• About AMR
  • Festivals & Associations
    • 420 Music & Arts Festival (Calgary, AB)
    • Armstrong Metal Fest (Armstrong, BC)
    • Calgary Metalfest
    • Calgary’s YYC Music Awards
    • Days of The Dead Festival (Red Deer, AB)
    • Loud As Hell Metal Fest (Drumheller, AB)
    • Metalocalypstick Fest (Lone Butte, BC) – Mountains, Camping and the Women of Metal!
    • ShrEdmonton Metal Fest & Conference
    • WACKEN METAL BATTLE CANADA
    • WACKEN METAL BATTLE USA
  • Services (Hire Us!)
  • Subscribe To AMR Artist News & Album Promo

Tag: hard

0 Arizona Prog LITTLE KING Reveals First Single “Catch and Release” From 8th Studio Album “Lente Viviente” Out Sept 2025

  • August 21, 2025
  • by Asher
  • · Little King · Music News

NEWS RELEASE

Montreal, QC – August 21, 2025

Arizona Prog LITTLE KING Reveals First Single “Catch and Release” From 8th Studio Album “Lente Viviente” Out Sept 2025

L-R – David Hamilton (Bass, Cello), Ryan Rosoff (Guitar, Vocals), Tony Bojorquez (Drums)

Photo Credit – Damien Becerra

Tucson, AZ’s Little King is thrilled to share fresh details about their upcoming 8th studio album, “Lente Viviente, set for release on Friday, September 26, 2025. The record features seven new micro-epics of progressive and hard rock with hooks and strong melodies. Each song is essentially complex and involved, but comes in under 4 minutes, except “Pass Through Filters.” At the same time, the complexity gives way to space and breath…the push and pull of each song works in a way to bring the listener back again and again for a full audio experience. These songs make you think, make you bob your head, and hopefully make you hit the ”Add to Library” button!

“I think this will be BY FAR our biggest release. The playing, songwriting, and production are our greatest accomplishments. New players on drums and bass, plus a new studio, have really elevated this project. I want people to take a short, mind-blowing journey…like Musical DMT. We are aiming to hit all the notes and emotions…the dynamic range of this record will push and pull from the first note to the last,” adds Ryan Rosoff (Guitar, Vocals).

Lyrically, “Lente Viviente” (Spanish for “Living Lens,” a play on Rosoff’s Video Memoir production company, LivingLens Memoirs) explores the delicate dance between memory and presence, perception and truth. The songs span a wide emotional arc—from reflections on childhood and lasting friendship (“Catch and Release,” “Dawn Villa”) to meditations on immigration and identity (“Who’s Illegal?”), aging and addiction (“Pass Through Filters”), and the blurred line between strength and vulnerability (“Kindness for Weakness”). At its core, the album asks how we see ourselves—and each other—through the ever-shifting lens of time, emotion, and experience. Tied together by dynamic arrangements and textured performances, “Lente Viviente” is both personal and universal, an honest portrait of life’s sharp edges and soft light.

Lente Viviente was recorded from April to June 2025, at Cimamusic in Tucson, AZ, by Ricky Wascher Tavares, making it the first Little King record to be tracked outside of Texas. The album was mixed in July of 2025 at Command Space Audio in Los Angeles by Daniel Salcido, who also mixed Amuse De Q in 2021 and the recent singles “Amber Waves GoodBye” and “Silver Tongue” (both from 2023). The record was then mastered by Maor Appelbaum at Maor Appelbaum Mastering.

Today, the band unveils their first single, “Catch and Release”, a nostalgic trip down the Yellowstone River and back in time to a place under the Big Sky that remains etched in our memories.

Rosoff explains the track:

“I grew up fly fishing in Montana and Northern California with my dad, grandfather, and brother. It was a special time, and the metaphors for light and reflection are strong in this song. (“Polarized,” for example, refers to glasses that allow one to see underwater, making it easier to see a trout coming from the deep to slurp a dry fly.) For my birthday last year, I went fishing on the Yakima River with my dad (“Len,” also a play on the word “lens,” apropos of everything). It brought back a flood of memories and the realization that I am so much happier on a river with my dad (or, as I sing in the song, my son and daughter, who both love to fly fish but don’t get to do it often.) But the overall sentiment of the tune is a reflection on fishing with my dad and how much I prefer that to, say, city life. Other references include “Ten and Two,” “False Casting,” “Bigger Sky” (Montana is known as “Big Sky Country”), and on and on…”

Watch and listen to the lyric video for “Catch and Release” via its premiere on Bravewords HERE.

Recommended for fans of Rush, Porcupine Tree, Pink Floyd, Muse, Led Zeppelin, Little King’s “Lente Viviente” is available for pre-order/digital pre-save (out Sept 26th) at (insert link)

Track Listing:​
1. Catch and Release – 3:22
2. Dawn Villa – 3:42
3. Who’s Illegal? – 3:56
4. Kindness for Weakness – 3:21
5. Sweet Jessie James – 2:42
6. Pass Through Filters – 4:50
7. The Living Lens – 3:37
Album Length: 25:34

For more info: LittleKingtunes.com​
​

-30-

“Talk about the album as a whole, it’s one hell of an experience of Melodic Rock, with elements of metal, there is Power, Heaviness, Melodic, and a lot of progressive materials added to this album, making this an awesome release. The songwriting is something known from Little King, the album had is concept of writing from the Covid Situation of the last two years on the unrest in the US. A short album but very much listenable, especially for the fans of Little Rock, this is not something you want to miss.” – Metal Heads Forever Magazine (Amuse De Q – 2021)

“There are just some artists that when you sit down to chat to you soon realise that they are such great people that you’d love them as a friend. HEAVY Magazine’s Dave Griffiths recently discovered that when he sat down to chat to Ryan Rosoff the frontman of Little King.

