Tag: album

0 Rockshots Records – LAY OF THE AUTUMN Explores Struggle and Empowerment w/ New Video “Thrown Away” Off Latest Album “Of Love And Sorrow”

February 6, 2025
by Asher
· Lay of The Autumn (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – February 6, 2025

LAY OF THE AUTUMN Explores Struggle and Empowerment w/ New Video “Thrown Away”

New Album “Of Love And Sorrow” Out Now! via Rockshots Records

Rockshots Records and Lay Of The Autumn proudly present the official music video for “Thrown Away”, one of the standout tracks from their debut album “Of Love And Sorrow” released on October 25th, 2024.

A striking blend of Symphonic Power Metal, cinematic soundscapes, and electronic elements, “Thrown Away” explores struggle, catharsis, and empowerment themes. The song is driven by intense riffs, soaring melodies, and fast, intricate guitar and keyboard solos, complemented by ERIA’s evocative vocal performance, which captures vulnerability and strength.

Following the success of “Lost In Your Eyes”, this new track from “Of Love And Sorrow”, “Thrown Away” further establishes the band’s ability to craft music that balances melancholy with power, emotion with precision, and melody with intensity. The album, featuring 10 tracks blending Power Metal, Symphonic Metal, Melodic Death Metal, and cinematic influences, was mixed and mastered by Ettore Rigotti (Disarmonia Mundi) at The Metal House Studios, ensuring a rich, polished, and dynamic sound.

Lay Of The Autumn continues to deliver a fresh yet familiar take on the symphonic metal genre, blending grand orchestrations with driving energy. With “Thrown Away” they offer listeners an emotional and powerful journey through their signature sound.

Watch the official music video now and experience the next chapter of “Of Love And Sorrow”!

Music Video – https://youtu.be/ysfru7Ks4oM

Digital Single – https://lnk.to/8lIVcg2a

Digital Album / CD – https://lnk.to/jR59oz

Track Listing:
1 – When It Rains – 2:27
2 – Flowing Tears – 5:52
3 – Lost In Your Eyes – 5:51
4 – After All This Time? Always – 5:44
5 – Thrown Away – 5:53
6 – Undergo Deconstruction – 5:55
7 – Love You To Death – 6:20
8 – Si Sta Come D’Autunno Sugli Alberi Le Foglie – 5:02
9 – Of Love And Sorrow – 5:59
10 – Who Is To Blame – 5:39

Lay Of The Autumn are:

Main Singer: Iryna Eria Boyarkina – ERIA
Growl Singer: Andrea Gambaro
Keyboards/Composition: Davide Scuteri Music
Guitar: Davide Lovecchio
Bass: Cesare Ferrari
Drums: Michele Olmi
Mix and Mastering: Ettore Rigotti at The Metal House
Music Label: Rockshots Records
Moviemaker: Moviedel Productions
Photos: Flarescape
Cover artwork: ProgArt Media – Artwork by Mattias Norén
Jewel Designer: helenaromanova

More info:
Rockshots.eu
https://www.facebook.com/layoftheautumnofficial
https://www.instagram.com/layoftheautumnband

YouTube: eria_singer_official
Instagram: anyri_mysterya
Facebook: / eriaofficial
Telegram: https://t.me/joinchat/rpJiGB9IyBo2YzVi
TikTok: https://vm.tiktok.com/ZM83t243B/

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0 Streaming Now! TUMBLEWEED DEALER Invite You Into Their Lush Psychedelic Swamp With Full Stream Of “Dark Green”

February 6, 2025
by Asher
· Music News · Tumbleweed Dealer

NEWS RELEASE

Montreal, QC – February 6, 2025

Streaming Now! TUMBLEWEED DEALER Invite You Into Their Lush Psychedelic Swamp With Full Stream Of “Dark Green”

L-R – Seb Painchaud – Bass & Guitars, Jean-Baptiste Joubaud – Synths & Programming, Angelo Fata – Drums & Percussions

Photo Credit – PAULINE DELABORDE PHOTOGRAPHIE

Montreal, Canada’s Tumbleweed Dealer is proud to present their monumental fourth album “Dark Green”. This marks the culmination of an eight-year journey for the band, resulting in their most ambitious and fully realized work to date. Listeners can now immerse themselves in all ten tracks of this genre-defying masterpiece, experiencing the album as it was intended – a complete, transformative journey through sound and emotion. The band comments:

“We simply can’t wait to share this new album with everyone, from old fans, whose expectations we hope to obliterate, to potential new listeners who might be going in with absolutely no clue as to what they should expect. We strived to constantly contrast old sonorities with new tendencies. We layered influences over each other to create something original yet oddly nostalgic.”

From the opening notes of “A Distant Figure In The Fog” to the closing moments of “A Soul Made Of Sludge”, “Dark Green” takes the listener on an unparalleled auditory adventure. Each track builds upon the last, creating a cohesive narrative that explores themes of nature, consciousness, and the human experience. The album’s production quality shines throughout, with every instrument and effect meticulously placed to create a rich, enveloping soundscape.

As you listen to the album stream, pay attention to the intricate details and hidden layers within each track. Tumbleweed Dealer has crafted “Dark Green” to be an album that reveals new secrets with each listen, much like revisiting a favorite film or novel. Let the music wash over you, and prepare to be transported to the lush, mysterious world of “Dark Green”, which will be especially intriguing to those with an interest in Opeth, Cynic, and Rush.

Due out on February 7, 2025, “Dark Green” can be heard in full before its official release via its album stream premiere on TheProgSpace HERE.

Recommended for fans of Elder, Ohm, Camel, Opeth, and Cynic, “Dark Green” is available for album pre-order at https://tumbleweeddealer420.bandcamp.com/album/dark-green

Video – Dark Green – https://youtu.be/L73im_7hOWs

Video – Ghosts Dressed In Weeds feat. Ceschi – https://youtu.be/E06a90W8hFo

Track Listing:
1. A Distant Figure In The Fog (2:52)
2. Sparks Adrift In The Louisiana Nightsky (3:39)
3. A Plant That Thinks It’s Human (3:34)
4. Becoming One With The Bayou (3:19)
5. Dragged Across The Wetlands (2:56)
6. Dark Green (4:48)
7. Ghosts Dressed In Weeds (5:31)
8. Moss On The Mind (3:13)
9. Body Of The Bog (6:34)
10. A Soul Made Of Sludge (3:49)

Album Recording Credits:
• All songs performed by: Tumbleweed Dealer
• All songs written by: Tumbleweed Dealer
• Produced by: Jean-Baptiste Joubaud
• Mixed by: Jean-Baptiste Joubaud
• Mastered by: Harris Newman
• Album Artwork by: Glenn Le Calvez

Album Band Line Up:
Seb Painchaud – Bass & Guitars
Angelo Fata – Drums & Percussions
Jean-Baptiste Joubaud – Synths & Programming

Guest Musicians:
Antoine Baril – Mellotron, Hammond Organ & Keyboards on tracks 1, 2, 3, 4, 6, 8, 9 & 10
Guillaume Audette – Wurlitzer, Rhodes and Church Organ on tracks 8 & 10
Jocelyn Couture – Trumpet & Flugel Horn on tracks 4, 5, 7 and 9
Loïc Roy-Turgeon – Trombone on tracks 4 and 5
Zach Strouse – Saxophone on track 6
And special guest star Ceschi Ramos as himself on track 7

