Tag: melodic death metal

0 Streaming Now! Quebec Melodic Death OUTLYING Unleash Long-Awaited Album “Oblivisci”

November 20, 2025
by Asher
· Music News · Outlying

NEWS RELEASE

Montreal, QC – November 20, 2025

Streaming Now! Quebec Melodic Death OUTLYING Unleash Long-Awaited Album “Oblivisci”

L-R: Charles Alexandre Bilodeau (Bass, Back Vocals), Fred A. Dubeau (Guitar, Vocals), Martin Reithler (Drums)

Photo by Sandy Champagne

Trois-Rivières, Quebec, Canada, melodic death metal band Outlying will release their long-awaited new album “Oblivisci” on November 21st. A visceral and uncompromising work, the record blends aggression, melody, and raw emotion into a cohesive listening experience that fans will find impossible to ignore.

Formed in 2003 by high school friends jamming covers, Outlying has evolved through lineup changes and years of musical exploration into a band committed to creating music that is both powerful and accessible. Frontman Fred Dubeau, the band’s primary songwriter, sought to move beyond “music for musicians” and instead craft songs that resonate viscerally with listeners. The result is a sound described in five words: captivating, dark, aggressive, melodic metal.

The album’s title, “Oblivisci”, Latin for “to forget”, reflects themes of withdrawal, alienation, and the struggle to escape trauma. Across eleven tracks, the band explores grief, loneliness, disenfranchisement, and addiction, culminating in a three-part epic that chronicles frontman Dubeau’s personal battle with alcohol and drug dependency. Now sober, Dubeau channels those experiences into music that is both cathartic and brutally honest.

“It is a great pleasure for us after all this time and a very difficult process to introduce the world to our newest effort, Oblivisci. We are glad to be musicians who are somehow different from most other bands in our environment, and strive to make music that is expressive, dark, heavy, and brings the listener through many different kinds of atmospheres and vibes. We try to avoid trends and gimmicks, and create something that comes from our diverse musical influences, different backgrounds and lives, and many other forms of art such as movies, books, or video games. While staying true to what Outlying always was, we always try to step up our game and improve our sound and musical connection with our audience. Despite being more often than not called a melodic death metal band, the band absorbs influences from thrash, black, prog, and also 70s, 80s, and 90s rock. In a world of thousands of forgettable songs, we hope to find our way into the hearts of many metal enthusiasts locally and around the world,” says the band.

Musically, “Oblivisci” strikes a balance between relentless, heavy riffing and soaring melodic passages, enriched by clean vocal textures and dynamic arrangements. With Outlying, the band steers clear of unnecessary complexity, instead crafting songs that prioritize emotion and impact. While echoes of their influences, At The Gates, Testament, Cradle of Filth, In Flames, and Wintersun, are present, Outlying’s sound stands apart as distinct and refined, heavier yet more melodic than ever before.

The record begins with The Raven Is Gone, a blistering and epic opener that channels the urgency of escaping chaos in search of refuge. Stigma follows, rooted in old‑school melodic death metal, confronting themes of societal judgment and subcultural rejection. The atmosphere turns chilling with Snow, a haunting narrative of abuse elevated by female vocals and an expansive, epic structure. The descent continues in Pitch Black Serum, a dark and unsettling track that delves into defeatism and indulgence in fleeting pleasures. Sentinel then emerges as a poignant power ballad, weaving clean vocals with an aggressive bridge to capture grief and memory. Closing the album, the three‑part suite Dreamless Nights I–III delivers a sweeping chronicle of addiction, false escape, and painful aftermath, culminating in a climactic, melodic finale that leaves a powerful and lasting impression.

The album artwork depicts a post-apocalyptic version of the band’s home city, visually reinforcing the themes of decay, alienation, and survival that permeate the record. It mirrors the music’s balance of heaviness and melody, offering listeners a complete aesthetic experience.

With “Oblivisci,” Outlying has crafted a “no skipped tracks” album; every song matters, every riff and lyric carries weight. The band hopes to continue releasing music consistently, exploring new directions while staying true to their core sound.

Listen to the album in full via its stream premiere on Bravewords HERE.

Available on all digital platforms on November 21st, 2025.

Bandcamp – https://outlying.bandcamp.com

Spotify – https://open.spotify.com/artist/5q6oycizRFEpwSzpUBJ0Z8

Track Listing:
1 – The Raven Is Gone – 5:27
2 – Stigma – 3:49
3 – Snow – 6:02
4 – Streets Of Rats And Vultures – 4:47
5 – Pitch-Black Serum – 4:36
6 – November – 5:56
7 – Sentinel – 5:43
8 – Impaired – 5:32
9 – Dreamless Nights Part I: A Lullaby For The Insomniac – 4:19
10- Dreamless Nights Part II: From Velvet Skies – 5:13
11- Dreamless Nights Part III: Walking Out Of Eden’s Ashes – 4:25
Album Length: 55:49

Album Credits:
All songs performed, written, and produced by Fred A. Dubeau and Martin Reithler
Mixed and mastered by Fred A. Dubeau
Album Artwork by Fred A. Dubeau

Album recording lineup:
Fred A. Dubeau – Guitar, Bass, All Vocals Martin Reithler – Drums
Guest musicians for the album:
Steph from “Exotoxic” – Auxiliary percussion
Marilyn from “Chained By Illness” – Female Vocals
Sim from “Lancaster” – Guest Guitar Solo
Hardcore Band “Northwalk” – Gang Vocals

Lineup for live:
Fred A. Dubeau – Guitar, Vocals
Charles Alex Bilodeau – Bass, Back Vocals
Martin Reithler – Drums

For more info:

http://www.outlying.ca/

http://www.facebook.com/outlyingband

http://www.instagram.com/outlyingband/

https://www.tiktok.com/@outlying.band

– 30 –

“Outlying pull together ingredients of thrash, melodic death metal, and black metal to create music that’s blood-rushing and muscle-flexing, and the panoply of changing riffs is very damned infectious too.” – No Clean Singing

“In the shadow of Quebec’s steel-forged skies, Outlying emerges once again with The Raven Is Gone — a melodic death metal masterstroke that’s equal parts chaos and catharsis… The Raven Is Gone is not just a song — it’s a statement. A declaration that melodic death metal is alive, vital, and pulsing through Canada’s veins. Outlying have evolved into something rare: a band that remembers what heavy music was meant to do — confront, release, and transcend.” – See Rock Live Magazine

“Melodic death metal band Outlying released their new single Pitch-Black Serum on November 16th. The song’s biting energy and unrelenting fervor hits with an uncommon ferocity while being dynamic…” – Din Intunerec

“Outlying offers a solid Swedish-style melodic death metal sound with their own personal touch.” – MetalUniverse.net

“With a biting energy and a relentless intensity, [Pitch-Black Serum] hits with an uncommon ferocity while keeping a dynamic, melodic and catchy structure.” – MetalUniverse.net

“I had never heard of this band before, so I was all the more amazed by the high level of performance the band had already achieved in 2012 [Scars Of Daylight album]. They are reminiscent of Scandinavian melodic death metal bands of the late 1990s.” – Ammo-underground.at

