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Category: Slug Comparison

0 Out Now! FEN’s Doug Harrison’s Solo Project SLUG COMPARISON’s Third Album “A Battle to the End Fought on the Edge of a Knife”

  • May 9, 2025
  • by Asher
  • · Music News · Slug Comparison

NEWS RELEASE

Montreal, QC – May 9, 2025

Out Now! FEN’s Doug Harrison’s Solo Project SLUG COMPARISON’s Third Album “A Battle to the End Fought on the Edge of a Knife”

Doug Harrison (Slug Comparison) – Photo Credit: Bailey Ennig

Canadian vocalist, guitarist, and songwriter Doug Harrison, known for his progressive rock outfit FEN, is excited to share his solo project SLUG COMPARISON’s third album, “A Battle to the End Fought on the Edge of a Knife,” out now, as of May 9th, 2025.

Recorded over the same period as Fen‘s Dear Mouse (Sept 2024). Both recordings had been a long time coming, and then by chance, they converged to completion at the same time.

“It became a bit of a competition to see which one would be mastered first. In the end, it was pretty much a tie, because I had a couple of recalls for the Slug Comparison master, but I wanted to put out Dear Mouse first, because it had been so bloody long in the making, and we were desperate to wash our hands of it,” adds Harrison.

Slug Comparison‘s previous records were built on the layering of electric and acoustic guitars, and earnest, melodic vocals. This latest 11-song album has abandoned the acoustics and is more riff-heavy to lean into his early influence of grunge.

Harrison comments:

“For past albums, it was tricky keeping the momentum going with half the songs being acoustic and light and the other half being heavy-ish. This time around, electric guitars carry the listener from beginning to end. A straight-up rock album. That was the goal. And lyrically, it follows in the tradition of songs like AC/DC’s “It’s a Long Way to the Top,” the difference being that Slug Comparison hasn’t left the house yet. A Battle to the End Fought on the Edge of a Knife is a grief statement about the abandonment of rockstar dreams. It’s also a collection of yearnings, regrets, and celebrations along the way.”

“A Battle to the End Fought on the Edge of a Knife” was written by Harrison along with vocals, guitar, bass, and programming. He is joined by drummer Flavio Cirillo (Art of Dying, Puddle of Mudd), along with a collaboration on the song “Wish to Adapt” with Matt McCallum. Mixing was done by Ben Kaplan (Biffy Clyro, Bend Sinister, Ninjaspy, Mother Mother, Corb Lund) and mastering by Brock McFarlane at CPS Mastering (Mother Mother, Corb Lund).

Harrison does assure fans that future releases will continue to explore the moody, acoustic-based territories that defined his earlier work. After this album, fans can expect a new EP from Slug Comparison in 2026. Recommended for fans of Mother Mother, The Killers, and Porcupine Tree, “A Battle to the End Fought on the Edge of a Knife” is available at the following links:

Spotify – https://spoti.fi/452Fk2t​

Bandcamp – https://slugcomparison.bandcamp.com/album/a-battle-to-the-end-fought-on-the-edge-of-a-knife

Song Stream –“Wish to Adapt” – https://youtu.be/zCntMSHpp1A​

Song Stream – “March Through the Forest” – https://youtu.be/WPwp061C0ZU​

Track Listing:​
1. Wish to Adapt (3:46)
2. March through the Forest (3:54)
3. Game of Repression (3:57)
4. Undead Plots (4:06)
5. Outta the Jam (4:51)
6. A Battle to the End Fought on the Edge of a Knife (4:13)
7. Too Much Love (5:04)
8. Metal Roots Came Twisting (6:45)
9. Played for a Centipede (2:36)
10. Of Being Apart (5:19)
11. Hamsters in a Tub (3:02)
Album Length: 47:33

More info: Slugcomparison.com | Instagram.com/slugcomparison | Facebook.com/slugcomparison​

