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Category: Music News

0 Streaming Now! Quebec City’s ONCHOCERCIASIS ESOPHAGOGASTRODUODENOSCOPY Slamming Death Metal EP “The Fallen Lament”

  • July 18, 2024
  • by Asher
  • · Music News · Onchocerciasis Esophagogastroduodenoscopy (2024) (Gore House Productions) · Onchocerciasis Esophagogastroduodenoscopy (Gore House Productions)

NEWS RELEASE

Montreal, QC – July 18, 2024

Streaming Now! Quebec City’s ONCHOCERCIASIS ESOPHAGOGASTRODUODENOSCOPY Slamming Death Metal EP “The Fallen Lament”

New EP “The Fallen Lament” Out July 2024 – CD and Cassette From Stillbirth Records / Gore House Productions

L – R – The Popuko – Guitars, Drums, Bass, Backing Vocals, Alice Simard – Guitars, Drums, Jesse Agiomamitis – Vocals

The wait is over for fans of Quebec City brutal slam band Onchocerciasis Esophagogastroduodenoscopy (OxE) as the band is set to unleash their fourth record “The Fallen Lament” digitally on July 19th and CD on August 9th from Stillbirth Records / Gore House Productions (SBR is a GHP sublabel).

Before the EP officially streams on all platforms, the band has teamed up with Decibel Magazine for its full-stream premiere HERE.

With this EP, OxE is doing what they’ve always done, simply better. They don’t want to stray too far from their original death metal DNA, but there’s always going to be progression in some direction. The band comments:

“This record marks our longest gap between releases, which isn’t something we had in mind, but great art can’t be rushed out the door, and while it may have taken some time to materialize, I’m certain that this record will be everything fans have wanted and then some, because it certainly was for us. Each album is a learning process and I feel as though these new tracks we’ve got, more than anything else we’ve made, have taught us invaluable lessons about who we are as people, and just how much we love music and the creative process.”

“The Fallen Lament” is designed to be both a cerebral and visceral experience that the listener can enjoy at home with a nice pair of headphones, and marvel at the complexity and immensity of the music. Or as a conduit to switching your brain off and using these songs to push through a workout at the gym. This duality makes the album accessible to a wide range of listeners, from dedicated audiophiles to casual fans seeking an adrenaline rush.

“The Fallen Lament” features artwork by The Popuko, whose personal illustration perfectly encapsulates the EP’s cosmic horror theme. Theep is recommended for fans of Deathspell Omega, Artificial Brain, and Devourment.

“The Fallen Lament” is available for pre-order at https://orcd.co/the-fallen-lament​

Track Listing:​
1. The Fallent Lament; Paralytikus Ascends
(1:21)
2. Warmth of the Womb (3:31)
3. Stult Carnality (2:29)
4. Facial Gutting (ft. guest vocals Kiryu Zhang – Dehumanizing Itatrian Worship) (2:59)
EP Length: 10:21

Line Up:​
Alice Simard – Guitars, Drums
Jesse Agiomamitis – Vocals
The Popuko – Guitars, Drums, Bass, Backing Vocals

More info: ​Gorehouseproductions.com​ | Facebook.com/OnchoOfficial | Instagram.com/onchocerciasis_official​

-30-

“Have you ever been sat at home on a quiet evening and thought; “you know what would be really good right now? A migraine”? Well, if the answer to that is yes, then the boys in ONCHOCERCIASIS ESOPHAGOGASTRODUODENOSCOPY have got you covered. In this, their twenty-five minute, nine-track offering that is akin to standing in a bucket of water and attaching yourself to a car battery, The Rotted Plinth of Sachiel is a full-on assault on your senses that is sure to test the endurance of even the most seasoned veteran of fringe, extreme metal sub-genres.” – Distorted Sound Mag (2021 – The Rotted Plinth Of Sachiel)

“They may come across as a novelty act trying to be extreme for the sake of extremity, but OEGD are here to subjugate you. Give them five minutes, and they’ll bludgeon you into submission. Whether you like it or not is a different matter.” – Scream Blast Repeat (2021 – The Rotted Plinth Of Sachiel)

—
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0 Canada’s SUPERMODEL TAXIDERMY Announce August Tour Dates (AB, SK) + New Album “At What Cost” Out Now!

  • July 17, 2024
  • by Asher
  • · Music News · Supermodel Taxidermy

NEWS RELEASE

Montreal, QC – July 17, 2024

Canada’s SUPERMODEL TAXIDERMY Announce August Tour Dates (AB, SK)

+ New Album “At What Cost” Out Now!