“The three gentlemen serve us finely spun melodies; the musicians tie everything together into a flowing, detailed unity. A bit of clean vocals are sprinkled in here and there, and so a lot happens in this largely whipping smasher. A few threatening vibes and thrashy, straight-ahead tactics are also effectively employed, as is polyphonic vocals – everything just fits! Raising fists, enjoying details, headbanging – it’s a mystery to me why these all-rounders are still so unknown!” – Ammo-underground.at

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

0 OUR DYING WORLD Put A Cinematic Spin On Melodic Death Metal With “The Egregious Sins Of Humanity”

June 12, 2023
by Asher
· Music News · Our Dying World

NEWS RELEASE

Montreal, QC – June 12, 2023

OUR DYING WORLD Put A Cinematic Spin On Melodic Death Metal With “The Egregious Sins Of Humanity”

L to R – Nick Laux – Bass, Graham Southern – Keyboards and Orchestration, Austin Mitrofanis – Guitar, Tom Tierney – Drums, David Ainsworth – Vocals, Ray Sanchez – Guitar
Credit – Jamie Kaufman Photography

Los Angeles’ Our Dying World is geared up to unleash a furious new single “The Egregious Sins Of Humanity”, which comes on the heels of two punishing records “Hymns Of Blinding Darkness” (2022) and “Expedition” (2019). Initially, they focused on the death and thrash metal subgenres but are now moving into the cinematic and symphonic realms. With this new offering, they are looking to give the audience a bridge between the fast and insane side of metal, to the clever and meticulously crafted end of the classical and orchestral spectrum. This new single is deadly fast, with drums clocking in at 225 BPM and the guitars falling in line culminating in a dark sound that will catch the ears of discerning metalheads everywhere. The band comments:

“We’re taking what so many icons have given us through the generations and we’re doing our best to blend them in a tasteful and fun way that inspires and creates that feeling that raises the hair on your arms. We think the fans are going to enjoy the change in sound. We’ve always strived to take our sound to the next level and with the amount of diversity between the full band versions of the single and the orchestral version, there truly is something for everyone to enjoy.”

“The Egregious Sins Of Humanity” marks the next phase in the band’s development. It shows another level of musical maturity and has pushed each member to create more sophisticated parts and make them work together. Those who are drawn into what Our Dying World has created won’t have long to wait for more intense melodic death metal as the band has two more singles in production.

The band all love dark, melodic death metal, and most of them enjoy the symphonic black metal that they’re slowly creeping towards. There’s a bit of thrash and deathcore in some of the riffs they create, but they love the moody, melodic, and symphonic elements that stay with some of the most dramatic styles in metal. Their music is recommended for fans of Dimmu Borgir, Cradle Of Filth, and Children Of Bodom.

Listen to “The Egregious Sins Of Humanity” via its premiere on NoCleanSinging HERE.

For more info:
Facebook.com/ourdyingworld
Instagram.com/ourdyingworld
Twitter.com/ourdyingworld11

About: Over the last few years, Los Angeles’s Our Dying World has gone through a tremendous evolution of sound from the thrashy death metal of their debut EP Expedition to the symphonic and melodic keyboard-oriented stylings of bands like Children Of Bodom, Nightwish, and Dimmu Borgir.

Formed in 2018 by drummer/guitarist Tom Tierney (ex-Whiplash), the group has played shows all over the USA in their short time together, bringing their sound from the fabled Sunset Strip in Hollywood to the New Jersey Metalfest where they opened for Metal Mike of Halford.

One thing is clear from the young band as they prepare for the release of their new 2023 single “The Egregious Sins Of Humanity” to follow their highly praised sophomore album “Hymns Of Blinding Darkness ” they’ve come to stir the standards that hold the metal scene and redefine them.

Shared Stage with Abysmal Dawn, Abigail Williams, Swallow The Sun, Thrown Into Exile, Metal Mike of Halford.

– 30 –

“We’ll make you a solemn promise: Whatever condition you happen to be in now (unless you’re in a coma), the song and video we’re about to present will make you feel orders of magnitude more alive, accelerating your heart-rate, igniting your fast-twitch muscles, and spinning your head like a glorious top. And for those of you who want your music to attack like a pack of rabid dogs, it fills that need, too. The song is “Veil of the Reaper“, and it comes from Hymns Of Blinding Darkness, the forthcoming album by the Los Angeles band Our Dying World. The new album marks a significant departure from the music on their debut, Expedition, moving in directions that may spawn memories of such bands as Children Of Bodom, Nightwish, and Dimmu Borgir, and you’ll get a vivid understanding of that when you hear “Veil of the Reaper“.” – No Clean Singing

“Hymns of Blinding Darkness is an intricate album with lofty pursuits featuring a stunning band makeover.” – Decibel Mag

“As with many great evolutions, Our Dying World took all their best parts and made it huge. This album paces brilliantly and delivers in spades. An overall epic release of their own brand of hard rocking hymns.” – Heavy Mag

“Closing with the excellent Melodic Death Metal-esque piece “Veil of the Reaper”, Our Dying World manages to keep the listener’s attention with soaring guitar melodies, engaging keyboards, and overall solid songs that are well crafted but need more of a personal identity. There are definitely plenty of excellent things about this release that fans of the genre will greatly appreciate, so don’t be afraid and check out this band.” – Infernal Masquerade

“Fans who appreciate equal doses of orchestra and mosh pit will likely dig this passionate full-length debut.” – Angry Metal Guy

“One thing is clear from the young band as they prepare for the release of their second release; they’ve come to stir the standards that hold the metal scene and redefine them.” – Metal Temple

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

Unsubscribe | Update your profile | Montreal, QC

0 Rockshots Records – EMBRYO New Video “Darkest Lights” ft. Drummer George Kollias (Nile) Off Forthcoming Album “A Vivid Shade on Misery” Out March 2023

January 17, 2023
by Asher
· Embryo (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – January 17, 2023

Rockshots Records – EMBRYO New Video “Darkest Lights” ft. Drummer George Kollias (Nile)

New Album “A Vivid Shade on Misery” Out March 17th

Italian melodic death Embryo is sharing the first glimpse of brutality from their forthcoming fifth album “A Vivid Shade on Misery”, which features the band’s recruitment of international drumming powerhouse George Kollias (Nile) for its recording. Due out on March 17th, 2023 via Rockshots Records, Embryo shares its first single “Darkest Lights” accompanied by a music video. The track is melodic, but with an unforgettable groove.

Watch and listen to “Darkest Lights” at the following links:

Digital – https://bfan.link/darkest-lights

“A Vivid Shade on Misery” follows the band’s 2017’s “A Step Beyond Divinity” (Art Gates Records), 2015’s Self-Titled (logic(il)logic Records) that featured Fleshgod Apocalypse’s drummer Francesco Paoli, 2010’s “No God Slave” and their 2006 debut “Chaotic Age”.

Since the band’s inception, Embryo has toured across Europe with Melechesh, Keep of Kalessin, Tribulation, Nile, Immolation, Ragnarok, Monuments of Misanthropy, and Suffocation along with performing on festivals such as Masters of Rock (CZ), and Total Metal Festival (Italy).

Embryo began writing their fifth offering in 2020 with George Kollias and entered the Domination Studio in July 2021 with producer Simone Mularoni, and engineer Simone Bertozzi.

