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Category: The Reticent

0 THE RETICENT Unveils Harrowing New Video “The Bed of Wasps (Those Consumed With Panic)” From Acclaimed Album “Please” Out Now!

  • December 16, 2025
  • by Asher
  • · Music News · The Reticent

NEWS RELEASE

Montreal, QC – December 16, 2025

THE RETICENT Unveils Harrowing New Video “The Bed of Wasps (Those Consumed With Panic)” From Acclaimed Album “Please” Out Now!

Fifth Studio Album “please” Available via Generation Prog Records

L to R – James Nelson (Lead Guitar), Chris Hathcock (Vocals, Guitar, Drums), Paul McBride (Bass)

Photo Credit by Justin H. Reich

The Reticent, the emotionally charged progressive metal project led by Grammy‑nominated music educator and multi‑instrumentalist Chris Hathcock, has released the official video for “The Bed of Wasps (Those Consumed with Panic)”, one of the most visceral and punishing tracks from the band’s latest album, “please,” out now on Generation Prog Records.

“The Bed of Wasps” is the album’s most aggressive and technically demanding moment, a sonic embodiment of panic disorder. Written immediately after Hathcock suffered a real panic attack, the track’s jagged rhythms, dissonant harmonies, and relentless shifts in meter are designed to keep the listener off balance, mirroring the terror and disorientation of the condition itself.
​
Lyrically, the song is constructed from real statements made by panic‑disorder patients, culminating in the desperate refrain “please stop”, a plea familiar to anyone who has lived through such episodes.
​
The video amplifies this intensity, plunging viewers into a claustrophobic, escalating psychological spiral. True to The Reticent’s reputation for emotionally devastating performance art, the visuals aim not merely to depict panic, but to induce its sensation.

Watch the video at https://youtu.be/sbugOh1VTR8

​
​
​The Reticent’s new album “please” is a concept record chronicling the many battlefields of mental illness, insomnia, concealment, panic, depression, dismissal, and the brink of suicide. Hathcock’s writing is deeply autobiographical, each track drawn from lived experience and crafted to immerse listeners in the emotional reality of these struggles.
​
The album was written in just six months. Drums were recorded in one day, all other instruments in two, but vocals took two weeks, leaving Hathcock with a vocal injury that required six weeks of silence. This is the first Reticent album, almost entirely engineered by Hathcock himself at Silent Muse Studio. Drums were tracked by Jamie King (Between the Buried and Me, The Contortionist) at The Basement Studios, who also mixed and mastered the album. All songs (except “The Bed of Wasps”) were recorded using 6-string guitars, the first time since 2016’s “On The Eve Of A Goodbye.”​
​
Known for its devastatingly emotional live performances, described by Metal Injection as “one of the most heart‑wrenching performances in ProgPower USA history”, The Reticent blends progressive metal, post‑metal, and cinematic storytelling into something wholly its own. The band is slated to appear at the 2026 editions of ProgPower USA in September and ProgPower Europe in October, marking another major milestone for the band’s growing international presence.

Formed as an outlet for Chris Hathcock’s most painful experiences, The Reticent has evolved into a critically acclaimed progressive metal project known for its tragic concept albums and emotionally immersive performances. Previous releases such as “On the Eve of a Goodbye” and “The Oubliette” earned widespread praise, with “The Oubliette” named the #1 essential prog metal album of 2020.

Fans of Opeth, Cynic, The Contortionist, Wilderun, and Devin Townsend will find much to resonate with in “please,” released on November 13, 2025, via Generation Prog Records. A follow-up album is already underway, shaped by the profound loss of Chris Hathcock’s father during the creation of “please.”

CD Order:

North America – https://thereticent.net/please-pre-order​

EU – http://www.generation-prog.com/shop/​

Digital Album – https://show.co/MoPdl8W​

Music Video – “The Concealment (Those Who Don’t Want To Wake)” – https://youtu.be/1cIKQcJLKtc

​Lyric Video – “The Scorn (Those Who Don’t Understand)” – https://youtu.be/CR-6wCIpasI

​

Track Listing:​
1. Intake – 1:45
2. The Concealment (Those Who Don’t Want To Wake) – 6:06
3. The Night River (Those Who Can’t Rest) – 6:55
4. Diagnosis 1 – 2:18
5. The Bed of Wasps (Those Consumed With Panic) – 5:47
6. The Scorn (Those Who Don’t Understand) – 8:12
7. Diagnosis 2 – 2:39
8. The Riptide (Those Without Hope) – 6:09
9. The Chance (Those Who Let Go) – 6:52
10. Discharge – 2:56
Album Length: 49:45

Album Recording Credits:​
All instruments and vocals performed by Chris Hathcock except
– Lead Guitar and Additional Acoustic Guitar by James Nelson
– Guest Vocals on “The Bed of Wasps” by Brian Kingsland
– Narration by Vienna Gloom
All songs written by Chris Hathcock
Produced by Chris Hathcock
Engineered by Chris Hathcock
Drums engineered by Jamie King
Mixed and Mastered by Jamie King
Album Artwork by Joscelyne Hauserman

Band Line Up:​
Chris Hathcock – Vocals, Guitar
James Nelson – Lead Guitar, Backing Vocals
Paul McBride – Bass, Backing Vocals

For more info: Thereticent.net | Facebook.com/thereticentmusic | Instagram.com/The.reticent.band​

– 30 –

“The Reticent knocked another emotional album out of the park. please is going to be way up my personal album of the year list and gets a very easy 10/10 for my rankings. I really connected with this album emotionally as I discussed, but musically it is absolutely brilliant as well. As always don’t forget to listen to this, stream it and buy it if you love it like I do.” – Technical Music Review​
​“the North Carolinian group are masters of melancholy… compositionally brilliant” – The Progressive Subway​
​
​“I cannot fault this latest release in any way. Five years has been a long time to wait for it but it’s well worth that wait. I and many others now need to wait with bated breath for whatever Chris comes up with next. It’s guaranteed to be excellent; his track record ensures that. 10/10” – The ProgSpace​
​
​“please is not exactly a fun experience, but its message is an important one. It’s an unequivocal declaration that mental illness is very real, millions of people live with it, and many ultimately make the horrific choice not to. The Reticent does an excellent job of bringing this issue to life with thoughtfully crafted music. If the heavy-handed narrative elements had been pared back in exchange for one more quality song, the score below would easily have been half a point higher or more. Notwithstanding, please is a crucial reminder that we don’t know what unseen struggles others might experience. Always be kind; it can make all the difference.” – Angry Metal Guy​
​
​“In every record The Reticent has composed, you’re made to feel as if you’re Ebenezer Scrooge as the Ghost of Christmas Past vicariously gives you a crash course of whatever the given subject matter is; please is no exception. This is a metaphor I’ve already used before when previously describing The Reticent’s other records because I find it difficult to explain otherwise. please does take this one step further by making you feel as if you’re the main character experiencing it all as opposed to being a distant spectator on the other records… “The Reticent’s please is as close as anyone could get to portraying the horrors of depression in just fifty minutes.” – Everything Is Noise​
​​
“I leave these few words directly for Chris hoping that he sees this. It is absolutely clear that you are a genuine soul, a masterful musician, an inspirational music educator, but more importantly, you’re an amazing son. I never got to know you or your father or your family, but as weird and bold as this sounds coming from a complete stranger on the internet that learned about you solely through the music that you make, I know deep in my gut and heart that he is and always will be immensely proud of you. He lives through you and your music, and although it’s immensely dark, please oozes the passion that he instilled deep inside of you. You are far more than you think you are.” – Everything Is Noise
​
​
​“I truly believe that even though this is technically a prog metal record, there is enough variation in the styles here that this can and will speak to, and be enjoyed by, a wider audience than just prog metal lovers. In that stead, it is not only one of the best releases of the year for metal, but one of the best releases of the prog genre in general. It is a massive leap forward in the maturity and growth of ‘The Recicent’, and it is a “must own” release…. I would classify it as essential to the collection of any serious prog rock physical media collector.” – Progressive Voyages​
​
​“Please, the latest release from the North Carolina prog band The Reticent is a very crazy-sounding album that brings up issues of fear and paranoia in a strange fashion. The feeling of the album is very odd and for a prog album somewhat different and unusual. The emotional aspects of the songs are worried and very obtuse. The Reticent leave a twisted, thoughtful frame in your mind and an urgency that makes things interesting. There is a twisted and demented feeling to the album that makes it groovy. The musicianship is solid with a very hopeless feeling taking center stage and inflecting on all of the instruments. This makes the album somewhat depressive, though it is still very complex and progressive.” – Heavy Music Headquarters​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
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0 Streaming Now! THE RETICENT’s New Concept Album “please” Plunges Deep Into The Battles of Mental Illness