L-R – Reilly Williams – Drums, Shawn Maynard – Guitar, Lead Vox, Mike Cheney – Bass, Vox)

Photo Credit – Cole Williams

Recently unleashing their new album “At What Cost” this past May on Punishment 18 Records, Fort McMurray, AB’s Supermodel Taxidermy announces they will be hitting the road for show dates in Saskatchewan and Alberta, which includes performing alongside legendary Montreal punks Ripcordz in Lethbridge. (dates listed below).

Upcoming Shows: ​
Aug 1 – Prince Albert, SK – Prince Albert Exhibition – info​
Aug 3 – Edmonton, AB – Rendez Vous Pub
Aug 4 – Lethbridge, AB – The Slice w/ Ripcordz – info​

With their new album “At What Cost”, Supermodel Taxidermy delivers an electrifying blend of intense riffs, powerful vocals, and unbridled energy that will leave listeners craving for more.

“If you haven’t checked out the album yet, we think it is going to exceed the expectations of our early listeners while also adding dynamics with new elements that we decided to enforce all over the record. Things such as Cheney’s crushing vocals. We do a lot of back-and-forth vocals on this record. This record was made to catch your ears with its intense guitar hooks, heavy drums, and catchy bass lines all while keeping your attention to the lyrical topics at hand.” adds the band.

Lyrically, the majority of this album looks at death; a lot of the writings question the cause and effect of vices and the wrong choices that can be made throughout our lives. Musically, this album is fast and heavy as hell. Supermodel Taxidermy wanted to have it throwing left hooks repeatedly, there are not many moments on this record when it gives you a break.

The band was formed after an overwhelming response to the EP “A Whorer Story”, which was intended to be a one-off solo record, and since then they have been staking a claim for themselves in the local scene. The album, ten tracks coming in at just under half an hour, was produced by Rob Lawless and mixed/mastered by Terry Paholek, showcasing the band’s commitment to delivering an exciting listening experience. This thrash metal and hardcore punk collision is recommended for fans of Iron Reagan, Dayglo Abortions, and Slayer.

Supermodel Taxidermy‘s new album “At What Cost” is available digitally and for CD at the following links:

​https://www.punishment18records.com/​

​https://distrokid.com/hyperfollow/supermodeltaxidermy/at-what-cost​

Skateboard (Limited Edition) – https://supermodeltaxidermy.bandcamp.com/merch/skateboard

​

Music Video – “Lipstick” – https://youtu.be/tXN5iZKqg5o

​

Lyric Video – “The Hanging Tree” – https://youtu.be/aOHv-ZciiEk

​

Track Listing:​
1) Wake Up 1:56
2) Exorcist For Beer 3:21
3) Clinics 3:20
4) Lipstick 2:54
5) Blood Painted Dash 3:16
6) Gage 1:48
7) Kevlar 3:10
8) The Hanging Tree 3:17
9) Subliminal 3:12 (Suicidal Tendencies Cover)
10) Death Dealer 3:37
Total Length 29:55

Supermodel Taxidermy is:
Shawn Maynard – Guitar & Vocals
Michael Cheney – Bass & Back Up Vocals
Reilly Williams – Drums

For more info: https://www.facebook.com/supermodelmodeltaxidermy | https://www.instagram.com/supermodeltaxidermy​

– 30 –

“it’s fun and catchy, it’s crazy fast and just makes you want to throw yourself into walls.” – The Metal Crypt
​
“At What Cost is one richly impressive and increasingly addictive release. It looks like SUPERMODEL TAXIDERMY is coming for the world and the cost? Sheer pleasure!” – The Ringmaster Review
​
“blends skate punk with elements of thrash into a lethal concoction that slaps you in the face as it runs by. The atmosphere they create is explosive; a mix of punk rock energy with thrash level instrumentals. Their sound is reminiscent of Bad Brains or Minor Threat, but with a harsher bite. The amount of authentic punk energy Supermodel Taxidermy crammed into this record is almost unbelievable, and when combined with the instrumental elements of thrash, its tone is almost deadly. Energetic and emphatic, the band’s raw mix of chaotic energies serves them well on this record. There is no real lull in energy at any point within this record, proving that if Supermodel Taxidermy can do anything, it’s bring in the heat.” – Heavy Music Headquarters
​
“Punk rock and thrash when combined can elevate the energy to that youthful exuberance that is hard to resist. Supermodel Taxidermy lean into their love of those styles on At What Cost, creating an enthusiastic platter that channels its messages in short, solid songs that will get the hordes moving. Could be the best skater soundtrack to bust out those rad, death defying moves for 2024.” – DeadRhetoric

​
—
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0 DERELICT Posts Vocal Playthrough For “Infinite Dread” Off New Album “Versus Entropy” Out Now!

