Tag: death

0 MALICE DIVINE Assertive Black Metal Comes To The Front With Title Track Off “Everlasting Ascendancy” Out Jan 2023

January 6, 2023
by Asher
· Malice Divine · Music News

NEWS RELEASE

Montreal, QC – January 6, 2023

MALICE DIVINE Assertive Black Metal Comes To The Front With Title Track Off “Everlasting Ascendancy” Out Jan 2023

Driven by a passion for dark, brutal music and the desire to have full creative control, Toronto’s Ric Galvez created his one-man project Malice Divine. He released a self-titled full-length in 2021 and now with the full intention of starting to play live in 2023, the album “Everlasting Ascendancy” is being unveiled. The title track from this release summarizes everything that Malice Divine is about. It has uplifting lyrics, fast tremolo-picked sections, groovy and heavy riffs, epic melodies and solos, and a classical guitar piece that concludes the song. Galvez comments:

“I am very excited to have the title track of the new album “Everlasting Ascendancy” as the second single. This song has some of my most adventurous guitar work to date. It changes riffs frequently and has 5 guitar solos, which is the highest number of solos that I’ve had in one song as of right now. Lyrically the song is also quite personal to me. Essentially the message of the song is that no matter what life throws at me or what I end up going through, I will always come out on top.”

Galvez knew immediately that this track would be the one to finish the album and it is in good company with the other seven tracks, which include fast-paced ragers that will incite mosh pits, to mid-tempo groovy tracks. There are ferocious guitar solos juxtaposed against exceptional classical guitar work. Lyrical themes range from paranormal phenomena to personal growth. It’s a well-rounded offering, with enough diversity to not get stale and enough cohesion to be listened to from front to back without breaking immersion.

The album is a dynamic experience with its blend of different influences that aren’t found in many other bands; powerful and assertive it is recommended for fans of Watain, Thulcandra, and Dissection.

The album title track “Everlasting Ascendancy” can be heard via its premiere on NoCleanSinging HERE.

“Everlasting Ascendancy” will be released on January 27, 2023.

Album Trailer – https://youtu.be/HtpTgxAtE68

Pre-Save the album here: https://distrokid.com/hyperfollow/malicedivine/everlasting-ascendancy-2

Playthrough Video – “Silenced Judgement” – https://youtu.be/1txFo60rUKI

Track Listing:
1. Silenced Judgement (4:10)
2. Apparitions Of Conquest (8:22)
3. Usurping The Paragon (6:07)
4. At One With Infinity (6:06)
5. Parasitic Demons (5:39)
6. Reclaimed Strength (5:31)
7. Illusions Of Fragmentation (8:39)
8. Everlasting Ascendancy (8:10)
Album Length: 52:44

Album Recording Credits:
• All songs performed by: Malice Divine
• All songs written by: Ric Galvez
• Produced by: Tyler Williams
• Mixed by: Tyler Williams
• Mastered by: Jamie King
• Album Artwork by: Eka Saputra (Psychopart)
• Canadian Content (MAPL)

Album Band Lineup:
Ric Galvez – Vocals/Guitars/Bass
Dylan Gowan – Drums (Session)

For more info: Facebook.com/malicedivineband | Youtube.com/malicedivine | Instagram.com/malicedivineofficial

About: Toronto, Canada’s Malice Divine is a solo project conceived by Ric Galvez, who had always had the dream of being the leader of his own project. He wanted to expand beyond being known as just a lead guitarist, into also being known as a songwriter, vocalist, and frontman. Ric has played in local bands previously and was a contestant on Banger TV’s Shredders of Metal Seasons 1 & 2.

Ric has a major in music from York University, and through Malice Divine he shows off his vocal, guitar, and bass prowess. His lyrics are inspired by psychology, spirituality, as well as personal experiences that involve the overcoming of obstacles and hardships, using the resulting verses as a form of empowerment.

The second offering from Malice Divine, entitled “Everlasting Ascendancy”, will be released in early 2023. Once again it features Ric Galvez on Vocals, Guitars, & Bass, as well as Dylan Gowan (Vesperia, Banger TV) playing session drums. Malice Divine is also currently transitioning from being a solo project into being a band effort, and is set to start performing live in 2023. What people can expect from seeing Malice Divine live is highly aggressive black and death metal-inspired music, with shreddy and virtuosic guitar solos that add a melodic layer that isn’t common in the genre.

Malice Divine’s sophomore album “Everlasting Ascendancy” is set to be released on January 27th, 2023.

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“Malice Divine hop back and forth between coming off like a death metal band doing covers of stuff they’ve recorded as a black metal band and coming off like a black metal band doing covers of stuff they’re recorded as a death metal band.”- Decibel Magazine

“Whether you’re into death metal, progressive metal, or epic metal, this album ticks all of those boxes effortlessly.” – Powerplay Magazine

“What exactly does Malice Divine bring to the table? Judging from “In Time” alone, the project brings a great cornucopia of gripping riffs, virtuosic soloing, constantly dynamic rhythms, harrowing vocals, and a talent for interweaving variant melodies that turn out to be memorable, as well as an ability to make such kaleidoscopic music both cohesive and catchy. The opening sequence of riffs begins to establish the pattern, shifting from sensations that are slow, dismal, and perilous to spidery and feverish, and then to cold and cruelly deranged. But that’s just the start of this dark but exhilarating piece.” – No Clean Singing

“My time with Malice Divine has shown me that Ric Galvez is a talented vocalist, guitarist, and songwriter, and fans of blackened and/or melodic death metal are highly encouraged to check it out. Malice Divine has planted their flag squarely on my radar, and I’m excited to see what Galvez comes up with on the next go-around.” – Angry Metal Guy

“Black Metal, Thrash Metal, Death Metal thrown into an insane blender of savage brutality\m/ \m/” – Heavy New York

“his self-titled debut is a very guitar-centric slab of Black/Death that sounds like a mixture of Dissection’s melodic sensibility with Skeletonwitch’s relentless energy. The playing is as sharp and precise as you’d expect it to be, and some of the leads are really superior…” – The Metal Crypt

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Quebec City’s UPON YOUR GRAVE Presents Shredding Playthrough “From Beyond” Off New EP “Gold & Decay” – Mixed and mastered by Chris Donaldson (Cryptopsy)

