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Category: Music News

0 Canada’s MARBLE GHOSTS Seeks Social Justice In New Single “Old School” Off Upcoming Debut EP Out March 2024

  • January 12, 2024
  • by Asher
  • · Marble Ghosts · Music News

NEWS RELEASE

Montreal, QC – January 12, 2024

Canada’s MARBLE GHOSTS Seeks Social Justice In New Single “Old School” Off Upcoming Debut EP Out March 2024

L-R – Paul R. Champagne (Bass), Adam Hansen (Guitar, Backing Vocals), Dylan Gunnell (Vocals), Jérôme Renaud (Drums)

Photo Credit – Lisa Thompson (Dark Moon Productions)

​

Recently emerging onto the Canadian metal scene with a distinctive sound and a fierce commitment to challenging societal norms, Marble Ghosts announce the release of their debut self-titled EP and the powerful single, “Old School”. The single is a thrash punk medley with a biting, unforgettable chorus that serves as an anthem for the disaffected. The song’s message resonates with those weary of being ruled by a vocal religious minority. “Old School” is not anti-religious; instead, it targets those who use their beliefs to promote hatred towards LGBTQ communities and advocate for stripping away women’s rights. Marble Ghosts explains further:

“With the words, “God is love and God is hate,” Old Shcool speaks to the way that fundamentalists twist and pervert teachings to fill an agenda of hate. This song is the fuck you to them. Fuck any god whose believers can’t accept love in different shapes and forms and who believe they can tell a person what they can do with their body.”

Marble Ghosts comprises a dynamic lineup that uniquely blends genres and generations, featuring a death metal drummer, an old-school metal bassist, a grunge-influenced singer, and a metalcore guitar player. This eclectic mix not only defines their sound but also underscores the band’s commitment to breaking musical boundaries.

Despite being a relatively new band, Marble Ghosts demonstrates a clear musical direction. Their first EP showcases five compelling songs that highlight their diverse influences and styles. As a band, they embrace generational differences, allowing their music to evolve organically as they grow more comfortable with each other.

Explaining the origin of their band name, Marble Ghosts draws inspiration from historical figures revered by some as pioneers and trailblazers but who also committed terrible crimes. The band seeks to call out the tradition that these effigies represent. Their music is recommended for fans of Shinedown, Saint Asonia, and Three Days Grace.

Listen to “Old School” at the following links:

YouTube – https://youtu.be/MpS6cMMuKPA

Digital – https://distrokid.com/hyperfollow/marbleghosts/old-school

​

Marble Ghosts’ debut self-titled EP is due out on March 1, 2024.

Previous single “Alone” at the following links:

YouTube – https://youtu.be/ujEwHkoaAeU​

Digital – https://distrokid.com/hyperfollow/marbleghosts/alone​

Track Listing:​
1. Old School (3:10)
2. Lie to Me (4:22)
3. Alone (4:03)
4. False Heroes (4:33)
5. End of the World (3:58)
EP Length: 20:07

More info: Facebook.com/marbleghosts | Instagram.com/marbleghostsofficial​

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ASHER MEDIA RELATIONS
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0 Descend Into The Death Metal Abyss With Playthrough Video For HATRED REIGNS’ “To Depths Unknown” Off New Album “Awaken The Ancients”

  • January 11, 2024
  • by Asher
  • · Hatred Reigns · Music News

NEWS RELEASE

Montreal, QC – January 11, 2024

Descend Into The Death Metal Abyss With Playthrough Video For HATRED REIGNS’ “To Depths Unknown”

New Album “Awaken The Ancients” Out Now!

L-R – Jeff Calder – Guitars, Adam Semler – Bass & Vocals, Neil Grandy – Drums, Mitchi Dimitriadis – Vocals

Canada’s Hatred Reigns offers a brutal assault on unsuspecting listeners. They believe in a no-holds-barred approach and do not relinquish their grip until the last note is unleashed. Their latest release “Awaken The Ancients” is an eight-track sojourn into other worlds, paying homage to classic films and literature as well as their musical influences. For those who like to get into the nitty gritty, they now present a playthrough video for the track “To Depths Unknown”, which the band comments on, along with the album:

“Frantically falling, flailing to and fro,” the protagonist is caught in a whirlwind of uncertainty, grappling with the unpredictable twists of their destiny. Their ultimate destination remains shrouded in mystery as they descend into the abyss of the unknown. The album encountered numerous adversities during its recording process, including COVID-19 lockdowns, illnesses, technical challenges, and complex musical arrangements. Despite these hurdles, the band’s unwavering dedication has resulted in an album that defies conventional limitations.”

Vocalist Mitchi Dimitriadis, who mixed and mastered the album, played a pivotal role in bringing guitarist Jeff Calder’s vision to life. Together with Calder, Dimitriadis developed orchestration soundscapes, incorporating percussive sounds, spoken word elements, and digital sound samples into the music. Pedro “Lordigan” Sena, the album’s designer, crafted a masterful artwork piece that vividly depicts countless aimless souls preparing to face judgment. This artwork aligns seamlessly with the album’s thematic exploration and adds depth and vibrancy to the overall experience.

The tracks on the album are a testament to the band’s diverse influences, seamlessly woven into a unified entity that reflects their collective vision. The sonic journey they offer is a compelling fusion of their musical roots and is suggested for fans of Carcass, Behemoth, and Cryptopsy.

Watch the playthrough for “To Depths Unknown” via its premiere on Bravewords HERE.

