Tag: goth

0 A Metal Odyssey of Self and Survival – NIGHT’S EDGE Unveils New Video “Shapes in Grey Space II : Soaring” Ahead of New Album Out Aug 21st

August 20, 2025
by Asher
· Music News · Night's Edge

NEWS RELEASE

Montreal, QC – August 20, 2025

A Metal Odyssey of Self and Survival – NIGHT’S EDGE Unveils New Video “Shapes in Grey Space II: Soaring” Ahead of New Album “The World That Never Was” Out Aug 21st

With their fourth full-length album, “The World That Never Was,” set to drop on August 21st, 2025, Baltimore-based trio NIGHT’S EDGE is unveiling one last visual offering ahead of release day. In collaboration with Ghost Cult Magazine, the band premieres the music video for “Shapes in Grey Space II: Soaring”, the second installment in a three-part suite that closes the album. The two-and-a-half-minute ballad of symphonic alternative metal track unfolds a Twilight Zone-inspired narrative, exploring themes of isolation and the transformative journey of self-discovery it can spark.

“Soaring is a hardcore banger in ¾, as fancy as it is intense. The sudden pauses and shifts in direction of the music catch you off guard, while the vocals make you feel like you are ascending into the chorus, with mixed feelings of freedom while remaining tethered to reality. The words reflect our inner turmoil of free will versus the outside forces that control us. When writing Soaring, Damian constantly referred to the movie “Chronicle,” a found-footage thriller about teenagers who get superpowers. Not sure how that connects, that is for you to figure out!” adds Brian Haran – Vocals, Bass, Keys, Programming.

Watch and listen to “Shapes in Grey Space II: Soaring” via Ghost Cult Magazine HERE.

Since forming in 2018, Night’s Edge has undergone several lineup shifts and sonic evolutions, making notable strides since their 2019 debut. Rooted in the Alternative Metal realm yet defying easy classification, their sound blends gothic metal, progressive rock, and nu-metal influences into a heady mix of heaviness and pop sensibility, wrapped in layers of synths and theatrical flair. Their upcoming album, “The World That Never Was,” delves into themes of lost identity and the voids we fall into—obsession, rage, and uncertainty. In its closing arc, the album tells a parable: the protagonist wakes in a world where humanity has vanished and is forced to confront their reflection in the silence… or so it appears.

“We are immensely proud of this album. The World That Never Was has the strongest songwriting that Night’s Edge has ever brought forward, and these powerful songs elevate the three of us as musicians and as a band. It has presented challenges to all of us, as Performers and as writers, and has resulted in a genuine expression of music that is uniquely us. The album flows dramatically from piece to piece, with each song offering something different and contributing a different part from which the whole is built. No two songs sound the same, but every second of the album is unmistakably Night’s Edge. The recording and production process challenged all of us but allowed us to become even more intimate with each song. The lyrical themes that wrap through the album have become hooks in each of our brains, and we feel like each of us left a part of ourselves in this record. The World That Never Was is dense but digestible, complex but immediate, grim but beautiful. It is an album of contrasts, an album of ambition, and Night’s Edge’s most definitive musical statement,” says Haran

“The World That Never Was” follows releases Strangers – LP (2023), Night’s Edge – EP (2022), The Darkest Side of Dreams – LP (2020), and Shades of Dusk – LP (2019) and is recommended for fans of Coheed and Cambria, Avantasia, System of a Down, HIM, and Deftones.

