Tag: album

0 Feel The Destructive Onslaught of Pompeii’s End w/ ASHEN HORDE’s New Single “Void in the Ash” From Upcoming Album “The Harvest” Out May 2026

April 9, 2026
by Asher
· ASHEN HORDE · Music News

NEWS RELEASE

Montreal, QC – April 9, 2026

Feel The Destructive Onslaught of Pompeii’s End w/ ASHEN HORDE’s New Single “Void in the Ash” From Upcoming Album “The Harvest” Out May 2026

Photos by @still.squill (Trevor); Photo Dun Right (Karl); unknown (Robin)

Extreme metal shapeshifters Ashen Horde will release their highly anticipated fifth full‑length album, “The Harvest,” on May 1st, 2026. Following the unveiling of the first single and video, “Entropy and Ecstasy,” the band now returns with the album’s second single, “Voids in the Ash,” a haunting and dynamic track inspired by the final days of Pompeii.

“The Harvest” (mixed by Ricardo Borges and mastered by Tony Lindgren at Fascination Street Studios) marks a new era for Ashen Horde, one defined by expanded vocal range, sharpened contrasts, and a thematic focus on endings. While not a concept album, the record threads together stories of collapse, decay, and transformation, each approached from a different angle. It is also the band’s first full‑length to feature vocalist Karl Chamberlain (Autolatry, Skala, Alcyone), whose performance pushes the group into its most melodic and emotionally varied territory yet.

Originally founded as a solo project by guitarist and primary songwriter Trevor Portz, Ashen Horde has evolved into a full lineup featuring vocalist Karl Chamberlain and Australian-based drummer Robin Stone (The Amenta, Convulsing). Ashen Horde has long been known for its refusal to be confined to a single extreme‑metal subgenre. “The Harvest” continues that tradition, weaving together black metal, death metal, progressive elements, and even shades of 90s alternative.

The album’s first single, “Entropy and Ecstasy,” introduced listeners to this expanded palette. The track, described by Portz as “Voivod‑with‑blastbeats energy,” follows a couple who find exhilaration in the chaos of a collapsing world. The song also served as Chamberlain’s “audition,” with his chilling delivery of the line “how can we thrive if we expect to survive?” immediately cementing him as the band’s new voice.

The newly released second single, “Voids in the Ash,” shifts into darker, moodier territory. Musically, the track blends grunge‑inspired vocal harmonies with sudden bursts of black‑metal ferocity. Lyrically, Chamberlain tells the story of Pompeii from the perspective of both its doomed inhabitants and the gods who buried them.

“It was the last song I recorded vocals for, and it became one of the most special to me,” adds Chamberlain.

Watch and listen to the video for “Voids in the Ash” via its premiere on Decibel Magazine HERE.

While each song on “The Harvest” stands alone, all share a connection to the record’s overarching theme of endings. “Autumnal” is inspired by the Sensorio light installation in Paso Robles; the track explores Pagan harvest‑season rituals and builds from quiet ambience into full black‑metal intensity. “Entropy and Ecstasy” is a chaotic, melodic exploration of passion amid catastrophe, influenced by Voivod and early pandemic anxieties. “Backward Momentum” is a genre‑bending blend of Opeth‑style clean vocals, unconventional riffs, and 90s‑inspired rock breaks, paired with lyrics condemning society’s slide into superstition and conspiracy. “Remnant” is a tale of a hunter lost in a storm, taken in by a stranger, only for nature to claim them both. “A Place in the Rot” is inspired by Swamp Thing; the track meditates on mortality and the inevitability of returning to the soil. “The Apparition”, the heaviest track on the album, is told from the perspective of a ghost condemned to watch humanity’s cruelty without the power to intervene. The album closer and title track, “The Harvest,” imagines a hidden entity judging humanity’s self‑destruction, waiting to emerge and devour everything once hope is gone.

For over 10 years, Ashen Horde has crafted extreme metal that defies easy categorization. Rooted in black and death metal but unafraid to incorporate progressive, melodic, and alternative influences, the band appeals to fans of Opeth, Enslaved, Amorphis, Ihsahn, and other genre‑bending heavyweights.

Album pre-order (release date May 1, 2026) available on limited splatter vinyl and CD (along with t-shirt bundles) on Bandcamp, as well as everywhere digitally – https://ashenhorde.bandcamp.com/album/the-harvest

Music Video – Ecstasy and Entropy – https://www.youtube.com/watch?v=zud62AXzvsw

Tour Dates:
May 14 – Montclair, NJ – The Meatlocker
May 15 – Wallingford, CT – Cherry Street Station
May 16 – Brattleboro, VT – Midnight’s

Track Listing:
1. Autumnal (6:12)
2. Entropy and Ecstasy (5:47)
3. Backward Momentum (5:21)
4. Voids in the Ash (5:41)
5. Remnant (4:37)
6. A Place in the Rot (4:38)
7. Apparition (4:57)
8. The Harvest (5:46)
Album Length: 43:03

Credits:
Mixed by Ricardo Borges and mastered by Tony Lindgren at Fascination Street Studios
Artwork by Venus Kohana (venuskohana.com)

Lineup:
Trevor Portz: Guitar, Bass, Harmony Vocals
Karl Chamberlain: Vocals
Robin Stone: Drums

More Info:

https://www.facebook.com/AshenHorde/

https://www.instagram.com/ashenhorde

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“The harvest is coming! The new Ashen Horde album is a multi-faceted journey into every nook and cranny of extreme metal. “The Harvest” is challenging and quirky, but unlike a lot of other progressive/experimental releases, it never loses track of the key ingredient in music – good songwriting. All tracks are well-crafted and interesting in their own right, and the skillful instrumental performances are more like the icing on the cake and not the main focus. Highly recommended!” – Nik Sundin (Dark Tranquillity)

“The song (Entropy and Ectasy) captures this dichotomy of collapse and exhilaration — of entropy and ecstasy — through a fast-spinning (and head-spinning) kaleidoscope of sound. The moods of the music change along the way, but even the relatively slower and more desolate passages include inventive and intriguing nuances. Karl Chamberlain’s remarkably multi-faceted voice is a perfect match for the remarkably multi-faceted nature of the music. He expels brutal death metal gutturals and ripping black metal screams, but he also sends his singing voice in ravishing upward arcs that are spine-tingling to hear, and down into gloomy troughs. As for the surrounding music, it’s intricate and exhilarating, especially when the band are in full flight, discharging rapidly darting and maniacally swirling notes, incendiary bursts of tremolo’d delirium, or riffing that feverishly slashes with vicious, serrated edges. In less frantic phases, the music dismally groans and throbs, creating a pall of desolation, even when Chamberlain’s voice might be reaching for the clouds. The fretwork also includes angular progressions that generate moods of disorientation and fearfulness, and the song further includes an astonishing guitar solo that all by itself seems to capture the song’s thematic dichotomy of collapse and jubilation. Perhaps needless to say, Robin Stone’s drumming is as constantly changing as everything else, and surgically crafted to match all the other head-spinning, pulse-pounding, and heart-sinking twists in this shapeshifter of a song.” – No Clean Singing

“Antimony; 3/5 rating; “the sound Ashen Horde has developed over three albums is pretty much theirs alone. It’s a dense but accessible approach that rewards both casual listens and sustained attention.” – Angry Metal Guy (2023 – Antimony)

“Equal parts blackened madness, death metal riffing, and clean vocals, “The Neophyte” should get just about anyone stoked for Antimony.” – Metal Injection (2023 – Antimony)

“an amazing odyssey all around and the amount of remarkable coherency as well as the instrumentation work and musicianship is just top notch.” – Metal Purgatory (2023 – Antimony)

“Progression like what Ashen Horde has undergone over the years is what the best tales in the underground are made out of.” – Head-Banger Reviews (2023 – Antimony)

“Fallen Cathedrals; 4.0 rating; “I can’t recommend this enough for fans of black and death metals being combined in unique ways.” – Angry Metal Guy (2019 – Fallen Cathedrals)

—
ASHER MEDIA RELATIONS
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jon[@]ashermediarelations[.]com
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0 Gore House Prod. – Streaming Now! ONCHOCERCIASIS ESOPHAGOGASTRODUODENOSCOPY’s New Album “Fugue Gnawed from the Scabbed God Cerebrum”

April 2, 2026
by Asher
· Music News · Onchocerciasis Esophagogastroduodenoscopy (Gore House Productions)

NEWS RELEASE

Montreal, QC – April 2, 2026

Streaming Now! ONCHOCERCIASIS ESOPHAGOGASTRODUODENOSCOPY’s New Album “Fugue Gnawed from the Scabbed God Cerebrum”

L – R – The Popuko – Guitars, Drums, Bass, Backing Vocals, Alice Simard – Guitars, Drums, Jesse Agiomamitis – Vocals

Apocalyptic brutal slamming death metal entity Onchocerciasis Esophagogastroduodenoscopy (OxE) has partnered with Decibel Magazine for the exclusive stream premiere of their long‑awaited full‑length album, “Fugue Gnawed from the Scabbed God Cerebrum,” ahead of its official release on April 3, 2026, through Stillbirth Records / Gore House Productions.

