Tag: death metal

0 Extreme Metal Music – Italy’s MEMBRANCE Unleashes Cannibal Butcher Video “Riva de Biasio” Off New Album “Undead Island”

April 27, 2023
by Asher
· Membrance · Music News

NEWS RELEASE

Montreal, QC – April 27, 2023

Extreme Metal Music – Italy’s MEMBRANCE Unleashes Cannibal Butcher Video “Riva de Biasio” Off New Album “Undead Island”

Italian death metallers Membrance will be releasing their new album “Undead Island” due out June 2023 via Extreme Metal Music, a subsidiary of Rockshots Records.

“Undead Island” is the materialization and the channeling of all the ideas and energies expressed so far by Membrance in a unique and well-defined tangible direction. The band has partly abandoned the death n roll influences to give more space to inject black metal and has limited the progressive digressions to have more direct and compact tracks. The lyrical path of the full length is influenced by everyday life, dealing with themes not only of the band’s personal ones but also sometimes not discussed in metal music in general.

With these premises, the band is absolutely sure that their fans will appreciate this work more than its predecessors, and Membrance is equally sure that with this album they will push messages in equal measure to what they have always pushed mainly with the music.

The band adds:

“We want to offer an experience of deep anger, like being able to identify with an innocent prisoner kicking and screaming behind steel bars. We want to bring to the mind of anyone who listens to us the auspicious lagoon folklore that is fading away and to recall the times of a Serenissima that made us proud of our city but which is now almost forgotten. With this record, we want to convey our frustration and anger in our impotence and make people feel all the strength and energy we still have to fight, scream and cling tooth and nail to what we have left of our memories so as not to lose it permanently.”

Today, the band introduces the first single from the forthcoming “Undead Island”. Entitled “Riva de Biasio”, it’s a bold thrash-death track that tells the story of a kidnapping cannibal butcher.

“We decided to release this single because its crowd reaction was amazing when we played it live. Not even Chef Tony would be happier to promote such a noisy and ergonomic chainsaw!” adds the band.

Music Video – https://youtu.be/F0njCYNC8eM

Digital – https://spoti.fi/3VdJKgg

Membrance was born in Venice in 2012 from the mind of founding member Davide Lazzarini as a Death Metal and Black Metal crossover project, it wasn’t until 2014 and onwards, after several line-up changes, that the group stabilized in old-school Death Metal with blues/rock n’ roll influences, which was reinforced by the entry of lead guitarist Pietro Battiston.

After an intense period of live activity in the underground and various demo recordings, in 2017 Giovanni De Fraja joined as the drummer and Membrance decided to work more seriously on their own music. They immediately recorded and produced their own debut album “Abyss”, initially released independently it was quickly picked up by the Ukrainian label Envenomed Music.

Thanks to this first release, the group received a fair amount of approval in the Italian and European underground scene, and we’re contacted to play at Metaldays of Tolmin 2018 in Slovenia, along with the Winterdays of Metal of the same year, plus asked to be opening support for various international bands on tour in Italy such as Marduk, Brujeria, and Necrodeath.

These successes pushed the group to collaborate again with Envenomed Music and with the support of Narcoleptica Productions, Membrance produced their second studio album “Morality’s Collapse”, which was released at the beginning of 2019 with the sound evolution of 16th Cellar Studio in Rome (Fleshgod Apocalypse, Hideous Divinity, Hour of Penance), starting a path towards the Swedish old school Death sound “HM2 style”.

However, with the arrival of the Covid pandemic, despite growing approval and greater support for the international live scene such as Entombed A.D., Cripple Bastards, and Benediction, after 5 years of activity, Pietro decided to abandon the group leaving to Gregorio, the rhythmic player who just recently entered the group, the task of replacing him.

Giacomo Rusconi also entered the band as the second guitarist, the group embarked on a path of musical evolution in the following years in which it abandoned the blues influences to embrace a more black metal style and worked on texts in Venetian dialect along with lyrical influences inspired by the lagoon folklore.

During the summer of 2022, the recordings of the third studio work “Undead Island” were concluded with the support of the AudioCore Studio, which further develops the sound path started on the basis of the Swedish HM2 sound.

“Undead Island” is due out June 23, 2023.

Album pre-order – https://bit.ly/Membrance_CD

Track Listing:
1. Zombie Massacre – 3:33
2. Spirar nel Caigo – 3:44
3. Spetro Malcontenta – 3:00
4. 1348 – 3:51
5. Marubio – 3:07
6. Armor of Hate – 4:02
7. Riva de Biasio – 3:50
8. Sepolto in Velma – 3:40
9. Stench of Rot – 4:21
10. The Shores Crumble – 3:50
Album Length: 37:03

Membrance is:
Davide Lazzarini – Singer, Bass guitar and Keys
Gregorio Di Angilla – Rhythm and Solo Guitar
Giacomo Rusconi – Rhythm and Solo Guitar
Giovanni De Fraja – Drum and Percussions

Album Credits:
Instruments Recorded at Mestre and Campalto (Venezia) during Spring 2022.
Recording of the vocals, Mixed and Mastered at AudioCore Studio in Parma during the Summer of 2022 by Luca “Cocco” Cocconi and Simone “Sygo” Sighinolfi.
Cover Art painted by Francesco Cagali (China on wood)
“Zombie Massacre” Solo by Jack Draven from Ulvedharr
Sample on “Zombie Massacre” from “Zombie 2” (Lucio Fulci, 1979)
Sample on “1348” from “Morte a Venezia” (Luchino Visconti, 1971)

For more info: Extremetalmusic.com | Facebook.com/membranceband

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 Seattle’s WHYTHRE Announce Synthy Single “Scorpions of Sinai” From New Album “Impregnate My Hate” Out May 2023