More info: Facebook.com/TumbleweedDealer | X.com/westernhorror | Instagram.com/tumbleweeddealer | Spotify

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“The epic song (Dark Green) is a good indication of what the rest of the record holds, which is plenty of blues, psychedelia, and prog rock.” – Decibel Magazine

“How about a new prog-rock instrumental?! The title track “Dark Green” from the forthcoming album has arrived from progressive stoner rockers, TUMBLEWEED DEALER and we’re digging it. We’ve also had the opportunity to preview the new album and it’s also a strong statement and should sit well with prog lovers. Keep an eye out for the album to be released on Feb. 7th and catch the single “Dark Green” now on your Home for the Best New Rock…” – WJOE – Findlay’s Home for Rock & Roll

“Tumbleweed Dealer’s “Dark Green,” the title track from their upcoming album out on February 7th, is a lesson in blending diverse musical influences into a singular, gripping piece. Clocking in at just under five minutes, the song showcases the band’s evolution and fearless creativity by weaving elements of blues, psychedelia, and progressive rock into a dynamic and unpredictable journey. The track builds a narrative through its seamless shifts in tone and texture. From introspective melodies to bursts of raw energy, the track balances complexity with accessibility. Antoine Baril’s vintage keys anchor the composition, giving it a retro flair, while Zach Strouse’s saxophone solo adds an unexpected but welcome layer of richness. Tumbleweed Dealer’s roots in extreme music shine subtly through black metal-inspired melodies and brief flashes of double bass drum that are a nod to their past without overshadowing their current direction. This contrast between intensity and finesse underscores the band’s skill in pushing genre boundaries.“Dark Green” not only introduces the thematic essence of the album but it also captures the spirit of exploration that has defined Tumbleweed Dealer’s evolution.” – Amplify The Noise

” a bold evolution of their signature blend of bluesy desert rock and progressive experimentation.” – Montreal Rocks

“This is one of those compositions that requires total immersion. Clean singing, bah who needs singing at all?! Recorded with finetuned care so you can hear all the little fret squeaks before they ramp up the ambience straight from a John Fruscianterecord. With synths and other keys that chameleon-ize said maestro’s voice, later emulating the sound of a backing choir that then morphs into church organ. When the atmospherics basking in the background saunter forth, the darker shades of green start to realize and the track enters the domain of prog royalty. As a double kick is racing the throbbing-for-the-last-gasp procreative releases of the bass before flamenco-picking a Morricone lick ghosted into a pregnant silence to just nod for the memory of a note that enticingly lures like an anglerfish with, “you ready for more?” The timestamp at termination is 4:51 but this is some form of dimension-manipulating chronomancy because the track feels like it is over quicker than Napalm Death’s “You Suffer.” That means I’m either suffering from THC-induced crapulence or my favorite drug just happens to be music; and when it’s layered this well, with so much to encounter on repeat listens, it can truly have the magical property of transcendental transportation.” – No Clean Singing

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0 SVNTH Announces “Cinnamon Moon” From Anticipated Blackgaze Album “Pink Noise Youth” Out April 2025

January 31, 2025
by Asher
· Music News · SVNTH

NEWS RELEASE

Montreal, QC – January 31, 2025

SVNTH Announces “Cinnamon Moon” From Anticipated Blackgaze Album “Pink Noise Youth” Out April 2025

L – R – Jacopo Fagiolo – Guitars, Alessandro Canzoneri – Drums, Rodolfo Ciuffo – Bass, Vocals, Sitar, Valerio Primo – Samples, Percussion, Alessandro De Falco – Guitars

Photo Credit – Arianna Savo

Italian experimental metal outfit SVNTH has just released their single “Cinnamon Moon” off their forthcoming album “Pink Noise Youth” out on These Hands Melt Records this coming April 2025. “Cinnamon Moon” showcases SVNTH‘s distinctive approach to genre-blending, weaving together elements of blackgaze and post-hardcore to create a deeply personal sonic landscape. The track stands as an emotional open letter, chronicling the complex journey of late youth through a rich tapestry of sound that includes slowdive-inspired ethereal delays, black metal screams, and the unconventional incorporation of the electric Indian sitar. The band shares their thoughts on the single:

“It unveils some of the most interesting features offered on the album in terms of sound and mood. With its captivating mix of blackgaze and post-hardcore, the song is an open letter soaked in fragility and emotional exposure, delivered to a loved one as a memorial of the hampered paths walked together on the road of late youth.”

While their earlier work explored life’s struggles through a childhood lens, “Pink Noise Youth” examines the chaos and emotional instability of early adulthood, giving voice to a generation as unpredictable as its namesake audio phenomenon.

“Pink Noise Youth” demonstrates SVNTH‘s continued evolution, deliberately transcending genre boundaries by combining elements of hardcore, metal, shoegaze, and post-rock with unexpected instrumental choices. The album promises to take listeners on a cohesive journey through its carefully crafted track sequence, maintaining the band’s tradition of creating conceptually unified works. It is recommended for fans of Deafheaven, Alcest, and Agalloch.

Single Cover – Cinnamon Moon – Artwork by Tryfar

Listen to “Cinnamon Moon” at the following links:

Lyric Video – https://youtu.be/0hpPr0mFxQs

Spotify – https://spoti.fi/3PWfwMK

“Pink Noise Youth” is due out on April 18, 2025, on Vinyl, CD, and Digital via These Hands Melt Records and is available for pre-order / pre-save at https://lnk.to/SVNTH

Album Cover – Pink Noise Youth – Artwork by Tryfar

Track Listing:
1. Inhale – 1:31
2. Cinnamon Moon – 5:18
3. Perfume – 4:19
4. Elephant – 6:49
5. Narrow, Narrow – 5:35
6. Exhale – 4:33
7. Winter Blues – 4:32
8. Nairobi Lullaby – 4:37
Album Length: 37:18

Album Credits:
All music and lyrics written by Rodolfo Ciuffo
Performed by Rodolfo Ciuffo, Alessandro De Falco, Valerio Primo and Alessandro Canzoneri
Guitar solos on “Elephant”, “Exhale” and “Nairobi Lullaby” written by Alessandro De Falco
Recorded, mixed and produced by Alessandro De Falco
Mastered by Angel Marcloid at Angel Hair Studio
Photography by Alexandru Cozlan, modeling by alteaaetla_sg
Album Artwork by Tryfar

More info: https://linktr.ee/svnthband

About:

With a various background of musical influences and artistic inspirations, SVNTH (written all caps and pronounced “Seventh”, formerly “Seventh Genocide”) from Rome, Italy has been shaping a unique equilibrium of sounds through the years moving across a huge variety of directions on the palette of contemporary alternative music to create a distinctive soundtrack for inner emotions, life scenarios, and existentialist questioning. Expanding the energy of black and post-metal over the mellow and contemplative boundaries of shoegaze, art pop, and cinematic post-rock.

From the vivid early black gaze melodies of the debut “Breeze of Memories” (2015) to the long song structures with acoustic overtures and Godspeed You! Black Emperor inspired sections of the monumental “Toward Akina” (2017); SVNTH confirms this more complex approach on the double LP “Spring in Blue” (2020), the childhood chapter of a trilogy of colors based on emotions in different phases of life.

The upcoming “Pink Noise Youth” (2025) gets back to a more traditional song format, introducing a unique use of Indian sitar, and an array of acoustic instruments and singing expressions, which develops SVNTH to a one-of-a-kind sound and personality.