November 28, 2022
by Asher
· Music News · Upon Your Grave

NEWS RELEASE

Montreal, QC – November 28, 2022

Quebec City’s UPON YOUR GRAVE Presents Shredding Playthrough “From Beyond” Off New EP “Gold & Decay”

New EP “Gold & Decay” Out Now! – Mixed and Mastered by Chris Donaldson (Cryptopsy)

L-R – Yan Pelletier (Bass), Sim Diamond (Lead Guitar), Jordan Jolicoeur (Vocals), Sebastien Gagne (Drums), Alex Bussieres (Rhythm Guitar)
Photo Credit: Etienne Dionne (Mute Drummer)

Quebec death metal Upon Your Grave is sharing with fans their latest shredding playthrough for their “From Beyond” off their recently released EP “Gold & Decay” mixed and mastered by producer Chris Donaldson of Cryptopsy. Genuinely aggressive, full of blazing guitar riffs and an insane solo, the playthrough by guitarists Sim Diamond (finalist on Banger TV’s Shredders of Metal Season 1) and Alex Bussieres can be viewed via Slam Worldwide – https://youtu.be/CIwu_ghM2ck

The band adds about the track:

“From Beyond talks about the event of encountering a being naturally bound from outer space, while we first explore those endless confines after discovering space travel. A monstrosity unbound by our human conceptions of organic possibilities. The vocals range has it all in this one. from gutturals to high pitches, following grandiose agencements on guitars and epic melodic riffing providing a satisfying experience for the ears. All culminating in an epic solo for icing on the cake. It’s a song we had fun creating and enjoy it more and more each time we play it.”

Upon Your Grave‘s latest offering features five tracks that each show off the capabilities of this band that has been around since 2009. Over the years, they have experimented with their sound and are now steady and impressive. A live show involves energy, full-on impact with the crowd, funny moments, and overall a tight performance, that is true to the recordings.

Proving that work ethic and perseverance can truly refine a band’s sound to what they had always been striving for, this new release will be a fresh start for great things to come and is only the beginning of a flourishing career.

Upon Your Grave delivers everything discerning metalheads look for on a record, they incorporate crushing vocals blended with catchy melodies, bad-ass guitar riffs, along with memorable solos. The EP is recommended for fans of Daath, Lamb of God, and The Black Dahlia Murder.

The EP “Gold & Decay” is available at Uponyourgrave.bandcamp.com, Spotify.

Music Video – “Supremacy” – https://youtu.be/Wt4kw3d6bTE

Music Video – “Pandora” – https://youtu.be/zukpcrmhwxE

Lyric Video – “Transcend” – https://youtu.be/-BnBzcjmZJ4E

Show Dates:
Dec 10 – La Source de La Martiniere – Quebec, QC (EP launch show)

Track Listing:
1. Revived (0:40)
2. From Beyond (4:57)
3. Pandora (3:04)
4. Supremacy (4:59)
5. Transcend (5.02)
EP Length: 18:01

EP Lineup:
Yan Pelletier – Bass
Sim Diamond – Lead Guitar
Jordan Jolicoeur – Vocals
Sebastien Gagné – Drums
Alex Bussieres – Rythm Guitar

EP Credits:
– ALL SONGS PERFORMED BY : UPON YOUR GRAVE
– ALL SONGS WRITTEN BY : SIM DIAMOND
– PRODUCED BY : UPON YOUR GRAVE
– MIXED BY : CHRISTIAN DONALDSON
– MASTERED BY : CHRISTIAN DONALDSON
– EP ARTWORK BY : MEIKE HAKKAART

For more info:
https://www.facebook.com/UponYourGrave
https://www.instagram.com/uponyourgrave
https://www.twitter.com/UponYourGrave

Quick EPK – https://wp.me/pciNW-i76

About:
Established in 2009, Quebec, Canada-based death metal act, Upon Your Grave, is finally back swinging.

In 2019, at the dawn of the band’s 10th anniversary, Sim Diamond, Alex Bussieres and Jordan Jolicoeur grasped the opportunity given by the lockdown to start writing and rehearsing for a new album. This is their first effort since the Eponym debut album back in 2013. During their time away from Upon Your Grave, each member stayed active by releasing albums with other projects like Vibrant Heels and Universal Minds. Lead guitarist Sim Diamond also got to be part of Sam Dunn’s Shredders of Metal season 1 and made it all the way to the finals in Toronto. Now adding two new members to the mix, Sebastien Gagné on drums and Yan Pelletier on bass, two good friends from the local band Scars Of Disgrace, the band had found their perfect lineup to go forward.

With the help of a successful GoFundMe campaign, the band was able to go record a new EP with Chris Donaldson of Cryptopsy in March of 2022. this collaboration was the perfect fit that would elevate their performances to a more genuine and aggressive sound. Incorporating crushing vocals blended with catchy melodies, bad-ass guitar riffs and memorable solos that remind us of bands such as Daath, Lamb of God, Sylosis and even All Shall Perish.

Gold & Decay proves that work ethic and perseverance can truly refine a band’s sound to what they had always been striving for. This new release will be a fresh start for great things to come and is only the beginning of a flourishing career.

– 30 –

“Kicking off with a forty-second acoustic intro – ‘Revived’ then immediately goes into ‘From Beyond’ which is a chugging banger of a tune with some serious guitar work and loads of double kick drum action. ‘Pandora’ is more aggressive with a riff Slayer would kill for and watch how it slows to a heavy grind halfway through before things get serious again on ‘Supremacy’ which is rapid and vicious with a superb solo from Sim Diamond, reminding of Rob Dukes era Exodus. ‘Transcend’ is not hippy, trippy as the title would suggest instead it’s all-out brutality with a sing-a-long chorus! Only four tracks, five if you count the intro, they don’t hang about, but they contain some excellent tunes. If this is the direction Upon Your Grave is going then they will be at the top very soon. Let’s have some more soon!” – My Global Mind

