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Tag: Born Of Osiris

0 Streaming Now! Canada’s EVERY HOUR KILLS (ft. guests from Vildhjarta, Shadow of Intent) Darkest, Heaviest Material Yet On New EP “Vacua”, Full Stream Premiere via TheProgspace

  • October 6, 2021
  • by Asher
  • · Every Hour Kills · Music News

NEWS RELEASE

Montreal, QC – October 6, 2021

For fans of Veil of Maya, Born of Osiris, Periphery, Erra, Spiritbox

Streaming Now! Canada’s Every Hour Kills Presents Their Darkest, Heaviest Material Yet In “Vacua”

Full Stream Premiere via TheProgspace

New EP “Vacua” Out October 8th

EP Guests:
Calle Thomer (Vildhjarta, Humanity’s Last Breath),
Chris Wiseman (Currents, Shadow of Intent)
  

 Calgary’s formidable modern metal act Every Hour Kill’s has been shunning and breaking genre rules throughout their career with each release surpassing the last in musicianship and experimentation. The latest offering “Vacua” due out on October 8th is the biggest departure yet and although not everyone might like it; guitarist and primary songwriter Sacha Laskow wrote what he felt rather than trying to stick to a template of what the band ‘should’ sound like. According to him, fans of progressive music like himself are typically open to a range of sounds, influences, and emotions. He explains the sound change further:

“This record is a culmination of a dark, tumultuous fucked up year in the world and in my personal life, as it was for many people around the world. As lucky as I am to still have work and my basic needs met, the emotional rollercoaster still affected me strongly and I ended up unemployed for a period in 2020, and thus this EP was born. It is both more human in that I collaborated more strongly with new songwriters and Jei on vocals, but also more mechanical as I also wrote with the assistance of AI creation tools, and most of the instrumentation is programmed MIDI. I feel like this is my most honest work as a writer, to express what comes to mind rather than fit into a box or template of what Every Hour Kills ‘should’ sound like. It may alienate some people but so be it!”

Every Hour Kills is a rotating collective ensemble featuring the core of ex-Divinity / Enditol guitarist and producer Sacha Laskow, bassist Brent Stutsky (ex-Breach of Trust), along with vocalists Jei Doublerice (Despite Exile, Abiogenesis) and Jerrod Maxwell-Lyster (ex-Out of Your Mouth).

Each of the five tracks on “Vacua” were written for the EP, with no filler and nothing left on the cutting room floor. Track “Intransigent” was co-written with Calle Thomer (Vildhjarta, Humanity’s Last Breath) and tracks “Euclidian” and “Tenebrous” were co-written with Chris Wiseman (Currents, Shadow of Intent). The EP was produced, mixed, and mastered by Laskow along with EP artwork done by Erisis Red.

Recommended for fans of Born of Osiris, Periphery, and Vildhjarta, “Vacua” can be heard in full before it officially releases via its premiere on TheProgSpace HERE.

Track Listing:
1. Palindrome (intro) (2:01)
2. Vacua (3:28)
3. Euclidian (2:57)
4. Tenebrous (3:34)
5. Intransigent (4:08)
EP Length: 16:09

EVERY HOUR KILLS
Sacha Laskow: Guitars & Programming
Jerrod Maxwell-Lyster: Vocals
Jei Doublerice: Vocals
Brent Stutsky: Bass

EP Credits:
Music: Tracks 1, 2 – Sacha Laskow
Music: Track 3, 4 – Sacha Laskow, Chris Wiseman
Music: Track 5 – Sacha Laskow, Calle Thommer
Lyrics and Vocals: Tracks 2, 4 – Jerrod Maxwell-Lyster, Jei Doublerice
Lyrics and Vocals: Tracks 3, 5 – Jei Doublerice

Recorded, Mixed & Mastered: Sacha Laskow – Perfect Filth Studios
Additional Vocal Engineering: Jei Doublerice at Exiled Media & Joe Hoferat J & C Studios
Every Hour Kills uses: Toontrack, Fractal Audio, Neura IDSP, ML Sound Labs, Ownhammer, Bareknuckle Pickups
EP Artwork: Erisis Red
Band Photo: Nicco Van Hamja

For more info:
EveryHourKills.com
Facebook.com/EveryHourKills
YouTube.com/everyhourkills
Instagram.com/alansachalaskow
Twitter.com/everyhourkills
EPK

About:
“Every hour wounds, but the last one kills” – Anonymous

Every Hour Kills is a rotating collective ensemble featuring the core of ex-Divinity / Enditol guitarist and producer Sacha Laskow, bassist Brent Stutsky (ex-Breach of Trust), along with vocalists Jei Doublerice (Despite Exile, Abiogenesis) and Jerrod Maxwell-Lyster (ex-Out of Your Mouth).

Every Hour Kills was built to challenge the idea of what defines a “band”. Rather, the group sees itself as a constantly evolving musical collective; guest vocalists and soloists across the songs bring their own unique artistry and elevate the collective impact of Every Hour Kills’ brand. The lyrics, artwork, visuals, and themes all look toward the future, asking the key postmodern question of how will emerging technology and our humanity progress and co-exist?

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Every Hour Kills’ “Vacua” Is a Harsh Reflection On A Year Of Chaos And Turmoil, Track Premiere via NewFuryMedia

  • September 3, 2021
  • by Asher
  • · Every Hour Kills · Music News

NEWS RELEASE

Montreal, QC – September 3, 2021

For fans of Veil of Maya, Born of Osiris, Periphery, Erra, Spiritbox

Every Hour Kills’ “Vacua” Is a Harsh Reflection On A Year Of Chaos And Turmoil

Track Premiere via NewFuryMedia

New EP “Vacua” Out October 8th

  

Calgary’s Every Hour Kills is a musical experiment that challenges what defines a band. Rather, the group sees itself as a constantly evolving musical collective; guest vocalists and soloists across the songs bring their own unique artistry and elevate the collective impact of Every Hour Kills’ brand. The latest from them is the upcoming EP “Vacua” and the next single is the title track.

