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0 Streaming Now! IVY GARDENS Live Off The Floor Sludge Rock Album “Death of Don Valley” + Canadian Tour Dates (ON/NS/PEI/NB/QC/MB/SK/AB/BC)

  • August 28, 2025
  • by Asher
  • · Ivy Gardens · Music News

NEWS RELEASE

Montreal, QC – August 28, 2025

Streaming Now! IVY GARDENS Live Off The Floor Sludge Rock Album “Death of Don Valley”

New Album “Death of Don Valley” Out August 29th, 2025 via Paper Cut Recordings

Cross Canada Tour Dates (ON/NS/PEI/NB/QC/MB/SK/AB/BC)

L-R – Andrew Blackborow (Guitar, Vocals), Joe Zandwyk (Drums, Vocals), Sebastian Hogg (Keyboards)

Photo Credit by Luka Kartveli

Niagara Falls, Canada’s Ivy Gardens is unveiling their lush-sounding, raw and live off the floor sludge rock storytelling album “Death of Don Valley” as they prepare to hit the road across Canada in support of its release on August 29th, 2025 via Paper Cut Recordings.

Before it officially drops, the trio has teamed up with Bravewords for its full stream premiere, which can be heard HERE.

The band comments on their sophomore album:

“Death of Don Valley is the record we had inside us, but couldn’t quite articulate for several years. Musically, it’s a huge leap in a more experimental direction. It’s about death, decay, and the ultimate destruction of the world around you. Everybody knows of some sort of small natural space that gets slowly encroached upon until only a shell remains. The pond beside the highway, the wetlands behind the factory. The Don Valley in Toronto is one such natural feature, slowly tainted by industrialization until it can’t support any of the life that it used to. After touring for several years, we grew a lot as musicians, and only after really honing all of this material live for about a year, we felt we were ready to get it tracked and send it into the world. We recorded everything live off the floor, and Frank, our engineer, had heard nothing beforehand and had no idea what we actually sounded like going into it. Eventually, he asked us, ‘How do you determine what becomes a 2-minute song, and what becomes a 9-minute song?’ Pure instinct, Frank. Here it is.”

Formed in the unlikely crucible of a Princess Auto parking lot, Ivy Gardens began with a simple desire to shred through Rush instrumentals and explore the outer reaches of heavy music. Now, following their acclaimed first full-length “Goon” released in 2024, the band takes a daring leap into more dour, experimental terrain. “Death of Don Valley” presents a concept album steeped in decay, lyrically and sonically portraying the slow death of natural spaces like Toronto’s Don River, drowned by industry and time.

Ivy Gardens’ influences are vast, ranging from progressive icons like Rush, Yes, and King Crimson to sludge pioneers like EYEHATEGOD and Iron Monkey. Their sound blends elements of stoner metal, sludge, math rock, and progressive rock, creating an unpredictable listening experience that takes the listener through a series of emotional and sonic landscapes.
​
Fans can expect a live experience unlike any other as Ivy Gardens is hitting the road for a cross-Canada tour in kicking off on August 29th in St. Catharines, ON, and will wrap up in Victoria, BC on October 25th (dates listed below).

“Death of Don Valley” (out August 29th) is available for pre-order at https://ivygardens.bandcamp.com/​

Spotify – https://open.spotify.com/artist/1TBuI2vFSltCNhiHdHnz01​

Music Video – Burden – https://youtu.be/r4o-YPv-RcY​

Music Video – Eye Witness – https://youtu.be/_RiZ8i7udjs​

Ivy Gardens – Live or Die Tour:​
Aug 29 – St. Catharines, ON – Warehouse Concert Hall
Aug 30 – Toronto, ON – Monarch Tavern
Sept 5 – Kitchener, ON – The Golden Apple
Sept 12 – Windsor, ON – Phog Lounge
Sept 13 – Sarnia, ON – AJs Bar
Sept 14 – London, ON – Grogettes Living Room
Sept 18 – Halifax, NS – Radstorm
Sept 19 – Sydney, NS – Daniels Ale House
Sept 20 – Charlottetown, PEI – Babas Lounge
Sept 21 – Moncton, NB – Generator Show
Sept 25 – Woodstock, NB – Montieth Manor
Sept 26 – Montreal, QC – Turbo Haus
Sept 27 – Quebec City, QC – Sonum
Oct 9 – Barrie, ON – CW Coops
Oct 10 – Sudbury, ON – Townhouse Tavern
Oct 11 – Thunder Bay, ON – Black Pirates Pub
Oct 12 – Winnipeg, MB – Bulldog Event Center
Oct 16 – Regina, SK – The Cure Kitchen and Bar
Oct 17 – Saskatoon, SK – The Black Cat
Oct 18 – Calgary, AB – Palomino
Oct 19 – Edmonton, AB – Blak Bar
Oct 23 – Kelowna, BC – Dunnenzies
Oct 24 – Vancouver, BC – Black Alley
Oct 25 – Victoria, BC – Fernwood Community Center

Track Listing:​
1. Burn For Murder – 2:02
2. Eye Witness – 2:50
3. Burden – 3:08
4. Guiding Hand – 6:18
5. Frozen Limbs – 5:15
6. Gearth – 2:29
7. Astray – 4:56
8. Bliss – 8:59
9. Golden – 7:07
Album Length: 43:08

Album Credits:​
All songs written and performed by Ivy Gardens
Produced by Ivy Gardens
Recorded and mixed by Frank Ditillio
Mastered by Cameron Lee
Album Artwork by Ivy Gardens
Death of Don Valley is Canadian Content (MAPL)

Recording and Live Lineup:​
Joe Zandwyk: Drums, Vocals, Samples
Sebastian Hogg: Organ, Piano, Synth, Samples
Andrew Blackborow: Guitar, Vocals

More info: Facebook.com/ivygardensband | Instagram.com/ivygardensofficial​

-30-

“Death Of Don Valley is a wonderfully eccentric, off-beat and demented slice of Sludge/Stoner Metal that demands your full and undivided attention.” – Outlaws of The Sun

“First of all, can we just give a lot of overdue appreciation to the fact that there are still hard-gigging bands out there that play with the kind of urgency as IVY GARDENS. You can damn AI music straight to fiery pits of hell; this is where the real sound and fury is at. Another thing I appreciate about Ivy Gardens is all the dark humor. You see it in their new music video, with its Red Fangish tongue-in-cheek adventure. This one features a vintage style videotaped car chase, which would play well off a viewing of V/H/S/94. …Fake blood ahead… We’re arrested right away by the powerful strumming of the guitar as “Eye Witness” opens. Drumming is crazy, a frenetic attack of Animal from The Muppets, chasing that beat all over the place… Of course, the classic organ-sound of the keyboards adds a certain kind of spookiness to it all, which can be at once cheeky, mysterious, and cool. I myself love this send-back to ‘60s rock, while respecting that Ivy Gardens brings us a sound that clearly feels “now.”” – Doom and Stoned​
​
​“With the premiere of the video for “Burden” below, Niagara Falls progressive sludge trio Ivy Gardens announce their second full-length, Death of Don Valley, will be out Aug. 29 through Paper Cut Recordings. The follow-up to the sans-bass three-piece’s well-received 2024 debut, Goon, is introduced with the lead single “Burden,” which you can find the band playing live in the video premiering below. This ethic would seem to be the crux of Death of Don Valley itself, hence “live off the floor sophomore album” in the headline below. “Burden” benefits from the lack of trickery behind it, from the visually-evidenced capacity on the part of guitarist/vocalist Andrew Blackborow, key-specialist/synthesist Sebastian Hogg and drummer/vocalist Joe Zandwyk, the latter two of whom are also responsible for samples on the record, and while one can hear a bit of Melvinsian do-rock-and-make-it-weird ethos underlying, “Burden” brings charge to coincide with its telltale rhythmic intricacy — not quite doing ‘math’ in the musical sense, but not far off. They say the album’s more complex than the last one, and even if it was tracked entirely live with no overdubs, “Burden” bears that out.” – The Obelisk​
​
​“Throughout the album Joe Zandwyk’s drums almost dance like swirls of sand through the desert. Sebastian Hogg’s keyboard adds a great layer on top of Andrew Blackborow’s guitar playing. While no one particular instrument claims the spotlight, the instruments all have the freedom to claim their own space in the gritty depth that is Ivy Gardens and Death of Don Valley.” – The Metal Pit​
​
​“Ivy Gardens bringing ‘sludge-soaked, high-decibel’ rock to Barrie” – Barrie Today

