Tag: death

0 Norway’s Féleth Now Streaming Their Technical Melodic Death Metal Album “Divine Blight” (Mixed and Mastered by Christian Donaldson (Cryptopsy))

November 10, 2022
by Asher
· Feleth · Music News

NEWS RELEASE

Montreal, QC – November 10, 2022

Norway’s Féleth Now Streaming Their Technical Melodic Death Metal Album “Divine Blight”

Mixed and Mastered by Christian Donaldson (Cryptopsy)

Féleth, from northern Norway, is now streaming their second album “Divine Blight”, which they see as a solid step up from 2020’s “Depravity”. They take on real-life events and put them to provocative music best described as melodic death metal with a healthy dose of technical death metal added in. The lyrical themes are often inspired by things that vocalist Espen Dagenborg finds massively wrong such as politicians waging war, being greedy, and also how humans can be extremely hateful against others. Then again there are also songs that are somewhat purely fictional, mostly showcasing his lyrical style.

As Féleth was the continuation of a former thrash metal band, IronBound, it’s natural to say that they started out as a thrash death band. As the then-young boys started to discover the joys of death metal the sound evolved more toward that. Along with the newfound joy came the struggle, for death metal wasn’t easy to play. After finally mastering the ways of death metal and having released “Depravity” disaster struck. The now not-so-young boys had developed a taste for technical death metal and big hooks. When the time came to work on “Divine Blight” they already had a handful of finished songs to choose from, each one a work of art – melodic, technical, brutal art. The band comments:

“After getting signed with our new label “Rob Mules Records” and playing some pretty sick gigs at both Buktafestivalen and Tons of Rock, we’re super stoked to release our new album “Divine Blight”. It was a long and tedious process of selecting, practicing, and recording, but the result will speak for itself. Our best album thus far. It’s a collection of stories based on the dystopian path humanity is set on. We felt that throughout this new journey of an album we’ve refined our songwriting and successfully achieved a style that’s not only ass-whoppingly brutal, but also more complex emotionally and lyrically. It is clear that we’ve got multiple influences and styles throughout the album which all contribute to a massive sonic package. It’s definitely a death metal album with some subtle takes on some of its many subgenres. Two and half years after our debut “Depravity” we’re ready to present ‘DIVINE BLIGHT’.”

The album was mixed and mastered by Christian Donaldson (Cryptopsy) and the album artwork was done by Kahinienn Graphix. The Northern Norwegian technical death rock is recommended for fans of Fit For An Autopsy, Inferi, and Soreption.

The album “Divine Blight” comes out on November 11, 2022, and can be heard in full before its official release on Metal-Rules HERE.

Music Video – Majesty – https://youtu.be/yce26-EGFMI

Visualizer – Avarice – https://youtu.be/E2J3NnHAmsk

Lyric Video – USA ft. Petter Carlsen – https://youtu.be/7jURKrmgt0M

Track Listing:
1. Majesty – 03:46
2. Caretaker – 03:58
3. Riven – 03:51
4. En Elskovsdans – 03:10
5. The Serpent – 03:32
6. Casanova – 03:35
7. Deadlands – 04:26
8. Absence – 04:09
9. USA – 05:32 ft. gust vocals Petter Carlsen
10. Avarice – 05:33
Album Length: 41:37

Album Credits:
All songs performed by Féleth
Guest vocalist Petter Carlsen on USA
All songs written by Féleth
Produced by Féleth
Mixed and Mastered by Christian Donaldson
Assistant Engineer Jonathan Mazzeo
Album Artwork by Kahinienn Graphix

Live and Album Lineup:
Espen Dagenborg – Vocals
Thomas Nyvoll – Guitar
Alexander Stamnes – Guitar
Brage Ingebrigtsen Westgaard – Bass
Aleksander Alsen – Drums

For more info:
Facebook.com/FelethBand
Instagram.com/felethband

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““Majesty” is an exciting introduction to the differing styles and techniques that Féleth intertwine in their songwriting, drawing together ingredients from technical and melodic death metal in a white-hot rush that nevertheless is home to some bone-smashing grooves. “Avarice” puts those genre ingredients on display again, but expands the musical palette and makes the song an even ore multi-faceted and atmospheric experience. With no room to gasp a breath, the song explodes in a flurry of fleet-fingered, fret-leaping guitar work, neck-cracking drumming, and flame-throwing vocal intensity. But groaning chords and shrill, eerie melodic overtones also create dark and deleterious moods, building tension and fear. While the vocals are utterly unhinged in their madness (and doubled in the chorus for extra intensity), squirming guitar arpeggios create a different dimension of insanity, coupled with agony, and martial drum patterns and a misery-steeped closing solo add to the song’s relentless dynamism. On top of all that, the song also punches like a heavyweight fighter.” – No Clean Singing (Divine Blight 2022)

“Feleth is gaining a name for itself despite only being around for a couple of years. They are developing their sound and their technical ability rapidly and this release shows that development, especially in songwriting where they bring different elements in to add color. An excellent example of melodic/technical death metal and worth anyone’s hard-earned cash.” – My Global Mind (Divine Blight 2022)

“Depravity the newest album from Feleth is one brutal album full of riffs and hooks to keep even the most particular entertained. Feleth mix the roots of the Norwegian metal scene, with the death metal tone they strive for to create some well crafted blackened death metal, similar to that of Shadow of Intent.” – Metal Injection (Depravity 2020)

“With a melting pot of ideas, yet rooted in delivering a head-smashing and neck-destroying style of metal, Féleth are aggressive newcomers to a scene that constantly looks to surprise… Féleth deliver heavy and extreme noise so very well.” 9/10 – Games, Brrraaains & A Head-Banging Life (Depravity 2020)

