Tag: Judas Priest

0 Canadian Power Thrash PHEAR’s New Lyric Video Reigns In A “New World Error” Off New Album “Save Our Souls” (Produced by Jon Howard (Threat Signal)) Out Now!

March 14, 2025
by Asher
· Music News · PHEAR

NEWS RELEASE

Montreal, QC – March 14, 2025

Canadian Power Thrash PHEAR’s New Lyric Video Reigns In A “New World Error”

New Album “Save Our Souls” (Produced by Jon Howard (Threat Signal)) Out Now!

Live Lineup – PHEAR – Alex Zubair – Guitar, Pat Rogers – Guitar, Chris Boshis – Bass Guitar / Backing Vocals, Andrew Suarez – Drums, Patrick Mulock – Vocals

Canadian power thrashers PHEAR have a new lyric video to reign in the “New World Error”. The track is off their second full-length album “Save Our Souls”, which was unleashed this past February from Golden Robot Records.

“New World Error” is a musical and lyrical statement on all the terrible atrocities going on in the world today.

“Humans are sometimes the plague of humanity.” adds the band.

Watch and listen to “New World Error” via its premiere on MetalAddcist HERE.

Produced, mixed, and mastered by Jon Howard (Threat Signal), Phear‘s sophomore album “Save Our Souls” can be best described as their heaviest offering to date and follows the award-winning album “Instanitarium” (2019), and the critically acclaimed EP “The Curse Lives On” (2020).

Extremely passionate, and driven, along with their arena-caliber sound, PHEAR is always thinking of new ways to entertain its fans, and “Save Our Souls” is no exception. Mostly written during the dark times of COVID-19, the record has taken four years to complete. Led by Patrick Mulock and producer Jon Howard in the studio, each musician was pushed hard to get the best out of each of them and they delivered.

“We had a lot of time to craft these songs. We didn’t have any time restraints. We would go into the studio and do three songs at a time. We were very excited to work with Jon Howard (Threat Signal) again. Jon is the sixth member of Phear. The studio experience was great as we fed off each other’s ideas. We pushed each other to get the best performances we could. There are NO FILLERS here. Seven String guitars have played a big part in this. Our sound has grown. The bass guitar on this album is HUGE! The drumming from Mike Harshaw was also very aggressive. If you were to ask me now… This is the heaviest Phear has ever been… for now lol!” adds Mulock.

A listening experience of thrash, prog, and classic metal elements, PHEAR offers a strong balance from infectious choruses to melodic and growling vocals for true heavy metal nostalgia. Their two previous singles, the album’s title track and “Snake” are sure to make fans throw up their hail horns and headbang with a sore neck. Plus the band offers up their cover version of Nevermore‘s “Narcosynthesis”.

PHEAR features Patrick Mulock (Lead Vocals) (Eidolon, Rampage), Pat Rogers (Lead & Rhythm Guitars) (Profaner- 2016 Wacken Metal Battle Canada Champions), Alex Zubair (Lead & Rhythm Guitars) (Burn to Black, Nadar Sadek, Iomair, Nephelium), Andrew Suarez (Drums) (Fatality, The Slyde – 2023 Wacken Metal Battle Canada Champions) and Chris Boshis (Bass) (Conflicted).

Throughout their existence, PHEAR has had the honour of opening for German metal legend UDO DIRSCHNEIFER, THE DEAD DAISIES, and STRYPER, along with performing on a pre-show for icons and heroes IRON MAIDEN in 2019 in Toronto at Budweiser Stage.

Recommended for fans of Iron Maiden, Megadeth, Judas Priest, Dream Theater (prog elements), and Metallica, PHEAR‘s latest album “Save Our Souls”, released on February 13th, 2025, is available from Golden Robot Records at the following link (Spotify, Apple Music, Amazon) – https://orcd.co/save-our-souls

Music Video – Snake – https://youtu.be/zfXS3gVttIQ

Music Video – Save Our Souls – https://youtu.be/IqiOxTc6MMY

Track Listing
1. Aftershock (5:11)
2. Save Our Souls (6:39)
3. Snake (5:26)
4. Narcosynthesis* (5:29) (*Nevermore Cover)
5. New World Error (5:11)
6. Lease on Life (7:02)
7. Bleed (7:57)
8. On Thin Ice (8:20)
9. Delusions (Live) 6:45)
Album Length: 58:03

Album Credits:
All songs performed by: Phear
All songs written by: Phear
*excluding “Narcosynthesis” Written by Nevermore
Produced by: Jon Howard and Phear
Mixed by: Jon Howard and Phear
Mastered by: Jon Howard (Woodward Avenue Studios)
Album Artwork for “Save Our Souls”: Drake Mefestta

Recording Band Line Up:
Patrick Mulock – Lead Vocals
Chris Boshis – Bass Guitars, Backing Vocals
Alex Zubair – Lead Guitar, Rhythm Guitar
Pat Rogers – Lead Guitar, Rhythm Guitar
Mike Harshaw – Drums

Live Band Line Up
Patrick Mulock – Lead Vocals
Chris Boshis – Bass Guitar, Backing Vocals
Alex Zubair – Lead Guitar, Rhythm Guitar
Pat Rogers – Lead Guitar, Rhythm Guitar
Andrew Suarez – Drums

More info:
https://phearofficial.com
https://www.facebook.com/phearband
https://www.instagram.com/spreadthephear

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“This album has a lot of (gillend) guitar playing, an excellent rhythm section and good vocals. Nice use has been made of the distribution over the headset. Due to the verse-chorus structure, some parts are somewhat predictable. Yet it is quite well put together vocally and instrumentally. The choruses in particular stick pleasantly in your head.” – Maxazine.nl

“Thrashy power metal, just a really cool sound from the get go…. and a cover of Nevermore’s Narcosynthesis to give you a little idea of their vibe.” – MoshPit Radio 89.9 FM – Madison, WI

“Part HM, part Power, with a sprinkling of Metalcore, Prog and Thrash, this is stoopid infectious” – Cult Metal Flix

““The Curse Lives On is a testimonial to what power / thrash metal can do to your soul, deep, dark and loud. just crank it up and feel the Phear.” – Bravewords (2020 – The Curse Lives On)

“PHEAR have so much potential and really reminded of bands like NEVERMORE, EIDOLON and late eighties FATES WARNING. You have a top notch singer and a great backing band, they have a lot of potential that’s for sure. A band to look out for in 2020!” – Metal Temple (2020 – The Curse Lives On)

“With the sonic power of IRON MAIDEN, blended with the classic style of JUDAS PRIEST, PHEAR bring to life their monster live shows to the ears of fans across the globe.” – KNAC (2020 – The Curse Lives On)