“If you like your Death Metal to come in many different flavours, then you should really like this EP, from Quebec City’s Upon Your Grave. The band made a wise choice in getting Cryptopsy guitarist, Chris Donaldson to mix and mastered this release as it’s the showcase for their new sound… and far from just testing the waters with this EP, they’ve just set the bar for everything they do going forward. If you want straight down the middle Death Metal, a slightly brutal edge or the more melodic side of the genre, Upon Your Grave pack it all in, in just under 19 minutes.” – Smorg Mag

“Upon Your Grave is still going strong, and their rage remains alive. Gold & Decay allows musicians to return to the forefront of the scene by affirming their aggressive roots.” – Actain Infernalis

“Finishing the tsunami “Transcend” is an absolute tour de force of modern Groove laden Death Metal with chunky riffs, blast beats and a sublime extended solo from Diamond that is worth the admission fee alone. There are no two ways about it, Upon Your Grave need to get back on the road and then back in the studio with Donaldson at the helm because like a Vampire suffers from a bloodlust, we need to hear more from them… [8/10]” – Metal Noise

“UPON YOUR GRAVE has a lot of energy to extinguish throughout their debut, it consists of great ideas and musical diversities. The band’s passion for traditional Melodic Death Metal is noticed and felt, yet their combination of Rock and progression really benefited their efforts even more. This one is highly recommended, get ready to bang your heard.” – Metal Temple

“You can imagine lead axeman, Sim Diamond, stood side-on with bow-legged enthusiasm, holding his guitar in the air as he scrapes the opening notes to ‘From Beyond’. This song demands a video of the band thrashing at their instruments in an autumnal Canadian woodland wearing fingerless gloves. The main rhythm drips with a ghoulish sense of suspense, and the solo will remind you of ‘Painkiller’ by Judas Priest. Imagine a groove metal band covering Morbid Angel with the guttural vocals of Jungle Rot. Indeed, the Wisconsin quartet are the obvious comparison to the new version of Upon Your Grave. They shower you with an abundance of syncopated palm-mutes and tremolo tags to keep you guessing. How often do you wonder if modern Carcass are a death metal version of Kreator? The same observation rears its head here. Sebastien Gagné’s drums enhance the mix with an extra layer of steel.” – Scream Blast Repeat

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 Out Now! CDN Records Unleashes Canadian Extreme Thrashers KORROSIVE ‘s New Album “Toxic Apokalypse” On CD + Cassette & Vinyl Coming 2023

November 18, 2022
by Asher
· Korrosive · Music News

NEWS RELEASE

Montreal, QC – November 18, 2022

Out Now! CDN Records Unleashes Canadian Extreme Thrashers KORROSIVE ‘s New Album “Toxic Apokalypse” On CD + Cassette & Vinyl Coming 2023

New Music Video “Fatal Strike”

CDN Records has just unleashed Canadian thrashers Korrosive’s latest album “Toxic Apokalypse” on CD, which is available at https://cdnrecords.com/shop/korrosive-toxic-apokalypse/. The full-length was released digitally on October 7th of this year. and will also be available on cassette and vinyl in 2023 with its release to be determined at a later date.

Korrosive is an unapologetic, and high-octane headbanging unit that has crushed many mosh pits around their hometown of Toronto, ON, and beyond having shared the stage supporting well-known acts such as Havok, Venom Inc., Narcotic Wasteland, Voivod, Exciter, and Accept.

Korrosive is known for pushing the boundaries with its roots in thrash and meshing elements from more extreme metal such as death and grind to break down wall after wall that enters their path.

On Korrosive‘s new Album “Toxic Apokalypse”, fans new and old alike, can feel the aural brute-de-force on the eight-track blitz of pounding headbanging fury. Even though each song on the album is quite different in a way from the others, it’s all uniquely Korrosive. Songs deal with topics of science fiction, armageddon, and “what if” scenarios. For each track on the record, the band pushes them to new levels of velocity and extremity, from ‘Fatal Strike’, which has a ton of blast beats and solos, yet is still unmistakably thrash, to ‘Radioaktive Scourge’, filled with pure aggression, unlike anything they’ve released before. From its speed, the lyrics, and the sheer intensity, this song may be the shortest track on the record, but makes the largest impact and it’s over before you know it. And also strongly recommended is ‘Hail the Hellfire’, perhaps the band’s anthem to the entire “Toxic Apokalypse” album. Written as a reflection of the period when the full-length was being composed, this track discusses the brutality of war and the end result of each and every individual involved in its cause, regardless of side.

The band adds:

“We think the fans will be in for quite a surprise. We literally went all out and pushed the limits. It’s a diabolical, fast, unforgiving armageddon. From slow passages, mid-tempo bangers, hyper-fast blast beats, and the occasional odd-time signature, it’s a ride in extreme thrash unlike anything before. Toxic Apokalypse is an album that will hit you hard, fast, and leave you with a ‘what the f*ck just happened?’ feeling.”

Recommended for fans of Sodom, Kreator, Death, and Sepultura, “Toxic Apokalypse” was produced by Ben Erikson with mastering done by Arthur Rizk (Power Trip, Kreator, Cro-Mags, Municipal Waste, Soulfly). The album artwork was created by the infamous Ed Repka (Dark Angel, Death, Hirax, Megadeth, Suicidal Angels, Venom).

Music Video – Fatal Strike – https://youtu.be/9Y-wVSBgRT4

Lyric Video – Radioaktive Scourge – https://youtu.be/9YZc6iJwsLM

Digital – Korrosivemetal.bandcamp.com, Spotify

Vinyl and cassette pre-order links are to be issued at a later date.

