Tag: album

0 Canada’s UTILITY PROVIDER Shares Lyric Video For Title Track Off Groovy Prog Album “Challenger” Out End of Nov 2024

November 15, 2024
by Asher
· Music News · Utility Provider

NEWS RELEASE

Montreal, QC – November 15, 2024

Canada’s UTILITY PROVIDER Shares Lyric Video For Title Track Off Groovy Prog Album “Challenger” Out End of Nov 2024

L-R – Vadim Cartovenco – Drums, Chris Thomas – Guitar/Backing Vocals, Tyler Mayfield – Lead Vocals, Shayne Gold – Bass/Backing Vocals

Vancouver, Canada’s UTILITY PROVIDER is set to release their third full-length “Challenger” at the end of November 2024 produced with Nick Bergeron at Starport Studios (Langley, B.C.) with mixing and mastering by the renowned Michael Kraushaar at Little Red Studios (Vancouver B.C).

With a fresh new lineup, the band is excited to unveil this latest offering to newcomers of their sound along with their current fan following.

“I truly believe this album is going to blow our fans away. The writing is much stronger than in the previous releases and the production as a whole is miles ahead of them. What I love about this album is how each song has its own identity; its own sound, and its own story. There are definitely some surprises in store for our fans. One song that in particular stands out for me is “Independent Soul” because it sounds absolutely nothing like anything U.P. has put out before. I’m really excited to see what everyone thinks!” says vocalist Tyler Mayfield.

On this record, the band’s main ambition is to take fans on a unique, powerful, and intense listening experience. The overarching theme of “Challenger” is one of triumph over adversity and having the courage to throw off your “chains” (both physical and mental) and strike out on your own. UTILITY PROVIDER wants fans to be able to make a connection with the music and connect with them on a very personal level. They showcase this with a concept of a side “A” and a side “B”.

“Up until this album, all U.P songs were written in drop C tuning. The first 6 songs of the album stay in that same drop C tuning, however side “B” is written in A# tuning – it’s literally a whole new sound for our fans! The transition from side “A” to side “B” is marked by a beautiful instrumental track written solely by guitarist Chris Thomas called “Northern Storm”. We hope the listeners will enjoy this nuance within the album. We sure had a ton of fun recording it!” adds Mayfield.

Lyrically, the album “Challenger” was mostly penned by vocalist Tyler Mayfield who wants to tell a story. He elaborates:

“As the lead vocalist, I feel that it’s my duty to put into words the message that the music is trying to convey. There is a lot of teamwork between Chris and myself to get that right. So in this way, the lyrics don’t always necessarily reflect my personal life, but are more tailored to reflect the story within the music.”

Drummer Vadim Cartovenco adds:

“This is the title track of the album so we spent a lot of time making sure the production was exactly what we wanted. Music was written by Vadim and Chris during 2023 and we played the song live a lot. The music, I think, sounds like a cool mix of thrash and power metal. The guitars are especially highlighted in this song to give it that power and distinct U.P tone that Chris is known for. The verses have quick guitar licks overtop of the main melody to add flavor. The vocals are mostly clean so listeners can hear the lyrics, which embody the theme of the album. Drums is a combination of thrash metal and progressive metal, Vadim’s favorite part is the groove section where China played with off beat pattern. This song in particular focuses on overcoming physical challenges with a fighting spirit. You will notice that the lyrics repeat in each verse – this was done on purpose to really drive home the point.”

With members individually influenced by different elements of metal. You will hear their sonic meshing of blues rock, prog metal, thrash, and grunge as they reveal their single and title track accompanied by a lyric video. The song itself is a mix of thrash and power metal with the guitars highlighted to give it that U.P. tone that Chris Thomas is known for. Lyrically co-written by Mayfield and Thomas, the track focuses on overcoming physical challenges with a fighting spirit.

Listen to the lyric Video for “Challenger” at

Recommended for fans of Mastodon, Devin Townsend, Alice in Chains, and Gojira, “Challenger” is due out on November 26th, 2024, and is available for pre-order at https://utilityprovider.bandcamp.com.

Show Dates:
Nov 21 – New Westminster, BC – Bully’s Studios – info w/ The Evan Williams Project, Stickman
Dec 20 – New Westminster, BC – Bully’s Studios – info w/ Mourning High, Assailant, Evan Way

Track Listing:
1. Broken Ghost Touches – 2:39
2. Humans – 4:23
3. Challenger – 5:08
4. Social Murder – 1:59
5. Killer Instinct – 3:36
6. Northern Storm – 1:13
7. You Know She’s Metal – 3:14
8. Loudest Voices – 4:47
9. Skin & Bones – 4:22
10. Independent Soul – 2:28
11. Scabs – 5:55
12. Controversy In Everything – 4:40
Album Length: 44:29

Album Band Line Up:
Guitar/backing vocals: Chris Thomas
Drums: Vadim Cartovenco
Lead vocals: Tyler Mayfield
Bass/backing vocals: Tyler Parsons-Mathieu

Live Band Line Up:
Guitar/backing vocals: Chris Thomas
Drums: Vadim Cartovenco
Lead vocals: Tyler Mayfield
Bass/backing vocals: Shayne Gold

More info: Facebook.com/utilityproviderband | Instagram.com/utilityproviderband | X.com/utilityboys

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0 Out Now! TZIMANI’s New Album “I Feel Fine” via Glory or Death Records (Vinyl) & Noize Cartel (Digital)

November 15, 2024
by Asher
· Music News · Tzimani

NEWS RELEASE

Montreal, QC – November 15, 2024

Out Now! TZIMANI’s New Album “I Feel Fine” via Glory or Death Records (Vinyl) & Noize Cartel (Digital)

L-R – Eddie Vazquez – Guitars, Bass, Synthesizers, Vox – Seb Vazquez – Drums,
Photo Credit: Chris Mcfly

Breaking out with their self-titled debut EP in 2018, San Diego, USA’s Eddie and Seb Vazquez brother duo that makes Tzimani are excited to unveil their first full-length album entitled “I Feel Fine”, now available as of November 15th on Glory or Death Records (Vinyl) and Noize Cartel (Digital).

“This album has been a trial of our toughest mental and emotional challenges to not only complete but to release into the ether as it took us over two years to complete from the time we first recorded drums back in August 2022 to when we finally had masters in hand in June of 2024. In a lot of ways, this album represents an emotional rebirth of the band with efforts to take on the world in the metal scene after a protracted period of relative inactivity dating back to mid-2019 after we wrapped up our touring to promote the 2018 EP.