The Decibel stream marks the first opportunity for fans to experience the album in its entirety, an eleven‑track descent into dissonant barbarity, cosmic violence, and experimental extremity. The LP represents OxE’s most ambitious and punishing work to date, expanding their sonic identity far beyond the foundations laid on their previous EP, “The Fallen Lament.”

Listen to the album in full on Decibel Magazine HERE.

OxE’s lineup spans three countries: Quebec City, Canada (Alice), Australia (Jesse), and Germany (Popu), yet their creative synergy is seamless. Originally a solo project by guitarist Alice Simard, OxE evolved into a collaborative force after Jesse joined in 2019. Popu, a longtime fan, later connected with Alice through their shared love of the obscure bullet‑hell game Touhou Project, completing the trio. Their influences range from Disentomb, Artificial Brain, and Deathspell Omega to video games (Dark Souls, NieR), anime (Berserk, Evangelion), and global folklore.

“Fugue Gnawed from the Scabbed God Cerebrum” is a meticulously crafted sonic nightmare. Musically, the album pushes OxE into their most experimental territory yet, layering warped synths, organic instrumentation, and alien sound design between the carnage of their signature riffs and gutturals.

“Start‑to‑finish, the album is dissonant, punishing, and disorienting. Many of the lyrical subjects are larger-than-life. The songs tell the story of a single entity, a godslayer, on a God‑of‑War‑esque rampage through the universe, all veiled in obscurity,” says vocalist Jesse Agiomamitis.

German multi‑instrumentalist The Popu adds:

“This is the most experimental OxE release to date. The synths and organic layers were destroyed and reshaped to give the soundscape an alien feel. I was heavily inspired by Nithing’s ‘Agonal Hymns and Dripping’s ‘Disintegration of Thought Patterns During A Synthetic Mind Traveling Bliss.’”

The album’s artwork, created by Mei Maro, reflects the band’s fascination with folklore, mythology, and surreal horror, an amalgamation of the influences that shaped the record’s writing.

From the chaotic opener “Conquering Divinity” to the melodic yet brutal closer “Forged in the Blackest Reaches of Blasphemy,” the album traverses a wide spectrum of textures and emotional weight. “Heaven’s Empty Halls” introduces dungeon‑synth‑esque atmospheres. “Entombed Within the Infinite Panopticon” delivers one of the album’s heaviest breakdowns. “Abyssikataplexika” showcases some of the most inhuman vocal performances OxE has ever recorded. “Apotheotic Apotemnophilia” explores melodic territory while maintaining crushing heaviness. Every track contributes to the overarching narrative of cosmic annihilation and psychological descent.

Recommended for fans of Deathspell Omega, Disentomb, Artificial Brain, First Fragment, Disgorge, and Ulcerate, OxE‘s “Fugue Gnawed from the Scabbed God Cerebrum” is their longest and most refined release yet: no filler, no restraint, and no compromise.

Album pre-order for CD, Cassette, and digitally from Stillbirth Records / Gore House Productions at https://orcd.co/scabbed-god-cerebrum

Track Listing:
1. Conquering Divinity – 3:17
2. The Fallen Lament, Paralytikus Ascends – 1:21
3. Severing What Makes Me Human – 2:41
4. Apotheotic Apotemnophilia – 3:03
5. Entombed Within the Infinite Panopticon – 2:23
6. Gutted & Corpsed – 3:05
7. Heaven’s Empty Halls – 5:13
8. Hurt Beyond Healing – 2:33
9. Abyssikataplexika – 2:35
10. Vile Verses Flogged into the Wings of Angels – 1:23
11. Forged in the Blackest Reaches of Blasphemy – 4:58
Album Length: 32:32

ROLES:
Jesse Agiomamitis: Vocals, Lyrics
Alice Simard: Composition, Guitars, Lead Guitars
The Popu: Additional Songwriting, Mixing and Mastering, Guitars, Bass, Orchestration and Sound Design, Additional lyrics, Additional Vocals

More info:

https://gorehouseproductions.com/

https://www.facebook.com/OnchoOfficial

https://www.instagram.com/onchocerciasis_official

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“First of all besides the insane moniker and album title, I don’t even know how to label this shit. If you know, you know… It sounds like an army of angry lawnmowers rolling over cliffs and boulders, LOL! Fuck it… four tacos out of five!” – Micha Kite – Metal Underground

“A complex and bizarre name reflects the complex and bizarre nature of this band. Mixing Slam, Brutal Death Metal, hints of prog metal and other influences makes for a heady brew of extreme music…. This eclectic approach never lets up for the whole of the album, with so many familiar yet alien sounds emerging, riffs that sound like they were written by a thrash band, or slow dirgey sections that come straight from doom metal’s playbook. Does this approach work? Incredibly, yes! The album stays fresh and interesting; there is always something you draw your attention to and keep you listening. Combine this with the band’s art and lyrical efforts and it makes for a crazy, heady mixture of the heavy and the ridiculous, but at least it’s never boring!” – The Razor’s Edge

“Because the band varies quite a lot within the framework and smuggles in unwholesome elements, ‘Fugue Gnawed from the Scabbed God Cerebrum’ remains captivating from start to finish. Every listen reveals new details, and the craftsmanship and tight compositions make this album a delightful cocktail of proggy avant-garde brutal tech death slam jazz. Or something like that. Surprising, unexpected, and constantly memorable: this is a top record of brutality.” – Musika

“Victims of brutal death metal will recognize the trauma inflicted by the song’s (Gutted and Corpsed) opening, a combination of furiously rattling snare-drums, sewer-gurgling riffage, and equally grotesque sewer-dwelling vocals, but even there the band also discharge shrill and weirdly squirming frequencies and shotgun blasts, as well as slamming hammer blows and bursts of viciously darting and insanely screaming fretwork. But the song shifts, opening a portal to an even more macabre cavalcade of screeching and bizarrely contorting tonalities (some of which are ejected from a contorting throat), accompanied by sudden and equally crazed percussive contortions and thudding bass-level throbs. Ghosts might be wailing and screaming, and there’s a guitar solo in the mix too, but it too has lost its mind. Near the end, when the drumming has become heavily medicated and slumbers, the music changes even more dramatically. Something like a flute enticingly whispers, and something like an oboe woozily wanders against a backdrop of gentling shimmering strings — a little caress to help you begin unscrambling your brain.” – No Clean Singing

“The speed of the drums, the ferocity of the vocals, the intensity of the guitars and how all of that blends together in the most diabolical way… Onchocerciasis Esophagogastroduodenoscopy are pushing boundaries here.. what they have created here is fascinating and admirable.. it is an unforgettable listen…” – Games Brrraaains and Head-Banging Life

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 ASHEN HORDE Announces New Album “The Harvest” Out May 2026; Unveil Music Video “Entropy and Ecstasy”

March 17, 2026
by Asher
· ASHEN HORDE · Music News

NEWS RELEASE

Montreal, QC – March 17, 2026

ASHEN HORDE Announces New Album “The Harvest” Out May 2026; Unveil Music Video “Entropy and Ecstasy”

Photos by @still.squill (Trevor); Photo Dun Right (Karl); unknown (Robin)

Los Angeles extreme‑metal shapeshifters Ashen Horde return on May 1st, 2026, with “The Harvest”, their fifth full‑length album and the first to feature new vocalist Karl Chamberlain (Putrefier, Alcyone, Necrotic Remains). Known for weaving black metal, death metal, prog, and 90s‑inspired grit into something unmistakably their own, Ashen Horde push their sound further than ever, embracing melody, chaos, and sharp contrasts across eight thematically linked tracks.