Monolithic, intense, powerful, technical, and melodic this new album features eight brand new tracks and is another concept album like its predecessor “A Step Beyond Divinity”. The band is inspired by historical Italian figures of the Renaissance era and their tormented lives, their absolute genius, and the gifts they gave to the world. While the previous album “A Step Beyond Divinity” was inspired by Leonardo Da Vinci, this new work is totally inspired by Michelangelo Merisi alias Caravaggio, an Italian painter active in Rome for most of his artistic life.

“With “A Vivid Shade on Misery” we want to have listeners dive into our world by giving them brutal and atmospheric music melted together in the way we love to do plus having Kollias drum on this new album, one of the best drummers in the world, is just an absolute honour. Overall, fans will find this album has the “Embryo” matrix, there’s no doubt about that. It will be a more direct record and its songs make up a pattern that takes the listener on a journey through torments and anxieties, but which at the same time gives him pure energy.” adds the band.

From the band’s first album “Chaotic Age” (2006) to today, Embryo‘s music has evolved over the years. On the first record, they were more brutal and messier, now their compositions are much more “thought out” and brilliant. If they had to use one word to describe their compositional evolution they would say “sharp”.

Recommended for fans of Strapping Young Lad, Meshuggah, Fear Factory, Death, and Dimmu Borgir, Embryo will be sharing singles and videos in the coming months in lead up to the record’s release.

Album pre-order – https://bit.ly/Embryo_CD

Current Line-Up:
Roberto Pasolini – Vocals
Eugenio Sambasile – Guitars
Simone Solla – Keyboards
Gabriel Pignatta – Bass
George Kollias – Drums (guest)

Track Listing:
1. Pride – 3:58
2. Highest Fame – 4:19
3. Darkest Lights – 4:01
4. The Seed of Lividity – 4:02
5. MMDC – 5:04
6. Medusa – 4:18
7. Vanitas – 3:59
8. Concrete Visionary – 3:29
Album Length: 33:13

A Vivid Shade On Misery album credits:
The album was recorded in July 2021 @ Domination Studio – San Marino
Technicians: Simone Mularoni, Simone Bertozzi.
Mixed and Mastered by Simone Mularoni.
Drums recorded @ George Kollias Studio

For more info:
https://www.rockshots.eu
http://www.embryo-online.com
https://www.facebook.com/EMBRYO.DeathMetal
https://www.instagram.com/embryo_official
https://www.twitter.com/EMBRYOmetalband

About: After a couple of self-produced works and a first album (“Chaotic Age”) Embryo found its sound and recorded “No God Slave” (2010) with producer Simone Mularoni. The album received very good reviews and led the band to play new gigs in Switzerland, Germany, and Italy and be part of Kung Fu Factory’s Supremacy MMA videogame soundtrack with 2 songs. In 2014 Embryo first recorded a promo at Atomic Stuff Studio with Oscar Burato, then, in May, the band recorded the new self-titled cd at Domination Studio with Simone Mularoni. During the summer they played the main stage at Masters of Rock in the Czech Republic and Total Metal Festival in Italy. In October Embryo signed a deal with logic(il)logic Records for the release of the album and the reissue of “No God Slave” with some bonus tracks. In December the band made a little tour in Eastern Europe. The new album “Embryo” came out on the 10th of February 2015. The album received great reviews worldwide and Embryo started a European tour in May with Melechesh, Keep of Kalessin, and Tribulation. After a great show at MetalFest in the Czech Republic in July, the band joined Nile and Suffocation for the second part of their European tour in September. In 2016 the band has been part of the second leg of the “What Should Not Be Unearthed” Nile tour with Melechesh and Mithridatic. Embryo finished the recordings of the new album in January at Domination Studios again with guru Simone Mularoni. The band played at the 2017 edition of MetalFest in the Czech Republic on Sunday, June 4th, and signed a deal with Art Gates Records for the release of the 4th studio album “A Step Beyond Divinity” which came out on the 27th of October 2017 in Spain and the 24th of November 2017 in the rest of the world. The album has been enthusiastically reviewed entering the 2017 best albums of the year charts in various webzines all over the world. In November 2019 the band joined “The Last Atonement European tour” supporting Immolation, Ragnarok, and Monuments of Misanthropy for all the shows. In December the band released a free download digital EP including the new song Misguided legacy and three live songs taken from a live show of the band. In 2020 the famous drummer George Kollias (Nile) joined Embryo in the writing of the new album. The band entered again Domination Studio in July 2021 to record the brand new fifth album “A Vivid Shade On Misery”, which will be released in early 2023, anticipated by the video of the new song “Darkest Lights”. Stay tuned!

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Quebec City’s UPON YOUR GRAVE Presents Shredding Playthrough “From Beyond” Off New EP “Gold & Decay” – Mixed and mastered by Chris Donaldson (Cryptopsy)

November 28, 2022
by Asher
· Music News · Upon Your Grave

NEWS RELEASE

Montreal, QC – November 28, 2022

Quebec City’s UPON YOUR GRAVE Presents Shredding Playthrough “From Beyond” Off New EP “Gold & Decay”

New EP “Gold & Decay” Out Now! – Mixed and Mastered by Chris Donaldson (Cryptopsy)

L-R – Yan Pelletier (Bass), Sim Diamond (Lead Guitar), Jordan Jolicoeur (Vocals), Sebastien Gagne (Drums), Alex Bussieres (Rhythm Guitar)
Photo Credit: Etienne Dionne (Mute Drummer)

Quebec death metal Upon Your Grave is sharing with fans their latest shredding playthrough for their “From Beyond” off their recently released EP “Gold & Decay” mixed and mastered by producer Chris Donaldson of Cryptopsy. Genuinely aggressive, full of blazing guitar riffs and an insane solo, the playthrough by guitarists Sim Diamond (finalist on Banger TV’s Shredders of Metal Season 1) and Alex Bussieres can be viewed via Slam Worldwide – https://youtu.be/CIwu_ghM2ck

The band adds about the track:

“From Beyond talks about the event of encountering a being naturally bound from outer space, while we first explore those endless confines after discovering space travel. A monstrosity unbound by our human conceptions of organic possibilities. The vocals range has it all in this one. from gutturals to high pitches, following grandiose agencements on guitars and epic melodic riffing providing a satisfying experience for the ears. All culminating in an epic solo for icing on the cake. It’s a song we had fun creating and enjoy it more and more each time we play it.”

Upon Your Grave‘s latest offering features five tracks that each show off the capabilities of this band that has been around since 2009. Over the years, they have experimented with their sound and are now steady and impressive. A live show involves energy, full-on impact with the crowd, funny moments, and overall a tight performance, that is true to the recordings.

Proving that work ethic and perseverance can truly refine a band’s sound to what they had always been striving for, this new release will be a fresh start for great things to come and is only the beginning of a flourishing career.

Upon Your Grave delivers everything discerning metalheads look for on a record, they incorporate crushing vocals blended with catchy melodies, bad-ass guitar riffs, along with memorable solos. The EP is recommended for fans of Daath, Lamb of God, and The Black Dahlia Murder.

The EP “Gold & Decay” is available at Uponyourgrave.bandcamp.com, Spotify.