We plan on rebuilding the momentum that was lost during the pandemic years and hitting the ground with a renewed vigor and sense of excitement to bring our live performance to places we have not been to and recapture the support of all the fans we left hanging over the last five years to let them know that we are back! We are ready to reclaim the title as the fearless gruesome twosome in the music sphere and we could not be more thrilled to be working with Buddy and Ygor and the Glory or Death Records label and having them allow us to try to transcend our music and reach the broadest audience.” adds Sebastien Vazquez.

Picking up right where the 2018 EP dropped off, Tzimani‘s album “I Feel Fine” features the same elements of catchy hooks, clean rhythms, and dynamic vocal lines. However, there are bits of deviation when it comes to injecting new elements. Fans will hear an added synthesizer for some of the tracks, an exploration into AOR rock, and some expressions of today’s modern music scene for this collection of eight songs of their finest hour adds.\

Sebastien Vazquez explains further:

“You know those albums that you listen to over and over again and you just know when the first song hits your sense of familiarity, nostalgia, warmth, and comfort? That is what we are trying to encapsulate. The album is straightforward heavy metal mixed with modern elements with a dash of AOR and we feel it is the best representation to show everyone what we are capable of. We are also trying to represent the future of the band and give everyone an entry into some of the larger questions that we struggle with and how we choose to represent that with our songwriting. We are not the type of band that is capable of singing about stories, dragons, and swords, but we excel at writing tunes that people can genuinely relate to and connect with.”

Tzimani is recommended for fans of Van Halen, Haunt, Striker, Traveler, Skull Fist, and Cauldron.

Tzimani‘s new album “I Feel Fine” is now available as of Nov 15th, 2024 on Vinyl and digitally at the following links:

Spotify – https://spoti.fi/40NvoHW

Digital – http://tzimani.bandcamp.com/

Vinyl – https://www.gloryordeathrecords.com/shop/p/tzmani-i-feel-fine-pre-order-

Previous singles:

I Feel Fine – https://youtu.be/xll4IuaBIP0

“We Stand and Fight” – https://youtu.be/8yneRSyOlHY

“Haunting” – https://youtu.be/0NB9XxLAABs

Track Listing:
1. We Stand and Fight (4:30)
2. Breaker (3:28)
3. Hold On (4:31)
4. Haunting (3:59)
5. Endless Road (5:24)
6. Bleeding Life (3:29)
7. Empty (3:27)
8. I Feel Fine (4:56)
Album Length: 33:45

More info: https://www.facebook.com/tzimaniofficial | https://www.instagram.com/tzimani_official

About: Formed in 2017, Tzimani hit the ground running with their debut demo and a relentless West Coast and Southwest tour, winning over fans with electrifying performances in cities like Portland, Seattle, and Texas. Their 2018 self-titled EP, released via Noize Cartel Records, became a launching pad that propelled them into the national spotlight. With over 100 shows across North America and standout appearances at major festivals, the band quickly built a reputation as a live act not to be missed.

Drawing from legendary influences like Iron Maiden, Van Halen, and Mötley Crüe, Tzimani’s music is a bold fusion of melodic AOR and the raw power of old-school heavy metal. With twin-guitar leads, soaring solos, and thunderous drumming, their sound is equal parts grit and glory. Eddie’s vocals, reminiscent of Dio, along with his fierce guitar work, channel the spirit of classic rock while still pushing forward into new sonic territory.

After their 2020 expanded re-release of the EP, Tzimani faced an unexpected pause as the world shut down. But through the stillness, the brothers’ creativity simmered, building anticipation for their next big move. Now, with their first full-length “I Feel Fine” (Out Nov 2024), they’re stepping into uncharted territory by incorporating synthesizers to deepen their sound, adding a dynamic, atmospheric layer that brings new emotion and energy to their music.

Tzimani’s partnership with Glory or Death Records marks the beginning of a fresh journey. With their signature blend of melody and muscle, the band is primed to reach a broader audience and reignite their momentum on stages across the country. The stage is set, the wheels are turning again, and Tzimani is ready to reclaim their place as a force in the rock and metal scene.

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“the blistering new single “Haunting” from metal duo Tzimani! Driving speed riffs, AOR keys, breakout solos and soaring vocals make “Haunting” a very cool track.” – WJOE – Findlay’s Home for Rock & Roll

“At full throttle (opening track We Stand And Fight, for instance) they’ll take you right back to the glory days of names like The Rods, or any of those classic US power metal names of the early eighties, but the key to Tzimani’s appeal is their ability to add huge doses of melody to the muscle; When they get this right, as they do on Hold On and Empty, the sound they create – like the Adrian Smith-penned Iron Maiden classics of the mid eighties – is hard to resist… This really is top notch stuff, and I can’t recommend it highly enough if you like proper, old school heavy metal like it used to be made.” – Sentinel Daily

“I Feel Fine is a ….hmm.. fine collection of classic heavy metal songs, with enough energy and punch to make you hit the replay button” – Velvet Thunder

“Typically, when promo proclaims that a band represents a “bold new take” on a traditional, well-trod style, you can expect the same: yet another forgettable “revitalization” of a sound and aesthetic that has been done to death, reanimated, and then slaughtered by copycats once more. In the case of Tzimani, the status quo is effectively put in its place.” – Sleeping Village

“Electrifying pace sets ‘We Are The Ones’ on fire, hurtling along at full velocity, displaying all the hallmarks associated with the “foot on the monitor” style of traditional heavy metal. Hitting hard like an out of control wrecking ball” – Frenzy Fire / Metal Gods TV

” refreshing heavy rock 8/10″ – SoundMagnet (German)

” This two piece hailing from San Diego shredded their way through their set. Straight up heavy metal brothers rocking their way across North America. Eddie can really play the guitar. Each song they played were full of mean riffs and ripping solos.” – Metal As Medicine (Live Review – 2019 – Kelowna, BC)

” They surprised us all when vocalist/guitarist Eddie Vazquez announced that they were the only other band on the bill. It was their best time to shine. Kudos to you Vazquez brothers!… Tzimani set up shop, and made that stage their biatch! Soon enough they began playing songs that were not included in their demo such as “Overdrive,” and dished out their hits “Final Hour” and “Get Me Out Of Here” which are available on their demo. These bros emitted a tremendous confidence and were still glowing from their recent inaugural American tour.” – Ugh Metal (Live Review – 2017 – San Diego, CA)

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0 Streaming Now! Quebec’s TROLLWAR’s Symphonic Melo-Death EP “Tales from the Frozen Wastes” ft. Guests From Kalmah, Atavistia

November 14, 2024
by Asher
· Music News · Trollwar

NEWS RELEASE

Montreal, QC – November 14, 2024

Streaming Now! Quebec’s TROLLWAR’s Symphonic Melo-Death EP “Tales from the Frozen Wastes”

EP Guests Veli-Matti Kananen (Kalmah), Mattias Sippola (Atavistia)

The wait is over! Quebec symphonic melodic death masters Trollwar are proud to present the full stream premiere of their highly anticipated EP “Tales from the Frozen Wastes”, before its official release on November 15, 2024.

