the chilling “Ice Throne”.

“This one is inspired by the technologies of the ancients left behind in the Arctic and discovered by the Stargate SG-1 team. It’s fairly self-descriptive and a fan of the show would recognize some of the ideas.” adds the band.

Watch and listen to the lyric video “Ice Throne” – https://youtu.be/jJmKNXIKkXg

“Sworn to Avenge” is the second album from Artach, following up 2020’s “Chronicles of a Black Winter”. Fans can expect more of the same compared to the first, but it pushes the envelope a little bit. Artach embraces evolution and aspire to play tighter, and have a more professional sound, but never sound overly polished.

Artach’s process is a collaborative one between the duo, the genesis of the songs are arranged on guitar by Sruthán and very roughly recorded at home. After getting together, they record drums and flesh out the song in an afternoon and by then the song is pretty much ready for the studio recording of guitars, then bass, and lastly vocals.

Artach is recommended listening for anyone interested in raw black metal and those with an interest in Celtic Frost, Darkthrone, and Satyricon.

“Sworn to Avenge” is available via Depressive Illusions Records at the following links: DepressiveIllusions.com, Artach.bandcamp.com, Amazon, Spotify.

Previous Videos:
Shimmer – https://youtu.be/JyJ2xW2oquM
Into the Frozen Woodlands – https://youtu.be/FtfosCUA7iw
She Gathers Leaves – https://youtu.be/g0nahpQ6O6s
Tuiteam an Duine – https://youtu.be/qt98RuT4Opg
Part 1 – Track By Track – Sworn to Avenge – https://youtu.be/MsJPj_oz54w
Part 2 – Track By Track – Sworn to Avenge – https://youtu.be/a4qLyZCQ1XY

Track Listing:
1. Tuiteam an Duine (7:08)
2. Ice Throne (5:09)
3. Shimmer (6:35)
4. Endless Tundra (21:35)
5. Into the Frozen Woodlands (4:49)
6. She Gathers Leaves (5:25)
7. Mistress of Black Thorns (6:24)
8. Winter’s End (8:14)
Album Length: 1:05:23

Album Band Line Up:
Fíochmhar: Vocals, Drums, Keyboards
Sruthán: Guitar, Bass

For more info:
Facebook.com/ArtachBlackMetal
Instagram.com/ArtachBlackMetal
EPK

About:
Artach is a two-man black metal band (Sruthán: Guitar/Bass, Fíochmhar: Battery/Vokills/Keys)based in St. John’s, Newfoundland, Canada. Being from the foggiest, snowiest, wettest, windiest, and gloomiest capital city in Canada, one should not be surprised that this fuels the creation of Black Metal. Their inspiration comes from the land, nature, the bleak weather of the Canadian North, and influential black metal bands.

Since the duo’s formation in the spring of 2019, Artach has been consistently releasing new music. The band’s debut album “Chronicles of a Black Winter” was released digitally during February 2020 and later unleashed on physical CD by Depressive Illusions Records. The full length contained 9 songs of extreme, harsh, and haunting sounds, which included a cover of Celtic Frost’s ‘Jewel Throne’.

Now in 2021, the band returns with their next offering “Sworn To Avenge”, a full-length scourge of raw and relentless bruting gloom. From the calming blasts and savagery of album opener “Tuiteam an Duine” to the ingrained black metal blast beats, and headbanging riffage on “Shimmer” to the 20-minute exploration for the epic “Endless Tundra” about the doomed Franklin expedition of 1846 to the Immortal-esque riffing and unorthodox exorcism of album closer “Winter’s End”, Artach delivers a 65-minute cold deliverance of their surroundings.

The band adds:

“The music on ‘Sworn To Avenge’ is a frigid mixture of topics about nature and how it meets and interacts with the darkness of humankind. The desolation of the world, the planet, and the repeated failure of society to evolve to a place where we are a part of nature and not brutish subjugators of everything in our path… these are all themes described throughout many songs. The music is angry, savage, unhinged, but contains melody and some twists and turns to surprise the listener. Varied song tempos mixing blasting with thrashy, punky, doomy elements keep the sounds interesting and not monotone. Song structures often vary and we never limit a song to a certain length. We indulge and have them be as long, or as short as we think feels right.”

“Sworn To Avenge” will be available digitally from Artach along with CD and cassette via Depressive Illusions Records on June 25, 2021.

