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Tag: cannibal corpse

0 Canadian Death Metal HARVESTED Earworm Ferocious “Voices of the Void” Band Playthrough From New Album “Dysthymia” Out Now!

  • October 2, 2025
  • by Asher
  • · Harvested · Music News

NEWS RELEASE

Montreal, QC – October 2, 2025

Canadian Death Metal HARVESTED Earworm Ferocious “Voices of the Void” Band Playthrough

New Album “Dysthymia” Out Now!

Album Line-up: (L-R) – Jacob Collins – Drums, Vitto Oh – Guitars, Mitchi Dimitriadis – Guitars, Adam Semler – Vocals, Eric Forget – Bass

Photographer Credit: Kristen Semler

Canadian death metal outfit Harvested has dropped a ferocious, earworming band playthrough video for “Voices of the Void,” a standout track from their latest full-length album, “Dysthymia.” The video showcases the band’s technical prowess, raw aggression, and unrelenting energy, hallmarks of a sound they describe as “Heavy, Brutal, Fast, Aggressive and Violent.”
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Formed in 2019 as a creative outlet for members of other local projects, Harvested has evolved into a powerhouse of modern death metal. With roots in bands like A Scar For The Wicked, Sons Of The Nether, Thalassophobia, and Fumigation, the group brings together a wealth of experience and a shared passion for pushing sonic boundaries.
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​“Voices of the Void” is a dynamic track that blends chaotic tempo shifts with crushing grooves, embodying the band’s signature fusion of old-school death metal and deathcore. Lyrically, it delves into themes of dissociation and psychological turmoil, part of the album’s overarching exploration of mental illness.
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​“This album is the evolution of our sound. We’ve taken influences from technical death metal giants like The Zenith Passage and Cattle Decapitation, but stayed true to our roots. Dysthymia is a level-up in every way—production, songwriting, and performance,” says guitarist Mitchi Dimitriadis.
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The playthrough video offers fans an intimate look at the band’s musicianship, with each member delivering a tight, high-speed performance that reflects their commitment to precision and intensity.

“We pride ourselves on being athletes with our instruments. It’s not just about brutality, it’s about groove, cohesion, and constantly challenging ourselves,” adds Dimitriadis.
​
​“Voices of the Void” is one of nine tracks on “Dysthymia,” each confronting different facets of psychological distress, from cult mentality and shadow selves to global political psychosis. The album’s artwork, a psychedelic depiction of mental chaos, complements its lyrical depth and sonic ferocity.
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With “Dysthymia” now unleashed and the band’s live shows gaining momentum, Harvested is poised to make a lasting impact on the Canadian metal scene.
​
Prepare for a heavy, aggressive, and unforgettable ride with the full playthrough for “Voices of the Void” via its premiere on MetalInsider HERE.

Recommended for fans of Cattle Decapitation, Decapitated, and Cannibal Corpse, Harvested‘s “Dysthymia” is available at the following links:

Album Stream – YouTube – https://youtu.be/ni9XelZ6zHE​

Spotify – https://distrokid.com/hyperfollow/harvested1/dysthymia​

Album order (released August 1st) – https://harvested.bandcamp.com​

Music Video “Harvested” – https://youtu.be/geF_C-Qn_7s​

Lyric Video “The Infestation” – https://youtu.be/XwQ1bs7NdZw​

Playthrough “Synaptic Confusion” – https://youtu.be/HzvwY-r_NMg​

Track Listing:​
1. Harvested (3:28)
2. Repressed Neurosis (3:32)
3. Unending Madness (3:21)
4. Synaptic Confusion (3:30)
5. Designed Dilemma (3:18)
6. Gathered and Deluded (3:00)
7. Voices of the Void (3:16)
8. Unanchored (3:51)
9. The Infestation (4:36)
Album Length: 31:55

Album Credits:​
Artwork by: CJ Bertram
All songs written and produced by: Harvested
Mixed and Mastered by: (Joe Lyko) Darkmoon Productions

Album Band Lineup:​
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Jacob Collins – Drums

Live Band Lineup:​
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Nick Rodgers – Drums