Check out the EP stream premiere on Decibel Magazine HERE.

“Tales from the Frozen Wastes” marks a significant evolution in Trollwar‘s sound, showcasing a perfect blend of their brutal roots with refined symphonic orchestrations and progressive elements. The EP takes listeners on a journey through a dark dimension, exploring themes of fallen deities, the realm of the dead, and the consequences of mortal ambition. The band comments on the changes that can be found on the record:

“I think our EP could be described as a renewal. A renewal of our music and a new maturity for our music. I do think that you can hear it through our songs in this release. The ‘Unseen One’ and ‘In the Fields of Frost’ are both great songs that we wrote a couple of years ago, while ‘Bane of the Underworld’ and ‘The Offering’ are pretty much the new Trollwar that you should expect going forward. These two songs show a clear upgrade of how we write our music.”

This release represents the culmination of years of hard work and musical growth Trollwar has dedicated to their sound. They’ve pushed themselves to create something that’s not just heavy and melodic, but also tells a compelling story through both music and lyrics.

To celebrate the premiere, Trollwar will be hosting a live Q&A session on their official YouTube channel on the release date (Nov 15th). The band will discuss the creation of the EP, share behind-the-scenes stories, and answer fan questions. They are recommended listening for fans of Equilibrium, Wintersun, and Ensiferum.

Due out on November 15th, “Tales from the Frozen Wastes” is available for digital pre-save – https://distrokid.com/hyperfollow/trollwar/tales-from-the-frozen-wastes

Track Listing:
1. Prologue (2:00)
2. The Unseen One (7:05) ft. Keyboard Solo by Veli-Matti Kananen (Kalmah)
3. Bane of the Underworld (5:26)
4. In The Fields of Frost (4:05)
5. The Offering (5:46) ft. Clean Vocal / Choir by Mattias Sippola (Atavistia)
EP Length: 24:24

More info:

Trollwar.wixsite.com/trollwar | Facebook.com/Trollwar | x.com/trollwarqc | Instagram.com/trollwarmetal/

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“Trollwar waste no time lighting a fire under the listener with blazing and darting riffage, booming and battering drums, soaring symphonics, savage snarls, and heroic choral singing. But a finger-tapped guitar also introduces magically swirling melodies; grim vibrating fretwork and heavily jolting grooves throw us into fierce combat; and rippling keyboard tones add to the song’s fantastical glories. The band build toward an extravagant finale, hard-hitting and sky-flying, entirely in keeping with the song’s overarching mythic aura.” (Single – Bane of The Underworld) – No Clean Singing

“No scene outplays another on this vivid EP. From start to finish, the blend of orchestration and metal is curated in a way that the Fantasy plays through, while the harshness of its tale is presented with wicked solos, stunning riffs, and masterful sound. As a Fantasy fanatic, and a metalhead, this EP is a stunning display of talent and imagination, utilizing skill and story to present to us one hell of an adventure. 9/10” – All Father Metal

Top 20 2018 Metal album from Quebec by Metal Universe (Oath of the Storm LP – 2018)

“The whole record is an adventure; the sequencing flows well from song to song and is bumpered nicely by an intro that sets the mood, plus an outro that gently brings things to a close, returning the listener safely back to their respective realities. At the end of the day, I definitely think Trollwar is onto something here; they are proudly waving the folk-metal banner and are destined for big things.” – PureGrainAudio (Oath of the Storm LP – 2018)

”The vocals are abrasively savage, and the swirling keyboard melody is like ear heroin. I can’t help myself — the song pushes too many buttons for me to resist.” – No Clean Singing (Oath of the Storm LP – 2018)

“OATH OF THE STORM has a wave of well-written catchy songs, good production, lots of intensity and power as well, which is something some of the other bands lack. TrollWar is a pretty appropriate name for this enjoyable act and OATH OF THE STORM is one of the more intense Folk Metal albums out this year.” – Metal Rules (Oath of the Storm LP – 2018)

“Overall, this was an outstanding album, for a band that clearly has a lot to offer. What I can’t figure out is why no one has signed them yet? The production is excellent. They have a sophistication and complexity in their sound that few others do, yet each track is very easy to listen to. It’s like you combined the best of the old, IRON MAIDEN, with the best of the new, WINTERSUN, and you have TROLLWAR, with their own unique flair. The melodies are both playful and dangerous, and the entire album is excellent from the opener through the closer. “Oath of the Storm” is a fascinating glimpse into the soul of the band, where they let it all out there for you to enjoy. And enjoy it I did!” – 9/10 – Metal Temple (Oath of the Storm LP – 2018)

”the tracks are face smashing and memorable with enough layers to satisfy even the most tech savvy of you folksters”…….”It’s hard to necessarily give you specifics other than multiple layers of instrumentation, blast beats, keys and symphonic touches with shredding guitar and vocals.”- Folk Metal.NL (Oath of the Storm LP – 2018)

“TROLLWAR deliver “Oath of the Storm”, a strong second work that should not only be interesting for fans of FINNTROLL and ENSIFERUM… The Canadians’ independent, accordion-driven folk black metal proves that real fighting roles don’t just inhabit Scandinavia and the surrounding area. Then a resounding “kippis!” or an elegant “à votre santé!”. 4/5″ – Stormbringer

“Uncompromising and lovable – Oath Of The Storm… Conclusion: “Oath Of The Storm” is an interesting folk metal album and for fans of EQUILIBRIUM or FINNTROLL. TROLLWAR is characterized by good song progression and incredible joy in playing… So if you’re still looking for a Christmas present, you can grab it here without hesitation.” – Metal.de

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0 HELLFIRE 76 New Video “Rags to Rage” Is A Rip Roaring Rock Title Track Off New Album Out End of Nov 2024

November 14, 2024
by Asher
· Hellfire 76 · Music News

NEWS RELEASE

Montreal, QC – November 14, 2024

HELLFIRE 76 New Video “Rags to Rage” Is A Rip Roaring Rock Title Track Off New Album Out End of Nov 2024

North Carolina, USA’s, Southern Metal duo Hellfire 76 has just dropped their rippin’ new video for single “Rags to Rage” the title track from their upcoming first full-length, which hits speakers on November 29th. The song showcases the band’s signature combination of fuzzed-out grooves and occult-themed storytelling, drawing from founding member Von Bury’s New Orleans roots. The band comments on the single:

“Musically, it’s fast and aggressive; lyrically, it’s pretty much an “action/reaction” lyric- each to its own interpretation. Simply put, we wanted a song that kicked down the door right from the start. It’s full of fast grooves with rapid-fire lyrics.”