As of today, the band has done several tours and single shows all over Europe and in the USA touching even non-frequently toured countries such as Albania and Turkey and performing at notable festivals like Rockstadt and Frantic Fest, bringing a defining cathartic live energy.

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“This is arguably SVNTH’s defining effort to date, and will hopefully see them gain a foothold within the scene at large…” – Distorted Sound Magazine (2020 – Spring in Blue)

“”The music seems to wail and mournfully murmur like spirits who have lost their way in a shimmering desert world. Those lonesome laments unfold into a momentum of neck-snapping beats, raking chords, and high, harrowing shrieks” – No Clean Singing (2020 – Spring in Blue)

“SVNTH sets out in hopes of bridging the rift of a jealous god, welding genres into music that can appeal to all sensibilities, without sacrificing integrity (or intensity)” – Toilet ov Hell (2020 – Spring in Blue)

“”Distortions, speed and sinister atmosphere as the tradition black imposes but also delicate chiselations from which a light filters that suggests possible trajectories capable of questioning the dictatorship of matter, Spring in Blue is an album that is not afraid to face the recognized columns of Ercole gender and to push it far beyond 8.5/10” – Grind On The Road

“an interesting take on black metal, delving deeper into psychedelia and post-rock influences on new EP SVNTH. Though the tremolo-picked guitar playing and blast beats accompanied by howled screams still remain, they are met with shimmering melodies, ambient stretches and Pink Floyd-esque guitars.” – Decibel Magazine (2018 – EP SVNTH)

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0 Canada’s SWEETBEAST New Music Video Calls Out All The Superficial “Plastic People” Off Debut Album “Illusions” Out Feb 2025

January 31, 2025
by Asher
· Music News · SweetBeast

NEWS RELEASE

Montreal, QC – January 31, 2025

Canada’s SWEETBEAST New Music Video Calls Out All The Superficial “Plastic People”

Debut Album “Illusions” Out Feb 21st, 2025

L-R – Eric Gorzynski – Vocals/Guitar, Alex Graham – Backup Vocals/Bass, Colton Schofield – Drums, John Hermary – Vocals/Guitar

Kelowna, BC, Canada’s SweetBeast has a new music video to share for the track “Plastic People” in the lead-up to their forthcoming debut album “Illusions” out late February 2025. This is the third single the band is revealing off the record to follow songs “Illusion” ft. Space Queen” and “Dream Eater”.

SweetBeast explains “Plastic People”:

“This track critiques the superficiality of modern society, particularly the harmful effects of social media on mental health. With lines like “effects and filters, digital weapons,” the song highlights how the endless stream of digitally altered images fuels feelings of inadequacy, especially in women. This cycle of comparison can lead to doom scrolling, depression, and even suicide, stripping away authenticity and turning people into hollow, “plastic” versions of themselves. By raising awareness of these devastating effects, the song encourages self-reflection and contrasts inner beauty with the hollowness of curated personas.”

Watch and listen to the music video for “Plastic People” at https://youtu.be/by6W1-pNhE8

Spotify – https://spoti.fi/3Q0p0GS

SweetBeast‘s first full-length “Illusions” is a sonic exploration of shifting realities, blending heavy, distorted riffs with introspective lyrics. It invites listeners to journey inward and outward, reflecting the complex relationship between mind, sound, and reality. The record leans heavily on low-tuned guitars, swirling effects, and a tight rhythm section that creates a dense, atmospheric sound. There’s a hypnotic groove throughout, with moments of psychedelic exploration, where riffs evolve into mind-bending progressions. The songs fluctuate between creative riffs and light, airy melodies that offer a contrast, pushing the boundaries of stoner rock.

“We believe our fans will really connect with our debut album. The mix of heavy, low-tuned guitars and melodic, psychedelic riffs captures the essence of our live performances, which our audience already loves. With this album and its singles, we’re aiming to give fans a fully immersive listening experience. We want them to feel transported by the deep, heavy grooves and layered, psychedelic soundscapes as if they’re on a journey through the mind or some otherworldly place. Each track is designed to pull the listener in with dynamic shifts, powerful riffs, and moments of reflection, creating a balance between intensity and space. We hope the singles offer a taste of this experience, sparking curiosity for the full album, which will be best enjoyed as a cohesive journey from start to finish. We’re excited to see how they embrace it.” adds the band.

Recommended for fans of Queens Of The Stone Age, All Them Witches, Kyuss, and Alice In Chains, SweetBeast‘s album “Illusions” is due out on February 21st, 2025 from Humalien Records, and will be available for pre-order at https://sweetbeastrock.bandcamp.com/

First Single – “Dream Eater” – https://youtu.be/ErLKQGlu8Qk

Digital – https://distrokid.com/hyperfollow/sweetbeast/dream-eater

Second Single – Music Video – Illusion ft. Space Queen – https://youtu.be/ApFf3TDSuf0

Digital – https://distrokid.com/hyperfollow/sweetbeast/illusion-feat-space-queen-single

Track Listing:
1. 70/30 – 7:57
2. Thunder – 4:01
3. Dream Eater – 5:29
4. Midnight – 4:38
5. Plastic People – 6:41
6. Illusion ft. Space Queen – 11:26
Album Length – 40:12

More info: SweetBeast.ca | Facebook.com/SweetBeastFuzz | Instagram.com/sweetbeastfuzz | Tiktok.com/@sweetbeastfuzz

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“The record (Illusions) is characterized by heavy grooves, memorable licks, and catchy, heavy, doomy goodness. Any lovers of the groove will definitely be fans of this one.” – Decibel Magazine

“Grungy heavy rock with fuzzy psychedelic twists win the day in ‘Illusions’ (2025), tapping a similar vein to bands like Queens Of The Stone Age, Stone Temple Pilots, All Them Witches, Kyuss, and Alice In Chains. While standing distinctly on their own turf, SweetBeast dishes out addictive grooves and punchy lyrical moments.” – Doomed and Stoned

“How about some brand new heavy-duty stoner rock?! The new single “Dream Eater” from SweetBeast is pretty amazing. “Dream Eater” meanders and bubbles beneath the surface until erupting with a wicked heavy solo and then falls back to its broody state. All in all, it’s a psychedelic journey that you won’t want to miss” – WJOE – Findlay’s Home for Rock & Roll

“SweetBeast creates tunes akin to an acid trip in the 70s — ideal for headbanging and perfect for getting lost in.” – Kelowna Now

“Making their first appearance on stage in Vancouver after making the trek from Kelowna, something I always appreciate. Shows the band believes they have something more people need to hear and are willing to live the road life to spread their sound. With this confidence comes a great live show, exactly what we got last night. Still grooving in the stoner/psych rock vein, SB leaned into the psychedelic direction a little more. Some great damn rock songs in here lead by a great singer armed with a voice that fit the vibe/sound so well. Fuzz heavy guitars shredding away and more than a few great little solos gave this set its flavor. Got some heavy 70’s era psychedelic vibes with all the wonderful squeals and squeaks coming from them. Just beautiful. Far and away though, the sexiest part of this offering were those drums. With the drummer exuding confidence in their ability, they gave us a great set full of wonderful licks and fills. Always in command on each song they were a blast to watch, full of fun grooves to dance to.” – Elder God Productions (Live Review – RED GATE 22/11/03 – Vancouver)

Video Endorsement from Dave Catching (Queens of the Stone Age / Eagles of Death Metal / Rancho De La Luna recording studio): Dave Catching Intro For SweetBeast at Tune It Down Turn It Up 2020

“They have beautiful harmonies and great melodies, I can’t wait to get them down here to make the album they deserve to make and unleash it upon the world..” – Dave Catching

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0 FROGG To Deliver A Sonic “Eclipse” of Bold, Modern Metal w/ Debut Album Coming March 2025

January 30, 2025
by Asher
· FROGG · Music News

Montreal, QC – January 30, 2025

FROGG To Deliver A Sonic “Eclipse” of Bold, Modern Metal w/ Debut Album Coming March 2025

L-R: Will Brown (Drums) | Sky Moon Clark (Vocals & Guitar) | Brett Fairchild (Guitar) | Ethan Emery (Bass)

Frogg, the technical metal sensation from New York, USA, announces they will unveil their debut album “Eclipse” in March 2025. A long time in waiting, this first full-length features ten tracks of heavy, raw, progressive, and avant-garde thinking metal.