April 19, 2023
by Asher
· Music News · Whythre

NEWS RELEASE

Montreal, QC – April 19, 2023

Seattle’s WHYTHRE Announce Synthy Single “Scorpions of Sinai”

New Album “Impregnate My Hate” Out May 2023

L-R – Steve Fournier – Drums, Adam Chambers – Vocals, Guitars, Synths, Eric Close – Bass, Shon Petrey – Guitars, Synths
(Photographer Credit – Carolina Chambers)

NoCleanSinging is pleased to debut the second single from Seattle’s Whythre. The single “Scorpions of Sinai”, which comes from their third album “Impregnate My Hate”, is the fastest song on the album, a solid melodic death metal offering pumped full of textures and synth. The band gives a nod to classic tale as a hint of what the song is about and explains:

“Go read the first short story in Roald Dahl’s ‘Switch Bitch’ and then read the lyrics to Scorpions. I can’t say much more without spoiling that experience. It’s a quick read, just go do it. This is our fastest song by far and always leaves Steve sweatin’! There’s a lot of underlying repetition in this song, which was a first for us, honestly the track is heavily inspired by underground techno vibes.”

With this album, the band presents a simmering tension that’s in between chill and balls to the wall. They hope that listeners find some extra ‘medium’ moments here and there that tastefully strike the balance. There is a wide variety of moods present on each track, it’s packed with heavy grooves, blistering riffs and huge symphonic waves.

Whythre started in 2010 as a solo project for Shon Petrey who was traveling a lot for work at the time. At the time, he was really into the symphonic metal and folk metal influences coming out of Europe. In 2012 he met an opera trained singer named Jeran Michaels and the full length album “Hel’s Hollows” followed a few years later. It took several years for the rest of the lineup to be formed but now, as a cohesive unit, they push forwards, challenging the rules of the genres, their musicianship and their camaraderie as a band.

Shon Petrey and Adam Chambers write the songs for Whythre. When inspiration hits, they bounce ideas off each other – sometimes they collaborate from the beginning, sometimes one of them fleshes out an idea to explore. Each song has its own unique vibe and story behind it.

Whythre’s “Scorpions of Sinai” has a groove guaranteed to move any circle pit and a message meant for heretics, by heretics. They are especially recommended for fans of Hypocrisy and Children of Bodom.

Watch and listen to the lyric video for “Scorpions of Sinai” via its premiere on NoCleanSinging HERE.

The full album “Impregnate My Hate” is being released on May 26th, 2023 via High Point Records and available for pre order at https://whythre.bandcamp.com/

Music Video – “Scorchbreath” – https://youtu.be/tVGnpIA6Gk8

Track Listing:
1. Scorchbreath (3:54)
2. Impregnate My Hate (3:11)
3. Can’t Escape This (4:55)
4. Scorpions of Sinai (3:29)
5. C Section S1urpee (2:48)
6. Death Frontier (3:09)
7. Tantric Aspects of the Cross (2:32)
8. Immanence (4:02)
9. Run it Red (3:50)
Album Length: 31:54

For more info: Whythre.com | Facebook.com/Whythre | Instagram.com/whythreofficial

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“The drums snap and boom; the nimble, pulsing bass work amplifies the song’s surging, head-moving rhythms; the guitarists deliver jabs and jolts, fiery soloing, and fluid melody; and Tachell’s vocals [previous vocalist] are scalding in their intensity. You put all that together, and you get music that sends the blood rushing and proves to be highly addictive as well” – NO CLEAN SINGING ‘Savage’ single review (2019)

“The songs on this EP turn out to be damned addictive. It’s very easy, at the end, to just go back to the beginning and ride this lightning again… and again” StillBorn World EP Review (2019) – NO CLEAN SINGING

0 Surrender To Darkness With New Prog-Death Metal Track “Seeds of Hatred” From Canada’s ETHEREAL VOID; New Album “Gods of a Dead World” Out May 2023

April 19, 2023
by Asher
· Ethereal Void · Music News

NEWS RELEASE

Montreal, QC – April 19, 2023

Surrender To Darkness With New Prog-Death Metal Track “Seeds of Hatred” From Canada’s ETHEREAL VOID

New Album “Gods of a Dead World” Out May 2023

Ethereal Void is a 3-piece death metal band from Ontario, Canada that incorporates groove and progressive elements into their dark, rhythmic sounds of worship to the void. Forged in the void transcending time and space, they sought to create music different from our past experiences. Thus far, they have created two albums “Disciples of the Void” (2020) and “Acolytes of Entropy” (2021), and now their third “Gods of a Dead World” is ready to see the light of day. The first look at what’s to come is the single “Seeds of Hatred”. The band shares the theme and sound:

“This song is about a geographic area that’s cursed to be forever torn by war. Era after era, it sees bloodshed and turbulence. It is the type of groove-based chug-fest you’d expect from us. Like most of the album, it’s a crushing and to-the-point track about an area cursed to eternal warfare and bloodshed.”

Compared to the previous two albums, “Gods of a Dead World” is a departure. Ethereal Void started out as straightforward death metal with what was arguably progressive and groove influences. This new album takes that sound to a much more epic and grander scale while retaining the core of those aforementioned elements.

Those looking for groove-based death metal darkness need to look no further than Ethereal Void’s “Seeds of Hatred” single, which is streaming now, it is recommended for fans of Gojira, Septicflesh, and The Design Abstract.

Listen to “Seeds of Hatred” via its premiere on TheCirclePit YouTube channel – https://youtu.be/ZN2wTUjij8c

“Gods of a Dead World” is due out May 26, 2023.

