Tag: death metal

0 Prepare For A 260 BPM Descent into Chaos w/ ANCIENT THRONES New Music Video “Melancholia” Off Upcoming Album “Melancholia” Out Sept 2025

August 20, 2025
by Asher
· Ancient Thrones · Music News

NEWS RELEASE

Montreal, QC – August 20, 2025

Prepare For A 260 BPM Descent into Chaos w/ ANCIENT THRONES New Music Video “Melancholia” Off Upcoming Album Out Sept 2025

+ Launch Vinyl Pre-Order

Ancient Thrones Current Line Up

Top L-R: Dylan Wallace (Guitar) | Nick Leslie (Guitar)

Bottom L-R: Matt LeBlanc (Bass) | Sean Hickey (Drums & Vocals)

Photo Credit – Matt Leblanc

Set to unleash their sophomore album “Melancholia” on September 19, 2025, to follow their 2020 breakout debut “The Veil”, Halifax, Canada’s progressive death metal titans Ancient Thrones are sharing their second single and title track, accompanied by a new music video.

At 260 beats per minute, Ancient Thrones introduce the protagonist of their concept record, his condition, and how he describes feeling out of place, plunging listeners headfirst into his psyche.

“With unrelenting intensity from the opening second, the title track Melancholia is simply a demonstration of what we set out to do with this album. Not one instrument stands out more than the other on this track, as it storms through a plethora of chaotic riffs, rapid blast beats, and lightning-quick vocals at 260 beats per minute, before reaching a breaking point where we flip the script to welcome change both musically and lyrically. If you like to invite some emotion to go with your extreme metal, then this is the song for you,” adds bassist Matt LeBlanc.

Watch and listen to the music video for “Melancholia” via Slam Worldwide at https://youtu.be/_LvSTJ78kd8

Formed in 2011 and reborn in 2018 with the arrival of guitarist and composer Dylan Wallace, Ancient Thrones carved out a new identity rooted in fast, extreme, progressive, cinematic, and existential soundscapes. With “Melancholia”, the band introduces a 42-minute descent into existential exhaustion, delivering an unapologetic extreme metal concept album that fuses blistering speed, cinematic storytelling, and emotional brutality.

From the chaotic opener “A Moon Fused Key” to the doom-laden closer “Vacant,” the band exposes raw intensity and jagged vulnerability. The narrative follows a colorblind protagonist navigating hallucinogenic visions in search of meaning, an unsettling journey through idealism, dread, and transformation. After five years of creation, Ancient Thrones proudly bring to light this new chapter, inviting listeners to embrace the chaos and feel something truly unnatural.

“For this album, a big focus for us was on the production. We meticulously, painstakingly spent several hours dialing every tone, note, layer, vocal, etc. We were fortunate to have time and a slower world on our side during production. Everything on this album was thought out and brought to life in a fully fleshed-out way. It took us 5 years to make this album, with 1 of those years used just levelling up our musicianship and techniques in order to play the material. We’re faster, more technical, and have a singular focus to make sure this album was beating you down from head to toe,” says Leblanc.

Drawing from the raw ferocity of black metal, the brutal edge of 2000s death metal, and the precision of modern tech death, “Melancholia” is a must-listen for fans of Archspire, The Red Chord, Deafheaven, and The Faceless.

Album pre-order (Vinyl, Digital) (out Sept 19th, 2025) – https://ancientthrones.bandcamp.com

Lyric Video – “A Moon Fused Key” https://youtu.be/IfDBNhlJ0sI

Track Listing:
1. A Moon Fused Key (5:12)
2. Achromatopsia (1:19)
3. Melancholia (6:17)
4. A Turning Point (5:46)
5. A Pellucid Prism (4:26)
6. Sacred Swollen Glass (6:16)
7. Blight (2:18)
8. A Pale Palace (4:55)
9. Vacant (5:31)
Album Length: 42:00

Band Lineup:
Dylan Wallace – Guitar
Nick Leslie – Guitar
Matt LeBlanc – Bass
Sean Hickey – Drums & Vocals

More info: Facebook.com/Ancientthrones | Instagram.com/ancientthrones

-30-

“The music is indeed violent, and immediately so, exploding in a blast of turbulent riffing, heavily undulating bass tones, and furious beats. The guitars wildly writhe and rapidly spear off in crazed angles, kaleidoscopic in effect, and the words spit forth in caustic screams that are equally deranged. Dissonant and dismal tones intrude, along with guttural roars, blast-beat outbursts, and pulverizing blows, and the riffing also seems to swarm in agony, adding further dimensions of darkness to the song’s overarching manifestation of delirium. Backed by a pulse-pounding and highly headbangable groove, the song also introduces yet another dimension, an eerie guitar solo that slowly slithers, brightly swirls, and evolves into an entrancing harmony, very much like a beckoning and seductive presence that manifests within the mayhem.” – No Clean Singing (single – A Moon Fused Key – 2025)

What the press has said about 2020’s “The Veil”:

“A full-throttle attack, the song (The Sight of Oblivion) delivers bludgeoning rhythms, vicious darting and slashing guitar-work, scorching blackened shrieks, and cold-hearted roars. There’s a brazen, borderline-unhinged quality to the barrage, generated by screaming, rapidly whirling leads, magma-like bass notes, and fast-changing, bone-cracking drums. But within the assault there are also fluid, sinuous melodic leads whose mellifluous, reverberating tones give the music a mysterious, mesmerizing, and mournful quality. And near the end one of those leads morphs into a fret-burning dual-guitar extravaganza that really gets the blood rushing.” – No Clean Singing (2020 – The Veil)

“Nearly an hour in length, The Veil earns that run-time with crisply-written compositions and an arsenal of sky-ripping riffs. The acoustic reprieve of “Sentient” and melodic grief of “Permanent” reveal the album’s heavy heart. But the album conjures strength from those pensive moments. Rife with nimble axe-work from Dylan Wallace and Nick Leslie, The Veil never succumbs to the solemnity of its subject. The Veil remains an impactful listen down to its final dying note.” – Decibel Magazine (2020 – The Veil)

“Trailer Park Boys and Hobo With a Shotgun aren’t the only pieces of media that have emerged from Nova Scotia that you should get excited over.” – MetalSucks