“Awaken The Ancients” was released on December 1, 2023 and is available at the following links:

Digital – https://distrokid.com/hyperfollow/hatredreigns/awaken-the-ancients

​

Bandcamp – https://hatredreigns.bandcamp.com​

Previous Videos:

“Departing Archeron” – https://youtu.be/UkHuDhTsTWA​

“Awaken The Ancients” – https://youtu.be/e6UZwj9YumA​

“Ushered By Charon” – https://youtu.be/_Q1GcPMhPaI​

Track Listing:​
1. Awaken The Ancients (5:20)
2. Pain Leads To Nothingness (3:16)
3. To Depths Unknown (2:40)
4. Obsolarium (2:36)
5. Ushered By Charon (5:23)
6. Planes Divide (3:47)
7. Absentia (4:58)
8. Departing Acheron (3:43)
Album Length: 31:20

Album and Live Lineup:​
Mitchi Dimitriadis – Vocals
Jeff Calder – Guitars
Neil Grandy – Drums
Adam Semler – Bass & Vocals

More info: Facebook.com/hatredreignsband | Instagram.com/hatredreigns

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“Hatred Reigns’ Awaken the Ancients is Brutality in Sound and Theme… For those of you who can’t get enough of their brutal technical death metal thematically based on What Dreams May Come, Dante’s Inferno, Milton’s Paradise Lost, and love wallowing in the murky anguish of life’s darkness, take an audio gander at the stream of the album.” – Decibel Magazine​
​
​“this is a slab of high density, very technical death metal that fans will love” – Real Gone Rocks

“Hatred Reigns’ core death metal is sturdy, with bass guitar leads and overactive blast beats giving a technical spark to the album.” – Heavy Music HQ​
​
​“Hatred Reigns play to their strengths on this album opener (Awaken The Ancients), delivering speed and fury, but impressive agility as well as aggression. They unleash madness in the viciously sizzling and skittering riffage and ruthlessness in the bone-smashing hammer blows that segment the frenzies, and the monstrous guttural growls expel the words in barks that are almost as fast as the backing instrumentation. But the band also switch things up, slowing the tempo and injecting weirdly swirling arpeggios and then hitting the accelerator to bring forth an even more demented and delirious escapade, this time fronted by crazed screams and screeches as well as gritty growls, and propelled to further heights of lunacy by a fret-melter of a solo and bursts of maniacal drum battery. When the band decelerate again, the chords elevate it into an otherworldly realm, both menacing and haunting, and the band also layer in a little bass solo, a few humongous bass drops, and a hulking, lurching stomp. But of course they go back into the fast lane for one last burst of high-adrenaline barbarity as the song surges to the end.” – No Clean Singing​
​
​“‘Departing Archeon’, grabs me where I didn’t expect (You can see the video for this at the bottom of this page). This time the vocal and lyrics are instantly engaging… accessible and menacing ‘Welcome… We’ve been waiting for You…’ which somehow made me smile from ear to ear. And just wait for that main riff – it’s f**king perfection. Simple, brutal and so utterly worthy of a headbang. Looking over the release notes they compare their release to ‘Origin’, Suffocation, and Hideous Divinity, but I’m getting vibes of classic Thrash and Death Metal. Think early Sepultura, Gorefest and Carcass, especially with that DIY ethos those thrown in too. It enables them to keep their influences close to their heart and do exactly what they want to. Overall, it took me a few listens to the album to appreciate how good it is. It’s a complex album that doesn’t hide behind overly technical playing … it knows how to keep the riffs simple, crunchy and heavy… Incredible stuff.” – Music Trespass

—
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0 The Electric Highway Festival (Calgary, AB) Announces First Round of Bands For 2024 Lineup w/ Anciients, Dead Quiet, Empress, Flashback, Buffalo Bud Buster and more!

  • January 11, 2024
  • by Asher
  • · Music News · The Electric Highway Festival

NEWS RELEASE

Montreal, QC – January 11, 2024

The Electric Highway Festival (Calgary, AB) Announces First Round of Bands For 2024 Lineup

w/ Anciients, Dead Quiet, Empress, Flashback, Buffalo Bud Buster and more!

April 4- 6 – Dickens Pub

EHF 2023 Lineup Spotify Playlist – https://spoti.fi/3ZKB9Tm​

​

The Electric Highway Festival is excited to announce the first round of bands for the 2024 edition of the festival being held in Calgary, AB on April 4, 5, and 6 at Dickens (1000 9 Ave SW).

Canadian Juno Award-winning Vancouver band Anciients will headline the whole festival. They will be joined by various Western Canadian bands including Dead Quiet, Empress, Flashback, Buffalo Bud Buster, and more.
​
​Here are all the bands included in the first-round announcement:​
Anciients (Vancouver)
Dead Quiet (Vancouver)
Empress (Vancouver)
Buffalo Bud Buster (Calgary)
Flashback (Calgary)
Pharm (Kelowna)
Owls & Eagles (Calgary)
Gnarwhal (Yellowknife)
Solid Brown (Calgary)
The Getmines (Vancouver)
Tebby and the Heavy (Edmonton)
Musing (Calgary)
Blacksmith and Brewer (BC Sunshine Coast)
Stone Spear (Kelowna)
Black Daggers (Red Deer)
Atomic Yeti (Saskatoon)
Conjure Hand (Victoria)

Limited Early Bird passes are on sale for $65 until the rest of the bands are announced or the early bird passes sell out. Regular advance passes will be available at that time. There will also be a variety of single-day tickets available as well as 2-day passes.

Festival passes are available at https://theelectrichighway.ca/festivalstore/​

Event info: https://www.facebook.com/events/327207160030277​

​The Electric Highway Festival hosts various genres that range from Desert Rock, Stoner Metal, Doom, Sludge, Trippy Psychedelic, Surf Rock, Acid Rock, Noise Rock, Fuzz Rock, Space Rock, Blues Rock, Heavy Psych, Heavy Blues, Southern Rock, Fuzzy Punk, Sludgy Hardcore bands and variations of any of the previously mentioned styles.

The 2023 edition of the festival featured Californian headliners Sasquatch, one of the event’s past favorites, laying down their brand of fuzzy, kick-ass Desert Rock & Heavy Psych with direct support from Vancouver’s La Chinga who returned for their 4th appearance on the Saturday night. Black Mastiff returned to headline the Friday night with Calgary’s Gone Cosmic and HypnoPilot headlined the Thursday show with support from Citizen Rage. These were just a few of the wicked bands that played at this past year’s The Electric Highway.

