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Tag: Ken mode

0 Cell Press Shares Guitar Playthrough For Noise Jam “My Son Will No The Truth”, EP Out Now! Limited Edition Cassette from Ancient Temple Recordings and No Funeral Records

  • February 10, 2021
  • by Asher
  • · Cell Press · Music News

NEWS RELEASE

Montreal, QC – February 10, 2021



For fans of KEN mode, Unsane, Mastodon, Keelhaul

Cell Press Shares Guitar Playthrough For Noise Jam “My Son Will No The Truth”

EP Out Now! Limited Edition Cassette from Ancient Temple Recordings and No Funeral Records

Lineup (L to R): Sean Arsenian (Guitar, Vox), Joey Cormier (Bass), Mark McGee (Drums), PQ (Vox)

A concoction of noise, sludge, grindcore, and extreme metal, along with anything and everything the band feels like creating, Montreal’s Cell Press (a convergence of talent from well-seasoned musicians (The Great Sabatini, Biipiigwan, I Hate Sally, Architect)) unleashed their self-titled debut EP this past November along with limited editions cassettes released by No Funeral Records and Ancient Temple Recordings.

“This EP sorta sums up what we’re about at this particular moment. Genre people might not be satisfied with our lack of adherence to any one sound for too long, but we didn’t make these songs for those sorts of people. This ep is designed as a broad introduction to the band, and new listeners will hopefully anticipate what else is coming down the pipe in the future. It upholds the high standards Cell Press sets for themselves and each song is quite different from the others.” says the band.

Today, Cell Press’ guitarist Sean Arsenian shares his playthrough for the band’s noise track “My Son Will No The Truth”.

Arsenian adds:
“This track is the long noise jam on the debut Cell Press EP. PQ caught the guitar tracking on video so I synced it up with the final master.

At Sean Pearson’s suggestion, we built this piece by only allowing the performer to hear the prior track. In this case, I was improvising guitar noise with only the drums in the cans. Mcgee had laid down the drums only having heard a strange loop that Pearson made. we continued down that line till we’d painted some sort of insane sonic landscape. Sean Pearson later mixed it all into what you have here, and it was one of the most fun experiences in the studio with buddies I’ve had in years.

I played this IO guitar made by my friend Nick Brygadyr. He makes very nice guitars. It has a pearly gates in the bridge position because I heard that’s what the guy from Cherubs uses and it sounds great. I split the signal into two amps, with a couple of pedals going into each, but kept it pretty simple. Volume plus vibration equals noise. Thanks for watching! and this is probably a journey best taken with headphones.”

Watch and listen to the playthrough on YouTube – https://youtu.be/OxLoiNyOa90

Super loud and vigorous, Cell Press is recommended for fans of Jesus Lizard, Converge, and Botch.

Digital download here.
Spotify playlist add here.
Limited edition cassette order available from No Funeral Records and Ancient Temple Recordings.

Videos:
Blacked Out In Verdun – YouTube (Music Video)
Desert Breath – YouTube (Music Video)
Piss Police – YouTube (Drum Playthrough)
Dead At OACI  – YouTube (Drum Playthrough)

Track Listing:
1. Piss Police (3:35)
2. Desert Breath (2:52)
3. Blacked Out In Verdun (2:37)
4. Dead At OACI (3:31)
5. My Son Will No The Truth 11:40
EP Length: 24:18

For more info:
Facebook.com/cellpressmtl
Instagram.com/celllpresss
EPK

About:

Cell Press are a Montreal-based band that formed in 2019. They play a sort of burly noise-rock that leans more on the hardcore and metal side of the swamp. They took their name from the 2001 Russian prison documentary “The Mark Of Cain”. The brutal humanity of that film is reflected in the music… on the surface, it’s raw and punishing but there are complexities

and nuances revealed once the surface noise has been embraced. Members have played in a myriad of punk, metal, and hardcore bands such as The Great Sabatini, Biipiigwan, I Hate Sally, The Chariot, Animal Ethics, Architect, Swarm Of Spheres, and Angles. Their self-titled EP is the first offering of tunes. Recorded pre-quarantine in Hamilton at Boxcar Sound Recording

(Sean Pearson), mixed in Oakland at Anti-sleep studios by Scott Evans with the pandemic in full swing… 2 local shows have been logged but any further plans to gig have been halted by Covid-19.

Discography:
2020 – Self Titled – EP

– 30 –

“From the grooves on “Piss Police” to the odd-timed melodic chords of “Blacked Out in Verdun,” everything moves in unexpected ways. All of this is perfectly set to the backdrop of PQ’s uniquely cackled screams… Cell Press is a great sludge metal EP that reminds the listener of the best aspects of this sub-genre. This EP makes the future appear bright for what is to come from this band. 8/10″ – Exclaim!

“You know that feeling, when you spin a new record for the first time and it just fucking destroys you? Well today I am happy to report, Cell Press outta Montreal have truly delivered the goods with their debut self titled EP.  I mean fuck, is it any wonder this band rules, when they can boast members from the likes of The Great Sabatini, Biipiigwan, I Hate Sally, Architect. With their self-titled release, Cell Press give zero fucks about accessibility, instead they focus on delivering punishing aggression with a melting pot of sludge metal, noise rock, and grindcore.” – The Sludgelord

“Warm fuzzy guitar tones bring a touch of the Sabbath to “Piss Police” with broken chords and momentary pauses giving the kind of sound that Raging Speedhorn look for to accompany the rampant venting screams of the vocals that unapologetically roar along during the montage.” – Metal Noise

“Cell Press’s debut self titled EP is definitely an interesting listen. I didn’t expect it to take me on the journey which it did. An aggressive sound runs throughout showing that this band don’t play by the rules, they’re making music the way they want to.” – The Independent Voice