“From the massive tremolo sections and bludgeoning riffs to the surprisingly melodic harmonies between guitarists Dylan Wallace and Nick Leslie, Ancient Thrones have definitely honed in on something special with this track.” – GearGods

“From earth crushing riffs and face-melting guitar solos to the overarching theme of grief and devastation that the record encompasses, this single really ramps up the intensity” – Bravewords

“Canadian band Ancient Thrones perform a combination of black, death and thrash metal with some progressive tendencies on The Veil. They have similarities to Skeletonwitch, but have an even more dynamic sound. The songs are both aggressive and intelligent in equal measure and run through a variety of different emotional tangents. There is a vile and harsh aspect to the band, but there is also a forward thinking one. It all results in a creative and dynamic listen.” – Heavy Music Headquarters (2020 – The Veil)

“The prize for most ambitious album of 2020 already has the name of Ancient Thrones carved in marble. Who among you fancies a 56-minute blackened death metal saga with an epic meditation on one man’s descent into the afterlife? No band thought it conceivable to write the metal version of Ingmar Bergman’s The Seventh Seal, but this Nova Scotia quartet are not just any band. This is a remarkable journey for the contemplative mind.” – Scream Blast Repeat (2020 – The Veil)

“The Sight of Oblivion and The Millionth Grave are steeped in ferociousness and savagery as only a band well versed in blackened death metal are capable of producing.8.5/10” – Games, Brrraaains & A Head-Banging Life (2020 – The Veil)

“With this new incarnation, Ancient Thrones has moved into strict Black/Death territory, producing an album filled with pummeling riffs, intricate song structures, and technical musicianship that’s leavened by atmospheric segments and epic, sometimes audacious melodies that border on Cascadian. The production matches this style perfectly, being heavy and abrasive while allowing the songs enough room to stretch out… fans of more epic and melodic Black/Death will want to give The Veil a listen. 4/5” – The Metal Crypt (2020 – The Veil)

“It is fast, thrashing extreme metal with shrieked/growled vocals, and a headbanging attitude. They have elements of thrash, black and death but their method of delivery won’t confuse anyone. It is metal to make the fans move. It is pretty thrashy, pretty brutal but also melodic, and the guitar work has plenty to offer both in the riffs and the melodies.” – Metal Bulletin (2020 – The Veil)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Ex-Nile Frontman Dallas Toler-Wade Revives “Annihilation of the Wicked” on NARCOTIC WASTELAND’s Fall Tour “Annihilation of The Wasteland”

August 19, 2025
by Asher
· Music News · Narcotic Wasteland

NEWS RELEASE

Montreal, QC – August 19, 2025

Ex-Nile Frontman Dallas Toler-Wade Revives “Annihilation of the Wicked” on NARCOTIC WASTELAND’s Explosive Fall Tour “Annihilation of The Wasteland”

+ New Music Video “Introspective Nightmares”

Narcotic Wasteland, fronted by ex-Nile guitarist/vocalist Dallas Toler-Wade along with drummer Joseph Howard (Fields of Elysium, Neuromorphic) and bassist Kenji Tsunami (Ontogeny), will be hitting the road for the “Annihilation of Wasteland Tour” (dates listed below). On this tour, they will be celebrating the 20-year release of “Annihilation of the Wicked”, in which Dallas will perform two of the songs he wrote for the album: “Lashed to the Slave Stick” and “The Burning Pits of the Duat”, giving Nile fans the unique opportunity to hear these tracks played live by the original voice and composer. Narcotic Wasteland will also be performing fan favorites and new material, including such tracks as “Barbarian”, “Sex, Lies and DNA”, “Introspective Nightmares”, “Coastal Killings”, “The Best Times Have Passed”, and more!

To mark the launch of their tour, the band is unveiling the official music video for “Introspective Nightmares” today, exclusively on Bravewords HERE.

Narcotic Wasteland is a relentless force in the metal scene, delivering a crushing blend of technical precision, unyielding aggression, and raw energy. Fronted by Dallas Toler-Wade—renowned vocalist and guitarist best known for his work with Nile—he brings his signature technical prowess and intense energy to the band.

On drums, Joseph Howard unleashes a torrent of precision and power, driving the band’s pummeling rhythms with thunderous intensity. His dynamic performance creates the perfect foundation for the band’s heavy and often dark sonic atmosphere.

Kenji Tsunami commands the low end with inventive, hard-hitting bass lines that add both depth and texture, solidifying the band’s signature wall of sound. His stage presence and musicianship bring an extra dimension to Narcotic Wasteland’s live assault.

Together, Dallas, Joseph, and Kenji forge an unstoppable musical unit—one that captivates audiences with high-octane performances and uncompromising compositions. With unmatched technical skill and a shared vision for pushing metal’s boundaries, Narcotic Wasteland stands as a true powerhouse in today’s extreme music landscape.

Playthrough video – “The Burning Pits of Duat” – https://youtu.be/nQG9tS0za-I

Music Video – “Barbarian” – https://youtu.be/E9ndVD2zzWk

Merch Stores:
Narcotic Wasteland – https://shopusa.season-of-mist.com/band/narcotic-wasteland
Dallas Toler-Wade – https://shopusa.season-of-mist.com/band/dallas-toler-wade

Tickets & Tour Info:
https://tr.ee/rZ3dOvB3TC

Headlining Shows:
9/03 – Madison, WI – The Annex
9/04 – West Chicago, IL – WC Social Club
9/05 – Flint, MI – Flint Local 432
9/06 – New Haven, IN – Carl’s Tavern
9/07 – Cleveland, OH – The Foundry
9/08 – Rochester, NY – Photo City Music Hall
9/09 – New Bedford, MA – The Vault
9/10 – Raleigh, NC – Chapel of Bones
9/11 – Spartanburg, SC – GroundZero (Special Guest to Crypta)
9/12 – Chattanooga, TN – JJ’s Bohemia
9/13 – Wallingford, CT – Cherry St. Station
9/14 – Dunbar, WV – Live at the Shop
9/15 – Charleston, SC – Tin Roof
9/17 – Orlando, FL – Conduit
9/18 – Fort Pierce, FL – Tipsy Tiki
9/19 – Tampa, FL – Brass Mug
9/20 – Long Beach, MS – Trax Bar & Grill