“straight up heaviness and brutality, tech offerings and melodic atmopsheres, and enjoyable groove.” – Dead Rhetoric (Depravity 2020)

“Féleth: Transcends the traditional limits of the genre…” – Permafrost.today (Depravity 2020)

“9/10 “Féleth offer an edge-of-your-seat experience that is both fresh and captivating.” – Metal Inferno (Depravity 2020)

“Féleth does death metal fast and aggressive, reigning in their impressive technical chops for maximum impact, keeping their riffs (and songs, for that matter) relatively short and to the point. They strike a pretty even balance between chunky chords and caustic melodies, most of which are designed to coax headbanging than to impress with virtuosity. The album is front-loaded with catchy bangers, saving the more technical and weird bits for the latter half.” – Tolet Ov Hell (Depravity 2020)
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Canadian Extreme Thrashers KORROSIVE To Unleash New Album “Toxic Apokalypse” On Cassette / CD / Vinyl via CDN Records

November 9, 2022
by Asher
· Korrosive · Music News

NEWS RELEASE

Montreal, QC – November 9, 2022

Canadian Extreme Thrashers KORROSIVE To Unleash New Album “Toxic Apokalypse” On Cassette / CD / Vinyl via CDN Records

New Video “Radioaktive Scourge”

Canadian thrashers Korrosive announce they will be unleashing CDs, cassettes and vinyl of their latest album “Toxic Apokalypse” via CDN Records. CDs will be due out on November 18th, with cassettes and vinyl for release in 2023 (release to be announced at a later date). The full-length was released digitally on October 7th of this year.

Korrosive is from Toronto, ON that is in your face, unapologetic, and is definitely one that offers a high-octane headbanging experience, unlike anything you’ve heard before as they explore and push the boundaries of thrash metal with extreme influences.

“We want to be a thrash metal band that combines the elements of thrash in its roots, but also breaks down walls by incorporating various influences from grind and death, or whatever comes to mind to mix it up.” says vocalist Rad Zarei.

Their new album “Toxic Apokalypse” follows their first full-length 2021’s “Kaustic Hordes” and the 2019 EP “Melting from Within”. Featuring eight assaulting bangers, each song on the album is quite different in a way from each other, and yet, still uniquely Korrosive. They push each track with speed and extremity, from ‘Fatal Strike’ that has a ton of blast beats and solos, yet is still unmistakably thrash, to ‘Radioaktive Scourge’, filled with pure aggression, unlike anything they’ve released before. From its speed, the lyrics, and the sheer intensity, this song may be the shortest track on the record, but makes the largest impact and it’s over before you know it. And also strongly recommended is ‘Hail the Hellfire’, perhaps the band’s anthem to the entire “Toxic Apokalypse” album. Written as a reflection of the period when the full-length was being composed, this track discusses the brutality of war and the end result of each and every individual involved in its cause, regardless of side.

The band adds:

“Diabolical, fast, unforgiving armageddon. From slow passages, mid-tempo bangers, hyper-fast blast beats, and the occasional odd-time signature, it’s a ride in extreme thrash unlike anything before. Toxic Apokalypse is an album that will hit you hard, fast, and leave you with a ‘what the f*ck just happened?’ feeling.”

Lyrically, the music sets the overall tone for how the lyrics are written and substance. Songs deal with topics of science fiction, armageddon, and “what if” scenarios. The album art was created by the infamous Ed Repka (Dark Angel, Death, Hirax, Megadeth, Suicidal Angels, Venom).

“Typically, the way we write songs is to have each song done or be in the middle of the writing process, and I would create something out of that. It is rare for us that lyrics get written first before the song is made,” adds Zarei.

One thing that the mosh pit can always expect from Korrosive is the energy they bring to their shows.

“I always think of a show, regardless of venue, as a performance that is meant to capture the crowd. And as a band, Korrosive always exudes that level of intensity during our shows.”

Recommended for fans of Sodom, Kreator, Death, and Sepultura, “Toxic Apokalypse” was produced by Ben Erikson with mastering done by Arthur Rizk (Power Trip, Kreator, Cro-Mags, Municipal Waste, Soulfly).

Lyric Video – Radioaktive Scourge – https://youtu.be/9YZc6iJwsLM

CD and cassette pre-order is available at the following links:

CD – https://cdnrecords.com/shop/korrosive-toxic-apokalypse/

(CD / Cassette) – https://korrosivemetal.bandcamp.com/album/toxic-apokalypse

Vinyl pre-order link to be issued at a later date.

Spotify

Track Listing:
1. Into Nekropolis 05:28
2. Radioaktive Scourge 01:48
3. The Goddamned 04:47
4. Fatal Strike 03:28
5. Libertad y Muerte 05:15
6. Infernal Onslaught 05:10
7. Hail the Hellfire 04:20
8. Karnage Incarnate 07:39
Album Length (37:55)

Album Credits:
• All songs performed by: Korrosive
• All songs written by: Korrosive
• Produced by: Ben Erikson
• Mixed by: Ben Erikson
• Mastered by: Arthur Rizk
• Album Artwork by: Ed Repka
• Music is Canadian Content (MAPL)

Album and Live Band Lineup:
Rad Zarei – Vocals
Jack Neila – Guitars
Kaveh Afshar – Drums
Derek Solomos – Guitars
Carlos Rodriguez – Bass

For more info:
https://www.facebook.com/korrosivethrash
https://www.instagram.com/korrosivethrash

– 30 –

“If you like your thrash metal with a little San Francisco and a nice helping of Germany, then this is the album for you. “Toxic Apokalypse” is already out on CDN Records from Canada and it’s a must for any metal fan who likes it hard, nasty, and ripping off heads! This is easily in my top five metal albums of 2022.” – Pete Altieri, Murder Metal Mayhem