Live Video by SlimBzTV – Sasquatch at EHF 2023 – New Disguise – https://youtu.be/K8IXhd4ERY0​

Live Video by SlimBzTv – La Chinga at EHF 2023 – Beyond The Sky – https://youtu.be/P741nkfJU7w​

Live Video – by SlimBzTV – Owls & Eagles at EHF 2023 – New Expectations – https://youtu.be/G2jUjDHbp9k​
​
​For more info:

Website: TheElectricHighway.ca​

Facebook: Facebook.com/ElectricHighwayFestival​

Instagram: Instagram.com/TheElectricHighway​

Twitter: Twitter.com/TheElectricHwy​
​
​
Hashtag #BuckleUp #EHF2024

Festival Press Materials Dropbox HERE.

Business Partners/Sponsors:​
Asher Media Relations
Athena Bookkeeping Services Inc.
Black Collar Manufacturing
Calgary Metal Scene Events
The Celestial Agency
Dickens
High Voltage TV
Loud as Hell Festival
METALHEADS UNITED
New Level Brewing
​
​Travel and Tourism Partners:​
Tourism Calgary
Travel Alberta
​
​Media Partners:
Absolute Underground
Broken Neck Radio
CJSR
CJSW
Digital Distortion
Doomed and Stoned
The Obelisk
Outlaws of the Sun
Metal Devastation
Ghost Cult Magazine
Metal Rules
Trash Talk
V13
​
Business partnerships and sponsorship opportunities are available. Contact theelectrichighwayfestival[@]gmail[.]com for more information.

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Jon Asher – Music Publicist
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0 THE RISEN DREAD Unleashes Their New Sinister Video “Betrayal”

  • January 11, 2024
  • by Asher
  • · Music News · The Risen Dread

NEWS RELEASE

Montreal, QC – January 11, 2023

THE RISEN DREAD Unleashes Their New Sinister Video “Betrayal”

L-R – William Ribeiro (Guitar) | Marco Feltrin (Vocal) | Mat Maher (Bass)

​The Risen Dread is a metal band from Dublin, Ireland who have successfully established themselves as one of the country’s most promising metal acts in recent years.​ With an EP and a full length already under their belts, they are going to be expanding their discography in the new year, which they tease now with the sinister single and music video “Betrayal”. Guitarist William Ribeiro comments on the single:

“Betrayal, even though I had some of those riffs for a while, is the first song we wrote after the drummer left. We wanted to do the opposite of what we did for our last album, we wanted this track to be straight to the point and not only fast, we wanted it to be aggressive and heavy, with headbanging riffs as well as moshpit parts. I think Betrayal summarizes the dread that rises again from within each band member after this 2023 year. Nothing better than talking about a woman locked up by her mother. Can you imagine how she felt?”

“Betrayal” tells the true story of Blanche Monnier, a socialite who was locked in a tiny room by her mother and brother at age 25 for 25 years in a room without light. Musically, it’s a death metal song, pure and simple with heavy and catchy riffs, fast double bass, and blast beats. As far as their new material goes, this track has a bit of everything. Fans can expect a lot more where it came from, and can also look forward to new elements like the inclusion of choir and orchestra.

The Risen Dread is a powerhouse of death metal and groove metal, and they also draw upon a variety of influences from metalcore to black metal to hone their signature sound. They turn these elements into something fast, heavy, memorable, and accessible. Fans of Lamb Of God, Sepultura, and Deicide.

Watch and listen to the music video for “Betrayal” via its worldwide premiere on Decibel Magazine HERE.

More info: Facebook.com/TheRisenDread | Instagram.com/therisendread​

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What the press has said:

“Silent Disease The single drives hard as hell with tons of straightforward grooves and meaty riffs, though with a very pertinent message and accompanying music video” – Metal Injection

“There is a lot for any metal fan to get their teeth stuck into with this impressive release and the fact that this is self produced by the band makes ‘Night Hag’ all the more impressive.” – The Razors Edge

“Night Hag is a banger. One with a lot more depth than you might initially think. Memorable music with all the head-banging trappings you could dream of.” – GBHBL

—
ASHER MEDIA RELATIONS
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0 Early Bird Tickets For Canada’s Mountain Mosh Pit ARMSTRONG METALFEST On Sale Now!

  • January 8, 2024
  • by Asher
  • · Armstrong Metal Fest · Music News

NEWS RELEASE

Montreal, QC – January 8, 2024

Early Bird Tickets For Canada’s Mountain Mosh Pit ARMSTRONG METALFEST On Sale Now!

July 12-13 – Armstrong, BC, Canada

Watch the official video recap of AMF 2019 here.
(video created by Mayne Brand Productions)

Armstrong MetalFest 2023 Spotify playlist Here.

Western Canada’s largest mountain mosh pit Armstrong MetalFest has launched early bird weekend passes for their 2024 lineup being held on July 12th and 13th at the Hassen Arena in Armstrong, BC with the beautiful backdrop of the Okanagan Valley. The 14th annual gathering of metalheads will once again witness a pilgrimage of extreme metal music fans for two days of unforgettable moshing, headbanging, and camping. From iconic headliners to promising newcomers, the upcoming 2024 lineup is set to showcase the best of diverse metal genres, ensuring an electrifying experience for all.

“It’s one of the premier festivals of its kind in Canada, showcasing the biggest names in local, national, and international heavy metal music.” – Vancouver Sun

Early bird weekend passes are on sale now at the following link until Feb 29th: https://armstrongmetalfest.ca​

(All tickets provide General Admission and grant access to the festival grounds, camping area, and arena from 9:00 AM on Friday, July 12, 2023, until 12:00 PM on Sunday, July 14, 2022. Free camping is included.)

Breaking attendance records again, the 2023 edition of Armstrong MetalFest was an eclectic earth-shaking lineup that featured 28 bands performing on the two-day festival that included headliners LA thrashers WARBRINGER, San Francisco tech-death giants FALLUJAH, festival alumni Spokane, WA’s ENTERPRISE EARTH, and Los Angeles’ THE ZENITH PASSAGE, along with Denver’s H.P. Lovecraft extreme metallers VALE OF PNATH, and Edmonton’s Juno award-winning heavy metal champions STRIKER.