“The live songs were recorded in Toronto and this recording shows that the band seems to be able to deliver a live show like any good seasoned band. There are good interactions with the crowd, just enough to show a frontman able to get them going without being overbearing and breaking the flow of the show. One can’t help but smile when he goes, “Scream for me Toronto!” in very Bruce Dickinson fashion. I wish I head heard the originals but suffice it to say that their songwriting style is very much influenced by Maiden, though much closer to their post-reunion output that any of the classic ’80s stuff. Bottom line, this is over an hour of cool material kind of anonymized by a nondescript name. Worth checking out if you’re into newer Maiden. This is a band that might go places if they play their cards right. 4/5″ – The Metal Crypt (2020 – The Curse Lives On)

“If you are looking for some great classic sounding metal with fantastic vocals, amazing guitar work, give Phear a listen by checking out both Insanitarium and The Curse Lives On, both available now and catch them live when you get the chance. I guarantee you’ll love it all.” – Metal Master Kingdom

“Mixing the components of the NWOBHM era, blending them and sculpting them around their sound, making this offering by the Canadan-quintet a must in the air-guitar collection.” Metal Temple (2019 – Insanitarium)

“Mississauga-based Phear packs quite a punch on its debut full-length release, Insanitarium, The band’s brand of power/thrash metal is a perfect blend of melody and ferocity.” – Bravewords (2019 – Insanitarium)

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0 Halifax’s TURBO Get Down and Gritty With No Money! In New Music Video “Broke & Ugly”

October 11, 2024
by Asher
· Music News · Turbo

NEWS RELEASE

Montreal, QC – October 11, 2024

Halifax’s TURBO Get Down and Gritty With No Money! In New Music Video “Broke & Ugly”

Band life is always a truth of being broke as f*ck and playing for the fun and the road. Halifax, Canada’s Turbo embraces this reality with their latest music video “Broke & Ugly”, the title track of their latest album released this past July.

With a slim budget, and a trailer as their jam space, Turbo has effectively proved they are truly “Broke & Ugly”. The band comments on the song:

“The title track of the album was written in a period of hard times, financially speaking. Since this is more or less the general state of being for Evan in particular, who else would be better suited to lyrically immortalize this mindset? It’s catchy, it’s boppy, it’s snarky, and it has our favourite chorus on the album: “Got no money, and STILL fuckin’ ugly”! An anthem we hope at least SOMEBODY out there will relate to.”

Watch the music video for “Broke & Ugly” – https://youtu.be/i_nKMUR2BSk

Known for their gritty, in-your-face sound, Turbo has once again delivered a raw and powerful collection of tracks that will leave listeners begging for more on their sophomore album “Broke & Ugly”. Like your disheveled uncle on Christmas morning, Turbo is trashed, pissed off, and sick of your shit, bringing an intensity and energy that is unmatched in today’s music scene. They comment on the release:

“‘Broke and Ugly’ is our second testament to the ups and downs of the rock-and-roll lifestyle, and it comes in swingin’ HARD. The music is raw, greasy, and mean; but it’s also tight, coordinated, and flashy. The lyrics are defiant and visceral, painting a real picture of where Evan’s mind was during the writing process of the album. Themes go from party anthems to drugs, to women of flings-past, to life on the road, and back again. It’s edgy, it’s real, and it’s undeniably Turbo.”

Turbo was created with a singular vision: to create something bigger, badder, and unapologetically aggressive. Evan Frizzle (vocals/guitar), Sylvain Coderre (drums), Lindsey Dicks (guitar), and Henry MacDonald (bass) have poured their hearts and souls into this album, crafting a unique sound that blends thrash, NWOBHM, glam metal, punk rock, and hardcore. The result is an original, aggressive, and varied listening experience that grabs you by the cojones and doesn’t let go.

The album artwork for “Broke & Ugly” was created by a good friend of the band Tim Murray, and perfectly captures the essence of the band’s raw and unfiltered style. The cover depicts a dive-bar nightmare bathroom, filled with Easter eggs from Turbo‘s previous songs and a green hand grabbing for some shit-tickets from a busted-ass urinal. It’s a fitting visual for an album that promises to be a grimy slab of thrash, sleazy, and louder than anything you’ve heard before. Get ready for Turbo‘s distinct flavor and an absolute slaughter in seven tracks. It is recommended for fans of W.A.S.P., Motorhead, and Judas Priest.

“Broke and Ugly” was released on July 12th, 2024 is available at https://turboasfvck.bandcamp.com/

Spotify – https://spoti.fi/4f221Wg

Track Listing:
1. Ruthless Forever
2. Ignite the Night
3. No Savior
4. Scorpio Garbage Fire
5. PissJugs and Rattlesnakes
6. Nothing to Nowhere
7. Broke & Ugly
8. Down in Mexico
Total Length: 29:12

Lineup:
Evan Frizzle: Vox, Lead & Rhythm Guitar
Lindsey Dicks: Lead & Rhythm Guitar
Henry MacDonald: Bass Guitar
Sylvian Coderre: Drums

For more info:
Facebook.com/TURBOFAF
Instagram.com/turboasfvck

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“The cartoon-ish cover art with toxic green/red colors could bring more smiles to the fold – Turbo executing a great crossover sound that stands on the edge of thrash, punk and NWOBHM/heavy metal. Broke & Ugly could be your soundtrack when needing an ideal wind down from your back breaking, seemingly never over work week. 8.5/10” – Dead Rhetoric

“Turbo are fast, they’re crass, and they’re here to kick your ass… As a whole, “Broke & Ugly” is peak speed and thrash metal with a party-hard overtone. But I think the comparison to Motörhead is a little heavy-handed. After listening to the gem of East Coast Canadian metal, I’m fired up to see what Turbo does next. 9/10″ – Metal Temple

“This rocks a lot. The vocalist’s gritty approach delivers surprisingly catchy and memorable vocal melodies, and the occasional backing vocals are often reminiscent of mid-80s “party” metal, very upbeat and singalong-inducing. The guitar work has everything people like in old heavy metal, a rather raw style filled with cool solos and riffs that stick in your head long after they’re over. You’d tell me this was released more than 40 years ago and I would believe you. A fun time from beginning to end. 4/5″ – The Metal Crypt

“”Broke & Ugly” may have been a little tight in terms of playing time, but with the incredible hit rate of one hundred percent, you can forgive that. When punk and thrash still spoke a language, the whole thing sounded like this album. The fact that a band would ever come close to OVERKILL in terms of sound technology says more than enough! Yes! Noisy thrash, melodic punk, classic setup – what a great record! 9/10.” – Power-Metal.de