More info: Facebook.com/harvested666 | Instagram.com/harvestedband​

– 30 –

“Canadian death metal band Harvested announce their new album Dysthymia, out August 1. The record will be their first release since their 2022 demo and blends technical, brutal and old-school death metal into a sound all their own.” – Decibel Magazine
​
“Your muscles are about to reflexively twitch, your head is about to hammer, your pulse is about to accelerate. Audio worms will slither into your ear canals and take up residence there. Some of your cranial neurons may start spinning, creating visions of fast devils and hulking monsters. Those are our predictions of what will happen when you see and hear the playthrough video we’re premiering for the song “Synaptic Confusion” by the Ottawa-based death metal band Harvested. It’s an excellent way to rev up your own motor as Harvested rev up theirs.” – No Clean Singing
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​
​“Dysthymia is an impressive first full-length effort for Harvested. It’s absolutely brutal and groovy in it’s more ’90s death metal approach, but they give it a modern coating of paint that makes it feel more relevant and weaves in some intricacy for the tech-fiends without losing sight that it’s still an aggressive death metal album. There’s something for pretty much anyone who likes extreme music here. A very promising future for these guys.” – Dead Rhetoric​
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​“Lyrically poignant, brutally heavy, and bursting with engagingly twisted, hook-filled instrumentation, Dysthymia is a helluva debut, and one Harvested should be proud of. As poetically as I have waxed, I still believe there’s room for Harvested to grow. God help those who might lay their ears on a sophomore effort from this line-up, should they remain intact. Rest assured, I’ll definitely be watching and waiting. For now, however, I wholeheartedly recommend you spend some long-lasting, quality time with Dysthymia.” – Angry Metal Guy​
​
​“If you had the chance to see their video of ‘Harvested’ before the album release, you would be able to see how brutal and technical they sound. Harvested knows how to hit you like a punch in your chest, from their first riffs. By the way, riffs are something that you won’t miss here. Mitchi Dimitriadis and Vitto Oh are responsible machine-gun-like guitar picks. The drum sound also hits you with all blasts, and thankfully it’s not that digitalized soulless recording style that a lot of bands fall into now. It carries good organic production qualities, in good measure. My honourable congratulations also go to all the effort the bassist Eric Forget has made to keep his bass present among all the heaviness of the other instruments, and through the complexity of playing his own parts. The vocalist Adam Semler completes the team with good vocal lines… As always, Heavy Metal Canadian bands never disappoint us! And Harvested is one more band to honour its Heavy Metal scene with this incredible album, “Dysthymia”.8.5/10” – Ever -Metal​
​
​“If you’re into relentless death metal in the vein of CANNIBAL CORPSE and DYING FETUS, HARVESTED from Ontario could be your favorite new band. These guys have churned forth a classic of brutality with “Dysthymia”. The sound is just as clear and professional as those bands and HARVESTED deal crushing riffs and transitions with appalling intensity. One of the best things about this album, which separates it from a lot of “brutal” efforts, is that the songs are easily distinguishable and don’t melt together in a faceless mush.” – Wormwood Chronicles​
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​“Following a demo released in 2022, Dysthymia represents a true validation of the potential of this group from Ottawa (Ontario, Canada), which deserves special attention. Combining brutal death metal with ‘old school’ influences, the quartet brilliantly demonstrates that their music will resonate with crowds during their concerts… With titles like ‘Repressed Neurosis’, ‘Unending Madness’, ‘Designed Dilemma’, ‘Gathered And Deluded’, ‘Unanchored’, or ‘The Infestation’, Harvested sets the tone! The album was produced by the band itself with mixing and mastering by Joe Lyko of Darkmoon Productions, achieving a modern sound that remains rooted in the fundamental elements of death metal.” – Metallian​
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​“Harvested Delivers 50 Shades of Vicious on ‘Dysthymia’… Dysthymia is one of the year’s best metal records.”-The Rock Father​
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​“If you like brutal death metal with technical elements, this is a great album.” – ZwareMetalen​
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​“HARVESTED deliver flawless death metal with technical sophistication, powerful riffs, gripping vocals and brutal energy.” – MetalUnderground.at​
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​“Harvested channel the struggles of mental illness within the seedy confines of death metal on their debut album, Dysthymia. The group doesn’t skimp on the gorier details, like the depictions of torture on opener “Harvested,” but much of the lyrical prose isn’t that graphic. It takes the views of mental illness from not only a personal perspective, but globally as well. Their death metal has nods to the classics like Cannibal Corpse and Suffocation, while adding a bit of technical bounce as they do on “Designed Dilemma.” Harvested does well with capturing the genre from every corner. Speed freaks will love “Gathered And Deluded,” those with some head banging in their hearts will get down to “Unending Madness” and “The Infestation” ends Dysthymia with a stark message.” – Heavy Music Headquarters​
​
​“After knocking the first three tracks out of the park like a home run into the stratosphere, “Synaptic Confusion” goes harder and faster during an opening onslaught second to none before getting menacing and sinister with a slower churn and burn. A violent delight with a catchy hook and a scream-a-long lyrical narrative in the chorus, its the kind of blunt force trauma that everyone can enjoy without a visit to the hospital. Maintaining the quality levels of both musicianship and song writing throughout the record seems like an impossibility of reason and yet its probably why this record took three years to complete because “Designed Dilemma” is another absolute beast. It’s like the band have taken your favourite Death Groove Thrash cut and adrenalized it by mainlining caffeine until their eyes pop out on stalks. The energy levels are as ridiculous as the poise and precision as the band conjure a Technical Death Metal tune of the highest order.” – Metal Noise

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 STERILIZING THE DECEASED Confronts Inner Demons w/ New Video “Recovery” From EP “Nothing” Out Now!

  • October 2, 2025
  • by Asher
  • · Music News · Sterilizing The Deceased

NEWS RELEASE

Montreal, QC – October 2, 2025

STERILIZING THE DECEASED Confronts Inner Demons w/ New Video “Recovery” From EP “Nothing” Out Now!

L- R – Alex Phillips – Bass, John Hruby – Lead Guitar, Angelo Vespucci – Vocalist, Matt Jarvis – Drums, Nikolas Adamczewski – Rhythm Guitar

Photo Credit – Paige Margulies

Melodic deathcore outfit Sterilizing The Deceased has dropped a gripping new music video for “Recovery,” the opening track from their emotionally charged EP “Nothing,” released August 1st. Known for their bone-crushing breakdowns and atmospheric aggression, the Cleveland-based band delivers a visual experience as raw and visceral as the music itself.
​
​“Recovery” dives deep into themes of personal reflection, addiction, and the struggle to find light in overwhelming darkness. The video mirrors the EP’s overarching narrative, a fictional/non-fictional journey through drug addiction and suicidal ideation, inspired by frontman Angelo Vespucci’s own battles. With imagery that evokes resistance, pain, and redemption, the video amplifies the track’s emotional weight and lyrical intensity.
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​“This song is about wondering where things went wrong and why they had to change. It’s the beginning of a story that’s deeply personal to me, and I wanted the visuals to reflect that internal war,” says Vespucci.
​
The EP “Nothing” marks a turning point for Sterilizing The Deceased, showcasing a mature sound that blends melodic deathcore, progressive metalcore, and djent influences. Fans of Reflections, Chelsea Grin, and old-school Lorna Shore will find familiar sonic territory, but with a distinct emotional edge. From the chaotic descent of “Self Meditated” to the cathartic rebirth in “Awake,” the EP offers a full-circle listening experience that encourages introspection and connection.
​
Formed in 2014, Sterilizing The Deceased has carved out a reputation in the Midwest metal scene, sharing stages with heavyweights like Cannibal Corpse, Dying Fetus, and Slaughter to Prevail. With members also active in projects like xEIGHTY-SIXEDx, Lie In Wait, and Terra Vista, the band brings a wealth of experience and collaborative firepower to every release.

Experience the beginning of a journey through pain, purgatory, and ultimately, awakening with the music video premiere of “Recovery” via Decibel Magazine HERE.​
​
Fans can expect more music in the coming year, with another EP or full-length already in the works.
​
​Sterilizing The Deceased‘s latest EP “Nothing” can be heard on all digital platforms.