Album pre-order – https://design.bandcamp.com

Track Listing:
1. Overture to Annihilation (1:35)
2. The Voiceless (2:59)
3. Seeds of Hatred (3:44)
4. The Art of Ruination (2:48)
5. Psychosomatic Suicide (2:59)
6. Decay (Interlude) (0:46)
7. Return to the Void (3:34)
8. The Brown Stone Spire (2:32)
9. Gods of a Dead World (5:49)
Album Length: 26:50

For more info: Facebook.com/EtherealVoid

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0 THE CONVALESCENCE Release Claymation Video For “No Survivors” ft. CARNIFEX’s Scott Ian Lewis + USA Tour Dates w/ Casket Robbery, Ignominious

January 26, 2023
by Asher
· Music News · The Convalescence

NEWS RELEASE

Montreal, QC – January 26, 2023

THE CONVALESCENCE Release Claymation Video For “No Survivors” ft. CARNIFEX’s Scott Ian Lewis

March 2023 USA Tour Dates w/ Casket Robbery, Ignominious

The Convalescence is a five-member symphonic deathcore band formed in Toledo, USA in early 2011. The Convalescence blends black metal/horror theatrics with intense death metal style blast beats and shredding guitar along with brutal slamming breakdowns and catchy melodies. Since their inception, they have amassed an impressive discography including five full-length albums, and have toured extensively across the planet. The latest from them is the single “No Survivors” featuring Scott Ian Lewis of Carnifex accompanied by a claymation music video. Vocalist Keith Wampler details the single and the upcoming album:

“The single is one of the hardest-hitting songs we’ve ever released. The lyrics and video were inspired by the Alien films, and having Scott doing some nasty guest vocals really helped give it the brutality we were looking for. We played it live throughout our recent European Tour and absolutely loved the energy it brings to the stage. We’re looking forward to this one being a part of our live show for many tours to come. This new album is basically like one big horror movie, song by song each one tells a story. Each one is brutal in its own way.”

The Convalescence expects the album will be received well by the fans, as they do their very best to step things up on each record. They worked with producer Jason Suecof on this one at Audiohammer Studios in Florida who has worked with most of their favorite bands (The Black Dahlia Murder, Carnifex, Deicide, Job For A Cowboy) and they were beyond stoked he was down to do the recording with them. In their opinion, they’ve created the heaviest The Convalescence album so far. The full-length was mastered by Christian Donaldson (Cryptopsy) and is expected for release summer 2023.

Filthy, brutal, and symphonic, The Convalescence is recommended for fans of Carnifex, The Black Dahlia Murder, and Chelsea Grin.

Listen and watch to “No Survivors” ft. Carnifex’s Scott Ian Lewis at https://youtu.be/YQVSCu57aSs

In additional news, The Convalescence will be hitting the road this coming March for the “No Survivors Tour” with support from Casket Robbery and Ignominious. Tickets and info are available at Tconband.com.

The Convalescence – No Survivors Tour w/ Casket Robbery, Ignominious
3/10 – Jackson, MI @ The Music Box
3/11 – Toledo, OH @ Main Street Bar & Grill
3/12 – New Haven, IN @ Carl’s Tavern
3/13 – Louisville, KY @ Mag Bar
3/14 – Overland Park, KS @ Vivo Live Events
3/15 – Tulsa, OK @ The Whittier Bar
3/16 – Fort Worth, TX @ The Rail Club DFW
3/17 – San Antonio, TX @ Bonds Rock Bar
3/18 – Houston, TX @ House Of Blues
3/19 – New Orleans, LA @ Gasa Gasa
3/20 – Pensacola, FL @ The Handlebar
3/21 – Sanford, FL @ West End Trading Co.
3/22 – Murfreesboro, TN @ Crossroads
3/23 – Knoxville, TN @ Brickyard Bar & Grill
3/24 – Lakewood, OH @ The Foundry
3/25 – Chesterfield, MI @ Diesel Concert Lounge

For more info:
http://tconband.com
https://www.facebook.com/theconvalescence
https://www.instagram.com/theconvalescenceofficial
https://twitter.com/tconband

About: The Convalescence is a five-member symphonic deathcore band formed in Toledo, OH in early 2011. The Convalescence blends black metal/horror theatrics with intense death metal style blast beats and shredding guitar along with brutal slamming breakdowns and catchy melodies. The band tours nearly non-stop racking up nearly 1,000 live performances across nine countries.

The Convalescence has released four full-length albums, two EPs, and two stand-alone singles resulting in over one million plays on Spotify and Youtube each. The band also released two documentaries via Amazon Prime Video in 2020 supported by a sold-out movie theatre screening of them both in Maumee, OH on October 30, 2020. The band recently finished recording their fifth full-length album with producer Jason Suecof at Audiohammer Studios with a projected release in 2023.

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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0 Canada’s NOMAD Combine A Ballad With Groovy Death Metal In “Revolution” Off “The Mountain” Out March 2023; Mastered by Christian Donaldson (Cryptopsy)

January 16, 2023
by Asher
· Music News · Nomad

NEWS RELEASE

Montreal, QC – January 19, 2022

Canada’s NOMAD Combine A Ballad With Groovy Death Metal In “Revolution” Off “The Mountain” Out March 2023

Mastered by Christian Donaldson (Cryptopsy)

L-R – Josh MacDonald (Bass), Matt Johnstone (Guitar/Vocals), Bretton Melanson, (Drums/Vocals), Jeff Mabb (Guitar/Vocals)
Photo Credit – Chris Geistlinger

Nomad is a progressive death metal band from British Columbia’s Okanagan Valley in Canada who are excited to finally be releasing their debut album “The Mountain” this coming March. “Revolution” is the second single off the album and it is their most dynamic offering, featuring clean vocals and harmonies for the first half with a crushing ass kicking at the end. It’s a call to action, a challenge to take making the world a better place into your own hands. They comment on the track:

“The first half is our “ballad” with clean vocals, and the second half is rocking out to one hell of a sludge/groove riff, start light, go heavy, it’s kind of our “One”. The lyrics call for a revolution, a societal change, redistribution of wealth, symbiosis with nature, and to stop messing up the damn planet so our kids have a decent world to live in. The album title comes from the final line of the song, and the “fuck you” is directed to those that put profits over the preservation of our planet.”