“entertaining, refreshingly lively, dynamic, far too good to be bad. Massively punching Kick Ass- Heavy Metal n’ Rock n’ Roll on all sides, which hits the eye in a straight line, brutally, snotty, until it hits the chest, where it hurts. Snots, tubes, rocks and rolls straight to the limit! 8/10” – FFM-Rock

“the band is insanely tight, with Frizzle and fellow six stringer Lindsey Dicks really giving it some violence riff wise and soloing like their lives depended on it. Similarly, the rhythm section of Sylvain Coderre (d) and Henry MacDonald take no prisoners and submit to no-one in their ability to hold things together at high velocity. Very impressive. As we get deeper into the twenty first century, bands are running out of ways to repackage, remake and remodel, so the freshness with which Turbo approach the task in hand has to be applauded. This is fun to listen to – and it certainly sounds like the band had fun getting the album down, and sometimes a bit of joie de vivre is all any of us need. But when you are able to mix that in with a killer technique and a sharp ear for a metal tune well, good times await!” – Sentinel Daily

“Canada’s Turbo label their music Nitro-Rock; On the evidence of the submitted album, Broke & Ugly, it would seem that Nitro rock is in fact an almighty mashup of styles, all rendered at high speed and with little regard for personal danger (in my day we used to call that Crossover-Ed). If that description excites you, then the album is going to send you into paroxysms of joy…” – Sentinel Daily

“Turbo’s second full length album is the equivalent of getting into a newly juiced up hotrod, the roof reeled back in, as you’re flooring it down the highway until your smoke trails combust. From start to finish, Turbo live up to their name in droves and then some with energy that cannot be denied and a plethora of tracks that offer much to be remembered. Though boasting a full nine tracks, Broke & Ugly doesn’t even eclipse a full half hour and therefore opens itself up for numerous relistens. It starts up, gets you in the mood to kick some butt, yet doesn’t attempt to overstay its welcome to any degree. For me personally, this style of speed metal can be a vast hit or miss but I thoroughly enjoyed my time with this record, and during its duration I was brought on board with Turbo’s infectious power. Furthermore, I’d wish to visit their first record, and am excited to see what they do for a third, prospective release; I merely hope it’s not another four years because this is really good, fun material that anyone can get behind. A refreshing break from crushing, defeating extreme metal is sometimes needed, and Turbo are one fine cocktail.” – The Razor’s Edge

“Turbo is a band that gives me associations to two very different bands and the earlier stages of both of those bands output, and that is Turbonegro and Iron Maiden respectively. If you can imagine the early death punk of the former combined with certain aspects of the Di’Anno era of the latter combined into a whole, you probably won’t be too far off from the kind of landscapes explored by Canadians Turbo. And chances are good that you’ll find this tight and uptempo album to be a rewarding experience if that description comes across as tantalizing.” – The Viking in the Wilderness

“this album is just the perfect encapsulation of fun” – Brutally Delicious

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0 Headbang To MINDRAZER’s Infectious Video “Suffer In Silence” Off New Album “A Thing of Nightmares” (Produced by Kevin Antreassian – Dillinger Escape Plan)

February 7, 2024
by Asher
· Mindrazer (Misanthropic Records) · Music News

NEWS RELEASE

Montreal, QC – February 7, 2024

Headbang To MINDRAZER’s Infectious Video “Suffer In Silence”

Out Now! New Album “A Thing of Nightmares” (Produced by Kevin Antreassian – Dillinger Escape Plan)

Get ready to headbang and sing along in your car with Mindrazer’s latest music video “Suffer in Silence” in support of their debut album, “A Thing of Nightmares” (produced by Kevin Antreassian – The Dillinger Escape Plan), which was released this past October via the label Misanthropic Records.

The lyrics are simple and the melody is infectious. Get your pipes warmed up for this power-thrashing banger!

The band comments about the track:

“This is a bi-polar anthem that has uplifting highs and brutal chugging lows. This one is about the toxic culture surrounding internet discourse.”

Check out the video premiere for “Suffer in Silence” on Metal-Rules HERE.

Combining the anthemic melodies of traditional and power metal, the precise, aggressive attack of thrash, and twists of dark intensity borrowed from second-wave black metal, Jersey, USA’s Mindrazer plays a style as familiar as it is fresh. Their first full-length, “A Thing of Nightmares” is a bold, brutal, and diverse exploration of melodic thrash metal, which even before its official release, was igniting mosh pits at the band’s live shows. Now, with the album’s availability, fans can delve into the depths of these tracks and experience them in all their glory.

The writing for the tracks on the album spans a large period of evolution, which can be heard as one progresses through the album. “Knightfall”, the earliest work, is much more power metal, upbeat, and melodic. “Better Dead”, another early song, is very riff-focused and old-school sounding. “Crusader” and “Suffer In Silence”, the later tracks on the record are great examples of how that power metal vibe never really left but the music got heavier and more technical. Each of the ten tracks offers epic melodies and frenetic dynamics that metalheads will be eager to sink their teeth into.

“This album really came as a collection of the best of our work from before 2020. ‘A Thing of Nightmares’ is a culmination of half a decade of artistic inspiration. We find that this record demonstrates immediately that we aren’t afraid to push the boundaries of the genre, whether it is crushing breakdowns, modern-tinged leads or even borrowing tropes from power metal. It is technical, epic, brutal but most of all fun. Borrowing stories from history, literature, and cinema, the album touches on themes of horror, shame, anger, oppression, and mania by way of story, metaphor, and allegory. We aren’t reinventing the genre or breaking significant new ground but we are bucking modern thrash trends of coalescing around the hardcore-laden neo-thrash and never straying from it and are doing so without regrets.” adds the band.

Released on October 13, 2023, “A Thing of Nightmares” is recommended for fans of Iron Maiden, Megadeth, and Blind Guardian and is available on Spotify, Apple Music, and Officialmindrazer.bandcamp.com.