“Vacua” was the first song written for the EP and features low-tuned riffs and nihilistic vocals. These vocals are provided by newcomer to the group – Jei Doublerice who brings more force into the trademark sound.  The band explains further:

“This single sets things off in a new, heavier direction. Different tuning, different time signatures and chord progressions, and different vibes overall led to seeking out a new vocalist which would eventually enlist Jei. Clean vocals just didn’t seem to fit, although Jerrod does make an appearance in the chorus, the vocals are very processed and robotic vs. the melodic singing we’d been known for previously.”

This EP is the fourth from Every Hour Kills following “Every Hour Kills” (2015); “Fragile Machine” (2018); and “Re:awaken” (2020). It was produced, mixed and mastered by guitarist Alan Sacha Laskow and the album art was done by Erisis Red.

Modern and dark, Every Hour Kills keeps the melody and progressive riffs but mirrors the past year with a generous dose of heavy. This honest display of emotions is recommended for fans of Veil of Maya, Born of Osiris, and Periphery.

The visualizer for “Vacua” can be heard via its premiere on NewFuryMedia HERE.

“Vacua” is expected out October 8th, 2021.

Previous singles:
“Euclidian” – https://youtu.be/pD7ZRyeu0P4
“Intransigent” – https://youtu.be/cVtwPW_2-HA
Spotify, Apple Music, Bandcamp – https://everyhourkills.com/ig/

Track Listing:
1. Palindrome (intro) (2:01)
2. Vacua (3:28)
3. Euclidian (2:57)
4. Tenebrous (3:34)
5. Intransigent (4:08)
EP Length: 16:09

EVERY HOUR KILLS
Sacha Laskow: Guitars & Programming
Jerrod Maxwell-Lyster: Vocals
Jei Doublerice: Vocals
Brent Stutsky: Bass

EP Credits:
Music: Tracks 1, 2 – Sacha Laskow
Music: Track 3, 4 – Sacha Laskow, Chris Wiseman
Music: Track 5 – Sacha Laskow, Calle Thommer
Lyrics and Vocals: Tracks 2, 4 – Jerrod Maxwell-Lyster, Jei Doublerice
Lyrics and Vocals: Tracks 3, 5 – Jei Doublerice

Recorded, Mixed & Mastered: Sacha Laskow – Perfect Filth Studios
Additional Vocal Engineering: Jei Doublerice at Exiled Media & Joe Hoferat J & C Studios
Every Hour Kills uses: Toontrack, Fractal Audio, Neura IDSP, ML Sound Labs, Ownhammer, Bareknuckle Pickups
EP Artwork: Erisis Red
Band Photo: Nicco Van Hamja

For more info:
EveryHourKills.com
Facebook.com/EveryHourKills
YouTube.com/everyhourkills
Instagram.com/alansachalaskow
Twitter.com/everyhourkills
EPK

About:
“Every hour wounds, but the last one kills” – Anonymous

Every Hour Kills is a rotating collective ensemble featuring the core of ex-Divinity / Enditol guitarist and producer Sacha Laskow, bassist Brent Stutsky (ex-Breach of Trust), along with vocalists Jei Doublerice (Despite Exile, Abiogenesis) and Jerrod Maxwell-Lyster (ex-Out of Your Mouth).

Every Hour Kills was built to challenge the idea of what defines a “band”. Rather, the group sees itself as a constantly evolving musical collective; guest vocalists and soloists across the songs bring their own unique artistry and elevate the collective impact of Every Hour Kills’ brand. The lyrics, artwork, visuals, and themes all look toward the future, asking the key postmodern question of how will emerging technology and our humanity progress and co-exist?

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Every Hour Kills Present Their Heaviest And Most Aggressive Track To Date The Immense “Intransigent”, Video Premiere via TheCirclePit

  • August 4, 2021
  • by Asher
  • · Every Hour Kills · Music News

NEWS RELEASE

Montreal, QC – August 4, 2021

For fans of Veil of Maya, Born of Osiris, Periphery, Erra, Spiritbox

Every Hour Kills Present Their Heaviest And Most Aggressive Track To Date The Immense “Intransigent”

Video Premiere via TheCirclePit

Calgary, Canada’s Every Hour Kills have a new single “Intransigent” off their upcoming EP “Vacua”.

This will be the fourth EP from the band and it shows definitive evolution being five of the heaviest tracks the group has ever written. They have almost done away with clean vocals in favour of deep growling provided by newcomer Jei Doublerice, and downplay the synth bits and cranking the riffs to 11. This new phase fits Every Hour Kills’ motive of being “a constantly evolving musical collective; guest vocalists and soloists across the songs bring their own unique artistry and elevate the collective impact of Every Hour Kills’ brand”. Guitarist Sacha Laskow continues to explain the single:

“This song was co-written with Calle Thommer (Vildjharta, Humanity’s Last Breath), and is probably the heaviest thing I’ve ever written. He helped shape things in a more down-tempo direction, while I added in the synth layers and more melodic aspects, as well as the breakdown based on where his ideas were taking me. Jei came in and absolutely crushed it with one of the most intense vocal performances on the record.”

Chosen to close out the EP, “Intransigent” as the most intense track finalizes this step in Every Hour Kills‘ growth to a heavier version of their former selves. The lyrics encompass the concepts of chaos and infinity and while it still retains the djenty progressive vibes of modern metal, it begins pushing the envelope with a wider range of sounds, influences and emotions.

The dark cinematic juxtaposing angular heaviness with soaring melody of “Intransigent” is recommended for fans of Periphery, Vildhjarta, and Spiritbox

“Intransigent” is available via its premiere on TheCirclePit‘s YouTube channel HERE.

“Vacua” is expected out October 8th, 2021.