-30-

“the quite outstanding A Battle to the End Fought on the Edge of a Knife, a record that cements Doug Harrison and SLUG COMPARISON as a perpetual spark and joy for ears as songwriter and musician and itself as a forerunner if not dead cert for best of year choices come December.” – The RingMaster Review (2025 – A Battle to the End Fought on the Edge of a Knife)

“Fen’s Doug Harrison has a solo project, Slug Comparison, and their current single ‘Wish To Adapt’ is great. The track’s verses share an almost agit-inflicted rhythm, taking the melody from a rock core into the realms of post punk and retro new wave, which Harrison accents further by adding a quirky, near spoken vocal. This gives the track a very rigid and uneasy quality. Then, everything does a massive about turn to smack the listener in the face with a huge sounding melodic rock chorus that sounds like a throwback to ‘The Colour & The Shape’ era Foo Fighters, making everything really accessible and welcomingly familiar. The more commercial moments of this rocker are big and impressive and eventually dominate, but that shouldn’t detract from the artier moments here, and Doug should be applauded for mixing styles in such an interesting manner.” – Real Gone Rocks (2025 – A Battle to the End Fought on the Edge of a Knife)

“Harrison’s skills as a guitarist and bass player, plus a way above average knowledge of programming, enabled him to make the songs sound like a full band having a blast. Whether he goes fast (Outta the Jam) or takes it down a notch in the self-deprecating title track when he describes his job as punching in numbers into a blue screen with the great line “I want to die with only minor regrets”. The highlight is a twisted power ballad about to having much too much of a good thing (Too Much Love). Whatever he goes on about, Harrison never misses the opportunity to throw in a couple of smart chord changes or rhythmic shifts, preferably both of them. This is a record for musos first, but it is fine for those who are not about dissecting the music to enjoy it as such. Recommended if you like Deadwing-era Porcupine Tree.” – Here Comes The Flood (2025 – A Battle to the End Fought on the Edge of a Knife)

“Canadian auteur explores expectancy and desperation to find cathartic cleansing of his soul. 4/5” – Dmme.net – Let It Rock (When You Were Living Here 2019)

“One of my favourite songs of the year” (about “Bringer of Doom”) –Dutch Progressive Rock Radio (Self-Titled 2014)

“Simply engulfs the imagination and emotions” -The Ringmaster Reviews (Self-Titled 2014)

#30 of The Rickter Scale’s Top 100 albums of 2014 – Rickter Scale Rock Radio (Self-Titled 2014)

“Stirs the senses, taking the listener on a voyage of imagination and emotion.”-Sonic Abuse (Self-Titled 2014)

Slug Comparison Self-Titled Album #5 on DPRP’s Top Progressive Metal Albums of 2014

“Songs that are all of the highest caliber” – PowerofMetal.dk (Self-Titled 2014)

“Ahh, the glorious beauty of the brooding and gloomy mind of Doug Harrison” (5 stars) – Sea of Tranquility (Self-Titled 2014)

“a lot of work and effort has gone into this album, and it pays off spectacularly” -Wonderbox Metal (Self-Titled 2014)

9.2/10 – Metal Imperium – (Self-Titled 2014)

—​
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 FEN’s Doug Harrison Shares “Wish to Adapt” From Solo Project SLUG COMPARISON’s New Album “A Battle to the End Fought on the Edge of a Knife” Out May 2025

  • March 28, 2025
  • by Asher
  • · FEN · Music News · Slug Comparison

NEWS RELEASE

Montreal, QC – March 28, 2025

FEN’s Doug Harrison Shares “Wish to Adapt” From Solo Project SLUG COMPARISON

New Album “A Battle to the End Fought on the Edge of a Knife” Out May 2025

Doug Harrison (Slug Comparison) – Photo Credit: Bailey Ennig

Known for his progressive work in the Canadian band FEN, vocalist, guitarist, and songwriter Doug Harrison announces the third album, “A Battle to the End Fought on the Edge of a Knife,” from his solo project Slug Comparison, due out May 2025.

