NEWS RELEASE
Montreal, QC – December 19, 2025
Out Now! Saskatoon Groove‑Death Metal PYTHONIC Unleashes New EP “Decomposition”
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Pythonic – Back Row – L to R: Max Hiske (Bass) | Morgan Warriner (Lead Vocals) | Vincent Kohut (Rhythm Guitar & Backing Vocals)
Front Row – L to R: Jayden Warriner (Drums) | Ryan Hunter (Lead Guitar )
Photo Credit – Carsen Warriner
Saskatoon groove‑death metal force Pythonic return with a vengeance today as they release their long‑awaited sophomore EP, “Decomposition,” a reimagining and reinvention of their earliest catalogue, rebuilt, rewritten, and reborn with the band’s heaviest lineup to date.
“When we parted with our original singer and started reworking these songs, it really sparked something in the band. These songs were always decent, but now we believe they’re great. They finally got the justice they deserved,” says guitarist and founder Vincent Kohut.
“Decomposition” marks a pivotal turning point for the band. With the addition of vocalist Morgan Warriner, bassist Max Hiske, guitarist Ryan, and drummer Jayden, Pythonic have evolved into a tighter, more aggressive, and more cohesive unit than ever before.
Morgan’s guttural range, praised for its blistering highs and cavernous lows, has transformed the band’s sound. At the same time, Max’s thunderous bass lines and Jayden’s ferocious, metal‑driven drumming have injected new life into every track.
The EP was mixed and mastered by Reid Paraszczynec of Lucid Distortion Audio, a longtime friend of the band known for his sharp ear and meticulous production style.
“He really helped bring in the next chapter of Pythonic the right way,” the band says.
Rather than simply re‑recording old material, Pythonic tore their songs apart and rebuilt them from the ground up, shortening structures, shaving riffs, tightening arrangements, and amplifying the aggression.
“We made our original tracks more digestible. Some songs got a huge facelift, others stayed close to the originals, but the difference a proper vocalist and bass performance makes is monumental,” says Kohut.
Lyrically, the EP is more focused and personal than anything Pythonic has released before. Written primarily by Warriner, with contributions from former bassist Alex Conley, the themes explore corruption, addiction, toxic relationships, betrayal, and occult horror.
The opening track, Guiltfeeder, is a furious anthem about betrayal and two-faced “friends,” sped up and sharpened from its original form. The track ends with a soaring Ryan Hunter solo that seals the emotional blow. Conceit, penned by Alex Conley, confronts narcissistic abuse head‑on. Thrash‑driven drums and a tightened recording elevate the track far beyond its earlier version. Pills is a visceral depiction of addiction, told with unsettling clarity. Morgan’s delivery captures the frantic highs and skin‑crawling lows of substance dependency. Liturgy, the band’s unanimous favourite, is a ritualistic, blood‑moon summoning set to tremolo riffs, eerie spoken word, and a crushing new chorus riff. Morgan’s highs and Vincent’s lows collide in a devastating finale. Collateral, the EP closer, is a triumphant call to reclaim autonomy, featuring one of the EP’s most infectious chants. Max’s bass absolutely dominates the intro and outro, giving the track its marching, war‑drum pulse.
The EP’s artwork, created by returning artist Danya Lawton, visually “decays” the imagery from Pythonic’s first EP. Drawing inspiration from real tree‑growing fungi and occult symbolism, the art mirrors the band’s process: decomposing old material to create something heavier, darker, and more authentic.
2025 has been a landmark year for Pythonic. The band opened for 200 Stab Wounds, YEGG, Beguiler, Art of Attrition, and closed the year on the main stage of Edmonton’s Slaughter Fest. Their live performances have been so tight that fans have mistaken them for touring acts from Toronto.
“This lineup is the tightest we’ve ever conjured. It’s an absolute sonic onslaught,” says the band.
With “Decomposition” now unleashed, Pythonic are already deep into writing new material. Fans can expect at least two more albums from the band, each pushing further into the death‑metal‑leaning, groove‑driven territory that defines their new era.