Music Video – “Supremacy” – https://youtu.be/Wt4kw3d6bTE

Music Video – “Pandora” – https://youtu.be/zukpcrmhwxE

Lyric Video – “Transcend” – https://youtu.be/-BnBzcjmZJ4E

Show Dates:
Dec 10 – La Source de La Martiniere – Quebec, QC (EP launch show)

Track Listing:
1. Revived (0:40)
2. From Beyond (4:57)
3. Pandora (3:04)
4. Supremacy (4:59)
5. Transcend (5.02)
EP Length: 18:01

EP Lineup:
Yan Pelletier – Bass
Sim Diamond – Lead Guitar
Jordan Jolicoeur – Vocals
Sebastien Gagné – Drums
Alex Bussieres – Rythm Guitar

EP Credits:
– ALL SONGS PERFORMED BY : UPON YOUR GRAVE
– ALL SONGS WRITTEN BY : SIM DIAMOND
– PRODUCED BY : UPON YOUR GRAVE
– MIXED BY : CHRISTIAN DONALDSON
– MASTERED BY : CHRISTIAN DONALDSON
– EP ARTWORK BY : MEIKE HAKKAART

For more info:
https://www.facebook.com/UponYourGrave
https://www.instagram.com/uponyourgrave
https://www.twitter.com/UponYourGrave

Quick EPK – https://wp.me/pciNW-i76

About:
Established in 2009, Quebec, Canada-based death metal act, Upon Your Grave, is finally back swinging.

In 2019, at the dawn of the band’s 10th anniversary, Sim Diamond, Alex Bussieres and Jordan Jolicoeur grasped the opportunity given by the lockdown to start writing and rehearsing for a new album. This is their first effort since the Eponym debut album back in 2013. During their time away from Upon Your Grave, each member stayed active by releasing albums with other projects like Vibrant Heels and Universal Minds. Lead guitarist Sim Diamond also got to be part of Sam Dunn’s Shredders of Metal season 1 and made it all the way to the finals in Toronto. Now adding two new members to the mix, Sebastien Gagné on drums and Yan Pelletier on bass, two good friends from the local band Scars Of Disgrace, the band had found their perfect lineup to go forward.

With the help of a successful GoFundMe campaign, the band was able to go record a new EP with Chris Donaldson of Cryptopsy in March of 2022. this collaboration was the perfect fit that would elevate their performances to a more genuine and aggressive sound. Incorporating crushing vocals blended with catchy melodies, bad-ass guitar riffs and memorable solos that remind us of bands such as Daath, Lamb of God, Sylosis and even All Shall Perish.

Gold & Decay proves that work ethic and perseverance can truly refine a band’s sound to what they had always been striving for. This new release will be a fresh start for great things to come and is only the beginning of a flourishing career.

– 30 –

“Kicking off with a forty-second acoustic intro – ‘Revived’ then immediately goes into ‘From Beyond’ which is a chugging banger of a tune with some serious guitar work and loads of double kick drum action. ‘Pandora’ is more aggressive with a riff Slayer would kill for and watch how it slows to a heavy grind halfway through before things get serious again on ‘Supremacy’ which is rapid and vicious with a superb solo from Sim Diamond, reminding of Rob Dukes era Exodus. ‘Transcend’ is not hippy, trippy as the title would suggest instead it’s all-out brutality with a sing-a-long chorus! Only four tracks, five if you count the intro, they don’t hang about, but they contain some excellent tunes. If this is the direction Upon Your Grave is going then they will be at the top very soon. Let’s have some more soon!” – My Global Mind

“If you like your Death Metal to come in many different flavours, then you should really like this EP, from Quebec City’s Upon Your Grave. The band made a wise choice in getting Cryptopsy guitarist, Chris Donaldson to mix and mastered this release as it’s the showcase for their new sound… and far from just testing the waters with this EP, they’ve just set the bar for everything they do going forward. If you want straight down the middle Death Metal, a slightly brutal edge or the more melodic side of the genre, Upon Your Grave pack it all in, in just under 19 minutes.” – Smorg Mag

“Upon Your Grave is still going strong, and their rage remains alive. Gold & Decay allows musicians to return to the forefront of the scene by affirming their aggressive roots.” – Actain Infernalis

“Finishing the tsunami “Transcend” is an absolute tour de force of modern Groove laden Death Metal with chunky riffs, blast beats and a sublime extended solo from Diamond that is worth the admission fee alone. There are no two ways about it, Upon Your Grave need to get back on the road and then back in the studio with Donaldson at the helm because like a Vampire suffers from a bloodlust, we need to hear more from them… [8/10]” – Metal Noise

“UPON YOUR GRAVE has a lot of energy to extinguish throughout their debut, it consists of great ideas and musical diversities. The band’s passion for traditional Melodic Death Metal is noticed and felt, yet their combination of Rock and progression really benefited their efforts even more. This one is highly recommended, get ready to bang your heard.” – Metal Temple

“You can imagine lead axeman, Sim Diamond, stood side-on with bow-legged enthusiasm, holding his guitar in the air as he scrapes the opening notes to ‘From Beyond’. This song demands a video of the band thrashing at their instruments in an autumnal Canadian woodland wearing fingerless gloves. The main rhythm drips with a ghoulish sense of suspense, and the solo will remind you of ‘Painkiller’ by Judas Priest. Imagine a groove metal band covering Morbid Angel with the guttural vocals of Jungle Rot. Indeed, the Wisconsin quartet are the obvious comparison to the new version of Upon Your Grave. They shower you with an abundance of syncopated palm-mutes and tremolo tags to keep you guessing. How often do you wonder if modern Carcass are a death metal version of Kreator? The same observation rears its head here. Sebastien Gagné’s drums enhance the mix with an extra layer of steel.” – Scream Blast Repeat

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Join BURNED IN EFFIGY’s “Treachery” With Their Most Melodically and Harmonic complex Band Playthrough Video; Video Premiere via NoCleanSinging

March 7, 2022
by Asher
· Burned In Effigy · Music News

NEWS RELEASE

Montreal, QC – March 7, 2022

Join BURNED IN EFFIGY’s “Treachery” With Their Most Melodically and Harmonic complex Band Playthrough Video

Video Premiere via NoCleanSinging

New Album “Rex Mortem” Out Now!

L-R – Mark “Smedy” Smedbron (Vocals) | Matt Watkins (Bass) | Eddie Dec (Drums) | Steve Bacakos (Guitar) | Mike Hisson (Guitar)
Photo Credit – Emily Fuschen – Dark Trix Photography

Chicago’s neo-classical melodic death outfit BURNED IN EFFIGY unleashed their latest album this past January 28th. The full-length follows their debut EP “Terrestrial”, which was all instrumental. With the addition of vocalist Mark “Smedy” Smedbron, the fury of a new monster was born for the next chapter of the band. “Rex Mortem” was recorded with guitarists Vito Bellino and Brad Dose, who soon after parted ways and saw live guitarists Steve Bacakos and Mike Hisson take over shredding duties. The three new members join co-founding members Eddie Dec (Drums) and Matt Watkins (Bass) to push forward a new front supporting this epic record that has been called by Brutalism.com “One of the first strong albums of 2022…”.

Today, in support of the record, Burned In Effigy has teamed up with NoCleanSinging to premiere their latest band playthrough video for their most melodically and harmonically complex song track “Treachery”.

