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Tag: Archspire

0 Streaming Now! ANCIENT THRONES’ New Concept Album “Melancholia” Plunges Listeners Into A Surreal Narrative

  • September 18, 2025
  • by Asher
  • · Ancient Thrones · Music News

NEWS RELEASE

Montreal, QC – September 18, 2025

Streaming Now! ANCIENT THRONES’ New Concept Album “Melancholia” Plunges Listeners Into A Surreal Narrative

Ancient Thrones Current Line Up

L – Matt LeBlanc (Bass) | Top – Dylan Wallace (Guitar) | Bottom – Sean Hickey (Drums & Vocals) | R – Nick Leslie (Guitar)

Photo Credit – Matt Leblanc

Ancient Thrones, the Canadian progressive blackened death metal force known for their visceral storytelling and relentless sonic assault, is set to officially release their long-awaited sophomore album, “Melancholia,” on September 19th (Vinyl and Digital), and can be heard in full before its unleashed via its album stream premiere on Decibel Magazine HERE.
​
Described by the band as “the sound of existential exhaustion,” “Melancholia” is a 42-minute concept album that plunges listeners into a surreal narrative: a colourblind protagonist takes hallucinogens in a desperate attempt to see colour, only to spiral into a kaleidoscopic nightmare. From the explosive opening of “A Moon Fused Key” to the haunting decay of “Vacant,” the album is a relentless barrage of speed, aggression, and cinematic atmosphere.
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​“This is truly an unapologetic extreme metal concept album. It’s a bad trip you can’t escape, jagged, abstract, and emotionally devastating,” says the band.
​
Formed in 2011 and rebranded in 2018, Ancient Thrones has evolved into a fully realized extreme metal entity, thanks in part to the addition of multi-band virtuoso Dylan Wallace. The writing process began in early 2020, just as the world was descending into pandemic-induced uncertainty. Rather than reflect the global crisis directly, the band channeled their energy into crafting a deeply personal and psychologically intense record.
​
​“We’re proud to share this album with our fans, old and new. We hope it moves you in unnatural ways. Enjoy the trip while it lasts,” adds the band.
​
​“Melancholia” is not just an album; it’s an immersive experience. The band’s signature blend of fast, extreme, progressive, cinematic, and existential metal is on full display, with every track contributing to the overarching narrative. Lyrically, the album explores themes of trauma, hallucination, and the dangers of idealism, all inspired by real-life experiences and a harrowing psychedelic episode.
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Drawing inspiration from bands like The Red Chord, The Faceless, Archspire, and Deafheaven, Ancient Thrones pushes the boundaries of extreme music. Their sound is rooted in black metal, 2000s death metal, and modern tech death, but their cinematic approach and lyrical depth set them apart.
​
With “Melancholia” out on September 19, 2025, the band is already writing new material for the follow-up. Fans can expect more crushing, emotionally charged music in the near future.​
​
​Album pre-order (Vinyl, Digital) – https://ancientthrones.bandcamp.com​

Lyric Video – “A Moon Fused Key” – https://youtu.be/IfDBNhlJ0sI

​Music Video – “Melancholia” – https://youtu.be/_LvSTJ78kd8

​Playthrough – “A Turning Point” – https://youtu.be/zQ3wZqZj9EQ

​

Track Listing:​
1. A Moon Fused Key (5:12)
2. Achromatopsia (1:19)
3. Melancholia (6:17)
4. A Turning Point (5:46)
5. A Pellucid Prism (4:26)
6. Sacred Swollen Glass (6:16)
7. Blight (2:18)
8. A Pale Palace (4:55)
9. Vacant (5:31)
Album Length: 42:00

Band Lineup:​
Dylan Wallace – Guitar
Nick Leslie – Guitar
Matt LeBlanc – Bass
Sean Hickey – Drums & Vocals

More info: Facebook.com/Ancientthrones | Instagram.com/ancientthrones​

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“The music is indeed violent, and immediately so, exploding in a blast of turbulent riffing, heavily undulating bass tones, and furious beats. The guitars wildly writhe and rapidly spear off in crazed angles, kaleidoscopic in effect, and the words spit forth in caustic screams that are equally deranged. Dissonant and dismal tones intrude, along with guttural roars, blast-beat outbursts, and pulverizing blows, and the riffing also seems to swarm in agony, adding further dimensions of darkness to the song’s overarching manifestation of delirium. Backed by a pulse-pounding and highly headbangable groove, the song also introduces yet another dimension, an eerie guitar solo that slowly slithers, brightly swirls, and evolves into an entrancing harmony, very much like a beckoning and seductive presence that manifests within the mayhem.” – No Clean Singing (single – A Moon Fused Key – 2025)

What the press has said about 2020’s “The Veil”:

“A full-throttle attack, the song (The Sight of Oblivion) delivers bludgeoning rhythms, vicious darting and slashing guitar-work, scorching blackened shrieks, and cold-hearted roars. There’s a brazen, borderline-unhinged quality to the barrage, generated by screaming, rapidly whirling leads, magma-like bass notes, and fast-changing, bone-cracking drums. But within the assault there are also fluid, sinuous melodic leads whose mellifluous, reverberating tones give the music a mysterious, mesmerizing, and mournful quality. And near the end one of those leads morphs into a fret-burning dual-guitar extravaganza that really gets the blood rushing.” – No Clean Singing (2020 – The Veil)

“Nearly an hour in length, The Veil earns that run-time with crisply-written compositions and an arsenal of sky-ripping riffs. The acoustic reprieve of “Sentient” and melodic grief of “Permanent” reveal the album’s heavy heart. But the album conjures strength from those pensive moments. Rife with nimble axe-work from Dylan Wallace and Nick Leslie, The Veil never succumbs to the solemnity of its subject. The Veil remains an impactful listen down to its final dying note.” – Decibel Magazine (2020 – The Veil)