Alongside the album announcement, Ashen Horde have unveiled the first single, “Entropy and Ecstasy”, a whirlwind of jagged riffs, angular Voivod‑like progressions, and Chamberlain’s soaring, chilling vocal hooks. The accompanying video represents a major milestone for the band: despite recording the entire album remotely, this is the first time the members have appeared together on camera.

The first preview to the album, “Entropy and Ecstasy,” captures the album’s core idea: finding exhilaration in collapse. The song follows a couple who thrive on the chaos of a world falling apart, a concept Portz admits was likely sparked by the early COVID lockdowns.

Guitarist and primary songwriter Trevor Portz recalls being floored by Chamberlain’s audition:

“I sent him a demo of ‘Entropy and Ecstasy’ with unfinished lyrics, and he sent back his take. His vocals on the line ‘how can we thrive if we expect to survive?’ still give me chills.”

Listen and watch the music video for “The Harvest” via its premiere on NoCleanSinging HERE.

Add to your Spotify playlist – pre-save – https://show.co/z0ZVdF9

“The Harvest” marks a turning point for Ashen Horde. After a decade as a studio‑driven project, the band is preparing to play its first‑ever live shows in May, coinciding with the album’s release. It’s also the first full‑length to feature Chamberlain, whose dynamic range helped reshape the band’s sonic identity.

While Ashen Horde’s previous four albums were tightly constructed concept records, “The Harvest” takes a different approach. Each track stands alone, yet all orbit the idea of endings, personal, societal, historical, and cosmic.

“I didn’t have a single story this time, but the lyrics kept circling reactions to things ending. From societal collapse to ancient rituals to the last days of Pompeii, everything tied together naturally,” explains Portz.

Musically, the album is a showcase of the band’s eclectic influences. From the opening track, “Autumnal”, a slow-burning ascent into full black‑metal fury, inspired by the Sensorio light installation in Paso Robles. “Backward Momentum” blends Opeth‑style clean‑vocal layering with 90s‑rock riffing and one of Portz’s favorite solos on the album. “Voids in the Ash” pairs grunge‑inflected vocal harmonies with hyperspeed black‑metal bursts, telling the story of Pompeii from both mortal and divine perspectives. “The Apparition” channels early death metal before spiraling into odd‑meter prog weirdness. The title track, “The Harvest,” closes the album with an apocalyptic vision inspired by Iceland’s stark landscapes and the album’s striking cover art.

The album’s cover, featuring two red skeletons locked in an eerie, autumnal tableau, was created by artist Venus Kohana, whose work Portz discovered at an art show. The imagery’s blend of beauty, decay, and ritual perfectly mirrors the album’s themes.

“I bought a print and couldn’t stop staring at it. Eventually, I realized it had to be the cover. It even inspired the lyrics to the title track.”

For over a decade, Ashen Horde has carved out a unique place in extreme metal, refusing to be confined to any single subgenre. Rooted in black and death metal but unafraid to explore melodic prog, 90s alternative, and avant‑garde experimentation, the band appeals to fans of Opeth, Enslaved, Amorphis, Ihsahn, and metal’s more adventurous corners.

Originally founded as a solo project by guitarist and primary songwriter Trevor Portz, Ashen Horde has evolved into a full lineup featuring vocalist Karl Chamberlain and Australian-based drummer Robin Stone (The Amenta, Convulsing).

“The Harvest” represents the band’s most dynamic, collaborative, and ambitious work to date.

Tour Dates:
May 14 – Montclair, NJ – The Meatlocker
May 15 – Wallingford, CT – Cherry Street Station
May 16 – Brattleboro, VT – Midnight’s

Credits:
Mixed by Ricardo Borges and mastered by Tony Lindgren at Fascination Street Studios
Artwork by Venus Kohana (venuskohana.com)

Lineup:
Trevor Portz: Guitar, Bass, Harmony Vocals
Karl Chamberlain: Vocals
Robin Stone: Drums

More Info:

https://www.facebook.com/AshenHorde/

https://www.instagram.com/ashenhorde

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“Equal parts blackened madness, death metal riffing, and clean vocals, “The Neophyte” should get just about anyone stoked for Antimony.” – Metal Injection (2023 – Antimony)

“an amazing odyssey all around and the amount of remarkable coherency as well as the instrumentation work and musicianship is just top notch.” – Metal Purgatory (2023 – Antimony)

“Progression like what Ashen Horde has undergone over the years is what the best tales in the underground are made out of.” – Head-Banger Reviews (2023 – Antimony)

“Fallen Cathedrals; 4.0 rating; “I can’t recommend this enough for fans of black and death metals being combined in unique ways.” – Angry Metal Guy (2019 – Fallen Cathedrals)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 GRAVEMASS (ft. members of Zimmers Hole, 3 Inches of Blood, Revocation) Drops “This Is the Way” Video ft. Armstrong Metal Fest 2025 Footage + Debut Album Out March 2026

February 13, 2026
by Asher
· GraveMass · Music News

NEWS RELEASE

Montreal, QC – February 13, 2026

West Coast Death Metal Titans GRAVEMASS (ft. members of Zimmers Hole, 3 Inches of Blood, Revocation) Drops “This Is the Way” Video ft. Armstrong Metal Fest 2025 Footage

Debut Album “This Is The Way” Out March 6th, 2026 via End Game Records

Photo Credit – Derek Carr

L-R – Destroyer of Souls – Drums – Bowels of Hell – Bass – Murderer of Colonizers – Guitar – Mayan Hate – Guitar – Lorde Heathen – Vocals

West Coast death metal juggernaut Gravemass has officially announced the release of their highly anticipated debut album, “This Is the Way,” arriving March 6, 2026, via End Game Records. To mark the occasion, the band has unleashed the album’s crushing title track alongside a brand‑new music video featuring explosive live footage captured during their 2025 performance at Armstrong Metal Fest.

“This is the title track of our debut album!! THIS IS THE WAY!!!! Footage from our Armstrong Metal Fest 2025 performance! Hails to our Gravemass Family!!! \,,/\,,/” the band shared in their announcement.

Formed by long‑time veterans of the Vancouver metal scene, Gravemass is a supergroup built from decades of collective experience. Its members have performed in some of the most influential and notorious bands on the West Coast, including Zimmers Hole, Punch Drunk, 3 Inches of Blood, Revocation, Just Cause, West of Hell, Savannah, Process, Subversion, and The Golers.

The lineup includes Lord Heathen – Vocals (Zimmers Hole, Mechanism), Mayan Hate – Guitar (Savannah, Just Cause, Dialed), Murderer of Colonizers – Guitar (Process, Punch Drunk, Savannah), Bowels of Hell – Bass (Subversion, The Golers, Zucckuss), Destroyer of Souls – Drums (Zimmers Hole, 3 Inches of Blood, Revocation). Together, they channel a sound described by the band as “brutal, angry, fast, dark and evil.”

Gravemass’ formation, as guitarist Mayan Hate explains, was a natural extension of decades‑long friendships within the Vancouver metal scene. He wrote the foundation of the debut album over two months between other projects and shared it with vocalist Lorde Heathen, who immediately signed on. From there, the rest of the lineup, fellow West Coast metal veterans they had all known for years, fell into place. The writing process remained intentionally raw and instinctive: riffs first, lyrics second, and only the material that felt right survived. True to their no‑nonsense ethos, Mayan Hate believes fans of extreme music will embrace the new material, stating simply that “if you like brutal, you will dig it.”

Lyrically, Lorde Heathen draws from the chaos and decay of the modern world, channeling that bleakness into the band’s sinister sound. Musically, Gravemass pulls from the lineage of extreme metal’s greats, Slayer, Venom, Morbid Angel, Watain, and Napalm Death, while shaping their identity through decades immersed in death, black, and speed metal. With their second album already in early writing stages and set to be a more collaborative effort, the band emphasizes that their true power is unleashed onstage, where their live performance brings every element of Gravemass together in a full‑force assault meant for the masses.

Watch the newly released music video for “This Is the Way” as it captures that ferocity firsthand, showcasing the band’s commanding presence at Armstrong Metal Fest 2025.