“It’s an album which is relentless, something that any self-respecting thrash fan would want. And yet, there is some balance to the album. It’s paced well, with the tempo picking up again at the tail end of the album” – UK Thrashers

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Canada’s RED CAIN Pay Homage To Wheel Of Time With Music Video For Commanding New Single “Fisher King”

November 9, 2022
by Asher
· Music News · Red Cain

NEWS RELEASE

Montreal, QC- November 9, 2022

Canada’s RED CAIN Pay Homage To Wheel Of Time With Music Video For Commanding New Single “Fisher King”

L to R: Samuel Ridout (guitar), Tyler Corbett (guitar), Evgeniy Zayarny (vocals), Kalie Yan (bass, vocals), Taylor Gibson (drums)

Red Cain, from Calgary, Canada is a modern progressive metal project with Eastern European roots. They have been making waves since their first release in 2016, with award-winning concept albums and music videos. The next chapter in their ongoing saga is a music video for the single “Fisher King” that conceptually takes place in the universe of the legendary Wheel of Time fantasy series. It comes off a yet-to-be-titled album that is expected sometime next year. The band comments on the single:

“’Fisher King’, was written in its original form over 10 years ago, long before Red Cain’s existence as a band – so it was an extremely cool experience to go back to this old track, rewrite, and revitalize it to fit our sound. Much like our upcoming album, “Fisher King” keeps the quintessential Red Cain “melancholy and rage” but takes the death metal influences from “Kindred: Act II” even further, featuring a huge growl-centric chorus, a variety of down tuned, sludgy riffs, and gripping, raw vocal hooks and melodies.”

Red Cain’s first two full albums, “Kindred: Act I” and “Kindred: Act II” conceptually told a sprawling story of how raw and primal ancient myth collides with modern society and human yearning toward the stars, toward perfection. The albums contained a ton of genre inspirations, from gothic rock to ambient electronica, power, black, and death metal, and were universally lauded for their inventiveness, variety, and strong conceptual content. They continue this momentum with their upcoming release.

“Fisher King” is unsettling, bombastic, and unrelenting, this track showcases a musical and lyrical contest of wills between the “Chosen One” archetype, and his antithetical, flawed, yet lethal opponent caught in his unrelenting march. It is recommended for fans of Kamelot, Mastodon, and Powerwolf.

Watch and listen to “Fisher King” via its premiere on Metal-Rules HERE.

Red Cain is:
Evgeniy Zayarny – Vocals
Samuel Ridout – Guitars
Tyler Corbett – Guitars
Kalie Yan – Bass, Vocals
Taylor Gibson – Drums

For more info:
https://redcain.ca
https://www.facebook.com/redcainofficial
https://instagram.com/redcainarmy
https://redcain.bandcamp.com
Spotify

About:

Melancholy and Rage

Born out of the vast prairies and snowy peaks of Alberta, Canada, Red Cain is a modern progressive metal project with Eastern European roots. With intricate songwriting, powerful vocals, eerie soundscapes, and strong electronic-backed groove, Red Cain champion a fluid, dynamic, and unique style centered around telling dark, conceptual Faustian sagas and constructing those into an unforgettable live experience. Described by frontman Evgeniy Zayarny as a vehicle of “Melancholy and Rage”, Red Cain delivers power, flair, thematic Slavic influence, and intricate, lethal edge in their work. Listeners might well pick out elements reminiscent of such luminary acts as Kamelot, Symphony X, Tesseract, Lord of the Lost, whipped into a venomous new shape. The current incarnation of this Canadian metal band is of these influences mixed with a lot of vodka and Eastern European melancholy, shaken and stirred.

Red Cain self-released its debut self-titled EP in North America in 2016 to excellent reviews, and followed this up with two award-winning full-length albums, “Kindred: Act I” in 2019, and AFA-funded “Kindred: Act II” in 2021, working with Sliptrick Records globally to have over 3500+ physical copies sold, as well as over 200,000 digital streams to date. The band has hit #1 on the Canadian National Loud Charts on multiple occasions and is a 1x winner and 3x nominee for the Metal Recording of the Year at the YYC Music Awards.

The band has created 13 videos, of which 2 are full-length, high-production music videos for “ZERO” and “Juliet”. The latter two videos have won 17 awards at international music festivals, including the Berlin Short Film Festival, Venice Shorts, Global Shorts, IndieX FilmFesti, AIFF, and Hollywood Art & Movie Awards, among others. The band has a strong history of collaboration, with a highlight being our work with Juno Award-winning vocalist Kobra Paige of heavy metal band Kobra and the Lotus, on the track “Wing of the Crow”.

Red Cain released our latest album “Kindred: Act II” globally with Sliptrick Records in 2021, with a particular focus on promotion and engagement in the United States and Eastern Europe, where the band has received significant traction in 2020-21. With live performances stunted by COVID, the band has focused strongly on building out the concept behind the two-album “Kindred” arc with non-musical collateral, creating story content and custom art for the album concept.

With a significant upward trend of fan interest for this release, and 100,000 + digital streams, Red Cain has our set sights firmly set on another ambitious and conceptually exciting project, with the next release cycle coming in late 2022 with the first single “Fisher King”.