Track Listing:
1. Into Nekropolis 05:28
2. Radioaktive Scourge 01:48
3. The Goddamned 04:47
4. Fatal Strike 03:28
5. Libertad y Muerte 05:15
6. Infernal Onslaught 05:10
7. Hail the Hellfire 04:20
8. Karnage Incarnate 07:39
Album Length (37:55)

Album Credits:
• All songs performed by: Korrosive
• All songs written by: Korrosive
• Produced by: Ben Erikson
• Mixed by: Ben Erikson
• Mastered by: Arthur Rizk
• Album Artwork by: Ed Repka
• Music is Canadian Content (MAPL)

Album and Live Band Lineup:
Rad Zarei – Vocals
Jack Neila – Guitars
Kaveh Afshar – Drums
Derek Solomos – Guitars
Carlos Rodriguez – Bass

For more info:
https://www.facebook.com/korrosivethrash
https://www.instagram.com/korrosivethrash

– 30 –

“If you like your thrash metal with a little San Francisco and a nice helping of Germany, then this is the album for you. “Toxic Apokalypse” is already out on CDN Records from Canada and it’s a must for any metal fan who likes it hard, nasty, and ripping off heads! This is easily in my top five metal albums of 2022.” – Pete Altieri, Murder Metal Mayhem

“It’s an album which is relentless, something that any self-respecting thrash fan would want. And yet, there is some balance to the album. It’s paced well, with the tempo picking up again at the tail end of the album” – UK Thrashers

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Put Away Your Phone and Disconnect In The Pit w/ NARCOTIC WASTELAND’s Crushing New Video “Victims of the Algorithm”

November 17, 2022
by Asher
· Music News · Narcotic Wasteland

NEWS RELEASE

Montreal, QC – November 17, 2022

Put Away Your Phone and Disconnect In The Pit w/ NARCOTIC WASTELAND’s Crushing New Video “Victims of the Algorithm”

Photo Credit – Andrea Roberts

Recently wrapping up their North American tour supporting legendary German speed metallers ACCEPT, Narcotic Wasteland founded by guitarist Dallas Toler-Wade is sharing their assaulting new single “Victims of the Algorithm” with a music video premiere on Decibel Magazine HERE.

The track is a crushing speed storm of death thrash, with its visceral vocals, and a demolishing blast beat war to annihilate the mosh pit. The song is the first time drummer/ vocalist Joseph Howard collaborated with Wade.

“I had the music done for an untitled track that I already recorded in the studio, but I didn’t have lyrics written yet, then Joseph showed me lyrics he wrote called Victims of the Algorithm and after I read them, I knew they were the perfect match for this song. To break it down, Victims of the Algorithm is about a lot of things, but for me, after reading Howard’s lyrics, it’s mostly about putting down our phones and breaking free from this ridiculous round of existence we have created for ourselves. Disconnecting from the daily neurotypical absurdities and enjoying life in the moment.” says Wade.

The music video was created by Kenji Tsunami of Tsunami films. Footage for the video was captured at the Thirsty Axe in Ukiah, CA, and at the band’s rehearsal space in San Francisco, CA.

“I think Kenji really captured our live prowess very well!! It has a very gritty punk rock feel to it, and fits the song and its meaning perfectly,” adds Wade.

“Victims of the Algorithm” will be featured on Narcotic Wasteland‘s forthcoming 2023 album via Megaforce Records (release date to be determined). The single was recorded with engineer, and producer Erik Schultek who is no stranger to the band having recorded drums, engineered and produced their self-titled debut album. The band’s 2023 album will be the follow-up to their sophomore full-length 2017’s “Delirium Tremens”.

Stream for “Victims of the Algorithm” available on https://orcd.co/nwvota

Inspired mostly by thrash metal and classic heavy metal, Narcotic Wasteland is becoming more thrash and speed and less death metal and getting better at writing material that is meaningful and powerful. They are recommended for fans of Vader, Death, The Crown, Autopsy, Pestilence, and Nile.

Previous singles:

“Morality and the Wasp” – https://youtu.be/fXThLKTP-xI

“The Best Times Have Passed” – https://youtu.be/U6kB087hGyY

For more info:

https://www.narcoticwasteland.com
http://www.facebook.com/narcoticwasteland
https://www.instagram.com/narcoticwastelandofficial
https://twitter.com/Narco_Wasteland

About:

Narcotic Wasteland started as a side project Dallas Toler-Wade had been working on the past few years when he was not touring or in the writing/studio with metal heavyweights “Nile.”

‘So I just started writing some songs kind of more in the style of things I was playing before my time in Nile. The more we started working on these demos the more we wanted to complete an album and take it to the stage!!! Our observation of what was going on in parts of the town we grew up in and in other parts of the world fueled a new level of angst for me personally.” DTW

– 30 –

0 ASYLENCE’s New Music Video “Soulless” Is Bloody Tears For Friends Lost To Addiction; New Album “Endanger Us All” Out February 2023

November 17, 2022
by Asher
· Asylence · Music News

NEWS RELEASE

Montreal, QC – November 17, 2022

ASYLENCE’s New Music Video “Soulless” Is Bloody Tears For Friends Lost To Addiction

New Album “Endanger Us All” Out February 2023

Forged from the melting pot of Detroit’s underground metal scene, Asylence is a well-oiled metal machine built with passion, intent, and ferocity like no other. At the beginning of next year, they will be releasing their full-length album “Endanger Us All” and The Circle Pit is now premiering their second single “Soulless”, which comes at you heavy, fast, and punishing as they count down the days to the album release. They wanted the second look at this new offering to be a heavy one, “Soulless” was the obvious choice. Vocalist Ryan Lang explains further:

“This is another oldie but a goodie. One of the heaviest songs we’ve ever written especially early on in the band. This is screaming in an addict’s face. This is how hard it is to see a loved one fade away into the depths of addiction. This song is so emotional for me, I’ve lost far too many friends to drugs and addiction, and I’m no stranger to my own struggles myself. I hope that this song can provide someone with comfort that they are not alone and maybe this could help encourage people to wake up and change their lives for the better.”

A fun fact about the single, the ending was actually first written off the cuff live. They screwed up how it was supposed to end and just ran with it and the crowd loved it. They did too, so it was added to the final song. The album “Endanger Us All” is a combination of Asylence’s oldest and newest material. The older songs have always been a staple in their live sets and they wanted to finally record them right and do them justice. The new songs have been completed since the release of their 2020 EP “Eulogy Of Man” and they really constructed the bridge from what we were to what they’re becoming.

Asylence started out trying to be as heavy as they could possibly be but now they find themselves exploring more techniques and ideas that they had never previously thought to pursue. They are recommended for fans of Arch Enemy, DevilDriver, and Amon Amarth.

Watch and listen to the music video for “Soulless” at https://youtu.be/YIrMYwf3B2U

Digital – Spotify, Apple Music

“Endanger Us All” is due out on February 24, 2022.