  • November 12, 2025
  • by Asher
  • · Music News · The Reticent

NEWS RELEASE

Montreal, QC – November 12, 2025

Streaming Now! THE RETICENT’s New Concept Album “please” Plunges Deep Into The Battles of Mental Illness

Fifth Studio Album “please” Out Nov 2025 via Generation Prog Records

L to R – James Nelson (Lead Guitar), Chris Hathcock (Vocals, Guitar, Drums), Paul McBride (Bass)

Photo Credit by Justin H. Reich

Progressive metal trio The Reticent returns with its most emotionally raw and artistically ambitious release to date: “please”, a concept album that plunges deep into the lived experience of mental illness. Being released via Generation Prog Records on November 13th, 2025, the album’s full stream can be heard via its premiere on TheProgSpace, offering listeners a front-row seat to one of the most personal and soul-baring musical journeys of the year.

Listen to “please” in full via TheProgspace HERE.​
​
Helmed by Grammy-nominated music educator Chris Hathcock, The Reticent has carved a distinct identity through emotionally charged, autobiographical concept albums that fuse progressive metal with raw, introspective storytelling. Their latest release, “please,” is Hathcock’s most personal and vulnerable work to date, a sonic outcry born from his own suffering and shaped into a plea for empathy, healing, and survival. The title itself, “please,” encapsulates a universal cry: for rest, for peace, for help, for escape. Far more than a catalog of pain, the album stands as a lifeline, crafted in the depths of anguish and offered to those who may be silently enduring the same.

Spanning ten deeply affecting tracks, “please” traverses the complex terrain of mental illness, with each song shedding light on a unique psychological struggle, from the disorientation of panic attacks and the torment of sleeplessness to the crushing weight of depression and the finality of suicidal ideation. Written while Hathcock was actively experiencing these states, every lyric and musical phrase resonates with lived truth, making “please” not just an album but a testament to survival.
​
Hidden throughout “please” are references to the work of clinical psychologist Kay Redfield Jamison, including nods to her books Night Falls Fast and An Unquiet Mind, and samples of her voice in “Discharge.”

The album was written in just six months. Drums were recorded in one day, all other instruments in two, but vocals took two weeks, leaving Hathcock with a vocal injury that required six weeks of silence. This is the first Reticent album, almost entirely engineered by Hathcock himself at Silent Muse Studio. Drums were tracked by Jamie King at The Basement Studios, who also mixed and mastered the album. All songs (except “The Bed of Wasps”) were recorded using 6-string guitars, the first time since 2016’s “On The Eve Of A Goodbye.”

​
The album artwork visualizes depression as a riptide, a tireless current pulling you away from shore. It’s a metaphor that runs through the album, both sonically and lyrically.
​
During the filming of the single “The Concealment” video, Hathcock broke two toes, sprained three others, and tore his rotator cuff. He performed at ProgStorm Festival in Montreal, QC, just six days later, in visible pain.
​
​The Reticent’s live shows are more than concerts, they’re emotional exorcisms. Described by Metal Injection as “one of the most heart-wrenching performances in ProgPower history,” the band delivers immersive, soul-crushing sets that leave audiences transformed. The band is slated to appear at the 2026 editions of ProgPower USA in September and ProgPower Europe in October, marking another major milestone for the band’s growing international presence.
​
Fans of Opeth, Cynic, The Contortionist, Wilderun, and Devin Townsend will find much to resonate with in “please,” which arrives November 13, 2025, via Generation Prog Records. A follow-up album is already underway, shaped by the profound loss of Chris Hathcock’s father during the creation of “please.”

CD pre-order (North America) – https://thereticent.net/please-pre-order​

CD pre-order (EU) – http://www.generation-prog.com/shop/​

Digital Album pre-save – https://show.co/MoPdl8W​

Music Video – “The Concealment (Those Who Don’t Want To Wake)” – https://youtu.be/1cIKQcJLKtc​

Lyric Video – “The Scorn (Those Who Don’t Understand)” – https://youtu.be/CR-6wCIpasI​

Track Listing:​
1. Intake – 1:45
2. The Concealment (Those Who Don’t Want To Wake) – 6:06
3. The Night River (Those Who Can’t Rest) – 6:55
4. Diagnosis 1 – 2:18
5. The Bed of Wasps (Those Consumed With Panic) – 5:47
6. The Scorn (Those Who Don’t Understand) – 8:12
7. Diagnosis 2 – 2:39
8. The Riptide (Those Without Hope) – 6:09
9. The Chance (Those Who Let Go) – 6:52
10. Discharge – 2:56
Album Length: 49:45

Album Recording Credits:​
All instruments and vocals performed by Chris Hathcock except
– Lead Guitar and Additional Acoustic Guitar by James Nelson
– Guest Vocals on “The Bed of Wasps” by Brian Kingsland
– Narration by Vienna Gloom
All songs written by Chris Hathcock
Produced by Chris Hathcock
Engineered by Chris Hathcock
Drums engineered by Jamie King
Mixed and Mastered by Jamie King
Album Artwork by Joscelyne Hauserman

Band Line Up:​
Chris Hathcock – Vocals, Guitar
James Nelson – Lead Guitar, Backing Vocals
Paul McBride – Bass, Backing Vocals

For more info: Thereticent.net | Facebook.com/thereticentmusic | Instagram.com/The.reticent.band​

– 30 –

“The Reticent knocked another emotional album out of the park. please is going to be way up my personal album of the year list and gets a very easy 10/10 for my rankings. I really connected with this album emotionally as I discussed, but musically it is absolutely brilliant as well. As always don’t forget to listen to this, stream it and buy it if you love it like I do.” – Technical Music Review​ (2025 – please)

“I truly believe that even though this is technically a prog metal record, there is enough variation in the styles here that this can and will speak to, and be enjoyed by, a wider audience than just prog metal lovers. In that stead, it is not only one of the best releases of the year for metal, but one of the best releases of the prog genre in general. It is a massive leap forward in the maturity and growth of ‘The Recicent’, and it is a “must own” release…. I would classify it as essential to the collection of any serious prog rock physical media collector.” – Progressive Voyages (2025 – please)