The conversation not only got deep as they spoke about the band using the loneliness and depression they felt during the lockdowns into the songs on their new album, Amuse De Q, but then also swung around to another passion they both – Aussies in the NBA. Yes when you sit back to listen to this interview, be prepared to not only hear some talk about the legendary hard rock of Little King but also chat about Joe Ingles, Kyrie Irving and Patty Mills… oh and a lot of Brooklyn Nets talk.” – Heavy Mag (Amuse De Q – 2021)

“The measure of the album, and the band, are demonstrated for me on “Internal Smut”. The track is one of two instrumentals, although to be fair “Moving On” is more of an introduction to “Nineteen Strong”, into which it segues seamlessly. Not all rock bands can really hit hard with instrumentals, but Little King manage it with “Internal Smut”. It’s every bit as good as the last rock instrumental to make such an impression on me, Rush’s “The Main Monkey Business” from Snakes & Arrows. High praise indeed! Little King are not Rush – not yet at any rate – but in Legacy of Fools they have produced an album that fans of that band, and of others, will enjoy very much.” – Sea of Tranquilty (Legacy of Fools – 2008)

“Having put out four full length LPs and two EPs in 24 years, this latest offering, “Occam’s Foil”, is an entertaining five song piece that shows off a savvy awareness of the current state of affairs and has some fun showing off their musical and vocal prowess. This band defies genre typing. No two songs really fit the same mold. There’s a heavier rock song, one with Caribbean influences, an instrumental, a mid-tempo rocker, and one with a really nice string arrangement. This is a bold mixture that works well together, despite the obvious disparity. “Occam’s Foil”, is a bold piece of work put out in 2019 via Mad Bell Records…. This is very good record with something for everyone. 9/10″ – Metal-Temple (Occam’s Foil – 2019)

“In just these 5 tracks Little King is able to show listeners a glimpse of their musical reach. They are able to touch on a variety of musical sounds, while never sacrificing the authenticity of theirselves. This album as a whole may not be for everyone, but there are definitely tracks that anyone could enjoy, and coming from a 5 track EP that is quite the accomplishment. ” – You Make The Scene (Occam’s Foil – 2019)

“Occam’s Foil is further proof that a trio can take on the best of rock music – and any genre- and create a grand sound like no other. Lend them your ears…it’s worth the leap and if you’re a fan of Alice In Chains, Blind Melon, The Mavericks and more – you’ll want to add these tracks to your musical library.” – Indie Pulse Magazine (Occam’s Foil – 2019)

“One of many thickly alluring aspects of the EP is the real individuality of songs to each other” – Ring Master Reviews (Occam’s Foil – 2019)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s MARBLE GHOSTS Unleash “Distance Between” A Blistering Anthem For Divided Times Off Sophomore EP “The Greatest Divide” Out April 2025

  • January 10, 2025
  • by Asher
  • · Marble Ghosts · Music News

NEWS RELEASE

Montreal, QC – January 10, 2025

Canada’s MARBLE GHOSTS Unleash “Distance Between” A Blistering Anthem For Divided Times

Sophomore EP “The Greatest Divide” Out May 2025

L-R – Adam Hansen (Guitar), Dylan Gunnell (Vocals), Paulo Ferraz (Bass), Jer Renaud (Drums)

Photographer Credit – Lisa Thompson (Dark Moon Productions)

Marble Ghosts, the Canadian boundary-pushing ensemble known for their distinctive blend of metal, grunge, and punk influences, has announced their highly anticipated second EP “The Greatest Divide” set for release in May 2025. The band comments on the first, explosive single “Distance Between”:

“From the opening lyric of the EP, “Here we are in the greatest divide”, the songs explore the ever-growing rift between almost every part of modern-day society. From the rich and the shrinking middle class to widening gaps in political and religious ideologies, the EP was inspired by our reality.”

Musically, the single shows off its punk-metal roots, never relenting from beginning to end. The biting rapid-fire verses meet the band’s characteristic soaring choruses. The band shows off its guitar chops with a blistering solo that perfectly matches the song’s energy. The song crescendos with another feverish solo over top desperate screams.

The EP and the single are recommended for fans of Alter Bridge, Shinedown, and Saint Asonia.

Listen to “Distance Between” at https://youtu.be/tE-M5vDS_uk

​

Spotify – https://spoti.fi/40D2I4h

​

Marble Ghosts’ sophomore EP “The Greatest Divide” will be released on May 23, 2025

Bandcamp pre-order – https://marbleghosts.bandcamp.com/​

Album Artwork by:​
Marble Ghosts font: Crossfade Productions
EP cover art: Edith Fluet

Track Listing:​
1. Distance Between (3:38)
2. Eat the Rich (4:16)
3. Trafficked (The Devil Inside) (4:19)
4. Gloom (4:24)
5. Osmium (4:48)
EP Length: 21:26
​
​Band Line Up (EP)​
Dylan Gunnell – Lead Vocals and Lyrics
Adam Hansen – Guitar
Paul R. Champagne – Bass
Jer Renaud – Drums
​
​Band Line Up (Live)​
Dylan Gunnell – Lead Vocals
Adam Hansen – Guitar and Backing Vocals
Paulo Ferraz – Bass
Jer Renaud – Drums