(Photo Credit Derrek Carr – The Zenith Passage at AMF 2023)

Since 2009 (minus pause years 2020 and 2021 due to the Covid pandemic), West Metal Entertainment and Armstrong Metalfest have not only fostered the talent of hundreds of local bands, but have imported well-known, international acts to the quiet, little Canadian town of Armstrong, British Columbia.

Each year hundreds of metalheads from Canada and the USA descend into the picturesque Okanagan Valley and under the blistering sun, they spend three days camping, taking in as much metal over two days, participating in wrestling events, scavenger hunts, and catching up with their metal family.

The festival has seen such renowned headliners as Kataklysm, Cattle Decapitation, Archspire, Nekrogoblikon, Origin, Rivers of Nihil, and Beyond Creation as well as emerging artists from across North America. At the end of the revelry, the festival disappears without a trace, leaving the landscape as pristine as it has always been.

West Metal Entertainment is a non-profit society that not only puts on the Armstrong Metal Festival every year in Armstrong, B.C., it gives bands opportunities to play at different venues throughout the region including all-ages shows, to encourage musical passion in kids as well as adults.

Partners:​
WCMFA
Vox and Hops
Rancho Vignola
Creative BC
Province of BC
Shepherds Hardware
Askews Foods
Armstrong Coop
ACE Containers
Asher Media Relations
Armadillo Trailers
Staggs Head
Nor-Val
Exclaim!
Bravewords
Absolute Underground Mag
Broken Neck Radio
V13
Metal-Rules
Trash Talk w/ Nate
Ghost Cult Magazine
Valstar Electric
Voets

For more info:​
​Armstrongmetalfest.ca
​
​Facebook​
​Instagram​
​Twitter​

Festival Press Materials HERE.

What the press is saying:

“Armstrong Metalfest brings aggressive music to the North Okanagan” – Global BC News

Kelowna Now: Armstrong Metal Festival Co-founder reflects on a decade of metal – Video Interview here.

CHBC – Global Okanagan: Metalheads celebrate a decade of gathering in Armstrong – Video Interview here.

Global Okanagan – Armstrong Metalfest brings aggressive music to the North Okanagan – Video here.

“In the past, metalheads had to travel to Germany to experience the rush of a big festival, such as Wacken Open Air. But local headbangers decided to bring that feeling home with Armstrong Metalfest.” – Vernon Morning Star

“Go Big or Stay at Home: Armstrong has that welcoming feeling for a rock show.” – The Valley Voice

“To witness such a gathering of talent is an absolute privilege, and for that fact alone, I will certainly be returning to Armstrong Metal Fest.” – Beatroute BC

“This festival is now going to be my yearly must-go-to event and if you’re a metal head that hasn’t attended or a curious metal voyeur, do yourself a favour and check it out, you will not regret it.” – Abort Mag

“The Armstrong Metalfest is one such event and has grown from its initial, humble beginnings seven years ago to be a regular mainstay, with its south-central BC location making for a popular summertime destination for fans and bands alike.” – Decibel Mag

Named one of the out-of-town music festivals worth the trip by The Vancouver Sun
​
​
​“For metalheads, this is a great vacation where groups of all sizes can enjoy their favourite musical genre in a fun, energized environment. Not to mention, the camping!” – The Permanent Rain Press

“From farm to stadium: Armstrong Metal Fest’s humble beginnings” – Info News

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​

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0 Gore House Prod. – FOETAL JUICE Pummels The Masses w/ New Drum Playthrough “Gore Mountain” + UK Tour Dates For New Album “Grotesque”

  • January 8, 2024
  • by Asher
  • · Foetal Juice (Gore House Productions) · Music News

NEWS RELEASE

Montreal, QC – January 8, 2024

Gore House Prod. – FOETAL JUICE Pummels The Masses w/ New Drum Playthrough “Gore Mountain”

+ UK Tour Dates For New Album “Grotesque”

(L-R): Lewis Bridges (Bass), Derek Carley (Vocals), Ryan Whittaker (Guitar), Rob Harris (Drums)

Photo Credit – Karen Carley

Unleashing their latest album “Grotesque” on Gore House Productions this past November, UK death grinders Foetal Juice have a new drum playthrough to brutalize the masses with. The second track on their latest full-length, “Mountain of Gore” features groovy drums over a simple riff. The band’s style for this one is more Exhumed and Impaled influenced with rabid drum fills everywhere.

“We wanted to change a few things up on this album and include some slower, groovier sections than we have before. The intro to the song is a result of that. We think this one includes one of the fastest bomb blasts on the album too. It is a really groovy bouncy song throughout to keep a crowd energized at live performances.” adds the band.

Watch the drum playthrough for “Mountain of Gore” via its premiere on TechnicalMusicReview HERE.

Foetal Juice’s sound is a melting pot of influences, ranging from death metal and grindcore to black metal, gore, groove, thrash, and even Enya. Their evolution as a band has brought new dimensions to their music, incorporating diverse elements while staying true to their death metal roots.

Notorious for their catalogue of unpleasantries and musical vulgarities, this album promises to be heavier, catchier, faster, and more aggressive than anything they’ve ever done before. It’s a relentless assault on the senses, and Foetal Juice is ready to claim its place in the annals of brutal death metal.

A relentless barrage of blast beats, horror and gore that will have you questioning your sanity, “Grotesque” is recommended for fans of Cannibal Corpse, Deicide, and Vomitory.

They comment on the new album:

“Everything seems to have worked amazingly on “Grotesque.” It turned out far better than we ever imagined it would. Everyone has brought their A-game to the table with this one. Then Chris Fielding (Producer) put the cherry on the top with the outstanding mixing/mastering. He really has made this album sound incredible. Due to the lockdowns during Covid, Ryan, who is the main songwriter/Guitarist, has churned out hundreds of riffs and song ideas, which has meant we could be a lot more selective with choosing the final ideas than we would normally be able to. This has really helped us to find the best riffs and ideas to use on this album.