Music Video – This Is The Way – https://www.youtube.com/watch?v=sR9gy-AD8-E

Add to your Spotify playlist – https://open.spotify.com/track/0JPFvvKR06w1ofDskaoeE4

Previous Singles:

Music Video – Fallen – https://www.youtube.com/watch?v=OQ4ws87xOJs

Music Video – Spitting Hell – https://www.youtube.com/watch?v=r477FZl1VFo

Music Video – Slaves to Pain – https://www.youtube.com/watch?v=9cW-Rk9koq0

Digital singles available at https://gravemass.bandcamp.com/

Track Listing:
1. Slaves To Pain – 2:38
2. This Is The Way – 3:45
3. Horned King – 2:54
4. Harvest of Souls – 2:53
5. Spitting Hell – 2:07
6. Black Bell – 2:50
7. Fallen – 3:27
8. Gravemass – 3:51
9. Abandon – 2:01
10. Poison Temple – 3:11
Album Length: 29:41

Album Band Line Up:
Lorde Heathen – Vocals
Mayan Hate – Guitar
Murderer of Colonizers – Guitar
Bowels of Hell – Bass
Destroyer of Souls – Drums

Album Recording Credits:
• All songs performed by: Gravemass
• All songs written by: Mayan Hate and Lorde Heathen
• Produced by: Tim Creviston
• Mixed by: Tim Creviston
• Mastered by: Tim Creviston
• Album Artwork by: Gravemass
• Member of SOCAN
• Canadian Content (MAPL)

More info:

https://endgamerecords.com/

http://www.gravemass.com/

https://www.facebook.com/people/Grave-Mass/61556695854887/

https://www.instagram.com/gravemass1/

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“Hold on to your hats, buds. Your eyes and ears are in for a blinding treat. Canada’s black/death metal band GraveMass just released the aural assault known as “Fallen.” The song and the video are delightfully overwhelming. ” – Metal Sucks

““Fallen” is a brutal, pummeling track with vocals that range from a guttural growl to a nasal screech, creating a blistering death metal assault. The black-and-white video with its flashing lights and quick cuts combines imagery of nature and religion in a way that perfectly complements the sonic onslaught of the video. It’s a breakneck track that leaves carnage in its wake, and you’ll want to check it out.” – New Noise Magazine

“With “Fallen,” GraveMass offers a glimpse into what promises to be a searing, unholy debut album. It’s a declaration of intent—and a brutal reminder that Canadian metal is as fierce and alive as ever.” – See Rock Live

“Gravemass Deliver Evil with Latest Single & Video, “Fallen”” – V13

—
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Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Rockshots Records – Italian Folk Metal AEXYLIUM Shares New Lyric Video “Eclissi” From Album “Myth of Mankind”

February 11, 2026
by Asher
· Aexylium (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – Feb 11, 2026

Italian Folk Metal AEXYLIUM Shares New Lyric Video “Eclissi” From Album “Myth of Mankind”

Rockshots Records is proud to announce the release of the new lyric video for “Eclissi”, taken from “Myth of Mankind“, the third full-length album by Italian folk metal act Aexylium.

“Eclissi” marks a defining moment in Aexylium’s artistic journey. Musically rooted in the band’s unmistakable fusion of modern metal intensity and traditional folk instrumentation, the track stands out as the first song in the band’s career written entirely in Italian, a deliberate and meaningful choice that reinforces its emotional impact and narrative depth. Layered choirs, wide melodic lines, and a carefully balanced orchestral framework make “Eclissi” one of the most evocative compositions on “Myth of Mankind,” while also enhancing its strong potential in a live setting where audience interaction becomes an integral part of the song’s identity.

Commenting on the track, the band explains that “Eclissi fits perfectly with the musical lines of the album and represents a new expressive space for us. Writing in Italian allowed the lyrics to flow more naturally, strengthening the emotional connection between words and music while the choirs make it especially powerful during live performances.”

The album was recorded, mixed, and mastered by Davide Tavecchia at Twilight Studio, ensuring a powerful yet detailed production that highlights both the band’s metallic core and its rich instrumental textures. The front cover was designed by Gustavo Sazes (Arch Enemy, Machine Head, Amaranthe).”Myth of Mankind” represents the most mature and personal chapter in Aexylium’s discography, addressing introspective and abstract themes while consciously stepping beyond genre stereotypes without losing sight of the band’s roots.

Formed in Italy in 2014, Aexylium have steadily built a strong reputation within the European folk metal scene, performing at major festivals such as Dong Open Air, Tanzt!, and Montelago Celtic Festival and sharing the stage with acts including Blind Guardian, Elvenking, Wind Rose, and TÝR. Following the releases of “Tales From This Land” (2018) and “The Fifth Season” (2021), the band returns with “Myth of Mankind“, an album that fully encapsulates their growth in terms of songwriting, production, and artistic vision.

The lyric video for “Eclissi” offers listeners and media partners a focused insight into one of the album’s most distinctive tracks, highlighting both its linguistic uniqueness and its role within the conceptual and musical framework of “Myth of Mankind“.

Watch and listen to “Eclissi” at https://www.youtube.com/watch?v=P1b0_21hujw

For fans of Eluveitie, Korpiklaani, Amorphis, Folkstone, Alestorm, and Mago de Oz, “Myth of Mankind” (released May 23, 2025) is available digitally and on CD at https://lnk.to/koGz58.

Track Listing:
1 – Fontes et Omnia
2 – The Queen
3 – Hexe
4 – Into Oblivion
5 – In Sorrow
6 – Myth of Mankind
7 – Eclissi
8 – Wild Hunt
9 – Surrender
10 – Northern Lights
11 – Eternity

BAND LINEUP
SAM BIGANZOLI – Vocals
ARIANNA BELLINASO – Vocals
FABIO BUZZAGO – Guitar
LUCA PERRONE – Guitar
GABRIELE CACOCCIOLA – Bass
ALBERTO MEZZANOTTE – Drums
FEDERICO BONOLDI – Violin
LEANDRO PESSINA – Flute
STEFANO COLOMBO – Keyboards

ALBUM CREDITS:
Main Music Composer: Fabio Buzzago
Lyrics: Fabio Buzzago, Gabriele Cacocciola, Samuele Biganzoli
Orchestrations: Fabio Buzzago, Stefano Colombo
Production: Davide Tavecchia, Buzzago Fabio, Stefano Colombo, Alberto Bernasconi
Recording, Mixing, Mastering: Davide Tavecchia (Twilight Studio)
Graphics: Gustavo Sazes

More info:
https://www.rockshots.eu

FOLLOW:
https://www.instagram.com/aexylium_official
https://www.facebook.com/aexylium

ABOUT:

Aexylium was formed in 2014 in Italy, merging the distinctive sound of traditional instruments with the modern intensity of metal.

The band has performed at many renowned European festivals, including Dong Open Air, Tanzt!, Mead & Greed, Montelago Celtic Festival, Malpaga Folk & Metal, Druidia, and more. During these events, Aexylium shared the stage with several notable bands such as Blind Guardian, Elvenking, Wind Rose, Týr, Vision Divine, Furor Gallico, Temperance, and others.

Their debut album, ‘Tales From This Land’ (2018), was released through Underground Symphony Records. It was recorded at Twilight Studio by Davide Tavecchia and mastered by Simone Mularoni (Elvenking, DGM, Secret Sphere, etc.).

In 2021, Aexylium signed a deal with Rockshots Records for their second album, ‘The Fifth Season’. The album was recorded at Twilight Studio with the artwork designed by Jan Yrlund of Darkgrove Design (Testament, Manowar, Korpiklaani). To date, the band has released six music videos as singles.

Compared to the last studio album, the band has welcomed Alberto Mezzanotte (drums), Luca Perrone (Guitar), and the frontman Sam Biganzoli into its lineup.

Aexylium’s partners include Solar Guitars, Footblaster, Liuteria Cocopelli, and Firebird Strumenti Musicali.