First single “Euclidian” can be heard on the following platforms:
YouTube – https://youtu.be/pD7ZRyeu0P4
Spotify, Apple Music, Bandcamp – https://everyhourkills.com/ig/

Track Listing:
1. Palindrome (intro) (2:01)
2. Vacua (3:28)
3. Euclidian (2:57)
4. Tenebrous (3:34)
5. Intransigent (4:08)
EP Length: 16:09

EVERY HOUR KILLS
Sacha Laskow: Guitars & Programming
Jerrod Maxwell-Lyster: Vocals
Jei Doublerice: Vocals
Brent Stutsky: Bass

EP Credits:
Music: Tracks 1, 2 – Sacha Laskow
Music: Track 3, 4 – Sacha Laskow, Chris Wiseman
Music: Track 5 – Sacha Laskow, Calle Thommer
Lyrics and Vocals: Tracks 2, 4 – Jerrod Maxwell-Lyster, Jei Doublerice
Lyrics and Vocals: Tracks 3, 5 – Jei Doublerice

Recorded, Mixed & Mastered: Sacha Laskow – Perfect Filth Studios
Additional Vocal Engineering: Jei Doublerice at Exiled Media & Joe Hoferat J & C Studios
Every Hour Kills uses: Toontrack, Fractal Audio, Neura IDSP, ML Sound Labs, Ownhammer, Bareknuckle Pickups
EP Artwork: Erisis Red
Band Photo: Nicco Van Hamja

For more info:
EveryHourKills.com
Facebook.com/EveryHourKills
YouTube.com/everyhourkills
Instagram.com/alansachalaskow
Twitter.com/everyhourkills
EPK

About:
“Every hour wounds, but the last one kills” – Anonymous

Every Hour Kills is a rotating collective ensemble featuring the core of ex-Divinity / Enditol guitarist and producer Sacha Laskow, bassist Brent Stutsky (ex-Breach of Trust), along with vocalists Jei Doublerice (Despite Exile, Abiogenesis) and Jerrod Maxwell-Lyster (ex-Out of Your Mouth).

Every Hour Kills was built to challenge the idea of what defines a “band”. Rather, the group sees itself as a constantly evolving musical collective; guest vocalists and soloists across the songs bring their own unique artistry and elevate the collective impact of Every Hour Kills’ brand. The lyrics, artwork, visuals, and themes all look toward the future, asking the key postmodern question of how will emerging technology and our humanity progress and co-exist?

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Every Hour Kills Juxtapose Angular Heaviness With Soaring Melody On “Euclidian”

  • June 4, 2021
  • by Asher
  • · Every Hour Kills · Music News

NEWS RELEASE

Montreal, QC – June 4, 2021

For fans of Veil of Maya, Born of Osiris, Periphery, Erra, Spiritbox

Every Hour Kills Juxtapose Angular Heaviness With Soaring Melody On “Euclidian”

Every Hour Kills, from Calgary, Canada, has a reputation for putting out solid, immersive EPs and creatively artistic music videos. Their latest work “Vacua” is expanding on their trademark sound, albeit it’s a twisted, heavier version than what fans have got used to over the years. This new release will see a new vocalist in the form of Jei Doublerice (Abiogenesis, Despite Exile, Sensory Amusia) and with his inclusion; EHK does away with a lot of the melody and clean vocals, swapping them for brutal breakdowns and turbulent vocals. The initial glimpse into this new form is through the single “Euclidian”.

The single was co-written with Chris Wiseman (Currents, Shadow of Intent) and is an introduction to the new style with Doublerice. His riffing style complements Sacha Laskow’s perfectly and what came out was an amalgamation of this technical riffing with whacky synths/time signatures/cinematic breakdown. Doublerice came in over top with his signature intense style to wrap everything up. This is the shortest song on the EP and gets in and gets out with no filler.

Acknowledging that this new EP might not be for everyone, founder, guitarist, and producer Sacha Laskow, shares that this work is the result of a “dark, tumultuous fucked up year” for him personally, along with many other people. He explains further:

“As lucky as I am to still have work and my basic needs met, the emotional rollercoaster still affected me strongly and I ended up unemployed for a period in 2020, and thus this EP was born. It is both more human in that I collaborated more strongly with new songwriters and Jei on vocals, but also more mechanical as I also wrote with the assistance of AI creation tools, and most of the instrumentation is programmed MIDI. I feel like this is my most honest work as a writer, to express what comes to mind rather than fit into a box or template of what Every Hour Kills ‘should’ sound like. It may alienate some people but so be it!”

“Vacua” will be the fourth studio release from the band, following “Every Hour Kills” (2015), “Fragile Machine” (2018) and “Re:awaken” (2020). The djenty scorecore is recommended for fans of Veil of Maya, Born of Osiris, and Periphery

The single “Euclidian” is out now as of June 4th and can be heard on the following platforms:

YouTube – https://youtu.be/pD7ZRyeu0P4
Spotify, Apple Music, Bandcamp – https://everyhourkills.com/ig/

EP “Vacua” will be released later this year.

For more info:
EveryHourKills.com
Facebook.com/EveryHourKills
YouTube.com/everyhourkills
Instagram.com/alansachalaskow
Twitter.com/everyhourkills

About:
“Every hour wounds, but the last one kills” – Anonymous

Every Hour Kills is a rotating collective ensemble featuring the core of ex-Divinity / Enditol guitarist and producer Sacha Laskow, bassist Brent Stutsky (ex-Breach of Trust), along with vocalists Jei Doublerice (Despite Exile, Abiogenesis) and Jerrod Maxwell-Lyster (ex-Out of Your Mouth).

Every Hour Kills was built to challenge the idea of what defines a “band”. Rather, the group sees itself as a constantly evolving musical collective; guest vocalists and soloists across the songs bring their own unique artistry and elevate the collective impact of Every Hour Kills’ brand. The lyrics, artwork, visuals, and themes all look toward the future, asking the key postmodern question of how will emerging technology and our humanity progress and co-exist?

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Synastry’s Raucous, Melodic New EP “Dividing The Double Helix” Is Now Streaming On Decibel

  • March 25, 2021
  • by Asher
  • · Music News · Synastry

NEWS RELEASE

Montreal, QC – March 25, 2021

For fans Veil of Maya, Born of Osiris, Within The Ruins, Fear Factory, Slipknot

Synastry’s Raucous, Melodic New EP “Dividing The Double Helix” Is Now Streaming On Decibel

“Dividing The Double Helix” Out March 26th

L-R – Kay Kessler (Drums), Gary Vee (Bass), Paul Iverson (Guitar), James Aniston (Vocals)
Photo Credit – Chris Alexis

Montreal, Canada’s Synastry will have a second EP out, less than six months after unleashing “Civilization’s Coma”. The new EP, “Dividing The Double Helix” is thematically similar to the first and before it officially releases on March 26th, it is streaming in full on Decibel Magazine HERE.