Album pre-order (out Aug 21st) – https://nightsedge.bandcamp.com

Spotify – https://open.spotify.com/artist/5YEhprmAqIyaGmzH1qQInZ

Night Drive Visualizer – Love Fiction – https://youtu.be/MoRXlrnX6aQ

Music Video – If You Loved Me – https://youtu.be/0Fj6gIMd6dA

YouTube Stream – Someone To Stay – https://youtu.be/fg-P90AQvrA

Lyric Video – Smite – https://youtu.be/pMg-S0fn-Nk

Upcoming Show Dates:
Aug 23 – Roachfest – Hollywood, MD
Sept 12 – Zen West – Baltimore, MD – ALBUM RELEASE PARTY
Sept 20 – Asbury Park Brewery – Asbury Park, NJ
Oct 10 – The Depot – Baltimore, MD

Track Listing:
1. Someone To Stay (4:11)
2. If You Loved Me (3:51)
3. Man of Many Faces (4:23)
4. Love Fiction (4:14)
5. Wish You Wouldn’t (4:09)
6. Overdue For Destruction (2:50)
7. Smite (3:46)
8. Ataecina (5:08)
9. Shapes In Grey Space I: Reaching (7:43)
10. Shapes In Grey Space II: Soaring (2:41)
11. Shapes In Grey Space III: Separating (5:23)
Total Length: 48:32

Recording and Live Line Up:
Brian Haran – Vocals, Bass, Keys, Programming
Damian Remmell – Guitars
Dan Hunt – Drums

More info: Nightsedgeband.com | Facebook.com/nightsedgeband | Instagram.com/nights_edge_band

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““Smite” offers a taste of the band’s ever-evolving sound, merging gothic, progressive, and nu metal influences.” – Metal Insider

“You’re going for a ride today with the premiere of the music video for “Love Fiction,” the latest single from Night’s Edge. A cool visual accompaniment, the premise of the video, a sped-up night drive of the city and the freeway, complements the song’s intensity well. The single is from the band’s latest record, The World That Never Was. Featuring eleven new tracks, the album is set to be released on August 21st. “Love Fiction” is an introduction to this era of Night’s Edge, their third full-length since first emerging in 2018. The song is a profound reflection on depression and mental health. It romanticizes depression, likening it to a partner who is always there for someone as if the condition itself has become a security blanket.” – V13

“Night’s Edge is a dynamic three-piece pushing the boundaries of alternative metal with a sound that straddles gothic melodrama, modern heaviness, and synth-drenched theatrics…. a collection of tracks that fuse headbanging weight with danceable grooves, rich atmospherics, and introspective lyricism. With influences ranging from HIM, System of a Down, Deftones, to Coheed and Cambria, Night’s Edge has carved a uniquely immersive and cinematic sound that evokes both the personal and the fantastical.” – Crannk

“The best part was how they fused a heavy sense of emotion in the music. You can hear it, and feel it, and they don’t hold back.” – Metal Temple

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0 Canada’s RED CAIN Pay Homage To Wheel Of Time With Music Video For Commanding New Single “Fisher King”

November 9, 2022
by Asher
· Music News · Red Cain

NEWS RELEASE

Montreal, QC- November 9, 2022

Canada’s RED CAIN Pay Homage To Wheel Of Time With Music Video For Commanding New Single “Fisher King”

L to R: Samuel Ridout (guitar), Tyler Corbett (guitar), Evgeniy Zayarny (vocals), Kalie Yan (bass, vocals), Taylor Gibson (drums)

Red Cain, from Calgary, Canada is a modern progressive metal project with Eastern European roots. They have been making waves since their first release in 2016, with award-winning concept albums and music videos. The next chapter in their ongoing saga is a music video for the single “Fisher King” that conceptually takes place in the universe of the legendary Wheel of Time fantasy series. It comes off a yet-to-be-titled album that is expected sometime next year. The band comments on the single:

“’Fisher King’, was written in its original form over 10 years ago, long before Red Cain’s existence as a band – so it was an extremely cool experience to go back to this old track, rewrite, and revitalize it to fit our sound. Much like our upcoming album, “Fisher King” keeps the quintessential Red Cain “melancholy and rage” but takes the death metal influences from “Kindred: Act II” even further, featuring a huge growl-centric chorus, a variety of down tuned, sludgy riffs, and gripping, raw vocal hooks and melodies.”