Over the last two years, the band has been unraveling singles such as “Double Vision Roll”, “Dandelion”, and “Wake Up” with music videos, all of which will be showcased on the record that was co-produced by Frogg guitarist/vocalist Sky Moon Clark and Jamie King (Between the Buried and Me, The Contortionist, Scale the Summit).

The singles each exhibited different stylistic strengths, “Wake Up” being more progressive, “Dandelion” and “Double Vision Roll” more in the vein of something between death metal and prog metal. At the end of the day, Frogg is an amalgamation of the music the quartet enjoys, and that’s what the band is and why they sit in between a few key sub-genres.

“A sonic eclipse where every genre collides—progressive, technical, and just enough death to keep your neck sore for weeks.” adds the band’s newest addition bassist Ethan Emery (Survive The Sun & Absurd Condition).

“The people who are already faithful to FROGG will find as much of the stuff that they signed up for as surprises. We don’t operate in one genre all the time,” adds drummer Will Brown.

Lyrically, the record explores Mythology from various places along with tying tales and emotions together. Fans can expect seasonal singles from Frogg going forward as they already have plans for follow-up singles to come real soon after the album’s release.

FROGG’s main ambition is to hit the live circuit with a perfected performance and its brand-new line-up. With performance in mind, FROGG has been relentlessly rehearsing new original material and old, to deliver an authentic live experience.

Committed to technical excellence and progressive innovation, Frogg is recommended for fans of weird and wild, and fans who appreciate bands such as Protest The Hero, Between The Buried And Me, Zenith Passage, Unexpect, and Obscura.

“Eclipse” is due out on March 7, 2025, and is available for pre-order at https://froggofficial.bandcamp.com.

Spotify – https://spoti.fi/4heSdtu

Music Videos:

Double Vision Roll – https://youtu.be/BW1WP2vaxnQ

Dandelion – https://youtu.be/r90cV290Usk

Wake Up – https://youtu.be/RMhtVNE6WYw

Album Artwork – Artists: Yann Kempen & Bertrand LeFebvre

Track Listing:
1. Walpurgisnacht (4:44)
2. Life Zero (4:30)
3. Dandelion (3:50)
4. Eclipse I: Blind Bakunawa (4:20)
5. Eclipse II: Sickened By Silence (4:48)
6. Interspecific Hybrid Species (4:19)
7. Wake Up (6:22)
8. Sun Stealer (4:41)
9. Double Vision Roll (3:29)
10. Omni Trigger (4:07)

Album Recording Credits:
• All songs performed by: FROGG
• All songs written by: FROGG
• Produced by: Jamie King & Sky Moon Clark
• Mixed by: Jamie King
• Mastered by: Jamie King
• Album Artwork by: Yann Kempen & Bertrand LeFebvre

Album Band Line Up:
Sky Moon Clark – Vocals, Guitars
Will Brown – Drums, Percussion, World Instruments
Brett Fairchild – Guitars on tracks 1, 5, 6,10
Nick Thorpe – Bass on tracks 1,4,5,7,8,10
David White – Bass on track 2
Brad Williamson – Bass on track 6
Jack Lynch – Bass on track 3
Emma Rae – Clean vocals & keys

Live Band Line Up:
Sky Moon Clark – Vocals, Guitars
Brett Fairchild – Backup Vocals, Guitars
Ethan Emery – Bass
Will Brown – Drums

For more info: https://linktr.ee/froggband

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“Weirdo avant-garde metal band Frogg have jut shared a video for “Double Vision Roll,” and, boy, is it quirky. If you’re not yet familiar with Frogg, they are all about delivering a weird and wonderful live experience They experiment with different world instruments and songwriting ideas, pushing the boundaries of what’s possible in heavy music, and you can see a little bit of that on display here. The song was produced by Frogg guitarist/vocalist Sky Moon Clark and Jamie King (Between the Buried and Me, The Contortionist, Scale the Summit). Frogg are recommended for fans of weird and wild, as well as those who appreciate a little technicality in their music.” – Decibel Magazine

“Frogg cover seemingly contradictory bases of portentous tech-death, galloping melodic thrash and hopeful, opne chord djent. It’s smart musical alignment with their theme of something new rising from the ashes of the old.” – Metal Hammer (2020 – A Reptilian Dystopia – EP)

“FROGG is a dangerous force of Technical Metal making themselves known!” – The Circle Pit

“Technical Death rising star” – GhostCult Mag

“The music is impressively performed and written. Crazy technical menageries of Adderall-fueled obsession meshed with emotive melody just spilling out everywhere. It’s a great time, and definitely worth checking out. Definitely a band to be watching in the future.” – No Clean Singing

“The guitar work is beyond phenomenal, and the vocals are just as catchy. They aren’t 100% death metal but are really a blend of modern tech metal and death metal. I’m extremely excited to see if the band is cooking up any live shows to promote the release and am definitely keeping my eyes on this project from here on out. If you want that Decapitated/Arsis/Obscura blend of groove and technicality Frogg is meant for you.” – Technical Music Review (2020 – A Reptilian Dystopia – EP)

“This is an incredible EP, guys. Every one of these songs has made it into heavy rotation, and I am honestly so excited to hear more in the future.” – Metal Trenches (2020 – A Reptilian Dystopia – EP)

“The quality on show here is amazing for a first release and has left us salivating at the prospect of their debut album [9/10]” – Metal Noise (2020 – A Reptilian Dystopia – EP)

“Bursting into life with a colossus bang, it’s a technical monstrosity that greets listeners with Ancient Storm. It’s wild, it’s nasty but it’s built on a foundation of sharp riffs and ferocious groove.” – Games, Brrraaains & A Head-Banging Life (2020 – A Reptilian Dystopia – EP)

“A Reptilian Dystopia” shines with technical sophistication” – Artnoir (2020 – A Reptilian Dystopia – EP)

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0 TUMBLEWEED DEALER Creates A Groovy Soundtrack For Alan Moore’s Retelling of Swamp Thing’s Origin w/ “Ghosts Dressed In The Weeds” Off New Album “Dark Green” Out Feb 2025

January 21, 2025
by Asher
· Music News · Tumbleweed Dealer

NEWS RELEASE

Montreal, QC – January 21, 2025

TUMBLEWEED DEALER Creates A Groovy Soundtrack For Alan Moore’s Retelling of Swamp Thing’s Origin w/ “Ghosts Dressed In The Weeds”

New Album “Dark Green” Out February 2025

L-R – Seb Painchaud – Bass & Guitars, Jean-Baptiste Joubaud – Synths & Programming, Angelo Fata – Drums & Percussions

Photo Credit – PAULINE DELABORDE PHOTOGRAPHIE

Set to release their fourth studio album “Dark Green” this February 2025, Montreal, Canada’s instrumental progressive psychedelic groove metal triad Tumbleweed Dealer is sharing their second single “Ghosts Dressed In The Weeds”.