– 30 –

What the press is saying:

“This is a track (Sunshine (Blood Sun Empire) that infuses their progressive and power metal sound, similar to that of Symphony X and Kamelot. Alongside this, there are also faint similarities to bands like Dream Theater and even Korn. This is a nearly 6 minute track that doesn’t let up and doesn’t fear to change up its style throughout.” – Metal Injection

#10 Red Cain !earshot – The National Loud Chart For the Week Ending: Tuesday, February 9, 2021 (Earshot)

“From the proggy goodness of album opener “Kindred”, to the blast beats of “Baltic Fleet”, to the epic closer “Sunshine (Blood Sun Empire), there is something here for every fan of progressive power metal. With this being Act II in Red Cain’s Kindred body of work, I really feel as though I entered a movie theater right in the middle of an epic saga. Each song is a journey in and of itself, but each also contributes to the overall fantastic voyage. I will absolutely be purchasing Act I of this amazing tale and listen from start to finish, the way it was intended. Do yourself a favor and do the same!” – Metal Rules

“If you like your music melodic, mysterious, and gothic, with a progressive power metal base, then this is for you. This has been a joy to review and yet another band to add to my favoured list. ” – The Prog Space

“Zayarny is a powerhouse vocalist and the contortions he forces into Red Cain make for a very diverse record.. the talent behind the record is undeniable, and at the very least, Kindred proved far more creative and thought-provoking than most death metal records I’ve recently tackled. You should give it a shot — even if you’re not a big weenie..” – Angry Metal Guy

“Overall, ‘Kindred: Act II’ is an interesting mix of styles that combine together in technical wizardry to set the backdrop for the continued tales of the warrior Zalcoatl. There’s some unexpected musical influences that bubble to the surface, particularly the liberal use of electronic elements provides a futuristic, yet gothic, element to the tales. Vocally, there’s some clear inspiration from Kamelot going on here. They’re predominantly clean, but with a wide range between high pitched and deep passages. The guitar work is pretty varied as well and at times even hits a distinctly djent groove that seems to appear out of nowhere!… Fans of Kamelot and Mastodon alike will find some common ground with ‘Kindred: Act II’ (and Act I for that matter).” – Uber Rock

“These seasoned metal performers brought me to school with a clear cut album, delivered beautifully across seven tracks. The epic highs and lows of the album leave me wanting more… My hat is off to RED CAIN!” – Metal Temple

“With a flurry of progressive guitars, grandiose vocals and intriguingly wild effects, Red Cain burn brightly from the very start with the opening track, Kindred.” – Games, Brrraaains & A Head-Banging Life

0 MetalInjection Premiere NARCOTIC WASTELAND (ex-Nile) Lyric Video For Thrasher “The Best Times Have Passed” + NA Tour w/ ACCEPT

October 10, 2022
by Asher
· Music News · Narcotic Wasteland

NEWS RELEASE

Montreal, QC – October 10, 2022

NARCOTIC WASTELAND (ex-Nile) Unleash Lyric Video For Thrasher “The Best Times Have Passed”

+ North America Tour w/ ACCEPT

Photo Credit – Kenji Tsunami of Tsunami Films

Currently on a North American tour (dates listed below) supporting legendary German speed metallers ACCEPT, Narcotic Wasteland founded by ex-Nile guitarist Dallas Toler-Wade is sharing the new lyric video for their latest single “The Best Times Have Passed” via its premiere on MetalInjection HERE.

The single was recorded with drummer, engineer, and producer Erik Schultek who is no stranger to the band having recorded drums, engineered and produced their debut album. “The Best Times Have Passed” will be featured on the band’s yet-to-be-titled third album due out in 2023 via Megaforce Records to follow2014’s self-titled and 2017’s “Delirium Tremens”.

Toler-Wade explains the single:

“When I was writing it I was at another big turning point in my life. I was feeling my own mortality. I was feeling beat down. As with me, I still manage to find good things within it all and pull myself out of it time and time again. I think we can all relate to the fact that that it’s not forever and we better make the best of things while we can.”

Inspired mostly by thrash metal and classic heavy metal, Narcotic Wasteland is becoming more thrash and speed and less death metal and getting better at writing material that is meaningful and powerful. They are recommended for fans of Vader, The Crown, and Nile.

In additional news, Narcotic Wasteland is hosting a guitar giveaway during their tour dates. The band is offering up a signed Jackson JS32T Rhoads – Satin Black Guitar. Details on how to enter can be found HERE and in the following video – https://www.youtube.com/shorts/NSWTUDmv0KU

Previous single “Morality and the Wasp” can be heard at https://youtu.be/fXThLKTP-xI

Tour Poster credit- Andrea Roberts of Ashley Talent International

Tour Promo Video – https://youtu.be/XeakgV7BY60

NORTH AMERICA TOUR DATES – ACCEPT with special guest NARCOTIC WASTELAND
10/11/2022 Denver, CO – The Venue
10/13/2022 Milwaukee, WI – The Rave Ballroom
10/14/2022 St. Charles, IL – The Arcada Theatre
10/15/2022 Westland, MI – The Token Lounge
10/16/2022 Toronto, ON – The Phoenix Theater
10/18/2022 Vineland, NJ – Landis Theater
10/20/2022 Jim Thorpe, PA – Penn’s Peak
10/21/2022 Providence, RI – Fete Music Hall *NW Only
10/22/2022 Brooklyn, NY – Lucky 13 Saloon *NW ONLY
10/24/2022 Wallingford, CT – Cherry St. Station *NW ONLY
10/25/2022 NYC – The Gramercy Theatre
10/26/2022 Derry, NH – Tupelo Music Hall
10/27/2022 Harrisburg, PA – XL Live
10/29/2022 Columbus, OH – The King of Clubs

For more info:

https://www.narcoticwasteland.com
http://www.facebook.com/narcoticwasteland
https://www.instagram.com/narcoticwastelandofficial
https://twitter.com/Narco_Wasteland

About:

Narcotic Wasteland started as a side project Dallas Toler-Wade had been working on the past few years when he was not touring or in the writing/studio with metal heavyweights “Nile.”