Red Cain’s first two full albums, “Kindred: Act I” and “Kindred: Act II” conceptually told a sprawling story of how raw and primal ancient myth collides with modern society and human yearning toward the stars, toward perfection. The albums contained a ton of genre inspirations, from gothic rock to ambient electronica, power, black, and death metal, and were universally lauded for their inventiveness, variety, and strong conceptual content. They continue this momentum with their upcoming release.

“Fisher King” is unsettling, bombastic, and unrelenting, this track showcases a musical and lyrical contest of wills between the “Chosen One” archetype, and his antithetical, flawed, yet lethal opponent caught in his unrelenting march. It is recommended for fans of Kamelot, Mastodon, and Powerwolf.

Watch and listen to “Fisher King” via its premiere on Metal-Rules HERE.

Red Cain is:
Evgeniy Zayarny – Vocals
Samuel Ridout – Guitars
Tyler Corbett – Guitars
Kalie Yan – Bass, Vocals
Taylor Gibson – Drums

For more info:
https://redcain.ca
https://www.facebook.com/redcainofficial
https://instagram.com/redcainarmy
https://redcain.bandcamp.com
Spotify

About:

Melancholy and Rage

Born out of the vast prairies and snowy peaks of Alberta, Canada, Red Cain is a modern progressive metal project with Eastern European roots. With intricate songwriting, powerful vocals, eerie soundscapes, and strong electronic-backed groove, Red Cain champion a fluid, dynamic, and unique style centered around telling dark, conceptual Faustian sagas and constructing those into an unforgettable live experience. Described by frontman Evgeniy Zayarny as a vehicle of “Melancholy and Rage”, Red Cain delivers power, flair, thematic Slavic influence, and intricate, lethal edge in their work. Listeners might well pick out elements reminiscent of such luminary acts as Kamelot, Symphony X, Tesseract, Lord of the Lost, whipped into a venomous new shape. The current incarnation of this Canadian metal band is of these influences mixed with a lot of vodka and Eastern European melancholy, shaken and stirred.

Red Cain self-released its debut self-titled EP in North America in 2016 to excellent reviews, and followed this up with two award-winning full-length albums, “Kindred: Act I” in 2019, and AFA-funded “Kindred: Act II” in 2021, working with Sliptrick Records globally to have over 3500+ physical copies sold, as well as over 200,000 digital streams to date. The band has hit #1 on the Canadian National Loud Charts on multiple occasions and is a 1x winner and 3x nominee for the Metal Recording of the Year at the YYC Music Awards.

The band has created 13 videos, of which 2 are full-length, high-production music videos for “ZERO” and “Juliet”. The latter two videos have won 17 awards at international music festivals, including the Berlin Short Film Festival, Venice Shorts, Global Shorts, IndieX FilmFesti, AIFF, and Hollywood Art & Movie Awards, among others. The band has a strong history of collaboration, with a highlight being our work with Juno Award-winning vocalist Kobra Paige of heavy metal band Kobra and the Lotus, on the track “Wing of the Crow”.

Red Cain released our latest album “Kindred: Act II” globally with Sliptrick Records in 2021, with a particular focus on promotion and engagement in the United States and Eastern Europe, where the band has received significant traction in 2020-21. With live performances stunted by COVID, the band has focused strongly on building out the concept behind the two-album “Kindred” arc with non-musical collateral, creating story content and custom art for the album concept.

With a significant upward trend of fan interest for this release, and 100,000 + digital streams, Red Cain has our set sights firmly set on another ambitious and conceptually exciting project, with the next release cycle coming in late 2022 with the first single “Fisher King”.