“Noisy and enjoyable, I give this Cell Press effort high marks. I am a Punk fan from the beginning, and I hear those roots here, certainly in the attitude, even if the category is technically off. The disenfranchisement is very appealing. Recommended.” – Flying Fiddle Sticks

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Cell Press New Music Video “Blacked Out In Verdun”, Video Premiere via IDIOTEQ 

  • January 20, 2021
  • by Asher
  • · Cell Press · Music News

NEWS RELEASE

Montreal, QC – January 20, 2021



For fans of KEN mode, Unsane, Mastodon, Keelhaul

Cell Press New Music Video “Blacked Out In Verdun”

Video Premiere via IDIOTEQ 

EP Out Now! Limited Edition Cassette from Ancient Temple Recordings and No Funeral Records

Lineup (L to R): Sean Arsenian (Guitar, Vox), Joey Cormier (Bass), Mark McGee (Drums), PQ (Vox)

A concoction of noise, sludge, grindcore, and extreme metal, along with anything and everything the band feels like creating, Montreal’s Cell Press (a convergence of talent from well-seasoned musicians (The Great Sabatini, Biipiigwan, I Hate Sally, Architect)) unleashed their self-titled debut EP this past November along with limited editions cassettes released by No Funeral Records and Ancient Temple Recordings.

“This EP sorta sums up what we’re about at this particular moment. Genre people might not be satisfied with our lack of adherence to any one sound for too long, but we didn’t make these songs for those sorts of people. This ep is designed as a broad introduction to the band, and new listeners will hopefully anticipate what else is coming down the pipe in the future. It upholds the high standards Cell Press sets for themselves and each song is quite different from the others.” says the band.

Today, Cell Press shares their latest music video “Blacked Out In Verdun”, a song that can be described as a sort of mish-mash of Helmet and Keelhaul.

Guitarist Sean Arsenian elaborates on how the video came to be:

“My co-worker Morgan Hunt walked into DFA Tattoos for Halloween wearing the llama mask you see in the video. I immediately recruited him to help me with the vague idea I had for it… and then we made him fall down a bunch of times. We paid for his wine, and that was the entire 20$ budget for the video. Morgan found the trash heap to lay down in at the end of the video and did so with zero prompting from us. He’d worked hard that day and deserved a rest.”

Watch the full video via its premiere on IDIOTEQ HERE.

Super loud and vigorous, Cell Press is recommended for fans of Jesus Lizard, Converge, and Botch.

Digital download here.

Limited edition cassette order available from No Funeral Records and Ancient Temple Recordings.

Spotify playlist add here.

Videos:
Desert Breath – YouTube (Music Video)
Piss Police – YouTube (Drum Playthrough)
Dead At OACI  – YouTube (Drum Playthrough)

Track Listing:
1. Piss Police (3:35)
2. Desert Breath (2:52)
3. Blacked Out In Verdun (2:37)
4. Dead At OACI (3:31)
5. My Son Will No The Truth 11:40
EP Length: 24:18

For more info:
Facebook.com/cellpressmtl
Instagram.com/celllpresss
EPK

About:

Cell Press are a Montreal-based band that formed in 2019. They play a sort of burly noise-rock that leans more on the hardcore and metal side of the swamp. They took their name from the 2001 Russian prison documentary “The Mark Of Cain”. The brutal humanity of that film is reflected in the music… on the surface, it’s raw and punishing but there are complexities

and nuances revealed once the surface noise has been embraced. Members have played in a myriad of punk, metal, and hardcore bands such as The Great Sabatini, Biipiigwan, I Hate Sally, The Chariot, Animal Ethics, Architect, Swarm Of Spheres, and Angles. Their self-titled EP is the first offering of tunes. Recorded pre-quarantine in Hamilton at Boxcar Sound Recording

(Sean Pearson), mixed in Oakland at Anti-sleep studios by Scott Evans with the pandemic in full swing… 2 local shows have been logged but any further plans to gig have been halted by Covid-19.

Discography:
2020 – Self Titled – EP

– 30 –

“From the grooves on “Piss Police” to the odd-timed melodic chords of “Blacked Out in Verdun,” everything moves in unexpected ways. All of this is perfectly set to the backdrop of PQ’s uniquely cackled screams… Cell Press is a great sludge metal EP that reminds the listener of the best aspects of this sub-genre. This EP makes the future appear bright for what is to come from this band. 8/10″ – Exclaim!

“You know that feeling, when you spin a new record for the first time and it just fucking destroys you? Well today I am happy to report, Cell Press outta Montreal have truly delivered the goods with their debut self titled EP.  I mean fuck, is it any wonder this band rules, when they can boast members from the likes of The Great Sabatini, Biipiigwan, I Hate Sally, Architect. With their self-titled release, Cell Press give zero fucks about accessibility, instead they focus on delivering punishing aggression with a melting pot of sludge metal, noise rock, and grindcore.” – The Sludgelord

“Warm fuzzy guitar tones bring a touch of the Sabbath to “Piss Police” with broken chords and momentary pauses giving the kind of sound that Raging Speedhorn look for to accompany the rampant venting screams of the vocals that unapologetically roar along during the montage.” – Metal Noise

“Cell Press’s debut self titled EP is definitely an interesting listen. I didn’t expect it to take me on the journey which it did. An aggressive sound runs throughout showing that this band don’t play by the rules, they’re making music the way they want to.” – The Independent Voice

“Noisy and enjoyable, I give this Cell Press effort high marks. I am a Punk fan from the beginning, and I hear those roots here, certainly in the attitude, even if the category is technically off. The disenfranchisement is very appealing. Recommended.” – Flying Fiddle Sticks

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Watch Cell Press Drummer Pelt The F’ Out of These Skins For “Dead At OACI” From Noisy, Sludgy Self-Titled EP Out Now!