One of the prime focuses of the group is to stay true to themselves, while they keep writing heavier yet groovy music, there is an underlying method to the madness. They like brutality, but don’t try to be brutal for brutalities’ sake. They further explain the new release in their own words:

“We are very excited to be able to release this EP as the second in the string of releases coming from Synastry since our renaissance in 2020. Listeners will love the hooks and the musicianship on these three songs, which are strong enough to stand on their own and when combined makes “Dividing The Double Helix” is an EP that will grab you and won’t let go!”

Synastry is just getting started, but they are quickly falling into their stride. According to the band, these three songs are part of a big batch of songs they have recorded and are slowly releasing. The lyrics for these songs and all other songs to be released find themselves in a kind of disjointed tapestry that follows an ever-growing story.

Aggressive and groovy, “Dividing The Double Helix” is a fast-paced groove fest that will hook you from the first note and make you bang your head throughout. It is recommended for fans of Within the Ruins, Fear Factory, and Slipknot.

“Dividing The Double Helix” will be available in its entirety on March 26, 2021 on Synastry.bandcamp.com, Spotify,  Apple Music.


Track Listing:
1. Dividing The Double Helix (3:37)
2. Cryolife (4:04)
3. Assembly Line Asylum (5:02)
EP Length: 12:44

For more info:
Facebook.com/SynastryMTL
Instagram.com/synastry_mtl
Twitter.com/SYNASTRYMTL
EPK

About:
It takes courage for a band to integrate such distinct thrash, death, and industrial influences into a catchy yet multilayered approach as do Montreal’s Synastry.

Each metal listener desires something different and thus a band exists for every taste. Inspired to a certain point by melodic, futuristic death thrash, Synastry binds to these influences a threatening mid-paced groove, atmospheric textures, and the unmistakable gruff and mature vocals of James Aniston. Flanked by guitarist Paul Iverson and bassist Gary Vee, and backed up by the thunderous Kay Kessler, Synastry is a crushing wall of well thought out and meticulously written metal. Lyrics come from Aniston’s impression of the world and his experiences in it which are layered with the collaborative music that all band members contribute to.

Started originally in the early 00s, the Montreal band took the underground scene by storm, they climbed the Myspace ranks, toured the regions, and released “Pallets Of My New World” (2006) (EP) and Blind Eyes Bleed (2008) (LP). In 2012, the band went dormant, where they remained until 2020 and awakened the world with the rumbling sounds of their resurrection in the form of EP “Civilization’s Coma”. Its mission amidst the widespread uncertainty of Covid times was to sweep the globe and to explore humanity, the singularity, and its morality.

Just like a rising phoenix, Synastry continues to burn its flames by kicking off 2021 with another EP.

Entitled “Dividing The Double Helix”, the EP is three tracks best described as a fast-paced groove fest that will once again hook fans from the first note and make you bang your head throughout. It’s simply heavy groovy brutality!

“We hope to give fans more of what they are used to from us, without rehashing old ideas. Thematically these 3 songs are similar to Civilization’s Coma EP, but the delivery is different. The lyrics from these three new tracks are very personal to me. It comes from my impression of how I feel I fit in the modern world, and how I see myself.” says vocalist James Aniston.

“Dividing The Double Helix” is due out on March 26, 2021.

– 30 –

“This new song (Dead To Me) is a short, sharp kick to the head — and it does kick like a furious mule, albeit a massive and mechanized one. The music is fast and ferocious, loaded with pulse-rifle riffs and hammering drums, blaring chords and squirming arpeggios, booming bass and a mix of serrated-edge growls and incendiary screams. The music is heavy-grooved, with a bit of a start-stop quality that hints at industrial influences to go along with the death/thrashing momentum, and also effectively creates an atmosphere of menace and mayhem. It may bring memories of Lamb of God to mind as well as Fear Factory.” – No Clean Singing (2020 Review – Civilization’s Coma)

“This EP contains lyrics that people from all walks of life can relate to and shines a much-needed light on each individual’s importance in the grand scheme. Given the year we have had collectively, this is one new age metal album that the world needed. If you’re looking for a futuristic metal EP with a deeper meaning, “Civilization’s Coma” is a must listen.” 10.10 – Metal Temple (2020 Review – Civilization’s Coma)

“The hammer blow that is “Dead to Me” was the first single, front loaded with schizophrenic riffs and jack hammer footwork Synastry have wasted no time in delivering something that is straight to the point with vicious intent. There is even time for blast beats and some Godflesh inspired industrial noises that frame and enhance segments. Aniston has the power to manipulate his voice to create a number of different voices with the use of pitching and on the ripper that is “Narcomancy“, he sounds like he’s going slowly insane.” – Metal Noise (2020 Review – Civilization’s Coma)

“James Aniston’s throat abrasions are raucous and psychopathic at the same time, boiling with anger and imperious might. The double-kick triplets of Kay Kessler’s drum patterns follow the syncopated guitar chugs in perfect time. Everything clicks into place like a torture machine from a Hellraiser film” – Scream Blast Repeat (2020 Review – Civilization’s Coma)

“Synastry deliver their brand of classic death metal with an industrial twist. The result is a Thrashy head-long experiment into the brutal and somewhat futuristic. Musically tight and heavy with mean riffs, Synastry try to head into a new direction for Metal.” – Sea of Tranquility (2020 Review – Civilization’s Coma)

“Montreal-based metal maulers Synastry play a brutal yet groovy style of death metal with fringes of industrial that recall bands such as Fear Factory and Killing Joke with the savagery of acts like Kataklysm.” – Gears of Rock (2020 Review – Civilization’s Coma)

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Synastry Use Groove And Aggression To Split Strands On “Dividing The Double Helix”, Title-Track Premiere via TheCirclePit

  • March 8, 2021
  • by Asher
  • · Music News · Synastry

NEWS RELEASE

Montreal, QC – March 8, 2021

For fans Veil of Maya, Born of Osiris, Within The Ruins, Fear Factory, Slipknot

Synastry Use Groove And Aggression To Split Strands On “Dividing The Double Helix”

Title-Track Premiere via TheCirclePit

“Dividing The Double Helix” Out March 26th

L-R – Kay Kessler (Drums), Gary Vee (Bass), Paul Iverson (Guitar), James Aniston (Vocals)
Photo Credit – Chris Alexis

Montreal’s Synastry has been hard at work in the past year; after re-forming early in 2020, they released an EP “Civilization’s Coma” in November, now they are announcing the release of another EP “Dividing The Double Helix” slated for March 26, 2021.