“A taut, compelling progressive metal opus.” – Angry Metal Guy (2020 – The Oubliette)

“A narrative masterpiece. 10/10” – Rock Magazine (2020 – The Oubliette)

“Something all fans of music will want to experience.” – Metal Temple (2020 – The Oubliette)

“Prog’s most emotionally gut-wrenching band returns!” – Metal Storm (2020 – The Oubliette)

“One fact is incontrovertible: songwriter Chris Hathcock is a genius.” – Legacy Magazine (2020 – The Oubliette)

“Undoubtedly one of this year’s best albums, if not THE best album.” – Scream Magazine (Norway) (2020 – The Oubliette)

“As beautiful as it is sorrowful, masterful instrumentals and intense sounds accompany the story of this concept album that explores the slow descent into oblivion that sufferers of Alzheimer’s disease experience. Fans of metal will come for the riffs, and stay for the depth of atmosphere and storytelling. You’ll be left pondering existence after one of the best albums of the year.” – Cave Dweller Music (2020 – The Oubliette)

The Oubliette was included on numerous “best of” lists and was called The Most Essential Progressive Metal Album of 2020” by RTMBA Magazine. More recently, The Oubliette was included on Metal Injection’s 10 Extremely Underrated Progressive Metal Albums list and their 10 Extremely Underrated Metal Albums of the 2020s list.​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – Asher Media
Tweet – AsherMedia

0 THE RETICENT Confronts Mental Health with New Video “The Scorn” Off Upcoming Album “please” Out Nov 2025

  • October 23, 2025
  • by Asher
  • · Music News · The Reticent

NEWS RELEASE

Montreal, QC – October 23, 2025

THE RETICENT Confronts Mental Health with New Video “The Scorn (Those Who Don’t Understand)”

Fifth Studio Album “please” Out Nov 2025 via Generation Prog Records

L to R – James Nelson (Lead Guitar), Chris Hathcock (Vocals, Guitar, Drums), Paul McBride (Bass)

Photo Credit by Justin H. Reich

Progressive metal act The Reticent has unveiled the lyric video for “The Scorn (Those Who Don’t Understand),” the latest single from their upcoming album “please,” due out on Generation Prog Records on November 13th. Known for their emotionally intense concept albums, The Reticent continues their tradition of soul-baring storytelling with “please,” a harrowing journey through the many battlefields of mental illness.
​
​“The Scorn (Those Who Don’t Understand)” takes on the voice of those who dismiss mental health struggles, echoing phrases like “just get over it” and “it’s all in your head.” Musically, the track leans into groove-oriented rhythms and major chords to reflect the detached worldview of those who don’t understand. The addition of exotic instrumentation like the oud and hand percussion further separates the song from the rest of the album’s sonic palette.
​
But “please” is more than just an album; it’s a survival mechanism. Written in just six months, the album was recorded under extreme conditions. Drums for “please” and its follow-up were tracked in a single day, while guitars, bass, and keys were completed in two. The vocals, however, took two grueling weeks, during which founder Chris Hathcock injured his larynx so severely that doctors feared permanent damage. Hathcock was forced into six weeks of total silence, even teaching his classes entirely nonverbally. Thankfully, he recovered, mostly.
​
The pain didn’t stop there. While filming the video for “The Concealment,” Hathcock broke two toes, sprained three others, and partially tore his rotator cuff during a scene that required him to violently destroy a room. Just six days later, he performed at ProgStorm Festival in Montreal with those injuries, doubled over in pain by the end of the set. Fans, immersed in the emotional intensity of the performance, had no idea.
​
“please” is the first album by The Reticent to be almost entirely engineered by Chris Hathcock himself. While drums were tracked at The Basement Studios with longtime producer Jamie King (Between The Buried And Me, The Contortionist), all other elements were recorded at Hathcock’s Silent Muse Studio. The album was also mixed and mastered by King, adding his signature polish to the final product. The isolation of self-recording introduced an additional layer of emotional strain, especially during the vocal sessions.
​
Lyrically, the album is rich with references to the work of clinical psychologist Kay Redfield Jamison. Lines like “Night falls fast…” in “The Concealment” and “an unquiet mind” in “The Night River” nod to Jamison’s seminal works on suicide and bipolar disorder. Her voice even appears in samples throughout “Discharge.”
​
Musically, “please” marks a return to 6-string guitars, a first since 2016’s “On The Eve Of A Goodbye,” except for “The Bed of Wasps.” The five-year gap between “please” and 2020’s “The Oubliette” is the longest in the band’s history, a reflection of the emotional toll and life events that shaped its creation.
​
​The Reticent, led by Grammy-nominated music educator Chris Hathcock, has built a reputation for devastatingly autobiographical concept albums. Joined by James Nelson (Nospūn) and Paul McBride (Voraath), the band delivers performances that blur the line between metal show and performance art. Their appearance at ProgPower USA was hailed by Metal Injection as “one of the most heart-wrenching performances in ProgPower history.”​
​
In addition to their recent performance at ProgStorm Festival in Montreal this past summer, The Reticent is slated to appear at the 2026 editions of ProgPower USA in September and ProgPower Europe in October, marking another major milestone for the band’s growing international presence.
​
The lyric video for “The Scorn (Those Who Don’t Understand)” is now available on YouTube and streaming platforms.

Watch at https://youtu.be/CR-6wCIpasI

Fans of Opeth, Cynic, The Contortionist, Wilderun, and Devin Townsend will find much to resonate with in “please,” which arrives November 13, 2025, via Generation Prog Records. A follow-up album is already underway, shaped by the profound loss of Chris Hathcock’s father during the creation of “please.”

CD pre-order (North America) – https://thereticent.net/please-pre-order

CD pre-order (EU) – http://www.generation-prog.com/shop/

Digital Album pre-save – https://show.co/MoPdl8W

Music Video- “The Concealment (Those Who Don’t Want To Wake)” – https://youtu.be/1cIKQcJLKtc

Track Listing:​
1. Intake – 1:45
2. The Concealment (Those Who Don’t Want To Wake) – 6:06
3. The Night River (Those Who Can’t Rest) – 6:55
4. Diagnosis 1 – 2:18
5. The Bed of Wasps (Those Consumed With Panic) – 5:47
6. The Scorn (Those Who Don’t Understand) – 8:12
7. Diagnosis 2 – 2:39
8. The Riptide (Those Without Hope) – 6:09
9. The Chance (Those Who Let Go) – 6:52
10. Discharge – 2:56
Album Length: 49:45

Album Recording Credits:​
All instruments and vocals performed by Chris Hathcock except
– Lead Guitar and Additional Acoustic Guitar by James Nelson
– Guest Vocals on “The Bed of Wasps” by Brian Kingsland
– Narration by Vienna Gloom
All songs written by Chris Hathcock
Produced by Chris Hathcock
Engineered by Chris Hathcock
Drums engineered by Jamie King
Mixed and Mastered by Jamie King
Album Artwork by Joscelyne Hauserman

Band Line Up:​
Chris Hathcock – Vocals, Guitar
James Nelson – Lead Guitar, Backing Vocals
Paul McBride – Bass, Backing Vocals