Written by Harrison along with vocals, guitar, bass, and programming, he is joined by drummer Flavio Cirillo (Art of Dying, Puddle of Mudd) with mixing done by Ben Kaplan (Biffy Clyro, Bend Sinister, Ninjaspy, Mother Mother, Corb Lund) and mastered by Brock McFarlane at CPS Mastering (Mother Mother, Corb Lund).

Slug Comparison unveiled the first single, “March Through the Forest,” this past January and is sharing the next single and the album’s opening track, “Wish to Adapt,” from the 11-song album. The track is about reaching the end of yourself, when you know what you’re going to do in virtually every situation, and you’re bored, and you want to change, and you wonder if you can, if you can break out of yourself. This song captures the yearning that might lead to the breaking of patterns.

The full length describes trying to squeeze the creative process into the demands of normal life. Most musicians don’t make much money, if any. And one’s schedule doesn’t tend to open up great swathes of time for creativity. Every minute you get to work on music is the spoil of a battle won against the forces of daily life. Sacrifices are made. Metaphorical limbs are lost.

Harrison’s comments:

“My past work includes a lot of acoustic guitars and delicate layering. The new material is all electric, has more upfront rock production, and is more riff-heavy. I lean into my early influence of grunge, but this record also has touches of prog and alt-rock. Fans who know my other band, Fen, might like “Metal Roots Came Twisting” for its expansive journey. I want fans to enjoy the high, uplifting energy of this exhilarating musical experience.”

Harrison does assure fans that future releases will continue to explore the moody, acoustic-based territories that defined his earlier work. Recommended for fans of Mother Mother, The Killers, and Porcupine Tree. Listen to “Wish to Adapt” at the following links:

YouTube – https://youtu.be/zCntMSHpp1A

Bandcamp – https://slugcomparison.bandcamp.com/track/wish-to-adapt

Due out on May 9, 2025, album pre-order for “A Battle to the End Fought on the Edge of a Knife” is available at https://slugcomparison.bandcamp.com/album/a-battle-to-the-end-fought-on-the-edge-of-a-knife

First Single – “March Through the Forest”

YouTube – https://youtu.be/WPwp061C0ZU​

Spotify – https://spoti.fi/3PtN98j​

Track Listing:​
1. Wish to Adapt (3:46)
2. March through the Forest (3:54)
3. Game of Repression (3:57)
4. Undead Plots (4:06)
5. Outta the Jam (4:51)
6. A Battle to the End Fought on the Edge of a Knife (4:13)
7. Too Much Love (5:04)
8. Metal Roots Came Twisting (6:45)
9. Played for a Centipede (2:36)
10. Of Being Apart (5:19)
11. Hamsters in a Tub (3:02)
Album Length: 47:33

More info: Slugcomparison.com | Instagram.com/slugcomparison | Facebook.com/slugcomparison​

-30-

“Canadian auteur explores expectancy and desperation to find cathartic cleansing of his soul. 4/5” – Dmme.net – Let It Rock (When You Were Living Here 2019)

“One of my favourite songs of the year” (about “Bringer of Doom”) –Dutch Progressive Rock Radio (Self-Titled 2014)

“Simply engulfs the imagination and emotions” -The Ringmaster Reviews (Self-Titled 2014)

#30 of The Rickter Scale’s Top 100 albums of 2014 – Rickter Scale Rock Radio (Self-Titled 2014)

“Stirs the senses, taking the listener on a voyage of imagination and emotion.”-Sonic Abuse (Self-Titled 2014)

Slug Comparison Self-Titled Album #5 on DPRP’s Top Progressive Metal Albums of 2014

“Spell binding” -Your Music Blog (Self-Titled 2014)

“Songs that are all of the highest caliber” – PowerofMetal.dk (Self-Titled 2014)

“a true gem of prog rock” – Living Music Blog (Self-Titled 2014)

“Ahh, the glorious beauty of the brooding and gloomy mind of Doug Harrison” (5 stars) – Sea of Tranquility (Self-Titled 2014)