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 ART OF ATTRITION Announce Cross Canada “The Subservient Bloodletting Tour” w/ Beguiler

  • February 6, 2025
  • by Asher
  • · Art of Attrition · Music News

NEWS RELEASE

Montreal, QC – February 6, 2025

ART OF ATTRITION Announces Cross Canada “The Subservient Bloodletting Tour” w/ BEGUILER

L-R – Jack Sutherland (Guitars), back Johnny VanderRoest (Guitars), front Joshua Hahn (Vocals), L-R – Greg Smith (Drums)

Photo Credit – Abscene Productions

Red Deer, Alberta’s ART OF ATTRITION announces they are hitting the road this May to bring carnage straight to your city alongside 2024 Wacken Metal Battle Canada Champions, Toronto, ON’s BEGUILIER. Entitled “The Subservient Bloodletting Tour”, this cross-country trek marks a new chapter for both bands as they expand their reach, unleashing their most punishing sets to date along with new songs to unveil. Enter the moshpit for this east-to-west assault, have a beer, and enjoy some good ol’ DEATHCORE!

Poster Design: @j.disco | @deathhymn

The Subservient Bloodletting Tour w/ Art of Attrition, Beguiler​
May 2 – La Source de la Martinière- Quebec City, QC
May 3 – Piranha Bar – Montréal, QC
May 4 – Taverne Royale – Trois Rivières, QC
May 7 – The Union – Kitchener, ON
May 8 – Queens Nightclub – Barrie, ON
May 9 – Dominion House – Windsor, ON
May 10 – Sneaky Dee’s – Toronto, ON
May 11 – Dominion Tavern – Ottawa, ON
May 14 – SideStage – Winnipeg, MB
May 15 – Black Cat Tavern – Saskatoon, SK
May 16 – The Vat – Red Deer, AB
May 17 – Dickens – Calgary, AB
May 23 – Stariite Temple – Edmonton, AB
May 24 – The Cobalt – Vancouver, BC

Formed in early 2019, Red Deer, AB’s Art Of Attrition is a band that redevelops “the typical” deathcore sound by delivering aggression with melody, atmosphere with intricacy, and brutality with technicality. Combining ferocious work ethic with refined musicality, their songs challenge the notion that deathcore cannot evolve or be unique.

In July 2024, they unleashed their EP “…And It Will All End Forever” to follow their 2023 debut album “Void Eternal”. As a whole, their latest EP brought listeners disgusting breakdowns, matched by speed and intense guitar work that channeled emotions such as anger and anxiety. Hauntingly memorable solos gave way to epic choruses that share relatable moments. A whirlwind of deathcore it’s matched with classic black metal, and capitalized with bits of groove and creative drum parts.

On February, 14th, 2025, Art of Attrition will unshackle their first single of 2025, entitled “Subserviate & Decay”. The new song is an experimentation of some particular ideas that the band has over the years. With such diverse musical tastes, Art of Attrition is bringing some evolutionary ideas into their material for a new world order to “throw down”.

Music Video – Vitriol – https://youtu.be/_07sY_7A95A

​

Bandcamp – https://artofattrition.bandcamp.com​

Digital (Spotify) – https://distrokid.com/hyperfollow/artofattrition/and-it-will-all-end-forever​

Art of Attrition is:
Jack Sutherland – Guitars
Johnny VanderRoest – Guitars
Joshua Hahn – Vocals
Greg Smith – Drums

More info: http://artofattrition.com | https://www.facebook.com/ArtofAttrition | https://www.instagram.com/artofattrition​
​

-30-

Canadian College Radio Charts 2024 – !earshot – October 2024 – top 20 loud – #12 Art of Attrition

Canadian College Radio Charts 2024 – !earshot – September 2024 – Top 200 – #183 Art of Attrition

“Since the speed is incredibly fast, you get the feeling that every song is a 10-minute epic, but they are all in the 5-minute plus/minus direction. But epic is a good keyword, because every single piece has such technical power that you really need several runs to understand, what’s actually going on and that’s what brings tears of joy to the eyes of every metal fan who loves the technical hidden refinements. A small highlight is probably the last of the four songs, as well as the title song “…And It Will All End Forever”, which expresses the band’s entire range and makes it clear to everyone, what is meant by “Technical Deathcore”.9.5/10” – Hellfire Magazin

““…And It Will All End Forever” rises to the surface with the speed and dexterity of bands like Archspire. Mesmerising lead guitars shine brightly above the powerhouse rhythms, momentary silences between anvil heavy sections giving fleeting respite. A gargantuan monolithic breakdown is the last thing you might expect to hear on a track with such stunning lead guitars but the band brought it and it is nothing short of brutal, contrasted perfectly the delicate piano fade out. It’s hard to fathom how this band are not on a major label because this record is sublime [9/10]” – metal Noise

“Blackened technical deathcore… brutal and pissed off too” – 89.9 WORT FM – The Moshpit (Madison, WI)

“But then the EP’s ending title track. Holy fuck do they knock it out of the park with 6 minutes of killer melodies, a killer chorus and key/choirs, and a massive breakdown that make it an absolutely killer track, maybe one of the year’s best in the genre” – Teeth of The Divine

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 LOUD AS HELL Adds ANCIIENTS, POUND OF FLESH, ART OF ATTRITION, EXTERMINATUS To 2024 Lineup

  • July 25, 2024
  • by Asher
  • · Art of Attrition · Loud As Hell Festival · Music News

NEWS RELEASE

Montreal, QC – July 25, 2024

​LOUD AS HELL Adds ANCIIENTS, POUND OF FLESH, ART OF ATTRITION, EXTERMINATUS To 2024 Lineup

w/ BEYOND CREATION, GREEN JELLY, STRIKER, RIPCORDZ, THE CONVALESCENCE AND MORE!

August 2-4 – Camping & Extreme Music In Alberta’s Badlands – Drumheller, AB

LAH 2024 Lineup Spotify Playlist – ​https://sptfy.com/QjaZ

​

One of Canada’s most beloved decibel-breaking extreme music events, LOUD AS HELL OPEN AIR FESTIVAL returns with its most ferocious lineups to date for its 2024 edition with headliners BEYOND CREATION, GREEN JELLY, STRIKER, RIPCORDZ, THE CONVALESCENCE and many more!

Today, the festival announces the addition of Vancouver’s ANCIIENTS as Saturday night headliner, Red Deer’s blackened technical deathcore squad ART OF ATTRITION, Vancouver death metal EXTERMINATUS, and Ontario hardcore POUND OF FLESH to replace Malignancy, Immortal Suffering, Vitriol, and Thantifaxath whom unfortunately were forced to cancel their performances.

Hosted in Drumheller, AB from Aug 2nd to 4th, this year’s festival will be celebrating its twelfth year showcasing some of the best Canadian and international talent to roar through the country’s largest badlands.