The two-piece outfit, featuring Von Bury (guitar/bass/organ/vocals) (formerly of the Southern Gothic act LOVESUCKER and the Occult Rock act and Napalm Recording artist BLOODY HAMMERS) and Mike McGuiness (drums) (formerly of the Industrial Metal act FACE THE WORLD), delivers a massive wall of sound that belies their minimal lineup. Recorded in a single take, “Rags to Rage” demonstrates the raw power and precision that has earned Hellfire 76 recognition as one of the heaviest two-piece acts in the local scene.

Looking to branch out further, the act challenges metal and rock fans to indulge with their new music video, which can be seen and heard via its premiere on GhostCultMagazine HERE.

All killer-no filler, this two-piece brings 110% to their album “Rags To Rage”. The overall theme of this record is dark, taboo, spooky, tongue-in-cheek, fuzzed-out southern metal. Von Bury explains further:

“The album RAGS TO RAGE is a continuation of our first release, in that the subject matter is all thought-provoking. As for a lot of music, we want the lyrics to be literal but also open to the listener’s interpretation. Sticking with the theme and ideas of Voodoo, Witchcraft, The Occult, and other oddities. We want to take the listeners on a dark and ominous journey into a place they don’t normally think about.”

For fans of Melvins, Clutch, Killing Joke, and Fu Manchu, “Rags To Rage” is available for album pre-order at https://hellfire76.bandcamp.com.

Previous Music Video – The Omen – https://youtu.be/eKTyZMM-pn8

Track Listing:
1. Rags to Rage – 3:33
2. Steal Your Soul – 3:25
3. 1000 Crimes – 3:38
4. As Above – 3:44
5. The Keepers – 3:40
6. Magic and Religion – 3:23
7. Black Angel – 3:43
8. The Omen – 5:45
Album Length: 30:52

More info: Hellfire76.com | Facebook.com/Hellfire76nc | Instagram.com/hellfire76nc

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“Dark, mysterious, foreboding, yet strangely inviting. This is the latest single (The Omen) from HELLFIRE ‘76, a band that brings together the things you love about heavy music: bold, swinging riffs, gruff manic vocals, crunchy chugging rhythms. “The Omen” has got it all going on, which lyrically “is about how religion uses fear to prey on weak minds to do the dirty work.” – Doomed and Stoned

“Drink the concoction prepared by the band, a cocktail of blood riffs, genuine rhythms and distorted vocals that you can find in the dirtiest pubs in New Orleans! Fans of Kyuss, ZZ Top, Killing Joke, The Melvins and Clutch will be thrilled!” – Heavy Mag

“In the radius of bituminous rhythms, nevertheless animated by a Rock energy, we frankly opt more for cousinage with CLUTCH, a formation that has always been able to evolve between thickness, melody and conciseness. With, as a bonus, these hints of greasy and oily Blues which inject a kind of groove and sap within a Metal which should not silence or ignore its affinities with the severe and groovy Metal proper to Pantera.” – Integral Metal

“Hellfire 76 comes at you hard and heavy and without mercy.” – Doomed Nation

“Hellfire 76, A duo devoted to rampaging Stoner-Doom-Psych-Metal, which swings to dense blues licks that suggest a Triceratops mating with a Sherman Tank!” – Q C Nerve

The Hellfire 76 use the masks of voodoo, witchcraft, the occult and tarot cards to tell us stories of how Evil has taken over our world, ruled by liars, impostors and careerists. People are flooded with a river of lies, perpetrated by governments and the Church, which obscure our view of the Truth.” – Progressive Rock Journal
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0 Streaming Now! Montreal’s CHÜZO Take Over The World w/ Aggro-Metal and New EP “M.T.M.D (Maximum Threshold, Minimum Decay)”

November 14, 2024
by Asher
· CHUZO · Music News

NEWS RELEASE

Montreal, QC – November 14, 2024

Streaming Now! Montreal’s CHÜZO Take Over The World w/ Aggro-Metal and New EP “M.T.M.D (Maximum Threshold, Minimum Decay)”

Produced by Kevin Jardine (Slaves On Dope)

L to R: Alex S (Bass), Cristian S (Guitars/Vocals), Mischa M (Vocals), Carlos G (Drums)

Photo Credit @stutteringuzii (Instagram)

Montreal, Canada’s CHÜZO is ready to take on the metal world with the introduction of their self-described Aggro-Metal and new EP entitled “M.T.M.D (Maximum Threshold, Minimum Decay)”. The three-track record marks the next chapter and true representation of what their sound is meant to be with the fresh new lineup who are hungry to showcase what this forthcoming EP will spark.

Produced by Kevin Jardine (Slaves On Dope), the EP is a full audio assault upon all the senses from the heavy riffs to the soaring vocals of Brazilian transplant and new vocalist Mischa M. She is joined by local first-generation Chilean Canadian and mastermind Cristian S. along with Carlos G from Venezuela and Alex S from Russia whom all have found Montreal, Canada to be home to breed their ‘Aggro Metal’, a blender of grindcore, Swedish death metal and a touch of thrash metal crossed over with hardcore punk.

“The sound of the band evolved from, initially, grindcore, to hardcore, to now Aggro Metal. This is finally what CHÜZO was meant to sound like after many years and many ex-band members. This mark III version of the band is the final evolution in the sound of CHÜZO.” adds Cristian S.

The EP’s lyrics are driven by self-reflection and daily struggles. The inspiration for writing comes from life experiences and trying to live past them, especially the traumatic ones. Using all bad energy from bad experiences to create something positive for yourself and the world. This EP speaks of vengeance and the bad side of dedicating your life to achieving your desired revenge despite your own life and sanity. Brutal Social Justice.

For fans of Sepultura (Cavalera Bros era 84-96), At the Gates, Napalm Death, Slipknot, and Fuck the Facts, “M.T.M.D (Maximum Threshold, Minimum Decay)” is due out on November 15, 2024, and can be heard in full before it officially drops via its stream premiere on Decibel Magazine HERE.