Previous Video – Endanger Us All – https://youtu.be/T8QsWbi97uw

For more info:
https://www.asylence.com
http://www.facebook.com/asylence
http://www.instagram.com/asylence
http://www.twitter.com/asylence
http://www.tiktok.com/@asylence

About: Asylence (uh-sigh-lence): A hybrid of the words Asylum and Silence, when joined together, present a universal idea and timeless message: The constant suffering and failures of mankind. After the dissolution of drummer Alex Aubuchon’s highly active, long-standing thrash band, he began to focus his efforts on recruiting for his new project. He discovered the talent of guitarist Aaron Lumsden, an avid scene supporter who frequented many local and regional shows.

A dedicated relationship quickly formed between the pair, and Asylence was born. Frontman Ryan Lang, having been a mainstay in the Detroit metal scene but group-less at the time, was Asylence’s first choice to handle vocal duties. Ryan accepted, excited at the idea of hitting the stage once again. Shortly after, bassist Richard Olrich joined the group to complete the sound. A new era of heavy metal ensued.

Forged from the melting pot of Detroit’s underground metal scene, Asylence is a well-oiled metal machine built with passion, intent, and ferocity like no other. Since their formation in 2016, Asylence has been on a path of sonic destruction as they crush their audiences with fierce live performances throughout Michigan and surrounding states, opening for national acts such as Archspire, Belphegor, and Sea of Treachery, among others. Taking no prisoners and amassing a loyal, respecting fan base in the Midwest and beyond, behold the rise of Asylence.

– 30 –

0 Norway’s Féleth Now Streaming Their Technical Melodic Death Metal Album “Divine Blight” (Mixed and Mastered by Christian Donaldson (Cryptopsy))

November 10, 2022
by Asher
· Feleth · Music News

NEWS RELEASE

Montreal, QC – November 10, 2022

Norway’s Féleth Now Streaming Their Technical Melodic Death Metal Album “Divine Blight”

Mixed and Mastered by Christian Donaldson (Cryptopsy)

Féleth, from northern Norway, is now streaming their second album “Divine Blight”, which they see as a solid step up from 2020’s “Depravity”. They take on real-life events and put them to provocative music best described as melodic death metal with a healthy dose of technical death metal added in. The lyrical themes are often inspired by things that vocalist Espen Dagenborg finds massively wrong such as politicians waging war, being greedy, and also how humans can be extremely hateful against others. Then again there are also songs that are somewhat purely fictional, mostly showcasing his lyrical style.

As Féleth was the continuation of a former thrash metal band, IronBound, it’s natural to say that they started out as a thrash death band. As the then-young boys started to discover the joys of death metal the sound evolved more toward that. Along with the newfound joy came the struggle, for death metal wasn’t easy to play. After finally mastering the ways of death metal and having released “Depravity” disaster struck. The now not-so-young boys had developed a taste for technical death metal and big hooks. When the time came to work on “Divine Blight” they already had a handful of finished songs to choose from, each one a work of art – melodic, technical, brutal art. The band comments:

“After getting signed with our new label “Rob Mules Records” and playing some pretty sick gigs at both Buktafestivalen and Tons of Rock, we’re super stoked to release our new album “Divine Blight”. It was a long and tedious process of selecting, practicing, and recording, but the result will speak for itself. Our best album thus far. It’s a collection of stories based on the dystopian path humanity is set on. We felt that throughout this new journey of an album we’ve refined our songwriting and successfully achieved a style that’s not only ass-whoppingly brutal, but also more complex emotionally and lyrically. It is clear that we’ve got multiple influences and styles throughout the album which all contribute to a massive sonic package. It’s definitely a death metal album with some subtle takes on some of its many subgenres. Two and half years after our debut “Depravity” we’re ready to present ‘DIVINE BLIGHT’.”

The album was mixed and mastered by Christian Donaldson (Cryptopsy) and the album artwork was done by Kahinienn Graphix. The Northern Norwegian technical death rock is recommended for fans of Fit For An Autopsy, Inferi, and Soreption.

The album “Divine Blight” comes out on November 11, 2022, and can be heard in full before its official release on Metal-Rules HERE.

Music Video – Majesty – https://youtu.be/yce26-EGFMI

Visualizer – Avarice – https://youtu.be/E2J3NnHAmsk

Lyric Video – USA ft. Petter Carlsen – https://youtu.be/7jURKrmgt0M

Track Listing:
1. Majesty – 03:46
2. Caretaker – 03:58
3. Riven – 03:51
4. En Elskovsdans – 03:10
5. The Serpent – 03:32
6. Casanova – 03:35
7. Deadlands – 04:26
8. Absence – 04:09
9. USA – 05:32 ft. gust vocals Petter Carlsen
10. Avarice – 05:33
Album Length: 41:37

Album Credits:
All songs performed by Féleth
Guest vocalist Petter Carlsen on USA
All songs written by Féleth
Produced by Féleth
Mixed and Mastered by Christian Donaldson
Assistant Engineer Jonathan Mazzeo
Album Artwork by Kahinienn Graphix

Live and Album Lineup:
Espen Dagenborg – Vocals
Thomas Nyvoll – Guitar
Alexander Stamnes – Guitar
Brage Ingebrigtsen Westgaard – Bass
Aleksander Alsen – Drums

For more info:
Facebook.com/FelethBand
Instagram.com/felethband

– 30 –

““Majesty” is an exciting introduction to the differing styles and techniques that Féleth intertwine in their songwriting, drawing together ingredients from technical and melodic death metal in a white-hot rush that nevertheless is home to some bone-smashing grooves. “Avarice” puts those genre ingredients on display again, but expands the musical palette and makes the song an even ore multi-faceted and atmospheric experience. With no room to gasp a breath, the song explodes in a flurry of fleet-fingered, fret-leaping guitar work, neck-cracking drumming, and flame-throwing vocal intensity. But groaning chords and shrill, eerie melodic overtones also create dark and deleterious moods, building tension and fear. While the vocals are utterly unhinged in their madness (and doubled in the chorus for extra intensity), squirming guitar arpeggios create a different dimension of insanity, coupled with agony, and martial drum patterns and a misery-steeped closing solo add to the song’s relentless dynamism. On top of all that, the song also punches like a heavyweight fighter.” – No Clean Singing (Divine Blight 2022)