Unlike all other tracks on the record, “Ghosts Dressed In The Weeds” is the band’s first foray into music with vocals as they paired up with Ceschi Ramos, whose versatility matches the group’s genre-bending sound.

Composed specifically for Tumbleweed Dealer to collaborate with Ceschi Ramos. The band first gave it a more repetitive pattern so Ramos could do a 16-bar rap. The trio then wrote the melodies with his voice in mind, and they crafted parts to serve as choruses. Ramos listened to the song over and over again as he wrote down his words. It became a symbiotic experience, which made the writing even more special as it stands alone as the only vocal track among an otherwise instrumental album.

Seb Painchaud explains the track further:

“The lyrics for Ghosts Dressed In Weeds were mostly written by Ceschi Ramos. I wrote the hooks first and let him in on my inspiration for this album: Alan Moore’s re-imagining of Swamp Thing’s origin story. The emphasis is on the moment where Swamp Thing gets dissected and has his worst enemy laugh while he explains to him that he is not a man turned into a plant, but rather a plant that absorbed a dead man’s memories through osmosis. That exact moment is the inspiration for the album. I didn’t want Ceschi to write specifically ABOUT the graphic novel though. It was enough for him to capture the essence of having your whole world turned upside down, your whole self-perception changed. When Swampy receives the news, he freaks out, breaks free, runs away, and lies down in a swamp without moving for over a month. We’ve all had moments where we just wanted to lay down in a marsh and die. We have felt like we didn’t know how to make sense of a revelation that shatters our self-image. My exact words to Ceschi were that he needed to capture that “How do I go on from here?” moment we have all had. And I think he did that perfectly.”

Watch and listen to the lyric video for “Ghosts Dressed In The Weeds” via its premiere on New Noise Magazine HERE.

The new album “Dark Green” is Tumbleweed Dealer‘s effort to capture two essential parts in Alan Moore’s retelling of Swamp Thing’s origin. Firstly, the main character’s struggle and loss of identity. Secondly, they wanted to capture the antagonist’s transformation into nature’s anger towards men.

Each song is meant to feel like a complete journey where listeners are transported to a world where blues, psychedelia, and progressive rock intertwine. It’s been a long-awaited record and marks a bold new chapter for them since 2016’s “TDIII – Tokes, Hatred & Caffeine”. It’s a culmination of their growth as musicians and their desire to create something truly unique. Other notable guests on the album are Zach Strouse’s (Rivers Of Nihil, Burial In The Sky) guest saxophone solo and Antoine Baril’s (Augury, Obliveon) vintage keys for the album’s title track.

“I think the evolution between our third album, and this new one, will surprise some people. We didn’t write a follow-up to our last record. Instead, we incubated the band’s sound and sped up its evolution. If we kept on pace to release an album every year like we did at first, this would’ve been the 10^th one. But we had kids, and that slowed down the process—so this is an evolutionary leap forward that might be jarring. I think that anyone who enjoyed our previous releases will still find what they liked in our sound while enjoying the new variety we’ve brought to it.” says Painchaud.

Due out on February 7, 2025, “Dark Green” is recommended for fans of Elder, Ohm, Camel, Opeth, and Cynic, and is available for album pre-order at https://tumbleweeddealer420.bandcamp.com/album/dark-green

First Single / Title Track – Dark Green – https://youtu.be/L73im_7hOWs

Album Band Line Up:
Seb Painchaud – Bass & Guitars
Angelo Fata – Drums & Percussions
Jean-Baptiste Joubaud – Synths & Programming

More info: Facebook.com/TumbleweedDealer | X.com/westernhorror | Instagram.com/tumbleweeddealer

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“The epic song (Dark Green) is a good indication of what the rest of the record holds, which is plenty of blues, psychedelia, and prog rock.” – Decibel Magazine

“Tumbleweed Dealer’s “Dark Green,” the title track from their upcoming album out on February 7th, is a lesson in blending diverse musical influences into a singular, gripping piece. Clocking in at just under five minutes, the song showcases the band’s evolution and fearless creativity by weaving elements of blues, psychedelia, and progressive rock into a dynamic and unpredictable journey. The track builds a narrative through its seamless shifts in tone and texture. From introspective melodies to bursts of raw energy, the track balances complexity with accessibility. Antoine Baril’s vintage keys anchor the composition, giving it a retro flair, while Zach Strouse’s saxophone solo adds an unexpected but welcome layer of richness. Tumbleweed Dealer’s roots in extreme music shine subtly through black metal-inspired melodies and brief flashes of double bass drum that are a nod to their past without overshadowing their current direction. This contrast between intensity and finesse underscores the band’s skill in pushing genre boundaries. “Dark Green” not only introduces the thematic essence of the album but it also captures the spirit of exploration that has defined Tumbleweed Dealer’s evolution.” – Amplify The Noise

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0 SHORES OF NULL Announces Live Album “Beauty Over Europe” Out May 2025; Unveil “The Last Flower” Live Video From Aschaffenburg 2023

January 10, 2025
by Asher
· Music News · Shores of Null (Spikerot Records)

NEWS RELEASE

Montreal, QC – January 10, 2025

SHORES OF NULL Announces Live Album “Beauty Over Europe” Out May 2025; Unveil “The Last Flower” Live Video From Aschaffenburg 2023

Italian melancholic dark metal SHORES OF NULL announces they will be unraveling a live album for May 2025. Enitled “Beauty Over Europe” the live record features 10 tracks that were recorded during their monumental 2023 European tour with Swallow The Sun, Draconian, and Avatarium. Throughout that tour, Shores of Null performed 35 shows across 18 countries, including Norway, Denmark, Germany, the UK, Ireland, France, Italy, Switzerland, Netherlands, and Hungary, bringing their critically acclaimed album “The Loss Of Beauty” to the stage.

The live recordings, captured in the cities of Leipzig, Munich, Aschaffenburg, Budapest, and Belfast, preserve the raw and emotive energy of their performances. Each track reflects the band’s ability to blend melancholic melodies with crushing heaviness, offering fans a visceral live experience.

“Beauty Over Europe” is both a celebration of the tour and a gift to all fans of the band. Exactly two years after that unforgettable journey, this live album offers a chance to relive the emotional intensity and true essence of Shores Of Null’s live performances.

Guitarist Gabriele Giaccari comments:

“This tour was an incredible journey, the longest in our career, and a true milestone for Shores Of Null. As the promotional tour for The Loss Of Beauty, our latest and most acclaimed album to date, it was an honor to bring these songs to life across 35 shows in 18 countries. Sharing the stage with monumental bands like Swallow The Sun and Draconian—huge inspirations for our music—was unforgettable. Despite the melancholy of their sound, they’re some of the most fun and genuine people we’ve met, and by the end of this epic journey, we were proud to call them friends.

We owe special thanks to our incredible crew—Petri, Matti, Mikko, and Tero—who ensured everything ran seamlessly and made this experience unforgettable. To pay homage to this extraordinary chapter, we decided to produce a live album. Recorded during key moments of the tour, it captures the essence of these unforgettable performances and is dedicated to all the people who supported us live and shared these magical moments with us.”