‘So I just started writing some songs kind of more in the style of things I was playing before my time in Nile. The more we started working on these demos the more we wanted to complete an album and take it to the stage!!! Our observation of what was going on in parts of the town we grew up in and in other parts of the world fueled a new level of angst for me personally.” DTW

– 30 –

0 DISARMONIA MUNDI: “Fragments of D-Generation” in Vinyl Limited Edition

October 3, 2022
by Asher
· Disarmonia Mundi (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – October 3, 2022

DISARMONIA MUNDI: “Fragments of D-Generation” in Vinyl Limited Edition

Originally released in 2004 “Fragments of D-Generation” is the record that catapulted Disarmonia Mundi into the spotlight all over the world, radically changing the status of the Italian band from a promising underground cult phenomenon to an international point of reference for melodic death in its purest exception.

With “Fragments of D-Generation” band mastermind Ettore Rigotti (multi-instrumentalist, producer, and only composer of the band) developed the archetype of the sound that from then on would have fascinated millions of fans all over the world, bringing it all to the next level with the addition of the well-known vocalist Bjorn Speed Strid from the Swedish melodic death titans Soilwork.

Almost twenty years after its original release, the record finally sees the publication of its limited vinyl version by Rockshots Records. Songs like “Oceangrave“, “Quicksand Symmetry” or “Swallow The Flames” continue to be the cornerstones of the Disarmonia Mundi discography, demonstrating how the consistency of the compositions has largely stood the test of time.

The powerful and dynamic sound of the band has lost none of its original explosive charges and in anticipation of the imminent release of the new album, this is the right opportunity to rediscover a timeless classic from one of the flagships of international melodic death.

This is the very first of the “Vinyl Series” exclusive vinyl reissues by Rockshots Records.

“Fragments of D-Generation” Vinyl Marble LTD Edition is available for pre-order: https://bit.ly/Fragments_Vinyl

TRACKLISTING:
01 – Common State Of Inner Violence
02 – Morgue Of Centuries
03 – Red Clouds
04 – Quicksand Simmetry
05 – Swallow The Flames
06 – Oceangrave
07 – A Mirror Behind
08 – Come Forth My Dreadful One
09 – Shattered Lives and Broken Dreams
10 – Colors of a New Era

Disarmonia Mundi are:
Ettore Rigotti – vocals, guitars, bass, drums, synth
Claudio Ravinale – Vocals
Bjorn Speed Strid – Vocals

For more info:
https://www.rockhots.eu
http://www.disarmoniamundi.com/

– 30 –

0 Streaming Now! Niagara Falls’ VARIUS’ Wildly Diverse EP “Concordance”, EP Stream Premiere via MetalInsider

November 3, 2021
by Asher
· Music News · Varius

NEWS RELEASE

Montreal, QC – November 3, 2021

Streaming Now! Niagara Falls’ VARIUS’ Wildly Diverse EP “Concordance”

EP Stream Premiere via MetalInsider

New EP “Concordance” Out November 5th

L-R: Joel Tassillo (Bass) / Joey Scaringi (Vocals) / Vladimir Prokhorov (Drums) / Patrick Forlin (Guitar)
Photo Credit: Britney Goertz

Never one to stay within the constraints of genre definition, Varius have a new EP coming November 5th, and before it officially drops, its full stream is being premiered over on MetalInsider HERE.

“Concordance” is all about both diversity and consistency. Varius was motivated to include four distinct tracks with each one primarily written by a different band member. The result was a naturally diverse EP that can still be considered their most collaborative release to date. They share their thoughts on the record:

“We are very excited to present our new EP, the strongest Varius release to date. The result is an EP defined by both its diversity and its consistency in spirit. We were all very motivated to bring each others’ visions to life, and the tracks came together as some of our heaviest and grooviest to date. Each of the four songs are rooted firmly in their own area of the metal spectrum, and they are as varied lyrically as they are musically. “Concordance” explores themes of battle, demonic magics, psychological challenges, and a bleak look at the future of death. We believe that all types of metal fans, and fans of fantasy and science fiction alike, are sure to find something they like about it.”

“Concordance” is a heavy recording throughout, but the four distinct songs approach the heaviness in different ways. Across the four tracks, the listener can expect to hear the influence of death metal, thrash, progressive, doom, and classic metal with experimental dynamic twists. The EP is as diverse lyrically as it is musically; fans of fiction, fantasy, horror, and humanity will find something that they like in “Concordance”. From the apocalyptic themes you’d expect from Varius in “Gut Shoveler” and “Concordance of the Legionfall” to the more reflective stories of battle in “Golden Crown” and personal struggle through “Lament of Dissonance”, the EP covers a variety of heavy lyric themes that listeners can connect to.

The experimental groove of Varius is recommended for fans of Hypocrisy, Lamb of God, and Dethklok.

“Concordance” will be available on digital music platforms on November 5th.