  • December 11, 2020
  • by Asher
  • · Cell Press · Music News

NEWS RELEASE

Montreal, QC – December 11, 2020



For fans of KEN mode, Unsane, Mastodon, Keelhaul

Cell Press Drummer Posts Video of Pelting Skins For “Dead At OACI” From Noisy, Sludgy Self-Titled EP

EP Out Now! Limited Edition Cassette from Ancient Temple Recordings and No Funeral Records

Lineup (L to R): Sean Arsenian (Guitar, Vox), Joey Cormier (Bass), Mark McGee (Drums), PQ (Vox)

Cell Press drummer Mark McGee has posted his next video of pelting skins with a playthrough for “Dead At OACI”. The first song Cell Press wrote together, the track comes off the Montreal band’s debut EP released on November 27th. The song itself is organized chaos smashing your throat with angry noise and aggressive sludge. Even though Cell Press has no one metal genre label to them, they are best described as a concoction of grindcore, noise, sludge, extreme metal, along with anything and everything the band feels like creating.

Watch McGee shatter the kit in this latest drum video via his YouTube.

Cell Press‘ eclectic self-titled EP may not be metal enough or noise-rock enough or sludge enough for some, but the band gets bored really fast and the result is serious channel surfing taking advantage of a wide variety of influences. With this record, they have gone all out to wrap their ideas up in a burlap sack, tied with razor wire. As the band says in their own words:

“This EP sorta sums up what we’re about at this particular moment. Genre people might not be satisfied with our lack of adherence to any one sound for too long, but we didn’t make these songs for those sorts of people. This ep is designed as a broad introduction to the band, and new listeners will hopefully anticipate what else is coming down the pipe in the future. It upholds the high standards Cell Press sets for themselves and each song is quite different from the others.”

Super loud and vigorous, Cell Press is a sort of hybridized amalgamation of influences, and most recommended for fans of Jesus Lizard, Converge, and Botch.

Digital download from Cell Press here.

Limited edition cassette order available from No Funeral Records and Ancient Temple Recordings.

Spotify playlist add here.

Videos:
“Desert Breath” – YouTube (Music Video)
“Piss Police” – YouTube (Drum Playthrough)

Track Listing:
1. Piss Police (3:35)
2. Desert Breath (2:52)
3. Blacked Out In Verdun (2:37)
4. Dead At OACI (3:31)
5. My Son Will No The Truth 11:40
EP Length: 24:18

For more info:
Facebook.com/cellpressmtl
Instagram.com/celllpresss
EPK

About:

Cell Press are a Montreal-based band that formed in 2019. They play a sort of burly noise-rock that leans more on the hardcore and metal side of the swamp. They took their name from the 2001 Russian prison documentary “The Mark Of Cain”. The brutal humanity of that film is reflected in the music… on the surface, it’s raw and punishing but there are complexities

and nuances revealed once the surface noise has been embraced. Members have played in a myriad of punk, metal, and hardcore bands such as The Great Sabatini, Biipiigwan, I Hate Sally, The Chariot, Animal Ethics, Architect, Swarm Of Spheres, and Angles. Their self-titled EP is the first offering of tunes. Recorded pre-quarantine in Hamilton at Boxcar Sound Recording

(Sean Pearson), mixed in Oakland at Anti-sleep studios by Scott Evans with the pandemic in full swing… 2 local shows have been logged but any further plans to gig have been halted by Covid-19.

Discography:
2020 – Self Titled – EP

– 30 –

“From the grooves on “Piss Police” to the odd-timed melodic chords of “Blacked Out in Verdun,” everything moves in unexpected ways. All of this is perfectly set to the backdrop of PQ’s uniquely cackled screams… Cell Press is a great sludge metal EP that reminds the listener of the best aspects of this sub-genre. This EP makes the future appear bright for what is to come from this band. 8/10″ – Exclaim!

“You know that feeling, when you spin a new record for the first time and it just fucking destroys you? Well today I am happy to report, Cell Press outta Montreal have truly delivered the goods with their debut self titled EP.  I mean fuck, is it any wonder this band rules, when they can boast members from the likes of The Great Sabatini, Biipiigwan, I Hate Sally, Architect. With their self-titled release, Cell Press give zero fucks about accessibility, instead they focus on delivering punishing aggression with a melting pot of sludge metal, noise rock, and grindcore.” – The Sludgelord

“Warm fuzzy guitar tones bring a touch of the Sabbath to “Piss Police” with broken chords and momentary pauses giving the kind of sound that Raging Speedhorn look for to accompany the rampant venting screams of the vocals that unapologetically roar along during the montage.” – Metal Noise

“Cell Press’s debut self titled EP is definitely an interesting listen. I didn’t expect it to take me on the journey which it did. An aggressive sound runs throughout showing that this band don’t play by the rules, they’re making music the way they want to.” – The Independent Voice

“Noisy and enjoyable, I give this Cell Press effort high marks. I am a Punk fan from the beginning, and I hear those roots here, certainly in the attitude, even if the category is technically off. The disenfranchisement is very appealing. Recommended.” – Flying Fiddle Sticks

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Cell Press Drummer Posts Playthrough “Piss Police” From Their Noisy, Sludgy Debut Self-Titled EP Out Now!