YouTube – https://www.youtube.com/playlist?list=PLhdBBwjEYqN77KmhXIbJkO9TIF5ZxNmpO​

Spotify – https://open.spotify.com/album/4aTbT4KtSuLM2V2G1136Zt​

Bandcamp – https://sterilizingthedeceased.bandcamp.com/​

Track Listing:​
1. Recovery – 3:58
2. Self Meditated – 3:28
3. Nothing – 3:50
4. Unconscious – 2:15
5. Awake – 3:02
EP Length: 16:34

EP Credits:​
• All songs performed by: Sterilizing The Deceased
• All songs written by: Sterilizing The Deceased
• Produced by: Sterilizing The Deceased
• Mixed by: Sammy Morales
• Mastered by: Sammy Morales
• EP Artwork by: Caelan Stokkermans

Line-up:​
Angelo Vespucci – Vocals
John Hruby – Guitar
Nioklas Adamczewski – Guitar
Alex Phillips – Bass
Matt Jarvis – Drums

More info: Facebook.com/SterilizingTheDeceased | Instagram.com/sterilizingthedeceased​

-30-

“Sterilizing the Deceased know how to incorporate some vivid, resonating melodies into their deathcore structuring and it makes the listen more memorable for it.” – Dead Rhetoric

“Harrowing lyrical narratives are the stock in trade of Sterilizing The Deceased and “Awake” is no different, despite having a soaring guitar solo and leads that run throughout. The DJent fuelled groove of this one is neck snappingly good, a vision in blood and thunder that has been matched by the bands skull execution. If you need a new nightmare, this is it [8/10]” – Metal Noise

“This is some pretty solid Deathcore that’s straight up savage and brutal, it’s inspired by original Deathcore too and is comparable to Carnifex, Chelsea Grin and The Acadia Strain in points. If Deathcore is your thing, then I recommend in giving this one a spin.” – Drako’s Metal Reviews

“This album is powerful, passionate and uncompromisingly heavy. It is only five songs, a mere 16 minutes, and yet it hits with the force of runaway bus. In that brief amount of time Sterilizing the Deceased has managed to create a titan of an album. Ultimately in the end all I can do, is say this, I highly recommend “Nothing” by Sterilizing the Deceased and I suggest you get on your favorite streaming service and check it out right away.” – Rust Belt Rock Review

“Here’s a brand new single for the Deathcore fans out there. If you like bands like Chelsea Grin and I Declare War, chances are you may dig this. Sterilizing The Deceased is an up-and-coming band hailing from Cleveland, Ohio. They’re known for bringing the heavy and that’s exactly what they do with this new single. It’s called “Forgotten” and it certainly packs a punch with the weight of its breakdowns and the delivery of some melodic riffs. Check it out and show the dudes some support if you dig it.” – The Circle Pit (2015)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Gore House Prod. – FOETAL JUICE Shares Bass Playthrough For “Gruesome” Off New Album “Grotesque” Out Now!

  • March 5, 2024
  • by Asher
  • · Foetal Juice (Gore House Productions) · Music News

NEWS RELEASE

Montreal, QC – March 5, 2024

FOETAL JUICE Shares Bass Playthrough For “Gruesome” Off New Album “Grotesque” Out Now!

(L-R): Lewis Bridges (Bass), Derek Carley (Vocals), Ryan Whittaker (Guitar), Rob Harris (Drums)

Photo Credit – Karen Carley

Unleashing their latest album “Grotesque” on Gore House Productions this past November, UK death grinders Foetal Juice have a new playthrough from bassist Lewis Bridges for the closing track “Gruesome”. In this song, the bass plays almost a solo over the intro riff where Lewis gets to flex his bass playing guns to the world.

Lews Bridges adds about the song:

“This one is where we have really experimented with a clean intro. This is something we have never done before but really enjoyed it when bands like Entombed have done it on albums. The clean intro is influenced by the film Lobster Man From Mars and we just thought it would be good to try a build a song up like that for one. After the intro we wanted it to go straight in as abrupt as we could make it. So, 6/8 blast it was. We wanted the song to be a sort of one after the intro but also make it incredibly groovy with skipping triplets on the guitars and a wandering bass. We are really happy with how this song turned out. “

Watch the bass playthrough for “Gruesome” via its premiere on Bass Musician Magazine HERE.

Foetal Juice’s sound is a melting pot of influences, ranging from death metal and grindcore to black metal, gore, groove, thrash, and even Enya. Their evolution as a band has brought new dimensions to their music, incorporating diverse elements while staying true to their death metal roots.

Notorious for their catalogue of unpleasantries and musical vulgarities, this album promises to be heavier, catchier, faster, and more aggressive than anything they’ve ever done before. It’s a relentless assault on the senses, and Foetal Juice is ready to claim its place in the annals of brutal death metal.

Recommended for fans of Cannibal Corpse, Deicide, and Vomitory, “Grotesque” is a relentless barrage of blast beats, horror and gore that will have you questioning your sanity.

Produced, mixed and mastered by Chris Fielding with the album artwork done by Misanthropic Art, “Grotesque” was released on November 17th, 2023 and is available from Gore House Productions at the following links:

Album order (Cassette/ CD)/Digital) at https://orcd.co/grotesque.

Lyric Video – Legion of the Grotesque – https://youtu.be/NSoU2PuPZHo​

Music Video – Ghoul Amongst the Mouldering Dead” – https://youtu.be/3aGbvw-cQL4​

Track Listings:​
1. Human Beach Master (3:50)
2. Mountain of Gore (3:10)
3.: Legion of the Grotesque (4:45)
4. Ghoul Amongst the Mouldering Dead (3:37)
5. Two Bongs Don’t Make a Right (1:26)
6. Cunt of the Litter (3:19)
7. Cemetery Leachate (4:39)
8. The Walking Groin (3:35)
9. Torn Apart (3:30)
10. F. K. E. O (3:59)
11. Gruesome (5:10)
Album Length: 41:06

More Info:

​​Gorehouseproductions.com​ | ​Facebook.com/GoreHouseProductionsOfficial​ | ​Instagram.com/gorehouseproductions