For more info: Thereticent.net | Facebook.com/thereticentmusic | Instagram.com/The.reticent.band

– 30 –

“A taut, compelling progressive metal opus.” – Angry Metal Guy (2020 – The Oubliette)

“A narrative masterpiece. 10/10” – Rock Magazine (2020 – The Oubliette)

“Something all fans of music will want to experience.” – Metal Temple (2020 – The Oubliette)

“Prog’s most emotionally gut-wrenching band returns!” – Metal Storm (2020 – The Oubliette)

“One fact is incontrovertible: songwriter Chris Hathcock is a genius.” – Legacy Magazine (2020 – The Oubliette)

“Undoubtedly one of this year’s best albums, if not THE best album.” – Scream Magazine (Norway) (2020 – The Oubliette)

“As beautiful as it is sorrowful, masterful instrumentals and intense sounds accompany the story of this concept album that explores the slow descent into oblivion that sufferers of Alzheimer’s disease experience. Fans of metal will come for the riffs, and stay for the depth of atmosphere and storytelling. You’ll be left pondering existence after one of the best albums of the year.” – Cave Dweller Music (2020 – The Oubliette)

The Oubliette was included on numerous “best of” lists and was called The Most Essential Progressive Metal Album of 2020” by RTMBA Magazine. More recently, The Oubliette was included on Metal Injection’s 10 Extremely Underrated Progressive Metal Albums list and their 10 Extremely Underrated Metal Albums of the 2020s list.​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media PR News
Instagram – Asher Media
Tweet – AsherMedia

0 THE RETICENT’s Fifth Studio Album “please” Explores The Struggles of Mental Illness; Unveil Music Video For Single “The Concealment”

  • October 3, 2025
  • by Asher
  • · Music News · The Reticent

NEWS RELEASE

Montreal, QC – October 3, 2025

THE RETICENT’s Fifth Studio Album “please” Explores The Struggles of Mental Illness

Unveil Music Video For Single “The Concealment (Those Who Don’t Want To Wake)”

L to R – James Nelson (Lead Guitar), Chris Hathcock (Vocals, Guitar, Drums), Paul McBride (Bass)

Photo Credit by Justin H. Reich

Generation Prog Records is proud to announce the release of “please,” the emotionally searing new album from progressive metal act The Reticent. Led by Grammy-nominated music educator and multi-instrumentalist Chris Hathcock, “please” is a concept album that plunges listeners into the harrowing realities of mental illness, suicide, and survival. The album will be available on November 13th, 2025.
​
The first single, “The Concealment (Those Who Don’t Want To Wake),” is accompanied by a haunting music video that captures the anguish of hiding one’s suffering in plain sight.

“The Concealment could be thought of as the thesis statement of the new album. It tries to capture what it is to attempt to carry on with your life while struggling with the crushing weight of mental illness. At work, with family, at school, wherever, we have to don masks and pretend we are ‘just fine’ when inside we may wish to go to sleep and never wake up again. 1 in 4 adults will have a mental health crisis this year, and there are 1.5 million suicide attempts per year in this country. It’s all around us, yet most will not talk about it, most will not get help, and most will suffer in silence. We are not alone, yet we feel intensely lonely because of that disconnection. For me, I have to pretend to be someone else every day as a teacher – confident, smart, strong – whilst inside I often wish fervently for oblivion to end my near constant pain. When the despair and the grief and the hopelessness come, the isolation and hollowness of all things can rob life of any color. For those who know what it is like to live with these disorders, it is indeed lonely here,” says Hathcock.

Watch the music video premiere on MetalAddicts HERE.

Featuring ten emotionally driven tracks, the album was written in just six months. Drums were recorded in a single day, all other instruments in two, but vocals took two weeks, leaving Hathcock with a laryngeal injury so severe he couldn’t speak for six weeks. During the filming of “The Concealment” video, Hathcock broke two toes, sprained three others, and tore his rotator cuff. He performed at ProgStorm Festival in Montreal, Canada, just six days later, concealing his injuries behind the band’s emotionally intense stagecraft.
​
​“please” is also The Reticent‘s first album, engineered almost entirely by Hathcock at his Silent Muse Studio. Only the drums were tracked at The Basement Studios with longtime producer Jamie King (BTBAM, The Contortionist), who also took care of mixing and mastering for the record.
​
This fifth studio album includes subtle nods to clinical psychologist Kay Redfield Jamison, with lyrical references to her books “Night Falls Fast” and “An Unquiet Mind,” and samples of her voice appearing in “Discharge.”
​
Hailed as “prog’s most emotionally gut-wrenching” band, The Reticent began as Hathcock’s solo outlet for personal trauma. Over time, it evolved into a full-fledged progressive metal force, known for concept albums like “On The Eve Of A Goodbye” and “The Oubliette.” Joined by guitarist James Nelson (Nospūn) and bassist Paul McBride (Voraath), The Reticent delivers live performances that are more performance art than concert, intensely immersive and emotionally devastating.
​
The band has performed at prestigious festivals, including ProgPower USA, where Metal Injection called their set “one of the most heart-wrenching performances in ProgPower history.”
​
For those who seek truth in music, The Reticent offers a mirror to the soul and a plea for understanding.

Recommended for fans of Opeth, Cynic, The Contortionist, Wilderun, and Devin Townsend.

“please” will be available via Generation Prog Records on November 13, 2025. A sixth album is also complete, as it was recorded simultaneously with “please” and will follow for release in 2026.

CD pre-order (North America) – https://thereticent.net/please-pre-order​

CD pre-order (EU) – http://www.generation-prog.com/shop/​

Digital Album pre-save – https://show.co/MoPdl8W​

Track Listing:​
1. Intake – 1:45
2. The Concealment (Those Who Don’t Want To Wake) – 6:06
3. The Night River (Those Who Can’t Rest) – 6:55
4. Diagnosis 1 – 2:18
5. The Bed of Wasps (Those Consumed With Panic) – 5:47
6. The Scorn (Those Who Don’t Understand) – 8:12
7. Diagnosis 2 – 2:39
8. The Riptide (Those Without Hope) – 6:09
9. The Chance (Those Who Let Go) – 6:52
10. Discharge – 2:56
Album Length: 49:45

Album Recording Credits:​
All instruments and vocals performed by Chris Hathcock except
– Lead Guitar and Additional Acoustic Guitar by James Nelson
– Guest Vocals on “The Bed of Wasps” by Brian Kingsland
– Narration by Vienna Gloom
All songs written by Chris Hathcock
Produced by Chris Hathcock
Engineered by Chris Hathcock
Drums engineered by Jamie King
Mixed and Mastered by Jamie King
Album Artwork by Joscelyne Hauserman

Band Line Up:​
Chris Hathcock – Vocals, Guitar
James Nelson – Lead Guitar, Backing Vocals
Paul McBride – Bass, Backing Vocals

For more info: Thereticent.net | Facebook.com/thereticentmusic | Instagram.com/The.reticent.band​

– 30 –

“A taut, compelling progressive metal opus.” – Angry Metal Guy (2020 – The Oubliette)

“A narrative masterpiece. 10/10” – Rock Magazine (2020 – The Oubliette)

“Something all fans of music will want to experience.” – Metal Temple (2020 – The Oubliette)

“Prog’s most emotionally gut-wrenching band returns!” – Metal Storm (2020 – The Oubliette)