  • December 3, 2020
  • by Asher
  • · Cell Press · Music News

NEWS RELEASE

Montreal, QC – December 3, 2020



For fans of KEN mode, Unsane, Mastodon, Keelhaul

Cell Press Drummer Posts Playthrough “Piss Police” From Their Noisy, Sludgy Debut Self-Titled EP

EP Out Now! Limited Edition Cassette from Ancient Temple Recordings and No Funeral Records

Lineup (L to R): Sean Arsenian (Guitar, Vox), Joey Cormier (Bass), Mark McGee (Drums), PQ (Vox)

Cell Press drummer Mark McGee has posted a video of his battering hands with a playthrough for “Piss Police”, which is the opening track from the Montreal band’s debut EP released on November 27th.

“Piss Police” is bookended with one riff, which the band plays in different ways, as an intro and outro. The middle section was something their guitarist Sean Arsenian had demoed for a different project, but in the end, found it to be right at home with Cell Press. The bridge is a much noisier take on a Jesus Lizard type of riff.

Watch McGee gorge through the track in the following drum video via his YouTube.

Cell Press has no one metal genre label to them as they are a concoction of grindcore, noise, sludge, extreme metal, along with anything and everything the band feels like creating.

The eclectic ep may not be metal enough or noise-rock enough or sludge enough for some, but Cell Press gets bored really fast and the result is serious channel surfing taking advantage of a wide variety of influences. With this release, they have gone all out to wrap their ideas up in a burlap sack, tied with razor wire. As the band says in their own words:

“This EP sorta sums up what we’re about at this particular moment. Genre people might not be satisfied with our lack of adherence to any one sound for too long, but we didn’t make these songs for those sort of people.”This ep is designed as a broad introduction to the band, and new listeners will hopefully anticipate what else is coming down the pipe in the future. It upholds the high standards Cell Press sets for themselves and each song is quite different from the others.

Super loud and aggressive, Cell Press is a sort of hybridized amalgamation of influences, and most recommended for fans of Jesus Lizard, Converge, and Botch.

Digital download from Cell Press here.

Limited edition cassette order available from No Funeral Records and Ancient Temple Recordings.

Spotify playlist add here.

Music Video “Desert Breath” YouTube

Track Listing:
1. Piss Police (3:35)
2. Desert Breath (2:52)
3. Blacked Out In Verdun (2:37)
4. Dead At OACI (3:31)
5. My Son Will No The Truth 11:40
EP Length: 24:18

For more info:
Facebook.com/cellpressmtl
Instagram.com/celllpresss
EPK

About:

Cell Press are a Montreal-based band that formed in 2019. They play a sort of burly noise-rock that leans more on the hardcore and metal side of the swamp. They took their name from the 2001 Russian prison documentary “The Mark Of Cain”. The brutal humanity of that film is reflected in the music… on the surface, it’s raw and punishing but there are complexities

and nuances revealed once the surface noise has been embraced. Members have played in a myriad of punk, metal, and hardcore bands such as The Great Sabatini, Biipiigwan, I Hate Sally, The Chariot, Animal Ethics, Architect, Swarm Of Spheres, and Angles. Their self-titled EP is the first offering of tunes. Recorded pre-quarantine in Hamilton at Boxcar Sound Recording

(Sean Pearson), mixed in Oakland at Anti-sleep studios by Scott Evans with the pandemic in full swing… 2 local shows have been logged but any further plans to gig have been halted by Covid-19.

Discography:
2020 – Self Titled – EP

– 30 –

“From the grooves on “Piss Police” to the odd-timed melodic chords of “Blacked Out in Verdun,” everything moves in unexpected ways. All of this is perfectly set to the backdrop of PQ’s uniquely cackled screams… Cell Press is a great sludge metal EP that reminds the listener of the best aspects of this sub-genre. This EP makes the future appear bright for what is to come from this band. 8/10″ – Exclaim!

“You know that feeling, when you spin a new record for the first time and it just fucking destroys you? Well today I am happy to report, Cell Press outta Montreal have truly delivered the goods with their debut self titled EP.  I mean fuck, is it any wonder this band rules, when they can boast members from the likes of The Great Sabatini, Biipiigwan, I Hate Sally, Architect. With their self-titled release, Cell Press give zero fucks about accessibility, instead they focus on delivering punishing aggression with a melting pot of sludge metal, noise rock, and grindcore.” – The Sludgelord

“Warm fuzzy guitar tones bring a touch of the Sabbath to “Piss Police” with broken chords and momentary pauses giving the kind of sound that Raging Speedhorn look for to accompany the rampant venting screams of the vocals that unapologetically roar along during the montage.” – Metal Noise

“Cell Press’s debut self titled EP is definitely an interesting listen. I didn’t expect it to take me on the journey which it did. An aggressive sound runs throughout showing that this band don’t play by the rules, they’re making music the way they want to.” – The Independent Voice

“Noisy and enjoyable, I give this Cell Press effort high marks. I am a Punk fan from the beginning, and I hear those roots here, certainly in the attitude, even if the category is technically off. The disenfranchisement is very appealing. Recommended.” – Flying Fiddle Sticks

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Streaming Now! Montreal’s Cell Press’ Noisy, Sludgy Debut Self-Titled EP; EP Stream Premiere via NoCleanSinging

  • November 26, 2020
  • by Asher
  • · Cell Press · Music News

NEWS RELEASE

Montreal, QC – November 26, 2020



For fans of KEN mode, Unsane, Mastodon, Keelhaul

Streaming Now! Montreal’s Cell Press’ Noisy, Sludgy Debut Self-Titled EP

EP Stream Premiere via NoCleanSinging

Out Nov 27th, Limited Edition Cassette from Ancient Temple Recordings and No Funeral Records

Lineup (L to R): Sean Arsenian (Guitar, Vox), Joey Cormier (Bass), Mark McGee (Drums), PQ (Vox)

Hard to pinpoint exactly when it comes to genres, Montreal’s Cell Press brings listeners a cacophony of grindcore, noise, sludge, and extreme metal.