This second EP offers more groove and aggressiveness than the first, and it’s apparent that Synastry aims to give fans more of what they are used to, without rehashing old ideas. Thematically these three new songs are similar to “Civilization’s Coma”, but the delivery takes a different form. The band shares their thoughts on the EP’s title track and single “Dividing The Double Helix”:

“We are very happy to be able to share this track with listeners everywhere. It’s the kind of song that will hook you right away and has a little something for everyone. As you listen to it more and more, you can hear your cells dividing and your DNA being infiltrated by Synastry’s relentless grooves!”

There is more in store for fans of Synastry, they explain that the lyrical concept for this EP and the rest of the EPs they are planning on releasing are written from the viewpoint of the individual’s view of themselves in relation to society. The hope that the individual can take the responsibility to be ‘better’ for the whole while not compromising their own wants, needs, and beliefs.

“Dividing The Double Helix” is heavy, modern metal that is easy to get into, but at the same time, interesting enough to not be a flash in the pan. It is recommended for fans of Veil of Maya, Born of Osiris, and Within the Ruins.

The lead single and EP title track “Dividing The Double Helix” can be heard via its premiere on TheCirclePit HERE.

“Dividing The Double Helix” will be available in its entirety on March 26, 2021 on Synastry.bandcamp.com, Spotify, Apple Music.


Track Listing:
1. Dividing The Double Helix (3:37)
2. Cryolife (4:04)
3. Assembly Line Asylum (5:02)
EP Length: 12:44

For more info:
Facebook.com/SynastryMTL
Instagram.com/synastry_mtl
Twitter.com/SYNASTRYMTL
EPK

About:
It takes courage for a band to integrate such distinct thrash, death, and industrial influences into a catchy yet multilayered approach as do Montreal’s Synastry.

Each metal listener desires something different and thus a band exists for every taste. Inspired to a certain point by melodic, futuristic death thrash, Synastry binds to these influences a threatening mid-paced groove, atmospheric textures, and the unmistakable gruff and mature vocals of James Aniston. Flanked by guitarist Paul Iverson and bassist Gary Vee, and backed up by the thunderous Kay Kessler, Synastry is a crushing wall of well thought out and meticulously written metal. Lyrics come from Aniston’s impression of the world and his experiences in it which are layered with the collaborative music that all band members contribute to.

Started originally in the early 00s, the Montreal band took the underground scene by storm, they climbed the Myspace ranks, toured the regions, and released “Pallets Of My New World” (2006) (EP) and Blind Eyes Bleed (2008) (LP). In 2012, the band went dormant, where they remained until 2020 and awakened the world with the rumbling sounds of their resurrection in the form of EP “Civilization’s Coma”. Its mission amidst the widespread uncertainty of Covid times was to sweep the globe and to explore humanity, the singularity, and its morality.

Just like a rising phoenix, Synastry continues to burn its flames by kicking off 2021 with another EP.

Entitled “Dividing The Double Helix”, the EP is three tracks best described as a fast-paced groove fest that will once again hook fans from the first note and make you bang your head throughout. It’s simply heavy groovy brutality!

“We hope to give fans more of what they are used to from us, without rehashing old ideas. Thematically these 3 songs are similar to Civilization’s Coma EP, but the delivery is different. The lyrics from these three new tracks are very personal to me. It comes from my impression of how I feel I fit in the modern world, and how I see myself.” says vocalist James Aniston.

“Dividing The Double Helix” is due out on March 26, 2021.

– 30 –

“This new song (Dead To Me) is a short, sharp kick to the head — and it does kick like a furious mule, albeit a massive and mechanized one. The music is fast and ferocious, loaded with pulse-rifle riffs and hammering drums, blaring chords and squirming arpeggios, booming bass and a mix of serrated-edge growls and incendiary screams. The music is heavy-grooved, with a bit of a start-stop quality that hints at industrial influences to go along with the death/thrashing momentum, and also effectively creates an atmosphere of menace and mayhem. It may bring memories of Lamb of God to mind as well as Fear Factory.” – No Clean Singing (2020 Review – Civilization’s Coma)

“This EP contains lyrics that people from all walks of life can relate to and shines a much-needed light on each individual’s importance in the grand scheme. Given the year we have had collectively, this is one new age metal album that the world needed. If you’re looking for a futuristic metal EP with a deeper meaning, “Civilization’s Coma” is a must listen.” 10.10 – Metal Temple (2020 Review – Civilization’s Coma)

“The hammer blow that is “Dead to Me” was the first single, front loaded with schizophrenic riffs and jack hammer footwork Synastry have wasted no time in delivering something that is straight to the point with vicious intent. There is even time for blast beats and some Godflesh inspired industrial noises that frame and enhance segments. Aniston has the power to manipulate his voice to create a number of different voices with the use of pitching and on the ripper that is “Narcomancy“, he sounds like he’s going slowly insane.” – Metal Noise (2020 Review – Civilization’s Coma)

“James Aniston’s throat abrasions are raucous and psychopathic at the same time, boiling with anger and imperious might. The double-kick triplets of Kay Kessler’s drum patterns follow the syncopated guitar chugs in perfect time. Everything clicks into place like a torture machine from a Hellraiser film” – Scream Blast Repeat (2020 Review – Civilization’s Coma)

“Synastry deliver their brand of classic death metal with an industrial twist. The result is a Thrashy head-long experiment into the brutal and somewhat futuristic. Musically tight and heavy with mean riffs, Synastry try to head into a new direction for Metal.” – Sea of Tranquility (2020 Review – Civilization’s Coma)

“Montreal-based metal maulers Synastry play a brutal yet groovy style of death metal with fringes of industrial that recall bands such as Fear Factory and Killing Joke with the savagery of acts like Kataklysm.” – Gears of Rock (2020 Review – Civilization’s Coma)

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s Synastry Posts Lyric Video For Title Track of Groove-Fueled EP “Civilization’s Coma” Out Now!