More info: Facebook.com/marbleghosts | Instagram.com/marbleghostsofficial​

-30-

“Their sound is a unique blend of soft underscoring elements and heavy riffs.” – Decibel Magazine
​
“When a band is said to be for fans of Shinedown, Breaking Benjamin and Three Days Grace, this puts a lot of pressure on that band to live up to expectations, especially those of lifelong fan of all of those acts. However, Canadian’s Marble Ghosts have produced quite an exciting debut EP that’s made up of a mix of metal genres from metalcore and grunge to death metal. ‘Lie To Me’ has a heavy bass line intro before thick guitar riffs join in. This intensity is matched by the vocals, which seem to be drenched in emotion and this is what makes it a real must listen on the EP. Whilst the lyrics themselves don’t vary much, they don’t need to, because it feels like this track is about putting across a certain atmosphere rather than writing an epic tale. The band do delve into the political in ‘False Heroes’, where they question outdated thinking with such lines as “boys will be boys, all the while accompanied by an unsettling melody in a minor key. They use their own country’s history to influence this song, which the EP artwork and the band’s name are all linking together. 8/10” Powerplay Magazine UK
​
“End Of The World completes the EP and no lie instantly had us drooling with its air of nagging menace veined by swarthy guitar lures and a tension of creative distraction, an imposing coaxing soon evolving into a full incitement of animated temptation and keen adventure. Grabbing favourite track honours in its greedy fists, the song prowled like a predator and roared with punk dissidence, aligning both to melodic and sonic drama.” – Ring Master Reviews
​
“Now we have reached our last mention, my number one recommendation for this week’s list of incredible new music from this website of ours. They have recently just emerged on the metal scene with a distinctive sound. I am talking about the Ottawa-based band Marble Ghosts. Unveiling their self-titled EP, showcasing five compelling songs that you can hear across all streaming platforms now.” – ZACH’S PICKS OF THE WEEK – MARCH 4 TO MARCH 9, 2024 – #1 Marble Ghosts – Canadian Beats
​
“Marble Ghosts deliver a visceral finale with “End of the World.” Reflecting a generation’s disillusionment with the idea of meaningful change and the realisation that their actions may have little impact, the song captures the band’s uncompromising attitude with distinct vocals and a cacophony of heavy and glorious sound. Marble Ghosts, the band and EP, defies hard rock stereotypes and delivers music that reminds us that it’s not all sex drugs and rock-n-roll, but sometimes it’s get up, stand up, rise up, and make the difference you seek.” – Amplify The Noise
​
“This band is ultra-impressive with razor sharp hard rock, soaring vocals and superior song writing that really makes one stop and take notice of their greatness.” – WJOE- Findlay’s Home for Rock and Roll
​
“C’est propre et même chiadé, peut être un peu trop à mon goût : il ne faut pas chercher ici un hard rock écrit au feeling la clope au bec et la bière, désaltérant plus qu’il ne faut ses auteurs ! On est sur une musique qui tient plus de groupes comme Breaking Benjamin ou encore Three Days Grace qu’autre chose.” – SoilChronicles
​
“Fans of 2000’s era hard rock, especially those who were listening to that music during the time period itself, will get the most out of Marble Ghosts’ self-titled debut EP. It’s not impossible to imagine a scenario where Breaking Benjamin, hot off the release of We Are Not Alone, would take this group out as an opening act. Same goes for someone like Alter Bridge when One Day Remains exploded off the success of single “Open Your Eyes.” – Heavy Music HQ

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Vancouver’s HUNTING GIANTS Ponder Domination And Avarice In “Too Big To Kill”; New Album “Mythos” Out Sept 30th

  • September 9, 2022
  • by Asher
  • · Hunting Giants · Music News

NEWS RELEASE

Montreal, QC – September 9, 2022

 

Vancouver’s HUNTING GIANTS Ponder Domination And Avarice In “Too Big To Kill”

New Album “Mythos” Out Sept 30th

L-R – Corey Wharton (Bass), Bradley Trivett (Guitar), Daniel Beavington (Drums), Stephen Atkey (Vocals)
Photographer Credit – Bradley Trivett

“Mythos” is the second release from Canada’s Hunting Giants following their 2018 EP “Skyward Eyes”. They have upped the ante with this new record, offering bigger riffs, wilder stories, and more layers to entangle listeners. The primary themes in their next single “Too Big To Kill” are domination and avarice, as told through the eyes of a hunter.

The track immediately starts with a riff that brings to mind the thrill of the hunt which is encapsulated by the lyrical repetition of ‘Row’ as our anti-hero cuts through the waves, hot on the trail of his next quarry. As the instruments are hushed, the lyrics speak from the perspective of a man who desires only domination and finds satisfaction in ending the lives of those he hunts. The band continues:

“One of the major singles on the Mythos album, Too Big To Kill is a non-stop adventure with the highs and lows of the raging rapids. This unending momentum builds throughout the song revealing how remorseless yet effective he is at killing until we arrive at the bridge, where the tables are turned and he finds himself fleeing from the beast which he sought to trap. This song is an exploration of those who love violence and the inevitable bloody end which they attract towards themselves.”

For Hunting Giants, their lyrics come from within. They can be inspired by pieces of literature, emotion derived from lived experiences, or ideas which take root within the mind and must be expressed through song. They encapsulate emotion while being entertaining and thought-provoking, giving the lister yet another layer to focus on amidst the riffs and melodies.

“Mythos” is a unique album expressed with a great diversity of energetic auditory textures. Each song hits hard with novel approaches and fresh ideas that will induce a comforting nostalgia in modern rock fans looking for something new and awesome.

Energetic, theatrical, and groovy, Hunting Giants is recommended for fans of Audioslave, Muse, and Tool.

The lyric video “Too Big To Kill” can be seen and heard via its premiere on AllAboutTheRock HERE.

The album “Mythos” is out on September 30, 2022.

CD pre-order – https://huntinggiants.com/product-category/pre-orders/​

Digital – Huntinggiants.bandcamp.com, Apple Music, Spotify.

Music Video “Ancient Text” – https://youtu.be/NkEQ6m8bzx4

​

Music Video – “Ritual” – https://youtu.be/FIXK6sHK1eQ

​

Track Listing:​
1. Mythos – 3:28
2. Ancient Text – 3:18
3. Too Big To Kill – 3:06
4. Rituals – 3:57
5. Among Thieves – 5:28
6. Whispers – 2:16
7. Vanguard – 2:54
8. Mantle – 3:19
9. Kindred – 4:05
10. Epitaph – 1:09
11. Into Stone – 4:55
12. Remnant – 4:00
13. King of Ashes – 2:52
Album Length: 44:49

Hunting Giants is:
Corey Wharton – Bass Guitar
Stephen Atkey – Vocals
Bradley Trivett – Guitar
Daniel Beavington – Drums

For more info:​
​HuntingGiants.com​
​Facebook.com/huntinggiantsband​
​Instagram.com/huntinggiantsband​
​Twitter.com/huntinggiants​

About:​
Hunting Giants is a four-piece heavy rock band from Vancouver, BC, Canada.
​
This unique group of musicians offers a spectacular visuals-driven live performance that exceeds both the precise ferocity of their recordings and the highest expectations of an energized audience looking for something recognizably different. Their music is both refreshing and familiar, serving well as the musical backdrop for one’s ongoing discovery of meaning in life and self.
​
Hunting Giants was started in 2017 with Bradley Trivett assembling the first musical themes and combining the percussive expertise of Daniel Beavington with the explosive rhythmic prowess of Corey J. Wharton into the foundation of a team set to discover and dominate the most enormous sounds and daunting massive ideas they could find. Led by the visionary passion and styling of frontman Stephen Atkey, Hunting Giants is poised to deliver an incredible auditory and visual experience.