“Trailer Park Boys and Hobo With a Shotgun aren’t the only pieces of media that have emerged from Nova Scotia that you should get excited over.” – MetalSucks

“From the massive tremolo sections and bludgeoning riffs to the surprisingly melodic harmonies between guitarists Dylan Wallace and Nick Leslie, Ancient Thrones have definitely honed in on something special with this track.” – GearGods

“From earth crushing riffs and face-melting guitar solos to the overarching theme of grief and devastation that the record encompasses, this single really ramps up the intensity” – Bravewords

“Canadian band Ancient Thrones perform a combination of black, death and thrash metal with some progressive tendencies on The Veil. They have similarities to Skeletonwitch, but have an even more dynamic sound. The songs are both aggressive and intelligent in equal measure and run through a variety of different emotional tangents. There is a vile and harsh aspect to the band, but there is also a forward thinking one. It all results in a creative and dynamic listen.” – Heavy Music Headquarters (2020 – The Veil)

“The prize for most ambitious album of 2020 already has the name of Ancient Thrones carved in marble. Who among you fancies a 56-minute blackened death metal saga with an epic meditation on one man’s descent into the afterlife? No band thought it conceivable to write the metal version of Ingmar Bergman’s The Seventh Seal, but this Nova Scotia quartet are not just any band. This is a remarkable journey for the contemplative mind.” – Scream Blast Repeat (2020 – The Veil)
​
​
​“The Sight of Oblivion and The Millionth Grave are steeped in ferociousness and savagery as only a band well versed in blackened death metal are capable of producing.8.5/10” – Games, Brrraaains & A Head-Banging Life (2020 – The Veil)

“With this new incarnation, Ancient Thrones has moved into strict Black/Death territory, producing an album filled with pummeling riffs, intricate song structures, and technical musicianship that’s leavened by atmospheric segments and epic, sometimes audacious melodies that border on Cascadian. The production matches this style perfectly, being heavy and abrasive while allowing the songs enough room to stretch out… fans of more epic and melodic Black/Death will want to give The Veil a listen. 4/5” – The Metal Crypt (2020 – The Veil)

“It is fast, thrashing extreme metal with shrieked/growled vocals, and a headbanging attitude. They have elements of thrash, black and death but their method of delivery won’t confuse anyone. It is metal to make the fans move. It is pretty thrashy, pretty brutal but also melodic, and the guitar work has plenty to offer both in the riffs and the melodies.” – Metal Bulletin (2020 – The Veil)

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0 ART OF ATTRITION Announce Cross Canada “The Subservient Bloodletting Tour” w/ Beguiler

  • February 6, 2025
  • by Asher
  • · Art of Attrition · Music News

NEWS RELEASE

Montreal, QC – February 6, 2025

ART OF ATTRITION Announces Cross Canada “The Subservient Bloodletting Tour” w/ BEGUILER

L-R – Jack Sutherland (Guitars), back Johnny VanderRoest (Guitars), front Joshua Hahn (Vocals), L-R – Greg Smith (Drums)

Photo Credit – Abscene Productions

Red Deer, Alberta’s ART OF ATTRITION announces they are hitting the road this May to bring carnage straight to your city alongside 2024 Wacken Metal Battle Canada Champions, Toronto, ON’s BEGUILIER. Entitled “The Subservient Bloodletting Tour”, this cross-country trek marks a new chapter for both bands as they expand their reach, unleashing their most punishing sets to date along with new songs to unveil. Enter the moshpit for this east-to-west assault, have a beer, and enjoy some good ol’ DEATHCORE!

Poster Design: @j.disco | @deathhymn

The Subservient Bloodletting Tour w/ Art of Attrition, Beguiler​
May 2 – La Source de la Martinière- Quebec City, QC
May 3 – Piranha Bar – Montréal, QC
May 4 – Taverne Royale – Trois Rivières, QC
May 7 – The Union – Kitchener, ON
May 8 – Queens Nightclub – Barrie, ON
May 9 – Dominion House – Windsor, ON
May 10 – Sneaky Dee’s – Toronto, ON
May 11 – Dominion Tavern – Ottawa, ON
May 14 – SideStage – Winnipeg, MB
May 15 – Black Cat Tavern – Saskatoon, SK
May 16 – The Vat – Red Deer, AB
May 17 – Dickens – Calgary, AB
May 23 – Stariite Temple – Edmonton, AB
May 24 – The Cobalt – Vancouver, BC

Formed in early 2019, Red Deer, AB’s Art Of Attrition is a band that redevelops “the typical” deathcore sound by delivering aggression with melody, atmosphere with intricacy, and brutality with technicality. Combining ferocious work ethic with refined musicality, their songs challenge the notion that deathcore cannot evolve or be unique.

In July 2024, they unleashed their EP “…And It Will All End Forever” to follow their 2023 debut album “Void Eternal”. As a whole, their latest EP brought listeners disgusting breakdowns, matched by speed and intense guitar work that channeled emotions such as anger and anxiety. Hauntingly memorable solos gave way to epic choruses that share relatable moments. A whirlwind of deathcore it’s matched with classic black metal, and capitalized with bits of groove and creative drum parts.

On February, 14th, 2025, Art of Attrition will unshackle their first single of 2025, entitled “Subserviate & Decay”. The new song is an experimentation of some particular ideas that the band has over the years. With such diverse musical tastes, Art of Attrition is bringing some evolutionary ideas into their material for a new world order to “throw down”.