– 30 –

“The song (She Gathers Leaves) is a thrill-ride, but also reveals elements of gothic witchiness. The raw vocals are caught up in a paroxysm of fierce, crazed adoration, venting cold-blooded roars as well as braying, throat-stripping howls and cut-throat screams. The full-throttle drumming is tumultuous, a changing array that hammers, gallops, rocks, thunders, and blasts. Urgently rising chords provide a recurring theme, surrounded by flame-throwing riffs that dart, pulsate, and spasm, drawing on elements of thrash and classic heavy metal as well as black metal. Ecstatically swirling leads further add to the wildness of the song. A mood of mystery does surface in the track’s brief intro, and that mood surfaces again in the song’s back half, leading into a necromantic guitar solo that takes flight in scintillating fashion.” – No Clean Singing

“check out Artach for a truly epic journey into the wildernesses that populate the dark fantasy land conjured through their excellent music. This sophomore album tells me that this is a band that will be releasing much good material for years to come and will soon be headlining the epic black metal stages or charts both online and at festivals. An excellent job all round.” – Metal Rules

“”Sworn to Avenge is a mind-assaulting record… You’ll hear the influences of classic black metal bands like Venom, early-Bathory as well as elements of the second wave; Immortal, Darkthrone etc. Ugly and uninviting stuff but very satisfying if you enjoy the gloomier side of metal… It’s a mammoth listen and does take its toll, but the array of ideas that Artach showcase does keep things interesting. An hour slips by, the cold has sunk deep into the bones and you’ll be left wondering if you’ll ever be warm again.” – Games, Brrraaains And A Head-Banging Life

“Very melodic black metal, yet aggressive and heavy with undeniable influences from plain old straightforward heavy metal, so while things are definitely “black metal”, there’s a lot of discipline at play and this is definitely not your average raw, chaotic black metal. There’s order to the chaos on Sworn to Avenge, but that doesn’t prevent it from being aggressive and sometimes kind of depressing and melancholic despite not descending into the slower playing usually associated with those stylings. It’s a rollercoaster of “fuck yeah!” and “kill me now” (in sort of a good way).” – The Metal Crypt

“Now for some blackened thrash from Canada’s Artach, a band with an unusual take on the genre and a very unique sound. The good news is that if you’re a thrash fan you’re going to like this album. The even better news is that if you’re a blackened thrash fan you’re going to love this album. All of your favourite elements are present, plenty of riffs, a great blend between groove, rawness and aggression and raw, high energy vocals. There is something for everyone here which is why I can see the album having a broad appeal.” – Cavedweller Music

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Fathom Farewell Deliver A Rollercoaster of Emotion And Enlightenment With “Eulogy” Off Upcoming “Kraken” Out October 22nd via Blood Blast Distribution, Video Premiere via NewFuryMedia

  • September 1, 2021
  • by Asher
  • · Fathom Farewell (Blood Blast Distribution) · Music News

NEWS RELEASE

Montreal, QC – September 1, 2021


For fans of Northlane, Killswitch Engage, August Burns Red, Coheed & Cambria

Fathom Farewell Deliver A Rollercoaster of Emotion And Enlightenment With “Eulogy” Off “Kraken”

Video Premiere via NewFuryMedia

EP “Kraken” Out October 22nd via Blood Blast Distribution


L-R: Dustin Black (Bass), James Frost (Guitar), Alex Cohen (Vocals), Chantz Mello (Guitar), Casey Albiero (Drums)
Photo Credit – Alex Cohen

Fathom Farewell is melodic metalcore hailing from New England, USA. They have a fourth EP coming out this year, the much anticipated “Kraken” and they are introducing it with the crushing single “Eulogy”. The band shares some insight into what is, instrumentally, the heaviest song they have ever written:

“Lyrically this song is entirely about what can happen when someone with mental health issues goes far too long without getting help.  The first verse describes desperate cries for help dampened by a great deal of self doubt and anxiety.  The second verse delves into the aggression and sadness that can develop and the third and final verse (breakdown) ultimately delves into the deterioration of the person due to a lack of assistance.”

The EP “Kraken” is a series of waves from start to finish varying in intensity, grit and feel from song to song, with the intention of leaving the listener feeling as though the mythological ocean beast has taken them on a wild and terrifying ride through their emotions toward a place of inner reflection and peace.

To the band, the name Fathom Farewell means either a watery grave or contemplating goodbye. The content of the songs is in many ways metaphorical so this name is an ironic description of the mind drifting to the place where it allows them to believe that giving up is acceptable when in their hearts they know it isn’t.

Over the years, Fathom Farewell has definitely made a name for themselves having shared the stage with bands such as Sevendust, Devil Wears Prada, AFI and Hatebreed and played at festivals including Van’s Warped Tour and New England Metal and Hardcore Fest.

This precise blend of melody and heavy is suitable for all metalcore fans, especially those with an interest in Northlane, Killswitch Engage, and August Burns Red.

The lyric video for “Eulogy” can watched and heard via its premiere on NewFuryMedia HERE.