​Facebook.com/foetaljuice | Twitter.com/FoetalJuice | Instagram.com/foetaljuice

-30-

“Grotesque is an absolute maelstrom of sound that is satisfyingly punchy, chugging and impactful. It makes you want to hear more.” – Metal Talk​
​
​“The main impact of the album is to shoot terrific amounts of voltage straight into your brainstorm, to pump hearts, to convulse muscles, and to suck the wind from your lungs. See for yourselves.” – NoCleanSinging​
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​““Grotesque” by name and definitely by nature this is 40 minutes of joyously twisted groovy Death Metal with hooks for days… in a year of excellent Death Metal it can still go toe to toe with the best of the bunch. This Christmas give someone you love the gift of gore. 8.5/10” – Ever-Metal​
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​“Foetal Juice are recognized for their twisted and brutal amplification of virtuosic and violent musical assault. The album continues, said callous, promising a cataclysmic symphony of ferocity… The track (“Legion of the Grotesque”) moves more like a macabre exploration of the consequences of excessive cosmetic surgery. Despite the grim themes, Foetal Juice’s technical skillset is evident, which enhances the grotesque subjects, similar to writing a horror film. Their music, a relentless blend of grind and death metal, is unapologetic sonic devastation, recommended fans of Vomitory, Napalm Death, and Terrorizer.” – Metal Insider​
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​“In the 3 years since the release of Gluttony, and I must say you have really seen a huge growth from the band and Grotesque is an absolute monster record, well deserving of anyone who has an interest in the genre. It has enough of the hooks and grooves which will be of interest to your more casual death metal fan whilst remaining absolutely mean with a viscous twist for those with a more hardened ear towards the underground.” – The Razor’s Edge

“Grotesque is a stonker of a record, completely worth your time and a strong contender for album of the year. Foetal Juice have made a rod for their own back now, having to try and top this with their next record, which I already look forward to. For now, another few listens to Grotesque will more than tide me over. 10/10” – Musipedia Metal​
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​“with their intense, careening style of chaos hitting the spot time after time. Like a bludgeoning mace to your consciousness, ‘Grotesque’ is one of the more distatefully straightforward pieces of extreme music you’ll hear this year, and it’s all the better for it. A killer effort.” – The Killchain​
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​“Your eyes will water, your ears will bleed, your muscles will ache, your sphincter will tighten, your guts will churn, and you may even vomit. It’s fucking Foetal Juice and it’s fucking Grotesque. Never change you lovable noise-mongers.” – Games, Brrraiiins & A Headgbanging Life

0 Gore House Prod. – Streaming Now! STAGES OF DECOMPOSITION Unleashes A Macabre New Album “Raptures of Psychopathy”

  • February 1, 2024
  • by Asher
  • · Music News · Stages of Decomposition (Gore House Productions)

NEWS RELEASE

Montreal, QC – February 1, 2024

Gore House Prod. – Streaming Now! STAGES OF DECOMPOSITION Unleashes A Macabre New Album “Raptures of Psychopathy”

​

Since their highly acclaimed debut album “Piles of Rotting Flesh”, Stages Of Decomposition has been melting faces with their brand of sadistic, brutal death metal and touring consistently. They are ready to slay people sonically again with their new album “Raptures of Psychopathy”, a composition that is conceptualized by all things horror and will cater to fans of all things obscene and extreme. The band shares their excitement:

“We are beyond excited to finally have this long overdue full-length album out and ready for all our fan’s listening pleasure. It has been a long and gruelling process to get all this done but we are proud to have completed everything just the way we wanted. Raptures of Psychopathy is an album to capture the minds of the psychotic as anything in life we as humans all can relate to in one way or another but nonetheless, we are all still humans and have aggression that needs to be released. For us, it is through music and this album truly defines the raptures we receive when going through our psychopathies.”

Each of the eleven songs on “Raptures of Psychopathy” embodies a concept relative to the overall gory theme of the album. Stages of Decomposition likes to explore all facets of the general horror theme – from movies to serial killers, and events and deliver those stories with frantic riffs, inhumane drumming, and guttural vocals that will claw into them.

Dive into the minds of deranged serial killers as Stages of Decomposition offers a thought-provoking and alternative perspective. Due out on February 2, 2024, by Gore House Productions, “Raptures of Psychopathy” is recommended for anyone who enjoys slamming brutal death grind along with Kraanium, Suffocation, and Mortician.

The album can be heard via its full-stream premiere on MetalInsider HERE.

Album pre-order – https://orcd.co/raptures-of-psychopathy​

Music Video – “Skid Row Slasher” – https://youtu.be/w9j3s54NwhM

​

Lyric Video – “What Lies Within” – https://youtu.be/mwF6mWnWrnc

​

Track Listing:​
1. Drilling of the Cerebellum – 4:59
2. What Lies Within – 3:10
3. Beast of Jersey 2:42
4. Killing Under Possession – 3:36
5. Murder by Proxy – 3:26
6. Skid Row Slasher – 3:36
7. Carve out the Eyes – 2:37
8. Fetal Devourment – 3:04
9. Crawl Space Burial – 3:12
10. Human Extermination – 3:46
11. Mass Psychosis – 2:09
Album Length: 36:19

More info:

​​Gorehouseproductions.com​ | Facebook.com/StagesofDecomposition | Instagram.com/stagesofdecomposition_official​

-30-

“On their new album Raptures of Psychopathy, Stages of Decomposition lean into the most violent and punishing aspects of their sound, and we have a prime example in the new album track we’re presenting today, along with a blood-spraying video… The song’s name is “Skid Row Slasher”. It’s based on true stories of serial killers, both of whom preyed on the homeless population of L.A…. The music is itself undeniably, and viciously, psychotic. The riffing is fast and frenzied, corrosive and cutting, and utterly crazed. The drums clatter at high speed, like automatic weaponry with a groove. The bass slugs like a heavyweight high on adrenaline. Equally rabid, the vocals expel raw guttural roars, crazed screams, and strangled gagging and gurgling excretions. It’s all macabre, and it’s all viscerally electrifying. But the band also make room for pulverizing slams capable of splitting concrete. It’s a kick to watch the band cut loose in the video, too, and of course there will be blood….” – No Clean Singing

“This is pure bang your head ‘till it pulps music. From growling guitars to smash the kit into pieces drumming, then snarling vocals, and a horror tinge (as we’ll see). It’s only right that they’re signed to Gorehouse Productions… Stages of Decomposition are tight, they can be felt as well as heard. The album (Piles of Rotting Flesh) is consistent with no weak moments. You will bleed, this will hurt. For proof check the official video below.” – Severed-Cinema

“It’s a brutal assault on your ears in the same style as bands like Cannibal Corpse.” – Games, Brrraaains & A Head-Banging Life (EP – Crawl Space Burial)