Nomad is still early in their career and has cycled through different singers who have each brought their own style to the table and impacted the music in their own ways. Their new shared vocals setup, where three of the four musicians are vocalists, really lets them combine different styles taking the best of what they’ve had in the past from an old-school raw sound to a more refined modern sound.

The progressive melodic groove/death metal is recommended for fans of Lamb of God, Pantera, and Sepultura.

Listen to “Revolution” via its premiere on NoCleanSinging HERE.

“The Mountain” is due out on March 3, 2023, and was mixed by drummer Bretton Melanson and mastered by Christian Donaldson (Cryptopsy). It is recommended for fans of Gojira, Lamb of God, and Pantera.

Album pre-order (CD, Digital) – Nomadbc.bandcamp.com

Previous single – “Burning Alive” – https://youtu.be/N4uKBAfxc4c

Track Listing:
1. Burning Alive (4:30)
2. Haunted (6:00)
3. Revolution (6:05)
4. Relentless (6:09)
5. A Lonely Wanderer (5:08)
6. Blood Moon (9:40)
7. Rise in the Fall (6:20)
8. Processor (6:56)
9. Choke (8:52)
Album Length: 59:38

Album Credits:
– All songs written and performed by Nomad.
– Additional writing contributions by past members:
Kasey Klassen
Lorne Valliers
Dylan Heska
Justin Kleinsasser
– Mixed by Bretton Melanson
– Mastered by Christian Donaldson
– Album Artwork by: Angela Grimmuza/ Art Of Grimmuza
– MAPL – Canadian Content

Album and Live lineup:
Bretton Melanson: Drums/Vocals
Matt Johnstone: Guitar/Vocals
Jeff Mabb: Guitar/Vocals
Josh MacDonald: Bass

For more info: Facebook.com/nomadmetal | Instagram.com/nomadbandbc

About: Nomad is a dynamic, progressive death metal band from the Okanagan Valley in British Columbia, Canada and consists of drummer/vocalist Bretton Melanson; guitarist/vocalist Matt Johnstone; guitarist/vocalist Jeff Mabb; plus bassist Josh MacDonald. Kickstarted by Johnstone who was looking for an outlet, he approached Melanson and since the material felt right and with their previous history playing together, the ball was rolling. Over a few years, there was a lineup flux, with each additional leaving their mark on the material. Ultimately, they then recruited Mabb as a second guitarist and MacDonald on bass, and working collaboratively, they weave their melodic, groovy death metal.

Looking to avoid the violence and gore tropes that are quite prominent in metal music, they tend to tell stories based on fictional characters, historical events, science fiction, and astrophysics. Each member adds their own flair to the songs, imprinting their distinct influences.

When they hit the stage, the audience is greeted by multiple vocalists that deliver a massive wall of layered sound, integrated sound effects, and a well-thought-out visual element. They played Canada’s prominent Armstrong Metalfest in 2016-2019 and performed alongside bands such as Kataklysm, Origin, Soulfly, and Alestorm. They are releasing their debut album “The Mountain” in 2023.

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 CRS Find Melodic Death Metal Success With New Single “The Failure”

January 12, 2023
by Asher
· CRS · Music News

NEWS RELEASE

Montreal, QC – January 12, 2023

CRS Find Melodic Death Metal Success With New Single “The Failure”

CRS – L-R – Tavo Ramirez (Drums), Kello Gonzalez (Bass), Kath Danzig (guest vocals) – Hideki Inukai (Guitar), Sir Oz (Vocals), Francisco Oroz (Guitar)
Photo Credit – Carlos Hemosillo

Hailing from Sonora, Mexico, the death metal act CRS started back in 1991, and since then has been cranking out punishing technical riffs, and evil growls. Their beginning influences were in the realm of technical death metal and death metal, but they have always sought out different song structures and embraced fusion. They have a new single featuring guest vocals from Kath Danzig coming out that takes them in a new direction toward the melodic end of the spectrum. “The Failure” talks about how we, as a human race, have failed. Not caring about tomorrow, nor the young ones, we are a failure. A disgrace to intelligence. How there is no empathy, just emptiness. The band explains further:

“CRS has always wanted to be versatile. We want to offer music that we like, we never think about music styles, but about a good metal song. In the case of “The Failure” we made an exception, we did seek to make a “melodic death metal” since we had never done it before, even though we really like that style. The single has an important message, humanity is a failure and it has screwed up the whole planet. Having a female guttural singer as a guest brings an interesting shine to the band.”

CRS has always loved clean guitar passages and melodic guitar solos, so this time we wanted to compose a full-death melodic song, at least their version. It has a comfortable structure, but without losing the intensity that they have come to be known for. It will still be recognizable for current fans and add a new dimension that will intrigue those who are hearing them for the first time.

“The Failure” wasn´t originally for CRS, but they liked it so much that they kept it. They cite that the freshness comes from the freedom in thinking it was for someone else. With both English and Spanish vocals, it stands out among other songs in the genre. It is recommended for fans of Meshuggah, Fear Factory, and Carcass.

Listen to “The Failure” ft. guest vocals from Kath Danzig via its premiere on NoCleanSinging HERE.