Track Listing:
1. Entombed In Time (5:36)
2. Suffer in Silence (4:05)
3. Left to Rot (6:09)
4. In the Corner of Your Eye (6:06)
5. Knightfall (5:35)
6. The Misanthropist (6:11)
7. Extractor (4:51)
8. Better Dead (4:07)
9. Crusader (6:25)
10. Mercy (1:12)
Album Length: 50:22

Album Recording Lineup:
Nick DeFuria – Lead Vocals, Rhythm Guitar, Classical Guitar, Additional Percussion
Vin “Hawky” Verducci – Bass Guitar
Brian Weissman – Drums, Percussion, Harsh Vocals
Zack Larmer – Lead Guitar, Backing Vocals
Featuring a guest guitar solo from Mo Uddin on track 7

Live Band Lineup:
Nick DeFuria – Lead Vocals and Guitar
Vin “Hawky” Verducci – Bass Guitar
Brian Weissman – Drums, Harsh Vocals
Patrick Wentz – Guitar and Harsh Vocals

More info: Mindrazerband.wixsite.com/home | Instagram.com/mindrazerofficial | Facebook.com/mindrazerofficial

-30-

“The lyrics of “A Thing of Nightmares” reflect dark themes that fit perfectly with the intense music. Mindrazer manage to create a dark atmosphere that captivates the listener. This album is a must for fans of Iron Maiden, Megadeth and Blind Guardian. It’s a powerful statement from a band that doesn’t allow itself to be locked into genre boundaries, but rather courageously explores new paths.” – Amplified Magazin

“I have to say the singer has a very interesting style. There is aggression and attitude with his voice, but he has a powerful almost operatic vibrato too, it’s very cool. Think Nevermore’s frontman… The leads are actually very good though, I’m reminded of Megadeth’s Marty Friedman. The solos have a similarly expressive vibrato and there is plenty of flashiness mixed with well judged melody.” – Metal Rules

“A Thing of Nightmares is a nice morning surprise, the kind that makes the day more pleasant… Able to draw a link between the 80s and the new century, the four musicians attack with benevolence, and even put us in a trance, when “Better Dead” advocates a chosen death rather than an suffered life. Until the end, the quartet holds the quality ramp firmly. And if “Crusader” is reminiscent of a more serious and bold MAIDEN, the influences are cleverly mixed so as not to stand out too much, which is always a good point. So let’s forget the easy promotional promises and concentrate on a slender album. MINDRAZER deserves to be better known on a large scale, and begins their career with a unifying work if not founding.” – MetalNews.fr

“The Bruce worship is strong but pulled off very well! I like the contrast between the powerful clean vocals and ultra thrash instrumental portion. The bass pops very well and the drums are frantic but on point.” – Cutting Edge Metal (USA)

“Entombed in Time stands out for its old school thrash metal concept accompanied by the fantastic and live sounding performances of Mindrazer.” -Metalhead Community Magazine (Switzerland)

“Good songs, really good guitar, even better vocalist; they’ll go far!” -Mark Wasserman, 3 and 1 Grab Productions, Live Sound: Nick Cannon’s “Wild n’ Out”, Barclay Center, Madison Square Garden, Staples Center, Arco Arena etc.

“It was an insane show! At one point the lead singer who was also playing guitar, steps out in front, puts his arm up, points a finger down and starts moving it in a circle like he’s indicating to the crowd “I want you to make a circle pit now” and you felt the entire mood of the room just change. Everyone got ready and they played this really heavy song. It was so good!” -WRCU-FM Radio Into the Pit

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0 Canada’s IRON KINGDOM’s New Video “Sheathe The Sword” Is A Shreddy Tale of A Warrior’s Last Chance At Victory

November 23, 2022
by Asher
· Iron Kingdom · Music News

NEWS RELEASE

Montreal, QC – November 23, 2022

Canada’s IRON KINGDOM’s New Video “Sheathe The Sword” Is A Shreddy Tale of A Warrior’s Last Chance At Victory

New Album “The Blood Of Creation” Out Now!

L-R: Chris Osterman (Lead Vocals / Lead Guitar), Leighton Holmes (Bass Guitar), Megan Merrick (Lead Guitar), Max Friesen (Drums)
Photo Credit – Caitlin Delaplace

Canada’s Iron Kingdom presents its new lyric video for its latest single “Sheathe The Sword”,which draws inspiration from the fantasy series “Wheel of Time”. For years now, Iron Kingdom has been gracing the world with its traditional heavy metal, weaving grand stories and teleporting listeners to far-off lands. This latest single refers to a sword move in which you willingly accept your opponent’s sword into your body in order to inflict a killing blow. The band comments on the single:

“We were looking to do something pretty fast and driving, and once we had the ideas for the first couple of riffs we knew it had to be about Lan Mandoragon – the uncrowned king of a lost and scattered kingdom and is highly respected by neighbouring kingdoms who recognize him as the battle lord of the borderlands. Musically this song is a speedy, driving power metal tune in the vein of early Hammerfall. “Sheathe The Sword” is a warrior’s last chance at victory, but that victory comes with a heavy cost.”

Watch and listen to “Sheathe The Sword” at https://youtu.be/gGI3PDyblUs

(the video features clips from the band’s sold-out album launch show held in Vancouver on November 4th at Wise Hall)

Iron Kingdom recently unveiled their album “The Blood Of Creation” at the beginning of this November. Their fifth full-length contains eight impressive tracks running over three-quarters of an hour of classic heavy metal, windswept solos, memorable riffs, and piercing vocals conveying powerful stories. This new album saw a lot more musical content coming from lead guitarist Megan Merrick, and having Max Friesen on drums saw lots more ideas from yet another angle. Iron Kingdom continues to rework and evolve its sound and layers of professionalism can be heard throughout. This album is quite dark topically, the lyrics speak of war, fear, sacrifice, and pain, and the music although very classical and explorative also has some very evil moments throughout. The band, like so many others, was in a dark place due to the pandemic and the music reflects some of those emotions.

“The Blood Of Creation” was completely self-produced, written, and recorded. The album was sent out for mixing (Andy Boldt) and mastering (Greg Reely), but they handled everything else. vocalist/guitarist Chris Osterman engineered the record with some help from the band and some friends (Dan Yakimow, Jeff Black).

In the beginning, Iron Kingdom set out to create a sound paying homage to how things used to be in the 70s and 80s. They put on a big and energetic show, a show that brings you back to 1984, but in all the best ways. They are recommended for fans of Helloween, Judas Priest, and Queensrÿche.

The album “The Blood Of Creation” is available at the following links:

Iron-kingdom.com/shop/ (CD, Vinyl, Cassette), Iron-kingdom.bandcamp.com, Apple Music, Spotify

Album Stream – https://youtu.be/4pk7QzM4gBo

Music Video – Queen of The Crystal Throne – https://youtu.be/YyhEutgL9gI

Fun Fact: ‘Queen Of The Crystal Throne’ played on City TV for Hockey Night In Canada (Montreal Vs Dallas) – Sat Oct 22, 2022.