Special Guest to Filth:
9/21 – Atlanta, GA – Boggs Social & Supply
9/22 – Pensacola, FL – Handlebar
9/23 – Shreveport, LA – Strange Brew
9/24 – Amarillo, TX – The Atomic Yellow
9/25 – Denver, CO – Black Buzzard at Oskar Blues
9/26 – Greeley, CO – Moxi Theater
9/27 – Casper, WY – Wyoming Hardcore Festival
9/28 – Colorado Springs, CO – Vultures
9/29 – Lincoln, NE – Witches’ Brew
9/30 – Nashville, TN – The End

More info: https://linktr.ee/narcoticwasteland

– 30 –

“”Narcotic Wasteland dropped a caustic, pissed off new single titled “Barbarian” off their forthcoming album Digital Cordyceps. Though we don’t know too much about said album, Toler-Wade explained that the new track was essentially one big middle finger to the ruling class.” – Metal Sucks

“We’ve got the latest and greatest from drug-themed death dealers Narcotic Wasteland, the new video for “Victims of the Algorithm.” The song takes on lightning-fast and heavy riffs, in the tradition of the band, and the lyrics tackle our dependence on social media in the modern age.” – Decibel Magazine

“Narcotic Wasteland have hit us with another dark, campy gem in the form of “Sex, Lies & DNA.” The thrashy, aggressive new single is the latest from the band led by Dallas Toler-Wade of Nile fame. This track features guest vocals from Andrea_N_Black and takes on the beloved death metal fodder of true crime.” – Decibel Magazine

“Narcotic Wasteland showcases Toler-Wade’s penchant for writing killer riffs, which he did for a decade as a member of Nile, in a manner that’s reminiscent of early 1990s metal — when the lines between the “thrash” and “death” tags weren’t as rigidly defined, and everything just sounded fast and heavy as all hell.” – Denver Westword (NW Headlines Denver DeathFest 2023)

“Delirium Tremens is just pummeling, non-stop death metal that covers a ton of ground.” – Metal Injection

“More often than not, death metal bands have a tendency to stick to the familiar topics. Death, gore, killing – that sort of thing. There’s always exceptions, or bands that have a different take on the subject, but as they say, dark music demands dark themes. Narcotic Wasteland does, for one of its lyrical slants, face a slightly different (yet still suiting) take – that of addiction. Plenty of grim to still go around with such a concept, and Narcotic Wasteland hits just as hard sonically as any other death metal act to come through the pipeline.” – Dead Rhetoric

“another incredible death metal album that has the potential to end itself up on the year end top album lists.” – Metal Nexus (2017 – Delirium Tremens)

“On the track, Toler-Wade furiously rails against “expectations,” “silly rules,” and “fucking filters,” and victoriously celebrates being “totally free” with a repeated battle cry of “Let the music flow!” In case there was still any remaining doubt as to the meaning of the song, the track is as magnificently brutal an old school death metal song as you’re likely to hear this season. It gallops, it lacerates, it uses the listener’s skull as a battering ram. There can be no doubt that this truly is Toler-Wade, undiluted and free of limitations. We hope he lets this music flow for a long time to come.” – Metal Sucks (single Return to the Underground off 2017 album Delirium Tremens)

“Narcotic Wasteland have released a fantastic album in ‘Delirium Tremens’. It is not easy to thrust the listener consistently into an aural landscape orchestrated by the band and make them stay put for the entire length of the album. Narcotic Wasteland does it brilliantly as they take you through the nightmarish journey of Delirium Tremens.” – Metal Wani (2017 – Delirium Tremens)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canadian Death Metal HARVESTED Announces New Album “Dysthymia” With Devastating Music Video “Harvested”

June 12, 2025
by Asher
· Harvested · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – June 12, 2025

Canadian Death Metal HARVESTED Announces New Album “Dysthymia” With Devastating Music Video “Harvested”

“Dysthymia” Out August 1st, 2025

Album Line-up: (L-R) – Jacob Collins – Drums, Vitto Oh – Guitars, Mitchi Dimitriadis – Guitars, Adam Semler – Vocals, Eric Forget – Bass

Photographer Credit: Kristen Semler

Canadian death metal quartet Harvested is proud to announce their new album “Dysthymia”, set for release on August 1st, 2025. The nine-track record showcases the band’s evolution from their 2022 demo debut, delivering a devastating blend of technical death metal, brutal death metal, and old-school stylings. The album announcement comes alongside a music video for the record’s opening track, “Harvested”, offering fans their first glimpse into the dark psychological landscape that defines “Dysthymia”. The band comments on the track:

“The single represents what the band is about. The old-school death metal influences and the dark realities of mental illness put someone through a tortured experience. This was the first song we worked on for this album and played live, which set the bar for the remaining material. We realized that we were onto something special, and the sheer brute force of the track compelled us to make our current music video.”

‘Harvested’ maintains the brutality from the demo but shifts toward exploring the psychological aspects of mental illness rather than relying solely on gore. It’s heavier, more aggressive, and showcases the band’s musical abilities in ways they’ve never presented before.

Recorded over nearly three years, “Dysthymia” features the core lineup of Mitchi Dimitriadis (guitars), Adam Semler (vocals), Eric Forget (bass), and Jacob Collins (drums). The album was produced by Harvested with mixing and mastering by Joe Lyko of Darkmoon Productions, achieving a modern sound while staying rooted in the foundational elements of death metal.

Recommended for fans of Cannibal Corpse, Suffocation, and Dying Fetus, Harvested has crafted an album that is both technically proficient and devastatingly brutal.

Watch and listen to the first single and music video “Harvested” via its premiere on Decibel Magazine HERE.