“Kraken” will be out on October 22, 2021.

EP digital pre-save – https://backl.ink/148090012

Music Video “Kraken” – https://youtu.be/Ah9bk6tLbbQ

Show Dates:
Sept 14 – Fete Music Hall – Providence, RI w/ Islander, September Mourning


Track Listing:
1. Kraken (3:46)
2. Eulogy (4:21)
3. In Time (2:54)
4. Nameless City (3:48)
5. Save Your Breath (3:06)
EP Length: 17:54

EP Recording Band Line Up:
Alex Cohen – Vocals
Chantz Mello – Guitar
Steve Almon – Guitar
Dustin Black – Bass
Casey Albiero – Drums

Live Band Line Up:
Alex Cohen – Vocals
Chantz Mello – Guitar
James Frost – Guitar
Dustin Black – Bass
Casey Albiero – Drums

For more info:
Fathomfarewell.com
Facebook.com/fathomfarewell
Twitter.com/Fathomfarewell
Instagram.com/fathomfarewell
EPK

About:
Fathom Farewell brings depth to the rock/metal genre beyond the confines of its articulate instrumentation and vocal presence. Addressing topics from humanity and its relationships to the grave consequences human nature causes our world, frontman Alex Cohen demands through his delivery that each listener lend a close ear and a willingness toward self-reflection.  This fiery passion results in a refined rock act with the potential to be the voice of change, but with the live thrill and precision of a modern heavy metal act. In conjunction with exceptional work ethic and persistence, it’s no wonder the band has swiftly made a name for itself throughout New England, having earned the opportunities to support Sevendust’s 20th-anniversary tour, along with area dates with Issues, The Devil Wears Prada, Volumes, I Prevail, Currents, and many more.  The band has also performed four times at the Vans Warped Tour in MA since forming in 2014, three times at New England Metal and Hardcore Festival, and made appearances at Rock and Shock Festival. Following the release of the 2019 “Consume The Earth” EP, the band has accrued over 100k streams across Spotify and Apple Music.  Bolstered by recent additions to the newly completed lineup and with upcoming new material produced by Chris Piquette (Trophy Wives/Riviera), with assistance from Extreme Management Group, Fathom Farewell aims to support this release with vigorous touring and marketing in hopes of carrying awareness of its message to the rest of its home country and eventually to the world, as all of “this planet is our home”.

Now with three EPs under their belt over four years “Consume The Earth” (2019), “Decomposition” (2017), Drowning Limits (2015), the band is ready to present their next EP entitled “Kraken” on October 22nd, 2021 via Blood Blast Distribution.

Discography:
2021 – Kraken (EP)
2019 – Consume The Earth EP)
2017 – Decomposition (EP)
2015 – Drowning Limits (EP)

Shared Stage with:
Sevendust, Devil Wears Prada, Issues, Ice Nine Kills, I Prevail, Tallah, Starset, Crown The Empire, Attila, Silent Planet, The Browning, Betraying the Martyrs, Born of Osiris, Chelsea Grin, Thousand Below, Vanna, iwrestledabearonce, Psychostick, Emmure, The Acacia Strain, Veil of Maya, Make Them Suffer, The Colour Morale, Memphis May Fire, Blessthefall, CKY, Slaves, Volumes, AFI, He Is Legend, Devil You Know, After The Burial, Kublai Khan, Hatebreed

Tour and Festivals:
2014-2018 – Van’s Warped TOUR – Mansfield Ma
2016-2017 – Rock N Shock – Worcester MA
2017-2019 – New England Metal and Hardcore Fest – Worcester MA
2015-2018 – Rambudifest – Providence RI

– 30 –

What the press is saying:

“The immediate impact and versatile clean to scream ability from vocalist Alex Cohen pushes Fathom Farewell out above the hordes – the man has some serious pipes ready for the challenge, forceful and commanding while confidently holding out key notes during the verses and choruses to make “Six Feet Beneath” and “Wide Awake” instant appealers.” – Dead Rhetoric

“The Boston quartet have emerged from within the melodic metalcore scene but as the six tracks within their latest offering shows, their sound is a far more adventurous and varied blend of metal and melodic rock enterprise.” – The Ringmaster Review

“Holy vocals! Worcester based Fathom Farewell have just released “Consume the Earth”, and it’s blowing our minds…  Palpably driven, passionate, and sharing messages close to their heart, “Consume the Earth” is an impressive invitation to listen to Fathom Farewell.” – Depth Magazine

“Fathom Farewell: One of the fastest rising stars” – Permafrost Today

“Featuring six tracks of high-energy and emotionally-driven modern hard rock/metal, the EP shows why Fathom Farewell are one of the fastest rising stars in the melodic metalcore scene.” – Moshville Times

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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