We always write the next song as if it has to be better than the last song we wrote. This really pushes us to impress one another when it comes to our individual parts. When we recorded the last album, Lewis had only been in the band for 2 months and pretty much had to copy the guitar parts with his bass lines. On Grotesque, he has really come into his own. The bass lines have added so much to each song as it’s not just the same as the guitar riffs.

With Foetal Juice, we push each other as far as we can to get the best out of each member. This is mainly because individually, we are all really difficult to impress, so when we have to impress one another, it really takes you to the next level of performance/writing.

We are so proud of everything about this album, from the artwork and songwriting to the performance, recording, and mastering. Even if no one likes it like we do, we can all hold our heads up high with this one.” – Foetal Juice

“Grotesque” was released on November 17th, 2023 via Gore House Productions and was produced, mixed and mastered by Chris Fielding with the album artwork done by Misanthropic Art.

Album order (Cassette/ CD)/digital) at https://orcd.co/grotesque.

Lyric Video – Legion of the Grotesque – https://youtu.be/NSoU2PuPZHo​

Music Video – Ghoul Amongst the Mouldering Dead” – https://youtu.be/3aGbvw-cQL4​

Foetal Juice “Grotesque” UK Release Shows:​
Feb 2 – Manchester – Aatma
Feb 3 – London – The Underworld Camden
Feb 17 – Glasgow – Audio Glasgow
Feb 23 – York – The Fulford Arms
Feb 24 – Birmingham – TBA

Events Info can be found here.

Track Listings:​
1. Human Beach Master (3:50)
2. Mountain of Gore (3:10)
3.: Legion of the Grotesque (4:45)
4. Ghoul Amongst the Mouldering Dead (3:37)
5. Two Bongs Don’t Make a Right (1:26)
6. Cunt of the Litter (3:19)
7. Cemetery Leachate (4:39)
8. The Walking Groin (3:35)
9. Torn Apart (3:30)
10. F. K. E. O (3:59)
11. Gruesome (5:10)
Album Length: 41:06

More Info:

​​Gorehouseproductions.com​ | ​Facebook.com/GoreHouseProductionsOfficial​ | ​Instagram.com/gorehouseproductions

​Facebook.com/foetaljuice | Twitter.com/FoetalJuice | Instagram.com/foetaljuice

-30-

“Grotesque is an absolute maelstrom of sound that is satisfyingly punchy, chugging and impactful. It makes you want to hear more.” – Metal Talk​
​
​“The main impact of the album is to shoot terrific amounts of voltage straight into your brainstorm, to pump hearts, to convulse muscles, and to suck the wind from your lungs. See for yourselves.” – NoCleanSinging​
​
​““Grotesque” by name and definitely by nature this is 40 minutes of joyously twisted groovy Death Metal with hooks for days… in a year of excellent Death Metal it can still go toe to toe with the best of the bunch. This Christmas give someone you love the gift of gore. 8.5/10” – Ever-Metal​
​
​“Foetal Juice are recognized for their twisted and brutal amplification of virtuosic and violent musical assault. The album continues, said callous, promising a cataclysmic symphony of ferocity… The track (“Legion of the Grotesque”) moves more like a macabre exploration of the consequences of excessive cosmetic surgery. Despite the grim themes, Foetal Juice’s technical skillset is evident, which enhances the grotesque subjects, similar to writing a horror film. Their music, a relentless blend of grind and death metal, is unapologetic sonic devastation, recommended fans of Vomitory, Napalm Death, and Terrorizer.” – Metal Insider​
​
​“In the 3 years since the release of Gluttony, and I must say you have really seen a huge growth from the band and Grotesque is an absolute monster record, well deserving of anyone who has an interest in the genre. It has enough of the hooks and grooves which will be of interest to your more casual death metal fan whilst remaining absolutely mean with a viscous twist for those with a more hardened ear towards the underground.” – The Razor’s Edge

“Grotesque is a stonker of a record, completely worth your time and a strong contender for album of the year. Foetal Juice have made a rod for their own back now, having to try and top this with their next record, which I already look forward to. For now, another few listens to Grotesque will more than tide me over. 10/10” – Musipedia Metal​
​
​“with their intense, careening style of chaos hitting the spot time after time. Like a bludgeoning mace to your consciousness, ‘Grotesque’ is one of the more distatefully straightforward pieces of extreme music you’ll hear this year, and it’s all the better for it. A killer effort.” – The Killchain​
​
​“Your eyes will water, your ears will bleed, your muscles will ache, your sphincter will tighten, your guts will churn, and you may even vomit. It’s fucking Foetal Juice and it’s fucking Grotesque. Never change you lovable noise-mongers.” – Games, Brrraiiins & A Headgbanging Life

—
ASHER MEDIA RELATIONS
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0 Canada’s DEADWOLFF Announces First American Tour of 2024 w/ Texas’ TINY “NO REST IN THE THE WEST TOUR”; In Support of Debut Album Out Now! On Golden Robot Records

  • January 4, 2024
  • by Asher
  • · Deadwolff · Music News

NEWS RELEASE

Montreal, QC – January 4, 2023

​

Canada’s DEADWOLFF Announces First American Tour of 2024 w/ Texas’ TINY

“NO REST IN THE WEST TOUR”

Deadwolff’s Debut Album Out Now! On Golden Robot Records

L-R: Angus Pike (Drums), Tommy Wolffe (Bass. Vocals), Bobby Deuce (Guitar)

Kicking off their first tour of 2024, Toronto, Canada’s DEADWOLFF announces they will be hitting the road this coming February and March for American show dates with support from Austin, TX’s TINY. Entitled the “NO REST IN THE WEST TOUR”, the two heavy rock n’ roll bands will be tearing their way across the lower west coast of the USA for two weeks with their headbanging, beer-drinking, no-holds-barred tunes.

“For those that have been waiting, and those who will come to find out! Our combined rocking sounds are here to hunt you down from Austin to LA,” adds the bands.