The Making of “The Blood Of Creation” – Pt 1. [Mini Documentary] – https://youtu.be/TSrv44SXQ-A

Track Listing:
1. Tides Of Desolation – 1:13
2. Sheathe The Sword – 5:25
3. Queen Of The Crystal Throne – 4:58
4. Hunter And Prey – 5:25
5. Witching Hour – 5:44
6. In The Grip Of Nightmares – 5:23
7. Primordial – 1:40
8. The Blood Of Creation – 13:38
Total Running Length: 43:29

For more info:
https://www.iron-kingdom.com
https://www.facebook.com/ironkingdom
https://www.instagram.com/iron_kingdom
https://twitter.com/iron_kingdom

– 30 –

“Loads of riffs and melodies some excellent lead breaks and pounding rhythms. This is bonafide, foot on the monitor, fist pumping, horn throwing real metal. I have never heard Iron Kingdom before but on the strength of this I will be obtaining the back catalogue very soon.” – My Global Mind (The Blood of Creation)

“With The Blood Of Creation, Iron Kingdom have forged a masterpiece that brings tears of joy to the eyes of every traditional metalhead. There is only high-quality material and everyone is encouraged to include this album in their choice of this year’s Top10. ” – Soundmagnet

“Iron Kingdom brings another solid heavy metal album with the fifth album ‘The Blood of Creation’. Slightly progressive, but especially heavy… Give the band a listen, you will be surprised!” – Metal Experience

“This is a solid album of heavy metal delivered in the style that is true to the cause and therefore, what the listener gets here with ‘The Blood of Creation’, is an album which mounts its steeds and charges forward in a cavalry strike as galloping riffage and rhythms never give the listener the chance to let up with tracks such as ‘Queen of the Crystal Throne’, ‘In the Grip of Nightmares’ and ‘Witching Hour’ having some very impressive twin guitar lines. This would impress any fan of Iron Maiden, Riot V and Iced Earth, but also sticks within the remit of trad metal with bands such as Katana, Skelator and Toledo Steel.” – Metal Digest

“Anyone who likes beautiful and playful melodies, extensive guitar solos, detailed arrangements and double lead guitars will be well served with “The Blood Of Creation”.” – PowerMetal.de

“Iron Kingdom created an iron-bound, battle-hardened piece of traditional Heavy Metal that truly made me want to turn the clock back to those long-gone days of glory. Times when metal was just that, the pure joy of a style that was still new, exciting, and powerful. Or to let the band speak in their own words, they “…decided to play metal the way it used to be played in the 70s and 80s.” Well, mission fucking accomplished. Well done, guys.” – Rock Music Raider

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(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 RivetSkull Dive Into The Turmoil Of Relationships With Video For “Crash and Burn”

September 15, 2022
by Asher
· Music News · RivetSkull

NEWS RELEASE

Montreal, QC – September 15, 2022

RivetSkull Dive Into The Turmoil Of Relationships With Video For “Crash and Burn”

L-R – Mark X. Plog (Guitar), Chad McMurray (Vocals), Mark Hopkins (Bass), Michael Robson (Drums)

Photo Credit – Niffer Calderwood

Seattle and Los Angeles-based heavy metal four-piece RivetSkull’s re-imagined full-length album was released on July 8th of this year. “Trail of Souls: Samsara” is a complete re-recording of the band’s self-published 2020 album “Trail of Souls”. The first single released was “Crash and Burn”, along with a psychedelic video. Of the single, RivetSkull says:

“‘Crash and Burn’ is about the pitfalls of relationships. Though you can try to stay clear of danger, sometimes you can’t help but fall into the same traps! The new recording and production convey the drive and momentum a song about recklessness should be swimming in. We think we got there with this song and all the others on the album.”

Oozing energy and easy-to-move-to vibes, the single brings back the classic sound of the 90s, played with precision and expert musicianship. The members of RivetSkull have been playing together previously for many years and vocalist Chad McMurray has training from Maestro David Kyle (vocal coach to Geoff Tate, Layne Staley, Ann Wilson), ensuring that the band is able to deliver a high level of production and professionalism. After self-recording and releasing their debut album during the global pandemic, they’ve revisited their songs with professional production that captures the massive sound that fans have come to expect from their live shows.

Since its release, “Trail of Souls: Samsara” has only been gaining momentum. Within the first month of its release, RivetSkull was fortunate enough to be featured on Band in Seattle, KISW’s Loud and Local Band of the Week, and they were interviewed for the Concerts that Made Us podcast.

Recorded at London Bridge Studio (Alice in Chains, Soundgarden, Queensrÿche) and produced by Matt Hyde (Slayer, Deftones, Seether), “Trail of Souls: Samsara” promises much more than a sonic retouch of the original. The reworked collection features new cover artwork and the previously unreleased recording of a cover of Aerosmith’s “Kings and Queens”.

Recommended for fans of Dio, Black Sabbath, and Judas Priest, RivetSkull is well suited for those with a taste for classic metal.

The music video “Crash and Burn” can be seen and heard at https://youtu.be/fXibzQQKvJM

“Trail of Souls: Samsara” is available on all digital platforms at the following link – https://lnk.to/TrailOfSoulsSamsara

Track Listing:
1. Crash and Burn (2:49)
2. Forever (5:24)
3. Mystified (3:45)
4. Another Way to Heaven (7:29)
5. Narcissus (5:01)
6. Trail of Souls (4:04)
7. It’s Not Enough (4:02)
8. Kings and Queens (Aerosmith cover) (5:16)
Album Length: 37:54

For more info:
http://www.rivetskull.com
http://www.facebook.com/rivetskull
http://www.twitter.com/rivetskull
http://www.instagram.com/rivetskull

About:
It would be easy to call RivetSkull a traditional heavy metal band, but they’re so much more than that. RivetSkull has taken the very roots of heavy metal and forged it into something new and fresh. Spawned from the same DNA that created the beasts that roamed the dark valleys of Birmingham, the foothills of the Cascades, and the plains of Texas, there’s no denying RivetSkull’s heavy metal heritage. This is hard-hitting music blasted over record store chatter, the buzzing of a tattoo gun, or the revving of a motorcycle engine. But, as any metalhead will tell you, heavy metal is more than just a genre: it’s therapy, it’s community, it’s a style – and it’s a movement. And it’s always evolving.

RivetSkull has created a modern sound that’s as unique as each member’s influences, from punk to country, from alternative to funk. Listening to RivetSkull, it’s easy to envision the band’s live show: Chad McMurray’s clean vocals soaring over a sea of bobbing bodies in black band t-shirts, Mark X. Plog’s boundary-defying guitar ascending over raised beers and outstretched metal horns, Michael Robson’s emphatic drums and Mark Hopkins’ booming bass rattling the bones beneath black jeans and denim vests. Like good metal – you’ll feel it in your core as much as you’ll hear it in your ears. All of this is brought to you by a dedicated and hard-working band of brothers. They are RivetSkull and they’re bringing the past into the future.