For more info: Facebook.com/crsmetalband | Youtube.com/@CRSBAND | Instagram.com/crsmetalband

About: CRS is a Death Metal band from Sonora, Mexico, formed in 1991 with the name Cirrosis by Francisco “Chucky” Oroz and Sir OZ, are the only original members in the current lineup. Due to their technical capacity to adhere to progressive elements and melodic solos, CRS quickly gained notoriety in the local and national scene. Their live performances were characterized by intensity and fury, becoming a cult band. In 1996, “Joseph Lev” joined the band and they recorded their first demo “La Tierra de la Adicción” which was distributed limitedly. In 1999, CRS entered the studio and recorded the album “Reciclando Desesperación” in Spanish, offering a range of different Death Metal styles, highlighting the quality of its production.

In 2001, CRS decided to break up, and its members continued with their personal and professional projects. In 2014, Concreto Records decided to reissue the album “Reciclando Desesperación” describing it as “The maladaptive sound that disturbed a style in Mexico that can currently give lessons to current modern bands”.

In 2019, CRS returned to record their second studio album “The Collector of Truths” with Concreto Records. Two international musicians play as guests in the album, Kevin Talley (Dying

Fetus, Suffocation, Chimaira), on drums, and Linus Klausenitzer (Obscura, Alkaloid) on bass. In September 2020, CRS recorded a Live Session for the Mexican online festival “Moshfest” which became an EP called “Live in isolotation” featuring Kello Gonzalez on bass, who became an official member on December 2021.

In March 2022, they released a new single titled “The enemy has always been me”. In October 2022, CRS played live after twenty years with the Brazilian band Sepultura. On that same date, Hideki Inukai joined the band on the second guitar.

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“Where this album shines the most is in its flow. Throughout its eight tracks, CRS manages to build momentum song after song. There are fast parts and great guitar solos aplenty. However, CRS never slip on their songwriting. It’s an album that’s just always in that groovy death zone. Even when tracks like “The Daydreamer’s Nightmare” takes us into a spaced-out, relaxed solo or others like “The Art of Breathing”, that takes the album down a notch, CRS really lose nothing. They manage to bring a lot of out of their sound. Hell, “A Better Place to Hate” and ” “Tan Lejos de Dios (Nowhere.. But Here)” both have some tasty, thrashy bits to open them up.” – Metal Injection

“Now, as we nearly enter a new decade, CRS have returned with a full-length of groove/death metal with a technical spark. This spark comes in the form of shredding guitar solos and guest spots from drummer Kevin Talley on a few songs and Obscura/Alkaloid bassist Linus Klausenitzer on “The Art Of Breathing.” Those two musicians are at such a high skill level that the listener will immediately recognize their work. Their inclusion gives gravitas to the songs they are on, though the group does fine on their own with tunes like the anthemic “Resistencia” and Meshuggah-esque “Asfixia.” – Heavy Music Headquarters

“… Fast forward to now and the band comes roaring back to life on their sophomore effort The Collector of Truths and it’s a love letter to the time they left behind. Industrial bombast, guttural death metal, and melodically progressive strains of genius all play out in equally large parts over the course of these eight tracks” – Nine Circles

“There is a wonderful sense of pervasive evil that dominates the record from tracks like album opener ‘Asfixia’ to ragers like The Daydreamer’s Nightmare. I love this sense of harsh realities and raw brutality. It gives The Collector Of Truths a sense of authenticity, showing that the band emerged from true struggle to birth this record unto the world.” – Two Guys Metal Review

“CRS, or CIRROSIS, a band that plays their own brand of simplistic, mellow Technical Death Metal. Their debut album “The Collector of Truths” is proof that the genre does not need to be as complex as possible in order to be good. You know those albums that just get better as they play? This record is exactly that, the last few tracks forming the peak, the monumental conclusion.” – Metal Temple
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 MALICE DIVINE Assertive Black Metal Comes To The Front With Title Track Off “Everlasting Ascendancy” Out Jan 2023

January 6, 2023
by Asher
· Malice Divine · Music News

NEWS RELEASE

Montreal, QC – January 6, 2023

MALICE DIVINE Assertive Black Metal Comes To The Front With Title Track Off “Everlasting Ascendancy” Out Jan 2023

Driven by a passion for dark, brutal music and the desire to have full creative control, Toronto’s Ric Galvez created his one-man project Malice Divine. He released a self-titled full-length in 2021 and now with the full intention of starting to play live in 2023, the album “Everlasting Ascendancy” is being unveiled. The title track from this release summarizes everything that Malice Divine is about. It has uplifting lyrics, fast tremolo-picked sections, groovy and heavy riffs, epic melodies and solos, and a classical guitar piece that concludes the song. Galvez comments:

“I am very excited to have the title track of the new album “Everlasting Ascendancy” as the second single. This song has some of my most adventurous guitar work to date. It changes riffs frequently and has 5 guitar solos, which is the highest number of solos that I’ve had in one song as of right now. Lyrically the song is also quite personal to me. Essentially the message of the song is that no matter what life throws at me or what I end up going through, I will always come out on top.”

Galvez knew immediately that this track would be the one to finish the album and it is in good company with the other seven tracks, which include fast-paced ragers that will incite mosh pits, to mid-tempo groovy tracks. There are ferocious guitar solos juxtaposed against exceptional classical guitar work. Lyrical themes range from paranormal phenomena to personal growth. It’s a well-rounded offering, with enough diversity to not get stale and enough cohesion to be listened to from front to back without breaking immersion.

The album is a dynamic experience with its blend of different influences that aren’t found in many other bands; powerful and assertive it is recommended for fans of Watain, Thulcandra, and Dissection.

The album title track “Everlasting Ascendancy” can be heard via its premiere on NoCleanSinging HERE.