“Feleth is gaining a name for itself despite only being around for a couple of years. They are developing their sound and their technical ability rapidly and this release shows that development, especially in songwriting where they bring different elements in to add color. An excellent example of melodic/technical death metal and worth anyone’s hard-earned cash.” – My Global Mind (Divine Blight 2022)

“Depravity the newest album from Feleth is one brutal album full of riffs and hooks to keep even the most particular entertained. Feleth mix the roots of the Norwegian metal scene, with the death metal tone they strive for to create some well crafted blackened death metal, similar to that of Shadow of Intent.” – Metal Injection (Depravity 2020)

“With a melting pot of ideas, yet rooted in delivering a head-smashing and neck-destroying style of metal, Féleth are aggressive newcomers to a scene that constantly looks to surprise… Féleth deliver heavy and extreme noise so very well.” 9/10 – Games, Brrraaains & A Head-Banging Life (Depravity 2020)

“straight up heaviness and brutality, tech offerings and melodic atmopsheres, and enjoyable groove.” – Dead Rhetoric (Depravity 2020)

“Féleth: Transcends the traditional limits of the genre…” – Permafrost.today (Depravity 2020)

“9/10 “Féleth offer an edge-of-your-seat experience that is both fresh and captivating.” – Metal Inferno (Depravity 2020)

“Féleth does death metal fast and aggressive, reigning in their impressive technical chops for maximum impact, keeping their riffs (and songs, for that matter) relatively short and to the point. They strike a pretty even balance between chunky chords and caustic melodies, most of which are designed to coax headbanging than to impress with virtuosity. The album is front-loaded with catchy bangers, saving the more technical and weird bits for the latter half.” – Tolet Ov Hell (Depravity 2020)
—
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(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Canadian Extreme Thrashers KORROSIVE To Unleash New Album “Toxic Apokalypse” On Cassette / CD / Vinyl via CDN Records

November 9, 2022
by Asher
· Korrosive · Music News

NEWS RELEASE

Montreal, QC – November 9, 2022

Canadian Extreme Thrashers KORROSIVE To Unleash New Album “Toxic Apokalypse” On Cassette / CD / Vinyl via CDN Records

New Video “Radioaktive Scourge”

Canadian thrashers Korrosive announce they will be unleashing CDs, cassettes and vinyl of their latest album “Toxic Apokalypse” via CDN Records. CDs will be due out on November 18th, with cassettes and vinyl for release in 2023 (release to be announced at a later date). The full-length was released digitally on October 7th of this year.

Korrosive is from Toronto, ON that is in your face, unapologetic, and is definitely one that offers a high-octane headbanging experience, unlike anything you’ve heard before as they explore and push the boundaries of thrash metal with extreme influences.

“We want to be a thrash metal band that combines the elements of thrash in its roots, but also breaks down walls by incorporating various influences from grind and death, or whatever comes to mind to mix it up.” says vocalist Rad Zarei.

Their new album “Toxic Apokalypse” follows their first full-length 2021’s “Kaustic Hordes” and the 2019 EP “Melting from Within”. Featuring eight assaulting bangers, each song on the album is quite different in a way from each other, and yet, still uniquely Korrosive. They push each track with speed and extremity, from ‘Fatal Strike’ that has a ton of blast beats and solos, yet is still unmistakably thrash, to ‘Radioaktive Scourge’, filled with pure aggression, unlike anything they’ve released before. From its speed, the lyrics, and the sheer intensity, this song may be the shortest track on the record, but makes the largest impact and it’s over before you know it. And also strongly recommended is ‘Hail the Hellfire’, perhaps the band’s anthem to the entire “Toxic Apokalypse” album. Written as a reflection of the period when the full-length was being composed, this track discusses the brutality of war and the end result of each and every individual involved in its cause, regardless of side.

The band adds:

“Diabolical, fast, unforgiving armageddon. From slow passages, mid-tempo bangers, hyper-fast blast beats, and the occasional odd-time signature, it’s a ride in extreme thrash unlike anything before. Toxic Apokalypse is an album that will hit you hard, fast, and leave you with a ‘what the f*ck just happened?’ feeling.”

Lyrically, the music sets the overall tone for how the lyrics are written and substance. Songs deal with topics of science fiction, armageddon, and “what if” scenarios. The album art was created by the infamous Ed Repka (Dark Angel, Death, Hirax, Megadeth, Suicidal Angels, Venom).

“Typically, the way we write songs is to have each song done or be in the middle of the writing process, and I would create something out of that. It is rare for us that lyrics get written first before the song is made,” adds Zarei.

One thing that the mosh pit can always expect from Korrosive is the energy they bring to their shows.

“I always think of a show, regardless of venue, as a performance that is meant to capture the crowd. And as a band, Korrosive always exudes that level of intensity during our shows.”

Lyric Video – Radioaktive Scourge – https://youtu.be/9YZc6iJwsLM

CD and cassette pre-order is available at the following links:

CD – https://cdnrecords.com/shop/korrosive-toxic-apokalypse/

(CD / Cassette) – https://korrosivemetal.bandcamp.com/album/toxic-apokalypse

Vinyl pre-order link to be issued at a later date.

Spotify

Album and Live Band Lineup:
Rad Zarei – Vocals
Jack Neila – Guitars
Kaveh Afshar – Drums
Derek Solomos – Guitars
Carlos Rodriguez – Bass

For more info:
https://www.facebook.com/korrosivethrash
https://www.instagram.com/korrosivethrash

– 30 –

0 Canada’s RED CAIN Pay Homage To Wheel Of Time With Music Video For Commanding New Single “Fisher King”

November 9, 2022
by Asher
· Music News · Red Cain

NEWS RELEASE

Montreal, QC- November 9, 2022

Canada’s RED CAIN Pay Homage To Wheel Of Time With Music Video For Commanding New Single “Fisher King”

L to R: Samuel Ridout (guitar), Tyler Corbett (guitar), Evgeniy Zayarny (vocals), Kalie Yan (bass, vocals), Taylor Gibson (drums)

Red Cain, from Calgary, Canada is a modern progressive metal project with Eastern European roots. They have been making waves since their first release in 2016, with award-winning concept albums and music videos. The next chapter in their ongoing saga is a music video for the single “Fisher King” that conceptually takes place in the universe of the legendary Wheel of Time fantasy series. It comes off a yet-to-be-titled album that is expected sometime next year. The band comments on the single:

“’Fisher King’, was written in its original form over 10 years ago, long before Red Cain’s existence as a band – so it was an extremely cool experience to go back to this old track, rewrite, and revitalize it to fit our sound. Much like our upcoming album, “Fisher King” keeps the quintessential Red Cain “melancholy and rage” but takes the death metal influences from “Kindred: Act II” even further, featuring a huge growl-centric chorus, a variety of down tuned, sludgy riffs, and gripping, raw vocal hooks and melodies.”