“Hunting Giants stake their claim as a powerful new force in the Pacific Northwest metal scene…this band is absolutely one you’ll want to keep an eye on.” – Wail Magazine

Discography:
2022 – Mythos – LP
2018 – Skyward Eyes – EP
​
Shared Stage with:
Unleash the Archers, Wednesday 13, Ophelia Falling, Kayas, Vessel, Sick Logic, Dark Stone

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)
​

0 EPK – The Great Sabatini – Goodbye Audio (2018)

  • October 2, 2018
  • by Asher
  • · EPKs · The Great Sabatini

The Great Sabatini – Goodbye Audio (2018)

For fans of Melvins, Unsane, Neurosis, Metz, KEN mode, and Today Is The Day

Release Date: November 16, 2018

PR Rep – Jon Asher – ashermedia (@)gmail.com

thegreatsabatini.com | Facebook | Instagram | Youtube | Metal-archives | Spotify | Itunes

Sales links: Bandcamp | Big Cartel

Record Label(s): No List Records, Ancient Temple Records, No Why Records, Pink Lemonade

Download promotional photo | Download album artwork

“The band’s noisy riffs border on doom, with yelled vocals and a punchy rhythm section; fans of Melvins, Unsane and KEN mode will find plenty to love here.” – Decibel Magazine

“Montreal’s the Great Sabatini practice sludgy hardcore with tinges of noise rock, but most importantly do it with a ferocity rarely seen nowadays. Their approach is downright venomous, hitting the midpoint between Melvins’ Stoner Witch and Unsane’s Scattered, Smothered, & Covered — violent, calculating and downright disturbing. Goodbye Audio is the band’s latest offering, fans of the aforementioned as well as Helmet, KEN Mode, Today is the Day and others, pay attention, this record is for you.” – Revolver Mag

“Goodbye Audio is a heady album in all of the best ways possible, honouring the past while also elevating the genre in ways so unexpected and desperately needed.” – Exclaim!

“Four years on from their psyche ravaging third album, Dog Years, Canadian noise sludgers The Great Sabatini return with another maelstrom of noise bred dissonance which, to continue a trend set from their first releases, is their most irresistible trespass to date. Goodbye Audio is around thirty five minutes of sonic abrasion as unpredictable creatively it is expectantly striking; an invasion of raw and toxic noise intent on caustic seduction.” – The Ringmaster Review

“If you were impressed with The Great Sabatini’s 2014 ‘Dog Years’ LP then prepare to have your jaw kicked off your silly face, because ‘Goodbye Audio’ is even better. ” – Collective Zine

“The other half is a wall of incredibly weighty, borderline-doom metal wailing, contingent upon instrumental tones that constrict like pythons and don’t let go.” – Stereogum

“…hails from further out in left-field with more peaks and valleys than the heads-down-tits-up sludgy rock they fire at you from the stage…these dudes have a 90s alt-rock edge grinding against their love affair with riffs that crash bolts of lightning into stacks of Orange amps in delivering a rumbling calling card of hellacious noise.” – Decibel Magazine

“In 2012, the unpredictability and wickedness of Matterhorn and the gritty violence of the companion release The Royal We established the group as one to watch closely; Dog Years confirms that attention was well worth it.” – Exclaim! Magazine

“The Great Sabatini are not just playing by-the-numbers sludge, but rather mixing things up, and transposing their punk attitude into new forms of musical expression beyond what you might be expecting.” – The Sleeping Shaman 

The Great Sabatini – Goodbye Audio (2018)
Release Date: November 16, 2018
LABEL: No List Records, Ancient Temple Records, Pink Lemonade, No Why Records
DISTRIBUTION: Independent

Track Listing:
1. Still Life With Maggots (2:06)
2. Dog Years (4:21)
3. Strip Mall or, The Pursuit Of Crappiness Parts 1-4 (3:11)
4. You’re Gonna Die (Unsatisfied) (3:28)
5. Tax Season In Dreamland (4:06)
6. Brute Cortege (3:16)
7. Hand Of Unmaking (14:06)
Album Length: 34:37

Sales link: Bandcamp | Big Cartel | Spotify

Album credits
• All songs were written and performed by The Great Sabatini
• Produced by: Sean Pearson (Cursed, Shallow North Dakota)
• Mixed by: Scott Evans (Kowloon Walled City)
• Mastered by: Carl Saff (Kowloon Walled City, Big Business, KEN mode)
• Album Artwork by: Sean Arsenian/Marisa Parisella

Available on Spotify, ITunes, and Bandcamp

Album and live Band Line-Up: 
Sean Sabatini (guitar/vocals)
Joey Sabatini (bass/vocals)
Rob Sabatini (guitar/vocals)
Steve Sabatini (drums/vocals)

L-R – Rob Sabatini (guitar/vocals), Joey Sabatini (bass/vocals), Steve Sabatini (drums/vocals), and Sean Sabatini (guitar/vocals)
Photo credit: Dave Levitt Photography

SHORT BIO:

Since forming in Montreal, Canada in late 2007, The Great Sabatini has released four EPs and four full length albums, and logged seemingly endless tour dates around North America and Europe. The music is an aggressive mixture of noise rock, doom, hardcore, and metal wrapped up in a burly sludge aesthetic.

The intrepid Sabatini’s; Sean (guitar/vocals), Joey (bass/vocals), Rob (guitar/vocals), and Steve (drums/vocals) got together with the intention of pursuing their musical dreams with similar goals: slow it down, tune it down, turn it up and keep screaming. With all four of them belting out the lyrics, they play loud, and with conviction.

The raw sound compliments the persistent theme of mortality that the new album centers on, with Sean concocted most of the lyrics for, but with heavy input from his band mates. Going forward, The Great Sabatini is less focused on complicating their parts and set on being direct along with working together and highlighting each other’s strengths.