“a lot of work and effort has gone into this album, and it pays off spectacularly” -Wonderbox Metal (Self-Titled 2014)

9.2/10 – Metal Imperium – (Self-Titled 2014)

—​
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Slug Comparison – A Battle to the End Fought on the Edge of a Knife (2025)

  • March 28, 2025
  • by Asher
  • · Music News · Slug Comparison

EPK – Slug Comparison – A Battle to the End Fought on the Edge of a Knife (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“My past work includes a lot of acoustic guitars and delicate layering. The new material is all electric and has more upfront rock production. If anyone starts to miss the old stuff, don’t worry, there’ll be plenty more moody, acoustic-based songs in the future. Those are piling up in the shadows and will get their turn. Prog fans might like “Metal Roots Came Twisting” for its expansive journey. I love being able to throw a long, developed song like that onto an album. I wish I could write 8 or 10 of them in one stretch, but they take up a lot of brain power. Enjoy this high energy, uplifting, exhilarating musical experience.” – Doug Harrison – Slug Comparison

For fans of Mother Mother, The Killers, Rush, Porcupine Tree

Band: Slug Comparison
Album Title: A Battle to the End Fought on the Edge of a Knife
Release Date: May 9, 2025
Label: Self-Release

Slugcomparison.com | Instagram.com/slugcomparison | Facebook.com/slugcomparison

Slugcomparison.bandcamp.com | Spotify | Apple Music

“The smart, crafty and catchy new progressive single “Wish to Adapt” from prog-rock vocalist / guitarist Doug Harrison and his solo project Slug Comparison has arrived. WJOE has been spinning the first single “March Through The Forest” and this one raises the bar even higher as anticipation builds for the album “A Battle to the End Fought on the Edge of a Knife” (how’s that for a title?!) set to drop on May 9th. Catch the impressive “Wish to Adapt” from Slug Comparison on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“Canadian auteur explores expectancy and desperation to find cathartic cleansing of his soul. 4/5” – Dmme.net – Let It Rock (When You Were Living Here 2019)

“One of my favourite songs of the year” (about “Bringer of Doom”) – Dutch Progressive Rock Radio (Self-Titled 2014)

“Simply engulfs the imagination and emotions” – The Ringmaster Reviews (Self-Titled 2014)

#30 of The Rickter Scale’s Top 100 albums of 2014 – Rickter Scale Rock Radio  (Self-Titled 2014)

“Stirs the senses, taking the listener on a voyage of imagination and emotion.”-Sonic Abuse  (Self-Titled 2014)

Slug Comparison Self-Titled Album #5 on DPRP’s Top Progressive Metal Albums of 2014

“Spell binding” -Your Music Blog (Self-Titled 2014)

“Songs that are all of the highest caliber” – PowerofMetal.dk (Self-Titled 2014)

“a true gem of prog rock” – Living Music Blog (Self-Titled 2014)

“Ahh, the glorious beauty of the brooding and gloomy mind of Doug Harrison” (5 stars) – Sea of Tranquility (Self-Titled 2014)

“a lot of work and effort has gone into this album, and it pays off spectacularly” -Wonderbox Metal (Self-Titled 2014)

9.2/10 – Metal Imperium – (Self-Titled 2014)

[Download Album Cover | Download Album Lyrics]

Band: Slug Comparison
Album Title: A Battle to the End Fought on the Edge of a Knife
Release Date: May 9, 2025
Label: Self-Release

Track Listing:
1. Wish to Adapt (3:46)
2. March through the Forest (3:54)
3. Game of Repression (3:57)
4. Undead Plots (4:06)
5. Outta the Jam (4:51)
6. A Battle to the End Fought on the Edge of a Knife (4:13)
7. Too Much Love (5:04)
8. Metal Roots Came Twisting (6:45)
9. Played for a Centipede (2:36)
10. Of Being Apart (5:19)
11. Hamsters in a Tub (3:02)
Album Length: 47:33