Today, Shores of Null shares a live video clip from their tour stop in Aschaffenburg, Germany performing “The Last Flower” – https://youtu.be/w-Hq69KG2RM

Spotify – https://spoti.fi/3BU584W

Setlist:
1. Transitory (Live intro)
2. Destination Woe (Live in Leipzig)
3. Nothing Left To Burn (Live in Leipzig)
4. Quiescent (Live in Munich)
5. The Last Flower (Live in Aschaffenburg)
6. Black Drapes For Tomorrow (Live in Budapest)
7. A Nature in Disguise (Live in Munich)
8. Darkness Won’t Take Me (Live in Belfast)
9. My Darkest Years (Live in Aschaffenburg)
10. Blazing Sunlight (Live Outro)

Live Recording: Matti Kynsijärvi
Mixing and Mastering: Marco Mastrobuono at Bloom Recording Studios

Band:
Davide Straccione – Vocals
Gabriele Giaccari – Guitars, Backing Vocals
Raffaele Colace – Guitars, Backing Vocals
Lorenzo Carlini – Live Bass
Matteo Capozucca – Bass
Emiliano Cantiano – Drums

“The Loss of Beauty” is Shores Of Null’s fourth album and follows the acclaimed “Beyond The Shores (On Death And Dying)”, unanimously considered by fans and critics as one of the Doom Metal gems of recent years. The lyrics celebrate beauty in imperfection and transience and are meant to be an invitation to seek beauty in little things, especially those unexpected and ephemeral.

Stylistically, “The Loss of Beauty” continues along the sulcus set forth by “Quiescence” and “Black Drapes For Tomorrow”, its melancholic dark metal with a wide range of influences, from gothic metal to doom metal and melodic black/death metal, with frequent use of vocal harmonies and deep growls.

The album consists of 13 songs, while the LP version only contains 11, the two extra tracks are bonus tracks that can be found on the CD version as well as on the streaming platforms. Dark and heavy, tinged with feelings of despair and melancholy, “The Loss Of Beauty” was released on March 24th, 2023, and is recommended for fans of Swallow The Sun, Borknagar, and Paradise Lost.

Album Stream:

YouTube – https://youtu.be/vWOcwJYjhq8

Spotify – https://spoti.fi/3ZckbMW

Album order (Digital, CD, Vinyl) – https://linktr.ee/thelossofbeauty

For more info: Spikerot.com | Shoresofnull.com

About:

Shores of Null stand out from their contemporaries with their ability to blend seemingly disparate elements into their sound, overwhelmingly heavy and soothing at the same time: blackened aggression stands alongside gothic-doom sections without either sounding out of place. Their music can be both melancholic yet majestic, made of chorale-like guitar textures across the instrument’s entire range, sustained by a powerful rhythmic section and punctuated by a refined mixture of clean and growled vocals, along with extensive use of pleasing vocal harmonies which have become the band’s trademark through the years.

The Rome-based metal band has been an unwavering presence within the metal underground since their musical outset in 2013, churning out a series of impressive records: the melodic and somber “Quiescence” (Candlelight, 2014), the darker and more complex “Black Drapes For Tomorrow” (Candlelight/Spinefarm, 2017), and the ambitious “Beyond The Shores (On Death And Dying)” (Spikerot Records, 2020), a 38-minute long doom manifesto that sees guest appearances of the doom-titans Mikko Kotamäki (Swallow The Sun) and Thomas A.G. Jensen (Saturnus), along with the angelic voice of Elisabetta Marchetti (Inno).

Shores Of Null’s fourth album, “The Loss Of Beauty”, released in March 2023, was hailed as one of the best albums of the year within the genre. The band supported the release with an extensive EU/UK tour alongside Swallow The Sun, Draconian, and Avatarium, followed by standout performances at major festivals like Hellfest, Rock Imperium, and 70000 Tons Of Metal among others, further solidifying their status as one of the rising forces in the metal scene.

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Metal Hammer writers’ top metal albums of 2023 – Edwin McFee – #20 – Shores of Null – The Loss of Beauty

“With The Loss Of Beauty, SHORES OF NULL have produced their second world class record in a row.” – Distorted Sound Mag (9/10)

“The deep, dark, poetic brilliance behind The Loss Of Beauty is undeniable, and Shores Of Null’s doomy melancholic style is especially ideal for those considering themselves fans of Swallow The Sun, Draconian and Saturnus.” – Metal Storm (8,5/10)

“The Loss of Beauty is a morose and often magnificent listen.” – Metal Hammer UK (8/10)

“The Loss of Beauty is an engaging, exquisite, and moving slice of melodic doom that further cements Shores of Null’s esteemed position in the scene.” – Dead Rhetoric (9/10)

“The Loss of Beauty is an incredibly strong and versatile album, on which themes known from genres such as post black metal or post punk are presented in a diverse and varied manner.” – BetreutesProggen (13/15)

“Once again, Shores of Null continue to impress with yet another slab of high-quality doom/death that seems the quintet on an upwards trajectory.” – Angry Metal Guy (4/5)

“With lyrics like “my loneliness will guide me” and “isolation will set us free,” classic doom drumming, and impressive vocals, Shores of Null announce their intent to deliver the best doom album of 2023.” – Noizze UK (9/10)

“Un grato disco de casi una hora de música, donde la melancolía no es predominante, sino lo melódico, y eso es cae a la perfección.” – Metallerium (9.2/10)

“A savourer, en s’aimant. A savourer, l’esprit ouvert aux beautés que l’on croit – ou que l’on relègue au rang d’- insignifiantes et qui sont le sel du monde qui nous entoure. A savourer, tout simplement..” – Soil Chronicles (9/10)

“Shores of Null haben für mich mit The Loss of Beauty einen heißen Anwärter auf mein Album des Jahres veröffentlicht, das ich jedem Fan von melancholischem Metal mit Doom, Gothic, Melodic Death und Black Metal Einflüssen nur wärmstens empfehlen kann! Von mir gibts für dieses Meisterwerk die Höchstnote!.” – Sound Magnet (10/10)

“If “Beyond the Shores (On Death and Dying)” granted them the status of Masters of the Genre, with “The Loss of Beauty” we cannot help but acknowledge their unquestionable talent for creating stunning beauty that goes under your skin, both with music and words.” – Tuonela Magazine

“It is an album with many faces, a true chameleon, that shows the best of heavy, doom, dark, gothic, death, and a pinch of black metal. The musicians of this band are playing at the very highest level and it is unprecedented what this band is capable of.” – Zware Metalen (94/100)

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0 Prog Guitarist Marko Bojkovic Shares An Empowering Message “From Within” Off New Album “Powercore” Out Jan 2025

January 9, 2025
by Asher
· Marko Bojkovic · Music News

NEWS RELEASE

Montreal, QC – January 9, 2025

Prog Guitarist Marko Bojkovic Shares An Empowering Message “From Within”

New Album “Powercore” Out Jan 2025

Set to unleash his latest and eighth studio album “Powercore” toward the end of January 2025, prog guitarist Marko Bojkovic has one more treat for fans with the last single to reveal before the full-length officially drops from Forerunner Recordings.

Entitled “From Within” featuring guest vocals from Gabe Vermund, the track is an empowering composition of progressive, power, and metalcore. Bojkovic states:

“We all have a power within us, and we already have that power! We didn’t get it from training or experience; we just have it! All you have to do to realize you have it is to believe in yourself! This song also has the best guitar solo that I’ve written by far because it’s the perfect showcase for my current style!”