 

LONG BIO:

Since forming in Montreal, Canada in late 2007, The Great Sabatini has released four EPs and four full length albums, and logged seemingly endless tour dates around North America and Europe. The music is an aggressive mixture of noise rock, doom, hardcore, and metal wrapped up in a burly sludge aesthetic.

The intrepid Sabatini’s; Sean (guitar/vocals), Joey (bass/vocals), Rob (guitar/vocals), and Steve (drums/vocals) got together with the intention of pursuing their musical dreams with similar goals: slow it down, tune it down, turn it up and keep screaming. With all four of them belting out the lyrics, they play loud, and with conviction.

The years of hard work have paid off and to date The Great Sabatini has released an extensive catalogue of recorded works: ‘Burning Wilderness’ EP (2008); ‘Sad Parade Of Yesterdays’ (2009); ‘Napoleon Sodomite’ EP (2011); ‘The Royal We’ EP (2011); ‘Matterhorn’ (2012); ‘Dog Years’ (2014); a split with Anthesis (2015); a split with Godstopper (2016); and ‘Goodbye Audio’ (2018). To amplify on this impressive discography they have also toured extensively across North America and Europe.

After working together for 11 years, the band has refined their heartfelt noisy sludge to perfection. Overcoming situations that prohibit them from getting together often, demos and samples are passed around amongst themselves until a final cohesive body of work is completed. Their upcoming album “Goodbye Audio” due out November 16th, 2018 is a prime example of the harmony and aptitude that can only come from over a decade of being together; it’s a more robust and evolved sound, but still maintaining the caustic energy they had when they started.

When asked about “Goodbye Audio”, they responded: ‘

“We’re trying to give people a raw-ass document of abrasive sludge and noise rock in the most hi-fi package possible. We’re not interested in polish or smoothing over any rough edges… just achieving something of high sonic quality that presents the band that we are today…”

The raw sound only compliments the persistent theme of mortality that the new album centers on, with Sean concocted most of the lyrics for, but with heavy input from his band mates. Going forward, The Great Sabatini is less focused on complicating their parts and set on being direct along with working together and highlighting each other’s strengths.

“Goodbye Audio” will be available on vinyl from No List Records, Ancient Temple Records and No Why Records. Cassette version will be available from Pink Lemonade and feature an exclusive bonus track “Drain The Swamp” only available on that format. Digital download available on TGS’ Bandcamp here.

Discography:
Goodbye Audio (Full Length) (2018)
Split Tape with Godstopper  (2016)
Split mini CD with Anthesis (2015)
Dog Years (Full Length) (2014)
Matterhorn (Full Length) (2012)
The Royal We (EP) (2012)
Napoleon Sodomite (EP) (2011)
Sad Parade Of Yesterdays (Full Length) (2009)
Burning Wilderness (EP) (2008)

Shared the stage with: 

Yautja, Pyrrhon, KEN mode, Kvelertak, Today Is The Day, Coliseum, Metz, Valient Thor, CKY, Godstopper, Indian, Dopethrone, Fuck The Facts, and Hivesmasher.

Tour Dates & Festivals:

  • 4 date stretch of Canadian cities on the Yautja/Pyrrhon tour November 2017
  • European tour November 2015
  • Fall North American Tour September 17-October 6, 2014
  • Western Canada/USA tour May 22-June 13, 2014
  • Calgary Metal Fest (2014)
  • Eastern Canada tour August 28-September 4, 2013
  • European tour April 2-April 27, 2013
  • Western USA/Canada Tour September 28 -October 19, 2012
  • Midwestern USA/Canada Tour August 2-August 13, 2012
  • Arsonfest (2012)
  • North American Tour March 1-March 24 2012
  • Eastern Canada Tour with KEN Mode August 4-August 14, 2011
  • North American Tour March 9-April 3rd, 2011
  • Full North American tour Sept 29-Oct 31, 2010
  • Eastern USA tour May 13-May 22, 2010
  • Eastern Canada tour February 11-February 20, 2010
  • East coast Canada tour September 19-September 28, 2008
  • Coast to coast Canadian tour February 29-April 5, 2008

Endorsements:

Steve Plays Los Cabos Drum Sticks

0 NEWS: Toronto Alt-Metallers BLIND RACE Post ‘Come And Get It’ EP Teaser + Indie Week Performance At Cherry Cola Oct.16th

  • October 2, 2014
  • by Asher
  • · Blind Race

amr_logo_smal_570For Interview, Album Requests, Media List contact

Jon Asher – Music Publicist – ashermedia [AT] gmail.com

Radio Promotions – radiotrackingashermedia [AT] gmail.com

#514.581.5780 – www.ashermediarelations.com

NEWS RELEASE

Montreal, QC – October 2, 2014

EP PROMOS CAN BE REQUESTED HERE

RIYL =  Godsmack, Alice in Chains, Tea Party, Stone Sour, Metallica, Five Finger Death Punch

BlindRace.net| Facebook | Twitter | Youtube | Reverbnation | Instagram | Soundcloud

Buy Links: iTunes | Amazon | CD Baby | Bandcamp

EPK | Press Photo | Download EP Lyrics | Download EP Cover

Toronto Alt-Metallers BLIND RACE Post ‘Come And Get It’ EP Teaser + Indie Week Performance At Cherry Cola Oct.16th

Toronto, ON alternative metal band Blind Race is now streaming the teaser for their upcoming EP ‘Come And Get It’ due out on November 18, 2014. The EP is produced by Mike Langford whom has worked with upcoming and established artists such as Evans Blue, Parabelle, Charlie Hope, Rains, Hawksley Workman, Sloan, Ian Thornley (Big Wreck), Jeff Martin (Tea Party), Crash Karma, Art Of Dying, Rex Goudie, and Tupelo Honey plus was mastered by Chris Crerar at Toronto’s fame Metalwork Studios. The powerful, heavy, dark yet bright, five track record is inspired by the many facets of life itself with song titles such as Hypocrite, title track Come And Get It, Truth or Dare, Hopeless and Gone.

“How excited and stoked we feel are just terms to use lightly for our upcoming release and here we premiere just a snippet of our raw, air thrusting, high octane EP. We can’t wait to share with everyone our new material. Check it out!” comments drummer Stelio Kentros.