EP pre-order/digital per-save is available at the following links:

Bandcamp – https://chuzomtl.bandcamp.com/album/m-t-m-d-maximum-threshold-minimum-decay

Digital Pre-Save – https://distrokid.com/hyperfollow/chzo/mtmd

Lyric Video – Brand New Cell – https://youtu.be/61YlVuG3gsI

EP Artwork by Draught https://www.instagram.com/draught___/

Track Listing:
1. The Brutalator – 3:39
2. Brand New Cell – 3:12
3. Bruised and Broken – 4:21

More Info: Instagram.com/chuzo.band | Facebook.com/chuzo.band

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0 Canadian Proggers THE WRING Showcases Riffs and Fingerwork On New Guitar Video “Blur” + New Album “Nemesis” Out Now!

October 13, 2024
by Asher
· Music News · The Wring

NEWS RELEASE

Montreal, QC – October 13, 2024

Canadian Proggers THE WRING Showcases Riffs and Fingerwork On New Guitar Video “Blur”

New Album “Nemesis” Out Now! via WormHoleDeath Records

The Wring – Album Lineup – L-R – Kyle Brian Abbott – Drums, Don Dewulf – Guitars, Reggie Hache – Bass, Vocals & Keyboards

Canadian proggers The Wring released their much-anticipated fourth studio album “Nemesis” this past September. This album marks a significant step in the band’s journey, showcasing a more cohesive and refined sound that blends their heavy rock roots with progressive and jazz influences. With eight tracks spanning just over 40 minutes, “Nemesis” adds a new, technical twist to progressive metal.

Today, Guitarist Don Dewulf shares his latest video for the instrumental track “Blur” via its premiere on V13.net HERE.

“Frank Zappa once said: “lyrics (in his songs) wouldn’t exist at all if it weren’t for the fact that we live in a society where instrumental music is irrelevant”. As someone who appreciates all forms of very progressive music, but also values Frank’s sentiments, if I am going to create an instrumental, it had better be short and interesting. For me, YYZ is the gold standard with La Villa being a stretched-out older cousin. I like to think Blur checks a few of those boxes and that people will enjoy what it has to say.” adds Dewulf.

The Wring‘s new album “Nemesis” explores themes of external and internal conflict, with each song representing a different facet of our struggles. From the driving intensity of tracks like “Badlands” and “The Sword” to the melodic intricacy of “The Nail” and “Before I Disappear”, the album is a dynamic journey through the band’s musical and lyrical vision. Reggie Hache’s expanded role on vocals, bass, and keyboards brings a new depth to The Wring’s sound, while Dewulf’s guitar work continues to anchor the band’s heavy yet nuanced approach.

Throughout “Nemesis,” the playing is tight, precise, and yet still free-flowing. Each instrument complements the others and often provides a steady hand while the other players move in different directions.

Guitarist Don Dewulf comments:

“Thematically, Nemesis speaks to conflict of all sorts. Musically, there is a similar conflict of musical styles. The central idea of every Wring album is to combine many genres in a single song, so while nothing is new, hopefully, the combination can seem fresh or different. For many listeners, even the most dedicated, certain musical stylings are an onerous listen – jazz, prog, even classical. The idea of Nemesis is to give the listener a way to enjoy odd times, peculiar harmony, and aggressive riffs without having to give up their soul to do it. The backbone of every song is firmly rooted in traditional hard rock so there is always something to grab onto.”

Enjoy “Nemesis” as a metal album, a prog album, a rock album, or even a pseudo-jazz affair; it’s all of those things. It is recommended for fans of Dream Theater, Opeth, and Porcupine Tree.

“Nemesis” was released on September 27, 2024, via Wormholedeath Records, with distribution by Aural/Orchard.

Spotify – https://spoti.fi/3U6DZl0

Bandcamp – https://thewring2.bandcamp.com/album/nemesis

Digital Album – https://orcd.co/nemesispre-save

“The Sword” – Music Video – https://youtu.be/LLkIs2V6BWQ

“The Nail” – Music Video – https://youtu.be/oXZmIOmkU_0

Track Listing:
1. Badlands – 5:13
2. The Nail – 5:29
3. Blur – 4:17
4. The Sword – 5:37
5. Before I Disappear – 4:39
6. Welshrats – 5:18
7. Dark Passenger – 5:20
8. Nemesis – 4:47
Total 40:40

More info: www.thewring.ca | https://www.facebook.com/thewringband | https://www.instagram.com/wringband

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“Prog’s Tracks Of The Week (Aug 16)” – The Sword – The Wring – Prog Magazine

“There is a distinct, and quite energetic, 90s prog feel to Nemesis, reminiscent of bands such as Watchtower and Galactic Cowboys. The songs are loaded with intricate drumming, rock-solid bass playing, and great riffs and solos. Hache’s vocals may not work for everyone but they do for me, making this a super addition to any prog fan’s catalog. 4/5” – Heavy Music HQ

“A lesson in classic and modern prog metal! Had Doug Pinnick and Jim Matheos come together for a joint project in the late 80’s, throwing together the progressive list of one with the groovy cornerstones of the other background band, wouldn’t it be so unlikely that the fantastic output wouldn’t stray too far from the Canadians at THE WRING in terms of sound. The band has already released three notable records in the past and has also attracted international attention with “Spectra” (2022)… THE WRING has already created some exciting moments on “Spectra”; However, “Nemesis” is finally the Champions League format that a trio with such advantages would actually have belonged in from the start. 9/10″ – PowerMetal.de

“Heads up prog-metal fans! Canada’s The Wring have a hot new number with “The Sword” and it’s not messin’ around. An early peak from their forthcoming album “Nemesis” due to drop on Sept. 27th, “The Sword” is complex with high power riffs, solos, a double kick throughout and soaring vocals that makesfor a beast of a track. Catch “The Sword” from The Wring on your Home for the Best New Rock…W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“This album marks a significant step in the band’s journey, showcasing a more cohesive and refined sound that blends their heavy rock roots with progressive and jazz influences. With eight tracks spanning just over 40 minutes, “Nemesis” adds a new, technical twist to progressive metal. – The Prog Space

“recommended to every fan of technically perfect, slightly metallic prog rock, great bass lines” – Betreutes Proggen

“The hard prog songs are powerful and impress in their arrangements. 8/10” – Soundmagnet

“9 years and 4 albums into this band’s career have helped create some astonishing prog metal. It can get as catchy as hard rock radio, it can get as adventurous as jazz metal, and everything in between. I hear as much from bands like Watchtower as I hear as proggier sides of Between The Buried and Me and Cynic. There’s a dark sense of curiosity going on throughout the album that keeps it intriguing. If this sounds like it could be for you (keeping in mind it is all clean vocals), this is more than worth your time. It’s mesmerizing music written without being too wanky and written for the sake of fretboard Olympics, this is authentic. Seriously, give it a spin if you need some throwback but modern prog metal in your life.” – Heavy Debriefings

“The Wring strikes me as a band that explore a variety of progressive rock with a similar attitude as Rush in many ways, but making use of more contemporary impulses as they traverse the landscapes they explore. And I’d hazard a bet that many of the people that find that description interesting will find this album to be an enjoyable one.” – Progressor

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0 Jump Into The “Rock Box” With LA’s GIGANTUM’s Ode To Punk Rock Music Video Off Their S/T Groovy Stoner Rock N’ Roll Album

October 1, 2024
by Asher
· Gigantum · Music News

NEWS RELEASE

Montreal, QC – October 1, 2024

Jump Into The “Rock Box” With LA’s GIGANTUM’s Ode To Punk Rock Music Video

S/T Groovy Stoner Rock N’ Roll Album Out Now!