EP pre-order – https://varius.bandcamp.com

Track Listing:
1. Golden Crown (6:03)
2. Concordance of the Legionfall (4:59)
3. Lament of Dissonance (4:43)
4. Gut Shoveler (5:28)
Digital EP Length: 21:14
Note: Physical CD copies of Concordance will feature a bonus track (previously released digitally – 2019)
5. P.I.S.S. (3:22) (CD Bonus Track)
EP Length (CD version): 24:40

For more info:
Facebook.com/Varius.band
Instagram.com/varius.official
EPK

– 30 –

“it’s full of dynamic surprises — a song that’s bombastic and brazen, savage and scintillating, mysterious and magnificent — and its name is “Concordance of the Legionfall“.” – No Clean Singing
—

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0 Heavy Blog Is Heavy Premiere Snakeblade’s Heavily Technical “Foul Sorcery of Flame and Shadow”, New Album “The Curse” Out October 13, 2021

October 1, 2021
by Asher
· Music News · Snakeblade

NEWS RELEASE

Montreal, QC – October 1, 2021

Heavy Blog Is Heavy Premiere Snakeblade’s Heavily Technical “Foul Sorcery of Flame and Shadow”

New Album “The Curse” Out October 13, 2021

Canada’s Snakeblade has a new single out, and now, death metal fans can take it all in over at Heavy Blog Is Heavy who is premiering “Foul Sorcery of Flame and Shadow” at the following link HERE.

This is the sixth track out of the ten presented on the upcoming album “The Curse” and according to Mike Redston is a full-fledged five-minute roller coaster. He explains more in detail:

“This track is absolute bananas. I consider this to be my most technical song off The Curse with some super fun riffs. Guitar wise it’s got flavours of everything from Archspire to Metallica. And lyrically, it’s a complete homage to Game of Thrones – fans of the show will no doubt be able to spot the reference. It starts full-on with a relentless attack of blast beats and shredding. Then about halfway through you get this complete shift to a half-time neck-snapping section. It’s closed out by a silky smooth acoustic outro to seal the deal.”

“The Curse” is the second album from Snakeblade, following “The Kingdom”, which came out in 2020. It is quite an evolution, growing in both complexity and scale with the addition of a session drummer to handle the kit. Mike Redston formed the solo project in the midst of the pandemic, as a distraction. To deepen the escape, all his lyrics surrounded fantasy concepts from his favorite video games and movies. The name Snakeblade comes from his first character in Dungeons and Dragons which was a bugbear.

For fans of death and black metal both new and old, Snakeblade is recommended for fans of Dimmu Borgir, Death and Skeletonwitch.

The album “The Curse” will be available on October 13, 2021.
Album pre-order – https://snakeblade.bandcamp.com/album/the-curse

Previous single – “The Red Mage’s Seduction” – https://youtu.be/7V06X1AlJqg

Track Listing:
1. Destiny (Intro) (1:42)
2. Rotten Souls (6:48)
3. Harvester (3:35)
4. Dreams of Aida (1:53)
5. The Red Mage’s Seduction (6:01)
6. Foul Sorcery of Flame and Shadow (5:04)
7. Godswood (2:28)
8. Born Among Salt and Smoke (5:46)
9. Archways (3:05)
10. Exile, Outlaw… The Essence (6:34)
Album Length: 42:56

Album Credits:
• All songs performed by: Mike Redston
Drums performed by Dennis Kraakman
Artwork by Elizabeth Holmes
‘Dreams of Aida’ co-produced with Macca Grills
‘Godswood’ co-produced with Logan Macdonald
• All songs written by: Mike Redston
• Produced by: Mike Redston
• Album Artwork by: Elizabeth Holmes
• Member of SOCAN
• Music is Canadian Content (MAPL)

Album Band Line Up:
Mike Redston – Vocals, Guitar, Bass Guitar,
Dennis Kraakman – Drums

For more info:
Facebook.com/snakebladeofficial
Instagram.com/snakebladeofficial
EPK

About:
Amidst the Covid-19 pandemic, Snakeblade was formed by Mike Redston as an escapist project while the entire world was quarantined. What came out of this anxious time may surprise you though, as Snakeblade refuses to follow typical one-man black metal trends. Every song on their debut album The Kingdom explodes with energy and youthful rage, delivering a pummelling of riffs, blastbeats, and shrieking vocals. With lyrical topics of fantasy, medieval battles, lord of the rings, and video games, Snakeblade is a headbanging nerd’s wet dream. Now on their second effort, the one-man project delves into bold new territory adding orchestral and electro elements to the blackened thrashy chaos that is: The Curse.

Discography:
2020 – The Kingdom
2021 – The Curse

– 30 –

“This new song (The Red Mage’s Seduction) is a wild but multi-faceted thrill-ride. A burst of jolting riffage launches the track, and as it grows more feverish it provokes a long, throat-ruining scream. The drums (performed by session drummer Dennis Kraakman) hammer and spit like machine guns as the bass bubbles and the guitar writhes in flames. There are chilling moments when slashing chords, slithering arpeggios, and flickering spectral solos sound like magic spells cast in sound by a viciously demented sorceror and the vocals descend into monstrous croaking growls, only to have the song erupt again in chaotic incendiary gales. The song’s feeling of magical mystery and ominous peril emerges again and rises to towering heights, elevated by grand synths and gigantic booms. Once there, an extravagant extended guitar solo lights the listener’s nerve endings on fire without relinquishing the music’s aura of sorcery run amok. The song slashes and burns again, with the elaborate layering of guitars, tumultuous percussion, and slaughtering screams creating an ecstatic finale.” – No Clean Singing

“This one man black metal project from Canada, spearheaded by Mike Redston, wastes no time in pushing the pedal to the metal and letting it all go. No, seriously; the very first track on his new album, The Kingdom, has an insanely flamboyant and satisfying guitar solo, breakneck drums, and vocal shrieks aplenty.” – Heavy Blog Is Heavy

“Snakeblade Goes Beyond Black Metal Trappings on ‘The Kingdom'” – Exclaim!

“It’s safe to say that Snakeblade’s musical genius will quickly outgrow Redston’s one-man credo, for other musicians will surely seek out his vision. That he has crafted such venomous metal that is still wildly entertaining during this pandemic is a huge accomplishment, and The Kingdom will appeal to fans of this black metal style, particularly followers of Mayhem, Borknagar and classic Slayer.” – Exclaim!