– 30 –

What the press is saying:

“This is a track (Sunshine (Blood Sun Empire) that infuses their progressive and power metal sound, similar to that of Symphony X and Kamelot. Alongside this, there are also faint similarities to bands like Dream Theater and even Korn. This is a nearly 6 minute track that doesn’t let up and doesn’t fear to change up its style throughout.” – Metal Injection

#10 Red Cain !earshot – The National Loud Chart For the Week Ending: Tuesday, February 9, 2021 (Earshot)

“From the proggy goodness of album opener “Kindred”, to the blast beats of “Baltic Fleet”, to the epic closer “Sunshine (Blood Sun Empire), there is something here for every fan of progressive power metal. With this being Act II in Red Cain’s Kindred body of work, I really feel as though I entered a movie theater right in the middle of an epic saga. Each song is a journey in and of itself, but each also contributes to the overall fantastic voyage. I will absolutely be purchasing Act I of this amazing tale and listen from start to finish, the way it was intended. Do yourself a favor and do the same!” – Metal Rules

“If you like your music melodic, mysterious, and gothic, with a progressive power metal base, then this is for you. This has been a joy to review and yet another band to add to my favoured list. ” – The Prog Space

“Zayarny is a powerhouse vocalist and the contortions he forces into Red Cain make for a very diverse record.. the talent behind the record is undeniable, and at the very least, Kindred proved far more creative and thought-provoking than most death metal records I’ve recently tackled. You should give it a shot — even if you’re not a big weenie..” – Angry Metal Guy

“Overall, ‘Kindred: Act II’ is an interesting mix of styles that combine together in technical wizardry to set the backdrop for the continued tales of the warrior Zalcoatl. There’s some unexpected musical influences that bubble to the surface, particularly the liberal use of electronic elements provides a futuristic, yet gothic, element to the tales. Vocally, there’s some clear inspiration from Kamelot going on here. They’re predominantly clean, but with a wide range between high pitched and deep passages. The guitar work is pretty varied as well and at times even hits a distinctly djent groove that seems to appear out of nowhere!… Fans of Kamelot and Mastodon alike will find some common ground with ‘Kindred: Act II’ (and Act I for that matter).” – Uber Rock

“These seasoned metal performers brought me to school with a clear cut album, delivered beautifully across seven tracks. The epic highs and lows of the album leave me wanting more… My hat is off to RED CAIN!” – Metal Temple

“With a flurry of progressive guitars, grandiose vocals and intriguingly wild effects, Red Cain burn brightly from the very start with the opening track, Kindred.” – Games, Brrraaains & A Head-Banging Life

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(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Canadian Prog Power RED CAIN Shares New Visualizer For “Precipice of Man”, Premiere via Folk N’ Rock, New Album “Kindred: Act II” Out Now!

February 15, 2021
by Asher
· Music News · Red Cain

NEWS RELEASE

Montreal, QC – February 15, 2021

For fans of Kamelot, Symphony X, Amaranthe, Powerwolf

Canadian Prog Power RED CAIN Shares New Visualizer For “Precipice of Man”

Visualizer Premiere via Folk N’ Rock

New Album “Kindred: Act II” Out Now!

L-R – Tyler Corbett – Guitar, Evgeniy Zayarny – Vocals, Taylor Gibson – Drums – Photo Credit Ravenkin Photography

Canada’s progressive power gothic metal band Red Cain unleashed their new album “Kindred: Act II” digitally this past January with the CD physical release due out via Sliptrick Records later date this year.

Today, the band presents their latest visualizer for their track “Precipice of Man”.

Vocalist Evgeniy Zayarny adds:

“A ballad, but also…not? Certainly the most experimental track on this album, “Precipice of Man” was born out of focusing entirely on capturing the story and atmosphere related to the track from note one, and creating a musical landscape supporting those elements. Utilizing falsetto vocals and electronic touches not found in other tracks, “Precipice of Man” still keeps the weight and urgency of the album, but provides a necessary introspective and cautiously uplifting element.

Within the “Kindred” concept, this is a track that “takes stock” of the world of the album at the time, featuring three parts from the POV of three characters: the opening stanzas from Zalcoatl’s companion Juliet urging him to push on (“take my hand and step out onto the precipice of Man”), the Nameless Exarch’s ominous Latin chants in the middle of the track as he commands his hordes, and Zalcoatl’s meditation on the role of humanity (“all their songs, they weren’t meant for us…but we are all that’s here”). The track hits a crescendo with an uplifting, determined chorus from all our protagonists together – “There is life in the ashes, there is smoke upon the shore – and your weary hands hold the fate of more than you can know” – showing that there is still hope on the journey to the Sun.”