L-R – BlareNBitch – Guitar/Vocals, Mia X – Vocals/Bass, Chase Manhattan – Drums, Mark Lüntzel – Guitar/Vocals

Photo Credit Mariana Fiel

Fans of speedy rock n’ roll get ready to jump into the spinning turbines of LA’s Gigantum and their ode to punk rock with their latest music video “Rock Box”. The track amps up to 100mph for a swift kick in your ass to get your blood pumping. The song is featured on the band’s recently released self-titled debut album, which ranges from straight-up rock to doomy stoner riffs to creative solos, and relatable lyrics. Not held back by the structure of a certain genre, Gigantum has a lot of room to evolve and they set into that role with gusto.

“Each song tells its own story and takes you someplace different. They have their own personality. The record’s listening experience takes you on a journey. We are trying to shake the foundation and rattle the windows.” adds the band.

The video for “Rock Box” can be seen and heard via its premiere on New Noise Magazine HERE.

Gigantum‘s debut album is a true collaboration, and each track offers a distinct experience, taking listeners on a sonic journey as they explore each individual personal of the tracks. The EP is now available on all major streaming platforms and is recommended for fans of Clutch, Baroness, Royal Thunder, and Fu Manchu.

Released on September 6th, 2024, Gigantum‘s self-titled album is available at https://gigantumband.bandcamp.com

Spotify – https://spoti.fi/4dkAJcA

Track Listing:
1. Monkey King – 6:11
2. For All My Friends – 5:38
3. Forever Dreaming – 7:02
4. Brain Haze – 8:36
5. Rock Box – 3:38
6. Necron99 – 8:48
Album Length: 39:52

More info: https://linktr.ee/gigantumband

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“It’s wide ranging heavy music odyssey that spans six hefty heavy rock tracks on ‘Gigantum’ (2024)” – Doomed & Stoned

“Gigantum have released a no-hold barred “NO FUCKS GIVEN” attitude that will no doubt strike a chord with the jaded Doom/Stoner Metal fan currently out there. Excellent and Highly Recommended.” – Outlaws of the Sun

“With a flair for the dramatic, Gigantum has a no-nonsense approach to writing and riffing, yet remains free of pretension that fouls up a lot of modern bands with retro influences. This is only the beginning for this band! Jam out Gigantum to 11 and burn one right now!” – Ghost Cult Magazine

“Gigantum’ is an impressive debut that showcases the band’s ability to traverse different musical territories while maintaining a cohesive and powerful sound. With each track telling its own story, GIGANTUM crafts a listening experience that is both diverse and deeply rooted in heavy rock tradition. This album is a must-listen for fans of bands like Black Sabbath, Clutch, and Fu Manchu who crave a mix of crushing riffs, heavy grooves, and dynamic vocals.8.5/10” – Infrared Magazine

“If you can imagine a slightly more psychedelic variety of classic era Black Sabbath that has been given a little bit of a punk attitude and expression then you should have a fair general idea of what to expect from this album. An album I suspect quite a few who tend to enjoy vintage era doom metal might find to be an interesting experience.” – Viking in the Wilderness

“That sort of plot is perfect for a stoner jam like “Necron99,” the closer to their self-titled debut album. There’s a good deal of jamming going on in this album” – Heavy Music HQ

“the group from Los Angeles chooses many unconventional methods and also reveals exciting things here.” – PowerMetal.de

“All experienced musicians, this is the work of a fully-fledged group that is ready for anything.

But as for “Monkey King,” for all its doom-laden, Sabbath jamming on Fu Manchu chic, it’s a band that will do things on its own terms. Mia X is capable of whipping up a frenzy, and “For All My Friends” has something truly unsettling about it. If the album as a whole feels like heavy psych and melody are engaged in a battle to the death, then never is that better shown than on the fabulous “Forever Dreaming.”… with this self-titled statement, Gigantum are laying down a big marker. 8/10″ – Maximum Volume Music

” an energetic hard rock record with a couple of very good doom songs. Recommended.” – Flying Fiddle Sticks

“Groovin’ stoner/doom” – The Moshpit 89.9FM (Madison, WI)
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0 Out Now! CHAIN CODE’s Spacey, Progressive Debut Album “Synthetic Outcomes”

October 1, 2024
by Asher
· Chain Code · Music News

NEWS RELEASE

Montreal, QC – October 1, 2024

Out Now! CHAIN CODE’s Spacey, Progressive Debut Album “Synthetic Outcomes”

“Synthetic Outcomes” Out Oct 1st, 2024

Chain Code, the progressive rock project from Milwaukee, USA, is now officially reeling their debut album, “Synthetic Outcomes”, which will hurtle listeners through time and space as they go on a sonic journey through a dystopian future where technology has overtaken humanity, blending complex melodies, dissonant chords, and thought-provoking lyrics into a cohesive and immersive experience. Mastermind MuRphry shares his thoughts on the album:

“I am pleased to finally unleash this labor of love. I started this project in 2022 and manically wrote two albums, fixated on creating paranoid yet beautiful progressive rock to express my enjoyment of dystopian science fiction that sees humanity losing its very essence to machines. The initial point musically was to have Adrian Belew join Voivod in my bizarro musical mind. I encourage any weirdo to put on a set of headphones and take a trip to our future with the chaotic elegance that is Chain Code!”

Each track on the concept album offers a unique perspective on the overarching theme of the consequences of humanity’s overreliance on technology. From the frantic energy of the opening track “Human(kind of)” to the haunting beauty of “In Line” Chain Code masterfully balances chaos and harmony, creating a sound that is both challenging and rewarding.

“Synthetic Outcomes” invites listeners to immerse themselves in a world where technology has the upper hand, but the future is still uncertain. It is recommended for fans of progressive rock, sci-fi themes, King Crimson, and Talking Heads.