“One fact is incontrovertible: songwriter Chris Hathcock is a genius.” – Legacy Magazine (2020 – The Oubliette)

“Undoubtedly one of this year’s best albums, if not THE best album.” – Scream Magazine (Norway) (2020 – The Oubliette)

“As beautiful as it is sorrowful, masterful instrumentals and intense sounds accompany the story of this concept album that explores the slow descent into oblivion that sufferers of Alzheimer’s disease experience. Fans of metal will come for the riffs, and stay for the depth of atmosphere and storytelling. You’ll be left pondering existence after one of the best albums of the year.” – Cave Dweller Music (2020 – The Oubliette)

The Oubliette was included on numerous “best of” lists and was called The Most Essential Progressive Metal Album of 2020” by RTMBA Magazine. More recently, The Oubliette was included on Metal Injection’s 10 Extremely Underrated Progressive Metal Albums list and their 10 Extremely Underrated Metal Albums of the 2020s list.​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 EPK – The Reticent – please (2025) – Generation Prog Records

  • September 24, 2025
  • by Asher
  • · EPKs · The Reticent

EPK – The Reticent – please (2025) – Generation Prog Records

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“The wide variety of approaches to progressive metal that The Reticent is known for is present and will most likely satisfy fans of the previous albums. The intensely personal storytelling and tragic autobiographical concepts of previous albums are also present and will again take fans on a journey. I believe fans will hopefully be able to see themselves reflected in the experiences I try to describe in this album.

“please” is a journey through the many battlefields of mental illness. From hiding such conditions from others (“The Concealment”) to insomnia (“The Night River”) to panic attacks (“The Bed of Wasps”) to not being believed (“The Scorn”) to depression (“The Riptide”) to the edge of suicide (“The Chance”), the album takes them through these nuanced and explosive states of mind as Chris reveals to the listeners what it is like in his mind.” – The Reticent

For fans of Opeth, Cynic, The Contortionist, Wilderun, Devin Townsend

Band: The Reticent
Album Title: please
Release Date: November 13, 2025
Label: Generation Prog Records
Genre: Progressive Metal
Location: Charlotte, North Carolina

Thereticent.net | Facebook.com/thereticentmusic | Youtube.com/@TheReticent | Instagram.com/The.reticent.band

Thereticent.bandcamp.com | Spotify

“A taut, compelling progressive metal opus.” – Angry Metal Guy (2020 – The Oubliette)

“A narrative masterpiece. 10/10” – Rock Magazine (2020 – The Oubliette)

“Something all fans of music will want to experience.” – Metal Temple (2020 – The Oubliette)

“Prog’s most emotionally gut-wrenching band returns!” – Metal Storm (2020 – The Oubliette)

“One fact is incontrovertible: songwriter Chris Hathcock is a genius.” – Legacy Magazine (2020 – The Oubliette)

“Undoubtedly one of this year’s best albums, if not THE best album.” – Scream Magazine (Norway) (2020 – The Oubliette)

“As beautiful as it is sorrowful, masterful instrumentals and intense sounds accompany the story of this concept album that explores the slow descent into oblivion that sufferers of Alzheimer’s disease experience. Fans of metal will come for the riffs, and stay for the depth of atmosphere and storytelling. You’ll be left pondering existence after one of the best albums of the year.” – Cave Dweller Music (2020 – The Oubliette)

The Oubliette was included on numerous “best of” lists and was called The Most Essential Progressive Metal Album of 2020” by RTMBA Magazine. More recently The Oubliette was included on Metal Injections 10 Extremely Underrated Progressive Metal Albums list and their 10 Extremely Underrated Metal Albums of the 2020s list.

[Download Album Cover | Download Album Lyrics]

Band: The Reticent
Album Title: please
Release Date: November 13, 2025
Label: Generation Prog Records
Genre: Progressive Metal
Location: Charlotte, North Carolina

Track Listing:
1. Intake – 1:45
2. The Concealment (Those Who Don’t Want To Wake) – 6:06
3. The Night River (Those Who Can’t Rest) – 6:55
4. Diagnosis 1 – 2:18
5. The Bed of Wasps (Those Consumed With Panic) – 5:47
6. The Scorn (Those Who Don’t Understand) – 8:12
7. Diagnosis 2 – 2:39
8. The Riptide (Those Without Hope) – 6:09
9. The Chance (Those Who Let Go) – 6:52
10. Discharge – 2:56
Album Length: 49:45

Album Recording Credits:
All instruments and vocals performed by Chris Hathcock except
– Lead Guitar and Additional Acoustic Guitar by James Nelson
– Guest Vocals on “The Bed of Wasps” by Brian Kingsland
– Narration by Vienna Gloom
All songs written by Chris Hathcock
Produced by Chris Hathcock
Engineered by Chris Hathcock
Drums engineered by Jamie King
Mixed and Mastered by Jamie King
Album Artwork by Joscelyne Hauserman

Band Line Up:
Chris Hathcock – Vocals, Guitar
James Nelson – Lead Guitar, Backing Vocals
Paul McBride – Bass, Backing Vocals

=========================================================

About The Album Artwork:

Depression is like a riptide. Tireless and constant, a current pulling you away from shore. The water, the depression, calls to you to surrender and to let go.

About the album as a whole (LYRICALLY & MUSICALLY):

“please” is a journey into the battles with mental illness that its author struggles with to this day. Mental illness is something that gets swept under the rug most often. People will often say after a suicide that they “wish they had known” or “wish the person had said something,” while frequently those who speak up face chastisement or even ridicule. Many disorders create a storm in their amalgamation as one piles on, having to hide one’s illnesses with sleeplessness and panic attacks and depression, and not being taken seriously when you do speak up – these all can contribute to a person feeling they have no way out. The epidemic of suicide is a reflection of this. “please” is chosen as the title because that is the universal term applicable to all of these experiences – it is a supplication as we beg for sleep, beg for attacks to stop, beg for help, beg for it all to end. The undertaking of this album was a means for songwriter Chris Hathcock to navigate his own intense suffering and find a way to keep going when what he wanted to do was just let go and vanish into oblivion.

Track by Track (LYRICALLY & MUSICALLY)

1. Intake – This introductory track sets the scene for the mental illness epidemic and what it is like to live with it, featuring audio from psychologists and suicide survivors. The piano previews the melody and progression in “The Concealment”

2. The Concealment (Those Who Don’t Want To Wake) – This track is about what those struggling have to do to survive: hide. We learn to say we’re fine so we can get along. But then at the end of the day, the emptiness, the pain, etc., it all washes over us like a tide. With 1 in 4 adults experiencing a mental health crisis yearly, but 70% of them not seeking or able to get help, the notion of “we are lonely” refers to how we may be suffering similarly in silence right next to others feeling the same. Musically, the song is a dynamic progressive metal song that features interlacing harmonies, all culminating in the final giant crescendo as the song reaches its emotional climax.

3. The Night River (Those Who Can’t Rest) – Insomnia can take many forms, so in this case, it is represented by the nagging thoughts (hence the constant whispers in the left and right speakers during the verses). The lyrics begin very verbose and articulate before the exhaustion and fear turn to the notion of never sleeping again. The music is a bit more animated in the vein of prog rock, with many sections being exclusively tapped before it gets more aggressive as the desperation sets in.

4. Diagnosis 1 – This is an examination of the symptoms of a panic attack and panic disorder. The sounds are meant to enhance the feeling of anxiety.