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0 Rockshots Records – Out Now! Thrash Metal From Reunion Island – LOMOR Unleashes New Album “Sabouk Rouge” + Drops Ferocious Music Video for Title Track

February 6, 2026
by Asher
· Lomor (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – February 6, 2026

Out Now! Thrash Metal From Reunion Island – LOMOR Unleashes New Album “Sabouk Rouge”

+ Drops Ferocious Music Video for Title Track

Photo Credit – Mikael Thullier

Reunion Island’s rising thrash metal force LOMOR proudly announces the official release of their second full‑length album, “Sabouk Rouge,” out today, as of February 6th, via Rockshots Records. To celebrate the album’s release, LOMOR has unveiled a fierce new music video for the title track. This visual assault channels the record’s themes of historical and modern oppression through the band’s trademark intensity, with its pounding rhythms and razor‑edged lyrics setting the tone for everything “Sabouk Rouge” delivers.

Watch and listen at https://www.youtube.com/watch?v=jSBEQJOr754

Following the momentum of their previous single “Tantine Lo Clou,” LOMOR continues to carve their identity as one of the most distinctive metal acts emerging from the Indian Ocean. Their sound, described by guitarist/vocalist Eric Castelnau (aka Babouk) as “creole thrash old‑school stuff,” blends classic 80s thrash aggression with the cultural grit and linguistic identity of Réunion Island.

LOMOR began as a deeply personal project for Eric, who formed the band in 2018 after the passing of his cousin and brother, both former bandmates in his earlier project, Black Babouk. The name Lomor itself means “The Deads” in Réunion Creole, a tribute to the people and memories that shaped his musical path.

Joined by drummer Gurvan Cambrai (aka Typhvs) (also of grind outfit Brvtal trve d’baal) and bassist Micha (member of a local Rage Against the Machine tribute band), the trio has forged a sound rooted in old‑school thrash but sharpened by modern production and raw island energy.

Produced by LOMOR, recorded and mixed by Sébastien Camhi at Art Music Studio in France, and mastered by Kai Stahlenberg at Kohlekeller Studio in Germany, “Sabouk Rouge” broadens the band’s sound while staying true to their raw, old‑school thrash roots. With more Creole lyrics woven in at fans’ request, the album strengthens its cultural identity as it shifts through a wide range of moods.

“The tracks are all different, each bringing its own atmosphere. It’s still trash, but with a variety of flavors,” says Eric.

That diversity fuels a record that moves from the title track’s sharp satire of Réunion’s slavery legacy to the grotesque obsession of “Meet Your Meat,” the ritualistic mysticism of “Sanctuary,” and the blistering critique of religion in “La Haine.” The tone lightens with the street‑racing humor of “La Pouss’,” then darkens again with “Panzram,” exploring the roots of a killer’s hatred. The album also revisits Eric’s past with a reimagined “Kit Ta Mère” before ending on “Nevroz,” a reversed, tongue‑in‑cheek remake born from a studio joke, a fitting close to an album defined by intensity, identity, and creative edge.

New album “Sabouk Rouge” is now available as of February 6th, 2026, at the following links:

DIGITAL – https://lnk.to/th31Lt

CD ORDER – https://rockshots.eu/SaboukRougeCD

Music Video – Tantine Lo Clou – https://www.youtube.com/watch?v=fx2FUx0G01c

Music Video – Panzram – https://www.youtube.com/watch?v=388LBe1K7x4

Track Listing:
1. Sabouk Rouge – 5:13
2. Tantine Lo Clou – 3:40
3. Meet Your Meat – 3:16
4. Sanctuary – 5:17
5. A Shiny Day For A Vampire – 5:14
6. La Haine – 5:06
7. La Pouss’ – 3:07
8. Panzram – 4:29
9. The Ugly, The Bad & The Bastard – 3:02
10. Kit’ Ta Mère – 4:24
11. Nevroz (feat. S. Camhi) – 2:34
Album Length: 45:22

Lomor Line Up:
– Eric Castelnau (aka Babouk) – Vocals & Guitars
– Gurvan Cambrai (aka Typhvs) – Drums
– Mathieu Michalina (aka Micha) – Bass Guitar

More info:

https://rockshots.eu/

https://www.instagram.com/lomor.music

https://www.facebook.com/lomormusic

About: Lomor is a power trio from Reunion Island (France) delivering an explosive blend of old-school thrash, punk, and core metal. Drawing inspiration from Slayer, Testament, and Kreator, the band channels the raw spirit of 80s thrash through modern production and unrelenting stage energy.

Formed in 2018 by Eric Castelnau (vocals, guitars), joined by Gurvan Cambrai (drums) and Mathieu “Micha” Michalina (bass), Lomor quickly became one of the loudest voices in the island’s metal scene. Their first single, “Kanyar L’Enfer” (2021), set the tone for their uncompromising sound, followed by their debut full-length “Perseverance of Sickness” (2022), recorded by Sébastien Camhi (Art Music Studio, France). The album was praised by international outlets like Rock Hard France and Legacy.de for its sharp riffing and fierce authenticity.

In 2023, Lomor hit mainland France for their Kanyar Tour, performing seven shows and sharing stages with Akiavel and Mass Hysteria. They also released the live record “Live on Dock“, capturing the raw, chaotic energy that defines their performances.

Now, with their second studio album “Sabouk Rouge” (out February 2026 via Rockshots Records), Lomor dive deeper into the social and historical themes that shaped their identity — from the brutality of slavery on their island to the universal struggle against human madness and oppression. Recorded again with Sébastien Camhi and mastered by Kai Stahlenberg at Kohlekeller Studio (Germany), the album reaffirms Lomor’s old-school ethos while delivering a powerful, modern punch.

Fueled by adrenaline, rebellion, and Creole pride, Lomor stands as a unique voice in today’s global metal scene — pure thrash from Reunion Island.

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0 SIEGE PERILOUS Unveils First Single “As the Dragon Falls” ft. Fabio Lione From the Concept Album “Becoming the Dragon” Out March 2026

January 16, 2026
by Asher
· Music News · Siege Perilous

NEWS RELEASE

Montreal, QC – January 16, 2026

SIEGE PERILOUS Unveils First Single “As the Dragon Falls” ft. Fabio Lione From the Concept Album “Becoming the Dragon” Out March 2026

A narrative-driven punch of epic fantasy power metal featuring incredible guests like Fabio Lione and Kristin Starkey!

Left to Right: Mark Girard (Drums) | Eric Fischer (Bass) | Shaughnessy McDaniel (Vocals) | Ryan Flanagan (Guitar) | Scott Hancock (Guitar)

Photographer Credit – Gii Astorga

Colorado power metal storytellers Siege Perilous ignite the next chapter of their musical saga with the release of their first single and music video, “As the Dragon Falls”, featuring legendary vocalist Fabio Lione (Rhapsody, Angra). The track serves as the first glimpse into the band’s sweeping debut concept album, “Becoming the Dragon,” out March 27, 2026.

Forged from the camaraderie of live‑action roleplay and a shared love of epic storytelling, Siege Perilous has built a reputation for crafting cinematic, narrative‑driven metal that blends myth, history, and high‑fantasy adventure. Their upcoming full‑length album marks the culmination of years of collaborative writing, world‑building, and musical evolution.

“As the Dragon Falls” is more than a single; it’s a milestone for the band, especially for vocalist Shaughnessy McDaniel, who has been a devoted Rhapsody fan since his teens.

“As the Dragon Falls represents a true heavy metal dream come true for all of us, but especially for Shaughnessy. Working with Fabio far exceeded anything we could have hoped for. His classic soaring vocals combined with Shaughnessy’s lower register create a really unique and cool power metal sound,” adds the band.

The song’s narrative twist, where slaying the dragon becomes a metaphor for the double‑edged nature of achieving one’s goals, adds a bittersweet emotional core to the track. Lione himself was drawn to the story and, according to the band, “really gave it his all.”

Musically, the single fuses Siege Perilous’ signature melodic power with the symphonic grandeur of classic Rhapsody, delivering a heroic anthem that darkens into something far more ominous by its final moments.

Watch and listen to the music video for “As the Dragon Falls” featuring Fabio Lione via its premiere on MetalAddicts HERE.

Add to your Spotify Playlist – pre-save – https://distrokid.com/hyperfollow/siegeperilous/as-the-dragon-falls-feat-fabio-lione

“Becoming the Dragon” is a ten‑part epic chronicling the rise, fall, and metamorphosis of the “Child of Prophecy,” a hero who must confront fate, tragedy, and ultimately his own transformation into the titular dragon. The album features guest performances from both Fabio Lione and powerhouse vocalist Kristin Starkey (Twilight Force, Temperance), who also serves as McDaniel’s vocal mentor.