EP Teaser – http://youtu.be/xIHj7dXdyd0

EP  Teaser Stream + Pre-Order link: http://blindrace.bandcamp.com

come & get it ep teaser

Upcoming Show Dates:

October 16 – Toronto, ON – Cherry Cola (Indie Week)
October 31 – Toronto, ON – Rivoli – EP Release Party on Halloween night

Track Listing: Blind Race – Come And Get It

  1. Hypocrite (3:31)
  2. Come And Get It (3:32)
  3. Hopeless (3:18)
  4. Truth Or Dare (4:38)
  5. Gone (1:41)

EP Length: 16:32

About:

What started as two brothers and their best friend getting together for some freestyle jams and demo recordings in 2005 soon evolved into enough written material for two EPs and the birth of a new full-blown band, Blind Race, in 2007.

Drawing inspiration from their love of fast cars and the intrigue of driving them blind, as well as modern-day racial issues and the idea that we are all the same, the award nominated (Toronto Independent Music Awards: Best Live Metal Act Nomination (2012), Best Metal Act Nomination (2010)), Blind Race arrived at a name packed with meaning to match its melting pot sound.

Putting emphasis on musical identity and creativity, the then Toronto four-piece released Seeing Red in 2008, unleashed Lost in 2012 and grew to a five piece that is now ready to unveil its third EP, Come and Get It.

Going back to raw, air thrusting, 7-string powered tracks such as “Come and Get It” and “Hypocrite” to eastern influenced charismatic progressions in “Truth or Dare” and Latin derived contrasts of “Hopeless”, this EP is just the tip of the iceberg, which is the diverse style of Blind Race. All the music in this EP was written using a very simple philosophy by guitar player Costas Kentros. Just play what you feel. “With the initial riff of each song, the gates just opened and the music flowed out and created a statement for each song.  From love to hate, to truth or dare, standing your ground and those times when you just want to kill the pain with a bottle of Jack.  These songs cover our most common situations and emotions.” says Kentros.

For more info, please visit the following links:

http://www.blindrace.net/

http://www.facebook.com/pages/Blind-Race/7691919182

http://twitter.com/BlindRace

http://www.youtube.com/BlindRace1

http://instagram.com/blindracemusic

http://soundcloud.com/blind-race

– 30 –

“Blind Race blast out sustain driven and acoustically inspired slabs of no nonsense rock, heavily influenced by 90’s masters but embed with a new energy that make them deserving of a massive following”  – Spenny Bullen

“a great connection with the audience at the Velvet Underground. The crowd got really engaged in the concert when Blind Race played their metal cover version of Elvis Presley’s ”Hound Dog;” a fine version spiced up with a little bit of heavy guitar and double pedal bass drums.” – Toronto Metal Music Examiner (Live Review)

0 BREACHED To Perform At Earth Hour Event By Mill Street Brewery On March 29th @ Joe Mamas

  • March 12, 2014
  • by Asher
  • · Breached

EP PROMOS FOR MEDIA COVERAGE (ex. feature, interview, album review, airplay, etc.) CAN BE REQUESTED HERE

(RIYL = Alice In Chains, Breaking Benjamin, Crossfade, Incubus, Deftones, Three Days Grace, Default, Staind)

EPK | Press Photo

Tour Dates | BreachedMusic.com | Facebook | Twitter

Youtube | Reverbnation | Soundcloud | CBC 3 | iTunes

BREACHED Toronto Show Dates March 29th @ Joe Mamas (Mill Street Brewery Earth Hour) + April 5th @ Cherry Cola; New EP ‘Left Behind’

L-R = Neil Uppal – Drums | Ryan Alexander – Bass | Mike Diesel – Guitar | Bobby Noakes- Vocals (Photo Credit – Jaylyn Todd)

     BREACHED are proud to announce new show dates in the Toronto area, which includes participation in the “Lights Out with Mill Street” by Mill Street Brewery. The acoustic concert on March 29th at Joe Mamas is one of many candle lit parties taking place across the city in over 60 venues with over 60 bands to join the community in a symbolic environmental effort for Earth Hour. More info can be found at the following link: http://millstreetearthday.com/

“The ‘Lights Out With Mill St.’ fundraiser will be a rare opportunity to catch us totally unplugged. No mics, no amps, no speakers. It’s important to remind people that the task is on us to keep the planet clean and you need to start with your own city. We’re happy to be a part of such an event.” comments vocalist Bobby Noakes.

Show Dates

March 29 – Toronto, ON  @ Joe Mamas (showcasing on behalf of Indie Week and part of Mill Street Earth Hour)(Performing two 20 minute unplugged acoustic sets between 8:30 and 9:30pm as part of Mill Streets Brewery Forth Annual Light’s Out in support of Earth Day Canada as part of Earth Hour. More info: http://millstreetearthday.com/

April 5- Toronto, ON @ Cherry Colas w/ Rebel Hero and Slyde $5 doors at 9pm

BREACHED‘S EP ‘Left Behind’ was released during October 2013 and was recorded in between Canadian and US dates during the spring and summer months of that year while the band toured to promote their second EP ‘Revolution Sessions’, an acoustic version of their debut EP with a bonus stripped down cover of Alice In Chains’ ‘No Excuses’, which was also joined by a series of in-studio music videos.

Creating an alluring blend of melodious, metal-tinged rock ‘n roll, it didn’t take long for Breached to start winning over fans with their live shows and five-song self-titled EP. The band’s tight harmonies and nail-hitting screams combined with overdriven guitars, intricate tempos and powerful lyrics provide a unique blend that audiences can’t seem to get enough of.

The EP can be purchased on iTunes here and at the band’s official website here.