  • July 17, 2024
  • by Asher
  • · Derelict · Music News

NEWS RELEASE

Montreal, QC – July 17, 2024

DERELICT Posts Vocal Playthrough For For Dread Off New Album “Versus Entropy” Out Now!

L-R – Eric Burnet – Vocals, Guitar, Max Lussier – Guitar, Vocals, Sébastien Pittet – Bass, Tommy McKinnon – Drums

​

Returning after a 12-year hiatus with their breakthrough and highly anticipated album “Versus Entropy” unleashed this past June, Montreal, Canada’s Derelict are sharing their latest vocal playthrough from frontman Eric Burnet for the track “Infinite Dread”:

Burnet comments on the playthrough:

”Infinite Dread is about how social media, the news cycle, and algorithms have taken over and monetized our attention spans, creating massive profit for tech and media companies, and infinite dread for everyone else. I included a little nod to Glen Benton of Deicide at the beginning of the playthrough because while I was preparing to record it, there was a clip in the metal media of Glen essentially saying in an interview that musicians didn’t look very metal anymore and wore black-rimmed glasses and hats. I thought that was funny because that’s what I wear in my everyday life, but I thought it would be additionally funny to promote a song about social media bullshit and chaos by commenting on a casual comment someone made in a video as if it mattered at all. I love Glen, he’s a huge vocal influence of mine, and I figure he’d probably get the joke. I really hope he likes my hat.”

Watch and listen to the vocal playthrough for “Infinite Dread” at https://youtu.be/yv5tzxkx-oU

​

Derelict‘s latest album “Versus Entropy” is a testament to the collaborative synergy between Burnet and guitarist Max Lussier. Each song on the album is a joint effort, with contributions from bassist Sébastien Pittet and drummer Tommy McKinnon adding layers of complexity and depth.

Unshackling their brutal melodic technical death metal, this full length as been a long time coming as it unfolds in two distinct chapters, the first four songs can be considered a pure evolution of what they did on 2012’s “Perpetuation”. It is then separated by an instrumental piece “Attunement” that offers a breather and a bridge to the last four tracks that feature probably the band’s most brutal, southern, thrashiest, and old-school prog death songs ever written by them.

Lyrically, the album delves into both global and personal themes, from climate change and social injustice to introspective explorations of identity and emotion. “Versus Entropy” was produced by Burnet and Lussier, mixed and mastered by JF Dagenais (Kataklysm), with the album artwork done by Cate Francis.

Burnet adds about the album:

“Existing fans of Derelict will recognize that it’s us right away. We play technical death metal with lots of melody and vocals that are more on the clear intelligible side (for death metal). That said, we let ourselves experiment and explore with this album. 2012’s ‘Perpetuation’ was full steam ahead. It didn’t have a single clean passage. While we are very proud of that album, we did not want to do that again. We wanted an album that hits hard, breathes, and ends before you get overwhelmed. We were heavily influenced by the structure of Gorguts’ ‘Colored Sands’ album, where they put a long instrumental piece as the fifth track of a nine-song album. We set out to do something similar and wrote our first full-band proggy instrumental song with ‘Attunement’. It serves as a bridge between the two halves of the album. The first four songs probably resemble the Derelict people are most familiar with, but even within that, there are more dynamics and variations. After Attunement, the second half experiments even more. Dans Les Dents is Max’s first song on lead vocals and is probably our most brutal song to date. Spectrum challenges conventions with more of a bluesy/southern metal sound, but the lyrics are about celebrating differences within masculinity by making space for all kinds of identities. The song Derelict is very thrashy and also very cheesy. It’s an ode to the band’s history and I really didn’t hold back on the cheesy and sentimental lyrics. And finally, The Escapist, another sung by Max, is very old school and progressive. You can definitely hear Max’s Death and Atheist influences there.”