—
ASHER MEDIA RELATIONS
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0 NoCleanSinging Premiere: Canada’s Duskwalker Release Music Video For H.P. Lovecraft Inspired “The Crawling Tongue” Off “All They Know Is Fear”

  • December 10, 2020
  • by Asher
  • · Duskwalker · Music News

NEWS RELEASE

Montreal, QC – December 10, 2020

For fans of Morbid Angel, Carcass, Cannibal Corpse

Canada’s Duskwalker Release Music Video For H.P. Lovecraft Inspired “The Crawling Tongue” Off “All They Know Is Fear”

Video Premiere via NoCleanSinging

“All They Know Is Fear” Out Now! via CDN Records

The members of Ontario’s Duskwalker have been making their rounds in the underground metal scene for decades and their efforts culminated in the current form in 2015. Having originally started with the sole purpose of being a money-making cover band, things took a heavier turn when they morphed into a kickass metal band.

They released a full-length “Codex Mystirium” in 2016 under the name The Offering and traveled extensively to promote it, however, due to another band with the same name they took the name of one of their songs. In 2019, under the name Duskwalker, they released “All They Know Is Fear” via CDN Records. They released the video for the single “Shadowcreeper” via Decibel Magazine and also won the 2019 Niagara Music Award for Best Heavy Metal Group.

A heavy throwback yet modern, Duskwalker‘s album “All They Know Is Fear” as a whole is made to be enjoyed from beginning to end with carefully arranged songs that provide a well-rounded listening experience. It is a monstrous sophomore album with themes of myth, conspiracy, and horror, showing that Duskwalker have conjured a diverse mix of extreme metal that’s recommended for fans of Morbid Angel, Carcass, and Pantera.

Today, the band shares their next music video for their track “The Crawling Tongue”. The song is about the H.P. Lovecraft character Nyarlothtep along with featuring super heavy riffs and vocals that sound really pissed off akin to Morbid Angel and Pantera mixed together. The band explains the track:

“We want it to take the listener somewhere dark. We have forged traditional metal, old school death, and thrash. Genres are blended creating a visceral assault that stands out from song to song with a dose of atmosphere and darkness.”

Watch “The Crawling Tongue” via its premiere on NoCleanSinging HERE.

Duskwalker‘s latest album “All They Know Is Fear” is available on CDNRecords, Apple Music, Spotify, Amazon.

Music Video – Shadowcreeper – YouTube


Track Listing:
1. The Return (1:58)
2. Dimensional Collision (4:13)
3. The Crawling Tongue (5:20)
4. Madness Unleashed (4:57)
5. Dyatlov Pass (5:58)
6. Shadowcreeper (3:58)
7. Bielek (3:50)
8. Domus Volant Noctuae (2:18)
9. The Crushing Weight Of Guilt (5:19)
10. Masters Of Vril (7:04)
11. Ripping Terror (3:43)
Album Length: 48:41

Album and Live Band Line Up:
Joey Scaringi – Vocals
John Robinson – Guitars
Cale Costello – Drums
Matt Grabon – Bass / Vocals

More info:
Facebook.com/DuskwalkerOfficial
Instagram.com/duskwalkermetal
Twitter.com/duskwalkermetal
EPK

About:
Formed in 2015 In Niagara Falls, Canada. Duskwalker combines traditional heavy metal and death metal with atmospheric passages. Comprised of Niagara’s lifer metal musicians, they released their debut “Codex Mystirium“ in 2016. In November of 2019, Duskwalker released their sophomore album “All They Know Is Fear“ Distributed by CDN Records. The band won The Niagara Music Award for Best Heavy Metal Group in 2019 and 2020.

– 30 –

“After drummer Cale Costello summons listeners with a lethal drum roll, the song (Shadowcreeper) quickly lunges for the kill. Vocalist Joey Scaringi’s rasped snarls and growls accompany blastbeats until the mid-song breakdowns syncopate with the Shadowcreeper’s violent pursuit. Once guitarist John Robinson’s sharpened solo starts stabbing, the finale seems written in blood. There’s no happy ending here, just melodic death metal that balances brutality and infectious grooves.” – Decibel Magazine

“Your neck is going to hurt after giving these guys a spin. DUSKWALKER evoke a pure metal spirit that hones a modern groove into a heavier and darker place where all they know is fear! Their tunes pick and pull accents of influence from a wide spectrum but overall stay true to a highly accessible and aggressive metal barrage. Every song on the album is different but shades of Dethklok, Carcass, Pantera, Amon Amarth, Revocation, and Nile can be felt in the shadows around every turn. “All They Know Is Fear” proves to be one hell of a ride, in which I’m sure will resonate a diverse group of metalheads. Crank this up loud and apologies in advance for tomorrow’s neck pain! 8/10” – Blessed Altar Zine

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Scream & Growl To Los Angeles Death Shred Bloodfeast Ritual’s “Chopped Up And Burned” Karaoke Video

  • September 9, 2020
  • by Asher
  • · Bloodfeast Ritual · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – September 9, 2020


For fans of The Black Dahlia Murder, Arsis, Cannibal Corpse, Morbid Angel, Death

Scream & Growl To LA Death Shred Bloodfeast Ritual Evil Dead Karaoke Video “Chopped Up And Burned”

Debut EP “Altars of Sacrifice” Out Now!


“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal;
we love all of the aspects of death metal as a genre, and we wanted to show that with this EP.
We tried to display our influences by dramatically changing the vibe of each song.” – Bloodfeast Ritual

Los Angeles death shred Bloodfeast Ritual unleashed their debut EP “Altars of Sacrifice” this past July. It’s a five-track introduction ranging from technical death metal to melodic shred, with lyrical content that shares the trio’s love for 80’s horror movies (The Evil Dead, Dawn of The Dead), video games (Bloodborne), HP Lovecraft, and general blasphemy.

“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre, and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” says the band.

Heavy, fast, and brutal, today the band is sharing their lyric video/karaoke edition for their track “Chopped Up And Burned”, which fans can scream and growl along with on YouTube HERE.

The band adds:

“This song was born out of a mutual love for Evil Dead. The lyrics spell out the story of the movie, and we feel the music compliments it nicely.”