The eclectic ep may not be metal enough or noise-rock enough or sludge enough for some, but Cell Press gets bored really fast and the result is serious channel surfing taking advantage of a wide variety of influences. With this release, they have gone all out to wrap their ideas up in a burlap sack, tied with razor wire. As the band says in their own words:

“This EP sorta sums up what we’re about at this particular moment. Genre people might not be satisfied with our lack of adherence to any one sound for too long but we didn’t make these songs for those sort of people.”

This ep is designed as a broad introduction to the band, and new listeners will hopefully anticipate what else is coming down the pipe in the future. It upholds the high standards Cell Press sets for themselves and each song is quite different from the others.

Super loud and aggressive, Cell Press is a sort of hybridized amalgamation of influences, and most recommended for fans of Jesus Lizard, Converge, and Botch.

Before the EP officially released on Friday, November 27th, it’s full can be heard via its premiere on NoCleanSinging HERE.

Digital pre-order from Cell Press here.
Limited edition cassette pre-order available from No Funeral Records here and Ancient Temple Recordings on Nov 27th.

Music Video “Desert Breath” YouTube

Track Listing:
1. Piss Police (3:35)
2. Desert Breath (2:52)
3. Blacked Out In Verdun (2:37)
4. Dead At OACI (3:31)
5. My Son Will No The Truth 11:40
EP Length: 24:18

For more info:
Facebook.com/cellpressmtl
Instagram.com/celllpresss
EPK

About:

Cell Press are a Montreal-based band that formed in 2019. They play a sort of burly noise-rock that leans more on the hardcore and metal side of the swamp. They took their name from the 2001 Russian prison documentary “The Mark Of Cain”. The brutal humanity of that film is reflected in the music… on the surface, it’s raw and punishing but there are complexities

and nuances revealed once the surface noise has been embraced. Members have played in a myriad of punk, metal, and hardcore bands such as The Great Sabatini, Biipiigwan, I Hate Sally, The Chariot, Animal Ethics, Architect, Swarm Of Spheres, and Angles. Their self-titled EP is the first offering of tunes. Recorded pre-quarantine in Hamilton at Boxcar Sound Recording

(Sean Pearson), mixed in Oakland at Anti-sleep studios by Scott Evans with the pandemic in full swing… 2 local shows have been logged but any further plans to gig have been halted by Covid-19.

Discography:
2020 – Self Titled – EP

– 30 –

“From the grooves on “Piss Police” to the odd-timed melodic chords of “Blacked Out in Verdun,” everything moves in unexpected ways. All of this is perfectly set to the backdrop of PQ’s uniquely cackled screams… Cell Press is a great sludge metal EP that reminds the listener of the best aspects of this sub-genre. This EP makes the future appear bright for what is to come from this band. 8/10″ – Exclaim!

“You know that feeling, when you spin a new record for the first time and it just fucking destroys you? Well today I am happy to report, Cell Press outta Montreal have truly delivered the goods with their debut self titled EP.  I mean fuck, is it any wonder this band rules, when they can boast members from the likes of The Great Sabatini, Biipiigwan, I Hate Sally, Architect. With their self-titled release, Cell Press give zero fucks about accessibility, instead they focus on delivering punishing aggression with a melting pot of sludge metal, noise rock, and grindcore.” – The Sludgelord

“Warm fuzzy guitar tones bring a touch of the Sabbath to “Piss Police” with broken chords and momentary pauses giving the kind of sound that Raging Speedhorn look for to accompany the rampant venting screams of the vocals that unapologetically roar along during the montage.” – Metal Noise

“Noisy and enjoyable, I give this Cell Press effort high marks. I am a Punk fan from the beginning, and I hear those roots here, certainly in the attitude, even if the category is technically off. The disenfranchisement is very appealing. Recommended.” – Flying Fiddle Sticks

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 TheSludgeLord Video Premiere: Montreal’s Cell Press Announce “Desert Breath” Off Upcoming Debut Self-Titled EP

  • October 23, 2020
  • by Asher
  • · Cell Press · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – October 23, 2020



For fans of KEN mode, Unsane, Mastodon, Keelhaul

Montreal’s Cell Press Announce “Desert Breath” Off Upcoming Debut Self-Titled EP

Video Premiere via TheSludgeLord

Out Nov 27th, Limited Edition Cassette from Ancient Temple Recordings and No Funeral Records

Lineup (L to R): Sean Arsenian (Guitar, Vox), Joey Cormier (Bass), Mark McGee (Drums), PQ (Vox)

A convergence of talent from well-seasoned musicians (The Great Sabatini, Biipiigwan, I Hate Sally, Architect) makes Montreal’s Cell Press a band to keep an ear out for. A melting pot of genres and talents boils over with this fresh band that is just getting started. To entice listeners, they are releasing their debut self-titled EP this year and introduce it with the single “Desert Breath”.

The raw complexity will be slightly familiar to those who are already acquainted with the member’s other projects, but it is, overall, a different animal. Cell Press has a mandate of zero compromises, played with conviction and honesty.

With the self-titled, Cell Press has no intention of trying to find “The Formula”, which they find boring, instead, they explore ideas with punishing aggression and compile five pieces that each stand on their own and don’t sound like each other. The band explains the single in their own words:

“This is sort of an inverted “Immigrant Song” type of riff, on steroids. The refrain at the end is hijacked from a Woody Guthrie song. It was the second tune we started working on but the first one that came together and really solidified with everyone.”