Listen to “Synthetic Outcomes” at the following links:

Bandcamp – https://chaincode.bandcamp.com/album/synthetic-outcomes

YouTube – https://bit.ly/3zG4hn8

Track Listing:
1. Human(kind of) (8:12)
2. A New Face (4:42)
3. They’re NOT Mad Scientists (4:16)
4. Unlearn (6:18)
5. My Buddy (3:54)
6. Inadequate (4:27)
7. Junk Piles and Their Lonely Owners (5:16)
8. Reaching Out (7:02)
9. In Line (8:00)

More info: Facebook.com/ChainCodeBand

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“the new track (In Line) is a bold musical statement with one foot in modern progressive technical musical prowess, but with eye on the class and lyricism of the distant past greats of the genre.” – Ghost Cult Magazine

“Progressive rock fans, get ready to be captivated by the latest offering from Chain Code, a unique and complex solo project led by the enigmatic MuRphry who channels his love for prog rock and sci-fi into a potent sonic experience… ‘A New Face’ is a short, yet windy, frantic, and complex song that is as unpredictable as it is catchy.” – The ProgSpace

“If System of the Down and Primus had a child, that child would sound like the debut single “A New Face” from Chain Code… With a unique blend of melody, dissonance, and intricately stringed arrangements, Chain Code is set to spin progressive rock on its head not only with their debut single but also with their debut album Synthetic Outcomes” – Amplify The Noise

“As debut albums come, Synthetic Outcomes is quite exceptional… Keep an eye open for this captivating artist, and beware of our computer overlords that are just around the corner waiting to take over for good.” – Disagreemeent.nl

“US band Chain Code are out with the album “Synthetic Outcomes”, and progressive metal is the style explored on this production. That being said, a lot of the heart and the soul of this band appears to revolve around aesthetics from the 1970s, and then from more expressive bands from the progressive rock tradition back then. With plenty of references to King Crimson, possibly also Gentle Giant, and if you know about a band from that era that played around with avantgarde tendencies and whimsical attitudes there’s a good chance that you’ll encounter references in that line too. With a bit of a theatrical display in the vocals department to boot, and some of the flamboyant aspects from the symphonic progressive rock tradition added as a bit of a subtle seasoning. But the band have chosen to explore those landscapes in a metal guise. An understated one at that, but still with metal rather than prog as the expression and orientation of choice. An album to seek out if the idea of exploring expressive 1970s progressive rock in a metal guise strikes you as an appealing proposition.” – Progressor

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0 Out Now! Ophidian Memory Unleashes New Melodic Death Album “Carrion Lord”

September 27, 2024
by Asher
· Music News

NEWS RELEASE

Montreal, QC – September 27, 2024

Ophidian Memory Unleashes New Melodic Death Album “Carrion Lord”

Melodic death metal project Ophidian Memory, the brainchild of Blake Lamoureux, is set to release its latest album “Carrion Lord” on September 27th, 2024. Ophidian Memory, hailing from Des Moines, USA, is known for its innovative approach to metal, using melodic death metal as a foundation to incorporate elements of black metal, thrash, progressive metal, and metalcore. “Carrion Lord” continues this tradition, offering a heavier and more unrelenting sound compared to its predecessor “Our Shattered Garden”. Lamoureux comments:

“Carrion Lord is the most ambitious and brutal Ophidian Memory release to date. The lyrics portray themes of deception, sacrifice, undreamt horror, and war. Musically the death and black metal notches have been turned all the way up, while the progressive notch has been turned down greatly until late in the album, giving a reprieve to the listener for a slight moment until the record ultimately closes with a ripping epic finishing track.”

The album is best experienced as a front-to-back listening journey, with each track offering a unique blend of subgenres that keeps the listener engaged throughout. Lyrically, “Carrion Lord” delves deeper into the fictional universe of “Existence”, a dark fantasy epic created by Lamoureux that has become the cornerstone of Ophidian Memory‘s conceptual approach.

On this album, Ophidian Memory has moved away from the progressive metal feel, choosing to take on a darker and heavier tone which reflects the brutal narrative this time around. Expect lots of unhinged vocals, riffs for days, and oppressive drums. For those who love extreme metal of all decades, in the vein of The Black Dahlia Murder, Behemoth, and Blood Red Throne, this one’s for you.

“Carrion Lord” is available at the following links:

Album Stream – https://youtu.be/Vf5F9SW1eA4

Bandcamp – https://ophidianmemory.bandcamp.com/

Spotify – https://spoti.fi/3BiMNxv

Track Listing:
1. The Mausoleum – (5:13)
2. Hunger Of Your Deceased Deity – (4:52)
3. A Jewel In Grocinia – (5:23)
4. Fleshbinding Ritual- (4:08)
5. Carrion Lord – (5:19)
6. The Murder On Warforged Soil – (6:17)
7. Hollowed – (3:50)
8. Sculptors Of Seraphic Tributes- (11:14)
9. Kept From Dust – (4:22)
10. Bloodborne – (4:40)

More Info: https://www.instagram.com/ophidianmemory/

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0 Exitus Stratagem Records – Streaming Now! THIRTEEN GOATS’ Wild Death Metal Rock Opera “Capricorn Rising” + “Planet of the Goats Tour” w/ FALL OF EARTH

July 11, 2024
by Asher
· Music News · Thirteen Goats

NEWS RELEASE

Montreal, QC – July 11, 2024

Streaming Now! THIRTEEN GOATS’ Wild Death Metal Rock Opera “Capricorn Rising”

“Planet of the Goats Tour” w/ FALL OF EARTH

New Album “Capricorn Rising” Out July 12th, 2024 via Exitus Strategem Records

“It’s really strong. GREAT musicians, great production, as well as a very progressive aspect without losing the darkness.” – Kelly Schaefer, Atheist

L-R: Thirteen Goats Current Lineup | Rob Fitz-Gerald (Lead & Rhythm Guitars, Backing Vocals) | Graham K. Miles (Lead Vocals, Lead & Rhythm Guitars) | Cody Lewichew (Bass, Gang Vocals) | Leonid Verman (Drums, Gang Vocals) – Photo Credit: Kevyn Lilith Hoskin

Vancouver, Canada’s Thirteen Goats are proud to release their second album—the extreme metal rock opera “Capricorn Rising”. It tells the story of their mascot, Shepherd: a goat-skull-wearing Antichrist who raises an army of animals to liberate the earth from humanity’s constant wars and greed. This high-concept narrative is delivered with Thirteen Goats‘ signature blend of infernal riffs, huge hooks, and uniquely theatrical songwriting. They comment on the album:

“We think fans are going to get everything they loved about our first record, only more of it—and more focused. We’re exploring similar themes on this release, but we’ve connected them by weaving a cohesive story throughout these nine tracks that gives more context to the different musical and tonal shifts. And just like on the last record, we haven’t been afraid to break the rules.”