Spotify pre-save – https://distrokid.com/hyperfollow/harvested1/dysthymia

Album pre-order (out August 1st) – https://harvested.bandcamp.com

Track Listing:
1. Harvested (3:28)
2. Repressed Neurosis (3:32)
3. Unending Madness (3:21)
4. Synaptic Confusion (3:30)
5. Designed Dilemma (3:18)
6. Gathered and Deluded (3:00)
7. Voices of the Void (3:16)
8. Unanchored (3:51)
9. The Infestation (4:36)
Album Length: 31:55

Album Credits:
Artwork by: CJ Bertram
All songs written and produced by: Harvested
Mixed and Mastered by: (Joe Lyko) Darkmoon Productions

Album Band Lineup:
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Jacob Collins – Drums

Live Band Lineup:
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Nick Rodgers – Drums

More info: Facebook.com/harvested666 | Instagram.com/harvestedband

– 30 –

Press from 2022 Self-Titled EP:

MetalSucks – 10 Modern Canadian Death Metal Bands – “Ottawa’s Harvested present mental illness and the sometimes-deplorable actions resulting from it with their debut EP, Harvested. Harvested describe themselves as a modern death metal band with ‘90s and early ‘2000s influences, though what you’ll notice when listening is that Harvested are, probably due to the members’ prior history in the scene, skilled songwriters who don’t sacrifice catchiness for brutality. Songs like “Bludgeoned” skip the pleasantries and grab you by the nuts from the first second, though the torturous massage that follows is one you’ll be coming back to.” – MetalSucks

#11 – Harvested – Top 20 – August 2022 Loud Charts (Earshot)

#13 – Harvested – Top 20 – June 2022 Loud Charts (Earshot)

“From the first notes of first track ‘Apathetic’ you realize that these men are a serious bet to get a place in the death metal scene, with solid riffs and powerful rhythmic base, also melodic but not soft solo… I like this EP very much, it has all parts you need to listen to death metal: brutality, technical, good execution, guttural, screams, and growls, blast beats, double bass drums parts, virtuous parts and most important, good songs, it’s a sample of how to make everything fit correctly.” 4.5/5 – Brutalism

“There are very few things that are more exciting within the world of music than a good debut. A solid start for a band is something that should get every fan of the style of music the group plays jacked for what could hopefully be a long and fruitful career. Proficient debuts give you something to jam out to in the present but also hope for the future. Take my word for it, the self-titled debut EP from Ottawa-based Harvested (out May 7) is just that type of invigorating release.” – Metal Plague

“Thrashing guitars, blasting drums, and intense, chesty vocals start and end each track. Recording quality and production is good, allowing each of the instruments to cut through the mix… there is a tremendous amount of potential in this band, and I’d absolutely love to hear more from them. I certainly hope that in the coming years, the pace doesn’t slow or abate, as this EP ought to be on any tech-death fan’s radar for mid-2022.” – Metal Epidemic

“Each one of these cuts is something of a short, sharp shock at around the 210 second mark, while other bands could trim some fat and loose a chorus and verse, Harvested go straight for the jugular live and direct, leaving you wanting that extra chorus and verse which is testament to how good their debut really is. A clean and crisp high quality recording, if we were wine drinkers we would say it goes down like a glass of Chenin Blanc but chances are that if you had a glass in your hand, it would be smashed on the floor in your rush to get to the pit for this. ” – Metal Noise

“From the way closer ‘Bereavement’ comes to a thunderous close, you can just FEEL the energy of what is still to come. ‘Harvested’ is a good start, but I know this band have more in them and I look forward to what comes next. But if you need your head caved in for sixteen and a half minutes, Harvested can sort you right out.” – The Killchain Blog

“For a record that’s only fifteen minutes, the tracks on Harvested’s self-titled waste no time in establishing their barbarous quality. Among the style of tech, groove and dissonance, Harvested definitely went for the grooves! The members definitely know their roots and aren’t afraid to pay homage to them. The production quality has an old-school touch to it, which adds a raw vicious quality to the overall soundscape the band has painted. The abominable monstrosity that takes birth, mixed in with serious topics of Mental Illness accounts for a remorseless experience. While this might just be the starting point for Harvested, their self-titled EP establishes their grounds in the extreme realm of metal – all we can do now is wait and watch for what Harvested has to offer next! ” – Metal Genesis

“Five tracks in all with not a single entry which disappoints those who wish for their audio to incite movement. With quality like this on offer scouts should be scrambling over themselves in hopes to represent. I’m expecting future releases to propel the act to the lips of an excitable many.” – Cult Metal Flix

“Non-stop heaviness from start to finish. Every song has a different experience yet they all have memorable and catchy riffs that engage the listener” – Eric Morotti (Drummer of Suffocation)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Texas’ ABOLISHMENT OF FLESH’s New Music Video “Hater of Man” Explores Disassociating with Society and Reality Off EP “Resurrecting Misanthropy”

January 13, 2025
by Asher
· Abolishment of Flesh · Music News

NEWS RELEASE

Montreal, QC – January 13, 2024

ABOLISHMENT OF FLESH’s New Music Video “Hater of Man” Explores Disassociating with Society and Reality

Latest EP “Resurrecting Misanthropy” Out Now!

Live Lineup – Top Left – Ramon Cazares – Guitars, Vocals – Top Right – Izaak Chavez – Guitar

Bottom Left – Jake Lahniers – Bass, Backing Vocals – Bottom Right – Adrian Galindo – Drums

Texas, USA’s death metal powerhouse Abolishment of Flesh is unshackling their latest music video for their track “Hater of Man” off their latest EP “Resurrecting Misanthropy”, released in 2023 via Blood Bast Distribution.

A relentless barrage of guttural death metal to knock you off your feet, the song is about a child in the womb who senses the rejection and hatred of a drug addict mother. This child grows to become disassociated with society and reality. In the end, the person is consumed with hate for themselves and everyone around them.

Vocalist and Guitarist comments:

“This was another one I wrote almost 10 years ago. The part after the solo was rewritten and re-arranged. The older version was old-school death metal so I wanted to modernize it in a sense. I think it turned out nicely and the riffs are really fun to play.”

Watch and listen to the music video for “Hater of Man” via its premiere on Slam Worldwide at https://youtu.be/KIXiepFhV3g

Abolishment of Flesh’s latest EP “Resurrecting Misanthropy” has a little bit of something for everyone. The band is not just death metal, they throw in some black metal, melody, thrash, groove, and grind. Their sound incorporates several aspects of metal and they don’t just stick to one formula.

With themes rooted in war, violence, disease, corruption, and the systematic collapse of human civilization, Abolishment of Flesh delivers an anti-human message about death and destruction. Although AOF’s violent and grim nature of its lyrics is serious, its main focus is on metal music and creativity.

“Resurrecting Misanthropy” is out now at Abolishmentofflesh.bandcamp.com and Spotify and is recommended for fans of Kataklysm, Suffocation, and Deicide.