The video can be seen and heard via its premiere on Folk N’ Rock HERE.

Described as a vehicle of “Melancholy and Rage” and born out of the emerging music scene of Calgary, AB, 2017 YYC Awards Metal Recording of the Year winner Red Cain is a power/progressive metal project with Russian roots. With intricate songwriting, a heavy yet melodic feel reminiscent of progressive acts, and elements of Slavic myth and Russian paganism in the storytelling tradition of the cult of Veles, Red Cain champion a fluid, dynamic, and unique musical style centered around telling dark, conceptual Faustian sagas and constructing those into an unforgettable live experience.

Their new sophomore full-length continues and ends the band’s storytelling of their Kindred saga, which began with their 2019’s “Kindred: Act: 1”. Offering a mix of melodies and metallic styles in power, progressive and goth metal, Red Cain continues to deliver epic adventurous songs with tracks like Sunshine (Blood Sun Empire)”, “Demons”, “Kindred” and “Varyag and The Shrike”.

Vocalist Evgeniy Zayarny comments:

“Step forward in the ranks of the Varyag Mstislav, hear the chilling call of the Nameless Exarch, and stand shoulder to shoulder with the Aztec warrior Zalcoatl in the depths of an ancient Ziggurat. Experimental, aggressive, yet melodic and recognizably Red Cain, the second act in the “Kindred” saga sets the bar even higher in the hybrid prog/power style we have made our own.

Inspired by the age-old Slavic rites honouring the Sun and continuing the storytelling tradition of Veles, this album is an amalgam of myths, genres, and emotions – and we could not be more proud to be able to share it with you.

All stories must come to an end – but this is one where the action and intensity is at its peak. This is a story where the stakes are lethal, where the music is loud and the melodies cut deep – where the frozen North wind chills the land and an eldritch specter hangs over the horizon. Above all, this is a story of humanity reaching out toward the Sun, come what may. This is our story of “Kindred” – and we are absolutely fired up to bring you with us on this mad ride.”

Recommended for fans of Kamelot, Symphony X, and Amaranthe, Red Cain‘s new album “Kindred Act: II” is available on the following digital platforms:
Bandcamp (includes seven custom pieces of digital art designed by the band)
Spotify

Lyric Video – “Sunshine (Blood Sun Empire)” – YouTube

Track Listing:
1. Kindred (5:06)
2. Demons (4:40)
3. Precipice of Man (5:18)
4. Baltic Fleet (4:53)
5. Varyag and The Shrike (5:54)
6. Sons of Veles (5:01)
7. Sunshine (Blood Sun Empire) (5:49)
Album Length: 36:45

For more info:
Facebook.com/redcainofficial
Twitter.com/RedCainArmy
Instagram.com/RedCainArmy
EPK

– 30 –

“Songs alternate between melodic and more progressive portions in fine fashion. There is also a heroic aspect to the band that assures that they have some variety and also ties them to power metal. The entire affair is uplifting and does a good job getting the listener entranced in the music… a fun album and a very nice way to start the year off. It will also appeal to fans of bands from a number of different sub-genres.” – Heavy Music Headquarters

“the crew here found yet another gem from Red Cain, one filled with cosmic terrors this time. Kindred: Act II provides us with an additional slice of that delicious metal geekery that this band is capable of. A record that makes complexity sound easy, even casual. And that’s a feat not many bands master these days anymore.” – Rock Music Raider

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0 Calgary Goth Metal BENEVOLENT LIKE QUIETUS Premiere Next Single ‘The Rise and The Fall’; Debut Album “Kill The Bliss” Out March 13th

February 25, 2020
by Asher
· Benevolent Like Quietus · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – February 25, 2020

For fans of Type O Negative, Moonspell, Lacrimas Profundere, Sentenced, The 69 Eyes

Calgary Goth Metal BENEVOLENT LIKE QUIETUS Premiere Next Single ‘The Rise and The Fall’