Listen to the single at the following links:

Youtube – https://youtu.be/xPVxzN5K9Lg

Digital – https://distrokid.com/hyperfollow/markobojkovic/from-within-feat-gabe-vermund

Previous Singles “What We Accomplished” ft. Chris Thomas and “Find Your Flame” ft. Johnny Ray (The Mourning), Gabe Vermund, and Chris Thomas (a cover of the song from the video game Sonic Frontier can be heard at the following links:

“Find Your Flame” – https://youtu.be/7ASxCQiOaMU

“What We Accomplished” – https://youtu.be/PGJLE2tzeaE

Spotify

Inspired by his youthful years of playing Sonic Adventure on his Sega Dreamcast and being wondered but its luring soundtrack, Marko Bojkovic over the years has been exploring instrumental guitar sounds, and will be presenting his eighth studio album “Powercore” on January 24th, 2025 on Forerunner Recordings.

Packing the most punch with perfectly combined progressive metal, power metal, metalcore, and djent along with influences from jazz fusion to classical music, Bojkovic‘s new album “Powercore” (named after his own dubbed genre of metal called Progressive PowerCore) is meant to send positive messages such as being able to accomplish anything you set your mind to and believing in yourself. Musically, the album’s guitar solos are among the best he’s ever written. As a small content creator on YouTube and Patreon, Bojkovic has become known on the internet for his economy-picking prowess, which he showcases to excellent use on the songs featured in this full-length. In addition to the guitar work, Bojkovic played all the bass lines on “Powercore” along with recruiting guest vocals from Chris Thomas (growling vocals, clean vocals) and Gabe Vermund (clean vocals).

“This album is me finally channeling my personality in my music! Its predecessor ‘Venom’ represented how I felt at a certain point in my life, and those familiar with that record may be caught a bit off guard given the drastic change in my style, but PowerCore represents how I feel in general! It is meant to be accessible to metal fans and non-metal fans alike. This album is a reflection of how I stay positive in difficult situations, but also has moments of self-reflection, or as Eckhart Tolle calls it “presence.” A lot of metal songs seem to be about sadness and negativity, and while those songs are very cool and heartfelt, metal songs can be positive and inspire the listener to go out and achieve a set goal!” adds Bojkovic.

Recommended for fans of Trivium, Avenged Sevenfold, Periphery, Dream Theater, and Firewind, Marko Bojkovic‘s new album “Powercore” is available for pre-save at the following link – https://distrokid.com/hyperfollow/markobojkovic/powercore

Fans interested in Bojkovic’s Patreon Page to get exclusive content about his guitar playing and techniques, please subscribe at https://www.patreon.com/MarkoBojkovic

Track Listing:
1. Anesthesia (No Easy Way Out) – 3:58
2. From Within – 5:29
3. Sacrifice For Sanity – 3:50
4. What We Accomplished ft. Chris Thomas – 3:17
5. Find Your Flame ft. Johnny Ray (The Mourning) – 4:00
6. Thrown – 5:41
7. To Reminisce – 4:54
Album Length: 31:11

More info: Facebook.com/markobojkovicmusic | Instagram.com/markobojkovicshredsguitar

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“You can do stuff on lead guitar that no one else can do, such as your economy picking.” – Patrick Finster – Producer

“Venom is a very heavy album and I absolutely loved the guitar work. The self-titled track really showcased the heavy riffs and helped set the course for the rest of the album. ‘Maximum Carnage’ also had nice guitar work as well. Hard, heavy, and head bang worthy riffs…. In all I highly recommend this album for fans of bands like Trivium and Meshuggah. With Marko’s guitar work plus the vocals, it’s definitely worth a listen for anyone that enjoys heavy metal, with some screaming vocals.” – Music Crowns

Florida metal guitarist Marko Bojkovic has released his latest album, Venom. Musically, the album is a mixture of progressive metal, death metal, power metal, and thrash metal, with a hint of influence from anime and video game OSTs… Marko’s music is perfect for fans of Trivium, Meshuggah, Allegeaon, Obscura, Dream Theater, Firewind, Sabaton, Powerwolf, Iron Maiden, Kiko Loureiro/Angra, and Leprous.” – Punkerton Records

“I’ve had the pleasure of knowing Marko and mentoring his playing for over 2 years now and can easily see he’s one of the most capable, hardest working and fastest learning guitarists I’ve ever come across!” – Bradley Hall, guitar Youtuber

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0 Kelowna’s SWEETBEAST Unveils Sludgy Stoner Video “Illusion” ft. Space Queen Off Debut Album “Illusions” Out Feb 2025

January 9, 2025
by Asher
· Music News · SweetBeast

NEWS RELEASE

Montreal, QC – January 9, 2024

Kelowna’s SWEETBEAST Unveils Sludgy Stoner Video “Illusion” ft. Space Queen

Debut Album “Illusions” Out Feb 21st, 2025

L-R – Eric Gorzynski – Vocals/Guitar, Alex Graham – Backup Vocals/Bass, Colton Schofield – Drums, John Hermary – Vocals/Guitar

Hailing from Canada’s Okanagan Valley in Kelowna, BC, SweetBeast is gearing up to make its debut full-length “Illusions” heard by the masses this coming February 2025. Unshackling the first single “Dream Eater” this past November, they are offering the next glimpse into their pressurized sludgy psychedelic stoner rock with their new music video for “Illusion”, which features vocal harmonies done by the lovely ladies of Vancouver trio Space Queen.

The album’s closing track, “Illusion” captures the essence of awakening and self-discovery, with fuzzed-out guitars and emotional guitar solos that drive the message home. Space Queen‘s vocal harmonies elevate the song to new heights, creating a rich tapestry of sound that invites listeners to explore the depths of their realities. With its haunting lyrics and dynamic instrumentation, “Illusion” serves as both a rallying cry and a moment of introspection.

The band comments on the making of the song:

“We laid down this entire album, live off the floor, in just 2 days. Now of course there were a few overdubs that we plugged in during that weekend but by the end of the 2 days, all that was left was the mixing and mastering. We also added some special treats post-production that made the songs really pop, like vocal harmonies in the song “Illusion” done by our friends in Space Queen, and a few studio effects for added flavor. When we told the studio what we had planned to accomplish that weekend they thought we were crazy, and said it’s usually at least a week of studio time to get all those songs laid out. But we got it done and couldn’t be happier with the results.”

Watch and listen to “Illusion” ft. Space Queen via its premiere on DoomedAndStoned HERE.

Digital pre-save – https://distrokid.com/hyperfollow/sweetbeast/illusion-feat-space-queen-single

SweetBeast‘s first studio album “Illusions” is a sonic exploration of shifting realities, blending heavy, distorted riffs with introspective lyrics. It invites listeners to journey inward and outward, reflecting the complex relationship between mind, sound, and reality. The record leans heavily on low-tuned guitars, swirling effects, and a tight rhythm section that creates a dense, atmospheric sound. There’s a hypnotic groove throughout, with moments of psychedelic exploration, where riffs evolve into mind-bending progressions. The songs fluctuate between creative riffs and light, airy melodies that offer a contrast, pushing the boundaries of stoner rock.