Music Video – Vitriol – https://youtu.be/_07sY_7A95A

​

Bandcamp – https://artofattrition.bandcamp.com​

Digital (Spotify) – https://distrokid.com/hyperfollow/artofattrition/and-it-will-all-end-forever​

Art of Attrition is:
Jack Sutherland – Guitars
Johnny VanderRoest – Guitars
Joshua Hahn – Vocals
Greg Smith – Drums

More info: http://artofattrition.com | https://www.facebook.com/ArtofAttrition | https://www.instagram.com/artofattrition​
​

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Canadian College Radio Charts 2024 – !earshot – October 2024 – top 20 loud – #12 Art of Attrition

Canadian College Radio Charts 2024 – !earshot – September 2024 – Top 200 – #183 Art of Attrition

“Since the speed is incredibly fast, you get the feeling that every song is a 10-minute epic, but they are all in the 5-minute plus/minus direction. But epic is a good keyword, because every single piece has such technical power that you really need several runs to understand, what’s actually going on and that’s what brings tears of joy to the eyes of every metal fan who loves the technical hidden refinements. A small highlight is probably the last of the four songs, as well as the title song “…And It Will All End Forever”, which expresses the band’s entire range and makes it clear to everyone, what is meant by “Technical Deathcore”.9.5/10” – Hellfire Magazin

““…And It Will All End Forever” rises to the surface with the speed and dexterity of bands like Archspire. Mesmerising lead guitars shine brightly above the powerhouse rhythms, momentary silences between anvil heavy sections giving fleeting respite. A gargantuan monolithic breakdown is the last thing you might expect to hear on a track with such stunning lead guitars but the band brought it and it is nothing short of brutal, contrasted perfectly the delicate piano fade out. It’s hard to fathom how this band are not on a major label because this record is sublime [9/10]” – metal Noise

“Blackened technical deathcore… brutal and pissed off too” – 89.9 WORT FM – The Moshpit (Madison, WI)

“But then the EP’s ending title track. Holy fuck do they knock it out of the park with 6 minutes of killer melodies, a killer chorus and key/choirs, and a massive breakdown that make it an absolutely killer track, maybe one of the year’s best in the genre” – Teeth of The Divine

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ASHER MEDIA RELATIONS
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0 ASYLENCE’s New Music Video “Soulless” Is Bloody Tears For Friends Lost To Addiction; New Album “Endanger Us All” Out February 2023

  • November 17, 2022
  • by Asher
  • · Asylence · Music News

NEWS RELEASE

Montreal, QC – November 17, 2022

​ASYLENCE’s New Music Video “Soulless” Is Bloody Tears For Friends Lost To Addiction

New Album “Endanger Us All” Out February 2023

Forged from the melting pot of Detroit’s underground metal scene, Asylence is a well-oiled metal machine built with passion, intent, and ferocity like no other. At the beginning of next year, they will be releasing their full-length album “Endanger Us All” and The Circle Pit is now premiering their second single “Soulless”, which comes at you heavy, fast, and punishing as they count down the days to the album release. They wanted the second look at this new offering to be a heavy one, “Soulless” was the obvious choice. Vocalist Ryan Lang explains further:

“This is another oldie but a goodie. One of the heaviest songs we’ve ever written especially early on in the band. This is screaming in an addict’s face. This is how hard it is to see a loved one fade away into the depths of addiction. This song is so emotional for me, I’ve lost far too many friends to drugs and addiction, and I’m no stranger to my own struggles myself. I hope that this song can provide someone with comfort that they are not alone and maybe this could help encourage people to wake up and change their lives for the better.”

A fun fact about the single, the ending was actually first written off the cuff live. They screwed up how it was supposed to end and just ran with it and the crowd loved it. They did too, so it was added to the final song. The album “Endanger Us All” is a combination of Asylence’s oldest and newest material. The older songs have always been a staple in their live sets and they wanted to finally record them right and do them justice. The new songs have been completed since the release of their 2020 EP “Eulogy Of Man” and they really constructed the bridge from what we were to what they’re becoming.

Asylence started out trying to be as heavy as they could possibly be but now they find themselves exploring more techniques and ideas that they had never previously thought to pursue. They are recommended for fans of Arch Enemy, DevilDriver, and Amon Amarth.

Watch and listen to the music video for “Soulless” at https://youtu.be/YIrMYwf3B2U​

Digital – Spotify, Apple Music

​

“Endanger Us All” is due out on February 24, 2022.

Previous Video – Endanger Us All – https://youtu.be/T8QsWbi97uw​

For more info:​
​https://www.asylence.com​
​http://www.facebook.com/asylence​
​http://www.instagram.com/asylence​
​http://www.twitter.com/asylence​
​http://www.tiktok.com/@asylence​

About: Asylence (uh-sigh-lence): A hybrid of the words Asylum and Silence, when joined together, present a universal idea and timeless message: The constant suffering and failures of mankind. After the dissolution of drummer Alex Aubuchon’s highly active, long-standing thrash band, he began to focus his efforts on recruiting for his new project. He discovered the talent of guitarist Aaron Lumsden, an avid scene supporter who frequented many local and regional shows.

A dedicated relationship quickly formed between the pair, and Asylence was born. Frontman Ryan Lang, having been a mainstay in the Detroit metal scene but group-less at the time, was Asylence’s first choice to handle vocal duties. Ryan accepted, excited at the idea of hitting the stage once again. Shortly after, bassist Richard Olrich joined the group to complete the sound. A new era of heavy metal ensued.

Forged from the melting pot of Detroit’s underground metal scene, Asylence is a well-oiled metal machine built with passion, intent, and ferocity like no other. Since their formation in 2016, Asylence has been on a path of sonic destruction as they crush their audiences with fierce live performances throughout Michigan and surrounding states, opening for national acts such as Archspire, Belphegor, and Sea of Treachery, among others. Taking no prisoners and amassing a loyal, respecting fan base in the Midwest and beyond, behold the rise of Asylence.