Headling the first night of the festival will be legendary American comedy rock band Green Jelly who will huffing and puffing with their “Three Little Pigs” and more! They will supported by horror deathcore tyrants The Convalescence who will be making their second back-to-back appearance at LAH. The second night will feature Juno Award winning prog metal masters Vancouver’s ANCIIENTS and Ontario hardcore misfits Pound of Flesh along with Vancouver up-and-coming thrashers Terrifier and one of Canada’s favourite punks Montreal’s Ripcordz. Closing out the festival on its third night will be Montreal’s technical death metal titans Beyond Creation with support from Edmonton’s Juno-winning heavy metal champions Striker along with one-of-a-kind video game metal aficionado band, Florida’s Super Monster Party performing their first ever show date in Canada.

The full lineup for this year’s Loud As Hell Open Air Festival is listed below.

Weekend Passes (including camping) are available at https://www.loudashell.ca/tickets (Pick Up at Willcall)

Aug 1 – Kick-Off Party – Neigbours’ Corner Pub​
Tides of Kharon
Culled
Pridelands
Ditch Pisser
​​
LOUD AS HELL OPEN AIR FESTIVAL 2024 LINEUP:
​
​
​Aug 2​
Green Jelly
Adrian Bellue (Acoustic)
The Convalescence
Aussy Blood (Freak Show)
Squid Hammer
Our Last Crusade
Balrogath
Prohibitor
Vaegon
​
​Aug 3​
Anciients
Pound of Flesh
Adrian Bellue (Acoustic)
Gutter Creek
Aussy Blood (Freak Show)
Terrifier
Ripcordz
Heartsick
Hazzardous Material (Burlesque)
Revolution Engine
Kelevra
Book of Ghosts
Naitaka
Raising The Ruins
Upside Down Man
Delirium
​
​Aug 4​
Beyond Creation
Striker
Art of Attrition
Super Monster Party
Tyrants Demise
Asylum of Ashes
Exterminatus
Hazzardous Material (Burlesque)
Rams Kull
Slaughterhouse Effect
Storm The Empire
Augurium
Phaeton
Kill Witch

Info:

Roaring into the Alberta badlands where the Dinosaurs once roamed, the annual gathering of metalheads from across Canada and beyond will be celebrating its 12th year of decibel-breaking music in 2024. Since its inception in 2012, LOUD AS HELL OPEN AIR FESTIVAL has exposed hundreds of Canadian and international bands annually with the exception of 2020 due to the Covid pandemic. Their 2023 edition was host to the most stacked lineup to date featuring JUNGLE ROT, NARCOTIC WASTELAND, INCITE, NECRONOMICON, THE CONVALESCENCE, and lots more. Previous years have witnessed well-known bands such as Into Eternity, Goatwhore, Battlecross, Fit for An Autopsy, Anciients, Archspire, Unleash The Archers, Striker, KEN mode, Obey The Brave, Protest the Hero, AngelMaker, Divinity, Neck of The Woods, Endast among many more.

Video – Jungle Rot – A Call To Arms – Live at LAH 2023 – https://youtu.be/b5GCaJ–lZo​

Video – Jungle Rot – Stay Dead – Live at LAH 2023 – https://youtu.be/_b62YzpxcLc​

Volunteers Wanted For 2024:​
Volunteers are wanted for production and security. For full details email at loudashellfestival[@]gmail[.]com

More info:
​
LoudAsHell.ca​
​Facebook.com/LoudAsHellFestival​
Twitter: @LoudAsHellFest
Instagram: @LoudAsHellFestival
​Social Media Hashtags #LAHXII and #LAHOA2024

Festival Press Materials – Posters, Band Links, EPKs, Photos – HERE.​

About:

LOUD AS HELL OPEN AIR FESTIVAL has hosted hundreds of Canadian and international bands annually since 2012 with the exception of 2020 due to the COVID-19 pandemic. During its decade of showcasing Canadian and international bands, the festival has grown into a pilgrimage for metalheads from across the country.

LOUD AS HELL OPEN AIR FESTIVAL 2024 will be celebrating its twelfth festival event presented by Loud As Hell Productions, Jurassic Ink Custom Tattoo, Prairie Fire Events, and Asher Media Relations. LAH always works its hardest to deliver the best lineup in the West ready to melt your face off. Featuring bands from across Canada and beyond, you won’t want to miss any of it. And don’t forget about their freak shows, burlesque dancers, clinics, vendors, and dinosaurs!

LAH Partners:​
WCMFA – Western Canadian Metal Festival Alliance
Asher Media Relations
Bravewords
Metal-Rules
Absolute Underground Mag
Ghost Cult Magazine
Valley Brewing
Canalta Hotels
Neighbors’ Corner Pub
Prairie Fire Productions Ltd
Big Nate Productions
Trash Talk with Nate
Trash Slimbztv
MetalHeads United
Heavy Metal A Way Of Life
QMR (Queen Metal Radio)

– 30 –

What the press is saying:

“Located an hour and a half east of Calgary is the town of Drumheller, Alberta. With a population in the neighborhood of 8000 and existing smack dab in the middle of Canada’s desert and dinosaur country, it’s not a place one would immediately associate with any sort of metal scene, let alone a big-ass outdoor metal fest. But that’s where you’d be wrong. Going into its 11th year, the Loud as Hell Festival is set to roll on August 4-6th with the likes of Narcotic Wasteland, Jungle Rot and Incite headlining three days of metallic fun featuring 40 or so bands, including The Convalesence, Gorgatron, Necronomicon, Untimely Demise, Eyes of Perdition and more.” – Decibel Magazine

“Western Canada’s loudest heavy metal festival brings fans to town more known for dinos than drum solos.” – CBC Calgary

“What’s more metal than the badlands? Drumheller, AB, is known for being the dinosaur capital of the world — but it’s also the home of the Loud as Hell festival, an event celebrating none other than the loudest music known to man (and, by proxy, prehistoric reptile).” – Exclaim!

“Loud as Hell – one of Canada’s top underground metal festivals – was a metal family reunion. If you walked around the grounds, where tents covered the landscape like flowers, you would experience concert goers laughing, hugging and just enjoying the moment. The music played non-stop and the people were some of the best you’ll meet. What else do you need? If you’re a metalhead fan, mark it down for next year because this is a concert you don’t want to miss.” – Blackfalds Life

“Headbanger alert: Loud As Hell festival to ramp up the volume” – Calgary Herald

“Nevermind the bug spray and sun tan lotion, as August approaches Drumheller residents should stock up on earplugs.” – Calgary Herald

“Loud As Hell returns to the southern Alberta city for its seventh year and as its name implies, will rock the city to its core.” – Calgary Herald

“Loud as Hell has celebrated eight years in the Badlands to date, with acts from all over the world-shattering the peace and quiet of the hills in a camping and music extravaganza.” – Hanna Herald

“Drumheller with its dinosaur bones is the site of the annual Loud as Hell heavy metal festival Friday through Sunday. Dozens of the heaviest bands known to Man will be taking the stage, many of them Canadian” – Gig City​
—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Out Now! Prepare For A Pure Rock ‘N Roll Attack As Lÿnx Unleash Their Album “Claws Out”

  • May 9, 2024
  • by Asher
  • · Lynx (Bullzhorn Records) · Music News

NEWS RELEASE

Montreal, QC – May 9, 2024

​

Out Now! Prepare For A Pure Rock ‘N Roll Attack As Lÿnx Unleash Their Album “Claws Out”

Brace yourselves for a rock n’ roll onslaught as Canada’s Lÿnx prepares to release their full-length album “Claws Out” on May 9, 2024. This four-piece juggernaut, consisting of Blade, Fangs, Flash, and Ja6ur, is a high-octane force that promises to leave an indelible mark on the rock landscape. From the razor-sharp solos of Blade to the thunderous drums of Flash, the bass that never stays put from Fangs, and the electrifying stage presence of Ja6ur, Lÿnx delivers a live experience that goes beyond the ordinary. The comment on the upcoming release:

“We are incredibly proud of how our first 2 albums have been received at home and around the world. It’s clear that the world is ready for rock to come roaring back into the mainstream. There are no skipping songs on a Lÿnx album, we want every song to be quality work that gets you either up and dancing, or a ballad that brings a tear to your eye, or a hard pounding heavy hit to get your anger out. For us this isn’t just a hobby, this is a lifestyle, and we want every one of our fans to be as ecstatic as we are about the music we create.”