Each song on the album is part of a broader narrative that explores themes of disillusionment, radicalization, and rebellion as Shepherd and his 12 demon goats wage their crusade. Thirteen Goats delivers a unique blend of death and thrash metal, combined with a storytelling approach that takes listeners on a journey through the darkest aspects of both human and animal nature.

Listeners can expect furious riffage, ambitious song structures, and even occasional female guest vocals (courtesy of guest artist Carly Ellen Jones). What they shouldn’t expect is a record that plays it safe or falls neatly into one specific subgenre. Thirteen Goats is recommended for fans of Lamb of God, Carcass, and Mastodon.

Listen to the album’s full stream premiere via Decibel Magazine HERE.

Due out on July 12, 2024, “Capricorn Rising” is available from Exitus Stratagem Records for album pre-order at https://www.exsrmusic.com/store/p/pre-sale-thirteen-goats-capricorn-rising

Music Video – Murder Lives in the Heart – https://youtu.be/hpgqlbehecM

In additional news, following their performance at this year’s Armstrong Metal Fest (July 12/13), Vancouver’s Thirteen Goats announce that they will be hitting the road this July and August for their first major Western Canadian tour. They will be co-headlining the “Planet of the Goats Tour” with Edmonton’s Fall of Earth.

Planet of The Goats Tour – Fall of Earth, Thirteen Goats
July 19 – Red Deer, AB – The Vat
July 20 – Edmonton, AB – Starlite Room
July 21 – Lloydminster, SK – The Sticks
July 23 – Brandon, MB – Eastside Eatery
July 24 – Winnipeg, MB – Bulldog Event Center
July 25 – Regina, SK – The Exchange
July 26 – Lethbridge, AB – The Slice
July 27 – Calgary, AB – Rec Room
July 31 – Kelowna, BC – Dunn Enzies (venue change from Revelry)
Aug 1 – Kamloops, BC -The Blue Grotto
Aug 2 – Penticton, BC – Clancy’s
Aug 3 – Vancouver, BC – The Fox Cabaret

Track Listing:
1. Sign of the Goat (4:53)
2. Murder Lives in the Heart (5:30)
3. A Wolf in Shepherd’s Clothing (4:10)
4. Global Fuckup (3:57)
5. Beheading Zoo (3:44)
6. Permission to Die (3:48)
7. Beating the Disease (4:24)
8. Goats of War (5:25)
9. Animal Kingdom (6:19)

More info: Exsrmusic.com | ThirteenGoats.com

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“What makes this turbocharged song (Sign of The Goat) so damned much diabolical fun is the band’s melding of viscerally compulsive grooves, head-spinning instrumental pyrotechnics, and rapid-fire vocal assaults — and doing so in a way that makes the track highly infectious too. The song vividly intersects with the tech-death sphere through flurries of quickly darting, swirling, and swarming riffage, deliriously cavorting arpeggios, and a multitude of percussive fusillades. As displayed in the video, fingers and limbs fly like the wind, and the guttural barks and hair-raising screams in the vocal department rhythmically eject the violent words just as fast and just as furiously. But, as forecast, the song is also a viscerally groovesome beast. It’s almost relentlessly hard-slugging, but what really stands out are brutish, muscle-galvanizing jackhammer-bursts, the first of which comes only 25 seconds into the track. Another one of those episodes sets itself up as the backdrop for crazed guitar soloing that sounds like the ecstasies of fiends. And we did warn you — this thing is also immediately catchy and enduringly addictive. It comes recommended for fans of Bolt Thrower, Archspire, and Lamb of God.” – NoCleanSinging

What the press said about 2022 album “Servants of the Outer Dark”:

#14 on Top 20 – Loud – Canadain College Radio – August 2022 (Earshot)

“An alchemical style reminiscent of Cannibal Corpse, Misery Index, classic Megadeth, melodic Swe-death, and all eras of Death and Carcass.” – Decibel

“Rips, we’re here for it.” – MetalSucks

“Perfectly marries old school death metal, blackened tendencies, and heavy metal choruses.” – Metal Injection

“THIRTEEN GOATS unapologetically raise the deathcore flag for the new decade and absolutely don’t care what people think.” – Exclaim!

“Think Vulgar Display of Power-era Pantera in a cage match with Cannibal Corpse and Ministry.” – The Georgia Straight

“A gut-punching and head-hooking offering of death metal that borrows liberally from many of the genre’s subsets, as well as bringing in elements of thrash, black metal, and grindcore.” – No Clean Singing

“With a name like THIRTEEN GOATS, it’s gonna be evil. It’s cool, thrashy, blackened groove metal, a little like a Lamb of God sound with a bit more heavy brutality going on and a dash of black metal evilness. Great stuff!” – The Mosh Pit on WORT 89.9 FM (Madison, WI)

“THIRTEEN GOATS make seriously good music and sound like they have a lot of fun doing it. They write great upbeat thrash songs with strong melodies that appropriately sway from sinister to camp and pull it off tremendously. For some classic charcuterie of extreme metal mixed with a bit of tongue in cheek, you’re well looked after here.” – Heavy Mag

“THIRTEEN GOATS is a new strength in the extreme scene.” – Metal Temple

“The starting point of Thirteen Goats and their debut album Servants Of The Outer Dark is death metal, but it doesn’t remain tied to it. They explore all types, including tech death and melodic death metal, and even genres outside of that like thrash, groove, and doom metal. Each song brings out a unique side to the band, whether it’s the politically charged ‘Prisoner’s Anthem’ or the body horror of ‘Sub-Being.’” – Heavy Music Headquarters

“Canada’s THIRTEEN GOATS are incredibly fun to listen to and at multiple points subtly humorous—and, as such, make themselves easily a breath of fresh air within the technical scene. That sense of fun is backed up with very proficient playing and dizzying creativity, far beyond what you would expect from a debuting act’s first full length… Servants of the Outer Dark is an excellent debut full-length from these guys and I can’t wait to hear more!” [9/10] – Metal Observer

“All you need is love? No. All you need is THIRTEEN GOATS. Their debut album has everything your heart could desire in a Metal record, it’s a metaphorical pizza with all the toppings and a better thrill ride of a first crack we defy you to find!” [8.5/10] – Metal Noise

“These guys have the ability and the chops to succeed, whilst channeling bands like Lamb Of God into their output.” – Man of Much Metal

“This is so good.” – Stephen Quinn, The Early Edition (CBC Radio One)

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