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Ottawa’s DEFORMATORY Premiere First Single Off Upcoming Album “Inversion of the Unseen Horizon” Out September 3rd

  • June 9, 2021
  • by Asher
  • · Deformatory · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – June 9, 2021

 

Ottawa’s Deformatory Announce Sonically Relentless Death Metal Experience With “Inversion of the Unseen Horizon”

Single Premiere “In The Embervoid Where Dead Stars Reign” via Bravewords

New Album “Inversion of the Unseen Horizon” Out September 3, 2021

Deformatory has been a maelstrom of devastation since 2010, assaulting all in their wake with relentless sonic brutality. This year they are adding to their punishing catalogue with their third album “Inversion of the Unseen Horizon”, which was mixed and mastered by Topon Das (Fuck the Facts) from Apartment 2 Recording along with the artwork done by Paul Gerrard, who is a movie concept designer known for his imagery on Wrath of the Titans, Hellraiser: Origins and Hellboy.

In anticipation of what is sure to be one of the heaviest tech death albums of the year, Deformatory are luring listeners in with the first single “In The Embervoid Where Dead Stars Reign”, which can be heard via its premiere on Bravewords HERE. 

This is the third full-length album for Deformatory, following the 2011 EP “A Prelude Of…”; the 2013 full-length “In The Wake of Pestilence” and the 2016 full-length “Malediction”. The nine-track album is divided into three chapters, of which “In The Embervoid Where Dead Stars Reign” is the third song in the second chapter. 

Deformatory explains the album’s concept and how the single fits in:

“In our previous album “Malediction”, we explored the truth about Lucifer, who was an angel possessed by a far greater evil entity named Savael. We dove into his awakening and consequences for mankind. Our newest album reveals that Savael was but a mere droid in a complex hierarchy of vile entities, known as The Ce’naxors from a planet called Cyru’xil, whose Grand Arkitekt has an insatiable thirst for destroying life stars.

The single is about the aftermath of planetary consumption and its effect on the multiverse. How death and destruction breed new forms of life, including some unintended consequences for Cyru’xil.”

This massively complex and intriguing album is just the tip of the iceberg for the brutal Ottawa duo. Fans of Cryptopsy, Morbid Angel, and Origin should take note.

The album “Inversion of the Unseen Horizon” will be released on September 3, 2021.

Album pre-order – http://deformatory.bandcamp.com


Track Listing:
Chapter I – INCEPTION: THE CYRU’XILEAN NEXUS
1. Within The Astral Abscess (5:20)
2. Behold, The Apex of Decay (4:36)
3. Enginieering The Wvrmhorde (4:39)

Chapter II – INCURSION: THE PROTOTYPAL ESCHATON
4. Summoning The Cosmic Devourer (7:13)
5. Masticated By An Infinite Shadow (4:30)
6. In The Embervoid Where Dead Stars Reign (3:52)

Chapter III – INVERSION: THE HORIZONTAL REFLECTION
7. Deciphering The Archetype (3:53)
8. Impaled Upon The Carrionspire (5:01) (Classical guitar and solos by Jon Levasseur (ex-Cryptopsy))
9. Beyond The Abhorrence (4:13)
Album Length: 43:21

Album Band Line Up:
Charlie Leduc – Guitars & Vocals
Neil Grandy – Drums

For more info:
http://www.deformatory.ca
http://www.facebook.com/deformatory
http://www.instagram.com/deformatory
EPK

About:
Deformatory is a death metal band from Ottawa, Ontario, Canada. Forming in 2010, they set out to create an extreme sound, fusing together classic influences (Cryptopsy, Morbid Angel, Suffocation, etc.) and their love for modern tech death. The result is a uniquely relentless blend of death metal that can only hail from the Northern hemisphere.

Deformatory independently released their full-length debut, “In The Wake of Pestilence”, in December of 2013. This pummeling 9-track debut has been exceptionally well-received by fans worldwide, and has been cited as being an “outstanding and monstrous debut album. Essential.” (Frank Rini – AllAboutTheRock, ex: Internal Bleeding), and “flawless in every way” (TheBloodShed).

Having shared the stage with bands like Cryptopsy, Napalm Death, Obscura, Beyond Creation, Gorod, Archspire, and Fuck The Facts, Deformatory is more than comfortable delivering their crushing brand of extreme metal to live, screaming, and sweaty audiences.

The band’s sophomore release, “Malediction”, was released worldwide via CDN Records in 2016, with additional singles “Once Upon the Cross” (Deicide cover), and “Myiasis” both in 2018. Since then, DEFORMATORY has been developing their 3rd full-length album entitled “Inversion of the Unseen Horizon” which they plan to unveil in the Fall of 2021 as an independent release.

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0 Norwegian Death Metal Féleth Premiere Album Stream “Depravity” via Metal Injection; Due Out May 22nd via DeadPop Records

  • May 20, 2020
  • by Asher
  • · Feleth · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – May 20, 2020

For fans of Sylosis, Dying Fetus, Cryptopsy, Archspire, Shadow of intent, Cattle Decapitation

Norwegian Death Metal Féleth Premiere Album Stream “Depravity” via Metal Injection

Due Out May 22nd via DeadPop Records

Nestled in the small northern Norwegian town of Alta, far above the Arctic circle, there’s a rumbling of brutality shaking the earth from a young, dynamic metal quintet known as Féleth. Creating heavy, melodic assaults, that transcends the traditional limits of the genre, these great northern Norwegians, are taking their influences of death metal, thrash, deathcore, rock and even elements of Jazz to unleash to the world their debut album “Depravity” due out via DeadPop Records on May 22, 2020.

Today, the band has teamed up with Metal Injection for the album’s exclusive full stream premiere HERE.

The band adds:

“After some years experimenting with a full lineup we’ve seem to have found our style. Hard, tricky death metal influenced by the whole death metal genre and more. We’ve worked hard and relentlessly on an album that we consider ready for the world, thanks in big part to the amazing production of Cryptopsy’s Christian Donaldson, who we can’t believe wanted to work on the record with us!”

“We are happy to share this piece we’ve been working on, bringing the best (in our minds) out of the different extreme metal genres. We’ve been grinding hard on this album for over a year, and we’re extremely grateful to anyone who will give this album from the middle of nowhere in the far north of Norway a listen!”