  • December 7, 2020
  • by Asher
  • · Music News · Synastry

NEWS RELEASE

Montreal, QC – December 7, 2020

For fans of Veil of Maya, Born of Osiris, Within The Ruins, Fear Factory

Canada’s Synastry Posts Lyric Video For Title Track of Groove-Fueled EP “Civilization’s Coma” Out Now!


L-R – Kay Kessler (Drums), Gary Vee (Bass), Paul Iverson (Guitar), James Aniston (Vocals)
Photo Credit – Chris Alexis

After being silent for nearly a decade, Montreal’s Synastry unleashed their new EP “Civilization’s Coma” this past November. The band made a name for themselves on the Quebec and Ontario tour circuits in the early 2000s along with their releases Pallets Of My New World (2006) (EP) and Blind Eyes Bleed (2008) (LP). In 2012, the band went dormant, where they remained until 2020 remerging from the shadows.

Today the band is sharing their lyric video for their new EP’s title track, which can be viewed HERE.

The band adds:

“The title track of the EP is a dissonant groove fest that gets into you and doesn’t let go. Everything is super heavy yet infectious. Vocals have the longest continuous scream by James Aniston doing a 22 second inhale scream starting at 2:34. The lyrics are about how civilization is on autopilot, consideration, and compassion is out the window for everyone, yet we all share the suffering for it, but choose to do nothing.”

With newfound vigor, “Civilization’s Coma” is filled with heavy groovy modern metal that will be familiar to existing fans of the band while encouraging new listeners to embrace them. This reintroduction will give metalheads a taste of what’s to come while being able to stand on its own merit. This EP is just the start for Synastry who hopes they can bring their energetic live shows back to crowds far and wide post Covid times.

Recommended for anyone who enjoys groove and melodic metal, especially those with an existing fondness for Within The Ruins, and Fear Factory.

“Civilization’s Coma” digital download HERE. Spotify playlist adds HERE.


Track Listing:
1. Civilization’s Coma (3:49)
2. Dead To Me (2:17)
3. Narcomancy (4:41)
EP Length: 10:48

EP Band Line Up:
Paul Iverson – Guitar
Gary Vee – Bass
Kay Kessler – Drums
James Aniston – Vocals

More info:
Instagram.com/synastry_mtl
Twitter.com/SYNASTRYMTL
EPK

About:

It takes courage for a band to integrate such distinct thrash, death, and industrial influences into a catchy yet multilayered approach as do Montreal’s Synastry.

Each metal listener desires something different and thus a band exists for every taste. Inspired to a certain point by melodic, futuristic death thrash, Synastry binds to these influences a threatening mid-paced groove, atmospheric textures, and the unmistakable gruff and mature vocals of James Aniston. Flanked by guitarist Paul Iverson and bassist Gary Vee, and backed up by the thunderous Kay Kessler, Synastry is a crushing wall of well thought out and meticulously written metal. Lyrics come from Aniston’s impression of the world and his experiences in it which are layered with the collaborative music that all band members contribute to.

Started originally in the early 00s, the Montreal band took the underground scene by storm, they climbed the Myspace ranks, toured the regions, and released “Pallets Of My New World” (2006) (EP) and Blind Eyes Bleed (2008) (LP). In 2012, the band went dormant, where they remained until 2020.

The socially conscious band awoke amidst the widespread uncertainty that swept the globe, with a mission to explore humanity, the singularity, and morality. Forged in the hotbed of metal that is Montreal, they are here to raise the temperature once again with the release of their new EP “Civilization’s Coma” on November 27th.

– 30 –

“This new song (Dead To Me) is a short, sharp kick to the head — and it does kick like a furious mule, albeit a massive and mechanized one. The music is fast and ferocious, loaded with pulse-rifle riffs and hammering drums, blaring chords and squirming arpeggios, booming bass and a mix of serrated-edge growls and incendiary screams. The music is heavy-grooved, with a bit of a start-stop quality that hints at industrial influences to go along with the death/thrashing momentum, and also effectively creates an atmosphere of menace and mayhem. It may bring memories of Lamb of God to mind as well as Fear Factory.” – No Clean Singing

“The hammer blow that is “Dead to Me” was the first single, front loaded with schizophrenic riffs and jack hammer footwork Synastry have wasted no time in delivering something that is straight to the point with vicious intent. There is even time for blast beats and some Godflesh inspired industrial noises that frame and enhance segments. Aniston has the power to manipulate his voice to create a number of different voices with the use of pitching and on the ripper that is “Narcomancy“, he sounds like he’s going slowly insane.” – Metal Noise

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Canada’s Synastry Are Now Streaming Groove-Fueled EP “Civilization’s Coma”, EP Stream Premiere via Bravewords

  • November 25, 2020
  • by Asher
  • · Music News · Synastry

NEWS RELEASE

Montreal, QC – November 25, 2020

For fans of Veil of Maya, Born of Osiris, Within The Ruins, Fear Factory

Canada’s Synastry Are Now Streaming Groove-Fueled EP “Civilization’s Coma”

EP Stream Premiere via Bravewords


L-R – Kay Kessler (Drums), Gary Vee (Bass), Paul Iverson (Guitar), James Aniston (Vocals)
Photo Credit – Chris Alexis

Hailing from the metal hotbed of Montreal, Synastry are no stranger to the flourishing scene, having been a part of it in the early 2000s for close to a decade before retreating into the shadows. With newfound vigor, they have returned with a new EP “Civilization’s Coma” and before its official release on Friday, November 27th, its full stream can be heard via its premiere on Bravewords HERE.