Recommended for fans of Decapitated, Death, and Cryptopsy, “Versus Entropy” is available at the following links:

Bandcamp – http://derelictmetal.bandcamp.com​

Spotify – https://spoti.fi/3xNh0U7​

Youtube – https://www.youtube.com/@Derelictmetal​

Drum playthrough – Versus Entropy – https://youtu.be/gVoamvx4nng

​

(Album Artwork by Cate Francis)

Track Listing:​
1. Versus Entropy – (4:32)
2. Infinite Dread – (4:23)
3. Terminal – (4:02)
4. Workhorse – (3:00)
5. Attunement – (5:05)
6. Dans les Dents – (2:23)
7. Spectrum – (3:59)
8. Derelict – (4:11)
9. The Escapist – (4:15)
Album Length 35:50

More info: Facebook.com/DerelictMetal | Instagram.com/derelictmetal​

-30-

“Derelict are back with a brutal, technical track, “Versus Entropy.”… The new record is nine tracks long and takes on many themes about the diverse and complex human experience, all while showcasing how ripping and heavy their riffs can be. This song is a great first foray into the heavy and nuanced layers they will bring with this release.” – Decibel Magazine​
​
​“As song beginnings go, the one at the outset of “Spectrum” is especially electrifying, an amalgam of rapidly quivering strings, savage percussive bursts, and feverishly swirling and wailing guitar solos by Max Lussier and Eric Burnet. The turbocharged intensity stays high with the appearance of vicious snarls and rabid howls, coupled with weaponized drum attacks and swarming riffage, but the song reveals a new dimension as singing joins in with the snarling. There’s more of Lussier‘s soloing too, a head-spinning romp, soon followed by a slithering and menacing guitar arpeggio, as well as further episodes of harmonized singing and fang-baring tirades. The soloing and the singing does bring in elements of “Southern metal”, and gives the song a very distinctive personality.” – NoCleanSinging​
​
​“Versus Entropy is a great blend of the band’s influences in old school death, thrash, and prog/technical death metal. Combining their life experiences with world issues and industry matters (Re: Trevor Strnad), Derelict’s June 21st self-released album is a testament to the continuation of a major Canadian death metal project that is worthy of note as it really seeks to show the band’s remaining fervour for quality production and expression along with current world matters that strike a chord with the members, having lived a generation of life away from the grind, only to return with new perspectives and tastes.” – Metal Epidemic​
​
​“What is in the water in CANADA! I swear they have been putting out some of the sickest bands and albums this year! Derelict has stepped up after twelve years with their latest self- release “Versus Entropy” with 9 tracks of traditional Brutal Tech Shred!! Displaying every bit of refined talent through each track. I personally enjoyed track 5, Titled “Attunement” an instrumental right in the middle of the record, makes perfect sense and helps cleanse your palette for the rest of the album. We get that speedy, yet melodic guitar shed throughout all 9 tracks sure to impress any musician and fan of tech metal. Grab your copy” – Keeper Magazine​
​
​“An album to seek out for those who tend to enjoy a more technical take on a hard, tight and firm variety of extreme metal.” – The Viking In The Wilderness​
​
​“You would think with Canadian Tech death you would know everything that there is to know about the style right… Wrong, Derelict has only put out a few albums but each album is really a Great Masterpiece of the tech death world while still showing off that you don’t need to be Tech death 100% of the time. Every riff serves a purpose, every lead sounds so perfect for the song. Everyone in the band absolutely has technicality and musicianship to an absolute but they know how to write songs at the same time and you match that up with fantastic production and you have one of the standout Tech death albums of 2024. Seriously if you need tech death that is not just pure Tech death give Derelict a chance.” – Heavy Debriefings​
​
​“It is speedy, brutal and yet still melodic, inventive in arrangement (especially ‘Attunement’) and well produced. Every instrument is cleanly and clearly discerned and the cymbals are easily listened to without overpowering anything else…. no hesitation in awarding Derelict 9/10… Also, fucking ‘Spectrum’ though. The perfect blend of technical ability and groove. Fucking hell.” – Ever-Metal​
​

—
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0 Out Now! ETERNAL DRAK Sets Historical Hauntings To Black Metal In New Album “Imprisoned Souls”

  • July 17, 2024
  • by Asher
  • · Eternal Drak · Music News

NEWS RELEASE

Montreal, QC – July 17, 2024

Out Now! ETERNAL DRAK Sets Historical Hauntings To Black Metal In New Album “Imprisoned Souls”

Left, Andres Martinez “Drakar” (Vocal/Guitar) – Right, Francisco Avella “Xenx” (Drums)

Photo Credit: Pamela Insuasty

Québec City, Canada’s, Eternal Drak are releasing their fifth black metal album “Imprisoned Souls” this week and they are excited to see fans’ reactions to this offering that describes a horror story between thrash, black, and death, and has a twisted concept surrounding the tribulations of trapped spirits and anecdotes from residents of an enchanted place. The band explains further:

“The process of creating this album was an intense and liberating experience. We delve into the darkness and depth of our souls to give life to a set of songs that reflect our evolution as a band and unbridled passion for the genre. Every riff, every scream, and every note was carefully crafted to convey the raw energy and brutality that characterizes our style. In the studio, we felt like prisoners of our own emotions, but in the end, we managed to free our souls through music.”