Bloodfeast Ritual’s debut EP “Altars of Sacrifice” is available on Bandcamp, Apple Music, Spotify, and Amazon.

Track Listing:
1. Grave Fodder (4:27)
2. Eternally Molested By The One Most Foul (4:46)
3. No More Room In Hell (4:40)
4. Chopped Up And Burned (3:39)
5. Fetid Offering (3:21)
EP Length: 20:56

More info:
Bloodfeastritual.com
Facebook.com/bloodfeastritual
Instagram.com/bloodfeastritual
EPK

About:

Formed in the barren lands of Los Angeles when guitarist Hunter Gurney found fellow guitarist Michael Bala shredding at a Guitar Center in Hollywood, CA. With the shock and awe of each other’s talent, a friendship was quickly formed, and soon after the two mad lads began jamming, jellying, and collaborating in all senses of the phrase.

Between the two of them, there was a strong, electrical creative energy that compelled the pair to both write songs. The young shredders were very inspired by HP Lovecraft, 80s horror, and older style death metal. Hunter added his own flavor to Michael’s existing songs, and Michael helped Hunter expand his own songwriting abilities. The pair worked very quickly, and composed a handful of crunchy tunes; soon after, it was time to find other members to join their cult for brutality.

Through a mutual friend, the duo met growler David Ainsworth. Michael and Hunter were taken aback at David’s ability to perform metal vocals in a wide variety of styles, and suddenly the wolf pack became a terrifying trio of tremendous heavy metal titans. The Mississippi Mutant aka David became close with Michael and Hunter and joined them on their quest for death metal domination.

After a few solid months in the practice room, the trio decided it was time to hit the studio. Five songs for annihilation were chosen to be recorded and were executed with surgical precision, under the watchful eye of Charlie Waymire from Ultimate Studios. Michael and Hunter shared bass duties on the recording, and vocalist David injected his vocal venom from with lyrics of demons and eldritch horrors. Showcasing a range from technical death metal to melodic shred, the trio’s sonic devastation “Altars of Sacrifice” (EP) was completed and set to assault the masses on July 24th, 2020.

2020 is proving to be a big year for Bloodfeast Ritual. The band is beginning their journey, and they appreciate each and everyone that has encouraged them, either in the form of inspiration or those that have taken the time to pass on a kind word. Especially during the current age of Covid.

– 30 –

“”Chunky riffs, technical playing, and vicious raspy barks make up the majority of their sound, but they also display fistfuls of melodic leads that have more of a Trad sensibility to them that helps the band stand out, particularly on the first two tracks.” – The Metal Crypt

“If you like your death metal a little bit more of the shred-tastic sides of things, and are sick of all these ‘old school’ bands, then Bloodfeast Ritual’s debut EP ‘Altars of Sacrifice’ might just be for you. Coming hard on the Arsis/Black Dahlia Murder side of things, these Los Angeles dudes are tearing it up… The mix of shredding brutality and classical guitar work here is a reason that Bloodfeast Ritual have really go something going on on ‘Altars of Sacrifice’. It is a true love letter to the genre in its myriad forms, and Bloodfeast Ritual have the chops to pull off a variety of styles to really uphold the traditions without losing their modern edge. Check it out” – The Killchain Blog

“Gruesome death metal played with loads of energy and skill that will blow you away!” – Zax Records and Reviews

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Los Angeles Death Shred Bloodfeast Ritual Shares Playthrough Video “Eternally Molested By The One Most Foul”; Debut EP “Altars of Sacrifice” Out Now!

  • August 24, 2020
  • by Asher
  • · Bloodfeast Ritual · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – August 24, 2020

For fans of The Black Dahlia Murder, Arsis, Cannibal Corpse, Morbid Angel, Death

Los Angeles Death Shred Bloodfeast Ritual Shares Playthrough Video “Eternally Molested By The One Most Foul”

Debut EP “Altars of Sacrifice” Out Now!


“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre,
and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” – Bloodfeast Ritual

Los Angeles death shred Bloodfeast Ritual unleashed their debut EP “Altars of Sacrifice” this past July. It’s a five-track introduction ranging from technical death metal to melodic shred, with lyrical content that shares the trio’s love for 80’s horror movies (The Evil Dead, Dawn of The Dead), video games (Bloodborne), HP Lovecraft, and general blasphemy.

“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre, and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” says the band.

Heavy, fast, and brutal, today the band is sharing their guitar playthrough video for “Eternally Molested By The One Most Foul”, where fans can witness guitarists Michael Bala and Hunter Gurney showcase the rippage with four excitable solos.

“This song was something Mike wrote at 4 in the morning because he couldn’t sleep until it was out of his head and on paper. We love the melody and song structure, and think it’s one of the most unique songs on the EP.” says the band.

Feel the shred with the guitar playthrough for “Eternally Molested By The One Most Foul” on YouTube.

Bloodfeast Ritual’s debut EP “Altars of Sacrifice” is available on Bandcamp, Apple Music, Spotify, and Amazon.

Track Listing:
1. Grave Fodder (4:27)
2. Eternally Molested By The One Most Foul (4:46)
3. No More Room In Hell (4:40)
4. Chopped Up And Burned (3:39)
5. Fetid Offering (3:21)
EP Length: 20:56

More info:
Bloodfeastritual.com
Facebook.com/bloodfeastritual
Instagram.com/bloodfeastritual
EPK

About:

Formed in the barren lands of Los Angeles when guitarist Hunter Gurney found fellow guitarist Michael Bala shredding at a Guitar Center in Hollywood, CA. With the shock and awe of each other’s talent, a friendship was quickly formed, and soon after the two mad lads began jamming, jellying, and collaborating in all senses of the phrase.

Between the two of them, there was a strong, electrical creative energy that compelled the pair to both write songs. The young shredders were very inspired by HP Lovecraft, 80s horror, and older style death metal. Hunter added his own flavor to Michael’s existing songs, and Michael helped Hunter expand his own songwriting abilities. The pair worked very quickly, and composed a handful of crunchy tunes; soon after, it was time to find other members to join their cult for brutality.

Through a mutual friend, the duo met growler David Ainsworth. Michael and Hunter were taken aback at David’s ability to perform metal vocals in a wide variety of styles, and suddenly the wolf pack became a terrifying trio of tremendous heavy metal titans. The Mississippi Mutant aka David became close with Michael and Hunter and joined them on their quest for death metal domination.