“This is absolutely my jam, and The Kingdom is one of my favorite albums of the year so far.” – Toilet ov Hell

“I am compelled to say that SNAKEBLADE most definitely delivered an utmost maddening, but enjoyably entertaining discovery that made me replay this …pretty much all day long. “The Kingdom” is an addicting spin that will blow brains & shatter windows with explosive clarity. Full of density, technical prowess & engaging captivation. This is an incredibly amazing debut album, and I will most look forward to their upcoming projects. And for a singular writing attempt, bravo! I couldn’t help but score this as a masterful piece of other-worldly malevolence which most certainly deserves a slot in your collection for sure. Check it out!” – Metal Temple

—

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0 Canada’s Varius Release First Single “Concordance of the Legionfall” Off Upcoming “Concordance” EP Out Nov 5th, Track Premiere via NoCleanSinging

September 23, 2021
by Asher
· Music News · Varius

NEWS RELEASE

Montreal, QC – September 23, 2021

Canada’s Varius Release First Single “Concordance of the Legionfall” Off Upcoming “Concordance” EP

Track Premiere via NoCleanSinging

New EP “Concordance” Out November 5th

L-R: Joel Tassillo (Bass) / Joey Scaringi (Vocals) / Vladimir Prokhorov (Drums) / Patrick Forlin (Guitar)
Photo Credit: Britney Goertz

“Concordance of the Legionfall” is the first single from Niagara Falls, ON’s Varius’ upcoming EP “Concordance”. The band prides itself on being experimental and incorporating a wide variety of elements from across the metal spectrum and unrelated genres as well. The band explains the lore and musical direction behind the single:

“This track dives back into traditional and familiar Varius territory with its chaotic but exciting structure. There are plenty of groovy riffs as well as several dynamic shifts and trippy moments. The guitar parts and vocals in particular shine on this song and keep the listener occupied as the track goes through its many movements. There are tinges of black and death metal in this track, with progressive twists and psychedelic-sounding transitions. The song concludes as it began, with raging guitar sweeps and brutal vocals. Lyrically, the song describes themes of evil and black magic. The concept was to tell a story of powerful warlocks defeating legions of demons by using their dark powers to “fight fire with fire”. This fictional concept was influenced by the video game World of Warcraft, which some of us in the band are great fans of.”

“Concordance” is all about both diversity and consistency. As a band, they were motivated to include four distinct tracks with each one primarily written by a different band member. The result was a naturally diverse album and yet despite taking this approach, they say it can still be considered their most collaborative release to date.

Varius formed following the dissolution of a previous band; the name meaning ‘various’ comes from the idea of playing different styles of metal in one band, along with influences from other music. Originally, they started performing as an instrumental group to gather a local fanbase, with keyboards taking the harmonic range. Eventually, the keys were replaced with a vocalist and they became the four-piece they are today.

Heavy and groovy, Varius and their wide range of influence are recommended for fans of Death, Children of Bodom and Hypocrisy.

“Concordance of the Legionfall” can be heard via its premiere on NoCleanSinging HERE.

“Concordance” comes out on November 5, 2021

Watch the EP trailer at the following link: https://youtu.be/z8o8HaRX0Gg

For more info:
Facebook.com/Varius.band
Instagram.com/varius.official
EPK

– 30 –

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ASHER MEDIA RELATIONS

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0 Dive Into The Guitar Mind of Malice Divine’s “Into Subconscious Depths”, Playthrough Premiere via TechnicalMusicReview, Self-Titled Album Out Now!

April 9, 2021
by Asher
· Malice Divine · Music News

NEWS RELEASE

Montreal, QC – April 9, 2021

For fans of Dissection, Skeletonwitch, Death, Wintersun, Immortal

Dive Into The Guitar Mind of Malice Divine’s “Into Subconscious Depths”

Playthrough Premiere via TechnicalMusicReview

Self-Titled Album Out Now!

Ric Galvez – Vocals/Guitar/Bass – Photo Credit – Deborah Lawrence

Toronto’s one-man act Malice Divine, created by ex-Astaroth Incarnate guitarist Ric Galvez (also seen as a contestant on Banger TV’s Shredders of Metal Seasons 1 & 2) recently unleashed this past February his debut self-titled album. The record is an excellent example of time spent during the Covid-19 pandemic being put to good use.

The full length showcases nine eclectic tracks of black, death, and thrash metal along with a tinge of classical guitar. For session drums Ric Galvez was joined by Dylan Gowan (Vesperia, Iomair) where they recorded at Monolithic Productions in Oshawa, Ontario with Tyler Williams beginning in January 2020. After the recording process had concluded, the album was re-amped and mixed by Tyler Williams and then mastered by Lasse Lammert (Demons & Wizards, Alestorm, Gloryhammer) of LSD-Studio in Germany.

The lyrics explored on the self-titled album are actually quite personal and deal with Ric Galvez’s thoughts and feelings regarding his life experiences. They are an outlet for self-expression, while also exploring topics such as spirituality and psychology with an underlying theme of personal empowerment.

Today, fans can delve into guitar playing of Malice Divine with the new playthrough for “Into Subconscious Depths” via its premiere on TechnicalMusicReveiw HERE.

“This song starts with a classical guitar intro and has a slower build-up than the 4 songs preceding it. It’s one of the darkest and one of the most epic songs on the album by far.” adds Ric Galvez.

Melodic and captivating with a good blend of heavy styles, Malice Divine is recommended for fans of Skeletonwitch, Death, Dissection, and Immortal.

The full album “Malice Divine” is available on all digital platforms (Spotify, Apple Music) here and Bandcamp here.