“Imprisoned Souls” is a ten-song horror journey into the darkest depths of extreme metal. Eternal Drak hopes this album catches listeners in a whirlwind of dizzying riffs, frenetic rhythms, and lyrics full of desperation and rebellion. They want everyone who dares to give this a spin to feel the power of thrash black metal in each song and become fully immersed in a state of trance and liberation.

For Eternal Drak, each album has a different concept, and on this album, most of the lyrics are about experiences lived on an old farm located in Colombia where there was an improvised hospital during a great battle of the War of Independence. Other lyrics are interpretations of what they believe is behind these paranormal stories. Join in the eerie atmosphere that is highly recommended for fans of Watain, Kreator, and Motorhead.

“Imprisoned Souls” is now available as of July 17th, 2024 at the following links:

Band’s Official Webstore – https://eternaldrak.com​

Bandcamp – https://eternaldrak.bandcamp.com

Spotify – https://spoti.fi/3Lrx4xV

Song Stream – “Soul Of Hate” – https://youtu.be/VnnjmW5b6uw
Song Stream – “Haunting Place” – https://youtu.be/GAYLXZbBrc4

Track Listing:​
1. Soul Of Hate – 4:00
2. Circle Of Black Flames – 4:20
3. She Is A Magnet – 4:17
4. Haunting Place – 4:43
5. Oda A La Luna (Re Recorded) – 4:20
6. Take No Prisoners – 5:49
7. The Woman In Sandals – 4:04
8. The Mist – 3:26
9. Feasting The Anguish – 3:40
10. Bound By Ambition – 4:10
Album Length: 42:49

More info: http://www.eternaldrak.com | https://www.facebook.com/EternalDrak | https://www.instagram.com/eternaldrak​

-30-

​

—
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0 Canada’s MAITREYA’s Funky Reggae Metal Hybrid Single “The Traveler” Is A Refreshing Summer Hit Off Forthcoming EP “Auxesis”

  • July 12, 2024
  • by Asher
  • · Maitreya · Music News

NEWS RELEASE

Montreal, QC – July 12, 2024

Canada’s MAITREYA’s Funky Reggae Metal Hybrid Single “The Traveler” Is A Refreshing Summer Hit Off Forthcoming EP “Auxesis”

L-R: Mark Wylie (Guitar) | Lyam Morrison (Bass) | Brandon Pellatt (Drums) | Matt Cutrara (Vocals)

Photo Credit: MG Ommert

Progressive metal band Maitreya embodies catharsis in musical expression, designed to explore the turbulent emotions of the human condition. They are set to release their highly anticipated single “The Traveler”, which leads their forthcoming EP “Auxesis”, which will come out in October 2024. The seed idea for the song can be traced back to a silly cover of RATM’s “Bulls on Parade” and it drifts between jazz-funk-reggae hybrid with metal. He band comments:

“We’re excited to share The Traveler as the lead single from our upcoming EP, Auxesis. The central theme of Auxesis is growth, and this single boldly demonstrates our new ‘branches’ while digging deeper into our root concept. “The Traveler” showcases theatrical vocal narratives, groove-centric experimentation with genre-jumping, and heavy, drop-tuned breakdowns. Lyrically it is rooted in hurt and displacement. Dealing with feelings of betrayal and a breakdown of communication.”

“Auxesis” is rich with a depth of sonic layers such that the listener can yield new discoveries after multiple listens. The complexity of the music is subtle, making it accessible to general audiences but also intriguing to the advanced, musically inclined demographics. There’s a strong poetic focus to create an artistic work ripe with emotional and philosophical commentaries on the human condition. It is recommended for fans of Between The Buried and Me, The Contortionist, and Twelve Foot Ninja.

Listen to “The Traveler” at the following links:

Visualizer – https://youtu.be/l0zzmrJizfg

​Spotify – https://spoti.fi/3Whrogn

“Auxesis” is due out on October 11, 2024, and will be available for pre-order at https://maitreyametal.bandcamp.com.