With songs like ‘Swan Song’ showing off their deathcore influences, to the epic ‘Dissolution’ jumping from death metal to jazz to black metal seamlessly, and tracks like ‘Pale Tongue’ transforming from in your face death metal to a beautiful ambient soundscape, Féleth is a band that is ready to rise to the occasion and leap into the international moshpit.

The album was mixed and mastered by death metal legend, Christian Donaldson (Cryptopsy, Shadow of Intent, The Agonist, Beyond Creation) at The Grid Productions plus features guest vocals from hometown hero, singer/songwriter Petter Carlsen.

Album pre-save for Spotify, Apple Music, and all other major digital platforms HERE.

In additional news, the band will be performing on May 23rd a live stream gig for Alta Live, a local music festival in the band’s hometown of Alta, Norway. The live stream will be done in a large warehouse, with 10-metre high pyro, full light rig, a multi-camera production. Feleth will play a 45-minute set beginning at 9 pm Central European Summer Time (GMT+2). Further info can be found here.


Track Listing:
1. Ember (4:12)
2. Hollow Words (3:26)
3. Ravenous (4:11)
4. Arise (4:18)
5. Dissolution (4:12)
6. Pestilence (4:42)
7. Pale Tongue (5:48)
8. Swan Song (4:48)
Album Length: 35:40

Album Credits:
Mixing & Mastering: Christian Donaldson
Producer & Recording engineer: Liam Knott
Artwork: Eric Hyrcza at Kahinienn Graphix
Lyrics by: Espen Dagenborg
Music by: Espen Dagenborg,  Alexander Stamnes, Thomas Nyvoll, Brage Ingebrigtsen Westgaard and Aleksander Alsen

Band Members:
Vocals: Espen Dagenborg
Guitar: Alexander Stamnes
Guitar: Thomas Nyvoll
Bass: Brage Ingebrigtsen Westgaard
Drums: Aleksander Alsen

For more info:
Facebook.com/FelethBand
Instagram.com/felethband
EPK

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“Féleth: Transcends the traditional limits of the genre…” – Permafrost.today

 

“The new Feléth album is a big melting pot of all things good in modern death metal… They serve up tech-death esque song structures and solos with the beautiful harmonies of melodic death metal and the crushing riffs of a brutal death metal banger. It’s an eclectic listen for sure. There are catchy parts here and there that make the record memorable and add to its replay value. The vocalist on here does an amazing job and the production value is high… Great record!” – Zax Record Reviews

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ASHER MEDIA RELATIONS
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0 Norwegian Death Metal Féleth Premiere ‘Ravenous’ via SlamWorldWide; Debut Album “Depravity” Due Out May 22nd via DeadPop Records

  • May 9, 2020
  • by Asher
  • · Feleth · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – May 9, 2020

For fans of Sylosis, Dying Fetus, Cryptopsy, Archspire, Shadow of intent, Cattle Decapitation

Norwegian Death Metal Féleth Premiere ‘Ravenous’ via SlamWorldWide

Debut Album “Depravity” Due Out May 22nd via DeadPop Records

Nestled in the small northern Norwegian town of Alta, far above the Arctic circle, there’s a rumbling of brutality shaking the earth from a young, dynamic metal quintet known as Féleth. Creating heavy, melodic assaults, that transcends the traditional limits of the genre, these great northern Norwegians, are taking their influences of death metal, thrash, deathcore, rock and even elements of Jazz to unleash to the world their debut album “Depravity” due out via DeadPop Records on May 22, 2020.

Today, the band’s fourth single single ‘Ravenous’ is ready to be revealed via its premiere on SlamWorldWide HERE.

With songs like ‘Swan Song’ showing off their deathcore influences, to the epic ‘Dissolution’ jumping from death metal to jazz to black metal seamlessly, and tracks like ‘Pale Tongue’ transforming from in your face death metal to a beautiful ambient soundscape, Féleth is a band that is ready to rise to the occasion and leap into the international moshpit.

The album was mixed and mastered by death metal legend, Christian Donaldson (Cryptopsy, Shadow of Intent, The Agonist, Beyond Creation) at The Grid Productions. The album also features guest vocals from hometown hero, singer/songwriter Petter Carlsen.

Lyrically the album pulls away from traditional death metal tropes, to also criticize capitalism, pollution, fake news, and the depravity of humanity at large. Musically, the full length features beautiful melodic leads, heavy chugging guitars, bass solo’s, fast intricate drum work, and the huge vocal range from the lead vocalist, Espen Dagenborg.

The band’s first two singles off “Depravity” can be heard at the following links:
‘Arise’ – YouTube
‘Pestilence’ – YouTube
‘Swan Song’ – YouTube
Spotify


Track Listing:
1. Ember (4:12)
2. Hollow Words (3:26)
3. Ravenous (4:11)
4. Arise (4:18)
5. Dissolution (4:12)
6. Pestilence (4:42)
7. Pale Tongue (5:48)
8. Swan Song (4:48)
Album Length: 35:40

Album Credits:
Mixing & Mastering: Christian Donaldson
Producer & Recording engineer: Liam Knott
Artwork: Eric Hyrcza at Kahinienn Graphix
Lyrics by: Espen Dagenborg
Music by: Espen Dagenborg,  Alexander Stamnes, Thomas Nyvoll, Brage Ingebrigtsen Westgaard and Aleksander Alsen

Band Members:
Vocals: Espen Dagenborg
Guitar: Alexander Stamnes
Guitar: Thomas Nyvoll
Bass: Brage Ingebrigtsen Westgaard
Drums: Aleksander Alsen

For more info:
Facebook.com/FelethBand
Instagram.com/felethband
EPK

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Norwegian Death Metal Féleth Premiere ‘Swan Song’ via Metal-Rules; Debut Album “Depravity” Due Out May 22nd via DeadPop Records

  • April 29, 2020
  • by Asher
  • · Feleth · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – April 29, 2020

For fans of Sylosis, Dying Fetus, Cryptopsy, Archspire, Shadow of intent, Cattle Decapitation

Norwegian Death Metal Féleth Premiere ‘Swan Song’ via Metal-Rules

Debut Album “Depravity” Due Out May 22nd via DeadPop Records

Nestled in the small northern Norwegian town of Alta, far above the Arctic circle, there’s a rumbling of brutality shaking the earth from a young, dynamic metal quintet known as Féleth. Creating heavy, melodic assaults, that transcends the traditional limits of the genre, these great northern Norwegians, are taking their influences of death metal, thrash, deathcore, rock and even elements of Jazz to unleash to the world their debut album “Depravity” due out via DeadPop Records on May 22, 2020.