Lyric Video “Words Defy Truth” – https://youtu.be/vYJ1LwFnx7M

Track Listing:
1. Words Defy Truth (4:00)
2. Hater of Man (3:23)
3. Disavowed (4:04)

More info: Abolishmentofflesh.com | Facebook.com/abolishmentoffleshofficial | X.com/abolishmenttxdm | Youtube.com/@abolishmentoffleshofficial | Instagram.com/abolishmentoffleshofficial

-30-

“Spiraling and crazed death metal from Amarillo, The Abolishment Of Flesh’s debut proves they aren’t messing around.” – Metal Injection (Inhuman Condition 2018)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Gore House Prod. – Traumatomy’s “Consumed Into Nothing” Is A Gory, Relentless Slam Attack Off “Triumph of Enslavement” Out July 2024

May 29, 2024
by Asher
· Music News · Traumatomy (Gore House Productions)

NEWS RELEASE

Montreal, QC – May 29, 2024

Traumatomy’s “Consumed Into Nothing” Is A Gory, Relentless Slam Attack Off “Triumph of Enslavement” Out July 2024

Brutal death metal enthusiasts rejoice! Traumatomy, the international band renowned for their slamming brutality, is set to release their latest single “Consumed Into Nothing” off their sixth upcoming EP “Triumph of Enslavement” out this coming July 2024 on Gore House Productions. This highly anticipated release promises to deliver a relentless auditory assault that fans have come to expect from the band. They comment on what to expect with the single:

“We composed this track as the very first one for this album. It turned out to be quite fast and technical. We thought about the lyrics for a long time and decided that it should be abstract and brutal.”

Traumatomy was formed in 2012 by Constantine Chevardin (Disfigurement Of Flesh) and Haruka Kamiyama (ex-Gorevent/Medic Vomiting Pus) as an online project with no plans for live performances. Their debut album “Transcendental Evisceration of Necrogenetic Beasts” in 2013 garnered significant acclaim within the global brutal underground community. Between 2012 and 2018, the band released a second full-length album and three EPs. With the addition of a bassist and drummer in 2018, Traumatomy began touring, bringing their crushing sound to live audiences around the world, and will attract the attention of fans of Gorevent, Cerebral Incubation, and PeelingFlesh.

Listen to “Consumed Into Nothing” at the following links:

YouTube – https://youtu.be/1KIQN6d76bQ

Spotify – https://spoti.fi/3V0ACf8

Available as of July 5th, 2024 “Triumph of Enslavement” CD / Cassette pre-orders are available from Gore House Productions at https://store.gorehouseproductions.com/collections/traumatomy/

All Digital Platforms (Bandcamp, Apple Music) – https://orcd.co/triumph-of-enslavement

Track Listing:
1. Ingress To Horridness (1:34)
2. Triumph Of Enslavement (3:38)
3. Consumed Into Nothing (3:15)
4. Womb Of The Desecrated (3:11)
5. Acknowledge The Inevitable End (3:38)

EP Credits:
All songs performed by Traumatomy
All songs written by Constantine Chevardin
Produced by Constantine Chevardin
Mixed by Mychal Soto
Mastered by Mychal Soto
EP artwork by Jon Zig

EP band line-up:
Constantine – Guitars
Ivan – Drums
Bogdan – Bass
Haruka – Vocals
Kirill – Vocals

Live band line-up:
Constantine – Guitars
Ivan – Drums
Bogdan – Bass
Kirill – Vocals

More info: Gorehouseproductions.com | Facebook.com/traumatomy | Instagram.com/traumatomy.slam

-30-

«There is a consistent groove throughout each song which either features slow, dragging parts where the focus is on the slams, or faster parts in which the riffs and drumming get a lot more technical and intense» – Angelusmortem

«Musically, Traumatomy’s style is very similar to Abominable Putridity, Visceral Disgorge, Party Cannon and Epicardiectomy since the songs have that groovy aesthetic but this time, they’ve bring more depth in their sound since every song doesn’t feel the same as it keeps the melodics, tempos, arrangements and style feel its welcomed and for that, I truly feel this is the best Traumatomy album they’ve done to date» – Metalpurgatorymedia

«You want absolute bestial brutality? You’ve got it!» – bloodynews.ro

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 VALFREYA Sneak Another Peek At Upcoming Blackened Album “Dawn of Reckoning” With Video For “Le Périple”

May 9, 2024
by Asher
· Music News · Valfreya

NEWS RELEASE

Montreal, QC – May 9, 2024

VALFREYA Sneak Another Peek At Upcoming Blackened Album “Dawn of Reckoning” With Video For “Le Périple”

L-R – Daniel Simard (Guitar), Érik Grenier (Guitar), Corinne Cardinal (Lead Vocals), Jérémy Racine (Drums)

Photography by Philippe Quinn – Picture artwork by Corinne Cardinal

Since 2009, Canada’s Valfreya has been honing their sound bringing in elements from black metal, and folk metal with touches of symphonic metal to create powerful music that has been heard around the world. With an impressive five albums already under their belts, they are gearing up for the sixth “Dawn of Reckoning”, coming out on May 24, 2024. A formidable concept album that tells of the goddess Hel striking back at humanity, it is a gritty, aggressive journey into mythology. The band comments on the second single “Le Périple” (“The Journey”), which is being released now in lyric video form:

“This album marks a significant evolution in our sound. While our earlier works leaned heavily on joyful and folkloric elements, “Dawn of Reckoning” takes on a symphonic blackened death metal approach. As for the single, it represents a human’s life: Innocence, discovery, ambition, false ideas, lies… This being slowly realizes that humanity is not virtuous.”

Gone are the days of folk metal and Viking metal. Valfreya invites listeners to embrace dark symphonies intertwined with tumultuous guitar riffs that will leave an indelible mark on their minds. “Dawn of Reckoning” promises to guide audiences through a journey of bitterness, nostalgia, and apocalyptic destruction, all set against a backdrop of cold nature and epic melodies.

Valfreya is a Canadian blackened death symphonic metal band hailing from Montreal. With a diverse discography that spans multiple genres, Valfreya continues to push the boundaries of metal music with its innovative sound and uncompromising vision. They are recommended for fans of Xaon, Fleshgod Apocalypse, and Carach Angren.