Track Listing:​
1. Paradigm (6:47)
2. Still Motion (4:49)
3. The Traveler (5:32)
4. Vestigial Memories (5:21)
5. Arcana (6:05)

More Info – https://www.maitreyametal.com | https://www.facebook.com/maitreyametal | https://www.instagram.com/maitreyametal​

-30-

“We’re always on the hunt for interesting new metal bands, and Canada’s Maitreya certainly qualifies. The band’s newest single, “Catalyst”, treads familiar progressive metal territory – think vocals similar to Leprous and instrumentation akin to older BTBAM – but rest assured it sounds fresh.” – New Fury Media

“Heavy metallers Maitreya recognize the value of dreams with their new single and music video for “Bloom,” a rifftastic blast of progressive metal.” – V13

“What’s on the menu here is a wide range of flavours. There’s something to suit the taste of any serious metal fan. This relatively new band has some good ideas and knows how to execute them. Despite the current restrictions, these guys have plenty of time to bring the Maitreya brand to the fore.” – The Prog Space

“What we have here with Hyper Reels is a fresh take on both progressive metal and metalcore in general. Ten high-powered and heavy efforts that go in a myriad of unexpected and thrilling directions. If there’s one thing Maitreya do well on Hyper Reels, it is to keep you guessing all the time.” Games, Brrraaains & A Headbanging Life​
​
​“Ambitious and aggressive, Canada’s Maitreya break boundaries from the beginning with Departed. Heavy, contemporary metal chords are underscored by droning, chorusing vocals, but blink and you’ll miss them as Maitreya soon change direction to a growling verse pandemonium. Their riffing is adventurous and deadly, cutting through weighty, rolling rhythms and movements.” – Jace Media

—
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0 “Love H8” Is The Thrashy New Single From Saskatoon’s PYTHONIC’s Upcoming “EP 1” Out Sept 2024

  • July 12, 2024
  • by Asher
  • · Music News · Pythonic

NEWS RELEASE

Montreal, QC – July 12, 2024

“Love H8” Is The Thrashy New Single From PYTHONIC’s Upcoming “EP 1” Out Sept 2024

L-R – Vincent Kohut (guitar, backing vocals), front Jayden Warriner (drums), Back Dustin Reiner (vocals), Morgan Warriner (bass, backing vocals), Ryan Hunter (guitar)
Photo by Mac Ulmer

Pythonic, the powerhouse Canadian (Saskatoon-based) metal band, is thrilled to announce the release of their newest single “Love H8”. This marks the second single from their debut “EP 1” set to be released on September 27th. The single “Love H8” is a showcase of the more thrashy side of Pythonic and they deliver a barrage of tasty riffs, they comment:

“This song originated from Vincent and is one of the only songs to showcase him playing leads. Part of what makes this song special is it had some producing help from longtime friend and drummer on the EP Jordan Gall. Jordan came up with the idea for the leads over the chorus riffs while in the studio with Vincent. Drummers got riffs too, who knew.”

“Love H8” musically came out exactly as Pythonic needed it to as a sick thrash song. The idea behind the track was to get people to move and it does just that when played live or just as a recording. The single is a song about how in relationships if one person isn’t healed properly they can project their problems onto the other. Most of the riffs were written in a single sitting only one riff was sourced out to Ryan and it is the killer bridge riff.

Lead guitarist Ryan Hunter and rhythm guitarist Vincent Kohut’s dynamic interplay creates a soundscape that is both ferocious and melodic, while new drummer Jayden Warriner’s aggressive beats drive the track forward with unrelenting energy. Bassist Morgan Warriner locks in with his brother, Jayden, to form a rhythm section that is tighter than ever, adding a solid foundation to the band’s intricate arrangements. Pythonic is recommended for fans of Lamb of God, Devildriver, and Machine Head.

Listen to “Love H8” at the following links:

YouTube – https://youtu.be/sscxzAtmDnQ

​

Spotify – https://distrokid.com/hyperfollow/pythonic/love-h8

​

“EP 1” will be available on all digital platforms on September 27th, 2024.