“It expresses its themes in multiple keys and includes lots of counterpoints, including sections with 3-way counterpoint between the guitars and bass. The vocal chants throughout the song hammer home the lyrical themes of divine right and corruption. The king aims to present an image to his subjects as a just and noble ruler, while he plots to spread his treachery across the land.” adds bassist Matt Watkins.

Join in the “Treachery” at the following link HERE.

“Rex Mortem” is a high-energy recording, but also diverse. It takes elements from multiple subgenres within metal, mainly melodic death and progressive while infusing neoclassical elements into each track. No two tracks sound the same. Burned In Effigy skillfully and tastefully changed keys and time signatures throughout, so the feel of their music is constantly shifting, but also smoothly flows between each section. Lyrically, the album is the introduction of a tale of a tyrannical king’s rule and demise, including some other minor themes and stories from mythology and classic literature.

Bassist Matt Watkins adds:

“We are psyched to present our debut album, Rex Mortem, a catalog of the first chapter of the band. This has been in the works for a long time and we couldn’t be more pleased with how it has turned out. The songs vary in complexity and intensity and demonstrate our growth as a band since its inception. Listeners will hear influences such as The Black Dahlia Murder and The Human Abstract, combining our love for death metal and progressive/neo-classical metal. The vocals are gritty and tense and the lyrics emphasize this with dark tales inspired by mythology, history, and classic literature. We believe our album has something for all metal fans, regardless of preferred subgenre.”

Album order for “Rex Mortem” is available at Burnedineffigy.bandcamp.com (CD) and all other major digital platforms at https://distrokid.com/hyperfollow/burnedineffigy/rex-mortem.

Music Video – Doomsayer – https://youtu.be/3mRbzMJX_BA

Lyric Video – Nightfall – https://youtu.be/gqe2919mDJ4

8-bit Remix – Artorias – https://youtu.be/U2Vavk6mhiE

Track Listing:
1. Doomsayer (3:28)
2. Artorias (5:08)
3. Nightfall (3:20)
4. The Empiricist (4:05)
5. Hades (4:26)
6. Atlas (4:23)
7. Treachery (3:25)
8. Vendetta (3:55)
Album Length: 32:12

Album Recording Lineup:
– Mark “Smedy” Smedbron – Vocals
– Matt Watkins – Bass
– Eddie Dec – Drums
– Vito Bellino – Guitar
– Brad Dose – Guitar

Live Band Line Up:
– Mark “Smedy” Smedbron – Vocals
– Matt Watkins – Bass
– Eddie Dec – Drums
– Steve Bacakos – Guitar
– Mike Hisson – Guitar

For more info:
Facebook.com/burnedineffigyofficial
Instagram.com/burnedineffigyil

– 30 –

“One of the first strong albums of 2022… a very solid debut without much in the way of a bad track. While the band tends to stick to a basic formula and not overpopulate the tracks with clean vocals, keyboards, or guest vocals which tends to the be typical melodeath experience these days “Rex Mortem” is full of infectious riffs that will grab listeners and root them in place for the full ride. Definitely, a band to watch for in 2022. 4/5” – Brutalism

“On this album there’s a sound that was both impressive technically and a lot of fun. Sure, you’re getting technical guitar playing and sinister vocals, but when that neo-classical side of the band hits you can’t help but bounce or sway with the melodies.” – Metal Injection

“Burned In Effigy gild their aggressive, though catchy, melodic death metal with ornate neoclassical melodies that give their violent proceedings a distinctly regal tint.” – Invisible Oranges

“Burned In Effigy, a Neo-classical Melodic Death Metal band from Chicago, weave a sublime meld of classical and progressive elements into their tracks. The result makes their debut full length, Rex Mortem, a stunning and essential listen.” – Metal Talk

“If you’re looking for a talented new band that writes engaging songs and showcases a plethora of stylistic influences, look no further. Burned in Effigy are here to blow you away with their relentlessly catchy debut LP, and you can expect to dig it if you like quality metal, period.” – Noob Heavy

“This record is straight to the point, brutally beautiful, effortlessly ruthless and an incredibly fun listen… I completely vibed with this record and give it a solid 8/10.” – This Day In Metal

“The bombastic guitar soloing on “Vendetta” puts a showmanship quality on the spot…” – Heavy Music Headquarters

“if you’re looking for that ultimate mix of savvy Tech and Melodic Death Metal high on a yet unknown number of energy drinks, Burned in Effigy is your band. 8/10” – Rock Music Raider

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 The Design Abstract Is Now Streaming Their Melodic Death Sci-Fi Epic “Metemtechnosis”, Album Stream Premiere via Bravewords

October 27, 2021
by Asher
· Music News · The Design Abstract

NEWS RELEASE

Montreal, QC – October 27, 2021

The Design Abstract Is Now Streaming Their Melodic Death Sci-Fi Epic “Metemtechnosis”

Album Stream Premiere via Bravewords

New Album “Metemtechnosis” Out October 29th via Abstrakted Records

L-R – Matt Ngo (Guitar) | Voiicide (Vocals, Bass, Synth) | Logan Mayhem (Guitar, Synth)
Photo Credit: Tami Martin

The Design Abstract melds together narrative sci-fi with Gothenburg-esque melodic death metal, resulting in ambiguous concept albums that sound completely different from other artists in the genre. Their latest album “Metemtechnosis” continues the “Technotheism” (2021) storyline after an indeterminate amount of time in the universe. The band compares this new album to the last, and lets us know what’s coming next:

“Many people had many positive things to say about “Technotheism” upon its release, and we feel that “Metemtechnosis” is a worthy successor to it. Compositionally, we have refined many elements and parts of the processes, and from a technical standpoint, we have really stepped up a lot. Those who wanted to hear more of the killer guitar work will assuredly not be disappointed. “Metemtechnosis” also carries on the story of “Technotheism” in part two of what will be a trilogy. Everything that was present in “Technotheism” has been brought back in more compelling ways, and the performances are more on-point than ever before.”

Similar to “Technotheism”, the tracks were written as necessary to touch on the major story beats of the album; an overarching science-fiction story about a far future where technological advancement puts into question a lot of things taken for granted, like the definition of humanity, individuality, progress, and the line between all of these things. After the third album in the trilogy is released, The Design Abstract will move to a different fictional setting, but the music will continue to experiment with the elements they use in new and innovative ways.

All songs on “Metemtechnosis” were written and performed by Voiicide (vocals/bass/programming), Logan Mayhem (guitars/modular synthesis), and Matt Ngo (guitars). It was produced, mixed, and mastered by Voiicide at Abstrakted Records and the album artwork was done by Yuta Shimpo.

The Design Abstract has a sound that is distinctively theirs and is recommended for fans of Soilwork, Septicflesh, and Divine Disorder.

“Metemtechnosis” is streaming now in full via its exclusive premiere on Bravewords HERE.

The album “Metemtechnosis” drops on October 29, 2021 via Abstrakted Records.