Lÿnx has put a lot of thought into this album, as every artist does. They are poised to strike with a new frontman, Ja6ur; and his extraordinary talent, it has opened a whole thwack of possibilities for the band and the energy that they exude has just gone to the next level.

Their upcoming album is not just a collection of songs; it’s a testament to the band’s unrelenting dedication to providing fans with a visceral, immersive rock experience. With a sound that harks back to the glory days of rock while maintaining a modern edge, Lÿnx invites fans to buckle up and join them on a relentless ride through the world of rock n’ roll. The album was mixed by Priyam Baksi, mastered by Nathan Reiner and the album artwork was done by Syafiq AL Faruq. “Claw Outs” is recommended for fans of Mr. Big, Poison, and Motley Crue.

“Claws Out” is available as of May 9, 2024, via Bullzhorn Records at https://getlynxed.bandcamp.com and all digital platforms at https://li.sten.to/clawsoutfullalbum.

Music Video – “Shake It Up” – https://youtu.be/fU-qbZLH5Iw​

Lyric Video – “Claws Out” – https://youtu.be/Wxsps-Kw7wE​

Music Video – “Hell In High Heels” – https://youtu.be/glgN0hWjQsE​

Track Listing:​
1. Hell In High Heels (4:18)
2. Rock Machine (4:08)
3. Claws Out (4:24)
4. Can’t Get Enough (5:00)
5. Shake It Up (Remastered) (3:47)
6. Band of Brothers (5:31)
7. Nothing But Love (4:59)
8. Hard As Life (4:38)
9. Pull the Trigger (4:54)
10. Lights Out (4:09)

Album and Live Band Lineup:​
Ja6ur- Lead Vocals
Blade- Guitar, Backing Vocals
Fangs- Bass Guitar, Backing Vocals
Flash- Drums/ Percussion

For more info: Lynxrocks.com

– 30 –

“”Claws Out is a straight shot of heavy rock n’ roll straight to the heart. With its infectious energy, blistering guitar solos, and powerhouse vocals, it’s a proof to the enduring power of the genre. Crank up the volume, grab the Aqua Net, throw up the horns, and let Lÿnx take you on a journey through the wild and untamed world of hair metal glory. MUST LISTEN TRACKS: “Rock Machine”, “Can’t Get Enough”, “Band of Brothers”, “Pull the Trigger”, “Lights Out”” – Amplify The Noise

“Lÿnx is an honest to goodness rock n roll band in a time when rock needs just that. They offer up blistering guitar riffs and solos, melodic choruses, and high energy performances that resemble the spirit of a time long gone by.” Hitonindie.com

“A brilliant release that perfectly builds on the stage that their self titled EP set. ‘Long Live Rock N Roll’ is a direct unyielding ode to what rock music used to be. A release that’s not for the faint of heart, its bold, brash and wonderfully Brutal. Landing as one of Lÿnx’s defining musical moments” Thomas Bedward – Broken 8 Records

“ Opening tracks can tell you a lot about an album. Sometimes bands come out swinging, and others take a slow burn approach. Theres no slow burn in Lÿnx. And the title track ‘Long Live Rock N Roll’ roars out of your speakers. It features a great guitar solo, fantastic percussion, and drips with 80s glam.” Dave Wilks – CGCM Radio/ Podcast

“This is a really solid, fun band that were excited about, and can’t wait to hear what’s next. So, Crank it up and press play!”- MusicNotez Magazine

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 REMINDER – DISPLAY OF DECAY Alberta Tour Dates In Support of Sixth Album “Vitriol” Out Now! From Gore House Productions

  • November 8, 2023
  • by Asher
  • · Display of Decay · Music News

NEWS RELEASE

Montreal, QC – November 8, 2023

​

REMINDER – DISPLAY OF DECAY Alberta Tour Dates In Support of Sixth Album “Vitriol” Out Now! From Gore House Productions

Tour Dates:​
Nov 10 – Calgary, AB – Dickens Pub – Info​
Nov 11 – Edmonton, AB – Starlite Room – Info​
Nov 17 – Lloydminster, AB – Cheers Live – Info​

=========================================

Streaming Now! Descend Into The Abyss Of Death Metal With Display Of Decay’s Sixth Album “Vitriol”

New Album “Vitriol” Out October 20th, 2023 via Gore House Productions

(Mixed & Mastered by Chris Donaldson – Cryptopsy)

Alberta Tour Dates (Calgary, Edmonton, Lloydminster)

L – R – Brandon Siefert (Bass), Sean Watson (Guitar / Vocals), Logan Wilson (Drums)

Photo Credit – Display of Decay
​

Prepare to have your senses shattered as Canada’s Display Of Decay unveils the chaos and power that can only be found in death metal in their sixth album “Vitriol”, now available as of October 20th from Gore House Productions.

The eight tracks on “Vitriol” will take listeners through distorted riffs colliding with thunderous percussion, creating a maelstrom of sound that leaves no room for compromise. The lyrical content covers a variety of topics ranging from pop culture references like Diablo & Mass Effect to darker undertones of acts of senseless violence and brutality. The band explains more:

“At long last, we are excited to finally announce our long-awaited new record and 6th installment into the discography, Vitriol! This album took a lot of the technical elements of ‘Art in Mutilation’ and blended them with the classic ‘DOD’ style of ‘bang your head, groovy riffs.’ I believe this album follows the trajectory our style has grown over the years, whilst still paying homage to the first few records of our discography.”

“Vitriol” was mixed and mastered by Christian Donaldson (Cryptopsy) and assistant mix engineer Dominic Grimard. The cover art was done by Caelan Stokkermans with graphic design by Logan Wilson. The writing process consists of Sean Watson (Guitar – Vocals) and Brandon Siefert (Bass) slinging riffs back and forth, and getting a rough layout done to bring to the table. With the return of Logan Wilson halfway through the process, it’s become more of a unified process. ‘Familial Feast’ as an example, was written while they were tracking the record, and after they ended up scrapping a tune halfway through the recording process, this one came together extremely well.

“Vitriol” was born of rage and spite fueled further by the chaos and uncertainty felt worldwide over the last few years. It is recommended for fans of Pantera, Morbid Angel, and Cannibal Corpse.

“Vitriol” will be available on October 20, 2023, via Gore House Productions and is available on Vinyl, CD, and Digital at https://orcd.co/vitriol​

​

​

Track Listing:​
1. Malicious Motorcide (3:17)
2. The Butcher (4:26)
3. Legion of Doom (4:04)
4. Familial Feast (3:26)
5. Harbinger (3:06)
6. Hot Lead Vengeance (4:01)
7. Slaughtercast (3:54)
8. Vitriol (3:19)
Album Length: 29:36

More info:

​Gorehouseproductions.com​ | ​Facebook.com/GoreHouseProductionsOfficial​ | ​Instagram.com/gorehouseproductions​

​Displayofdecay.ca | Facebook.com/displayofdecayofficial | Instagram.com/displayofdecayofficial | Tiktok.com/@displayofdecay​

-30-

“Edmonton’s long-standing denizens of death metal” – Decibel Magazine

“Should have lots of these from previous record, here are a few “This three-piece, hailing from the Canadian badlands, are an absolutely crushing ode to no-frills, old-school brutality.” – Metal Injection

‘’Perfect for fans of Deicide and Cannibal Corpse” – Bloody-Disgusting

“death metal that is surely to snap your neck and crush your skull.” – My Global Mind