Watch and listen to the lyric video for “Le Périple” at https://youtu.be/vRHbtl3o1OQ

Indiegogo / Album Pre-Order – https://www.indiegogo.com/projects/contribute-to-valfreya-s-new-release#/

Merch, CDs and digital music (available on May 24)- https://valfreya.bandcamp.com

Spotify

Lyric Video “The Rise” – https://youtu.be/2Y8VIg37iMg

Track Listing:
1. Dawn of Reckoning – 1:56
2. The Rise – 5:55
3. Warcry – 5:52
4. The Fate – 4:10
5. The Fall – 5:22
6. Equilibrium – 8:31
7. The Fallen Kings – 5:02
8. A New Era – 5:11
9. Le Périple – 4:44
10. Reus es – 6:14
Album Length: 53:02

More info: https://linktr.ee/valfreyaofficial

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s The Blood Of Christ Releases Dark and Aggressive New Single “Oath Breaker” Off Upcoming EP “Sworn Trilogy”

April 16, 2024
by Asher
· Music News · The Blood of Christ

NEWS RELEASE

Montreal, QC – April 16, 2024

Canada’s The Blood Of Christ Releases Dark and Aggressive New Single “Oath Breaker” Off Upcoming EP “Sworn Trilogy”

Canada’s The Blood Of Christ is an Epic Dark Metal band that has been around since the early ‘90s. To date, they have released three full-length albums, and their new EP “Sworn Trilogy” is set to come out on April 23, 2024. The concept record tells a story about a man who, by means of his own cowardice in the face of oblivion, sentences his entire bloodline to commit evil acts on behalf of abyssal demons for all time. Ahead of the EP, to give fans of black and death metal a taste of what’s in store, they are releasing a lyric video for the single “Oath Breaker”, which they comment on:

“Oath Breaker was the last song we wrote for this trilogy and it might have just turned out to be one of our best yet. It has a lot of emotion and moods and resolves the trilogy in classic death metal, climaxing pit riff fashion. We have a feeling that this song will be a staple in our live set for several years to come and can’t wait to see the reaction to it.”

While the band’s influences favour the shocking approach with lyrical themes that were rampant with gore, Satanism, and often-abhorrent imagery, The Blood of Christ chose to focus on the more abstract and poetic subject matter. Their songs are often rife with human suffering, lust and longing, time travel, astrology, historical battles, and the human struggle for personal freedom. In “Oath Breaker” we see the protagonist flinging himself into the abyss, removing his own scourge from the earth and ending the curse his ancestors placed upon him.

The Blood of Christ’s brooding, unique, and crushing sound has made fans out of underground metal lovers from many genres, creating an appeal that defies genre borders.

Fiends who were raised on the sheer brutality and boundary-smashing efforts of Morbid Angel, or the pioneering and challenging progressive grind-core of Liverpudlian innovators Carcass, the epic and majestic sounds of Viking artisans Enslaved, or even the groove-laden proto-death of Brazilian legends Sepultura will find something rousing and engulfing within The Blood of Christ.

Listen to “Oath Breaker” via its lyric video at https://youtu.be/fouEAhf1VvA

Spotify – https://spoti.fi/3vXGSvF

“Sworn Trilogy” is due out on April 23, 2024, from CDN Records.

Track Listing:
Sworn 1 – The Vow (6:28)
Sworn 2 – Feeding the Abyss (5:14)
Sworn 3 – Oath Breaker (5:34)

EP Credits:
All songs performed by Blood of Christ
All Music written by Jeff Longo & Jason Longo
All Lyrics written by Chris Roche
Produced by Blood of Christ
Drums recorded/mixed by Thomas Ireland
Mixed by Jeff Longo
Mastered by Dan Swanö
EP artwork by Jeff Longo

EP Band Lineup:
Jason Longo – Drums
Christopher Roche – Vocals & Bass
Jeff Longo – Guitars & Keyboards

Live Band Lineup:
Jason Longo – Drums
Christopher Roche – Vocals
Kyle Lam – Bass
Jeff Longo – Guitar

More info: Facebook.com/bloodofchristofficial | Instagram.com/bloodofchrist_official | Twitter.com/bloodofchrist94

-30-

“…Canadian brutal death metal legends Blood Of Christ are a band who helped to define the sound known as Northern Hyperblast…” – Metal Injection

“Able to bring about varied atmospheres and textures into an otherwise assaulting formula, Blood of Christ seem on top of their game…” – Dead Rhetoric

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Gore House Prod. – FOETAL JUICE Shares Bass Playthrough For “Gruesome” Off New Album “Grotesque” Out Now!

March 5, 2024
by Asher
· Foetal Juice (Gore House Productions) · Music News

NEWS RELEASE

Montreal, QC – March 5, 2024

FOETAL JUICE Shares Bass Playthrough For “Gruesome” Off New Album “Grotesque” Out Now!

(L-R): Lewis Bridges (Bass), Derek Carley (Vocals), Ryan Whittaker (Guitar), Rob Harris (Drums)

Photo Credit – Karen Carley

Unleashing their latest album “Grotesque” on Gore House Productions this past November, UK death grinders Foetal Juice have a new playthrough from bassist Lewis Bridges for the closing track “Gruesome”. In this song, the bass plays almost a solo over the intro riff where Lewis gets to flex his bass playing guns to the world.

Lews Bridges adds about the song:

“This one is where we have really experimented with a clean intro. This is something we have never done before but really enjoyed it when bands like Entombed have done it on albums. The clean intro is influenced by the film Lobster Man From Mars and we just thought it would be good to try a build a song up like that for one. After the intro we wanted it to go straight in as abrupt as we could make it. So, 6/8 blast it was. We wanted the song to be a sort of one after the intro but also make it incredibly groovy with skipping triplets on the guitars and a wandering bass. We are really happy with how this song turned out. “

Watch the bass playthrough for “Gruesome” via its premiere on Bass Musician Magazine HERE.

Foetal Juice’s sound is a melting pot of influences, ranging from death metal and grindcore to black metal, gore, groove, thrash, and even Enya. Their evolution as a band has brought new dimensions to their music, incorporating diverse elements while staying true to their death metal roots.