About:

A blend of hard rock, punk, and metal, Deadwolff set itself apart from other bands with its take on the New Wave of Heavy Rock and Roll. Recommended for fans of Judas Priest, Motorhead, and W.A.S.P, Deadwolff‘s is a revival of foot-tapping, beer-drinking, headbanging tunes, and more. The band is touring in support of their debut full-length “Heavy Rock N’ Roll” released on March 31st, 2023 via Golden Robot Records.

Music Video – Heavy Rock n’ Roll – https://youtu.be/kAiNlEmDkZk

​

Music Video – Homeward Bound – https://youtu.be/iPC0z5J3Xnc

​

Album – https://linktr.ee/deadwolff​

TINY is a 4 piece Heavy Rock n Roll band based out of Austin Texas USA. Composed of Brine Stewart on Vocals, Eric Plouffe on Guitar, Mikey Carrillo on Bass, and Ian Smyser on Drums. Started in the middle of 2021 they sought to bring authentic early Heavy Metal back to the world. Since they began the group has been quickly making a name for itself playing all over Texas as well as festivals in Atlanta, Pittsburgh, and New York City. In 2023, TINY released the “Lost Gold E.P.” demo independently on cassette, and is now on its second pressing of it. In anticipation of releasing their debut L.P. “Sacrifice at Hand,” they will be embarking on a 13-date tour across the American Southwest with Canadian rockers Deadwolff.

EP – Lost Gold – https://tinyrocknroll.bandcamp.com/album/lost-gold

​

NO REST IN THE WEST DATES
Feb 23 – Houston, TX – Trip Six
Feb 24 – Austin, TX – Lost Well
Feb 25 – San Antonio, TX – Hi-Tones
Feb 27- Albuquerque, NM – El Rey Mezzanine
Feb 28 – Glendale, AZ – Starlite Lounge
Feb 29 – Las Vegas, NV – Dive Bar
March 1 – San Diego, CA – Tower Bar
March 2 – Los Angeles, CA – Universal Bar and Grill
March 4 – Tucson, AZ – The Rock
March 5 – El Paso, TX – The Living Room
March 7 – Dallas, TX – Three Links
March 8 – Oklahoma City, OK – Grand Royale
March 9 – Tulsa, OK – The Whittier

For more info:

Deadwolff – http://www.linktr.ee/deadwolff​

Tiny – http://www.linktr.ee/tinyrocknroll​

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 MASSIVE SCAR ERA’s “Color Blind” Brings Arabic Egyptian Metal Into The Spotlight; New EP “Metal Goes Egyptian” Out Now!

  • January 3, 2024
  • by Asher
  • · Massive Scar Era · Music News

NEWS RELEASE

Montreal, QC – January 3, 2024

​

MASSIVE SCAR ERA’s “Color Blind” Brings Arabic Egyptian Metal Into The Spotlight

New EP “Metal Goes Egyptian” Out Now!

​

Massive Scar Era is the brainchild of the visionary artist Cherine Amr, who leads a collaborative journey with diverse musicians in every EP, bringing her unique vision to life. Originating from Alexandria, Egypt, and currently based in Montreal, Canada, Massive Scar Era defies genre boundaries, weaving together a captivating tapestry of progressive rock, post-grunge, Egyptian music, and metal, resonating deeply with audiences across the globe. They just released their seventh recording “Metal Goes Egyptian” this past November and have a video out now for the single “Color Blind”, which Amr comments on:

“We decided to rearrange this previously released song for inclusion in this project primarily because of its numerous delicate vocal ornaments. These ornaments provided an opportunity for an Arabic arrangement. Once the Arabic arrangement was introduced, these subtle elements became much more pronounced compared to the original arrangement. I wrote this song after I was denied entry to the USA to play at SXSW with MSE due to the Muslim ban implemented by Trump. Although Egypt wasn’t on the banned list, the border officer was cautious about bands from our region participating, fearing it could add to the ongoing protests at the festival. Fortunately, that’s all in the past now, and I’ve been able to perform many shows smoothly in the USA since the situation has improved.”

Watch the video for “Color Blind” at https://youtu.be/T5ymMOGtK9A

​

The process of selecting the songs for the EP was a collaborative effort between Weka Soliman and Cherine Amr. Soliman, as the Arabic music arranger, played a crucial role in this decision-making process. His expertise and understanding of Arabic music were invaluable in choosing songs that would provide a suitable canvas for the integration of Arabic music elements. To accommodate the range of Arabic instruments and create an authentic and cohesive sound, project consultant, Katia Makdissi-Warren suggested transposing some of the songs. This adjustment allowed them to maintain the integrity of both the original compositions and the Arabic music elements, ensuring a seamless fusion between the two.

Since its inception in 2004, Massive Scar Era has been at the forefront of musical innovation, pioneering a remarkable fusion of fierce vocals, intricate violin melodies, distorted guitars, and the pulsating rhythms of Egyptian percussion. Amr’s music reflects the cosmopolitan allure of Alexandria intertwined with the raw essence of Cairo’s urban landscape. “Metal Goes Egyptian” is recommended for fans of metal and Middle Eastern influences.

“Metal Goes Egyptian” was recorded and filmed with a traditional Egyptian Arabic music orchestra in Studio Mix Art in Montreal, Canada. The EP was released on November 3, 2023, and is available on Bandcamp, Spotify, and Apple Music at the following link: https://distrokid.com/hyperfollow/massivescarera/metal-goes-egyptian-2

​

Previous Music Videos at https://www.youtube.com/@MassiveScarEra​

Track Listing:​
1. Between Waves – 3:22
2. 30 Years – 4:43
3. Oblivious – 3:46
4. Back to the Sun – 3:41
5. Color Blind – 3:14
6. Endorphins – 2:37
EP Length: 21:26