Lyrically, the song is about loneliness, and not having a place or relationship that feels truly like home. For fans of Unsane, Jesus Lizard, and Converge, Cell Press is a mix of early metalcore, sludge metal, noise rock, and grindcore.

The music video for the single “Desert Breath” can be watched and heard via its premiere on TheSludgeLord HERE.

The full EP is releasing on November 27th.
Digital pre-order from Cell Press here.
Limited edition cassette pre-order available from No Funeral Records here and Ancient Temple Recordings on Nov 27th.

Track Listing:
1. Piss Police (3:35)
2. Desert Breath (2:52)
3. Blacked Out In Verdun (2:37)
4. Dead At OACI (3:31)
5. My Son Will No The Truth 11:40
EP Length: 24:18

For more info:
Facebook.com/cellpressmtl
Instagram.com/celllpresss
EPK

About:

Cell Press are a Montreal-based band that formed in 2019. They play a sort of burly noise-rock that leans more on the hardcore and metal side of the swamp. They took their name from the 2001 Russian prison documentary “The Mark Of Cain”. The brutal humanity of that film is reflected in the music… on the surface, it’s raw and punishing but there are complexities and nuances revealed once the surface noise has been embraced. Members have played in a myriad of punk, metal, and hardcore bands such as The Great Sabatini, Biipiigwan, I Hate Sally, The Chariot, Animal Ethics, Architect, Swarm Of Spheres, and Angles. Their self-titled EP is the first offering of tunes. Recorded pre-quarantine in Hamilton at Boxcar Sound Recording (Sean Pearson), mixed in Oakland at Anti-sleep studios by Scott Evans with the pandemic in full swing… 2 local shows have been logged but any further plans to gig have been halted by Covid-19.

Discography:
2020 – Self Titled – EP

– 30 –

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Revolver Mag Album Premiere THE GREAT SABATINI “Goodbye Audio” + Tour Dates

  • November 15, 2018
  • by Asher
  • · Music News · The Great Sabatini

(contact info below)

NEWS RELEASE

Montreal, QC – November 15, 2018

For fans of Melvins, Unsane, Neurosis, Metz, KEN mode, Today Is The Day

Revolver Mag Album Premiere THE GREAT SABATINI “Goodbye Audio”

New Album Out Nov 16th

Ontario + Quebec Tour Dates

L-R – Rob Sabatini (guitar/vocals), Joey Sabatini (bass/vocals), Steve Sabatini (drums/vocals), and Sean Sabatini (guitar/vocals)
Photo credit: Dave Levitt Photography

 

Since forming in Montreal, Canada in late 2007, The Great Sabatini has released four EPs and four full length albums, and logged seemingly endless tour dates around North America and Europe. The music is an aggressive mixture of noise rock, doom, hardcore, and metal wrapped up in a burly sludge aesthetic.

After working together for 11 years, the band has refined their heartfelt noisy sludge to perfection. Their upcoming album “Goodbye Audio” due out November 16th, 2018 is a prime example of the harmony and aptitude that can only come from over a decade of being together; it’s a more robust and evolved sound, but still maintaining the caustic energy they had when they started.

Teaming up with Revolver Mag, the quartet is premiering the album’s full stream at the following link: https://www.revolvermag.com/music/hear-great-sabatinis-seething-new-sludge-album-goodbye-audio-full

“For me, working on ‘Goodbye Audio’ was like a coping mechanism after losing some people in my life. When that sort of thing happens, and you’re a bit less distracted from your own mortality for a bit, all kinds of shit comes floating up to the surface of your creative well. But that stuff is sort of like window dressing to me at this point… what we all really wanted to do was write and record something that was just real dirty Rock and Roll… we tried to play to our strengths as a band and not get too complicated. Our main focus was to serve the song. Recording 90% of the record live off the floor with Sean Pearson and getting Scott Evans to mix it all was a conscious step in that direction. Rock bands should be able to play their own songs and a good engineer should be able to capture it. I feel like all of those aspects lined up nicely for this record.” says guitarist / vocalist Sean Sabatini.

“Goodbye Audio” will be available on vinyl from No List Records, Ancient Temple Records and No Why Records. Cassette version from Pink Lemonade and features an exclusive bonus track “Drain The Swamp” only available on that format. Digital download and album pre-order available on TGS’ Bandcamp here.

Music Video “Still Life With Maggots”

Music Video “You’re Gonna Die (Unsatisfied)”

Track Listing:
1. Still Life With Maggots (2:06)
2. Dog Years (4:21)
3. Strip Mall or, The Pursuit Of Crappiness Parts 1-4 (3:11)
4. You’re Gonna Die (Unsatisfied) (3:28)
5. Tax Season In Dreamland (4:06)
6. Brute Cortege (3:16)
7. Hand Of Unmaking (14:06)
Album Length: 34:37

Tour Dates:
All dates with Cellos.

** = with Shallow North Dakota

Nov 22 – Ottawa, ON – Pressed – info

Nov 23 – Sherbrooke, QC – Le Murdoch – info
Nov 24 – Montreal, QC – Turbo Haus ** – info

 

For more info:
http://thegreatsabatini.com
https://facebook.com/thegreatsabatini
https://www.instagram.com/thegreatsabatini

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us

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0 Decibel Mag Premiere THE GREAT SABATINI Video “You’re Gonna Die (Unsatisfied)”; New Album “Goodbye Audio” Out Nov 16th; Ontario + Quebec Tour Dates

  • October 30, 2018
  • by Asher
  • · Music News · The Great Sabatini

(contact info below)

NEWS RELEASE

Montreal, QC – October 30, 2018

For fans of Melvins, Unsane, Neurosis, Metz, KEN mode, Today Is The Day

Decibel Mag Premiere THE GREAT SABATINI Video “You’re Gonna Die (Unsatisfied)”

New Album “Goodbye Audio” Out Nov 16th

Ontario + Quebec Tour Dates

L-R – Rob Sabatini (guitar/vocals), Joey Sabatini (bass/vocals), Steve Sabatini (drums/vocals), and Sean Sabatini (guitar/vocals)
Photo credit: Dave Levitt Photography

 

Since forming in Montreal, Canada in late 2007, The Great Sabatini has released four EPs and four full length albums, and logged seemingly endless tour dates around North America and Europe. The music is an aggressive mixture of noise rock, doom, hardcore, and metal wrapped up in a burly sludge aesthetic.