Track Listing:​
1. Positive Deconstruction (5:19)
2. Love H8 (4:02)
3. Pills (3:09)
4. Practise What You Preach (5:13)
5. Epica (5:00)
EP Total Length: 22:43

EP Lineup:
​
Dustin Reiner – Lead Vocals and Bass
Ryan Hunter – Lead Guitar
Vincent Kohut – Rhythm Guitar and Backing Vocals
Jordan Gall Drums

Live Lineup
​
Dustin Reiner – Lead Vocals
Ryan Hunter – Lead Guitar
Vincent Kohut – Rhythm Guitar and Backing Vocals
Morgan Warriner – Bass and Backing Vocals
Jayden Warriner – Drums

More info: https://www.facebook.com/pythonicband | https://instagram.com/pythonicband​

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“Pythonic comes from Canada with ‘Epica’, a track that features fast-paced guitar riffs, heavy drums and an engaging, torn vocal that delivers to listeners the essence of metal and subverts such as alternative, thrash and even melodic, being perfect to the circle and not to leave anyone standing still.” – Os Garot Os Deliverpool

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Horror Pain Gore Death Productions – Edmonton’s CULLED Political Grind Takes A Strike At Authoritarianism In “Coercion” Off New EP “Psycles” Out July 2024

  • July 11, 2024
  • by Asher
  • · Culled · Music News

NEWS RELEASE

Montreal, QC – July 11, 2024

Edmonton’s CULLED Political Grind Takes A Strike At Authoritarianism In “Coercion”

New EP “Psycles” Out July 2024 via Horror Pain Gore Death Productions

L-R – Curtis Blair – Drums, Chris Chapman – Bass, Shane Hawco – Vocals, Ben Harbak – Guitar

Photo Credit by Dana Zuk

​

Edmonton, Canada’s Culled started in early 2017 with the intention of embracing the contrast of slow crushing sludge and doom riffs with the blistering speed and chaos of grindcore ripe with messages of peace, and love that implore the need for empathy in today’s unpredictable and unstable political climate. Now in 2024, they have their second album coming out, “Psycles” on July 26th. Ahead of the full release, they have a single “Coercion” out, that delves into topics of authoritarianism as they comment on below:

“We wanted to give a taste of where we can land when we are not directly focused on the contrasts between chaotic grinding speed against sludging doom. Mid-paced groovy with an infectious and memorable hook helping to give weight to the lyrical theme of corruption being the core of authoritarianism and an essential need of our society, and our one true religion.”

The band goes on to explain that the groove in the middle of the EP adds a touch of rest from the chaos and a repeating theme that can bring the message home. Featuring members with a historical impact in the Western Canadian heavy music scene, including former and current members of bands such as Thorazine, Disciples of Power, WAKE, and Exit Strategy, Culled is known for their intensity of performance and message of integrity fueled with compassion and empathy. They are recommended for fans of Nasum, Pig Destroyer, and Neurosis.

Watch and listen to the video for “Coercion” via TheCirclePit – https://youtu.be/vRu_Y0JQGC4​

Due out on July 26th from Horror Pain Gore Death Productions, “Psycles” is available for album pre-order (CD / Digital/ Bundles) at https://www.horrorpaingoredeath.com and (Cassettes/ Vinyl/ Digital) https://www.culled.ca.

Previous single – Music Video – “Halo of Flies” – https://youtu.be/vx8ku0sjvHc​

Spotify – https://spoti.fi/3Vmr1PJ​

Track Listing:​
1. Trauma of History (7:22)
2. Psycles (1:45)
3. Coercion (3:14)
4. Halo of Flies (1:54)
5. Excision (Lost Cause) (6:40)
EP Length: 20:57

EP Band Line Up:​
Ben Harbak – Guitar
Chris Chapman – Bass
Curtis Blair – Drums
Shane Hawco – Vocals

More info: Culled.ca | Facebook | Instagram.com/culled.ca​

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“Political tensions in the world are running high, and Culled want you to know that they’re not down with it. Combining their searing take on the state of the world with a sludgy grind assault, Culled back their statements with tight songwriting and aggressive performance. On their debut album Thin the Herd, Fail to Learn, Culled wrap angular grindcore in thick sludge, spitting out blasts, mosh parts and distinctive vocals that reflect the band’s disgusted mindset.” – Decibel Magazine

“Sludge grind is one of those things that shouldn’t really exist and yet somehow Culled make it work. They sound absolutely colossal on their new track “Contagion,” a nearly nine minute epic that manages to combine everything that makes the band great. The stop/start madness and dynamic interplay of this song speaks to the band’s talent as songwriters. Meanwhile, the guitar tone alone speaks volumes to what this band has come to represent. With punk fringes on some truly punishing tracks, it’s hard not to be fascinated by the morbid horror of the band. The lead single, ‘Contagion,’ is a mesmerizing ode. It comes from their upcoming LP, Thin The Herd, Fail To Learn, due out October 26th on Hibernation Release. It’s hard to balance two genres that seem so diametrically opposed whilst simultaneously sneaking in moments of pure explorations into the sublime. Experimental, genre bending and clearly forward thinking, ‘Contagion’ is a triumph for a rising force.” – Metal Injection