Notorious for their catalogue of unpleasantries and musical vulgarities, this album promises to be heavier, catchier, faster, and more aggressive than anything they’ve ever done before. It’s a relentless assault on the senses, and Foetal Juice is ready to claim its place in the annals of brutal death metal.

Recommended for fans of Cannibal Corpse, Deicide, and Vomitory, “Grotesque” is a relentless barrage of blast beats, horror and gore that will have you questioning your sanity.

Produced, mixed and mastered by Chris Fielding with the album artwork done by Misanthropic Art, “Grotesque” was released on November 17th, 2023 and is available from Gore House Productions at the following links:

Album order (Cassette/ CD)/Digital) at https://orcd.co/grotesque.

Lyric Video – Legion of the Grotesque – https://youtu.be/NSoU2PuPZHo

Music Video – Ghoul Amongst the Mouldering Dead” – https://youtu.be/3aGbvw-cQL4

Track Listings:
1. Human Beach Master (3:50)
2. Mountain of Gore (3:10)
3.: Legion of the Grotesque (4:45)
4. Ghoul Amongst the Mouldering Dead (3:37)
5. Two Bongs Don’t Make a Right (1:26)
6. Cunt of the Litter (3:19)
7. Cemetery Leachate (4:39)
8. The Walking Groin (3:35)
9. Torn Apart (3:30)
10. F. K. E. O (3:59)
11. Gruesome (5:10)
Album Length: 41:06

More Info:

Gorehouseproductions.com | Facebook.com/GoreHouseProductionsOfficial | Instagram.com/gorehouseproductions

Facebook.com/foetaljuice | Twitter.com/FoetalJuice | Instagram.com/foetaljuice

-30-

“Grotesque is an absolute maelstrom of sound that is satisfyingly punchy, chugging and impactful. It makes you want to hear more.” – Metal Talk

“The main impact of the album is to shoot terrific amounts of voltage straight into your brainstorm, to pump hearts, to convulse muscles, and to suck the wind from your lungs. See for yourselves.” – NoCleanSinging

““Grotesque” by name and definitely by nature this is 40 minutes of joyously twisted groovy Death Metal with hooks for days… in a year of excellent Death Metal it can still go toe to toe with the best of the bunch. This Christmas give someone you love the gift of gore. 8.5/10” – Ever-Metal

“Foetal Juice are recognized for their twisted and brutal amplification of virtuosic and violent musical assault. The album continues, said callous, promising a cataclysmic symphony of ferocity… The track (“Legion of the Grotesque”) moves more like a macabre exploration of the consequences of excessive cosmetic surgery. Despite the grim themes, Foetal Juice’s technical skillset is evident, which enhances the grotesque subjects, similar to writing a horror film. Their music, a relentless blend of grind and death metal, is unapologetic sonic devastation, recommended fans of Vomitory, Napalm Death, and Terrorizer.” – Metal Insider

“In the 3 years since the release of Gluttony, and I must say you have really seen a huge growth from the band and Grotesque is an absolute monster record, well deserving of anyone who has an interest in the genre. It has enough of the hooks and grooves which will be of interest to your more casual death metal fan whilst remaining absolutely mean with a viscous twist for those with a more hardened ear towards the underground.” – The Razor’s Edge

“Grotesque is a stonker of a record, completely worth your time and a strong contender for album of the year. Foetal Juice have made a rod for their own back now, having to try and top this with their next record, which I already look forward to. For now, another few listens to Grotesque will more than tide me over. 10/10” – Musipedia Metal

“with their intense, careening style of chaos hitting the spot time after time. Like a bludgeoning mace to your consciousness, ‘Grotesque’ is one of the more distatefully straightforward pieces of extreme music you’ll hear this year, and it’s all the better for it. A killer effort.” – The Killchain

“Your eyes will water, your ears will bleed, your muscles will ache, your sphincter will tighten, your guts will churn, and you may even vomit. It’s fucking Foetal Juice and it’s fucking Grotesque. Never change you lovable noise-mongers.” – Games, Brrraiiins & A Headgbanging Life

0 NECRONOMICON EX MORTIS’ Love Holiday Video “My Bloody Valentine” Brings Back The Gory Days of Slashers, Raw Death And Wailing Solos!

February 13, 2024
by Asher
· Music News · Necronomicon Ex Mortis

NEWS RELEASE

Montreal, QC – February 13, 2024

NECRONOMICON EX MORTIS’ Love Holiday Video “My Bloody Valentine” Brings Back The Gory Days of Slashers, Raw Death And Wailing Solos!

Formed out of the love for classic death metal, 80s shred worship, and creating gory lyrics about B-horror movies, Chicago’s Necronomicon Ex Mortis unleashed two EPs in 2023, (Self-Titled – March 2023) and (Silver Bullet – August 2023). With roughly 69 fully written songs ready to go that are both terrifying and titillating, these horror fiends are previewing their first track of 2024 with a brutal tribute to Cupid.

Named after the 1981 film, “My Bloody Valentine”, takes you back to the gory glory days of slashers, early death metal, and screaming solos. The band is in full force delivering nothing short of a head-banging, neck-twisting, chest eviscerating bloody behemoth of a new tune.

Check out the video for “My Bloody Valentine” at https://youtu.be/3d7KVqNypuw

Digital – https://distrokid.com/hyperfollow/necronomiconexmortis/my-bloody-valentine-2

Necronomicon Ex Mortis was formed by guitarist Michael Nystrom Bala out of a desire to combine elements of death metal and a love for horror. After writing far too many songs, Michael contacted The Apocalyptic Sandwich of Doom members, guitarist Manuel Barbara, and bassist Yusuf Rashid to join his ambitious fright-slinging of a band. The three amigos then enlisted fellow Berklee Bros Craig Schmuhl and Joey Ferretti, on vocals and drums respectively. Apparently, they joined out of the holy terror of the devil’s music.

With two EPs unveiled, the quintet has more music in the works, they are back in the laboratory of a mad scientist, preparing songs for their 3rd release. In a few short months, there will be more tunes to haunt your dreams. Stay tuned for over-the-top guitar playing, a comfortable blending of old-school metal and modern techniques, and a touch of campy, dark humor. They hope to make you sleep with the lights on!