The heavily groovy modern metal will be familiar to existing fans of the band while encouraging new listeners to embrace them. This reintroduction will give metalheads a taste of what’s to come while being able to stand on its own merit. Synastry shares their thoughts about the release:

“We are very excited to be able to release this EP at the tail end of 2020. It’s been a long, strange year for everyone, and we thought it was time to unleash these songs for everyone’s listening enjoyment. We have been working hard on getting the stars to align with the work we have created, and are looking to get back into everyone’s ears. The lyrical content is from an individual’s view out onto society, and the responsibility of the individual to create a better world.” 

This EP is just the start for Synastry who hopes they can bring their energetic live shows back to crowds far and wide post Covid times.

Recommended for anyone who enjoys groove and melodic metal, especially those with an existing fondness for Within The Ruins, and Fear Factory.

EP pre-order HERE.

Spotify pre-save HERE.


Track Listing:
1. Civilization’s Coma (3:49)
2. Dead To Me (2:17)
3. Narcomancy (4:41)
EP Length: 10:48

EP Band Line Up:
Paul Iverson – Guitar
Gary Vee – Bass
Kay Kessler – Drums
James Aniston – Vocals

More info:
Instagram.com/synastry_mtl
Twitter.com/SYNASTRYMTL
EPK

About:

It takes courage for a band to integrate such distinct thrash, death, and industrial influences into a catchy yet multilayered approach as do Montreal’s Synastry.

Each metal listener desires something different and thus a band exists for every taste. Inspired to a certain point by melodic, futuristic death thrash, Synastry binds to these influences a threatening mid-paced groove, atmospheric textures, and the unmistakable gruff and mature vocals of James Aniston. Flanked by guitarist Paul Iverson and bassist Gary Vee, and backed up by the thunderous Kay Kessler, Synastry is a crushing wall of well thought out and meticulously written metal. Lyrics come from Aniston’s impression of the world and his experiences in it which are layered with the collaborative music that all band members contribute to.

Started originally in the early 00s, the Montreal band took the underground scene by storm, they climbed the Myspace ranks, toured the regions, and released “Pallets Of My New World” (2006) (EP) and Blind Eyes Bleed (2008) (LP). In 2012, the band went dormant, where they remained until 2020.

The socially conscious band awoke amidst the widespread uncertainty that swept the globe, with a mission to explore humanity, the singularity, and morality. Forged in the hotbed of metal that is Montreal, they are here to raise the temperature once again with the release of their new EP “Civilization’s Coma” on November 27th.

– 30 –

“This new song (Dead To Me) is a short, sharp kick to the head — and it does kick like a furious mule, albeit a massive and mechanized one. The music is fast and ferocious, loaded with pulse-rifle riffs and hammering drums, blaring chords and squirming arpeggios, booming bass and a mix of serrated-edge growls and incendiary screams. The music is heavy-grooved, with a bit of a start-stop quality that hints at industrial influences to go along with the death/thrashing momentum, and also effectively creates an atmosphere of menace and mayhem. It may bring memories of Lamb of God to mind as well as Fear Factory.” – No Clean Singing

“The hammer blow that is “Dead to Me” was the first single, front loaded with schizophrenic riffs and jack hammer footwork Synastry have wasted no time in delivering something that is straight to the point with vicious intent. There is even time for blast beats and some Godflesh inspired industrial noises that frame and enhance segments. Aniston has the power to manipulate his voice to create a number of different voices with the use of pitching and on the ripper that is “Narcomancy“, he sounds like he’s going slowly insane.” – Metal Noise

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Awoken From Their Long Slumber, Montreal’s Synastry Emerge With “Dead To Me” Off “Civilization’s Coma”, Track Premiere via NoCleanSinging

  • October 22, 2020
  • by Asher
  • · Music News · Synastry

(contact info below)

NEWS RELEASE

Montreal, QC – October 22, 2020

Interview request at asher[@]ashermediarelations[.]com

For fans of Veil of Maya, Born of Osiris, Within The Ruins, Fear Factory, Slipknot

Awoken From Their Long Slumber, Montreal’s Synastry Emerge With “Dead To Me” Off “Civilization’s Coma”

Track Premiere via NoCleanSinging


L-R – Kay Kessler (Drums), Gary Vee (Bass), Paul Iverson (Guitar), James Aniston (Vocals)
Photo Credit – Chris Alexis

After close to a decade of silence, Montreal’s Synstary have left the shadows to bring fans a new EP “Civilization’s Coma” on Nov 27th. The first single will be “Dead To Me” and it is a ruthless and suitable reintroduction to a Montreal favourite.

A full-on assault, the band is pleased to be working together again and getting listeners stoked on their brand of metal. Synstary explains their return in their own words:

“We reformed because we wanted to create and release more music, and decided that since we are still so close, to continue as Synastry. We think that people will enjoy the new album, it is very much of the times, and we are confident that fans in 2020 will groove on Synastry.”

The single “Dead To Me” is just over two minutes of intensity. Straightforward and easy to digest while still being multi-faceted. It’s a fast, short song that gives you three gut punches and finishes with an uppercut. The lyrics allude to toxic/two-faced relationships the band has dealt with from others in ‘the scene’.

This EP welcomes back listeners to Synastry’s trademark aggressive beatdown. It will get listeners moving and headbanging with its in your face attitude, music, and vocals. Lyrically, the band is exploring the world through a lens that reflects back its own shortcomings.

Heavy and punishing, Synastry is recommended for fans of Veil of Maya, Born of Osiris, and Within the Ruins. The EP will be released on November 27th.

The single “Dead To Me” can be heard via its premiere on NoCleanSinging HERE.

EP pre-order HERE.

Spotify pre-save HERE.


Track Listing:
1. Civilization’s Coma (3:49)
2. Dead to me (2:17)
3. Narcomancy (4:41)
EP Length: 10:48

EP Band Line Up:
Paul Iverson – Guitar
Gary Vee – Bass
Kay Kessler – Drums
James Aniston – Vocals

More info:
Instagram.com/synastry_mtl
Twitter.com/SYNASTRYMTL
EPK

About:

It takes courage for a band to integrate such distinct thrash, death, and industrial influences into a catchy yet multilayered approach as do Montreal’s Synastry.