Album Recording Credits:
• Doug Harrison: Vocals, Guitar, Bass, Programming
• Flavio Cirillo: Drums
• All songs written by Doug Harrison
• Album produced by Doug Harrison
• Mixed by Ben Kaplan
• Mastered by Brock McFarlane at CPS Mastering
• Album Artwork by Bailey Ennig
• Member of SOCAN
• Canadian Content (MAPL)

Album Band Line Up:
Doug Harrison: Vocals, Guitar, Bass, Programming
Flavio Cirillo: Drums

===================================================

About The Album Artwork:

The artwork is meant to convey the scattered life of a creative, the challenge of balancing life’s basic demands with the unrelenting and financially unrewarding pull to make art. The artwork is a mess, and a bit ugly.

About the album as a whole (LYRICALLY & MUSICALLY):

A Battle to the End Fought on the Edge of a Knife is an overdramatic description of trying to squeeze the creative process into the demands of normal life. Most musicians don’t make much money, if any. And one’s schedule doesn’t tend to open up great swathes of time for creative work. Every minute you get to work on music is the spoil of a battle won against the forces of daily life. Sacrifices are made. Metaphorical limbs are lost.

Track by Track (LYRICALLY & MUSICALLY):

1. Wish to Adapt
It’s about reaching the end of yourself, that point when you know what you’re going to do in virtually every situation, and you’re bored, and you want to change, and you wonder if you can, if you can break out of yourself. This song captures the yearning that might lead to the purposeful breaking of patterns.

2. March Through the Forest
This song was inspired by a November hike in the North Shore mountains of Vancouver. It started off damp and cold. As we climbed, it started snowing, and it turned into a complete whiteout by the time we reached the summit. The song is a factual account of that joyful experience, a recording of that memory.

3. Game of Repression
I’m one of those people who tries to glide through life without causing a lot of offense. (Very rock’n’roll, yes.) But it’s been said the road to hell is paved with good intentions, and sometimes I do a little roadwork—I want to say the right thing, but some ugly shit comes out and it’s hurtful because there’s some truth to it. I think the lyrics spell it out pretty clearly. The keening and moans at the end of the song do a decent job of conveying the aftermath of such verbal slips: the regret, the self-berating, and loathing, the pain of the person on the other end.

4. Undead Plots
I write songs. I also write fiction. But I’m not as good at finishing stories as I am at finishing songs. And those unfinished stories have been piling up (while I’ve been working on music). As proof of this, I’ve written a song about all those unfinished stories confronting me as a group and pleading for me to finish them. Unfinished stories do not go away. They drag on you. They haunt you. My hope was that in writing a song about them I’d be inspired to finish them. I try. But then another recording needs to be made…

5. Outta the Jam
The title track of Fen’s latest album Dear Mouse is about a dilapidated house we used to live in. We jammed there all day, often starting at 8 in the morning, and we had little reason to leave. That was my first time being a shut-in, and it led to swelling anxiety about the outside world. I felt exposed walking along the sidewalk to get groceries. The cawing of the East Van crows sounded sharper than ever, even threatening. Entering the world outside was a get-in / get-out mission. The best survival tactic was to have a riff looping in my head, so I never lost connection to the basement jam space, which was the center of my existence.

6. A Battle to the End Fought on the Edge of a Knife
The feel and chords of this song are so much outside of what I’m comfortable doing that when I started playing them during a jam with Jeff and Sam from Fen, they thought I was joking when I told them it was a new song. The irony is that it’s a serious song underneath, and maybe the jokey feel made it easier to write about. I’ve been making music for over 25 years and pouring time, energy, and money into it, while at the same time trying to exist in a “normal” life. It takes constant pushing, constant sacrifices, and the support of the people closest to me. It’s a precarious balance to maintain. And this song is a tiny window into that lifestyle.