“From pit anthems to intricate playing identifiable sound and raspy deep growls, every reason you love death metal is inside the tracks that lay within “Art in Mutilation.” – Metal Temple

“This is pure North American death metal with a dosage of thrash, but it’s the effective songwriting that keeps your interest from start to finish.” – Dead Rhetoric

“This is Brutal Death Metal that wastes no time on pointless intros or messing around.” – Wonderbox Metal

—
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0 Cabrakaän’s Mexican Infused Metal Burns Bright With “Fuego” Off New Album “Aztlán” Out Nov 2023

  • October 5, 2023
  • by Asher
  • · Cabrakaan · Music News

NEWS RELEASE

Montreal, QC – October 3, 2023

Cabrakaän’s Mexican Infused Metal Burns Bright With “Fuego”

New Album “Aztlán” Out November 17th, 2023

Photo Credit – Angela Ambrose – Lunar Ring Sound & Graphics Inc.​

Originally hailing from Mexico, metallers Cabrakaän now call Calgary, Canada home. In their signature sound, they take folklore from their homeland and wrap it up into a heavy and intriguing package that will catch the ears of metalheads everywhere. This year they are releasing an album “Aztlán”, a thematic album centered on the Spanish conquest – colonization and the defeat of Mexico’s Aztec empire, Tenochtitlán. The second single off this album is “Fuego”, a story about premonitions and nightmares that were experienced by Aztec people about the Spanish conquest. The band explains more:

“It is based on the “First Bad Omen” of 7 that happened in the decade before the Spaniards’ arrival in 1521. In this omen, there was a fire that burned in the sky every night for a year, shaped in a way that made the sky look like it was bleeding. Musically, it is hard-hitting, melancholic, dark, and energetic all at once.”

In a fusion of fast-paced melodies, enchanting harmonies, and heavy-hitting rhythms, “Fuego” (The Fire) is based on the recorded history of seven bad omens that Aztecs believed were warning them about the future conquest.

Marko Cipäktli and Pat Cuikani developed Cabrakaän’s initial concept to create music that reflected and reinforced their cultural roots. Over time, they developed a sound based on their shared musical interests: death metal, classical music and opera, and traditional Mexican music, with a strong desire to express and share their country’s folklore through heavy music. In the past, Cipäktli and Cuikani’s lyrics have engaged with Aztec and Mayan mythology. Lyrics from their upcoming album will engage with a mix of themes related to the Spanish conquest and mythological concepts like Mictlan, an Aztec concept of the underworld. “Aztlán” is recommended for fans of Eluveitie, Nightwish, and Amon Amarth.

Watch the music video for “Fuego” at https://youtu.be/5l0SfGbWP2I​

Spotify – https://tinyurl.com/2ztfdrsp

​

“Aztlán” is due out on November 17, 2023, and available for pre-order at https://cabrakaan.bandcamp.com/album/aztl-n​

Metal Documentary – Journey to Aztlán: Heavy Metal, Folklore, and Cultural Identity – https://youtu.be/K-qC2oY5xwU

​

Music Video – “Mictlán” at https://youtu.be/mPLYXJBGXGI

​

Track Listing:​
1. Tonantzin – 3:50
2. Fuego – 5:28
3. Tlaloc – 4:01
4. Luces y Sombras – 3:51
5. Malintzin – 5:16
6. Mictlán – 4:25
7. Yolot – 5:16
8. Xóchitl – 2:42
9. La Cigarra (featuring Reed Alton) – 5:31
10. Mictlán (English Version) – 4:25
11. Fuego (English Version) – 5:28
Album Length: 50:13

Album Credits:​
– Produced by Marko Cipäktli and Cody Anstey
– All songs mixed by Cody Anstey at Clarity Recording & Mixing (Osyron, Ravenous E.H., Wu-Tang Clan)
– All songs mastered by Mika Jussila at Finnvox Studios (Nightwish, Children of Bodom, Amorphis)
– All lyrics by Pat Cuikani & Marko Cipäktli

Album Band Line-up:​
Pat Cuikani, Vocals
Marko Cipäktli, Drums & Rough Vocals
Alex Navarro, Lead Guitar, Rhythm Guitar
David Saldarriaga Tobón – Bass, Classical Guitar

Live Band Line-up:​
Pat Cuikani, Vocals
Marko Cipäktli, Drums & Rough Vocals
Alex Navarro, Lead Guitar
Brendan Wilkinson, Rhythm Guitar
David Saldarriaga Tobón – Bass, Classical Guitar

For more info: Cabrakaan.com | Instagram.com/cabrakaan_band | Facebook.com/CABRAKAAN​

-30-

“In the world of metal music, where genres often blend and boundaries are pushed, there emerges a band that beautifully merges traditional folk elements with the raw power of heavy metal. Enter Cabrakaän, a Mexican folk metal band on a mission to reconnect with their ancestral roots and preserve the rich cultural heritage of Mexico.” – Infrared Magazine

“CABRAKAÄN has released an amazing, fun, well-written album with influences from various folk styles aligned with Death Metal. It’s definitely one of the best releases of the year in the style and the band deserves all the attention they are getting from the media and the public. 10/10” – Metal Temple (review 2019 – Cem Anahuac My Home)

“While the band may celebrate cultures that are unknown to most Canadian metal fans, Cipäktli says live performances by Cabrakaan are an immersive experience. The band, who wear face paint and costumes to conjure up the “time of the Aztecs,” like to give audiences both a visual and sonic feast.”

-Calgary Herald: “Symphonic Metal Band Cabrakaän Brings Spirit Of Ancient Mexico To Calgary”

“The use of traditional, lesser-known instruments that rarely leave Central/South America jamming along with metal instruments – in a way that would make Ozzy Osbourne in his prime proud – is the last thing Calgary expected to experience, and yet Cabrakaän is here.”

– Calgary Journal: “Cabrakaän, Calgary’s friendly neighbourhood Mexican folk metal fusion band”

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 Reminder – Deadline June 30th For Band Submissions – 2024 The Electric Highway Festival (Calgary, AB) – April 4- 6

  • June 12, 2023
  • by Asher
  • · Uncategorized

NEWS RELEASE

Montreal, QC – June 2023

​

Reminder – Deadline June 30th For Band Submissions – 2024 The Electric Highway Festival (Calgary, AB) – April 4- 6

EHF 2023 Lineup Spotify Playlist – https://spoti.fi/3ZKB9Tm

​

The deadline for band submissions for The Electric Highway Festival 2024 being held in Calgary, AB on April 4, 5, and 6 at Dickens in Calgary, AB is fast approaching.

Band submissions for the 2024 event are open until June 30, 2023.

Bands can fill out the form at https://theelectrichighway.ca/band-submissions/​

Genres of bands the festival is taking applications from are Desert Rock, Stoner Metal, Doom, Sludge, Trippy Psychedelic, Surf Rock, Acid Rock, Noise Rock, Fuzz Rock, Space Rock, Blues Rock, Heavy Psych, Heavy Blues, Southern Rock, Fuzzy Punk, Sludgy Hardcore bands and variations of any of the previously mentioned styles.

About:

Buckle up for The Electric Highway Festival!

The 2023 edition of the festival focused on Desert Rock and Metal, Doom, Sludge, and Heavy Psych and had expanded to include some punk and hardcore bands as well.