– 30 –

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Rockshots Records: Finland’s Mysterizer New Video “Dangerous Game” Off Upcoming Album “The Holy War 1095”

August 23, 2021
by Asher
· Music News · Mysterizer (Rockshots Records)

NEWS RELEASE

Montreal, QC – August 23, 2021

For fans of Helloween, Iron Maiden, Judas Priest, Stratovarius, Accept

Rockshots Records: Finland’s Mysterizer New Video “Dangerous Game” Off Upcoming Album “The Holy War 1095”

From cover band to full-on heavy metal originals, that’s the story of Finland’s Mysterizer who made their debut with their 2018 EP “Tales From The Mystery Days”, followed right after by their 2019 full-length “Invisible Enemy” (Inverse Records).

Now signed to Rockshots Records, they will be unleashing their sophomore album “The Holy War 1095” on September 3rd.

“There will be something for every heavy/power metal fan on this album; catching choruses, riffs, traditional heavy music, and some interesting lyrical topics.” says vocalist Tomi Kurtti.

In lead up to the release of their next full-length“The Holy War 1095”, Mysterizer is sharing their lyric video for the next single “Dangerous Game”, a song about the brutality of love. How it can be very tempting, but also hurt your soul and make you suffer.

Lyric Video – https://youtu.be/N9KAnKQyY80

Album pre-order – https://shop.rockshots.eu/en/home/5604-mysterizer-holy-war-.html

Previous single “Burn Witch Burn”
Music Video – https://youtu.be/rsIhkebaJ_k
Spotify – https://spoti.fi/2Q4oBaz
Apple Music – https://apple.co/3rRDgUF

Track Listing:
1. Burn Witch Burn
2. King Of Kings
3. Last Stand Hill
4. Virus C
5. Sin After Sin
6. The Fountain Of Immortals
7. Alea Iacta Est
8. Heroes
9. Dangerous Game
10. The Holy War 1095

Mysterizer is:
Vocals – Tomi Kurtti
Guitar – Mike Hammer
Guitar – Henri Hänninen
Bass – Ian Guidestone
Drums – Joni Kylätie
Keyboards – J. Palmroos

For more info:
Rockshots.eu
Mysterizer.com
Facebook.com/MysterizerFinnishmetalband
Instagram.com/mysterizerband

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Rockshots RecORDS: Out Now! Aussie 80’s Heavy Metal NOTHING SACRED Album “No Gods” + Music Video “Virus”

July 16, 2021
by Asher
· Music News · Nothing Sacred (Rockshots Records)

NEWS RELEASE

Montreal, QC – July 16, 2021

For fans of Iron Maiden, Judas Priest, Death Angel, Exodus, Testament

Rockshots Records:
Out Now! Aussie 80’s Heavy Metal NOTHING SACRED New Album “No Gods” + Music Video “Virus”

Australian classic heavy metal Nothing Sacred are marking their return to the mosh pit with the new album “No Gods”, out now via Rockshots Records as of July 16th.

In celebration of the release of the full length, the band is sharing their new music video for the track “Virus”.

The band adds:

“Virus came from the concept of displacing blame situations or actions onto others in order to achieve inner peace. It’s from the perspective of people or entities taking ownership to allow the less fortunate to continue on their chosen path with no consequences. This track has a great groove and is very fun to play.”

Watch the music video for “Virus” via Rockshots Records‘ YouTube channel – https://youtu.be/GLV7gP_XkSM

Conceived in Melbourne in 1983, Nothing Sacred went on hiatus for two decades. During the 80s, the heavy metal band unleashed their EP “Deathwish”, which catapulted them as one of the most sought-after pit makers with the record’s title track becoming a classic within the Australian metal scene. Three years later in 1988, Nothing Sacred unleashed the full-length entitled “Let Us Prey” on Cleopatra Records. Unfortunately a year after that LP’s release, the band disbanded in 1989. Lead guitarist Mark Woolley, bassist Karl Lean and drummer Sham went on to contribute to Hobbs’ Angel of Death‘s early work in the late 1980s. Woolley also appeared on Hobbs’ first self-titled album in 1988. Vocalist Mick Burnham later joined short-lived Melbourne band Seizure in 1993.

Although their tenure was short-lived, Nothing Sacred still remains an underground metal phenomenon in Australia. Songs from the Deathwish EP still get airplay on several Australian metal radio programs.

In 2012, Nothing Sacred performed a series 30th anniversary shows with Ross Percy (Ion Drive, Little House Godz) joining George Larin on guitar that included a support slot for the ex-Iron Maiden vocalists Paul Di’AnnoP/Blaze Bayley Australian tour. Despite the success, the band agreed not to continue and returned to retirement.

In 2015, the band decided to re-activate with a lineup of Sham, Karl Lean, George Larin, Ross Percy, and new vocalist Chris Stark. A slot on Melbourne’s Brewtality Metal Festival received positive reviews before the band embarked on a short tour of Japan, which inspired them to continue and lead the band to headline day one of the Steel Assassins Festival in Sydney.

Line-up changes again slowed the band, but with the addition of James Davies now on vocals and Stu Bedford on guitar, the band spent most of 2019 and 2020 writing and recording, what is now to be their first full length in over 30 years. Entitled “No Gods”, the record is Nothing Sacred‘s resurrection to the metal world. With a wealth of experience, a bucket load of riffs, and a renewed energy for one of Australia’s longest-running metal bands.

The band adds:

“We think our return with this new album will be received well. We’ve made a conscious effort to not be one-dimensional. We picked a cross-section of tracks we thought would make the album interesting. Though eight of the tracks are brand new, we decided to add two tracks ‘Final Crime’ and ‘Oracle’ we wrote for our 2nd album in the late 80’s, but never released.”

“No Gods” is available via Rockshots Records at the following links:
CD – http://bit.ly/NoGodsCD
Digital http://bit.ly/NoGodsDIGITAL

Music Video – Final Crime – https://youtu.be/uq27JF_5pXI
Music Video – Stoner – https://youtu.be/EWkbjzYyrro

Track Listing:
1. Final Crime (3:41)
2. Virus (4:22)
3. Cold Black (3:38)
4. First World Problems (4:15)
5. Killing You (3:34)
6. False Prophets (4:00)
7. Ice (3:31)
8. Cult (4:38)
9. Oracle (3:32)
10. Stoner (5:27)
Album Length: 40:45

Album Line Up
Stu Bedford – Guitar
James Davies – Vocals
Karl Lean – Bass
Sham – Drums
George Larin – Guitar

More info:
Rockshots.eu
Nothingsacred.com.au
Facebook.com/NothingSacredMetal
Instagram.com/nothingsacredaustralia

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Rockshots Records: It’s Time For The “Midnight Man” BLOODY HELL Release Video For New Album “The Bloodening”

June 23, 2021
by Asher
· Bloody Hell (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – June 23, 2021

For fans of Iron Maiden, Judas Priest, Accept, Armored Saint

Rockshots Records: It’s Time For The “Midnight Man” BLOODY HELL Release Video For New Album “The Bloodening”

Photo Credit: Lana Gonch

Finland’s BLOODY HELL‘s new album “The Bloodening” hit the mosh pit this past April via Rockshots Records. In support of the record, the band is presenting a new music video for the banger “Midnight Man”. The track tells a story of a man with issues (which any one person can relate to). This was originally one of the first songs the band wrote and it’s simply a straight-up speedster of headbanging glory.