Album pre-order – https://design.bandcamp.com

Lyric Video – Born of Machines

Track Listing:
1. Digital Dawn (8:03)
2. Born of Machines (4:35)
3. The Hybrid Awakening (7:07)
4. Organic Data Fusion (5:45)
5. Metropolis II (4:42)
6. Aberration Omega (3:33)
7. Upheaval (Instrumental) (2:00)
8. Sentinels (3:10)
9. Decryptor (6:32)
Album Length: 45:31

Album Band Line Up:
Voiicide – Vocals, Bass, Scoring/Sampling/Programming
Logan Mayhem – Guitars, Modular synthesis
Matt Ngo – Guitars

For more info:
Facebook.com/thedesignabstract
Instagram.com/thedesignabstract
EPK

About:
The Design Abstract is a 3-piece Symphonic Melodic Death Metal band from Kitchener-Waterloo, ON, Canada. The band focuses heavily on storytelling and worldbuilding with a futuristic and sci-fi narrative to each album they create. The Design Abstract formed in 2011 as a solo project under the name Design, and after many lineup changes, grew into a musical entity that presents a bold, epic, and even monolithic fusion of orchestra, synth, and melodic death metal. Sweeping symphonic passages, harsh industrial elements, highly proficient and memorable guitar work, and brutal guttural vocals mixed with soaring cleans are all blended in many ways to put forth a truly unique and powerful musical experience.

– 30 –

“Incorporating old school sci-fi visual elements with choppy electronics, catchy guitar parts and perfectly timed kick drums, this track (Parallel Projection) is a synth metal blast!” – Metal Injection

“A symphonic technical death metal masterpiece with an amazing concept to keep you engaged from start to finish \m/” – Heavy New York

“Now for some nerd shit. Technotheism is a concept record about the future that at it’s core is a melodic death metal record, but the band dabbles with electronic elements, technicality, and grand orchestrations throughout. Fans of Last Chance To Reason and really any band Mike Semesky (Ordinance, Raunchy, etc) has been a part of will probably dig this.” – Metal Injection

“This is a grandiose affair, full of musicality, technicality, and narrative. Thirteen tracks of symphonic melodic death metal that tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between.” – The Prog Space

“I love hearing something ambitious and genre-bending when a band can follow through on their vision. The Design Abstract is one such band, one that had an idea and put it together almost flawlessly… This album is every bit as diverse, colorful, and epic as I had hoped, and there are jaw-dropping moments galore. I absolutely love this record.” – The Prog Mind

“The Design Abstract goes for a big symphonic style in extreme metal, with a few twists and surprises along the way. Fans of the dystopian and/or futuristic sounds may find the album especially interesting. The Design Abstract is the symphony that remains after the alien zombies have taken over and this is the music that they want the world to hear to remind everyone that the zombies are horrible beings that enjoy tormenting the population with grandiose cacophony. When can the party begin, right?” – Metal Bulletin Zine

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Drumming In BC Rockies – Param-Nesia Drummer Showcases New Playthrough, New EP “Aspect of Creation” Out Now!

September 16, 2021
by Asher
· Music News · Param-Nesia

NEWS RELEASE

Montreal, QC – September 16, 2021

Drumming In BC Rockies – Param-Nesia Drummer Showcases New Playthrough

New EP “Aspect of Creation” Out Now!

Vancouver’s Param-Nesia unleashed their new EP “Aspect of Creation” upon the world earlier this June. The five-track EP is groovy and captivating with each song flowing from one to the next. Compared to the first EP “The Beginning” (2019), this new offering is a big step up in production and quality and will definitely get listeners rowdy. Meshing melody and brutality, they tell wild tales intended to take the listener on a journey. The band explains in more detail:

“It is more focused and balanced in its direction. The overall sound isn’t one specific thing. Some songs have a more melodic, triumphant vibe, while others are more somber, slower groove. But that’s the fun part, each one is a testament to the moment it was conceived, and a reflection of the evolving musical inspirations of each band member at that time.”

One of the lead singles off “Aspect of Creation” is the track “Forsaken” and today, drummer Derek Hill is showcasing his pounding fury with his latest playthrough along with British Columbia’s monstrous Rockies as the backdrop.

“This playthrough was filmed off the Squamish Valley Logging Road, in Squamish, BC. I had this location in my mind for a long time because I spend a lot of time in Squamish Kiteboarding around all the glacier mountains. I’ve always wanted to play drums in a place where I felt very connected with nature, so I told my friend and videographer Darren Potts, along with longtime friend and bandmate Matt Burnham about the plan and they helped turn it into reality.” adds Hill.

The drum playthrough for “Forsaken” can be viewed via TheCirclePit’s YouTube channel – https://youtu.be/JoMRBKtXsgo

The five tracks on the “Aspect of Creation” cross subgenre boundaries making this brutal assault of tech death and melody applicable for most metalheads, especially fans of Revocation, The Black Dahlia Murder, Arch Enemy, Allegaeon, and At the Gates.

“Aspect of Creation” is available on Param-nesia.bandcamp.com, Spotify

Music Video “Pestilence of Man” – https://youtu.be/1jbpbQiwBt0

Track Listing:
1. Pestilence of Man (4:44)
2. Forsaken (4:44)
3. Lethocerus (5:29)
4. Home (5:47)
5. Journey to Nothing (7:09)
EP Length: 27:54

EP Band Line Up:
Andy Cahalin – Lead Guitar/Bass
Matthew Burnham – Rhythm Guitar/Bass
Cayle Charlton – Vocals
Derek Hill – Drums

Live Band Line Up:
Andy Cahalin – Lead Guitar
Matthew Burnham – Rhythm Guitar
Cayle Charlton – Vocals
Colton Hession – Bass
Derek Hill – Drums

For more info:
Facebook.com/ParamnesiaVan
Instagram.com/paramnesiavan
EPK

About:
Param-Nesia is a five-piece metal band hailing from Vancouver BC. Their visceral sound combines melodic death, thrash, and hints of prog to create music that takes you on a journey from beginning to end. Originally founded in 2016 by guitarist Andy Cahalin, and drummer Derek Hill, followed shortly by vocalist Cayle Charlton, the lineup is now complete with the addition of Matt Burnham on guitar and Colton Hession on bass. Param-Nesia released their debut EP “The Beginning” in Feb 2019, and are set to unleash their follow-up EP “Aspect of Creation” on June 25th, 2021. They are committed to their craft, striving to create music that is heavy, emotionally charged and engaging. With a hard work ethic, Param-Nesia is actively seeking shows/tours (post covid) and building an online presence to add to their repertoire.

– 30 –

“”Param-Nesia- Aspect of Creation – Great White North Metal – TOP NEW RELEASES for June 2021″

“Blending technical chips with some surprisingly memorable hooks — just check out the opening song Pestilence of Man — and plain old heavy riffage, the 5 tracks are relentless.” – Vancouver Sun

“Aspect of Creation” is exactly that Death Metal that Chuck Schuldiner would have wished for in 2021.” – Stormbringer

“Brutal Technical Death Metal from Vancouver, “Aspect of Creation” is a five track delve into blisteringly fast blasts, melodic guitar rhythms, an unwavering vocal performance from Cayle Charlton, “Aspect of Creation” attests to a band with brilliant capability and creativity.” – Metal Temple

“Aspect of Creation is a powerful slab of melodeath that takes listeners on a sonic journey.” – Noob Heavy

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 REALITY GREY Unleashes Shredding Guitar Playthrough For “Preachers of Hatred”

June 15, 2021
by Asher
· Music News · Reality Grey

NEWS RELEASE

Montreal, QC – June 15, 2021

For fans of Soilwork, As I Lay Dying, Scar Symmetry, Lamb of God, Unearth

REALITY GREY Unleashes Shredding Guitar Playthrough For “Preachers of Hatred”

Playthrough Premiere via TechnicalMusicReview

New Album “Beneath This Crown” Out Now!