The festival featured Californian headliners Sasquatch, one of the festival’s past favorites, laying down their brand of fuzzy, kick-ass Desert Rock & Heavy Psych with direct support from Vancouver’s La Chinga who returned for their 4th appearance on Saturday night. Black Mastiff returned to headline Friday night with Calgary’s Gone Cosmic and HypnoPilot headlined the Thursday show with support from Citizen Rage. These are just a few of the wicked bands that played at The Electric Highway. The full lineup can be found below.
​
​The Electric Highway 2023 Official Nightly Lineups:​
​
​Thursday, March 23:​
HypnoPilot (Lethbridge, AB) – Daily Headliner
Citizen Rage (Calgary, AB)
Musing (Calgary, AB)
No More Moments (Siksika, AB)
Father Moon (Calgary, AB)
Destroy My Brains (Lloydminster, AB).
​
​Friday, March 24:​
Black Mastiff (Edmonton, AB/Vancouver, BC) – Daily Headliner
Gone Cosmic (Calgary, AB)
Set & Stoned (Crossfield, AB)
Hombre (Calgary, AB)
Empress (Vancouver, BC)
Molten Lava (Vancouver, BC)
Space Queen (Vancouver, BC) Owls & Eagles (Calgary, AB)
​
​Saturday, March 25:​
Sasquatch (Los Angeles, CA) – Festival Headliner
La Chinga (Vancouver, BC)
Buffalo Bud Buster (Calgary, AB)
Brown Dwarf (Red Deer, AB)
The Astral Prophets (Calgary, AB)
Iron Tusk (Siksika, AB)
The Sleeping Legion (Winnipeg, MB)
Tebby & the Heavy (Edmonton, AB)
Garuda (Cranbrook, BC).
​
The Electric Highway is a fully immersive festival experience and offers much more than just music. The festival also featured an art & vendor exposition during all three days at Dickens, March 23 – 25, 2023.

Check www.TheElectricHighway.ca for more festival information.

We look forward to bringing this festival to you, and can’t wait to see everyone in 2024!
​
​Social Media Links:

Website: TheElectricHighway.ca​

Facebook: Facebook.com/ElectricHighwayFestival​

Facebook Event: https://www.facebook.com/events/849216866328036​

Instagram: Instagram.com/TheElectricHighway​

Twitter: Twitter.com/TheElectricHwy​
​
​
Hashtag #BuckleUp

Festival Artwork by David Paul Seymour
The Electric Highway Logo by Sketchy Intuitions

Festival Press Materials Dropbox HERE.

Business Partners/Sponsors:​
Asher Media Relations
Athena Bookkeeping Services Inc.
Black Collar Manufacturing
Calgary Metal Scene Events
The Celestial Agency
Dickens
FACTOR Canada
High Voltage TV
Loud as Hell Festival
METALHEADS UNITED
New Level Brewing
​
​Travel and Tourism Partners:​
Tourism Calgary
Travel Alberta

Media Partners:​
Absolute Underground
Broken Neck Radio
CJSR
CJSW
Digital
Distortion
Doomed and Stoned
The Obelisk
Outlaws of the Sun
Metal Devastation
Metal Rules
Trash Talk
V13

Business partnerships and sponsorship opportunities are available. Contact theelectrichighwayfestival[@]gmail[.]com for more information.

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
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(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 RED CAIN Is On “The Great Hunt” With New Live Video Off Wheel of Time Inspired Album “NÄE’BLISS” Out June 2023

  • May 10, 2023
  • by Asher
  • · Music News · Red Cain

NEWS RELEASE

Montreal, QC- May 10, 2023

 

RED CAIN Is On “The Great Hunt” With New Live Video Off Wheel of Time Inspired Album “NÄE’BLISS” Out June 2023

L-R – Taylor Gibson (drums), Kalie Yan (bass, vocals), Evgeniy Zayarny (vocals), Samuel Ridout (guitar)

Photo Credit Zak Kelly

The hunt is on with Calgary, Canada’s Red Cain‘s last single to be released before they unleash their new album “NÄE’BLISS” on June 2nd, 2023. One of the heaviest tracks in the Red Cain repertoire “The Great Hunt” is a stomping, driven ¾ march utilizing 8-string guitars and layers and layers of bass.

“This track pushes further into the djent riffs present elsewhere on the album, yet contains all of the usual characteristics of a Red Cain anthem – lush electronic backing, soaring, aggressive vocals, and a pulsing, headbanging groove. Conceptually, within the album’s theme continuing to revolve around the “Wheel of Time” universe, “The Great Hunt” calls our Forsaken protagonists to begin the hunt for the most dangerous game – their archenemy, the world-breaking Champion of the Light – the Dragon Reborn himself. With regression to the status quo threatening, and Chaos the only antidote, will this bold move yield success – or drive the world deeper into the designs of the Wheel? Step up, heft your spear – and join The Great Hunt.” adds the band.
​
Watch and listen to “The Great Hunt” via its live video at https://youtu.be/Xm8OeUGVkjg

Red Cain‘s third full-length album “NÄE’BLISS” is a homage to the legendary world of Robert Jordan’s fantasy epic “The Wheel of Time” (novel/TV series). With a grimdark edge, down-tuned guitars, death and power prog metal influences, and an unrelenting march forward, “NÄE’BLISS” is a foray into the reverse side of the Wheel of Time story – that of the Forsaken, antagonists, instruments of the Great Lord of the Dark, and the brutal and captivating allure of letting Chaos reign supreme.

The band explains further:

“We are fascinated by antagonists, why they stand against the “common good”, and how they came to fill that role – and when reading the Wheel of Time, there was the same intrigue behind how the very clearly defined “evil” faction in this world justified its existence. Why did the Forsaken willingly join the Shadow? Why do some men and women want the world to burn, and the Wheel to stop spinning? Within such a carefully crafted narrative and beautifully balanced universe, there were puzzling, unexplored gaps that we were determined to delve deeper into.
​
And of course, fantasy is but a mirror of reality – so outside WoT lore, these questions apply equally well to the world beyond our window. Which of our idols are false, which heroes degenerate, and what history is a compendium of careful lies? It is all too easy to raise your fist against those labeled evil by the multitudes or a voice above while failing to realize you yourself are the instrument of tyranny and corruption.

We are all massive fantasy fans, and for us, Wheel of Time rubs shoulders with LOTR as a genre-defining epic fantasy series that started it all. The world of the Wheel is a brutal, compelling world with multitudes of fascinating characters, and we were particularly interested in exploring its more visceral aspects – an area that begs to be paired with heavy metal. We’ve seen some of our musical icons, like Blind Guardian, successfully go down this path, and it was magnificent to see new musical interpretations of those stories spun out by them – not to mention some bloody good fun.

Now, it is our turn to ride forward in another turn of the Wheel. Enjoy!”

Red Cain is recommended for fans of Kamelot, Symphony X, Myrath, Powerwolf, Mastodon, and The Contortionist.

“NÄE’BLISS” is due out on June 2, 2023.

Album pre-order – https://redcain.bandcamp.com​

Previous Music Videos:

We Are Chaos – https://youtu.be/YbXEV1DFjnQ

​

Fisher King – https://youtu.be/WaPe8mQ5uG8

​

Track Listing:​
1. Fisher King – 5:35
2. Blight – 6:37
3. The Great Hunt – 4:09
4. We Are Chaos – 4:55
5. Sightblinder – 2:47
6. The Man Who Can’t Forget (Part I) – 2:38
7. Crane of Malkier (Part II) – 2:04
8. Red Cain – Fires of Heaven ft. James Delbridge (Lycanthro) – 8:02
Album Length: 36:52

Red Cain, from Calgary, Canada is a modern progressive metal project with Eastern European roots. They have been making waves since their first release in 2016, with award-winning music videos and concept albums “Kindred: Act I” and “Kindred: Act II”. Red Cain’s first two full albums conceptually told a sprawling story of how raw and primal ancient myth collides with modern society and human yearning toward the stars, toward perfection. The albums contained a ton of genre inspirations, from gothic rock to ambient electronica, power, black, and death metal, and were universally lauded for their inventiveness, variety, and strong conceptual content. They continue this momentum with forthcoming releases.