“Everyone in Pythonic is dedicated to this project. We’ve got tons of killer new tunes on the horizon,” says Kohut.
Recommended for fans of Lamb of God, Morbid Angel, Devildriver, and Black Dahlia Murder, “Decomposition” is available on digital platforms as of December 19, 2025.
Bandcamp – https://pythonic.bandcamp.com/album/decomposition
Add to your Spotify Playlist – https://open.spotify.com/album/3p5LA4XnzVn391PXvHFNYY
Single – Liturgy – https://youtu.be/Q4xyAdUDen4
Single – Guiltfeeder – https://youtu.be/dgyNSQOIcak
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Track Listing:
1. Guiltfeeder (4:23)
2. Conceit (4:00)
3. Pills (3:09)
4. Liturgy (3:42)
5. Collateral (3:38)
EP Length: 18:54
EP Recording Credits:
All songs performed by Pythonic
All songs written by Pythonic with Alex Conley
Produced by Pythonic
Mixed by Reid Paraszczynec / Lucid Distortion Audio
Mastered by Reid Paraszczynec / Lucid Distortion Audio
EP Artwork by Danya Lawton
EP and Live Line-Up
Morgan Warriner – Lead Vocals
Ryan Hunter – Lead Guitar
Vincent Kohut – Rhythm Guitar and Backing Vocals
Max Hiske – Bass
Jayden Warriner – Drums
More info: https://www.facebook.com/pythonicband | https://instagram.com/pythonicband
About: Born in Saskatoon, SK, Pythonic is a death‑groove metal powerhouse that fuses the ferocity of Lamb of God, Black Dahlia Murder, and Cryptopsy with its own raw, uncompromising vision. Conceived by guitarist Vincent Kohut as a project free from subgenre boundaries, the band embraces the philosophy that “metal is metal.” Together with lead guitarist Ryan Hunter, Kohut carved out a sound that is aggressive, groovy, thick, and unapologetically dirty, a sonic identity that refuses to be confined. The addition of Morgan Warriner on vocals and Max Hiske on bass has solidified Pythonic’s most devastating lineup to date. Warriner’s guttural range, soaring highs, and earth‑shaking lows have been praised as transformative, while Hiske’s thunderous bass lines add depth and weight to every track. Anchored by Jayden’s relentless drumming, the band operates as a tightly locked unit, delivering a crushing live experience.
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“A nice blast of heaviness to see out the year. Pythonic throw their all into delivering a memorable showcase of thrashing death metal. An EP of five tracks that shows off plenty of creativity, has moments of exciting flair, and undeniably delivers the hefty ‘one-two’ punch of death crossed with thrash metal. 8/10” – Games, Brrraaains & A Head-Banging Life
“I’m not sure why, but Canada has an embarrassment of riches when it comes to bands grafting groovy metalcore onto their sound: Neck of the Woods, Truent, Apollyon (RIP), and The Hallowed Catharsis come to mind, with Pythonic joining the ranks with their new EP. Preview tracks “Guiltfeeder” and “Liturgy” fuse punchy, hardcore drumming with melodic tremolo riffs for a sound that’s both comfortably nostalgic and aggressive enough to appease listeners who usually shun melodeath. Vocalists Morgan Warriner and Vincent Kohut trade mid-ranged barks and metalcore shrieks with aplomb (there are some impactful instances of layering as well), and there’s even a dispassionate spoken word segment (“Liturgy”) that’s equal parts Vastum weirdness and tough-guy hardcore. I cordially invite you to a clobbering when Decomposition releases this Friday.” Toilet Ov Hell
“The first thing that grabs you about this second stab in the dark from Pythonic is Warriner’s shrill screams which are as nasty as a low budget horror movie from the 1980’s but in a good way. That’s not to say he doesn’t have a death growl of course but it’s not all that deep, his preference being to shred your ear canals as he screeches like a lunatic awaiting asylum on opening gambit “Guiltfeeder“. A track with a sinister urge and classy bit of lead towards the end from Hunter, it’s something that has that classic Morbid Angel about it while there can be little doubt the band love a bit of Swedish Death Metal.” – Metal Noise
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