After a few solid months in the practice room, the trio decided it was time to hit the studio. Five songs for annihilation were chosen to be recorded and were executed with surgical precision, under the watchful eye of Charlie Waymire from Ultimate Studios. Michael and Hunter shared bass duties on the recording, and vocalist David injected his vocal venom from with lyrics of demons and eldritch horrors. Showcasing a range from technical death metal to melodic shred, the trio’s sonic devastation “Altars of Sacrifice” (EP) was completed and set to assault the masses on July 24th, 2020.

2020 is proving to be a big year for Bloodfeast Ritual. The band is beginning their journey, and they appreciate each and everyone that has encouraged them, either in the form of inspiration or those that have taken the time to pass on a kind word. Especially during the current age of Covid.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Los Angeles Death Shred Bloodfeast Ritual Unleash Lyric Video “Eternally Molested By The One Most Foul”; Debut EP “Altars of Sacrifice” Out Now!

  • August 12, 2020
  • by Asher
  • · Bloodfeast Ritual · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – August 12, 2020

For fans of The Black Dahlia Murder, Arsis, Cannibal Corpse, Morbid Angel, Death

Los Angeles Death Shred Bloodfeast Ritual Unleash Lyric Video “Eternally Molested By The One Most Foul”

Debut EP “Altars of Sacrifice” Out Now!


“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre,
and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” – Bloodfeast Ritual

Los Angeles death shred Bloodfeast Ritual unleashed their debut EP “Altars of Sacrifice” this past July. It’s a five-track introduction ranging from technical death metal to melodic shred, with lyrical content that shares the trio’s love for 80’s horror movies (The Evil Dead, Dawn of The Dead), video games (Bloodborne), HP Lovecraft, and general blasphemy.

“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre, and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” says the band.

Heavy, fast, and brutal, today the band is sharing their lyric video for “Eternally Molested By The One Most Foul”, where listeners can expect a guitar nerd’s wet dream as guitarists Michael Bala and Hunter Gurney showcase the rippage with four excitable solos.

“This song was something Mike wrote at 4 in the morning because he couldn’t sleep until it was out of his head and on paper. We love the melody and song structure, and think it’s one of the most unique songs on the EP.” says the band.

Listen and get your headbang karaoke ready with “Eternally Molested By The One Most Foul” on YouTube.

Bloodfeast Ritual’s debut EP “Altars of Sacrifice” is available on Bandcamp, Apple Music, Spotify, and Amazon.

Track Listing:
1. Grave Fodder (4:27)
2. Eternally Molested By The One Most Foul (4:46)
3. No More Room In Hell (4:40)
4. Chopped Up And Burned (3:39)
5. Fetid Offering (3:21)
EP Length: 20:56

More info:
Bloodfeastritual.com
Facebook.com/bloodfeastritual
Instagram.com/bloodfeastritual
EPK

About:

Formed in the barren lands of Los Angeles when guitarist Hunter Gurney found fellow guitarist Michael Bala shredding at a Guitar Center in Hollywood, CA. With the shock and awe of each other’s talent, a friendship was quickly formed, and soon after the two mad lads began jamming, jellying, and collaborating in all senses of the phrase.

Between the two of them, there was a strong, electrical creative energy that compelled the pair to both write songs. The young shredders were very inspired by HP Lovecraft, 80s horror, and older style death metal. Hunter added his own flavor to Michael’s existing songs, and Michael helped Hunter expand his own songwriting abilities. The pair worked very quickly, and composed a handful of crunchy tunes; soon after, it was time to find other members to join their cult for brutality.

Through a mutual friend, the duo met growler David Ainsworth. Michael and Hunter were taken aback at David’s ability to perform metal vocals in a wide variety of styles, and suddenly the wolf pack became a terrifying trio of tremendous heavy metal titans. The Mississippi Mutant aka David became close with Michael and Hunter and joined them on their quest for death metal domination.

After a few solid months in the practice room, the trio decided it was time to hit the studio. Five songs for annihilation were chosen to be recorded and were executed with surgical precision, under the watchful eye of Charlie Waymire from Ultimate Studios. Michael and Hunter shared bass duties on the recording, and vocalist David injected his vocal venom from with lyrics of demons and eldritch horrors. Showcasing a range from technical death metal to melodic shred, the trio’s sonic devastation “Altars of Sacrifice” (EP) was completed and set to assault the masses on July 24th, 2020.

2020 is proving to be a big year for Bloodfeast Ritual. The band is beginning their journey, and they appreciate each and everyone that has encouraged them, either in the form of inspiration or those that have taken the time to pass on a kind word. Especially during the current age of Covid.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Out Now! Los Angeles Death Shred Bloodfeast Ritual Debut EP “Altars of Sacrifice”

  • July 27, 2020
  • by Asher
  • · Bloodfeast Ritual · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – July 27, 2020

Interview request at asher[@]ashermediarelations[.]com

For fans of The Black Dahlia Murder, Arsis, Cannibal Corpse, Morbid Angel, Death

Out Now! Los Angeles Death Shred Bloodfeast Ritual Debut EP “Altars of Sacrifice”

“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre,
and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” – Bloodfeast Ritual

Los Angeles death shred Bloodfest Ritual have unleashed their debut EP “Altars of Sacrifice”, out now, officially as of July 24th. A five-track introduction ranging from technical death metal to melodic shred, the release’s lyrical content shares the trio’s love for 80’s horror movies, HP Lovecraft, and general blasphemy.

“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre, and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” says the band.

Heavy, fast, and brutal, the EP’s opener “Grave Fodder” resurrects the dead with its shred, guttural vocals and slamming assault of 90’s influenced Swedish death metal. Followed by “Eternally Molested By The One Most Foul”, where listeners can expect a guitar nerd’s wet dream as guitarists Michael Bala and Hunter Gurney showcase the rippage with four excitable solos. “No More Room In Hell” is a salute to ‘Dawn of The Dead’ and hits fans of old school Carcass and Cannibal Corpse with its brutal slam section, while “Chopped Up and Burned” is a tribute to ‘The Evil Dead’ and has many hints of early 90’s death metal. EP closer “Fetid Offering”, was the first song written by guitarist Hunter Gurney for the band and is about the video game Bloodborne. The track erodes what neck muscles you have left from headbanging with its blunt force trauma of The Black Dahlia Murder meets Necrophagist.