Red Cain is:​
Evgeniy Zayarny – Vocals
Samuel Ridout – Guitars
Tyler Corbett – Guitars
Kalie Yan – Bass, Vocals
Taylor Gibson – Drums

For more info: Redcain.ca | Facebook.com/redcainofficial | Instagram.com/redcainarmy | Redcain.bandcamp.com | Spotify​

– 30 –

What the press is saying:

“This is a track (Sunshine (Blood Sun Empire) that infuses their progressive and power metal sound, similar to that of Symphony X and Kamelot. Alongside this, there are also faint similarities to bands like Dream Theater and even Korn. This is a nearly 6 minute track that doesn’t let up and doesn’t fear to change up its style throughout.” – Metal Injection

#10 Red Cain !earshot – The National Loud Chart For the Week Ending: Tuesday, February 9, 2021 (Earshot)

“From the proggy goodness of album opener “Kindred”, to the blast beats of “Baltic Fleet”, to the epic closer “Sunshine (Blood Sun Empire), there is something here for every fan of progressive power metal. With this being Act II in Red Cain’s Kindred body of work, I really feel as though I entered a movie theater right in the middle of an epic saga. Each song is a journey in and of itself, but each also contributes to the overall fantastic voyage. I will absolutely be purchasing Act I of this amazing tale and listen from start to finish, the way it was intended. Do yourself a favor and do the same!” – Metal Rules

“If you like your music melodic, mysterious, and gothic, with a progressive power metal base, then this is for you. This has been a joy to review and yet another band to add to my favoured list. ” – The Prog Space

“Zayarny is a powerhouse vocalist and the contortions he forces into Red Cain make for a very diverse record.. the talent behind the record is undeniable, and at the very least, Kindred proved far more creative and thought-provoking than most death metal records I’ve recently tackled. You should give it a shot — even if you’re not a big weenie..” – Angry Metal Guy

“Overall, ‘Kindred: Act II’ is an interesting mix of styles that combine together in technical wizardry to set the backdrop for the continued tales of the warrior Zalcoatl. There’s some unexpected musical influences that bubble to the surface, particularly the liberal use of electronic elements provides a futuristic, yet gothic, element to the tales. Vocally, there’s some clear inspiration from Kamelot going on here. They’re predominantly clean, but with a wide range between high pitched and deep passages. The guitar work is pretty varied as well and at times even hits a distinctly djent groove that seems to appear out of nowhere!… Fans of Kamelot and Mastodon alike will find some common ground with ‘Kindred: Act II’ (and Act I for that matter).” – Uber Rock

“These seasoned metal performers brought me to school with a clear cut album, delivered beautifully across seven tracks. The epic highs and lows of the album leave me wanting more… My hat is off to RED CAIN!” – Metal Temple

“With a flurry of progressive guitars, grandiose vocals and intriguingly wild effects, Red Cain burn brightly from the very start with the opening track, Kindred.” – Games, Brrraaains & A Head-Banging Life

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Out Now! Prepare For OUR LAST CRUSADE’s New Groovy Deathcore Album “Death Wins”

  • January 20, 2023
  • by Asher
  • · Music News · Our Last Crusade (Shattered Earth Records)

NEWS RELEASE

Montreal, QC – January 20, 2023

 

​Out Now! Prepare For OUR LAST CRUSADE’s New Groovy Deathcore Album “Death Wins”

L-R: Our Last Crusade Current Line Up | Keifer Hicks (Bass) | Adrian Parcioaga (Vocals) | Brady Schmidt (Guitar) | Kyle Prusky (Guitar)
Photographer Credit: Jared Prusky

Our Last Crusade hails from Calgary, Alberta, Canada, and utilizes extended-range instruments to craft its take on modern deathcore. They have their third album “Death Wins” ready for listeners and the band suggests that it is their most complete work to date with a dialed-in sound that should see fans moshing in their living rooms.

“Death Wins” is a compilation of stories (either from books, movies, mythology, or original fiction that vocalist Adrian Parcioaga came up with) in which humanity in some shape or form is trying to defeat, control, or master death, trying to outwit their own mortality, but in each case death inevitably wins. Sonically, you’ll hear the Our Last Crusade signature sound – modern, punchy, percussive guitars, ambient leads, with plenty of grooves, breakdowns, and riffs galore. The band shares what fans can expect:

“Our sound has constantly been adapting and evolving and each album we release has an identity of its own. Death Wins is no different in that regard, but our writing feels much more mature on this effort as we had a large period of experimentation during the covid pandemic which allowed us to branch out and explore what we really wanted to define ourselves. This album feels much more emotive, the vocals at least aren’t heavy for the sake of heavy anymore, they have purpose and you can feel the emotions expressed within. We’ve introduced more energy, more melody, and more diversity in our latest offering, tying the tracks together with a common theme and allowing ourselves the time to be fully satisfied with the end result.”

Our Last Crusade pride itself on putting on a bombastic, frenetic live performance full of unrivaled energy, whether it’s to ten people or hundreds, they have always left an impression on the stage and made their presence known. The album was mixed, mastered and produced by guitarist Kyle Prusky at Apex Audio, Parcioaga helped produce it and also did the album artwork. It is recommended for fans of August Burns Red, After The Burial, and The Acacia Strain.

“Death Wins” is out as of January 20, 2023 via Shattered Earth Records, and can be heard in full via TheCirclePit – https://youtu.be/7VgxId6zSD8

​

Digital – http://www.linktr.ee/OurLastCrusade​

Music Videos:

​

Track Listing:​
1. Heatvision [feat. Terence Thiessen] – (4:12)
2. Deathbound [feat. Beau Danger] – (4:06)
3. Thulcandra – (3:39)
4. Purified – (3:38)
5. Nomad [feat. Cory Halvorsen] – (4:26)
6. Martyr Market [feat. Benjø Agustin] – (3:25)
7. Flowerhead – (4:40)
8. For the World is Hollow and I Have Touched the Sky – (3:54)
9. VØID CVLT – (4:32)Album Length: 36:34

Our Last Crusade is:
Adrian Parcioaga – Vocals
Brady Schmidt – Guitar
Keifer Hicks – Bass
Kyle Prusky – Guitar
​
​Album Recording Credits:​
• All songs performed by: Adrian Parcioaga, Brady Schmidt, Keifer Hicks, Kyle Prusky
• All songs written by: Adrian Parcioaga, Brady Schmidt, Keifer Hicks, Kyle Prusky, Samuel Bassani, Steven Swanky
• Produced by: Kyle Prusky at Apex Audio, Adrian Parcioaga
• Mixed by: Kyle Prusky at Apex Audio
• Mastered by: Kyle Prusky at Apex Audio
• Album Artwork by: Adrian Parcioaga
• Member of SOCAN
• Canadian Content (MAPL)

For more info: Shatteredearthrecords.com | Ourlastcrusade.com | Facebook.com/ourlastcrusade | Instagram.com/ourlastcrusade | Twitter.com/OurLastCrusade | Tiktok.com/@ourlastcrusadeband​

About: Our Last Crusade hails from Calgary, Alberta, Canada, and utilizes extended-range instruments to craft its take on modern deathcore. With influences from the local hardcore sound the area is known for, and inspirations such as After The Burial, The Acacia Strain, and The Black Dahlia Murder, the band has constantly shifted and has never been afraid to experiment, resulting in a sound that is hard to fit into a single box. Our Last Crusade pride itself on putting on a bombastic, frenetic live performance full of unrivaled energy, whether it’s to ten people or hundreds, they have always left an impression on the stage and made their presence known. Having conquered the local scene for the past decade, the band recently went out on their first tour through British Columbia and seeks to expand their reach far beyond through their signing to the new record label Shattered Earth Records. “We want to play the music we love for as many people as possible. This is our crusade.”