Pictured L-R:
Alex Giustino (Bass)
Anto Addabbo (Guitars)
Tommy Montenegro (Vocals)
Alberto Pinto (Guitars)
Francesco Inchingolo (Drums)

Italy’s Reality Grey‘s fourth album “Beneath This Crown” was released just this past May via Blood Blast Distribution, powered by Nuclear Blast and Believe Digital. Offering a sonic assault of extreme melodic metal over the course of thirteen relentless tracks, the record follows 2014’s “Define Redemption” (Bakerteam/Scarlet Records).

On this new record, fans are treated to the band’s “most innovative and modern record we have ever made”. They went beyond everything they have done in the past both musically and lyrically. Reality Grey was able to develop their most experimental side.

“The album has very different feels throughout the track listing; every song is a stand-alone story as we never liked to copy ourselves on and on. The writing process has been heavily influenced by movie soundtracks, especially sci-fi soundtracks,’ something that goes beyond a classic heavy metal song. We wanted to get very personal and original with this album and I think we nailed it!” adds the band.

Continuing to support the album’s release, Reality Grey guitarists Anto Addabbo and Alberto Pinto are sharing their latest shredding playthrough for “Preacher’s of Hatred”, the most brutal song on the record; the fast thrash gives way to a groovy and jazzy pre-chorus.

The playthrough can be viewed via its premiere on TechnicalMusicReview HERE.

The music video “Preachers of Hatred” (which has reached over 100,000 views) can also be seen at https://youtu.be/yexnBZLDVyE

Aggressive and technical, Reality Grey is recommended for fans of As I Lay Dying, Scar Symmetry, and Lamb of God,

“Beneath This Crown” is available at the following link – https://backl.ink/144305702

Previous Videos:
Powerblast – https://youtu.be/s3pSFUFZzSI
Multidimensional Hollow – https://youtu.be/4hDxsTop8Fs
Daybreakers – https://youtu.be/spOgWpdGcwY
The Void – https://youtu.be/nUnldMsfKDA
The Fury – https://youtu.be/hFEyqEh00Os

Track Listing:
1. Legion (Intro) (1:51)
2. Fade In Fear (4:44)
3. Kings of Nothing (5:18)
4. Preachers of Hatred (4:05)
5. Daybreakers (5:37)
6. Powerblast (4:09)
7. Multidimensional Hollow (4:16)
8. The Fury (4:01)
9. Dreaming (Feat. Milly Florio from End Of Skyline) (5:13)
10. Reascent (4:01)
11. Beneath This Crown (5:28)
12. Indelible Stains (3:39)
13. The Void (4:34)
Album Length: 57:03

For more info:
Facebook.com/RealityGrey
Instagram.com/realitygrey
EPK

Reality Grey is supported by the Programmazione Puglia Sounds Record – 2020/2021 and REGIONE PUGLIA FSC 2014/2020 – Patto per la Puglia Investiamo nel vostro futuro.

About:
Hailing from South Italy, Reality Grey stands tall in the Italian metal scene. Formed in 2004, Reality Grey began their quest to redefine melodic death metal. As a tight-knit 5 piece band, Reality Grey incorporates a modern hybrid of extreme music: melody, brutality; blending complex, yet catchy songwriting. Fearsome death growls & clean vocals give way to razor-sharp guitar riffs and fusion-oriented solos, Reality Grey set out to create something all their own.

With the release of the debut full-length album “Darkest Days Are Yet To Come” in 2006, in the heat of the melodic death metal revolution, Reality Grey managed to secure their first record deal with Razar Ice Records USA. Songs like “Reality Grey” and “Never again” racked up hundreds of thousands plays on the old MySpace allowing the band to tour, gaining popularity well beyond the Italian borders. Following up with EP “Day Zero”, Reality Grey began to push their own boundaries. Ferocious, yet melodic, with a no-holds-barred songwriting attitude. Songs like “Day Zero” and “Slavery” emerged the band’s experimental side, synths, melancholic pianos, and acoustic guitars; perfectly fused with intoxicating sonic aggression.

After years of non-stop touring alongside bands like Deicide, Unearth, Municipal Waste, Sadist, Malevolent Creation, and more, the critically acclaimed “Define Redemption” is released by Bakerteam/Scarlet Records; sending the band on their first headline tour in Japan. Reality Grey, now having been featured on worldwide publications Metal Injection, Metal Hammer UK, Metal Temple, and Metal.de, released 2018’s “The Void”. Reviewed as “a complete and total aural devastation…” that “will blow your speaker out” by Metal Injection.

Reality Grey has completed work on their upcoming full-length due out May 7th 2021 (Blood Blast Distribution powered by Nuclear Blast). Looking ahead with tours and festival appearances on their sights, Reality Grey will continue to push ambitiously, earning their place among the pantheon of heavy music.

Now, having inked a worldwide deal with Extreme Management Group (EMG), the band says “We’re thrilled to announce that we have started working with Extreme Management Group! Definitely the right place for us. Big news is coming very soon. Stay tuned!” EMG said, “We are excited to be working with Reality Grey. They have some really fantastic music. We expect big things to come from this partnership.”.

– 30 –

“Melodic, aggressive and catchy, this track adds (Multidimensional Hollow) well placed synths and ambiance to an already well rounded sound, making it complex without being overcomplicated. The new album shows a marked evolution in the band’s sound, something that will intrigue current fans and entice new ones.” – Metal Injection

“Beneath this Crown, a creative step forward in their combination of NWOAHM from the early aughts, At the Gates-inspired metalcore and Scandinavian-flavoured melodic death metal.” – Decibel Magazine

“There’s a steadfastness to Reality Grey that’s vital to the music they make. While many bands have tried, floundered, and failed at the art of metalcore and melodeath, the Italian five-piece embrace the genre with full-throated fury. At the same time, they never sound beholden to the genre, incorporating electronic sounds and rhythms to their music that illustrate their willingness to change and incorporate new influences for the betterment of their sound. In a sometimes uncertain world, this band know what they’re about.” – We Are The Pit

“Reality Grey should be able to easily ensnare modern metal and melodeath fans with a release like this one.” – Dead Rhetoric

“If there is something like a constant in REALITY GREY’s approach to Metal then it is their drive to vary their sound and their progression towards new styles and vibes in their music. As a result, the new album “Beneath This Crown” is probably best described as a mix of melodic Metalcore, melodic Death Metal with a portion of progressive elements. The album has a fast and aggressive start with “Fade In Fear” and “Preachers Of Hatred”… REALITY GREY deliver an upgrade to previous albums and their eagerness to experiment with their sound is clearly to recognize on the album. This gives their music an own character and makes them distinctive from other Metal bands. The album is very well produced. “Beneath This Crown” will make all fans of REALITY GREY happy and I am sure that the music of the new album will help to win a lot of new fans.” – 8/10 Metal Temple

“The desire to go wild in a pit somewhere while singing your heart out is just as strong on Kings of Nothing and Preachers of Hatred. Undeniably brutal, a guitar solo thrown in the former and the drumming reaching inhuman levels of speed on the latter, these tracks are awesome.” – Games, Brrraaains & A Head-Banging Life
—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 REALITY GREY’s Unleash Most Brutal Video “Preachers of Hatred” + New Album “Beneath This Crown” Out May 7th (Blood Blast)