Watch “Midnight Man” via Rockshots Records YouTube channel – https://youtu.be/S3YlVEIKT4Q

Formed to cause confusion and fear in people who don’t understand what heavy metal is about, Helsinki, Finland’s BLOODY HELL (ft. members of Moottörin Jyrinä, Metal De Facto) have been wowing fans around the globe with their loud, unapologetic, speed demon tyranny for two decades. Known for their drunken wild shows, the band has always presented good times in the circle pit with anthems about drinking, hangovers, devil-worshipping among other important matters.

Taking a hiatus after releasing two EPs, Hangover Riders (2010), What The Hell (2003) and a self-titled album (2015), along with all members focusing to perform with their other project Moottörin Jyrinä (a children’s heavy metal band that plays cover songs from classic 1980s heavy metal songs with child-friendly Finnish language lyrics with an educational tone), the quartet returns in 2021 to continue the party as grumpy old men with strong 18-year-old angst. Their new album “The Bloodening” features 12 fist-pumping songs to kick the band’s new found momentum into overdrive.

For fans of old-school 80’s metal in the vein of Iron Maiden, Judas Priest, Accept, and Helloween, Bloody Hell‘s “The Bloodening” is available at the following links:

CD http://bit.ly/TheBloodening
Digital https://smarturl.it/TheBloodening
Spotify https://spoti.fi/2PE6A3a

Lyric Video – In The Night We Burn – https://youtu.be/d_FpdM_EKTo

Track Listing:
1. Hangover Rider (4:37)
2. Face In Hell (4:02)
3. The Undertaker (4:54)
4. In The Night We Burn (4:30)
5. Smoking (5:16)
6. What The Hell (4:11)
7. Burn Witch Burn (3:57)
8. Muders She Wrote (5:01)
9. Midnight Man (3:43)
10. Long Road To Hell (5:32)
11. Bite (4:24)
12. Kiesma (The Museum of Modern Art) (7:03)
Album Length: 57:17

Album Details:
Bloody Hell:
Marko Skou – Vocals , Bass
Jaakko Halttunen – Guitar
Esa Orjatsalo – Guitar
Atte Marttinen – Drums

Guests:
Mika Grönholm – Lead Guitar on Kiesma (The Museum of Modern Arts)
Micko Hell – Vocals on Kiesma (The Museum of Modern Arts)

Drums on the Bloodening by Tom Rask
Recorded at Tom Rask Drum Record Factory by Tom Rask
Mixed and mastered at Tadaa Music Studio by Esa Orjatsalo

Music: Bloody Hell
Lyrics: Bloody Hell & Aleksi Koskinen
Cover artwork by Pate Vuorio
Cover layout Svetlana Goncharova
Esa Orjatsalo uses ESP guitars and Neural DSP plugins

More info:
Rockshots.eu
Facebook.com/bloodyhellfinland

– 30 –

“Bloody Hell plays classic, keep-it-true, heavy metal… Most of their tunes are riff revved up, fast and heavy, metal tunes with assertive, yet harmonious, vocals, and an abundance of killer guitar solos. Listeners will hear this formula self-evident and repeated throughout the album with notable songs: The Undertaker, What The Hell, Bite, the drum driven fast and heavy Burn Witch Burn. 4/5” – Dangerdog Music Reviews

“Clearly having a blast, Bloody Hell want you to have a blast as well and to help make that a reality, they’re dropping a 12-track album of good time heavy head-bangers. Classic heavy metal with thrash and speed sensibilities, The Bloodening is an album filled with energy, dirty groove and thumping heaviness.” – Games, Brrraaains & A Head-Banging Life

“For everyone who loves good old classic heavy metal, the new record by BLOODY HELL is perfect.” – Metal.de

“BLOODY HELL are sure to ensure a good time for the pandemic-isolated Metaler” – Stormbringer

“The Bloodening is definitely something perfect to blast, whether the pandemic is ruling everyone’s life or not. It is also a great excuse to enjoy some rum or bourbon when it cannot be done in a company – because drinking to Metal, even by oneself, is not drinking, it is keeping oneself alive.” – Metal Express Radio

“Bloody Hell have struck a solid formula for the creation and delivery of their brand of heavy metal. Keeping it simple in terms of sonic display and lyrical content. Incorporating themes and techniques of their influences while ensuring their own stamp is prominent… it does put a massive grin on your face. When all is said and done, isn’t that the point of metal.” – Uber Rock

“Twelve songs in this new album opened by anthemic groovy metal of HANGOVER RIDER, enriched by an embracing riffing, and FACE IN HELL, with its metallized heavy rock.” – Hard Rock Heavy Metal

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Rockshots Records: Aussie 80’s Speed Metal NOTHING SACRED Share New Music Video “Stoner”, New Album “No Gods” Out July 16th

June 11, 2021
by Asher
· Music News · Nothing Sacred (Rockshots Records)

NEWS RELEASE

Montreal, QC – June 11, 2021

For fans of Iron Maiden, Judas Priest, Death Angel, Exodus, Testament

Rockshots Records: Aussie 80’s Speed Metal NOTHING SACRED Share New Music Video “Stoner”

New Album “No Gods” Out July 16th

Australian speed metal Nothing Sacred will be marking their return to the mosh pit with their new album “No Gods” set for release via Rockshots Records on July 16th. The band unveiled the first single “Final Crime” this past May and are ready to share the next song “Stoner” with a music video in preview to the full length.

“This is a very different track for Nothing Sacred, which to us made it all the better. We did debate on a name for it. We originally called it Stoner when we only had the music. The name was only meant to be a placeholder till another one came along. That obviously didn’t end up happening, plus the name Stoner just suits it. It’s a song about a love-hate battle with anything that eventually leads to the destruction of both. It kinda morphed into a bunch of cool lines and a lot of ooo’s and aaaah’s.” adds the band.