After working together for 11 years, the band has refined their heartfelt noisy sludge to perfection. Their upcoming album “Goodbye Audio” due out November 16th, 2018 is a prime example of the harmony and aptitude that can only come from over a decade of being together; it’s a more robust and evolved sound, but still maintaining the caustic energy they had when they started.

Teaming up with Decibel Magazine, the quartet have a new video to share “You’re Gonna Die (Unsatisfied)”.

“You’re Gonna Die (Unsatisfied)” is about dealing with an addiction to one’s own work ethic. You can work at making yourself better at something, but there will never be enough time to reach perfection. This thought came from watching an interview with Japanese tattoo master Horyoshi III. To me, the idea boiled down to the inevitability of death vs. the desire to create things and get better at it. Resigning myself to death and the simple fact that I’ll never achieve the level of craft I strive for during my lifetime can be either freeing or oppressive, depending on what side of the bed I wake up on, I guess. Our friend Garth at Troublelight Pictures shot and edited the video for us. It’s a straight up performance video, but he made us look cool and the video has a dark timbre to it.” says guitarist / vocalist Sean Sabatini.

Watch the video at the following link: https://www.decibelmagazine.com/2018/10/30/watch-the-great-sabatini-know-youre-gonna-die-unsatisfied/ 

The band adds about “Goodbye Audio”:

“We’re trying to give people a raw-ass document of abrasive sludge and noise rock in the most hi-fi package possible. We’re not interested in polish or smoothing over any rough edges… just achieving something of high sonic quality that presents the band that we are today…”

“Goodbye Audio” will be available on vinyl from No List Records, Ancient Temple Records and No Why Records. Cassette version from Pink Lemonade and features an exclusive bonus track “Drain The Swamp” only available on that format. Digital download and album pre-order available on TGS’ Bandcamp here.

Music video “Still Life With Maggots” – https://youtu.be/29UTTDN2EOI

Track Listing:
1. Still Life With Maggots (2:06)
2. Dog Years (4:21)
3. Strip Mall or, The Pursuit Of Crappiness Parts 1-4 (3:11)
4. You’re Gonna Die (Unsatisfied) (3:28)
5. Tax Season In Dreamland (4:06)
6. Brute Cortege (3:16)
7. Hand Of Unmaking (14:06)
Album Length: 34:37

Tour Dates:
All dates with Cellos.

** = with Shallow North Dakota

Nov 8 – Hamilton, ON – Doors Pub – info

Nov 9 – Toronto, ON – Sneaky Dee’s – info

Nov 10 – Windsor, ON – Beer Exchange ** – info

Nov 22 – Ottawa, ON – Pressed – info

Nov 23 – Sherbrooke, QC – Le Murdoch – info
Nov 24 – Montreal, QC – Turbo Haus ** – info

 

For more info:
http://thegreatsabatini.com
https://facebook.com/thegreatsabatini
https://www.instagram.com/thegreatsabatini

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us

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Join AMR Mailing List

0 THE GREAT SABATINI Announce Ontario + Quebec Tour Dates; New Album “Goodbye Audio” Out Nov 16th

  • October 12, 2018
  • by Asher
  • · Music News · The Great Sabatini

(contact info below)

NEWS RELEASE

Montreal, QC – October 12, 2018

For fans of Melvins, Unsane, Neurosis, Metz, KEN mode, Today Is The Day

THE GREAT SABATINI Announce Ontario + Quebec Tour Dates

New Raw Retro Video “Still Life With Maggots”

New Album “Goodbye Audio” Out Nov 16th

L-R – Rob Sabatini (guitar/vocals), Joey Sabatini (bass/vocals), Steve Sabatini (drums/vocals), and Sean Sabatini (guitar/vocals)
Photo credit: Dave Levitt Photography

 

Montreal, Canada’s THE GREAT SABATINI announces they will be hitting the road in November for dates in Ontario and Quebec in support of their upcoming eighth album“Goodbye Audio”.

Tour Dates:
All dates with Cellos.

** = with Shallow North Dakota

Nov 8 – Hamilton, ON – Doors Pub – info

Nov 9 – Toronto, ON – Sneaky Dee’s – info

Nov 10 – Windsor, ON – Beer Exchange ** – info

Nov 22 – Ottawa, ON – Pressed – info

Nov 23 – Sherbrooke, QC – Le Murdoch – info

Nov 24 – Montreal, QC – Turbo Haus ** – info

The album will be released on November 16, 2018 on vinyl from No List Records, Ancient Temple Records and No Why Records. Cassette version will be available from Pink Lemonade and feature an exclusive bonus track “Drain The Swamp” only available on that format. Digital download and album pre-order available on TGS’ Bandcamp here.

Their latest single “Still Life With Maggots” was recorded live off the floor and shows the growth the band has made together over the past 11 years.