Debut Album “Kill The Bliss” Out March 13th

L-R: Ty Frederick (Guitar), Ryan Spencer (Drums), Daniel Louden (Vocals), Killian Murphy (Bass), Matt Springer (Guitar)
Photo Credit: Ty Frederick
Editing/Design: Daniel Louden

Calgary’s Benevolent Like Quietus release their second single ‘The Rise and The Fall’ off the upcoming debut album “Kill The Bliss”. The brooding quintet has been working on this album for quite some time and are very excited to show off the product of their hard work which includes everything from writing to recording and mastering.

The album gives a well-rounded introduction to the Canadian band, encompassing everything from heartbreak, death, depression, to religious criticism. The second single starts with a modern goth rock feel right out of the gates. BLQ explains the track in further detail:

“Layered with a dynamic vocal melody and captivating, poetically descriptive lyrics describing a battle of mortal love and immortal life. The chorus is probably the catchiest on the album. It’s the perfect blend of rhythm, beat, vocal melody and a lead picking arpeggiated chords that give the chorus a lot of dynamic and depth.”

Listen to ‘The Rise and The Fall’ via its premiere on Metal-Rules HERE.

Also, check out their first single ‘Dawn of Rust’ here.

BLQ is recommended for fans of Type O Negative, Moonspell, Lacrimas Profundere and The 69 Eyes.

Track Listing:
1. The Beginning of An End (4:04)
2. My Favourite Enemy (4:24)
3. The Great Divide (3:42)
4. Soil of The Grave (4:42)
5. The Rise and The Fall (4:21)
6. Mad World (Tears For Fears cover) (4:49)
7. Where Dead Hearts Reside (3:40)
8. Love’s Inferno (4:38)
9. Dawn of Rust (4:42)
10. Darkness Collides (3:31)
11. A Voluntary Disease (3:27)
Album Length: 46:09

For more info:
BLQband.com
Facebook.com/blqband
Instagram.com/benevolentlikequietus
EPK

About:

Hailing from the cold, dark winter nights of Calgary, Canada; Benevolent Like Quietus brings forth a bounty of brooding, goth rock-influenced melodic metal. Laden with heavy riffs, catchy melodies and crushing breakdowns, the 5-piece metal act lyrically exploits the joy in sorrow and strife within life, love and death.

Dabbling in gloom, BLQ is a dark, musical metaphor for the sweet kiss of death. Collectively drawing influences from far and wide across the metal and rock spectrum BLQ has worked tirelessly to craft their own unique sound within the Canadian music scene.

Keen to revisit the era of 90s European goth/melancholic rock, BLQ is a heavy and brooding whirlwind of emotion and melody. Each song starts with Ryan Spencer (drums) who writes the music on guitar and together with Daniel Louden (vocals) put together the basic guitar and vocal structures before being worked through by the rest of the band, Ty Frederick (guitar), Killian Murphy (bass), and Matt Springer for the final breath of life.

Despite the melancholic lyrics and themes, Benevolent Like Quietus is straightforward and energetic music. No gimmicks, no BS, just 5 guys playing their hearts out and creating a moment.

Having the pleasure of sharing the stage with touring acts such as Katatonia, Wednesday 13, All Hail The Yeti, Final Drive, Caspian and Invidia along with being nominated in 2018 for Metal Recording of The Year by Calgary’s YYC Music Awards, BLQ continues to build on their live performances delivering a healthy dose of heavy, gloomy tunes to their audiences with no foreseeable end in sight. Their debut album “Kill The Bliss” is slated for release on March 13th, 2020.

– 30 –

“it is simply impossible not to walk away from Kill The Bliss without a huge smile on your usually stern-faced dial after close exposure to this album. It’s hard to imagine a better album of its type emerging from the gloaming this year, so why not leave me to my reveries and just hurry on and secure a copy as soon as you can. Satisfaction’s guaranteed, I promise.” – Sentinel Daily

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asher[@]ashermediarelations[.]com
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