5. The Bed of Wasps (Those Consumed With Panic) – Aggressive, technical, and desperate, this song features the heaviest and most metal moments of the record pulling from death and black metal and near constant odd time signatures. The dissonant sounds and odd rhythms are meant to keep the listener uneasy so that they may feel some of the panic attack. The lyrics are actually made from cutting out pieces of statements made by patients who suffer from panic disorder. The song culminates in the desperate refrain of “please stop” – something any sufferer will have begged.

6. The Scorn (Those Who Don’t Understand) – This song is decidedly more groove-oriented in keeping with the almost mocking tone of the lyrics. Lyrically, the song takes the perspective of someone who does not understand what it is to have major depressive disorder or suicidal ideation. As such, they instruct the listener to “just get over it,” pointing out “it’s all in your head.” The presence of more major chords and straightforward grooves is the world that those who don’t understand live in. Exotic hand percussion and string instruments like the oud are introduced in this song, making it feel further removed from the others.

7. Diagnosis 2 – This is an examination of the symptoms of major depressive disorder. The sounds this time are more dull and listless, almost calm. The ocean can be heard slowly fading in as it goes on transitions to The Riptide.

8. The Riptide (Those Without Hope) – This song features the thinnest texture of all of the songs on the album, made up only of keyboard, guitar, and vocals. The theme of water plays out sonically and lyrically as depression is represented as both an undertow pulling someone under the surface of the water and a riptide pulling them far from shore. The depression washes away all hope and won’t let go, so the sensation of drowning begins.

The guitar solo in the song is also done with the tone knob completely rolled down, creating a more muted sound like we would hear underwater.

9. The Chance (Those Who Let Go) – This song is a perspective on suicide from the vantage point of someone who feels it is their only way out. As such, the song takes on a peaceful, almost hopeful feel in both harmony and melody. This is to represent the peace that comes from knowing that their suffering will soon be at an end. There remains conflict, however, in both how the narrator hesitates as well as distant pleas of “help me please,” indicating that this is something he is struggling with. Suicidal people don’t actually want to die; they just want to escape – they want the pain to stop. The lyrics begin painting pictures of a place without pain, representing the fantasy of release that people feel on the edge of suicide. The music is more intimate here with acoustic guitars and brushes on the drums that transition to a melody that repeats over and over but builds more and more each time, culminating in a large crescendo mirroring that of The Concealment, but it is suddenly cut short, and we are left with silence, suggesting that the narrator did, in fact, pull the trigger.

10. Discharge – The title here is a double entendre, and its meaning depends on how the listener wants to interpret it. A person could be discharged from a hospital or clinic, and a firearm can also be discharged. A broken piece of the melody from The Concealment (and Intake) plays against a more somber droning background while we hear from a suicide survivor describing losing her husband. From there, we hear from two different psychologists giving perspectives on what affects and impacts suicide. This piece is a reflection on the aftermath of suicide.

======================================================

FUN FACTS – STORY ANGLES

1. The album was written in 6 months, drums were recorded for this album (and the next album) in one singe day, all other instruments (guitar, bass, keys) were recorded in two days, but the vocals took two weeks and at the end of it Chris had injured his larynx to the point that the fear was he would require surgery and potentially couldn’t sing again. He had to go over 6 weeks without speaking and even in his teaching job he had to communicate 100% nonverbally. Thankfully, he recovered for the most part.

During the filming of the video for The Concealment, one particular scene called for Chris to violently destroy a room. During this scene, Chris got a bit too into the moment and ended up breaking two toes, spraining three others, and partially tearing his left rotator cuff. To make things worse, he had to perform at Progstorm Festival in Canada only 6 days after the injury – he performed with the broken bones and tears and by the end of the set, he was doubled over in pain. Due to the emotional and painful nature of The Reticent’s music, most fans in attendance didn’t realize he was injured in multiple places.

2. This is the first Reticent album to be almost completely engineered by Chris Hathcock himself. The drums were tracked at The Basement Studios with Jamie King (who mixed and mastered the album), but everything else was tracked at Hathcock’s personal studio, Silent Muse Studio. He had to record and perform by himself, which led to a lot of frustration, especially when he was tracking vocals.

3. There are numerous references to the work of clinical psychologist Kay Redfield Jamison hidden throughout ‘please.’ For example, The Concealment includes a line that begins “Night falls fast…” This is a nod to Jamison’s 1999 book Night Falls Fast: Understanding Suicide. The Night River features a reference to “an unquiet mind,” which is a nod to Jamison’s 1995 book “An Unquiet Mind.” Samples of Jamison herself can be heard speaking about suicide and mental illness during Discharge.

4. With the exception of The Bed of Wasps, all the songs were recorded using 6-string guitars, which is the first time The Reticent used mainly 6-strings since before 2016’s On The Eve Of A Goodbye.

5. BONUS: The gap between The Oubliette and please (5 years) is the longest gap between albums since The Reticent began.

==============================================================

L to R James Nelson (lead guitar), Chris Hathcock (Vocals, Guitar, Drums), Paul McBride (Bass)

Photo Credit by Justin H. Reich

Hailed as “prog’s most emotionally gut-wrenching” band, The Reticent began as a solo side project for its founder – multi-instrumentalist, Chris Hathcock. Already a

Grammy-nominated music educator, Hathcock sought to find a way of expressing some of the more painful sides of his life and as such, The Reticent became known for its tragically autobiographical concept albums. Records such as “On The Eve Of A Goodbye” and “The Oubliette,” displayed an ever evolving progressive metal approach and gave audiences a sobering, emotional, often devastating experience finding favor in particular with fans of Opeth, BTBAM, Porcupine Tree, and Cynic. Hathcock recruited in eminently talented performers such as James Nelson (Nospūn) and Paul McBride (Voraath) to help not only bring the albums to the stage but to further enhance the studio recordings which have now been consistently produced by Jamie King (Between The Buried And Me, The Contortionist). The Reticent has played notable festivals such as ProgPower USA, of which Metal Injection said they had “one of the most

heart-wrenching performances in ProgPower history” further noting “Despite being the opening act on day one, The Reticent received a standing ovation from the seated audience, and there wasn’t a dry eye in the house.” Upcoming festival performances for the band include ProgStorm Festival 2025 in Montreal, Canada. The Reticent’s last album, “The Oubliette,” was hailed as “a masterpiece,” “genius,” “devastating,” and included on several “Best of” lists for 2020 and being named “the number 1 most essential prog metal album of 2020.”