Previous Videos:
“In Time” – YouTube (vocal/guitar playthrough)
“Malicious Divinity” – YouTube (vocal/guitar playthrough)
“Triumphant Return” – YouTube (vocal/guitar playthrough)
“Quantum Manifestation” – YouTube (lyric video)

Track Listing:
1. Somnium Lucidus (2:00)
2. Quantum Manifestation (7:11)
3. Malicious Divinity (5:54)
4. Triumphant Return (5:35)
5. Into Subconscious Depths (8:02)
6. Ancient Visions (6:14)
7. In Time (8:11)
8. Intuitive Realization (3:40)
9. The Transcendence Of Isolation (9:46)
Album Length: 56:37

More Info:
Facebook.com/malicedivineband
Instagram.com/malicedivineofficial
EPK

About:

Toronto, Canada’s Malice Divine is a solo project contrived by Ric Galvez who had always had the dream of entire creative control. He wanted to expand beyond being known as just as a lead guitarist. Ric Galvez has played in local bands previously and was a contestant on Banger TV’s Shredders of Metal Seasons 1 & 2.

Ric Galvez has a major in music from York University and through Malice Divine he shows off his prowess across instruments. His lyrics are inspired by psychology, and spirituality, as well as personal experiences especially those involving the overcoming of obstacles and hardships using the resulting verses as a form of empowerment.

The first offering from Malice Divine, a self-titled full length, comes in 2021 with Dylan Gowan (Vesperia, Iomair) playing session drums. There are plans to flesh out a live lineup for Divine Malice when the time is right.

What people can expect from seeing Malice Divine live is highly aggressive black and death metal inspired music with shreddy and virtuosic guitar solos adding a melodic layer that isn’t common in the genre.

Malice Divine’s self-titled debut album is due out February 19, 2021.

– 30-

Canadian College Radio Loud Charts:
#6 – The National Loud Chart – For the Week Ending: Tuesday, March 2, 2021 (Earshot)
#5 – The National Loud Chart – For the Week Ending: Tuesday, February 23, 2021 (Earshot)
#3 – The National Loud Chart – For the Week Ending: Tuesday, February 16, 2021 (Earshot)

“What exactly does Malice Divine bring to the table? Judging from “In Time” alone, the project brings a great cornucopia of gripping riffs, virtuosic soloing, constantly dynamic rhythms, harrowing vocals, and a talent for interweaving variant melodies that turn out to be memorable, as well as an ability to make such kaleidoscopic music both cohesive and catchy. The opening sequence of riffs begins to establish the pattern, shifting from sensations that are slow, dismal, and perilous to spidery and feverish, and then to cold and cruelly deranged. But that’s just the start of this dark but exhilarating piece.” – No Clean Singing

“Black Metal, Thrash Metal, Death Metal thrown into an insane blender of savage brutality\m/ \m/” – Heavy New York

“his self-titled debut is a very guitar-centric slab of Black/Death that sounds like a mixture of Dissection’s melodic sensibility with Skeletonwitch’s relentless energy. The playing is as sharp and precise as you’d expect it to be, and some of the leads are really superior…” – The Metal Crypt

“While “Triumphant Return” is one of the more upbeat tracks on the album, it’s still packed with deliciously heavy riffs, blast beats, and demonic vocals, all from the mind of Ric.” – Gear Gods

“Throughout, it is sufficiently complex and convoluted to keep your attention with no shortage of impressive leadwork bursts.There are several standout tracks for me, the insanely driving but majestic ‘Quantum Manifestation’, the dark and intense ‘Malicious Divinity’, the darkly melodic ‘Triumphant Return’ and the dark driving ‘In Time’ with its soaring leads. ‘Malice Divine’ should appeal to fans of Dissection, Immortal and Wintersun. With stunning cover artwork that reflects the colour and mood of that previously mentioned album, Dissection’s Storm of the Light’s Bane, hinting as to what to expect from the contents… This is yet another inspiring example of time during the COVID-19 pandemic being put to good use by a skilled and dedicated Metal musician.” – Metal Talk

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Malice Divine Shares Lyric Video “Quantum Manifestation”, Video Premiere via MetalInsider, Self-Titled Album Out Now!

March 4, 2021
by Asher
· Malice Divine · Music News

NEWS RELEASE

Montreal, QC – March 4, 2021

For fans of Dissection, Skeletonwitch, Death, Wintersun, Immortal

Malice Divine Shares Lyric Video “Quantum Manifestation”

Video Premiere via MetalInsider

Self-Titled Album Out Now!

Ric Galvez – Vocals/Guitar/Bass – Photo Credit – Deborah Lawrence

Today, Malice Divine shares more insight into the album with the release of the new lyric video for the track “Quantum Manifestation” via its premiere on MetalInsider HERE.

“Quantum Manifestation is one of the fastest songs on the album. It’s packed full of different elements that are integral to the sound of Malice Divine, such as virtuosic guitar solos, savage blackened death metal riffing, blast beats, epic melodies, and a beautiful classical guitar section,” adds Ric Galvez.

Melodic and captivating with a good blend of heavy styles, Malice Divine is recommended for fans of Skeletonwitch, Death, Dissection, and Immortal.

The full album “Malice Divine” is available on all digital platforms (Spotify, Apple Music) here and Bandcamp here.

More Info:
Facebook.com/malicedivineband
Instagram.com/malicedivineofficial
EPK

About:

Malice Divine’s self-titled debut album is due out February 19, 2021.

– 30-

“Black Metal, Thrash Metal, Death Metal thrown into an insane blender of savage brutality\m/ \m/” – Heavy New York

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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Instagram @AsherMedia
Tweet @AsherMedia

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