The band’s “Self-Titled” and “Silver Bullet” EPs can be heard at https://necronomiconexmortis.bandcamp.com

Necronomicon Ex Mortis:
Michael Nystrom Bala – Guitar
Manuel Barbará – Guitar
Yusuf Rashid – Bass
Joey Ferretti – Drums
Craig Schmuhl – Vocals

More info: Necronomiconexmortisband.com | Facebook | Instagram.com/necronomiconexmortisband

– 30 –

“From start to finish, it really is a head-spinner and a heart-pounder, and some of the most fun you can have with your clothes on (though you might need to strip down and dry off after the EP is done with you.). If it wasn’t clear already, it’s damned clear after Silver Bullet that Necronomicon Ex Mortis is “a band to watch”. And if these peoples really do have 69 more songs fully written, bring ’em on!” – No Clean Singing

“Necronomicon Ex Mortis Mix Shredding Death Metal and Horror On Silver Bullet… If I were to inform you of a band out there describing themselves as a ‘combination of ‘80s shred with ‘90s riffs all wrapped up in a cheesy B-horror movie’ chances are you’d excitedly inquire as to who this band is, after which I could start taking over/under bets on how quickly said horror-metal nerd collective would become one of your new favourites.” – Decibel Magazine

“Sit back and marvel at the eccentric sound of Necronomicon Ex Mortis as they take us on a wild, but brief journey of thrilling heaviness. Starting with a track about getting ripped apart by a giant undead ape called Crypt of the Gorilla God. It’s a thrashy and speedy opener that features some absolutely screaming guitar solos. An immediate example of the lovable nature of this EP and band. 8.5/10” – Games, Brrraaains & A Head-Banging Life

“A tale of primordial monsters living in the dark waters, “The Swamp” finds Necronomicon Ex Mortis at their storytelling finest, evolving a tale in classical fashion while having some moments in the guitar work that wouldn’t be out of place if they were written by Scott Carstairs for a Fallujah record. Somehow they have taken the bare bones that surround them and carved them intro intricate designs that leap between Metal sub-genres with death defying consummate ease. There is so much depth and texture than you’d usually expect to find in these songs… You have to wonder just how long it will be before these Gentlemen find themselves playing the Summer Slaughter Tour because that’s exactly where they should be [8.5/10]” – Metal Noise

“Necronomicon Ex Mortis combines elements of classic death metal, 80s shred worship, and gory lyrics about B-horror movies. This EP starts with Crypt of the Gorilla God, a track about getting ripped apart by a giant undead ape. It’s a thrashy and speedy opener that features some absolutely screaming guitar solos. Silver Bullet is raw but this band is worth keeping an eye on.” – WRIV 90.1F< (Burlington, VT)

“Necronomicon Ex Mortis have shown with Silver Bullet that they want to hit hard very quickly. The pieces are striking and make you want to discover more very quickly! We hope that the European public will respond to the call of the Americans and their desire to immerse us in horror stories worthy of the 80s. We wish them the best and we encourage you to dive into their universe!” – Sounding Shivers

“As EP’s it’s pitched just right in that it comes in and goes straight for the throat and doesn’t overstay its welcome. What will be interesting is to see what a full-length album will be like; can they sustain this level of quality for say ten songs? I’ll have to seek out their first release and compare, but for now this will satisfy those who love both death metal and 80’s horror. 7/10” – Musipedia of Metal

“Thrashy death metal with catchy groove” – The Mosh Pit 89.9 FM (Madison, WI)

“The fusion of Death Metal and shred is intriguing” – Amplified Magazin

“They make a death metal with classical influences and are obsessed with 80s horror films, a passion that is always to be shared.” – Metal Skunk

“if you want to hear guitar players that have spent time really learning their instruments and pouring their blood, sweat and tears into giving people metal that shows attention to detail, quality and songwriting, then you might be pleased by this band.” – Metal Bulletin

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Gore House Prod. “Two Bongs Don’t Make a Right” But For FOETAL JUICE It Makes For A Brutal Shredding Time! + UK Tour Dates For New Album “Grotesque”

February 8, 2024
by Asher
· Foetal Juice (Gore House Productions) · Music News

NEWS RELEASE

Montreal, QC – February 8, 2024

“Two Bongs Don’t Make a Right” But For FOETAL JUICE It Makes For A Brutal Shredding Time!

+ UK Tour Dates For New Album “Grotesque”

(L-R): Lewis Bridges (Bass), Derek Carley (Vocals), Ryan Whittaker (Guitar), Rob Harris (Drums)

Photo Credit – Karen Carley

Unleashing their latest album “Grotesque” on Gore House Productions this past November, UK death grinders Foetal Juice have a new guitar playthrough for you to plough and brutalise the shred with. The fifth track on their latest full-length, “Two Bongs Don’t Make a Right” is a minute-and-a-half grind designed to be a good ending to side A of the band’s vinyl version.

The band adds:

“This is the shortest song on the album. The most Grindy song we have too. This kind of song always goes down really well live as well as on the record. It’s heavily influenced by Insect Warfare or Wormrot. The riff in the middle is also, in my opinion, one of the best riffs on the album. So, it’s a great one to watch for guitarists.”

Watch the guitar playthrough at https://youtu.be/q3-bH4vowjk

Recommended for fans of Cannibal Corpse, Deicide, and Vomitory, “Grotesque” is a relentless barrage of blast beats, horror and gore that will have you questioning your sanity.

Album order (Cassette/ CD)/Digital) at https://orcd.co/grotesque.

Lyric Video – Legion of the Grotesque – https://youtu.be/NSoU2PuPZHo

Music Video – Ghoul Amongst the Mouldering Dead” – https://youtu.be/3aGbvw-cQL4

Foetal Juice “Grotesque” UK Release Shows:
Feb 17 – Glasgow – Audio Glasgow
Feb 23 – York – The Fulford Arms
Feb 24 – Birmingham – TBA

Events Info can be found here.

More Info:

Gorehouseproductions.com | Facebook.com/GoreHouseProductionsOfficial | Instagram.com/gorehouseproductions

Facebook.com/foetaljuice | Twitter.com/FoetalJuice | Instagram.com/foetaljuice

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

Page 2 of 12

Asher Media Relations Tweets

Tweets by AsherMedia

Asher Media Email Subscription

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Email Address:

Join 2,175 other subscribers