Bloodfeast Ritual’s debut EP “Altars of Sacrifice” is available on Bandcamp, Apple Music, Spotify, and Amazon.

Lyric Video – Chopped Up And Burned – YouTube

Lyric Video – Eternally Molested By The One Most Foul – YouTube

Track Listing:
1. Grave Fodder (4:27)
2. Eternally Molested By The One Most Foul (4:46)
3. No More Room In Hell (4:40)
4. Chopped Up And Burned (3:39)
5. Fetid Offering (3:21)
EP Length: 20:56

More info:
Bloodfeastritual.com
Facebook.com/bloodfeastritual
Instagram.com/bloodfeastritual
EPK

About:

Formed in the barren lands of Los Angeles when guitarist Hunter Gurney found fellow guitarist Michael Bala shredding at a Guitar Center in Hollywood, CA. With the shock and awe of each other’s talent, a friendship was quickly formed, and soon after the two mad lads began jamming, jellying, and collaborating in all senses of the phrase.

Between the two of them, there was a strong, electrical creative energy that compelled the pair to both write songs. The young shredders were very inspired by HP Lovecraft, 80s horror, and older style death metal. Hunter added his own flavor to Michael’s existing songs, and Michael helped Hunter expand his own songwriting abilities. The pair worked very quickly, and composed a handful of crunchy tunes; soon after, it was time to find other members to join their cult for brutality.

Through a mutual friend, the duo met growler David Ainsworth. Michael and Hunter were taken aback at David’s ability to perform metal vocals in a wide variety of styles, and suddenly the wolf pack became a terrifying trio of tremendous heavy metal titans. The Mississippi Mutant aka David became close with Michael and Hunter and joined them on their quest for death metal domination.

After a few solid months in the practice room, the trio decided it was time to hit the studio. Five songs for annihilation were chosen to be recorded and were executed with surgical precision, under the watchful eye of Charlie Waymire from Ultimate Studios. Michael and Hunter shared bass duties on the recording, and vocalist David injected his vocal venom from with lyrics of demons and eldritch horrors. Showcasing a range from technical death metal to melodic shred, the trio’s sonic devastation “Altars of Sacrifice” (EP) was completed and set to assault the masses on July 24th, 2020.

2020 is proving to be a big year for Bloodfeast Ritual. The band is beginning their journey, and they appreciate each and everyone that has encouraged them, either in the form of inspiration or those that have taken the time to pass on a kind word. Especially during the current age of Covid.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 TALES OF THE TOMB Shares Guitar Playthrough ‘The Nightmare Hall’ via TechnicalMusicReview

  • June 25, 2020
  • by Asher
  • · Music News · Tales of The Tomb

(contact info below)

NEWS RELEASE

Montreal, QC – June 25, 2020

For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal

TALES OF THE TOMB Shares Guitar Playthrough ‘The Nightmare Hall’ Off Conspiracy EP “Volume Two: Mendacium”

Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)

 Photo Credit – Kylee Thompson Photography

Edmonton death metal duo Tales of The Tomb have been a two-man wrecking crew for a while now with Trez Thomas (Guitar and Vocals) and Corey Skerlak (Guitar and Vocals), but earlier this month they announced they have become a trio with the addition of bassist Jonnii Guns. Over the last few months, the band has been unleashing guitar and bass playthrough videos in support of their latest EP “Volume Two: Mendicium” unleashed this past September.

Today, the band reveals their next duo guitar playthrough for the track “The Nightmare Hall”, which can be viewed via its premiere on TechnicalMusicReview HERE.

Guitarist Tres Thomas comments:

“‘The Nightmare Hall’ is one of the most technical songs we have written as of yet. It’s so amazing to finally release the playthrough for this song to showcase the merciless riffs in this duo playthrough. The video also features every guitar that was on the album, and more!”

Tales of The Tomb‘s latest EP “Volume Two: Mendicium” is a collection of narratives surrounding government cover-ups, national lies, and the heinous crimes committed amongst the shadows. It’s also a vicious bite of grinding blast beats, technical shredding accompanied by venomous guttural lows. It was mixed and mastered by Cryptopsy guitarist and head engineer/owner at The Grid Studios Christian Donaldson along with featuring artwork by Tony Midi of Tonymidi Artworks.

The EP is available on Bandcamp, Spotify, Apple Music.

Previous playthroughs:
Bass Playthrough – Sinful Messiah here.
Guitar Playthrough – Mermaid In A Manhole here.
Guitar Playthrough – Dyatlove Pass Incident here.
Guitar Playthrough – Sinful Messiah here.


Track Listing:
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44

More info:
Facebook
Instagram
EPK

About:

Unified by the desire to have the grotesque power of 90’s era death and murder metal, Tales of The Tomb started as a thought that grew into an insatiable need to make extreme music.  Tales Of The Tomb was created in October 2013 from founder Corey Skerlak (guitar, vocals) out of inspiration from the original murder metal band Macabre.

Much of their inspiration is drawn from the hideous crimes and conspiracies of the world. Retelling stories of the dark hidden secrets and victims from such crimes. This was the inspiration for the name Tales of The Tomb.

– 30 –

“Overall, I recommend this album to death metal fans of all varieties. It is a fun album with a lot of great riffs. Also, I highly recommend reading the lyrics and learning about the conspiracy theories behind the songs.” – Metal Temple

“Volume Two: Mendacium is six songs of punishing metal fit for listeners with the heaviest of taste. Whether you’re spending time carving pumpkins or watching slasher movies this Halloween season, be sure to make room on your playlist for Tales of the Tomb.” – Surviving The Golden Age

” Their new, independently released EP is heavy as ice and laced up with razor-sharp production. Volume Two: Mendacium is a non-stop frosty riff fest, delivered on a moose-poutine platter of awesome production thanks to the Canucks over at The Grid. Slapshot your wallets & pick up this death metal gem.” – TrveNorth Reviews

“The need to head bang is strong with this one, and it made for an excellent addition to my Death Metal library.” – New-Transcendence

“All in all, Tales of the Tomb’s latest installment is a rather subtle tale that is more akin to a destructive musical journey through morbid lyrical themes and passages.” – Metal Trenches

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

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