More info: Facebook.com/massivescarera | Instagram.com/massivescarera​

-30-

“Steeped in Metal, but bridging the gap to Egyptian music, Massive Scar Era is a Metal band you need to know about in 2023. The brainchild of visionary artist Cherine Amr, their new EP Metal Goes Egyptian, the seventh release in her career, is coming out in November. Not only does the band creative a ground-breaking mix of Metal and world music, Cherine had to flee her country where “the devil’s music” is forbidden to create, let alone defying gender norms that could lead to punishment, or worse. With its unique fusion of Prog Rock, post-Grunge, Egyptian music, and Heavy Metal, the group just released a new single “Between Waves!”” – Ghost Cult Magazine​
​
​” When you’re a metal act, you either go big or you go home, and going big is what Massive Scar Era does extremely well. Today, the metal ensemble unveiled the video for their new single, “Oblivious,” off of their Metal Goes Egyptian EP. As an in-studio performance video, it’s simple but effective. It’s particularly effective due to the level of precision with which the band plays. Then you add in the orchestral elements, and you have essentially what amounts to a symphony. Beyond band founder and leader Cherine Amr, there are many minds and parties at play to bring this vision to life. Amr collaborates closely with musicians, producers, and video creators. Her goal is to combine heavy metal’s power with traditional Arabic music’s beauty and charisma. You’ll hear it all come together in perfect harmony upon Metal Goes Egyptian’s official release on November 3rd.” – V13

“As the title indicates, it’s metal with a middle eastern tone and style… mostly melodic death with clean and harsh vox.” – The Moshpit – WORT 89.9 FM (Madison, WI)

“the Egyptian-Western music cocktail has an almost hypnotic effect” – PowerMetal.de

“Through “Metal Goes Egypt”, their new EP, Canadian band Massive Scar Era invites open-minded heavy music fans to embark on a musical journey that transcends borders and creates a unique fusion of metal energy and the melodic beauty and cultural nuances of traditional Egyptian Arabic music.” – YoZone.fr

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
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0 Gore House Prod. – STAGES OF DECOMPOSITION Release Brutal, Horrific New Single “What Lies Within” Off New Album “Raptures of Psychopathy” Out Feb 2024

  • December 29, 2023
  • by Asher
  • · Music News · Stages of Decomposition (Gore House Productions)

NEWS RELEASE

Montreal, QC – December 29, 2023

STAGES OF DECOMPOSITION Release Brutal, Horrific New Single “What Lies Within”

New Album “Raptures of Psychopathy” Out Feb 2024 From Gore House Productions

Since the band’s inception, Stages of Decomposition has become a formidable force in the extreme music scene. From gracing stages at renowned festivals like Bay Area Death Fest, Bogota Grind Death Fest, and SLAM FEST, to a coast-to-coast U.S. tour in under 10 days, the band has left an indelible mark on the global Death Grind circuit. Their second album “Raptures of Psychopathy” threatens to burrow into your brain like a death metal worm and liquefy it with brutal riffs, chaotic blast beats and adrenaline-invoking time signatures that convey the terror and psychological aspects of the stories told. The next single “What Lies Within” is not for the faint of heart, as the band explains:

“What Lies Within is a song about someone struggling with inner hate for humans where they don’t hold anything back to demoralize them and degrade them in such a way that he gains absolute control and advantage over them. In a way, this really digs into the album name of Raptures of Psychopathy. This song offers a glimpse into a mind harrowed by demons and the need for power/control through forced sex.“

Watch and listen to the lyric video for “What Lies Within” at https://youtu.be/mwF6mWnWrnc

​

Stages of Decomposition is known for its massive and impactful delivery of extreme brutality and invokes raw primitive energy from the crowd. From heart-splitting blast beats and corpulent riffage to sickening gutturals – fans can expect nothing less than a destructive performance.

Each song on “Raptures of Psychopathy” embodies a concept relative to the overall theme of the album. Stages of Decomposition like to explore all facets of the general horror theme – from movies to serial killers, events, etc. Due out on February 2, 2024, by Gore House Productions, it is recommended for fans of Dying Fetus, Devourment, and Suffocation.

Album pre-order – https://orcd.co/raptures-of-psychopathy​

Music Video – “Skid Row Slasher” – https://youtu.be/w9j3s54NwhM

​

Track Listing:​
1. Drilling of the Cerebellum – 4:59
2. What Lies Within – 3:10
3. Beast of Jersey 2:42
4. Killing Under Possession – 3:36
5. Murder by Proxy – 3:26
6. Skid Row Slasher – 3:36
7. Carve out the Eyes – 2:37
8. Fetal Devourment – 3:04
9. Crawl Space Burial – 3:12
10. Human Extermination – 3:46
11. Mass Psychosis – 2:09
Album Length: 36:19

More info:

​​Gorehouseproductions.com​ | Facebook.com/StagesofDecomposition | Instagram.com/stagesofdecomposition_official​

-30-

“On their new album Raptures of Psychopathy, Stages of Decomposition lean into the most violent and punishing aspects of their sound, and we have a prime example in the new album track we’re presenting today, along with a blood-spraying video… The song’s name is “Skid Row Slasher”. It’s based on true stories of serial killers, both of whom preyed on the homeless population of L.A…. The music is itself undeniably, and viciously, psychotic. The riffing is fast and frenzied, corrosive and cutting, and utterly crazed. The drums clatter at high speed, like automatic weaponry with a groove. The bass slugs like a heavyweight high on adrenaline. Equally rabid, the vocals expel raw guttural roars, crazed screams, and strangled gagging and gurgling excretions. It’s all macabre, and it’s all viscerally electrifying. But the band also make room for pulverizing slams capable of splitting concrete. It’s a kick to watch the band cut loose in the video, too, and of course there will be blood….” – No Clean Singing

“This is pure bang your head ‘till it pulps music. From growling guitars to smash the kit into pieces drumming, then snarling vocals, and a horror tinge (as we’ll see). It’s only right that they’re signed to Gorehouse Productions… Stages of Decomposition are tight, they can be felt as well as heard. The album (Piles of Rotting Flesh) is consistent with no weak moments. You will bleed, this will hurt. For proof check the official video below.” – Severed-Cinema

“It’s a brutal assault on your ears in the same style as bands like Cannibal Corpse.” – Games, Brrraaains & A Head-Banging Life (EP – Crawl Space Burial)

—
ASHER MEDIA RELATIONS
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0 DEORBIT (ft. members Northless, Ara) Shares Guitar Playthrough For Track “Deorbit” Off New Album “Retrogradient”

  • December 27, 2023
  • by Asher
  • · Deorbit · Music News

NEWS RELEASE

Montreal, QC – December 27, 2023

​

DEORBIT (ft. members Northless, Ara) Shares Guitar Playthrough For Track “Deorbit” Off New Album “Retrogradient”

Offer FREE Album Download

Unveiling their debut album “Retrogradient” this past November, Milwaukee, USA’s Deorbit (ft. members Northless, Ara) offers up depictions of surreal aspects from the mind of guitarist Jerry Hauppa with each track merging cold aspects of the expanding universe with the organic familiarity of human understanding.