7. Too Much Love
Sometimes life is very good. Gotta celebrate those good days.

8. Metals Roots Came Twisting
I spent a few months in Nelson, BC, which is known for its laid-back, arts-minded residents, many of whom share an appreciation for reggae. My roots are in metal. This song is about the clash of genres that would sometimes occur at open jams. The lyrics are all in good fun. I left Nelson with an appreciation of Bob Marley and I guess the seeds of this song that I’d write half a lifetime later.

9. Played for a Centipede
Most musicians don’t get their dreams fulfilled, and I’m no exception, along with most musicians I know.  Even though it’s common to fall grossly short of what you hoped for, it takes some getting used to. To let go. I’ve written a few songs around this topic.

10. “Played for a Centipede” is a head-on look at the disparity between dreams and reality. While you play, you want a stadium of adoring fans, but you get a centipede doubling back on the carpet towards you.

11. Of Being Apart
This is an anthem for introverts. It’s the story of someone whose society puts them in solitary confinement for being an introvert. They thrive there, and when the extraverted society gives them a second chance at freedom, instead of joining the crowd, they go further into the cage and burrow deep into the earth to be even more alone. The vocal has some of the highest notes I can produce.

12. Hamsters in a Tub
I wish I could explain where these lyrics came from. They just came. It’s the story of a boy who despite his love for hamsters inadvertently causes their death in the jaws of the family cat. So he buys another one from the lady down the street, who has an endless supply. Sometimes a kooky riff calls for kooky lyrics and a kooky vocal character to deliver them. I’ve written a lot songs now, and a weird one like this is a gift because I don’t have to worry if I’ve written this type of song before.

=============================================
Fun Facts / Story Angles:

1. Doug Harrison is from the Canadian rock/metal band Fen, who just released the widely appreciated album Dear Mouse.

2. The Slug Comparison songs were recorded over the same period as Fen’s Dear Mouse. Both recordings had been a long time coming, and then by chance they converged to completion at the same time. It became a bit of a competition to see which one would be mastered first. In the end, it was pretty much a tie, because I had a couple of recalls for the Slug Comparison master, but I wanted to put out Dear Mouse first, because it had been so bloody long in the making, and we were desperate to wash our hands of it.

3. The album was mixed by Ben Kaplan (Biffy Clyro, Mother Mother, Ninja Spy).

4. Drums were played by Flavio Cirillo (Art of Dying, Puddle of Mudd)

 

Doug Harrison (Slug Comparison) – Photo Credit: Bailey Ennig

Slug Comparison is the solo project of Fen vocalist/guitarist Doug Harrison, whose songs glide over a landscape of grunge, progressive rock, indie, and metal. The Ringmaster Reviews says music “simply engulfs the imagination and emotions.” Expect more new music from Slug Comparison in 2025. 

Discography:
2025 – March Through the Forest (single)
2019 – When You Were Living Here – album
2014 – Self-titled – album

 

0 Hear the Week’s Best New Canadian Music from Exclaim! #spotify #spotifyplaylist #ehList w/ Vancouver’s Slug Comparison, Ottawa’s Marble Ghosts, and more!

  • January 13, 2025
  • by Asher
  • · Marble Ghosts · Slug Comparison

Hear the Week’s Best New Canadian Music from Exclaim! #spotify #spotifyplaylist #ehList
w/ Vancouver’s Slug Comparison, Ottawa’s Marble Ghosts, and more!

Article – https://exclaim.ca/music/article/hear-the-week-s-best-new-canadian-music-pup-the-halluci-nation-maddie-jay-quinton-barnes
Spotify – https://open.spotify.com/playlist/4Un2w4sjxYoZE8WMpuZTKU?si=T8zgKBr5TH-mIkTVgXbftA

#exclaim #canada #canadianmusician #canadianmusic #canadianrock #music #newmusic #newmusicalert #spotifymusic

0 FEN’s Doug Harrison Unveils New Single for Solo Project SLUG COMPARISON – Fuzzy And Upbeat Get Ready To “March Through The Forest”