Music Video – Stoner – https://youtu.be/EWkbjzYyrro

Conceived in Melbourne in 1983, Nothing Sacred went on hiatus for two decades. During the 80s, the thrash/speed metal band unleashed their EP “Deathwish”, which catapulted them as one of the most sought-after pit makers with the record’s title track becoming a classic within the Australian metal scene. Three years later in 1988, Nothing Sacred unleashed the full-length entitled “Let Us Prey” on Cleopatra Records. Unfortunately a year after that LP’s release, the band disbanded in 1989. Lead guitarist Mark Woolley, bassist Karl Lean and drummer Sham went on to contribute to Hobbs’ Angel of Death‘s early work in the late 1980s. Woolley also appeared on Hobbs’ first self-titled album in 1988. Vocalist Mick Burnham later joined short-lived Melbourne band Seizure in 1993.

Line-up changes again slowed the band, but with the addition of James Davies now on vocals and Stu Bedford on guitar, the band spent most of 2019 and 2020 writing and recording, what is now to be their first full length in over 30 years. Entitled “No Gods”, the record is Nothing Sacred‘s resurrection to the speed metal world. With a wealth of experience, a bucket load of riffs, and a renewed energy for one of Australia’s longest-running metal bands.

The band adds:

“No Gods” will be released on July 16, 2021 via Rockshots Records and available for pre-order at the following links:

CD – http://bit.ly/NoGodsCD
Digital http://bit.ly/NoGodsDIGITAL

Music Video “Final Crime” – https://youtu.be/uq27JF_5pXI

Album Line Up
Stu Bedford – Guitar
James Davies – Vocals
Karl Lean – Bass
Sham – Drums
George Larin – Guitar

More info:
Rockshots.eu
Nothingsacred.com.au
Facebook.com/NothingSacredMetal
Instagram.com/nothingsacredaustralia

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s Lycanthro Are Now Streaming Their New Album “Mark of the Wolf”, Album Stream Premiere via MetalInsider

June 2, 2021
by Asher
· Lycanthro · Music News

NEWS RELEASE

Montreal, QC – June 2, 2021

For fans of Judas Priest, Saxon, Blind Guardian, Helloween, Manowar

Canada’s Lycanthro Are Now Streaming Their New Album “Mark of the Wolf”

Album Stream Premiere via MetalInsider

New Album “Mark of The Wolf” Out June 4th via Alone Records

Lycanthro has been hard at work on their new album “Mark of the Wolf”, which releases on Friday, June 4th via Alone Records to follow their 2018 EP “Four Horsemen of the Apocalypse”.

Before “Mark of the Wolf” officially drops, Lycanthro has teamed with MetalInsider.net for its full stream HERE.

On this new LP, Lycanthro has been drawing more influences from European and US power metal to the point where they decided to make it a mainstay in their overall sound.

The band hopes that this upcoming full length will have a positive impact on the listeners and that the songs will be memorable and stuck in the listener’s mind after they’ve finished the album. Along with the two singles “Evangelion” and “Crucible” that have already been released, the album flaunts a diverse range of songs including the sing-along crowd-pleaser “In Metal We Trust”; the epic retelling of Hunchback of Notre Dame with “Fallen Angels Prayer” and the harmonic “Enchantress”. Vocalist/guitarist James Delbridge gives insight into the album:

“This album has taken a while to forge, and we hope that fans will marvel in the peaks and valleys that this album has to offer, and leave with having a positive experience! Some songs are an homage to different stories from pop culture and media and we hold near and dear to our hearts, other songs are meant to bring the listener on a journey through the worlds within the song, and others are just so the listener can marvel in the epicness of metal!”

“Mark of the Wolf” is eight tracks of diverse listening that offer something for everyone while still staying under the power metal umbrella. High soaring vocals, harmonized guitars, heavy chugging riffs, odd, but cool instruments, and even a breakdown or 2, all metalheads have something they can take from this album and walk away with a positive experience.

This album as well as the previous EP was recorded at Wolf Lake Studios in Lac-des-Loups, Quebec and the mastering was done by Jack Kosto who is most well-known for being the lead guitarist in power metal band Seven Spires.

Lycanthro is recommended listening for power metal fans everywhere especially those who enjoy Helloween, Manowar and Judas Priest.

“Mark of the Wolf” releases on June 4, 2021 via Alone Records and available on the following platforms.

Album pre-order available on Bandcamp and Big Cartel.
Digital pre-save (Spotify) here.

Track Listing:
1. Crucible (7:17)
2. Fallen Angels Prayer (4:47)
3. Mark of The Wolf (5:02)
4. Enchantress (6:53)
5. In Metal We Trust (5:07)
6. Into Oblivion (3:24)
7. Ride the Dragon (4:03)
8. Evangelion (6:25)
Album Length: 43:02

For more info:
Facebook.com/Lycanthrokills
Instagram.com/lycanthro_metal
EPK
Label: Alone.gr

– 30 –

“Their latest single (Crucible) is a treat for any fans of power metal or good old classic heavy metal. The track features a catchy rhythm, precision drumming, and classic 80’s vocals. It’s over 7 minutes of headbang worthy heavy metal. The guitar work is a particular highlight of the track, changing pace throughout the track, keeping the listener engaged throughout.” – Metal Injection

“Mark of the Wolf is filled with mostly catchy heavy metal (good luck trying to get “In Metal We Trust” out of your head after hearing it once) that gets the listener break out the air guitar and air drums and sing along almost from beginning to end. Fans of ’80s heavy metal and modern power metal that’s not over the top should definitely find something to like on Mark of the Wolf.” -The Metal Crypt

“As a debut hard rock/heavy metal album overall, it not only showcases a variety of talent throughout its 43 minutes of captured studio time, but it also features an even number of eight powerful songs crafted with fury and determination… Mark Of The Wolf marks not only many criteriae for the consummate debut album but also marks LYCANTHRO’s own territory within the new breed. 5.0 Out Of 5.0” – KNAC.com

“Eerie picked acoustic over strings begin the track (Crucible) with driving guitars burst through and start off a rampage of rock riffing and drums. With an uptight electric feel to the track, it’s a full on rock n roll epic complete with howling vocals and singing guitars.” – Backseat Mafia

“What’s better than spending your Saturday evening with a bunch of Canadian Heavy Metal Werewolves? I bet there’s not much that sounds more like an alpha move huh? LYCANTHRO have assembled their first full-length and it is a ripper! 8/10” – Reflections of Darkness

“Mark of the wolf” is an example of how a heavy metal album should sound. It is classic, and at the same time very inventive and fresh. Expectations fully met. Their debut can easily be classified as one of the most important events of 2021. Rating: 9/10″ – Power Metal Warrior

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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