Today, the band’s third single ‘Swan Song’ is ready to be revealed via its premiere on Metal Rules.com HERE.

The track shows off more of their deathcore influences compared to other songs on the album such as the epic ‘Dissolution’ that jumps from death metal to jazz to black metal seamlessly, and ‘Pale Tongue’, transforming from in your face death metal to a beautiful ambient soundscape.

The album was mixed and mastered by death metal legend, Christian Donaldson (Cryptopsy, Shadow of Intent, The Agonist, Beyond Creation) at The Grid Productions. The album also features guest vocals from hometown hero, singer/songwriter Petter Carlsen.

Lyrically the album pulls away from traditional death metal tropes, to also criticize capitalism, pollution, fake news, and the depravity of humanity at large. Musically, the full length features beautiful melodic leads, heavy chugging guitars, bass solo’s, fast intricate drum work, and the huge vocal range from the lead vocalist, Espen Dagenborg.

The band’s first two singles off “Depravity” can be heard at the following links:
‘Arise’ – YouTube
‘Pestilence’ – YouTube
Spotify


Track Listing:
1. Ember (4:12)
2. Hollow Words (3:26)
3. Ravenous (4:11)
4. Arise (4:18)
5. Dissolution (4:12)
6. Pestilence (4:42)
7. Pale Tongue (5:48)
8. Swan Song (4:48)
Album Length: 35:40

Album Credits:
Mixing & Mastering: Christian Donaldson
Producer & Recording engineer: Liam Knott
Artwork: Eric Hyrcza at Kahinienn Graphix
Lyrics by: Espen Dagenborg
Music by: Espen Dagenborg,  Alexander Stamnes, Thomas Nyvoll, Brage Ingebrigtsen Westgaard and Aleksander Alsen

Band Members:
Vocals: Espen Dagenborg
Guitar: Alexander Stamnes
Guitar: Thomas Nyvoll
Bass: Brage Ingebrigtsen Westgaard
Drums: Aleksander Alsen

For more info:
Facebook.com/FelethBand
Instagram.com/felethband
EPK

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Norwegian Death Metal Féleth To Release Debut Album “Depravity” May 22nd via DeadPop Records

  • April 22, 2020
  • by Asher
  • · Feleth · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – April 22, 2020

For fans of Sylosis, Dying Fetus, Cryptopsy, Archspire, Shadow of intent, Cattle Decapitation

Norwegian Death Metal Féleth To Release Debut Album “Depravity” via DeadPop Records

Debut Album “Depravity” Due Out May 22nd

Streaming Singles ‘Arise’ & “Pestilence’

Nestled in the small northern Norwegian town of Alta, far above the Arctic circle, there’s a rumbling of brutality shaking the earth from a young, dynamic metal quintet known as Féleth. Creating heavy, melodic assaults, that transcends the traditional limits of the genre, these great northern Norwegians, are taking their influences of death metal, thrash, deathcore, rock and even elements of Jazz to unleash to the world their debut album “Depravity” due out via DeadPop Records on May 22, 2020.

With songs like ‘Swan Song’ showing off their deathcore influences, to the epic ‘Dissolution’ jumping from death metal to jazz to black metal seamlessly, and tracks like ‘Pale Tongue’ transforming from in your face death metal to a beautiful ambient soundscape, Féleth is a band that is ready to rise to the occasion and leap into the international moshpit.

The album was mixed and mastered by death metal legend, Christian Donaldson (Cryptopsy, Shadow of Intent, The Agonist, Beyond Creation) at The Grid Productions. The album also features guest vocals from hometown hero, singer / songwriter Petter Carlsen.

Lyrically the album pulls away from traditional death metal tropes, to also criticize capitalism, pollution, fake news and the depravity of humanity at large. Musically, the full length features beautiful melodic leads, heavy chugging guitars, bass solo’s, fast intricate drum work and the huge vocal range from the lead vocalist, Espen Dagenborg.

The band’s to first two singles off “Depravity” can be heard at the following links:
‘Arise’ – YouTube

‘Pestilence’ – YouTube

Spotify


Track Listing:
1. Ember (4:12)
2. Hollow Words (3:26)
3. Ravenous (4:11)
4. Arise (4:18)
5. Dissolution (4:12)
6. Pestilence (4:42)
7. Pale Tongue (5:48)
8. Swan Song (4:48)
Album Length: 35:40

Album Credits:
Mixing & Mastering: Christian Donaldson
Producer & Recording engineer: Liam Knott
Artwork: Eric Hyrcza at Kahinienn Graphix
Lyrics by: Espen Dagenborg
Music by: Espen Dagenborg,  Alexander Stamnes, Thomas Nyvoll, Brage Ingebrigtsen Westgaard and Aleksander Alsen

Band Members:
Vocals: Espen Dagenborg
Guitar: Alexander Stamnes
Guitar: Thomas Nyvoll
Bass: Brage Ingebrigtsen Westgaard
Drums: Aleksander Alsen

For more info:
Facebook.com/FelethBand
Instagram.com/felethband
EPK

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 THE FLAYING’s New Music Video ‘Place du Parvis’ Pays Homage To Hometown of Quebec City

  • December 5, 2019
  • by Asher
  • · Music News · The Flaying

(contact info below)

NEWS RELEASE

Montreal, QC – December 5, 2019

 

For fans of The Black Dahlia Murder, Deicide, Archspire, Cryptopsy, Suffocation

THE FLAYING’s New Music Video ‘Place du Parvis’ Pays Homage To Hometown of Quebec City

Win Quebec GAMIQ Award For “Metal Album of The Year”

Album ‘Angry, Undead’ Out Now! via PRC Music

L to R: Seb – Bass, Wil – Vocals, Mike – Drums,  Did – Guitar

Recently winning “Metal Album of The Year” at the GAMIQ awards (Gala alternatif de la musique indépendante du Québec) for their debut “Angry, Undead” released this past March on PRC Music, brutal death metal contingent THE FLAYING are paying homage to their hometown of Quebec City with the new music video ‘Place du Parvis’.