– 30 –

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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0 Canada’s RED CAIN Delivers A Progressive Vector of Infection With New Single “Blight”

  • January 17, 2023
  • by Asher
  • · Music News · Red Cain

NEWS RELEASE

Montreal, QC- January 17, 2023

 

Canada’s RED CAIN Delivers A Progressive Vector of Infection With New Single “Blight”

L to R: Samuel Ridout (guitar), Tyler Corbett (guitar), Evgeniy Zayarny (vocals), Kalie Yan (bass, vocals), Taylor Gibson (drums)

​

Calgary, Canada’s fantasy prog power metal Red Cain is kicking off the beginning of 2023 with their next The Wheel of Time (novel/TV series) inspired single entitled “Blight” that continues the storyline from their previous single “The Fisher King“ released this past November.

An epic and progressive track, “Blight” shreds fans into another voyage of storytelling, vocalist Evgeniy Zayarny explains further:

“Blight is defined as an organic contagion that damages, destroys, or corrupts. In the Wheel of Time universe, where the Dark One touches the world, uncontrolled and aberrant growth sprouts and covers the land, home to malign flora and monstrous fauna. With this track, we moved the needle firmly into the progressive part of our prog power style, delivering an atmospheric, chilling, and dynamic performance meant to mimic the unstoppable advancement of the Blight over the land. Is the Blight a disease or a majestic triumph of organic life without limits? With this Tesseract, Ihsahn, and Insomnium-influenced track, we explore this idea.
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The concept of “Blight” came out of a question – what is the ideal state in the evolution of organic life? Influenced by authors like Stanislaw Lem and Adrian Tchaikovsky, this has long been a theme in science fiction and is becoming relevant in the modern era. The Blight also plays a key role within the Wheel of Time universe, and the concept sets the stage for a musical exploration from our end where another evolution to our sound likewise takes root.”

“Blight” was mastered by Alan Sascha Laskow (Every Hour Kills, ex-Divinity) and mixed by Tyler Corbett, (Sole Audio).

Listen to “Blight” via its premiere on Sonic Perspectives HERE.

Red Cain, from Calgary, Canada is a modern progressive metal project with Eastern European roots. They have been making waves since their first release in 2016, with award-winning music videos and concept albums “Kindred: Act I” and “Kindred: Act II”. Red Cain’s first two full albums conceptually told a sprawling story of how raw and primal ancient myth collides with modern society and human yearning toward the stars, toward perfection. The albums contained a ton of genre inspirations, from gothic rock to ambient electronica, power, black, and death metal, and were universally lauded for their inventiveness, variety, and strong conceptual content. They continue this momentum with forthcoming releases.

Red Cain is recommended for fans of Kamelot, Symphony X, Myrath, Powerwolf, Mastodon, and The Contortionist.

Red Cain is:​
Evgeniy Zayarny – Vocals
Samuel Ridout – Guitars
Tyler Corbett – Guitars
Kalie Yan – Bass, Vocals
Taylor Gibson – Drums

For more info:​
​https://redcain.ca​
​https://www.facebook.com/redcainofficial​
​https://instagram.com/redcainarmy​
​https://redcain.bandcamp.com​
​Spotify​

About:

Melancholy and Rage

Born out of the vast prairies and snowy peaks of Alberta, Canada, Red Cain is a modern progressive metal project with Eastern European roots. With intricate songwriting, powerful vocals, eerie soundscapes, and strong electronic-backed groove, Red Cain champion a fluid, dynamic, and unique style centered around telling dark, conceptual Faustian sagas and constructing those into an unforgettable live experience. Described by frontman Evgeniy Zayarny as a vehicle of “Melancholy and Rage”, Red Cain delivers power, flair, thematic Slavic influence, and intricate, lethal edge in their work. Listeners might well pick out elements reminiscent of such luminary acts as Kamelot, Symphony X, Tesseract, Lord of the Lost, whipped into a venomous new shape. The current incarnation of this Canadian metal band is of these influences mixed with a lot of vodka and Eastern European melancholy, shaken and stirred.

Red Cain self-released its debut self-titled EP in North America in 2016 to excellent reviews, and followed this up with two award-winning full-length albums, “Kindred: Act I” in 2019, and AFA-funded “Kindred: Act II” in 2021, working with Sliptrick Records globally to have over 3500+ physical copies sold, as well as over 200,000 digital streams to date. The band has hit #1 on the Canadian National Loud Charts on multiple occasions and is a 1x winner and 3x nominee for the Metal Recording of the Year at the YYC Music Awards.

The band has created 13 videos, of which 2 are full-length, high-production music videos for “ZERO” and “Juliet”. The latter two videos have won 17 awards at international music festivals, including the Berlin Short Film Festival, Venice Shorts, Global Shorts, IndieX FilmFesti, AIFF, and Hollywood Art & Movie Awards, among others. The band has a strong history of collaboration, with a highlight being our work with Juno Award-winning vocalist Kobra Paige of heavy metal band Kobra and the Lotus, on the track “Wing of the Crow”.

Red Cain released our latest album “Kindred: Act II” globally with Sliptrick Records in 2021, with a particular focus on promotion and engagement in the United States and Eastern Europe, where the band has received significant traction in 2020-21. With live performances stunted by COVID, the band has focused strongly on building out the concept behind the two-album “Kindred” arc with non-musical collateral, creating story content and custom art for the album concept.

With a significant upward trend of fan interest for this release, and 100,000 + digital streams, Red Cain has our set sights firmly set on another ambitious and conceptually exciting project, with the next release cycle coming in 2023.

– 30 –

What the press is saying:

“This is a track (Sunshine (Blood Sun Empire) that infuses their progressive and power metal sound, similar to that of Symphony X and Kamelot. Alongside this, there are also faint similarities to bands like Dream Theater and even Korn. This is a nearly 6 minute track that doesn’t let up and doesn’t fear to change up its style throughout.” – Metal Injection

#10 Red Cain !earshot – The National Loud Chart For the Week Ending: Tuesday, February 9, 2021 (Earshot)

“From the proggy goodness of album opener “Kindred”, to the blast beats of “Baltic Fleet”, to the epic closer “Sunshine (Blood Sun Empire), there is something here for every fan of progressive power metal. With this being Act II in Red Cain’s Kindred body of work, I really feel as though I entered a movie theater right in the middle of an epic saga. Each song is a journey in and of itself, but each also contributes to the overall fantastic voyage. I will absolutely be purchasing Act I of this amazing tale and listen from start to finish, the way it was intended. Do yourself a favor and do the same!” – Metal Rules

“If you like your music melodic, mysterious, and gothic, with a progressive power metal base, then this is for you. This has been a joy to review and yet another band to add to my favoured list. ” – The Prog Space

“Zayarny is a powerhouse vocalist and the contortions he forces into Red Cain make for a very diverse record.. the talent behind the record is undeniable, and at the very least, Kindred proved far more creative and thought-provoking than most death metal records I’ve recently tackled. You should give it a shot — even if you’re not a big weenie..” – Angry Metal Guy

“Overall, ‘Kindred: Act II’ is an interesting mix of styles that combine together in technical wizardry to set the backdrop for the continued tales of the warrior Zalcoatl. There’s some unexpected musical influences that bubble to the surface, particularly the liberal use of electronic elements provides a futuristic, yet gothic, element to the tales. Vocally, there’s some clear inspiration from Kamelot going on here. They’re predominantly clean, but with a wide range between high pitched and deep passages. The guitar work is pretty varied as well and at times even hits a distinctly djent groove that seems to appear out of nowhere!… Fans of Kamelot and Mastodon alike will find some common ground with ‘Kindred: Act II’ (and Act I for that matter).” – Uber Rock

“These seasoned metal performers brought me to school with a clear cut album, delivered beautifully across seven tracks. The epic highs and lows of the album leave me wanting more… My hat is off to RED CAIN!” – Metal Temple

“With a flurry of progressive guitars, grandiose vocals and intriguingly wild effects, Red Cain burn brightly from the very start with the opening track, Kindred.” – Games, Brrraaains & A Head-Banging Life

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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