  • January 10, 2025
  • by Asher
  • · Music News · Slug Comparison

NEWS RELEASE

Montreal, QC – January 10, 2025

FEN’s Doug Harrison Unveils New Single for Solo Project SLUG COMPARISON – Fuzzy And Upbeat Get Ready To “March Through The Forest”

Doug Harrison (Slug Comparison) – Photo Credit: Bailey Ennig

Rising from the creative depths of FEN‘s vocalist and guitarist Doug Harrison, Slug Comparison launches its fuzzy and upbeat new single “March Through the Forest”. Emerging from an unconventional creative process, the track marks a bold departure from previous acoustic-driven sounds into a more aggressive, electric-driven aesthetic. Harrison explains the background to the track:

“This song came after a hike with a friend in the North Shore mountains of Vancouver. The day started off damp and cold. As we climbed, it began to snow, a dusting at first, but it cast this beautiful veil over the ground wherever the trees opened up into a clearing. We kept going, and it was a whiteout by the time we finally reached the summit. Then we stood there at the edge of these sheer granite cliffs that we couldn’t see below us, and ravens wove in and out of the clouds, disappearing and reappearing. “March Through the Forest” is an account of that day, which was a good one.”

Fans of Harrison‘s work with FEN will recognize his signature approach to songwriting—a fluid blend of grunge, progressive rock, indie, and metal influences. “March Through the Forest” showcases his ability to push musical boundaries while maintaining an authentic creative voice.

The track is part of Slug Comparison’s upcoming musical offerings for 2025, signaling an exciting new chapter for the project. Doug Harrison produced the single with mixing done by Ben Kaplan (Biffy Clyro, Bend Sinister, Ninjaspy, Mother Mother, Corb Lund) and mastered by Brock McFarlane at CPS Mastering (Mother Mother, Corb Lund.

While the current sound leans into more upfront, riff-heavy rock, Harrison assures fans that future releases will continue to explore the moody, acoustic-based territories that defined his earlier work. “March Through the Forest” is recommended for fans of Mother Mother, The Killers, and Rush.

Listen to the single at the following links:

YouTube – https://youtu.be/WPwp061C0ZU

​

Spotify – https://spoti.fi/3PtN98j

​

More info: Slugcomparison.com | Instagram.com/slugcomparison | Facebook.com/slugcomparison​

-30-

“Canadian auteur explores expectancy and desperation to find cathartic cleansing of his soul. 4/5” – Dmme.net – Let It Rock (When You Were Living Here 2019)

“One of my favourite songs of the year” (about “Bringer of Doom”) –Dutch Progressive Rock Radio (Self-Titled 2014)

“Simply engulfs the imagination and emotions” -The Ringmaster Reviews (Self-Titled 2014)

#30 of The Rickter Scale’s Top 100 albums of 2014 – Rickter Scale Rock Radio (Self-Titled 2014)

“Stirs the senses, taking the listener on a voyage of imagination and emotion.”-Sonic Abuse (Self-Titled 2014)

Slug Comparison Self-Titled Album #5 on DPRP’s Top Progressive Metal Albums of 2014

“Spell binding” -Your Music Blog (Self-Titled 2014)

“Songs that are all of the highest caliber” – PowerofMetal.dk (Self-Titled 2014)

“a true gem of prog rock” – Living Music Blog (Self-Titled 2014)

“Ahh, the glorious beauty of the brooding and gloomy mind of Doug Harrison” (5 stars) – Sea of Tranquility (Self-Titled 2014)

“a lot of work and effort has gone into this album, and it pays off spectacularly” -Wonderbox Metal (Self-Titled 2014)

9.2/10 – Metal Imperium – (Self-Titled 2014)

—​
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Slug Comparison – March Through the Forest (single) (2025)