“Everlasting Ascendancy” will be released on January 27, 2023.

Album Trailer – https://youtu.be/HtpTgxAtE68

Pre-Save the album here: https://distrokid.com/hyperfollow/malicedivine/everlasting-ascendancy-2

Playthrough Video – “Silenced Judgement” – https://youtu.be/1txFo60rUKI

Track Listing:
1. Silenced Judgement (4:10)
2. Apparitions Of Conquest (8:22)
3. Usurping The Paragon (6:07)
4. At One With Infinity (6:06)
5. Parasitic Demons (5:39)
6. Reclaimed Strength (5:31)
7. Illusions Of Fragmentation (8:39)
8. Everlasting Ascendancy (8:10)
Album Length: 52:44

Album Recording Credits:
• All songs performed by: Malice Divine
• All songs written by: Ric Galvez
• Produced by: Tyler Williams
• Mixed by: Tyler Williams
• Mastered by: Jamie King
• Album Artwork by: Eka Saputra (Psychopart)
• Canadian Content (MAPL)

Album Band Lineup:
Ric Galvez – Vocals/Guitars/Bass
Dylan Gowan – Drums (Session)

For more info: Facebook.com/malicedivineband | Youtube.com/malicedivine | Instagram.com/malicedivineofficial

About: Toronto, Canada’s Malice Divine is a solo project conceived by Ric Galvez, who had always had the dream of being the leader of his own project. He wanted to expand beyond being known as just a lead guitarist, into also being known as a songwriter, vocalist, and frontman. Ric has played in local bands previously and was a contestant on Banger TV’s Shredders of Metal Seasons 1 & 2.

Ric has a major in music from York University, and through Malice Divine he shows off his vocal, guitar, and bass prowess. His lyrics are inspired by psychology, spirituality, as well as personal experiences that involve the overcoming of obstacles and hardships, using the resulting verses as a form of empowerment.

The second offering from Malice Divine, entitled “Everlasting Ascendancy”, will be released in early 2023. Once again it features Ric Galvez on Vocals, Guitars, & Bass, as well as Dylan Gowan (Vesperia, Banger TV) playing session drums. Malice Divine is also currently transitioning from being a solo project into being a band effort, and is set to start performing live in 2023. What people can expect from seeing Malice Divine live is highly aggressive black and death metal-inspired music, with shreddy and virtuosic guitar solos that add a melodic layer that isn’t common in the genre.

Malice Divine’s sophomore album “Everlasting Ascendancy” is set to be released on January 27th, 2023.

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“Malice Divine hop back and forth between coming off like a death metal band doing covers of stuff they’ve recorded as a black metal band and coming off like a black metal band doing covers of stuff they’re recorded as a death metal band.”- Decibel Magazine

“Whether you’re into death metal, progressive metal, or epic metal, this album ticks all of those boxes effortlessly.” – Powerplay Magazine

“What exactly does Malice Divine bring to the table? Judging from “In Time” alone, the project brings a great cornucopia of gripping riffs, virtuosic soloing, constantly dynamic rhythms, harrowing vocals, and a talent for interweaving variant melodies that turn out to be memorable, as well as an ability to make such kaleidoscopic music both cohesive and catchy. The opening sequence of riffs begins to establish the pattern, shifting from sensations that are slow, dismal, and perilous to spidery and feverish, and then to cold and cruelly deranged. But that’s just the start of this dark but exhilarating piece.” – No Clean Singing

“My time with Malice Divine has shown me that Ric Galvez is a talented vocalist, guitarist, and songwriter, and fans of blackened and/or melodic death metal are highly encouraged to check it out. Malice Divine has planted their flag squarely on my radar, and I’m excited to see what Galvez comes up with on the next go-around.” – Angry Metal Guy

“Black Metal, Thrash Metal, Death Metal thrown into an insane blender of savage brutality\m/ \m/” – Heavy New York

“his self-titled debut is a very guitar-centric slab of Black/Death that sounds like a mixture of Dissection’s melodic sensibility with Skeletonwitch’s relentless energy. The playing is as sharp and precise as you’d expect it to be, and some of the leads are really superior…” – The Metal Crypt

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Norway’s Féleth Now Streaming Their Technical Melodic Death Metal Album “Divine Blight” (Mixed and Mastered by Christian Donaldson (Cryptopsy))

November 10, 2022
by Asher
· Feleth · Music News

NEWS RELEASE

Montreal, QC – November 10, 2022

Norway’s Féleth Now Streaming Their Technical Melodic Death Metal Album “Divine Blight”

Mixed and Mastered by Christian Donaldson (Cryptopsy)

Féleth, from northern Norway, is now streaming their second album “Divine Blight”, which they see as a solid step up from 2020’s “Depravity”. They take on real-life events and put them to provocative music best described as melodic death metal with a healthy dose of technical death metal added in. The lyrical themes are often inspired by things that vocalist Espen Dagenborg finds massively wrong such as politicians waging war, being greedy, and also how humans can be extremely hateful against others. Then again there are also songs that are somewhat purely fictional, mostly showcasing his lyrical style.

As Féleth was the continuation of a former thrash metal band, IronBound, it’s natural to say that they started out as a thrash death band. As the then-young boys started to discover the joys of death metal the sound evolved more toward that. Along with the newfound joy came the struggle, for death metal wasn’t easy to play. After finally mastering the ways of death metal and having released “Depravity” disaster struck. The now not-so-young boys had developed a taste for technical death metal and big hooks. When the time came to work on “Divine Blight” they already had a handful of finished songs to choose from, each one a work of art – melodic, technical, brutal art. The band comments:

“After getting signed with our new label “Rob Mules Records” and playing some pretty sick gigs at both Buktafestivalen and Tons of Rock, we’re super stoked to release our new album “Divine Blight”. It was a long and tedious process of selecting, practicing, and recording, but the result will speak for itself. Our best album thus far. It’s a collection of stories based on the dystopian path humanity is set on. We felt that throughout this new journey of an album we’ve refined our songwriting and successfully achieved a style that’s not only ass-whoppingly brutal, but also more complex emotionally and lyrically. It is clear that we’ve got multiple influences and styles throughout the album which all contribute to a massive sonic package. It’s definitely a death metal album with some subtle takes on some of its many subgenres. Two and half years after our debut “Depravity” we’re ready to present ‘DIVINE BLIGHT’.”