“Creating a massive, sweeping power metal epic has been a dream since before we even formed this band. This album represents our collective experience, skill, hopes, and dreams as musicians,” says the band.

The record showcases the band’s evolution since their earlier EPs, with more complex arrangements, expanded vocal range, and orchestration that heightens the album’s cinematic scope. Each track stands alone as a powerful metal anthem, yet together they form a cohesive narrative journey.

Their writing process is uniquely collaborative; every member contributes to the story and the music, resulting in songs that carry the DNA of the entire band. This approach, while unconventional, has become one of their greatest strengths.

Recommended for fans of Wind Rose, Hammerfall, Sabaton, Blind Guardian, and Iron Maiden, “Becoming the Dragon” is due out on March 27, 2026 and available for pre-order / pre-save at the following link:

https://siegemetal.bandcamp.com/album/becoming-the-dragon

Track Listing:
1. Overture (Instrumental) – (2:37)
2. Ancient Rite – (4:37)
3. As the Dragon Falls (feat. Fabio Lione) – (4:33)
4. Child of Prophecy – (4:05)
5. Shattered Mirage – (4:07)
6. Chieftain – (4:03)
7. Cut Down – (3:01)
8. Echoes of Home (feat. Kristin Starkey) – (4:48)
9. Becoming the Dragon – (5:09)
10. Eschaton – (7:50)
Album Length: 44:54

More info: Siegemetal.com | Facebook.com/siegeband | Instagram.com/siegeperilousmetal | Tiktok.com/@siegemetal

About:

Siege Perilous is a Colorado‑based power metal band specializing in epic, cinematic storytelling through music. Formed by Shaughnessy McDaniel (vocals), Scott Hancock (guitar), and Mark Girard (drums)—later joined by Eric Fischer (bass) and Ryan Flanagan (guitar/arrangements), the band draws from fantasy, history, and myth to craft immersive metal narratives. Their debut album, Becoming the Dragon, arrives March 27, 2026.

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“It gives me great pleasure to tell you that Creation’s Call is a blast. Siege Perilous has succeeded in creating what I would call Epic Power Metal for the Working Man. They don’t waste your time with overlong symphonic interludes between tracks, melodramatic narration, or overproduction that tests the limits of your sanity. The band gets right to the point and pulls you into their epic tales of heroic daring immediately. This is a nice breath of fresh air and if this EP is anything to go by, Siege Perilous has a great future ahead of them. Yes, this could be considered power metal but the no-nonsense approach and urgency to the songwriting makes this release absolutely worth checking out for those of us in the NWOTHM scene. Plus, it’s really just a lot of fun. This one is highly recommended. THENWOTHM SCORE: 9/10” – The NWOTHM

“‘Creation’s Call’ never gets boring, even on Heavy Rotation. Five gifted musicians have succeeded in creating a varied EP. The twin guitar solos are convincing the whole time. It’s just a shame that it ends after twenty-one minutes. It makes you wish for a full-length album. And, of course, a thrilling live performance. 9.3/10” – Metalheads Forever Magazine

“solid power metal style that should satiate any LARP-attendees or Dungeons and Dragons mavens. Keep an eye on this quintet – wield thy sword as they lead the battle charge for more quality power metal from the states. 8/10” – Dead Rhetoric

“There are any number of quality bands like Siege Perilous active right now but the style is popular (and I love it) and these guys are as decent as the next similar act. They lean more the Metal side of the equation using the folk and orchestral moments as flavour, not the main style. CREATION’S CALL is a fine effort and I could easily see them on tour with Brothers Of Metal, All For Metal, Fellowship and other costumed Metal heroes. Worth checking out!” 4/5 – Metal Rules

“Denver metal mob reckon that their goal on “Creation’s Call” was to build a world and tell a story in “three to five minutes.” It’s a world of fantasy, as “Oathsworn” proves, where metal rules and swords are held high. “Across The Rubicon,” however, is delivered with such skill that you can’t resist getting sucked in with them. Shaughnessy McDaniel has a brilliant “metal” voice, roaring on “Sons Of The Verdant,” and guitar duo Scott Hancock and Cody Martinez can knock out a NWOBHM riff like it’s 1982, as the title song underlines. “Brothers Of Five” brings the epic one last time, galloping in proper fashion, and it’ll be interesting to see how Siege Perilous develops. This is one hell of an opening statement, mind you. 8.5/10” – Maximum Volume Music

“Creation’s Call not only highlights Siege Perilous’ dedication to epic storytelling but also emphasises their versatility within the power metal genre. With influences ranging from historical events to high fantasy, this EP offers a rich and varied auditory experience that will captivate fans. Prepare to embark on a grand journey through myth and history as Siege Perilous delivers their latest saga.” – Amplify The Noise

“Creation’s Call it is a cohesive and well-crafted work, where the combination of rich letters in history and fantasy, with a meticulous musical execution, it makes mandatory, regardless of its short duration. [82%]” – Via Nocturna

“Creation’s Call doesn’t get boring even in heavy rotation. Five gifted musicians have created a varied EP. The solos of the twin guitars are convincing across the board. It’s just a shame that it’s over after twenty-one minutes. You want a full-length album. And of course a sweaty live performance. 9.4/10” – Keep On Rocking

“Colorfully mixed NWOTHM/Epic Heavy/Power Metal elixir that appeals to a broad range of fans between ALESTORM, BATTLEROAR, ETERNAL CHAMPION, GATEKEEPER, IRON MAIDEN, RUNNING WILD and WRATHBLADE. Awakens a huge appetite for a full long-play album. On this EP you can clearly see that the band has enormous potential and has already given a great taste of their skills. Conclusion: Strong-looking genretobak that falls out of the usual range! 8,5/10” – FFM-Rock

““Oathsworn” simply explodes out of the gate. The band ratchets every possible dial up to 11 and charges into battle with an epic statement of intent.” – Nine Circles

““Brothers Of The Five” offers classic power metal as you would appreciate it. The strain on the neck muscles is correspondingly high and in some places the number cannot deny a slight Maiden stable smell.” – Hellfire Magazin

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0 Gore House Productions – Slam Titans INSECT INSIDE Unleashes “Carnal Ruins” From New Album “Reborn in Blight” Out March 2026

January 14, 2026
by Asher
· Insect Inside (Gore House Productions) · Music News

NEWS RELEASE

Montreal, QC – January 14, 2026

Slam Titans INSECT INSIDE Unleashes “Carnal Ruins”

New Album “Reborn in Blight” Out March 2026 via Gore House Productions

Rising slam force Insect Inside are preparing to unleash their next wave of devastation with the release of “Carnal Ruins,” the newest single from their upcoming full‑length “Reborn in Blight”, arriving March 6th, 2026, via Gore House Productions. Emerging from the Eastern European underground, the band has sharpened their sound into something unmistakably their own, tight, aggressive, and drenched in the bleak atmosphere of the death metal that shaped them.

“Carnal Ruins” embodies that evolution. Described by the band as the album’s main brawler, the track delivers hardcore‑infused groove, relentless blastbeats, and a stripped‑down attack that pays homage to New York death metal icons like Soils of Fate, Internal Bleeding, and Dying Fetus. It stands as both a tribute and a declaration of the band’s place among slam’s heaviest modern acts.

The single follows the crushing momentum of “Hiveborn Abomination,” featuring Defeated Sanity’s Josh Welshman, a track that showcases the band’s ability to merge speed, groove, and suffocating atmosphere. Together, these singles set the stage for an album promising overwhelming heaviness, sharpened songwriting, and a deeper dive into the band’s dark, atmospheric tendencies.

This growth stems from a disciplined writing process shaped by distance; members living in different cities compose individually before refining ideas together. Daniel leads the songwriting, while he and Ivan craft the album’s apocalyptic lyrical vision, telling vivid stories of humanity’s extinction and the rise of an insectoid race.

Formed from a shared obsession with slamming brutality, Insect Inside evolved from casual jam sessions into a full‑fledged force featuring seasoned veterans: Bogdan (bass), Pavel (guitar), Daniel (vocals), and Ivan (drums). Their live shows are notorious for chaotic energy, relentless pits, and even fans in dinosaur costumes, a raw spirit reflected in the band’s shift toward a more visceral production style on “Reborn in Blight.”