First Single – “Dream Eater” – https://youtu.be/ErLKQGlu8Qk

Digital – https://distrokid.com/hyperfollow/sweetbeast/dream-eater

Track Listing:
1. 70/30 – 7:57
2. Thunder – 4:01
3. Dream Eater – 5:29
4. Midnight – 4:38
5. Plastic People – 6:41
6. Illusion ft. Space Queen – 11:26
Album Length – 40:12

More info: SweetBeast.ca | Facebook.com/SweetBeastFuzz | Instagram.com/sweetbeastfuzz | Tiktok.com/@sweetbeastfuzz

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“SweetBeast creates tunes akin to an acid trip in the 70s — ideal for headbanging and perfect for getting lost in.” – Kelowna Now

Video Endorsement from Dave Catching (Queens of the Stone Age / Eagles of Death Metal / Rancho De La Luna recording studio): Dave Catching Intro For SweetBeast at Tune It Down Turn It Up 2020

“They have beautiful harmonies and great melodies, I can’t wait to get them down here to make the album they deserve to make and unleash it upon the world..” – Dave Catching

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0 Exitus Stratagem Records – Hungary’s SIN OF GOD Unleashes Rotting Chaos With New Animated Video “No Return” From Fourth Studio Album “Blood Bound” Out February 2025

January 8, 2025
by Asher
· Music News · Sin of God (Exitus Stratagem Records0

NEWS RELEASE

Montreal, QC – January 8, 2024

Hungary’s SIN OF GOD Unleashes Rotting Chaos With New Animated Video “No Return”

Fourth Studio Album “Blood Bound” Out February 18th, 2025 via Extius Stratagem Records

L-R:: Balázs Botyánszki (drums) / Krisztián Páncél (bass) / Tamás Kis (guitar) / Tamás Schupkégel (vocals)

Photo credit: László Varga/VARESZ.Fotó

Exitus Stratagem Records announces their signing of Hungarian extreme metal masters SIN OF GOD for their fourth studio album “Blood Bound” out February 2025. Following their album “Aenigmata” released in 2016, “Blood Bound” has come a long way from its writing inception in 2019, and unfortunate setbacks with lineup changes and COVID to finally make its way to the studio in 2022/23 with the mixing and mastering done by the super-talented Sam Winslow in 2024.

With influences in thrash, ODM, and blackened and progressive death metal, Sin of God‘s next sacrificial offering will please both old and new-school death metal fans at the same time. This new full-length presents a collection of variations that exhibit brutality and softness. It is something fans have heard in the past from the band but it has never sounded like this.

“We all think fans will love it. It’s somewhat different from its predecessors. It’s more complex and based on modern death metal. We built Blood Bound musically on contrasts. There are amazingly fast parts (260 BPM,) but really slow parts as well.” adds guitarist Tamás Kis.

Exploring our present society, “Blood Bound” resonates with everything surrounding us, from the good and the bad to the beautiful and ugly, to life and death.

“We are in decline and we haven’t got much time before we hit the bottom. There is less and less beauty in our present world. We are rapidly marching towards the rotting chaos. People do nothing about it. They destroy but do not build. So let it be! As you look at our album artwork, it is metaphorically based on humanity’s current state in the light of human history. We wanted it to be realized in the style of Renaissance paintings therefore the contrast is extremely sharp between beauty and uglyness. Pure and evil. Perfect and deformed. There are also religious references, and Biblical characters, too.” says Kis.

“Blood Bound” is not a concept album, but it is united by the pain and rage that boils inside and felt over seven tracks that are simple and raw, yet ferocious and gentle. To give fans their first experience with the album, Sin of God is unveiling the first single “No Return” accompanied by an animated video. The song is about a person who cannot get rid of drugs and sacrifices everything is going to hell.

The band comments:

“No Return is our favorite song on Blood Bound. It is the essence of what we want to express musically and lyrically as well. The fall of our present society. That’s what it’s all about. Our vocalist Tamás Schupkégel wrote the lyrics. On first hearing it is about a drug addict descending into madness, falling into his very own hell which he created from the many pains he experienced and committed towards others during his life. We consume, we devour, we destroy. We create non-existent problems for ourselves while not dealing with the real ones. It’s so comfortable. Sticking our heads in the sand. Only our comfort is important. We are addicted to our ego. While the trees and waters disappear and only the sand remains. The emptiness. The loneliness. The pain. We build our hell. And there is no return!”

Watch and listen to the video from “No Return” via its premiere on Slam Worldwide at https://youtu.be/r9vmBJSdu_U

Digital Single pre-save – https://hypeddit.com/sinofgod/noreturn1

CD pre-order – https://www.exsrmusic.com/store/p/sin-of-god-blood-bound-lp-cd

Recommended for fans of Aborted, Bloodbath, Cattle Decapitation, Cryptopsy, and Psycroptic, Sin of God’s new album “Blood Bound” is due on February 18, 2025, and available for physical pre-order and digital pre-save at the following links:

https://hypeddit.com/sinofgod/bloodbound

Track Listing:
1. Blood Bound (3:52)
2. Black Waves (4:16)
3. No Return (4:58)
4. The Unbelief (4:49)
5. Diabolical Agitation (7:44)
6. Obulus (3:28)
7. Cerebral Malfunction (4:02)
Album Length: 33:09

Album Credits:
Album recorded at: Denevér Hangstúdió, Hungary
Mixed and mastered by Sam Winslow/Sam Winslow Music
Album artwork by Tamás Kis

Album Band Lineup:
Tamás Schupkégel – Vocals
Tamás Kis – Guitar
Michele Gawen Augello – Bass
Balázs Botyánszki – Drums

Live Band Lineup:
Tamás Schupkégel – Vocals
Tamás Kis – Guitar
Krisztián Páncél – Bass
Balázs Botyánszki – Drums

More info:

Exsrmusic.com | Facebook.com/ExSRecords | Instagram.com/exsrmusic

Sinofgod.com | Facebook.com/sinofgodhu | Instagram.com/sinofgodmetal

-30-

“The record is just killer, full of menacing death metal that doesn’t lean too hard into the old- or new-school sound; think a crossbreed of Book of Black Earth, Deicide, and Fleshgod Apocalypse sans opera, and you’ll have some idea of what these guys are like. Modern death metal fans will love the band’s technicality and production, while classic headbangers will dig their atmosphere and badass riffs. Definitely get into them.” – Metalsucks (Aenigmata – 2016)

“Aenigmata is the band’s latest release, a merciless, destructive Death Metal album in its finest form. Inspired by the occult writings of Alchemy and the dissection of the faith in mankind, the album delivers much darkened and more ferocious sounds than the previous releases. Having a close kinship with bands like Morbid Angel, Immolation, Nile, Behemoth, Krisiun, Dead Congregation and the likes in terms of sonority, the opus is a perfect blending of unilluminated Traditional Death Metal & remorseless Brutal/Technical Death Metal. The 09 tracked album is likely to be embraced by the fans of OSDM & Dark Themed Technical Death Metal.” – Extreminal (Aenigmata – 2016)

“The Hungarians from Sinf Of God play high-energy death metal, and when their riffs hit our eardrums, you get the impression that Attila himself is leading the wild hordes, leaving behind fields of destruction strewn with the corpses of enemies.” – KVLT (Aenigmata – 2016)

“There’s very little to complain about “Aenigmata”, it sounds damn good, both from a musical and production perspective. The songs are varied and technical and it took a few spins for the record to settle but that normally is a good thing as it grows for each spin… it’s a solid Death Metal record and with this, I should go easily to it when digging out Brutal music.” – Metal Kaoz – (Aenigmata – 2016)

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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