 

Discography:
2025 – please LP
2020 – The Oubliette LP
2016 – On The Eve Of A Goodbye LP
2012 – Le Temps Detruit Tout LP
2008 – Amor Mortem Mei Erit LP
2006 – Hymns for the Dejected Demo

Shared Stage with: Cynic, Atheist, Into Eternity, Swallow the Sun, Doro, Insomnium

Tours and Festivals:
2026 – ProgPower USA XXV – Atlanta, GA
2025 – ProgStorm Festival – Montreal, QC, CAN
2023 – ProgPower USA XXII – Atlanta, GA
2023 – Forget Me Not Tour – US

Artist Endorsements:
James Nelson – Ormsby Guitars
Paul McBride – Arachnid Cabinets, GHS Strings, Tsunami Cables

 

0 The Reticent’s New Video “Stage 3 – The Palliative Breath” Continues The Tale of A Man’s Battle With Alzheimer’s Disease From Concept Album “The Oubliette”, Lyric Video Premiere via NewFuryMedia 

  • November 11, 2020
  • by Asher
  • · Music News · The Reticent

NEWS RELEASE

Montreal, QC – November 11, 2020

 

 

For fans of Opeth, Porcupine Tree, Katatonia, The Contortionist, King Crimson

The Reticent’s New Video “Stage 3 – The Palliative Breath”
Continues The Tale of A Man’s Battle With Alzheimer’s Disease From Concept Album “The Oubliette”

Lyric Video Premiere via NewFuryMedia

Out Now! New Album “The Oubliette” via Heaven & Hell Records

North Carolina conceptual metal proggers The Reticent released their latest critically acclaimed concept album entitled “The Oubliette” via Heaven & Hell Records this past September. The full length was produced again by Jamie King (BTBAM, The Contortionist, Scale The Summit), and it tells the tale of man’s battle with Alzheimer’s disease.

The record follows the journey of an old man named Henry, which is based upon a relative of songwriter Chris Hathcock
 who’s real name was Cyrus. The name Henry was chosen as a somewhat more universal name, but also because Henry was one of the Alzheimer’s patients featured prominently in the documentary “Alive Inside”. The concept of the album is to demonstrate Henry’s descent through the seven stages of Alzheimer’s.  He doesn’t know where he is or why he’s there.  He doesn’t remember his wife is dead.  He doesn’t recognize his son. Step by step the disease takes his memories, his ability to speak, his ability to walk, his ability to breathe.

To lyrically visualize the third stage of Alzheimer’s, The Reticent has put together a new lyric video for “Stage 3 – The Palliative Breath”.

Hathcock adds about the track:

“Henry has brief moments of clarity when he realizes that “holes are deepening in his mind” and he vaguely grasps some of what’s happening to him.  More calm and reflective the music echoes the patience that the doctors urge.  The beautiful thoughtful acoustic opening gives way to powerful progressive rock, calm folk, and driving metal all to the conclusion that Henry’s best is long behind him.“

The video for “Stage 3 – The Palliative Breath” can be watched and heard via its premiere on NewFuryMedia HERE.

The Reticent‘s new album “The Oubliette” follows the band’s2016 release “On The Eve Of A Goodbye”, which was an autobiographical concept record that chronicled the day before, day of, and the day after the suicide of band founder Chris Hathcock’s childhood friend Eve. Critics and fans of the record alike were moved by the compelling narrative and heartrending performances along with the band’s award-winning live performances that are both an audiovisual and emotional experience that utilizes film, story-telling, and the sheer intensity of the music.

Even though the recording of “The Oubliette” was delayed four times due to a severe injury to Hathcock’s right arm (the deltoid bursa to be exact), he was able to perform all instruments on the full length, he actually began lining up players to fill in for him as doctors told him he may be endangering his arm’s functionality if he didn’t take an extended break from playing. Luckily, rest allowed him to recuperate enough to complete the record. Although, the process was slowed because he was in pain the entire time, every recording session began with him taking at least 800 mg of Ibuprofen to make it through.

Chris Hathcock comments on “The Oubliette”:

“As with my previous album, I hope that ‘The Oubliette’ will provide listeners with a rich and emotionally challenging audio experience.  This is undoubtedly the most ambitious record The Reticent has attempted to date.  The hope is that listeners will be personally affected by the music on a deep level and that it may draw some attention to a disease that is frighteningly prominent but frequently poorly understood.  There will be moments that are soothing and there will be moments that are overwhelming.  The story I have to tell is not a happy one but it is an important one – and it is often through the pain that we find the most profound reflection and calls to action.”  

“The Oubliette” (Heaven & Hell Records) is available on Heavenandhellrecords.com (CD), Bandcamp, Spotify, Apple Music.

Music Video – Stage 2: The Captive – YouTube


Track Listing:
1. Stage 1 – His Name Is Henry (9:46)
2. Stage 2 – The Captive (6:00)
3. Stage 3 – The Palliative Breath (7:13)
4. Stage 4 – The Dream (11:47)
5. Stage 5 – The Nightmare (12:14)
6. Stage 6 – The Oubliette (10:38)
7. Stage 7 – ________ (6:10)
Album Length: 1:03:50

Album Band Line Up:
Chris Hathcock – Guitars, Bass, Keyboards, Drums, Vocals, Additional Percussion
James Nelson – Lead Guitars

Live Band Line Up:
Chris Hathcock – Vocals, Guitar
James Nelson – Lead Guitar, Backing Vocals
Cliff Stankiewicz – Bass
Mitch Moore – Drums

For more info:
HeavenandHellRecords.com
TheReticent.net
EPK

– 30 –

“Each time I have listened to this, my rating of it has gone up until it could not go any higher. This album will hit the spot musically, tug at the heart strings and chill you to the bone. 5/5 – The ProgSpace

“Once again The Reticent enlist the aid of Jamie King for production, giving The Oubliette the same quality in sound and balance as its predecessor. The instruments sound fantastic, and Hathcock’s singing is stellar. His blend of clean (often yearning) vocals and harsh moments used to demonstrate the confusion and fury of Henry is perfectly arranged… I can safely say my expectations have been met, and at times exceeded, by The Oubliette. Hathcock has taken yet another personal subject and transformed it into a taut, compelling progressive metal opus” – Angry Metal Guy

“it’s clear that this is a very personal story from Chris Hathcock. He poured his heart and soul into the concept, and the way the tracks flowed, the story is very real and vivid. Alzheimer’s is a terrible disease, because it mostly affects the patient’s loved ones more than the patient himself. It’s a long process of slowly letting go, until the disease claims another victim. This process is carefully matriculated through music here, and it’s something all fans of music will want to experience. Especially considering the number of us who have been affected in one way or another by this ravaging disease. 9/10” – Metal Temple

“Prog’s most emotionally gutwrenching one-man band returns with plenty more feels… The Oubliette is the next album released under The Reticent‘s name, and tells the story of the protagonist Henry’s decline as a result of Alzheimer’s disease, heavy subject matter again inspired by life experience of Hathcock. The Reticent‘s track record for dealing with such serious subject matter was promising, and with The Oubliette they deliver on said promise.” – Metal Storm

“The Reticent have delivered a narrative masterpiece… I give 10 out of 10 bangs” – Rock Magazine.net

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 “Once again The Reticent enlist the aid of Jamie King for production, giving The Oubliette the same quality in sound and balance as its predecessor. The instruments sound fantastic, and Hathcock’s singing is stellar. His blend of clean (often yearning) vocals and harsh moments used to demonstrate the confusion and fury of Henry is perfectly arranged… I can safely say my expectations have been met, and at times exceeded, by The Oubliette. Hathcock has taken yet another personal subject and transformed it into a taut, compelling progressive metal opus” – Angry Metal Guy

  • September 27, 2020
  • by Asher
  • · The Reticent

“Once again The Reticent enlist the aid of Jamie King for production, giving The Oubliette the same quality in sound and balance as its predecessor. The instruments sound fantastic, and Hathcock’s singing is stellar. His blend of clean (often yearning) vocals and harsh moments used to demonstrate the confusion and fury of Henry is perfectly arranged… I can safely say my expectations have been met, and at times exceeded, by The Oubliette. Hathcock has taken yet another personal subject and transformed it into a taut, compelling progressive metal opus” – Angry Metal Guy

https://www.angrymetalguy.com/the-reticent-the-oubliette-review/

0 The Progspace – The Reticent “Each time I have listened to this, my rating of it has gone up until it could not go any higher. This album will hit the spot musically, tug at the heart strings and chill you to the bone. 5/5”