Visually anchored by artwork the band calls gloomy and disgusting, the album delivers a grotesque fusion of groove‑based slam and dark brutal death metal across ten crushing tracks.

With “Carnal Ruins,” Insect Inside delivers another strike before the full album drops, a clear statement of intent and a promise of the brutality still to come.

Listen to “Carnal Ruins” at https://www.youtube.com/watch?v=q3wB_kSpCzY

Add to your Spotify playlist – https://open.spotify.com/album/4ZtW0SfFfeoCuA1x1zBUMy

and previous single “Hiveborn Abomination” with guest vocals from Josh Welshman of Defeated Sanity at the following links:

YouTube – https://www.youtube.com/watch?v=OhaFr5xtoEo

Drum Playthrough – https://www.youtube.com/watch?v=2sfgjF0-JVw

Recommended for fans of Relics of Humanity, Internal Bleeding, Stabbing, Devourment, and Disfigurement of Flesh, “Reborn in Blight” will be available March 6, 2026, via Gore House Productions.

Pre‑orders are now live on Digital, Vinyl, CD, and Cassette: https://orcd.co/reborn-in-blight

Track Listing:
1. Echoes Of The Swallowed Sinners – 3:31
2. Abhorrent Landscape (feat. Cephalotripsy) – 2:54
3. Fragments – 2:18
4. Putrid Lament – 3:35
5. Hiveborn Abomination (feat. Defeated Sanity) – 2:51
6. Flesh Cathedral – 3:00
7. Obscuration Worship – 1:20
8. Carnal Ruins – 2:45
9. Parasite Messiah (feat. Pestilectomy) – 3:29
10. Reborn In Blight – 5:22

Album and Live Band Line Up:
Daniel Sementsov – Drums
Bogdan Pisavnin – Bass
Pavel Pleshkov – Guitar
Ivan Tyulkin – Vocals

More info:

https://gorehouseproductions.com/

https://www.facebook.com/insectinsideslam

https://www.instagram.com/insect_inside

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“Insect Inside relies on unpredictability to elevate beyond the brutal stereotype. Shifting tempos, groovy rhythms, technical leads, pinch harmonics, and flashes of dissonance keep its grinding slams and beatdown sections from growing too stagnant… Insect Inside’s The First Shining of New Genus offers concussive slam that will get you buzzing.” – Angry Metal Guy

“A surprisingly level of hookiness invades Insect Inside, while they still deliver on all of the body-crippling violence you would expect from such an act. The First Shining of New Genus is a release that you can groove along with in addition to getting your daily dose of utter brutality.” – Dead Rhetoric

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0 Exitus Stratagem Records – Tech-Death Shredder MATT MILLER Unleashes Guitar Playthrough for “Maimed Paralyzed Dead” From Latest Album “Fiber Tormentum”

January 14, 2026
by Asher
· Matt Miller · Music News

NEWS RELEASE

Montreal, QC – January 14, 2026

Tech-Death Shredder MATT MILLER Unleashes Guitar Playthrough for “Maimed Paralyzed Dead” From Latest Album “Fiber Tormentum”

L-R – Justice Robinett (Bass), Jordan Kelso (Drums, Synth), Matt Miller (Guitars, Synth), Biko Wright (Vocals)

Photo Credit – Lilly May Everett

Technical death metal visionary Matt Miller has unveiled a new guitar playthrough video for “Maimed Paralyzed Dead,” one of the most harrowing and cinematic tracks from his latest full‑band album, “Fiber Tormentum,” released through Exitus Stratagem Records. The video captures Miller’s trademark blend of precision, intensity, and melodic ferocity, offering fans a close look at the technical prowess behind one of the album’s most monstrous compositions.

“Maimed Paralyzed Dead” occupies a pivotal place in the album’s overarching sci‑fi narrative, depicting the grotesque physical consequences of alien‑engineered DNA manipulation.

“Musically, it’s something out of a monster movie. Like a zombie crawling on the floor or lumbering toward its victim.” The playthrough highlights the track’s relentless rhythmic shifts, soaring leads, and crushing atmosphere, all of which have become defining elements of Miller’s evolving sound,” explains Miller.

The release of the “Maimed Paralyzed Dead” guitar playthrough marks another step in that progression, offering fans a visceral look into the technical and emotional core of “Fiber Tormentum.” With its blend of cinematic horror, technical mastery, and thematic depth, the track stands as a testament to Miller’s commitment to crafting music that is both overwhelming and unforgettable.

Watch the playthrough: https://www.youtube.com/watch?v=FBIYWn7U8RI

“Fiber Tormentum” represents a major turning point in Miller’s career. Originally conceived as an instrumental record, the album transformed once he realized the material demanded a broader emotional and narrative range. The addition of vocalist Biko Wright, drummer Jordan Kelso, and bassist Justice Robinett elevated the project into a fully realized band.

“I knew it needed to be a proper album with vocals and the input of other people to make it come to life. This album features the heaviest, most melodic, and most technical music in my catalog so far,” adds Miller.

The album blends technical death metal, power metal, progressive elements, and epic vocal hooks into a sound Miller describes as relentless, soaring, crushing, intense, and epic. Lyrically, “Fiber Tormentum” forms a loose concept album centered on an advanced alien civilization subtly reshaping human DNA to enslave humanity. The story draws influence from real‑world anxieties and the societal fallout of the COVID‑19 era, giving the record a thematic weight that matches its musical aggression.

The album’s artwork, created by the late Joshua Nassaru Ward (Voraath), visually captures the torment of the narrative. The central figure’s face contorts in agony as its DNA fibers are forcibly rewritten, echoing the album’s themes of transformation, invasion, and loss of autonomy. The title itself, Fiber Tormentum, references the sound a Roman ballista makes when its ropes tighten before firing, a metaphor for tension, destruction, and the inevitability of conflict.

Miller’s journey to this moment began in 2020, when he launched his solo project during the pandemic. After touring the United States with Rings of Saturn on the Cyber Shred Tour 2022, he assembled his current lineup and soon after embarked on a European tour supporting death metal pioneers Possessed. Each member brings a diverse musical background, ranging from metal and jazz to folk and bluegrass, resulting in a dynamic and collaborative creative process.

“We strive to offer a show that grabs everyone’s attention. We play crushing technical music, but we want everyone to sing along and bang their heads,” says Miller.

The making of “Fiber Tormentum” was marked by its share of memorable moments. Vocalist Biko Wright tracked his parts between filming sessions for the Discovery Channel’s Expedition Bigfoot. The band became such regulars at a local Subway during recording that staff reserved a table for them every Tuesday and Thursday night. Their attempts to record samples using high‑end pianos and harps in music stores resulted in them being banned from multiple locations. And somewhere on the album, a hidden “One Take Willy” outburst, Biko’s triumphant shout after nailing a one‑take performance, awaits listeners with sharp ears.

Miller’s musical evolution has been steady and relentless. From his early instrumental EP in 2017 to the 2022 release of “Monument of Velocity” and his extensive catalog of covers and original material, he has consistently pushed the boundaries of extreme music. Now aligned with Extreme Management Group and backed by a full band of world‑class musicians, he continues to expand his reach and refine his sound.

Recommended for fans of Necrophagist, Symphony X, Wintersun, The Faceless, and Death, “Fiber Momentum” (released Sept 12th) is available on all major platforms through Exitus Stratagem Records.