Youtube Stream – http://www.youtube.com/watch?v=_6o5zQnIIqc

Soundcloud Stream – https://soundcloud.com/breachedmusic/left-behind

Track Listing: Left Behind
1. Left Behind (4:04)
2. Piece By Piece (2:59)
3. All We Need (3:09)
4. Brighter Days (3:51)
5. Here With Me (3:17)
Total Time: 17:20

“The Left Behind EP, is the latest offering from Canadian hard rockers Breached, and man it is quite impressive…Disc opener, “Left Behind”, works off a killer riff and features overdriven guitars and a captivating chorus which led me to be immediately sucked into the EP. The remaining four songs follow suit and are solid hard rock tunes in their own right, but at only 17 minutes long, I found this EP to be a bit of a tease.” – Pure Grain Audio

“Breached really delivers on the goal of making emotionally charged music. Vocalist Bobby Noakes has an incredibly powerful voice as it soars over the heavy distortion-laden guitars and precise explosions of the rhythm section.” – Rock Freaks

“a hugely enjoyable miniature peek into the potentially huge future which lies ahead of this quartet.” – Planet Mosh

““Left Behind” is well-structured, well-written and well-executed in every way! The band consists of 4 incredibly talented musicians: Bobby Noakes (Vocals), Mike Diesel (Guitar), Ryan Alexander (Bass) and Neil Uppal (Drums). You can tell, just from listening to a few seconds of their music, that they are masters of their crafts!” – New-Transcendence

The title track had me singing along on my second listen and swaying along to the chorus, before launching into Piece By Piece with a more upbeat, punky sound with a few good screams mixed in, and the feel continues with All We Need. The passion that has gone into the writing and production is evident, and when the tempo drops for the next track, that energy is transferred to a different frequency and you really feel the lyrics of Brighter Days. This is for me where the vocal talent of Bobby Noakes shines the most, a real arms in the air song.” – Wyrd Ways

The Canadian lads of BREACHED are quite an interesting band. Their songs caught my heart with their melodic and easy to listen attributes. You can of course label them, but I think that it wouldn’t be wise. Noakes has fantastic voice and show a great promise. Any Rock fan or Metalhead should grab this one, this much more than to the open minded.“ – Metal Temple

‘Revolution Sessions’ – Music Videos

Let Go – http://www.youtube.com/watch?v=WOCIjtOpU6I

No Excuses (Alice In Chains cover) – http://youtu.be/ZfINQnXC8ko

Music Video – Control – http://youtu.be/wRWGsxvYkl4

Music Video – Happy? – http://www.youtube.com/watch?v=3iRWTBWmrjI

Music Video – Time – http://www.youtube.com/watch?v=39HzhYn_GHY

For more info on BREACHED, please visit these following links:

www.breachedmusic.com | http://www.facebook.com/breachedmusic | Twitter @BreachedMusic

0 Montreal’s MIRE Announce Release of Inward/Outward; Offer Free Download; Music Video ‘Limitless Pt. 2’

  • February 3, 2014
  • by Asher
  • · Mire

ALBUM PROMOS FOR MEDIA COVERAGE (ex. feature, interview, album review, airplay, etc.) CAN BE REQUESTED HERE

R.I.Y.L. = Tool, Deftones, A Perfect Circle, Isis, Dredg, Soen, Moist, Porcupine Tree, Nine Inch Nails, Rage Against The Machine, Audio Slave, Pink Floyd

Tour Dates | MireMusic.com | Facebook | Twitter | Reverbnation | Soundcloud  | Youtube

CBC 3 | Tumblr | Instagram | Pinterest | Google + | Bandcamp

EPK | Press Photo | Album Cover Download | Album Lyrics Download

Montreal’s MIRE Announce Release of Inward/Outward; Offer Free Download; Music Video ‘Limitless Pt. 2’

L-R –  Dave Massicotte: Guitar & Vocals | Stephane Boileau: Drums | J.P. LaChapelle: Lead Vocals | Bruno Chouinard: Guitar & Keys | Robbie O’Brien : Bass (Photo Credit: Carl Lessard)

    Rising out of Montreal, QC’s vibrant music scene, progressive rock / metal band MIRE are proud to announce the official release of their debut album Inward/Outward on March 18th to follow up their 2010 self titled EP.

Two years in the making, Inward/Outward is a 10 track reflection of ideas flying every which way around the recording studio, ranging from cognitive science to a military stint in Afghanistan by guitarist Dave Massicotte.

“We created this with our guts and have dared to explore a less common style of metal where the music is less obvious and sometimes requires the individual to have more than one listen before being able to grasp and really appreciate every musical element,” says guitarist Massicotte of the album. “From big chunky guitar to light piano melody, every song will take you on a different journey and set of emotions.”

The band has released the first music video ‘Limitless Pt. 2’ in support of the album, which can be viewed at the following link: http://www.youtube.com/watch?v=kQnqLxFv5oM

FREE Download – Soundcloud stream: http://soundcloud.com/mireband/04-limitless-pt-2 

FREE Download – Bandcamp stream: https://mire.bandcamp.com/track/limitless-pt-2

“Limitless Pt. 2 is about waking up from your daily grind to acknowledge the mysticism of your existence. The potential of what mankind is capable of, starts in the hands of its individual subjects – it starts with you. As the title implies, Limitless is an expression of how far you should push your ambitions in all directions to fulfill your own ideal based on your individual experience.’ says vocalist JP LaChapelle. “MIRE celebrates diversity, because slaving to fit the mold serves another. Enough of us have been sacrificed for a semblance of freedom, and to perfect it takes mad balls. Courage to confront fear every single morning, day and night, live on the edge of your seat at all times and lean forward – goad life to ‘come at you bro’. Developing your conscience allows you to stretch out the fiber of the NOW and analyse it. Establish objectives; try 10 times in different ways until you succeed. OWN YOUR DESTINY. That’s the passion we felt when we created Limitless together.”