Each metal listener desires something different and thus a band exists for every taste. Inspired to a certain point by melodic, futuristic death thrash, Synastry binds to these influences a threatening mid-paced groove, atmospheric textures, and the unmistakable gruff and mature vocals of James Aniston. Flanked by guitarist Paul Iverson and bassist Gary Vee, and backed up by the thunderous Kay Kessler, Synastry is a crushing wall of well thought out and meticulously written metal. Lyrics come from Aniston’s impression of the world and his experiences in it which are layered with the collaborative music that all band members contribute to.

Started originally in the early 00s, the Montreal band took the underground scene by storm, they climbed the Myspace ranks, toured the regions, and released “Pallets Of My New World” (2006) (EP) and Blind Eyes Bleed (2008) (LP). In 2012, the band went dormant, where they remained until 2020.

The socially conscious band awoke amidst the widespread uncertainty that swept the globe, with a mission to explore humanity, the singularity, and morality. Forged in the hotbed of metal that is Montreal, they are here to raise the temperature once again with the release of their new EP “Civilization’s Coma” on November 27th.

– 30 –

“Synastry deliver their brand of classic death metal with an industrial twist. The result is a Thrashy head-long experiment into the brutal and somewhat futuristic. Musically tight and heavy with mean riffs, Synastry try to head into a new direction for Metal.” – Sea of Tranquility

“Montreal-based metal maulers Synastry play a brutal yet groovy style of death metal with fringes of industrial that recall bands such as Fear Factory and Killing Joke with the savagery of acts like Kataklysm.” – Gears of Rock

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Montreal’s Synastry Return To The Mosh Pit After Decade of Silence With New EP “Civilization’s Coma” Out Nov 27th

  • October 15, 2020
  • by Asher
  • · Music News · Synastry

(contact info below)

NEWS RELEASE

Montreal, QC – October 15, 2020

Interview request at asher[@]ashermediarelations[.]com

For fans of Veil of Maya, Born of Osiris, Within The ruins, Fear Factory, Slipknot

Montreal’s Synastry Return To The Mosh Pit After Decade of Silence With New EP “Civilization’s Coma” Out Nov 27th


L-R – Kay Kessler (Drums), Gary Vee (Bass), Paul Iverson (Guitar), James Aniston (Vocals)
Photo Credit – Chris Alexis

Montreal’s Synastry made a name for themselves back in the late 2000s with the release of LP “Blind Eyes Bleed” (Year of the Sun Records) (2008) and debut EP “Pallets of My New World” (2006). After hiding in the shadows for nearly a decade, the band returns to the mosh pit with a brand new offering, EP “Civilization’s Coma” announced to be unleashed on November 27th, 2020, which is planned to be the foundation to re-introducing themselves to the metal community along with a full length to follow in 2021.

The comments on their resurrection:

“We think that people will enjoy the new EP. It is very much of the time, and we are confident that fans in 2020 will groove on Synastry. We are trying to reintroduce our sound and our band, and think that the “Civilizations Coma” will give fans a taste of what’s to come while being able to stand on its own merit. We think that the tracks on the EP work well with each other, and in relation to the next few releases we have planned, should accomplish the goal of re-establishing us with fans and our extreme sounds. With this EP, it may be short, and sweet, as the cliche goes, but fans who know us from our previous releases will notice we went from heavy to heavier. We think we have grown and that is reflected in these three new songs, with of course plenty more to come.”

A re-acquaintance to Synastry’s trademark aggressive groove, “Civilization’s Coma” will have listeners moving and headbanging with its in your face attitude, music, and vocals. It’s an attacking, melodic, proggy, djenty, death metal record, laying down a new path for the quartet.

Heavy and punishing, Synastry is recommended for fans of Veil of Maya, Born of Osiris, and Within the Ruins.

EP Teaser – YouTube, Facebook

Baby Yoda EP Teaser – YouTube

Spotify pre-save HERE.

EP pre-order HERE.


Track Listing:
1. Civilization’s Coma (3:49)
2. Dead to me (2:17)
3. Narcomancy (4:41)
EP Length: 10:48

EP Band Line Up:
Paul Iverson – Guitar
Gary Vee – Bass
Kay Kessler – Drums
James Aniston – Vocals

More info:
Facebook.com/SynastryMTL
Instagram.com/synastry_mtl
Twitter.com/SYNASTRYMTL
EPK

About:

It takes courage for a band to integrate such distinct thrash, death, and industrial influences into a catchy yet multilayered approach as do Montreal’s Synastry.

Each metal listener desires something different and thus a band exists for every taste. Inspired to a certain point by melodic, futuristic death thrash, Synastry binds to these influences a threatening mid-paced groove, atmospheric textures, and the unmistakable gruff and mature vocals of James Aniston. Flanked by guitarist Paul Iverson and bassist Gary Vee, and backed up by the thunderous Kay Kessler, Synastry is a crushing wall of well thought out and meticulously written metal. Lyrics come from Aniston’s impression of the world and his experiences in it which are layered with the collaborative music that all band members contribute to.

Started originally in the early 00s, the Montreal band took the underground scene by storm, they climbed the Myspace ranks, toured the regions, and released “Pallets Of My New World” (2006) (EP) and Blind Eyes Bleed (2008) (LP). In 2012, the band went dormant, where they remained until 2020.

The socially conscious band awoke amidst the widespread uncertainty that swept the globe, with a mission to explore humanity, the singularity, and morality. Forged in the hotbed of metal that is Montreal, they are here to raise the temperature once again with the release of their new EP “Civilization’s Coma” on November 27th.

– 30 –

“Synastry deliver their brand of classic death metal with an industrial twist. The result is a Thrashy head-long experiment into the brutal and somewhat futuristic. Musically tight and heavy with mean riffs, Synastry try to head into a new direction for Metal.” – Sea of Tranquility

“Montreal-based metal maulers Synastry play a brutal yet groovy style of death metal with fringes of industrial that recall bands such as Fear Factory and Killing Joke with the savagery of acts like Kataklysm.” – Gears of Rock

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

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