Today, Jerry Hauppa is giving some lessons in tehcnical prowess with his latest playthrough for the last track entitled after the band on their debut album “Retrogradient”. He comments about the song:

“A gradual falling out of the gravitational pull of the sun, shown in the note and tempo choices. The record ends on a mournful yet hopeful note, showing that the system we were bound to may have inhibited its full potential.”

Watch the guitar playthrough via its premiere on TechnicalMusicReview HERE.

An instrumental amalgamation of influences from extreme metal, doom, psychedelic, and progressive, “Retrogradient” is a musical concept with a visual in mind of where our solar system is laid out as a double-helix system, showing the relationship between both the organic and inorganic elements spawned during the creation of the universe. Each track guides you through the realms of the universe and the depths of human understanding.

“‘Retrogradient’ is based on Carl Sagan’s quote: “The cosmos is within us. We are made of star stuff. We are a way for the universe to know itself”. The album ebbs and flows through a planetary adventure, from the origins of humanity during the time of the Big Bang, to the depths of the molten core, onwards to the atmosphere, and everything in between through a natural lens and one that is more surreal.” adds Hauppa.

Mixed by Dylan Patterson, mastered by Jeff Wojtysiak, and the artwork done by James Becker, Deorbit invites listeners to embark on an unparalleled sonic journey that challenges the boundaries of conventional music. “Retrogradient” seamlessly balances heaviness and clarity, offering complex musicality without compromising the significance of songwriting.

Expanding to reach as many fans across the universe, Deorbit is excited to share “Retrogradient” as a completely FREE download via their Bandcamp – https://deorbitmke.bandcamp.com/album/retrogradient​

Spotify – https://sptfy.com/PxP3

​

Track Listing:​
1. Retrogradient – 3:16
2. Perihelion – 4:29
3. Terrakinetic – 4:44
4. Lunambulant – 4:04
5. Glaciovore – 2:57
6. Calderasure – 4:09
7. Senescence – 4:49
8. Stratolith – 5:06
9. Deorbit – 6:54
Album Length: 40:32

Album Credits:​
All songs written and performed by Deorbit
Mixed by Dylan Patterson
Mastered by Jeff Wojtysiak
Artwork by James Becker

Recording Band Lineup:​
James Becker – Bass, Cello
Jerry Hauppa – Guitar, Hammered Dulcimer
Hurdy Gurdy – Synth, Violin
Antonio Ninham – Drums

More info: Facebook.com/deorbitmke​

-30-

“The piece (Stratolith) incorporates elements of soulful doom, prog, and technical metal with a strong emphasis on melodic lines that serve as a kind of vehicle for this bold interstellar journey. Without words, they conjure a soundscape that simply spells adventure.” – Doomed and Stoned

“Milwaukee instrumental band with a kind of proggy post metal grungy/stonerish doom sound.” – The Moshpit – WORT 89.9 FM (Madison, WI)​
​
​“Instrumental, progressive, and technical metal fans take note” – The Prog Space​
​
​““Perihelion” – is the term for the point in Earth’s orbit when it is closest to the sun, and Deorbit translates this into the most aggressive track on the new album. Fans of challenging, uplifting artists such as Torche, Intronaut, and Voivod will love Deorbit. With dramatic movements and expert instrumentation, the bands music not only takes you on an other-worldly journey, but exploring the contemplative innerspaces you have as well.” – Ghost Cult Magazine​
​
​“Retrogradient is an auditory adventure and a cosmic voyage that challenges the boundaries of conventional music, inviting enthusiasts to embark on a journey through the vast realms of the universe and the depths of human understanding.” – Amplify The Noise​
​
​““Each track on “Retrogradient” is an artistic depiction of surreal aspects, aiming to merge the cold, expansive nature of the universe with the warmth of human understanding. Without the use of lyrics, Deorbit’s music tells a unique story within each composition, allowing listeners the freedom to interpret the profound concepts presented… This is an excellent debut album… The tunes are fucking massive and the concept a fun one to play with in the imagination. Clearly the guys can play… The entirely arbitrary Patented Dark Juan Blood Splat Rating System awards Deorbit 8/10 for what is a superb debut which is bursting with potential and great music…” 8/10 – Ever Metal​
​
​“This is a distinctly heavy set affair throughout, but the defining aspect of the album as a whole can be summarized in the word motion. We get energetic surges or drop downs in tempo by the drummer. The guitars may slow down or speed up independent of what the rhythm section are doing, and alterations from rhythm based riffs to flowing riff textures and back are pulled off in a fluid and seamless manner. What I presume is a dulcimer may chime in with some world music details beneath at times too, and in between all of this the songs themselves may shift between thrash and even a bit of extreme metal in overall direction just as much as stepping down to more traditional heavy metal or doom metal territories. With occasional side steps into gentler and more atmospheric laden territories. If a heavy set variety of progressive metal where a just about constant and fluid motion and movement are key features strikes you as an interesting manner in which to explore this style of music, this is an album to take note of.” – Progressor.net ​
​
​“No words will be spoken in this interstellar journey as rich as tortuous, with generous melodies and harmonies behind a certain sense of narration. Retrogradient is revealed as an album with finely composed titles, blowing hot and cold, sometimes epic, sometimes more contemplative, in short not to let go and then to interpret as he pleases. Fasten your belts !” – Eklektik Rock

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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