May 6, 2021
by Asher
· Music News · Reality Grey

NEWS RELEASE

Montreal, QC – May 6, 2021

For fans of Soilwork, As I Lay Dying, Scar Symmetry, Lamb of God, Unearth

REALITY GREY’s Unleash Most Brutal Video “Preachers of Hatred”

Music Video Premiere + Interview via WeAreThepit

New Album “Beneath This Crown” Out May 7th

Pictured L-R:
Alex Giustino (Bass)
Anto Addabbo (Guitars)
Tommy Montenegro (Vocals)
Alberto Pinto (Guitars)
Francesco Inchingolo (Drums)

Release day is very near for Italy’s Reality Grey‘s fourth album “Beneath This Crown” out this Friday, May 7th. Fans are in for a treat, as the band is confident in what they call “the most innovative and modern record we have ever made”. They go on to explain the album further:

“With “Beneath This Crown” we wanted to go beyond everything we have done in the past both musically and lyrically. We were able to develop our most experimental side. The album has very different feels throughout the track listing; every song is a stand-alone story as we never liked to copy ourselves on and on. The writing process has been heavily influenced by movie soundtracks, especially sci-fi soundtracks,’ something that goes beyond a classic heavy metal song. We wanted to get very personal and original with this album and I think we nailed it!”

To go with this release is the final single, “Preachers of Hatred” presented with a music video. This is the most brutal song on the album; the fast thrash gives way to a groovy and jazzy pre-chorus. Insane drumming leads into a very heavy finale. The premise of the track is about current social and political situations. It touches on the social tragedy we’re living in today, with the richest and most powerful people on earth exerting control over everyone else’s life. Divide and conquer, then get richer and richer.

The video for “Preachers of Hatred” can be viewed and heard along with an interview via its premiere on WeAreThePit.com HERE.

Time was taken with this new full-length offering, Reality Grey had the time to experiment, and the result is aggressive, technical, and catchy. It is consistently progressive and new layers of the band’s creativity are unleashed.

Recommended for fans of As I Lay Dying, Scar Symmetry, and Lamb of God, “Beneath This Crown” will be out via Blood Blast Distribution, powered by Nuclear Blast as of May 7, 2021.

Album pre-save – https://backl.ink/144305702

For more info:
Facebook.com/RealityGrey
Instagram.com/realitygrey
EPK

Reality Grey is supported by the Programmazione Puglia Sounds Record – 2020/2021 and REGIONE PUGLIA FSC 2014/2020 – Patto per la Puglia Investiamo nel vostro futuro.

– 30 –

“Reality Grey give off a viciousness and expertise hard to find in other bands. The instrumental expertise of each component is absolute, slighting touching tech-death side of acts like The Faceless but remaining ‘catchy’ in their complexity” – Metal Hammer

“It’s complete and total aural devastation with some seriously chunky moments, so it lives right up to what you’d expect a song called “The Void” to do.” – Metal Injection

“Reality Grey will serve the world of metal excellently both as an all round, no nonsense, metal act and as a brigde band for younger fans of heavy music” – Metalunderground.at
—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Burned For Sins, Damned For Speaking Truths ARSENIC ADDICTION New Music Video “Maleficium”, Video Premiere via MetalInjection

February 17, 2021
by Asher
· Arsenic Addiction · Music News

NEWS RELEASE

Montreal, QC – February 17, 2021

For fans of Cradle of Filth, Behemoth, In This Moment, Arch Enemy, Myrkur

Burned For Sins, Damned For Speaking Truths ARSENIC ADDICTION New Music Video “Maleficium”

Video Premiere via MetalInjection

Album “XIX” Out Now!

Arsenic Addiction:
(left to right)
Nate Dahlquist – Drums
Haley Grow (Lady Arsenic) – Vocals, Keyboard
Tyler Gipson – Guitars
James Kessler – Guitars
Photo by: Brian Medeiros

Salt Lake City’s Arsenic Addiction’s released their fourth album “XIX” in September 2019, and in support of the record, they released the visually stunning video “Fire” featuring UTAH’s salt flats as a backdrop. Today, the band is excited to present their next breathtaking video filmed and directed once again by Brian Medeiros for their track “Maleficium” and this time they have changed altitudes to hit the snow-capped peaks of UTAH’S mountains.

The band adds about the track:

“The working title for this song was Malleus Maleficarum, it translates to The Hammer of Witches. A book and nickname for a clergyman who was discredited by the catholic church about the finding, extermination, and torture procedures for witches.
Exodus 22:18 ‘ Thou shalt not suffer a witch to live ‘

The song itself is pretty straightforward as it is about patriarchal ideals against not only women, but anyone who dares to love differently, dress differently, and act out of the accepted norm. This song was written very specifically for our vocalist Lady Arsenic and her experiences and accusations of ‘being a witch’ in the sense of a seductress, whore, etc., for being an openly polyamorous woman, treated as though she has control over the thoughts and feelings of others and that she is somehow responsible for their actions (WITCHCRAFT!). It’s petty martyrdom, but it was very cathartic to write”

The music video for “Maleficium” can be viewed via its premiere on MetalInjection HERE.

Arsenic Addiction‘s latest full length “XIX” is the story of an outsider, those who dare to be different, strange, or unusual and are made out to be monsters, demons, or witches because of it. It’s the journey of the human soul from a feminine perspective experiencing love, hate, finding inner power, and making deals with the devil to conquer those who would stand in the way of that power.

Although the music of Arsenic Addiction has evolved in style over the years, the reason has always been the same: to create art, connect with others, and express emotions/complex issues about love, death, and the world that are difficult to convey with mere words.

A wide range of emotions is packed into Arsenic Addiction’s music, which blends gothic, melodic, and death elements. It is well suited for fans of Cradle of Filth, Behemoth, and In This Moment.

Arsenic Addiction‘s “XIX” is available on Arsenicaddiction.bandcamp.com, Spotify, Apple Music, Amazon.

Music Video:
Fire – YouTube

Track Listing:
1. As Above (3:53)
2. Moon & Sun (5:49)
3. Air (2:57)
4. Tomb of Sleep (3:52)
5. Spirit (2:53)
6. Summons (5:42)
7. Ash of the Earth (3:52)
8. Water (4:03)
9. Amethyst (5:33)
10. Fire (3:02)
11. Maleficium (5:00)
12. Earth (3:46)
13. So Below (4:39)
Album Length: 55:05

For more info:
ArsenicAddictionBand.com
Facebook.com/doseofarsenic
Instagram.com/arsenicaddiction
Twitter.com/doseofarsenic
EPK

– 30 –

“It is mournfully violent metal that has the chameleon-like ability to interest fans of different genres.” – SLUG Magazine

“Their stage show is an intriguing mix of melodic metal and amazing theatrics that seduces your senses” – Metal Underground

“Hailing from Salt Lake City one of the Mormon capitals of the world, it is quite refreshing to find a band with such an aggressive yet melodic sound and imposing stage presence” – Infernal Masquerade Webzine

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

Page 1 of 3

Asher Media Relations Tweets

Tweets by AsherMedia

Asher Media Email Subscription

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Email Address:

Join 2,174 other subscribers