The band comments:

“We’re trying to give people a raw-ass document of abrasive sludge and noise rock in the most hi-fi package possible. We’re not interested in polish or smoothing over any rough edges… just achieving something of high sonic quality that presents the band that we are today…”

Following the theme of mortality persistent through the album, “Still Life With Maggots” is about existential dread and the general feeling of anxiety some people experience daily. Taking a more lighter path than in previous years, THE GREAT SABATINI is less focused on complicating their parts and set on being direct along with working together and highlighting each other’s strengths. Not wanting to emulate any bands they do point to some band favourites like Botch, Melvins and Neurosis as inspiration to consider different elements like new time signatures and feels.

Music video for “Still Life With Maggots” can be viewed at the following link:

Track Listing:
1. Still Life With Maggots (2:06)
2. Dog Years (4:21)
3. Strip Mall or, The Pursuit Of Crappiness Parts 1-4 (3:11)
4. You’re Gonna Die (Unsatisfied) (3:28)
5. Tax Season In Dreamland (4:06)
6. Brute Cortege (3:16)
7. Hand Of Unmaking (14:06)
Album Length: 34:37

 

For more info:
http://thegreatsabatini.com
https://facebook.com/thegreatsabatini
https://www.instagram.com/thegreatsabatini

BIO:

Since forming in Montreal, Canada in late 2007, The Great Sabatini has released four EP’s and four full length albums, and logged seemingly endless tour dates around North America and Europe. The music is an aggressive mixture of noise rock, doom, hardcore, and metal wrapped up in a burly sludge aesthetic.

The intrepid Sabatini’s; Sean (guitar/vocals), Joey (bass/vocals), Rob (guitar/vocals), and Steve (drums/vocals) got together with the intention of pursuing their musical dreams with similar goals: slow it down, tune it down, turn it up, keep screaming. With all four of them belting out the lyrics, they play loud, and with conviction.

The raw sound compliments the persistent theme of mortality that the new album centers on, with Sean concocted most of the lyrics for, but with heavy input from his band mates. Going forward, The Great Sabatini is less focused on complicating their parts and set on being direct along with working together and highlighting each other’s strengths.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us

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Join AMR Mailing List

0 Metal Injection Premiere THE GREAT SABATINI Raw Retro Video “Still Life With Maggots”; New Album “Goodbye Audio” Out Nov 16th

  • October 5, 2018
  • by Asher
  • · Music News · The Great Sabatini

(contact info below)

NEWS RELEASE

Montreal, QC – October 5, 2018

For fans of Melvins, Unsane, Neurosis, Metz, KEN mode, Today Is The Day

Metal Injection Premiere THE GREAT SABATINI Raw Retro Video “Still Life With Maggots”

New Album “Goodbye Audio” Out Nov 16th

L-R – Rob Sabatini (guitar/vocals), Joey Sabatini (bass/vocals), Steve Sabatini (drums/vocals), and Sean Sabatini (guitar/vocals)
Photo credit: Dave Levitt Photography

 

“Still Life With Maggots” is the first single from the upcoming full length album “Goodbye Audio” from Montreal, Canada’s THE GREAT SABATINI. The single is recorded live off the floor and shows the growth the band has made together over the past 11 years. This album is the eighth addition to the band’s repertoire and they are looking to show off a new side to their fans:

“We’re trying to give people a raw-ass document of abrasive sludge and noise rock in the most hi-fi package possible. We’re not interested in polish or smoothing over any rough edges… just achieving something of high sonic quality that presents the band that we are today…”

Following the theme of mortality persistent through the album, “Still Life With Maggots” is about existential dread and the general feeling of anxiety some people experience daily. Taking a more lighter path than in previous years, THE GREAT SABATINI is less focused on complicating their parts and set on being direct along with working together and highlighting each other’s strengths. Not wanting to emulate any bands they do point to some band favourites like Botch, Melvins and Neurosis as inspiration to consider different elements like new time signatures and feels.

“Still Life With Maggots” can be viewed on MetalInjection.net at the following link: http://www.metalinjection.net/video/the-great-sabatini-release-retro-video-for-still-life-with-maggots

“Goodbye Audio” will be released on November 16, 2018 on vinyl from No List Records, Ancient Temple Records and No Why Records. Cassette version will be available from Pink Lemonade and feature an exclusive bonus track “Drain The Swamp” only available on that format. Digital download and album pre-order available on TGS’ Bandcamp here.

Track Listing:
1. Still Life With Maggots (2:06)
2. Dog Years (4:21)
3. Strip Mall or, The Pursuit Of Crappiness Parts 1-4 (3:11)
4. You’re Gonna Die (Unsatisfied) (3:28)
5. Tax Season In Dreamland (4:06)
6. Brute Cortege (3:16)
7. Hand Of Unmaking (14:06)
Album Length: 34:37

 

For more info:
http://thegreatsabatini.com
https://facebook.com/thegreatsabatini
https://www.instagram.com/thegreatsabatini

BIO:

Since forming in Montreal, Canada in late 2007, The Great Sabatini has released four EP’s and four full length albums, and logged seemingly endless tour dates around North America and Europe. The music is an aggressive mixture of noise rock, doom, hardcore, and metal wrapped up in a burly sludge aesthetic.

The intrepid Sabatini’s; Sean (guitar/vocals), Joey (bass/vocals), Rob (guitar/vocals), and Steve (drums/vocals) got together with the intention of pursuing their musical dreams with similar goals: slow it down, tune it down, turn it up, keep screaming. With all four of them belting out the lyrics, they play loud, and with conviction.

The raw sound compliments the persistent theme of mortality that the new album centers on, with Sean concocted most of the lyrics for, but with heavy input from his band mates. Going forward, The Great Sabatini is less focused on complicating their parts and set on being direct along with working together and highlighting each other’s strengths.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us

AsherMediaRelations.com

Join AMR Mailing List

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