  • January 10, 2025
  • by Asher
  • · EPKs · Slug Comparison

EPK – Slug Comparison – March Through the Forest (single) (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“This song started with me dialing in the fuzziest guitar sound I could find, then rolling back the treble knob completely. The result was like a low sine wave that I played around with until I found a pattern of hammer-ons, pull-offs, and a slide at the end, which became the main riff. It’s the first song I’ve written that way, where it was inspired by a particular sound, rather than a musical idea.” – Doug Harrison – Slug Comparison

For fans of Mother Mother, The Killers, Rush, Porcupine Tree

Slugcomparison.com | Instagram.com/slugcomparison | Facebook.com/slugcomparison

Slugcomparison.bandcamp.com | Spotify | Apple Music

“Canadian auteur explores expectancy and desperation to find cathartic cleansing of his soul. 4/5” – Dmme.net – Let It Rock (When You Were Living Here 2019)

“One of my favourite songs of the year” (about “Bringer of Doom”) –Dutch Progressive Rock Radio (Self-Titled 2014)

“Simply engulfs the imagination and emotions” -The Ringmaster Reviews (Self-Titled 2014)

#30 of The Rickter Scale’s Top 100 albums of 2014 – Rickter Scale Rock Radio  (Self-Titled 2014)

“Stirs the senses, taking the listener on a voyage of imagination and emotion.”-Sonic Abuse  (Self-Titled 2014)

Slug Comparison Self-Titled Album #5 on DPRP’s Top Progressive Metal Albums of 2014

“Spell binding” -Your Music Blog (Self-Titled 2014)

“Songs that are all of the highest caliber” – PowerofMetal.dk (Self-Titled 2014)

“a true gem of prog rock” – Living Music Blog (Self-Titled 2014)

“Ahh, the glorious beauty of the brooding and gloomy mind of Doug Harrison” (5 stars) – Sea of Tranquility (Self-Titled 2014)

“a lot of work and effort has gone into this album, and it pays off spectacularly” -Wonderbox Metal (Self-Titled 2014)

9.2/10 – Metal Imperium – (Self-Titled 2014)

[Download Single Cover | Download Single Lyrics]

Band: Slug Comparison
Single Title: March Through the Forest
Release Date: January 10, 2025
Label: Self-Release

Track Listing (single)
1. March Through the Forest – Length (3:54)

Single Recording Credits:
• song performed by: Slug Comparison
• song written by: Doug Harrison
• Produced by: Doug Harrison
• Mixed by: Ben Kaplan
• Mastered by: Brock McFarlane at CPS Mastering
• Single Artwork by: Doug Harrison
• Member of SOCAN
• Canadian Content (MAPL)

Single Band Line Up:
Doug Harrison – Vocals, Guitar, Bass, Programming
Flavio Cirillo – Drums

===================================================

About The Single Artwork:

The artwork for this single is a photo I took on a hike, described below.

About the single: March Through the Forest

A November hike inspired this song by a friend in the North Shore mountains of Vancouver. The day started damp and cold. As we climbed, it began to snow, a dusting at first. But it cast this beautiful veil over the ground wherever the trees opened up into a clearing. We kept going, and it was a complete whiteout by the time we finally reached the summit. Then we stood there at the edge of these sheer granite cliffs that we couldn’t see below us, while ravens wove in and out of the clouds, disappearing and reappearing. “March Through the Forest” is an account of that day, which was a good one.

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Fun Facts

1. Doug Harrison is from the Canadian rock/metal band Fen, which recently released the widely appreciated album Dear Mouse.

2. “March Through the Forest” was recorded over the same period as Fen’s Dear Mouse.

 

Doug Harrison (Slug Comparison) – Photo Credit: Bailey Ennig

Slug Comparison is the solo project of Fen vocalist/guitarist Doug Harrison, whose songs glide over a landscape of grunge, progressive rock, indie, and metal. The Ringmaster Reviews says music “simply engulfs the imagination and emotions.” Expect more new music from Slug Comparison in 2025. 

Discography:
2025 – March Through the Forest (single)
2019 – When You Were Living Here – album
2014 – Self-titled – album

 

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