The band explains:

“Place du Parvis is an important hub in Quebec city. It’s an area in our hometown that’s a very lively place that sees all social classes living side by side, for better or for worse. From the spray-painted back alleys to the churches, to the restaurants and household dwellings. We found hitting the street like a metal Beastie Boys posse was the best way to showcase our love for this track and hometown. Special thanks and shout out to Jannick Côté from Headcase Prods for filming and editing, Carl Méthot from HsProds for filming for being outstanding as always. Thanks to all of you for coming to the shows, supporting your bands and scene!”

Watch ‘Place du Parvis’ via its premiere on Decibel Magazine HERE.

The sophomore album “Angry, Undead” was released this past march via PRC Music. Working with Christian Donaldson of Cryptopsy at The Grid in Montreal, QC, the album is pure mayhem for their fastest and most brutal debauchery to date. The concept of “Angry, Undead” is an intricate one with each of the eight songs falling under a distinct axis: Chaos (social manifestations); Madness (individual manifestations); and Void (existential manifestations). It is brutal, instinctive, unique, and wicked, and is recommended for fans of Cryptopsy, Archspire, Suffocation, and Deicide.

THE FLAYING‘s album “Angry, Undead” is available on Bandcamp, PRC Music, Spotify, and Apple Music.
Music Video – ‘La Valse du Scorpion’ here.
Lyric Video ‘Genuflect’ here.

Show Dates:
January 25 – Sherbrooke, QC – Le Murdoch – Sherbrooke Death Fest w/ Beneath The Massacre, Nervous Impulse, Holy Cost
Feb 15 – Quebec City, QC – L’Anti Bar
May 2 – Ste-Anne-des-Monts, QC – Microbrasserie Le Malbord w/ Brazen

Track Listing:
1. Ouverture Écarlate (0:35)
2. Disloqué (3:15)
3. Place du Parvis (3:53)
4. Genuflect (4:00)
5. Egocentric Predicament (0:44)
6. Elegy of Emptiness (3:41)
7. La Valse du Scorpion (4:18)
8. Angry, Unleashed (3:23)
9. Angry, Undead (5:34)
Album Length: 29:28

Album and Live Line Up:
Didier Samson aka “Did”  – Guitars
Sébastien Marier-Verret aka “Seb” – Bass
William Murray aka “Wil” – Vocals
Michel Bélanger aka “Mike” – Drums

For more info:
Prcmusic.com
Facebook.com
Instagram.com
EPK

BIO:

And it all began with the rope dancer….

Formed in July 2010, The Flaying is a death metal band based in Quebec City, Canada that focuses on fluid melodic construction of songs featuring brutal sections which are further complemented by vocals with both low end growls and hateful high pitches.

Since their first release Unhope (2014), Seb, Did, Wil and Mike are forging ahead in order to adopt a more brutal approach: adding new grooves, a greater velocity, and creating a wider ambiance as well as keeping breakdowns and progressive parts with counterpoints constructing a main theme of anger and a general hate of humanity.

Soldiering on with the philosophy of one band, four individuals, four personalities to collide, the writing process is a team effort initially seeing the band collaborate on riffs and groove ideas, adding a flourish of low-end colors, and blending the whole thing together with flying vocals that create a manifest of pure mayhem. This product of this steadfast diablerie will be realized on March 22, 2019, when the second album “Angry, Undead” is unleashed on PRC Music.

– 30 –

“Le guitariste Didier Samson se fait déjà appeler «Maître» dans sa profession d’avocat criminaliste, mais c’est au titre de «maîtres du métal» que lui et ses trois acolytes du groupe death metal The Flaying aspirent avec leur deuxième album Angry, Undead qui paraît le 22 mars sur l’étiquette émergente PRC Music.The guitarist Didier Samson is already called “Master” in his profession of criminal lawyer, but it is under the title of “masters of the metal” that he and his three acolytes of the death metal band The Flaying aspire with their second album Angry, Undead which appears March 22 on the emerging label PRC Music.” – Le Soleil: The Flaying: Maîtres du métal:

“True to the band’s name, the music of The Flaying will slash the skin from your face in paroxysms of blood-spraying savagery. But it does more than that. It will also suck the air from your lungs, boil the brain, and hammer your bones into fragments fine enough to blow away in the wind.” – No Clean Singing  

“Angry, Undead is quite a number, I am really digging these addictive and mesmerizing death metal tunes and I am quite sure most of you technical and progressive death metal fans out there will feel the same about this album once you have checked this out. The Flaying is definitely a band to keep an eye and an ear on!” – Lords of Metal 

“Solid and thoroughly enjoyable, The Flaying make a name for themselves on their second album. Angry, Undead is never at a loss for momentum and rage, and still manages to tickle your ears with its massive grooves and musical prowess.” – Dead Rhetoric

“It is a savage, brutish and barbaric death metal album emphasized by the nasty groove of Elegy of Emptiness and the booming Angry, Unleashed. A fine addition to any death metal fan’s collection.” – Games, Brrrains & A Head-Banging Life

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 THE FLAYING Win Quebec GAMIQ Award For “Metal Album of The Year”

  • November 25, 2019
  • by Asher
  • · Music News · The Flaying

(contact info below)

NEWS RELEASE

Montreal, QC – November 25, 2019

 

For fans of The Black Dahlia Murder, Deicide, Archspire, Cryptopsy, Suffocation

THE FLAYING Win Quebec GAMIQ Award For “Metal Album of The Year”

Album ‘Angry, Undead’ Out Now! via PRC Music

L to R: Seb – Bass, Wil – Vocals, Mike – Drums,  Did – Guitar

Quebec City’s THE FLAYING have won their first-ever GAMIQ (Gala alternatif de la musique indépendante du Québec) award for “Metal Album of The Year” for their debut full-length “Angry, Undead” released this past March on PRC Music.