The album was mixed and mastered by Christian Donaldson (Cryptopsy) and the album artwork was done by Kahinienn Graphix. The Northern Norwegian technical death rock is recommended for fans of Fit For An Autopsy, Inferi, and Soreption.

The album “Divine Blight” comes out on November 11, 2022, and can be heard in full before its official release on Metal-Rules HERE.

Music Video – Majesty – https://youtu.be/yce26-EGFMI

Visualizer – Avarice – https://youtu.be/E2J3NnHAmsk

Lyric Video – USA ft. Petter Carlsen – https://youtu.be/7jURKrmgt0M

Track Listing:
1. Majesty – 03:46
2. Caretaker – 03:58
3. Riven – 03:51
4. En Elskovsdans – 03:10
5. The Serpent – 03:32
6. Casanova – 03:35
7. Deadlands – 04:26
8. Absence – 04:09
9. USA – 05:32 ft. gust vocals Petter Carlsen
10. Avarice – 05:33
Album Length: 41:37

Album Credits:
All songs performed by Féleth
Guest vocalist Petter Carlsen on USA
All songs written by Féleth
Produced by Féleth
Mixed and Mastered by Christian Donaldson
Assistant Engineer Jonathan Mazzeo
Album Artwork by Kahinienn Graphix

Live and Album Lineup:
Espen Dagenborg – Vocals
Thomas Nyvoll – Guitar
Alexander Stamnes – Guitar
Brage Ingebrigtsen Westgaard – Bass
Aleksander Alsen – Drums

For more info:
Facebook.com/FelethBand
Instagram.com/felethband

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““Majesty” is an exciting introduction to the differing styles and techniques that Féleth intertwine in their songwriting, drawing together ingredients from technical and melodic death metal in a white-hot rush that nevertheless is home to some bone-smashing grooves. “Avarice” puts those genre ingredients on display again, but expands the musical palette and makes the song an even ore multi-faceted and atmospheric experience. With no room to gasp a breath, the song explodes in a flurry of fleet-fingered, fret-leaping guitar work, neck-cracking drumming, and flame-throwing vocal intensity. But groaning chords and shrill, eerie melodic overtones also create dark and deleterious moods, building tension and fear. While the vocals are utterly unhinged in their madness (and doubled in the chorus for extra intensity), squirming guitar arpeggios create a different dimension of insanity, coupled with agony, and martial drum patterns and a misery-steeped closing solo add to the song’s relentless dynamism. On top of all that, the song also punches like a heavyweight fighter.” – No Clean Singing (Divine Blight 2022)

“Feleth is gaining a name for itself despite only being around for a couple of years. They are developing their sound and their technical ability rapidly and this release shows that development, especially in songwriting where they bring different elements in to add color. An excellent example of melodic/technical death metal and worth anyone’s hard-earned cash.” – My Global Mind (Divine Blight 2022)

“Depravity the newest album from Feleth is one brutal album full of riffs and hooks to keep even the most particular entertained. Feleth mix the roots of the Norwegian metal scene, with the death metal tone they strive for to create some well crafted blackened death metal, similar to that of Shadow of Intent.” – Metal Injection (Depravity 2020)

“With a melting pot of ideas, yet rooted in delivering a head-smashing and neck-destroying style of metal, Féleth are aggressive newcomers to a scene that constantly looks to surprise… Féleth deliver heavy and extreme noise so very well.” 9/10 – Games, Brrraaains & A Head-Banging Life (Depravity 2020)

“straight up heaviness and brutality, tech offerings and melodic atmopsheres, and enjoyable groove.” – Dead Rhetoric (Depravity 2020)

“Féleth: Transcends the traditional limits of the genre…” – Permafrost.today (Depravity 2020)

“9/10 “Féleth offer an edge-of-your-seat experience that is both fresh and captivating.” – Metal Inferno (Depravity 2020)

“Féleth does death metal fast and aggressive, reigning in their impressive technical chops for maximum impact, keeping their riffs (and songs, for that matter) relatively short and to the point. They strike a pretty even balance between chunky chords and caustic melodies, most of which are designed to coax headbanging than to impress with virtuosity. The album is front-loaded with catchy bangers, saving the more technical and weird bits for the latter half.” – Tolet Ov Hell (Depravity 2020)
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 From The Mosh Pit Dorms of Berklee – Boston’s SURVIVE THE SUN Unleash Their Next Creation “Forging The Nemesis”

October 28, 2022
by Asher
· Music News · Survive The Sun

NEWS RELEASE

Montreal, QC – October 28, 2022

From The Mosh Pit Dorms of Berklee – Boston’s SURVIVE THE SUN Unleash Their Next Creation “Forging The Nemesis”

L-R – Ethan Emery (Bass), Micah Burch (Vocals), Jackson Snowden – Guitar, Jake Thompson (Drums)
Photo Credit – Asher Thomas – Evil Eye Productions

Boston’s Survive the Sun is melodic deathcore that came together while all members were studying at the Berklee College of Music. The natural creativity and close living environment quickly led to dorm room writing and recording sessions, which almost lead them as students/band members being expelled from their quarters due to noise complaints.