Track Listing: Inward/Outward

1. Complex (7:18)
2. Tyrannicide (5:33)
3. Limitless (Pt. 1) (3:47)
4. Limitless (Pt. 2) (3:22)
5. Convolution (1:23)
6. Beast and The Machine (5:53)
7. Catalan Atlas (5:05)
8. Mantra Cymatic (1:51)
9. Open Circle (5:42)
10. Upheaval (1:19)

Total Length: 41:17

Upcoming Show Dates:

Feb 15, 2014 – Montreal, QC – Club Soda – Show Details

Feb 28, 2014 – Montreal, QC – Live Interview & Performance at MusiquePlus

March 20, 2014 – Montreal, QC – Underworld

For more info, please visit the following links:

http://www.MireMusic.com

http://www.facebook.com/miremusic

https://twitter.com/MireMusicCan

Album Pre-Order – http://mire.bandcamp.com/

EPK – https://ashermediarelations.com/epks/epk-mire-inward-outward-2014-release-date-march-4-2014/

0 BREACHED Announce Toronto Show Dates; New EP ‘Left Behind’

  • January 23, 2014
  • by Asher
  • · Breached

EP PROMOS FOR MEDIA COVERAGE (ex. feature, interview, album review, airplay, etc.) CAN BE REQUESTED HERE

(RIYL = Alice In Chains, Breaking Benjamin, Crossfade, Incubus, Deftones, Three Days Grace, Default, Staind)

EPK | Press Photo

Tour Dates | BreachedMusic.com | Facebook | Twitter

Youtube | Reverbnation | Soundcloud | CBC 3 | iTunes

BREACHED Announce Toronto Show Dates; New EP ‘Left Behind’

L-R = Neil Uppal – Drums | Ryan Alexander – Bass | Mike Diesel – Guitar | Bobby Noakes- Vocals (Photo Credit – Jaylyn Todd)

    Nothing is ever left behind in a BREACHED performance as the loud rocking, heavy amp cranking band announce Toronto show dates since performing last October at Indie Week.

February 7th will see the band join Blind Race, Asleep Behind the Flame, Bike Thiefs at the Bovine Sex Club for an ear bursting assault of infectious melodic rock, then later that month on February 28th, the band will be stripping down (not in the nude) to an acoustic set at Drum n’ Flats where they will be joined by the Waxmen and guests.

Show Dates

Feb 7, 2014 – Toronto, ON – Bovine Sex Club w/Blind Race, Asleep Behind the Flame, Bike Thiefs – $8 (Breached set at Midnight) – Event Page
Feb 28, 2014 – Toronto, ON – Drum n Flats – w/ WAXMEN and guests (Acoustic show)

BREACHED‘S EP ‘Left Behind’ was released on October 22nd and was recorded in between Canadian and US dates during the spring and summer months of 2013 while the band toured to promote their second EP ‘Revolution Sessions’, an acoustic version of their debut EP with a bonus stripped down cover of Alice In Chains’ ‘No Excuses’, which was also joined by a series of in-studio music videos.

Creating an alluring blend of melodious, metal-tinged rock ‘n roll, it didn’t take long for Breached to start winning over fans with their live shows and five-song self-titled EP. The band’s tight harmonies and nail-hitting screams combined with overdriven guitars, intricate tempos and powerful lyrics provide a unique blend that audiences can’t seem to get enough of.

The EP can be purchased on iTunes here and at the band’s official website here.

Youtube Stream – http://www.youtube.com/watch?v=_6o5zQnIIqc

Soundcloud Stream – https://soundcloud.com/breachedmusic/left-behind

Track Listing: Left Behind
1. Left Behind (4:04)
2. Piece By Piece (2:59)
3. All We Need (3:09)
4. Brighter Days (3:51)
5. Here With Me (3:17)
Total Time: 17:20

“The Left Behind EP, is the latest offering from Canadian hard rockers Breached, and man it is quite impressive…Disc opener, “Left Behind”, works off a killer riff and features overdriven guitars and a captivating chorus which led me to be immediately sucked into the EP. The remaining four songs follow suit and are solid hard rock tunes in their own right, but at only 17 minutes long, I found this EP to be a bit of a tease.” – Pure Grain Audio

“Breached really delivers on the goal of making emotionally charged music. Vocalist Bobby Noakes has an incredibly powerful voice as it soars over the heavy distortion-laden guitars and precise explosions of the rhythm section.” – Rock Freaks

“a hugely enjoyable miniature peek into the potentially huge future which lies ahead of this quartet.” – Planet Mosh

““Left Behind” is well-structured, well-written and well-executed in every way! The band consists of 4 incredibly talented musicians: Bobby Noakes (Vocals), Mike Diesel (Guitar), Ryan Alexander (Bass) and Neil Uppal (Drums). You can tell, just from listening to a few seconds of their music, that they are masters of their crafts!” – New-Transcendence

The title track had me singing along on my second listen and swaying along to the chorus, before launching into Piece By Piece with a more upbeat, punky sound with a few good screams mixed in, and the feel continues with All We Need. The passion that has gone into the writing and production is evident, and when the tempo drops for the next track, that energy is transferred to a different frequency and you really feel the lyrics of Brighter Days. This is for me where the vocal talent of Bobby Noakes shines the most, a real arms in the air song.” – Wyrd Ways

The Canadian lads of BREACHED are quite an interesting band. Their songs caught my heart with their melodic and easy to listen attributes. You can of course label them, but I think that it wouldn’t be wise. Noakes has fantastic voice and show a great promise. Any Rock fan or Metalhead should grab this one, this much more than to the open minded.“ – Metal Temple

‘Revolution Sessions’ – Music Videos

Let Go – http://www.youtube.com/watch?v=WOCIjtOpU6I

No Excuses (Alice In Chains cover) – http://youtu.be/ZfINQnXC8ko

Music Video – Control – http://youtu.be/wRWGsxvYkl4

Music Video – Happy? – http://www.youtube.com/watch?v=3iRWTBWmrjI

Music Video – Time – http://www.youtube.com/watch?v=39HzhYn_GHY

For more info on BREACHED, please visit these following links:

www.breachedmusic.com | http://www.facebook.com/breachedmusic | Twitter @BreachedMusic

0 See Magazine – Edmonton – Special Ops on a Mission

  • June 22, 2010
  • by Asher
  • · Uncategorized

http://www.seemagazine.com/article/music/music-feature/ops-0617/

0 Grande Prairie Daily Herald Tribune – Special Ops working through cancer scare

  • June 22, 2010
  • by Asher
  • · Uncategorized


http://www.dailyheraldtribune.com/ArticleDisplay.aspx?e=2619438

Asher Media Relations Tweets

Tweets by AsherMedia

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 2,174 other subscribers

Blog at WordPress.com.

  • Bandcamp
  • Twitter
  • Facebook
  • YouTube
  • Subscribe Subscribed
    • ashermediarelations.com
    • Join 653 other subscribers
    • Already have a WordPress.com account? Log in now.
    • ashermediarelations.com
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...