  • September 24, 2020
  • by Asher
  • · The Reticent

The Progspace – The Reticent “Each time I have listened to this, my rating of it has gone up until it could not go any higher. This album will hit the spot musically, tug at the heart strings and chill you to the bone. 5/5” https://theprogspace.com/the-reticent-the-oubliette/

0 The Reticent Streaming Concept Album “The Oubliette”; A Tale of Man’s Battle With Alzheimer’s Disease; Album Stream Premiere via TheProgSpace

  • September 23, 2020
  • by Asher
  • · Music News · The Reticent

(contact info below)

 

NEWS RELEASE

Montreal, QC – September 23, 2020

 

 

For fans of Opeth, Porcupine Tree, Katatonia, The Contortionist, King Crimson

The Reticent Streaming Concept Album “The Oubliette”; A Tale of Man’s Battle With Alzheimer’s Disease

Album Stream Premiere via TheProgSpace

New Album “The Oubliette” Out September 25th via Heaven & Hell Records

North Carolina conceptual metal proggers The Reticent will be releasing their new album entitled “The Oubliette” via Heaven & Hell Records on September 25th. Produced again by Jamie King (BTBAM, The Contortionist, Scale The Summit), the album tells a tale of man’s battle with Alzheimer’s disease. Before it officially drops, the band wants to share this story with the full length’s stream premiere on TheProgSpace HERE. 

“The Oubliette” follows the band’s critically acclaimed 2016 release “On The Eve Of A Goodbye”, which was an autobiographical concept record that chronicled the day before, day of, and the day after the suicide of band founder Chris Hathcock’s childhood friend Eve. Critics and fans of the record alike were moved by the compelling narrative and heartrending performances along with the band’s award-winning live performances that are both an audiovisual and emotional experience that utilizes film, story-telling, and the sheer intensity of the music.

Even though the recording of “The Oubliette” was delayed four times due to a severe injury to Hathcock’s right arm (the deltoid bursa to be exact), he was able to perform all instruments on the full length, he actually began lining up players to fill in for him as doctors told him he may be endangering his arm’s functionality if he didn’t take an extended break from playing. Luckily, rest allowed him to recuperate enough to complete the record. Although, the process was slowed because he was in pain the entire time. Every recording session began with him taking at least 800 mg of Ibuprofen to make it through.

Finally completing “The Oubliette”, The Reticent shares another stirring autobiographical tale, this time about the tragedy of Alzheimer’s disease. The album follows the journey of an old man named Henry, which is based upon a relative of songwriter Chris Hathcock who’s real name was Cyrus. The name Henry was chosen as a somewhat more universal name, but also because Henry was one of the Alzheimer’s patients featured prominently in the documentary “Alive Inside”. The concept of the album is to demonstrate Henry’s descent through the seven stages of Alzheimer’s.  He doesn’t know where he is or why he’s there.  He doesn’t remember his wife is dead.  He doesn’t recognize his son.  Step by step the disease takes his memories, his ability to speak, his ability to walk, his ability to breathe.  The music of “The Oubliette” traverses styles as divergent as jazz and black metal all within the framework of emotionally driven progressive metal.  With each track sonically independent from its predecessor, the album moves the listener from experience to experience, vague memories to dreams and nightmares all toward its heartbreaking finale. Fans and critics alike will be very eager to sink their teeth into another intense emotional outpouring of progressive metal.

Chris Hathcock adds:

“As with my previous album, I hope that ‘The Oubliette’ will provide listeners with a rich and emotionally challenging audio experience.  This is undoubtedly the most ambitious record The Reticent has attempted to date.  The hope is that listeners will be personally affected by the music on a deep level and that it may draw some attention to a disease that is frighteningly prominent but frequently poorly understood.  There will be moments that are soothing and there will be moments that are overwhelming.  The story I have to tell is not a happy one but it is an important one – and it is often through the pain that we find the most profound reflection and calls to action.”  

“The Oubliette” is due out via Heaven & Hell Records on September 25, 2020.

Album Pre-Order HERE.

Music Video – Stage 2: The Captive – YouTube


Track Listing:
1. Stage 1 – His Name Is Henry (9:46)
2. Stage 2 – The Captive (6:00)
3. Stage 3 – The Palliative Breath (7:13)
4. Stage 4 – The Dream (11:47)
5. Stage 5 – The Nightmare (12:14)
6. Stage 6 – The Oubliette (10:38)
7. Stage 7 – ________ (6:10)
Album Length: 1:03:50

Album Band Line Up:
Chris Hathcock – Guitars, Bass, Keyboards, Drums, Vocals, Additional Percussion
James Nelson – Lead Guitars

Live Band Line Up:
Chris Hathcock – Vocals, Guitar
James Nelson – Lead Guitar, Backing Vocals
Cliff Stankiewicz – Bass
Mitch Moore – Drums

For more info:
HeavenandHellRecords.com
TheReticent.net
EPK

– 30 –

“it’s clear that this is a very personal story from Chris Hathcock. He poured his heart and soul into the concept, and the way the tracks flowed, the story is very real and vivid. Alzheimer’s is a terrible disease, because it mostly affects the patient’s loved ones more than the patient himself. It’s a long process of slowly letting go, until the disease claims another victim. This process is carefully matriculated through music here, and it’s something all fans of music will want to experience. Especially considering the number of us who have been affected in one way or another by this ravaging disease. 9/10” – Metal Temple

“Prog’s most emotionally gutwrenching one-man band returns with plenty more feels… The Oubliette is the next album released under The Reticent‘s name, and tells the story of the protagonist Henry’s decline as a result of Alzheimer’s disease, heavy subject matter again inspired by life experience of Hathcock. The Reticent‘s track record for dealing with such serious subject matter was promising, and with The Oubliette they deliver on said promise.” – Metal Storm

“The Reticent have delivered a narrative masterpiece… I give 10 out of 10 bangs” – Rock Magazine.net

“In a way, Chris pulled off the perfect fusion of PINK FLOYD’s The Wall and Operation Mindcrime by QUEENSRYCHE, all treated with the sensitivity of a modern Crossover between OPETH and EDGE OF SANITY. We obviously recognize the paw of Neal Morse and Steven Wilson in the most complex and melodic parts, but this fourth LP of the master arises in synthesis of the modern progressive.” – Metalnews.fr

“The Oubliette – being a true concept album – follows the 7 stages of Alzheimer’s. And – by that same token – tries to portray the emotions of the afflicted. In a way, this record is like one of those deep, dark, gleamy chocolate cakes. The ones that look at you with ominous malevolence, just before the evil clown jumps out. This thing is so full of psychological horrors and innuendo that – after a few listens – you start getting the jitters. Not because of the clown, of course, but because all of that has the ring of truth to it. And worse, the disease could hit you, too. Because there’s no defense.” – Rock Music Raider

—

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0 RockMusicRaider – The Reticent – The Oubliette (2020) – Review

  • September 23, 2020
  • by Asher
  • · The Reticent

https://www.rockmusicraider.com/the-reticent-the-oubliette-review/

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