Digital – https://hypeddit.com/mattmiller/fibertormentum

CD – https://www.exsrmusic.com/store/p/wnn3m10s6beq0pbmnot0e17ghvj629

Guitar Playthrough – Descent into Violence – https://www.youtube.com/watch?v=RCj0AKSkSTc

Music Video – Effecively Neutralized – https://www.youtube.com/watch?v=hJDoR9JL9b8

Band Playthrough – Summoned – https://www.youtube.com/watch?v=5FJxxg_dd2k

Track Listing:
1. Descent into Violence (5:04)
2. Summoned (3:33)
3. Effectively Neutralized (4:53)
4. Blight and Disfigurement (3:23)
5. Maimed Paralyzed Dead (3:12)
6. Horror Beyond Comprehension (3:15)
7. Fiber Tormentum (Instrumental) (3:31)
8. Abiotic Origin (3:14)
Album Length: 30:08

Album Lineup:
Matt Miller (Guitars, Synth)
Jordan Kelso (Drums, Synth)
Justice Robinett (Bass)
Biko Wright (Vocals)

For more info:

Exsrmusic.com | Shreded1.com | Facebook.com/matt.miller.96995238 | Instagram.com/mattmiller630

– 30 –

“All in all, it’s a fascinating song (Effectively Neutralized) — head-spinning and heart-palpitating but also a heavy-hitter and a conjurer of strange, sinister, and haunting visions. In other words, in the space of just five minutes it pulls off a lot of impressive feats. And the well-filmed and well-edited video for it is a perfect complement, in that it shows us how all these talented performers executed all the impressive accomplishments.” – NoCleanSinging

“Hell yeah. Holy moly canoli. Fiverr to Fiber Momentum, and that was the album. This song is Descent into Violence. Holy moly canoli, dude. Go support, Matt Miller. That was absolutely badass. Total shredding. Jordan, also a homie of mine, your drums are incredible. The new singer, Bo, I love the harsh vocals in the clean. Total is it almost the cleans almost reminded me of Queensryche meets Cannibal Corpse. It’s pretty freaking sweet. And of course, Justice always lays down the heavy bass with the beautiful bass faces. But an absolutely incredible album….Matt Miller, you could find him everywhere. He’s an incredible guitar player, one of the best guitar players of our generation. Remember, this is Fiber Tormentum courtesy of Exitus Stratagem Records. So, a huge shout-out to them as well. Matt Miller has so many more songs. If you guys like this song (Descent into Violence), believe me, this guy is an absolute shred master. Not only does he do like a ton of his own originals, he does a ton of covers, and also he’s just a shred master of all sorts. Just exactly how they say, melodic, technical, and death. But I will definitely say the big thing that stands apart about this whole song is great structure, absolutely shredding on all levels, and the vocals are just 100% one-of-a-kind. And I totally enjoyed it. Guys, I love you guys from the bottom of my heart. This has been Matt Miller with his new song, Descent into Violence. Pick up the new album on September 12, Fiber Tormentum.” – Omar Rodriguez – The Metal Mixtape – YouTube Channel

“The songs on “Fiber Tormentum” are rather good, and make for very interesting listening sessions.” – Metal Temple

“”Fiber Tormentum” is a real killer and so refreshingly creative that you can’t help but toast this previously unknown genius in awe! Cheers! 9/10″ – PowerMetal.de

“Soaring, crushing, ferocious, emotive, and relentless, are words that strongly describe Decrepit Shed. The album has a lot to offer from various metal sub-genres and encompasses the best elements of technical guitar playing while still having well-written songs”. – Brave Words

“Monument of Velocity” initially had a different title and was not going to be a Matt Miller release and some of the songs were written with vocals in mind and were not going to be instrumental, however, it turned out to be the sixth of seven powerful albums in his discography. contains eight tracks full of technical and progressive metal eliciting feelings of suspense, and tension while being fun, melodic and brutally heavy. Miller’s melodic and relentless music has a wide range of influences and is recommended for fans of Jeff Loomis, Necrophagist, and Obscura.” – Rock’n’ Load

“Even though Miller’s music is instrumental, he likes to think of the guitar as a voice. Which in turn makes him ask what is the guitar saying? He is able to easily convey emotion, tone, and a story even without the use of vocals. Throughout his releases, his music has developed a more modern sound in both the music and the production. Musically the songs are more well written and a lot of the ideas he writes are being accurately represented. He is always trying to push himself as a musician and this is reflected in his discography. Influenced primarily by technical and progressive death metal with a dash of power metal and symphonic metal as well, Matt Miller’s music is recommended for fans of Obscura, Dragon Force, and Racer X” – Metal Sucks

“Mr. Miller can shred like his fingers are on fire” – Ever-Metal.com

“Matt shreds all over this album with guitar solos galore”. – Transcending the Mundane

“Soaring, crushing, ferocious, and emotive, Miller conveys a wide range of tones throughout his instrumental music. It is recommended for fans of Dragon Force, Racer X, and Jeff Loomis” – Metal-Rules

“For guitar enthusiasts, I guess it is a feast for the eyes and ears.” – Antichrist Magazine

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0 RAVENMOCKER Unleashes A Fierce First Step Into a New Era of Melodic Death Metal w/ Debut Single “Infallible”

January 12, 2026
by Asher
· Music News · Ravenmocker

NEWS RELEASE

Montreal, QC – January 12, 2026

RAVENMOCKER Unleashes A Fierce First Step Into a New Era of Melodic Death Metal w/ Debut Single “Infallible”

From L – R – Dylan Suierveld – Drums, George Patmas – Guitar, Tom Tierney – Guitar and Vocals, Will Buckley – Bass

Photo Credits – Kim Moran – Photographer

Southern California’s newest force in melodic death metal, Ravenmocker, has released their debut single, “Infallible”, accompanied by a music video to mark the band’s official arrival and the first of several tracks set to drop throughout the year. Formed in 2025 by guitarist/vocalist Tom Tierney, the band emerges from a period of personal upheaval, creative rebirth, and a desire to carve out a culturally rooted identity inspired by Native American lore.

Joined by guitarist George Patmas (ex‑Dianthus), drummer Dylan Suierveld (Levinia), and bassist Will Buckley (Levinia, Anubis), the band quickly developed a sound that is both nostalgic and fresh. Their influences span Children of Bodom, Insomnium, Amon Amarth, Kalmah, and Dark Tranquillity, while each member brings unexpected flavors, country, jazz fusion, blues, funk, and classical choral music into the mix.

Ravenmocker’s writing process is collaborative, dynamic, and rooted in emotional honesty. While Tierney currently leads much of the songwriting, every member contributes ideas, arrangements, and refinements.

“We want to write good songs, not just content. These songs were years in the making. The melodies should stick with you. We want people singing with us at shows. We want to give fans something they can feel together,” adds Tierney.

The band’s first single, “Infallible,” represents the moment everything changed for Tierney, the song that pushed him to leave behind a project he’d been part of for five years and fully commit to forging Ravenmocker’s path.

“‘Infallible’ was the turning point. It came from a place in my life that was harming me more than helping me. The guys immediately heard the potential, and it became the first song we worked on. A small clip online hit over 75,000 views, and that connection really showed us this was the right direction. This song started it all,” explains Tierney.

“Infallible” tells the story of a man who has spent too long in darkness, giving everything to an entity that never gave anything back. The track captures the moment he finally walks away, choosing growth, clarity, and self‑determination over turmoil. Musically, the song is energetic and uplifting, while lyrically, it remains cold, rigid, and emotionally raw. This contrast reflects the duality of stepping into a new future while still carrying the weight of resentment, anger, and frustration.

The single artwork mirrors this theme: A lone figure stands in the ruins of a devastated city, surrounded by collapsed towers and shattered structures. Amid the destruction, a statue of a raven remains standing, wings spread, defiant, symbolizing resilience, rebirth, and the courage to rise from ruin.

Watch and listen to the music video for “Infallible” via its premiere on NoCleanSinging HERE.

Spotify pre-save – https://distrokid.com/hyperfollow/ravenmocker/infallible/

More info:

http://www.ravenmocker.net/

http://www.instagram.com/ravenmockerofficial

http://www.facebook.com/ravenmockerofficial

http://www.tiktok.com/ravenmockerofficial

About:

Formed in Southern California in 2025, Ravenmocker is a melodic death metal band founded by guitarist/vocalist Tom Tierney (formerly of Thrown Into Exile). Joined by George Patmas (guitar), Dylan Suierveld (drums), and Will Buckley (bass), the band blends soaring melody with raw aggression, drawing influence from melodic death metal giants while infusing elements of country, jazz, blues, funk, and classical orchestration.

Their music explores personal struggle, emotional catharsis, cultural identity, and the resilience found in confronting darkness head‑on.

In 2026, Ravenmocker will introduce themselves to the global metal community with their debut singles “Infallible” and “Where the Raven Flies,” leading into their first EP.

-30-

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#.514.581.5780
jon[@]ashermediarelations[.]com
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