Introducing themselves with the 2020 song “The Minds in Which They Feast”, the quintet is ready to follow it up with their second single accompanied by a music video. Entitled “Forging The Nemesis”, it’s the second song the band wrote together, all over an entire weekend, in their first apartment post-dorm life back in 2019.

Vocalist Micah Burch explains the track in further detail:

“This single specifically visits personal trauma. It’s a fairly straightforward tale of suffering that leads to an existential change, or series of changes. It speaks on how trauma can temporally sculpt something entirely different by running the gamut of emotional responses. The hope is that the people that need it can interface with the feeling and relate, subject to their own experience. So I suppose the experience is relatability.”

Aggressive, resonant, and commanding, Survive The Sun is only getting started, this second single that they are presenting was mixed, mastered, and re-amped by Buster Odeholm (Vildhjarta, Humanity’s Last Breath) and according to them “This single is so much better overall than anything we’ve done in the past, Odeholm made ‘Forging The Nemesis’ sound greater than we ever could’ve imagined it turning out, a big shout out to Odeholm audio.”.

For metal fans looking for new and upcoming bands, Survive The Sun is a listening experience geared towards dynamism and is designed to be sat with. Even as a fresh new band their goal is to give listeners a multiplexed experience. With “Forging The Nemesis” they are offering a more technical and produced sound than their debut track, along with plans for future songs to be written with 7 strings and to be dropped tuned along with being implemented with more groovy elements instead of their current 6 strings.

“The fabric of each song has a commonality, but they also exhibit slight mosaicism in their peripheral aspects. Effectively, the foundations are the same, but each track has a different feel, providing the listener with a variance to explore. We have about 6 more songs so we haven’t decided if we’re going to do an EP or full album yet, but we are very eager to get them out so it will be soon.” adds Burch.

High energy, high momentum, Survive The Sun will be performing live shows in the New England area and more, having already performed on Welcome To Rockville (2019) that included a lineup with Metallica, Nine Inch Nails, Disturbed, Rob Zombie, Deftones, Lamb Of God, and more.

Recommended for fans of Veil of Maya, Born of Osiris, Thy Art Is Murder, Shadow Of Intent, and Oceano, Survive The Sun is working on more material to be released for 2023, but in the meantime, you can listen to their new single “Forging The Nemesis” at the following links below.

Music Video – Forging The Nemesis – https://youtu.be/XZTJLVqOFZk

Digital available on Spotify, Apple Music, Bandcamp.

Survive The Sun is:
Jackson Snowden – Guitar
Jake Thompson – Drums
Ethan Emery – Bass
Micah Burch – Vocals

For more info:
https://instagram.com/survivethesun
https://www.facebook.com/survivethesun
https://twitter.com/survivethesun

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Norway’s Féleth Confront The Dark History Of Colonialism In “USA” Off “Divine Blight” – Mixed and Mastered by Christian Donaldson (Cryptopsy)

October 17, 2022
by Asher
· Feleth · Music News

NEWS RELEASE

Montreal, QC – October 17, 2022

Norway’s Féleth Confront The Dark History Of Colonialism In “USA” Off “Divine Blight”

Mixed and Mastered by Christian Donaldson (Cryptopsy)

Féleth, from the far reaches of northern Norway, above the arctic circle, have a new album coming out this winter entitled “Divine Blight”. Some of the tracks on the album are fictional while others, including the single “USA” ft. Petter Carlsen are commentaries on real-world issues. The latest single involves the parallelism of the USA’s and Scandinavia’s effects on the indigenous people of the areas. The band details the track:

“It’s our most alternative song on the album, where almost everyone contributed to the songwriting. “USA” starts off very calm and beautiful, before the main bassline of the song comes in, which in itself is very intricate. The song follows a very strange structure where it has two ‘’hooks’’, and riffs that showcase the absolute guitar mastery that the band can deliver. Lyrically there was a lot of work put into this song, it touches upon the horrors that were inflicted upon the Native Americans, and also the Sami people, the indigenous people of Northern Norway, expressing extreme dismay and criticism against the atrocities inflicted.”

When it comes to writing, everyone participates in the songwriting process, but is mostly handled by the guitarists. Then up to the bass player and drummer to add what they think is the most fitting for the song. The lyrics usually come from the ‘’feel’’ of the songs. The lyrics are ranging from critique towards humanity, relatable events and even touching upon how the more technologically advanced people oppressed natives in the single “USA”.

The general red line throughout the album when it comes to the lyrics is perfectly described in the album title ‘’Divine Blight’’, which is a wordplay on ‘’Divine Right’’ where kings etc. meant they were chosen by god and had more worth than other people. ‘’Divine Blight’’ is the band’s dismay in such thinking, implying that all of humanity is equal and we are all equally responsible for all the fucked up shit that’s happening in this world.

An electrically charged exhibit of melodic death metal with a generous helping of technical riffs, Féleth takes their music seriously, but not themselves. They are recommended for fans of Archspire, Fit For An Autopsy and Inferi.

The lyric video for “USA” ft. Petter Carlsen can be seen and heard at https://youtu.be/7jURKrmgt0M

Digital – https://orcd.co/_usa

The album “Divine Blight” comes out on November 11, 2022.

Music Video – Majesty – https://youtu.be/yce26-EGFMI

Visualizer – Avarice – https://youtu.be/E2J3NnHAmsk

Live and Album Lineup:
Espen Dagenborg – Vocals
Thomas Nyvoll – Guitar
Alexander Stamnes – Guitar
Brage Ingebrigtsen Westgaard – Bass
Aleksander Alsen – Drums

For more info:
Facebook.com/FelethBand
Instagram.com/felethband

– 30 –

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