The band comments:

“We are really proud and humbled to win the GAMIQ Award for the 2019 Metal Album of The Year! It means a lot to us to get this recognition from our peers in the music industry. We would like to thank our precious team for the hard work that has been put in on this record: Christian Donaldson and the Grid Studio, Raphaël Malenfant and Broil audio, Nick Tremblay and Rémi at PRC Music for the support. Our families, girlfriends, all the bands we toured with. Last but not least, thanks to our fans for buying the album, being at the shows and supporting the scene. See you on tour!”

GAMIQ “Metal Album of The Year” Nominees:
Anonymus – Sacrifices
Barf – Mantra
Le Kraken – De paille et d’or
Lüger – Hellraisers of the Waste
The Flaying – Angry, Undead – Winner

For more info about GAMIQ, please visit here.

The sophomore album “Angry, Undead” was released this past march via PRC Music. Working with Christian Donaldson of Cryptopsy at The Grid in Montreal, QC, the album is pure mayhem for their fastest and most brutal debauchery to date. The concept of “Angry, Undead” is an intricate one with each of the eight songs falling under a distinct axis: Chaos (social manifestations); Madness (individual manifestations); and Void (existential manifestations). It is brutal, instinctive, unique, and wicked, and is recommended for fans of Cryptopsy, Archspire, Suffocation, and Deicide.

THE FLAYING‘s album “Angry, Undead” is available on Bandcamp, PRC Music, Spotify, and Apple Music.
Music Video – ‘La Valse du Scorpion’ here.

Lyric Video ‘Genuflect’ here.
Guitar/ Bass Playthrough ‘Place du Parvis’ here.

Show Dates:
January 25 – Sherbrooke, QC – Le Murdoch – Sherbrooke Death Fest w/ Beneath The Massacre, Nervous Impulse, Holy Cost

Track Listing:
1. Ouverture Écarlate (0:35)
2. Disloqué (3:15)
3. Place du Parvis (3:53)
4. Genuflect (4:00)
5. Egocentric Predicament (0:44)
6. Elegy of Emptiness (3:41)
7. La Valse du Scorpion (4:18)
8. Angry, Unleashed (3:23)
9. Angry, Undead (5:34)
Album Length: 29:28

Album and Live Line Up:
Didier Samson aka “Did”  – Guitars
Sébastien Marier-Verret aka “Seb” – Bass
William Murray aka “Wil” – Vocals
Michel Bélanger aka “Mike” – Drums

For more info:
Prcmusic.com
Facebook.com
Instagram.com
EPK

BIO:

And it all began with the rope dancer….

Formed in July 2010, The Flaying is a death metal band based in Quebec City, Canada that focuses on fluid melodic construction of songs featuring brutal sections which are further complemented by vocals with both low end growls and hateful high pitches.

Since their first release Unhope (2014), Seb, Did, Wil and Mike are forging ahead in order to adopt a more brutal approach: adding new grooves, a greater velocity, and creating a wider ambiance as well as keeping breakdowns and progressive parts with counterpoints constructing a main theme of anger and a general hate of humanity.

Soldiering on with the philosophy of one band, four individuals, four personalities to collide, the writing process is a team effort initially seeing the band collaborate on riffs and groove ideas, adding a flourish of low-end colors, and blending the whole thing together with flying vocals that create a manifest of pure mayhem. This product of this steadfast diablerie will be realized on March 22, 2019, when the second album “Angry, Undead” is unleashed on PRC Music.

– 30 –

“Le guitariste Didier Samson se fait déjà appeler «Maître» dans sa profession d’avocat criminaliste, mais c’est au titre de «maîtres du métal» que lui et ses trois acolytes du groupe death metal The Flaying aspirent avec leur deuxième album Angry, Undead qui paraît le 22 mars sur l’étiquette émergente PRC Music.The guitarist Didier Samson is already called “Master” in his profession of criminal lawyer, but it is under the title of “masters of the metal” that he and his three acolytes of the death metal band The Flaying aspire with their second album Angry, Undead which appears March 22 on the emerging label PRC Music.” – Le Soleil: The Flaying: Maîtres du métal:

“True to the band’s name, the music of The Flaying will slash the skin from your face in paroxysms of blood-spraying savagery. But it does more than that. It will also suck the air from your lungs, boil the brain, and hammer your bones into fragments fine enough to blow away in the wind.” – No Clean Singing  

“Angry, Undead is quite a number, I am really digging these addictive and mesmerizing death metal tunes and I am quite sure most of you technical and progressive death metal fans out there will feel the same about this album once you have checked this out. The Flaying is definitely a band to keep an eye and an ear on!” – Lords of Metal 

“Solid and thoroughly enjoyable, The Flaying make a name for themselves on their second album. Angry, Undead is never at a loss for momentum and rage, and still manages to tickle your ears with its massive grooves and musical prowess.” – Dead Rhetoric

“It is a savage, brutish and barbaric death metal album emphasized by the nasty groove of Elegy of Emptiness and the booming Angry, Unleashed. A fine addition to any death metal fan’s collection.” – Games, Brrrains & A Head-Banging Life

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Tweet @AsherMedia | Instagram @AsherMedia
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