Red Cain’s first two full albums, “Kindred: Act I” and “Kindred: Act II” conceptually told a sprawling story of how raw and primal ancient myth collides with modern society and human yearning toward the stars, toward perfection. The albums contained a ton of genre inspirations, from gothic rock to ambient electronica, power, black, and death metal, and were universally lauded for their inventiveness, variety, and strong conceptual content. They continue this momentum with their upcoming release.

“Fisher King” is unsettling, bombastic, and unrelenting, this track showcases a musical and lyrical contest of wills between the “Chosen One” archetype, and his antithetical, flawed, yet lethal opponent caught in his unrelenting march. It is recommended for fans of Kamelot, Mastodon, and Powerwolf.

Watch and listen to “Fisher King” via its premiere on Metal-Rules HERE.

Red Cain is:
Evgeniy Zayarny – Vocals
Samuel Ridout – Guitars
Tyler Corbett – Guitars
Kalie Yan – Bass, Vocals
Taylor Gibson – Drums

For more info:
https://redcain.ca
https://www.facebook.com/redcainofficial
https://instagram.com/redcainarmy
https://redcain.bandcamp.com
Spotify

About:

Melancholy and Rage

Born out of the vast prairies and snowy peaks of Alberta, Canada, Red Cain is a modern progressive metal project with Eastern European roots. With intricate songwriting, powerful vocals, eerie soundscapes, and strong electronic-backed groove, Red Cain champion a fluid, dynamic, and unique style centered around telling dark, conceptual Faustian sagas and constructing those into an unforgettable live experience. Described by frontman Evgeniy Zayarny as a vehicle of “Melancholy and Rage”, Red Cain delivers power, flair, thematic Slavic influence, and intricate, lethal edge in their work. Listeners might well pick out elements reminiscent of such luminary acts as Kamelot, Symphony X, Tesseract, Lord of the Lost, whipped into a venomous new shape. The current incarnation of this Canadian metal band is of these influences mixed with a lot of vodka and Eastern European melancholy, shaken and stirred.

Red Cain self-released its debut self-titled EP in North America in 2016 to excellent reviews, and followed this up with two award-winning full-length albums, “Kindred: Act I” in 2019, and AFA-funded “Kindred: Act II” in 2021, working with Sliptrick Records globally to have over 3500+ physical copies sold, as well as over 200,000 digital streams to date. The band has hit #1 on the Canadian National Loud Charts on multiple occasions and is a 1x winner and 3x nominee for the Metal Recording of the Year at the YYC Music Awards.

The band has created 13 videos, of which 2 are full-length, high-production music videos for “ZERO” and “Juliet”. The latter two videos have won 17 awards at international music festivals, including the Berlin Short Film Festival, Venice Shorts, Global Shorts, IndieX FilmFesti, AIFF, and Hollywood Art & Movie Awards, among others. The band has a strong history of collaboration, with a highlight being our work with Juno Award-winning vocalist Kobra Paige of heavy metal band Kobra and the Lotus, on the track “Wing of the Crow”.

Red Cain released our latest album “Kindred: Act II” globally with Sliptrick Records in 2021, with a particular focus on promotion and engagement in the United States and Eastern Europe, where the band has received significant traction in 2020-21. With live performances stunted by COVID, the band has focused strongly on building out the concept behind the two-album “Kindred” arc with non-musical collateral, creating story content and custom art for the album concept.

With a significant upward trend of fan interest for this release, and 100,000 + digital streams, Red Cain has our set sights firmly set on another ambitious and conceptually exciting project, with the next release cycle coming in late 2022 with the first single “Fisher King”.

– 30 –

What the press is saying:

“This is a track (Sunshine (Blood Sun Empire) that infuses their progressive and power metal sound, similar to that of Symphony X and Kamelot. Alongside this, there are also faint similarities to bands like Dream Theater and even Korn. This is a nearly 6 minute track that doesn’t let up and doesn’t fear to change up its style throughout.” – Metal Injection

#10 Red Cain !earshot – The National Loud Chart For the Week Ending: Tuesday, February 9, 2021 (Earshot)

“From the proggy goodness of album opener “Kindred”, to the blast beats of “Baltic Fleet”, to the epic closer “Sunshine (Blood Sun Empire), there is something here for every fan of progressive power metal. With this being Act II in Red Cain’s Kindred body of work, I really feel as though I entered a movie theater right in the middle of an epic saga. Each song is a journey in and of itself, but each also contributes to the overall fantastic voyage. I will absolutely be purchasing Act I of this amazing tale and listen from start to finish, the way it was intended. Do yourself a favor and do the same!” – Metal Rules

“If you like your music melodic, mysterious, and gothic, with a progressive power metal base, then this is for you. This has been a joy to review and yet another band to add to my favoured list. ” – The Prog Space

“Zayarny is a powerhouse vocalist and the contortions he forces into Red Cain make for a very diverse record.. the talent behind the record is undeniable, and at the very least, Kindred proved far more creative and thought-provoking than most death metal records I’ve recently tackled. You should give it a shot — even if you’re not a big weenie..” – Angry Metal Guy

“Overall, ‘Kindred: Act II’ is an interesting mix of styles that combine together in technical wizardry to set the backdrop for the continued tales of the warrior Zalcoatl. There’s some unexpected musical influences that bubble to the surface, particularly the liberal use of electronic elements provides a futuristic, yet gothic, element to the tales. Vocally, there’s some clear inspiration from Kamelot going on here. They’re predominantly clean, but with a wide range between high pitched and deep passages. The guitar work is pretty varied as well and at times even hits a distinctly djent groove that seems to appear out of nowhere!… Fans of Kamelot and Mastodon alike will find some common ground with ‘Kindred: Act II’ (and Act I for that matter).” – Uber Rock

“These seasoned metal performers brought me to school with a clear cut album, delivered beautifully across seven tracks. The epic highs and lows of the album leave me wanting more… My hat is off to RED CAIN!” – Metal Temple

“With a flurry of progressive guitars, grandiose vocals and intriguingly wild effects, Red Cain burn brightly from the very start with the opening track, Kindred.” – Games, Brrraaains & A Head-Banging Life

0 MetalInjection Premiere NARCOTIC WASTELAND (ex-Nile) Lyric Video For Thrasher “The Best Times Have Passed” + NA Tour w/ ACCEPT

October 10, 2022
by Asher
· Music News · Narcotic Wasteland

NEWS RELEASE

Montreal, QC – October 10, 2022

NARCOTIC WASTELAND (ex-Nile) Unleash Lyric Video For Thrasher “The Best Times Have Passed”

+ North America Tour w/ ACCEPT

Photo Credit – Kenji Tsunami of Tsunami Films

Currently on a North American tour (dates listed below) supporting legendary German speed metallers ACCEPT, Narcotic Wasteland founded by ex-Nile guitarist Dallas Toler-Wade is sharing the new lyric video for their latest single “The Best Times Have Passed” via its premiere on MetalInjection HERE.

The single was recorded with drummer, engineer, and producer Erik Schultek who is no stranger to the band having recorded drums, engineered and produced their debut album. “The Best Times Have Passed” will be featured on the band’s yet-to-be-titled third album due out in 2023 via Megaforce Records to follow2014’s self-titled and 2017’s “Delirium Tremens”.

Toler-Wade explains the single:

“When I was writing it I was at another big turning point in my life. I was feeling my own mortality. I was feeling beat down. As with me, I still manage to find good things within it all and pull myself out of it time and time again. I think we can all relate to the fact that that it’s not forever and we better make the best of things while we can.”

In additional news, Narcotic Wasteland is hosting a guitar giveaway during their tour dates. The band is offering up a signed Jackson JS32T Rhoads – Satin Black Guitar. Details on how to enter can be found HERE and in the following video – https://www.youtube.com/shorts/NSWTUDmv0KU

Previous single “Morality and the Wasp” can be heard at https://youtu.be/fXThLKTP-xI

Tour Poster credit- Andrea Roberts of Ashley Talent International

Tour Promo Video – https://youtu.be/XeakgV7BY60

NORTH AMERICA TOUR DATES – ACCEPT with special guest NARCOTIC WASTELAND
10/11/2022 Denver, CO – The Venue
10/13/2022 Milwaukee, WI – The Rave Ballroom
10/14/2022 St. Charles, IL – The Arcada Theatre
10/15/2022 Westland, MI – The Token Lounge
10/16/2022 Toronto, ON – The Phoenix Theater
10/18/2022 Vineland, NJ – Landis Theater
10/20/2022 Jim Thorpe, PA – Penn’s Peak
10/21/2022 Providence, RI – Fete Music Hall *NW Only
10/22/2022 Brooklyn, NY – Lucky 13 Saloon *NW ONLY
10/24/2022 Wallingford, CT – Cherry St. Station *NW ONLY
10/25/2022 NYC – The Gramercy Theatre
10/26/2022 Derry, NH – Tupelo Music Hall
10/27/2022 Harrisburg, PA – XL Live
10/29/2022 Columbus, OH – The King of Clubs

For more info:

https://www.narcoticwasteland.com
http://www.facebook.com/narcoticwasteland
https://www.instagram.com/narcoticwastelandofficial
https://twitter.com/Narco_Wasteland

About:

Narcotic Wasteland started as a side project Dallas Toler-Wade had been working on the past few years when he was not touring or in the writing/studio with metal heavyweights “Nile.”

– 30 –

0 DISARMONIA MUNDI: “Fragments of D-Generation” in Vinyl Limited Edition

October 3, 2022
by Asher
· Disarmonia Mundi (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – October 3, 2022

DISARMONIA MUNDI: “Fragments of D-Generation” in Vinyl Limited Edition

Originally released in 2004 “Fragments of D-Generation” is the record that catapulted Disarmonia Mundi into the spotlight all over the world, radically changing the status of the Italian band from a promising underground cult phenomenon to an international point of reference for melodic death in its purest exception.

With “Fragments of D-Generation” band mastermind Ettore Rigotti (multi-instrumentalist, producer, and only composer of the band) developed the archetype of the sound that from then on would have fascinated millions of fans all over the world, bringing it all to the next level with the addition of the well-known vocalist Bjorn Speed Strid from the Swedish melodic death titans Soilwork.

Almost twenty years after its original release, the record finally sees the publication of its limited vinyl version by Rockshots Records. Songs like “Oceangrave“, “Quicksand Symmetry” or “Swallow The Flames” continue to be the cornerstones of the Disarmonia Mundi discography, demonstrating how the consistency of the compositions has largely stood the test of time.

The powerful and dynamic sound of the band has lost none of its original explosive charges and in anticipation of the imminent release of the new album, this is the right opportunity to rediscover a timeless classic from one of the flagships of international melodic death.

This is the very first of the “Vinyl Series” exclusive vinyl reissues by Rockshots Records.

“Fragments of D-Generation” Vinyl Marble LTD Edition is available for pre-order: https://bit.ly/Fragments_Vinyl

TRACKLISTING:
01 – Common State Of Inner Violence
02 – Morgue Of Centuries
03 – Red Clouds
04 – Quicksand Simmetry
05 – Swallow The Flames
06 – Oceangrave
07 – A Mirror Behind
08 – Come Forth My Dreadful One
09 – Shattered Lives and Broken Dreams
10 – Colors of a New Era

Disarmonia Mundi are:
Ettore Rigotti – vocals, guitars, bass, drums, synth
Claudio Ravinale – Vocals
Bjorn Speed Strid – Vocals

For more info:
https://www.rockhots.eu
http://www.disarmoniamundi.com/

– 30 –

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