“Edmonton, AB grind outfit Culled push the boundaries of the genre on their debut full-length, Thin the Herd, Fail to Learn. The quartet incorporate slow, sludgy grooves and doom-laden riffs into their discordant grindcore, resulting in a contrast of sounds that is jarring yet complementary… Thin the Herd, Fail to Learn is an impressive debut that showcases a battle of conflicting sounds throughout its 25-minute runtime. What makes it work is Culled’s thoughtful approach to song composition and structure, along with socio-political lyrical content to match the angst-filled emotions that their music emanates.” – Exclaim!

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 Exitus Stratagem Records – Streaming Now! THIRTEEN GOATS’ Wild Death Metal Rock Opera “Capricorn Rising” + “Planet of the Goats Tour” w/ FALL OF EARTH

  • July 11, 2024
  • by Asher
  • · Music News · Thirteen Goats

NEWS RELEASE

Montreal, QC – July 11, 2024

Streaming Now! THIRTEEN GOATS’ Wild Death Metal Rock Opera “Capricorn Rising”

“Planet of the Goats Tour” w/ FALL OF EARTH

New Album “Capricorn Rising” Out July 12th, 2024 via Exitus Strategem Records

“It’s really strong. GREAT musicians, great production, as well as a very progressive aspect without losing the darkness.” – Kelly Schaefer, Atheist

L-R: Thirteen Goats Current Lineup | Rob Fitz-Gerald (Lead & Rhythm Guitars, Backing Vocals) | Graham K. Miles (Lead Vocals, Lead & Rhythm Guitars) | Cody Lewichew (Bass, Gang Vocals) | Leonid Verman (Drums, Gang Vocals) – Photo Credit: Kevyn Lilith Hoskin

​

Vancouver, Canada’s Thirteen Goats are proud to release their second album—the extreme metal rock opera “Capricorn Rising”. It tells the story of their mascot, Shepherd: a goat-skull-wearing Antichrist who raises an army of animals to liberate the earth from humanity’s constant wars and greed. This high-concept narrative is delivered with Thirteen Goats‘ signature blend of infernal riffs, huge hooks, and uniquely theatrical songwriting. They comment on the album:

“We think fans are going to get everything they loved about our first record, only more of it—and more focused. We’re exploring similar themes on this release, but we’ve connected them by weaving a cohesive story throughout these nine tracks that gives more context to the different musical and tonal shifts. And just like on the last record, we haven’t been afraid to break the rules.”

Each song on the album is part of a broader narrative that explores themes of disillusionment, radicalization, and rebellion as Shepherd and his 12 demon goats wage their crusade. Thirteen Goats delivers a unique blend of death and thrash metal, combined with a storytelling approach that takes listeners on a journey through the darkest aspects of both human and animal nature.

Listeners can expect furious riffage, ambitious song structures, and even occasional female guest vocals (courtesy of guest artist Carly Ellen Jones). What they shouldn’t expect is a record that plays it safe or falls neatly into one specific subgenre. Thirteen Goats is recommended for fans of Lamb of God, Carcass, and Mastodon.

Listen to the album’s full stream premiere via Decibel Magazine HERE.

Due out on July 12, 2024, “Capricorn Rising” is available from Exitus Stratagem Records for album pre-order at https://www.exsrmusic.com/store/p/pre-sale-thirteen-goats-capricorn-rising​

Music Video – Murder Lives in the Heart – https://youtu.be/hpgqlbehecM​​​

In additional news, following their performance at this year’s Armstrong Metal Fest (July 12/13), Vancouver’s Thirteen Goats announce that they will be hitting the road this July and August for their first major Western Canadian tour. They will be co-headlining the “Planet of the Goats Tour” with Edmonton’s Fall of Earth.

Planet of The Goats Tour – Fall of Earth, Thirteen Goats​
July 19 – Red Deer, AB – The Vat
July 20 – Edmonton, AB – Starlite Room
July 21 – Lloydminster, SK – The Sticks
July 23 – Brandon, MB – Eastside Eatery
July 24 – Winnipeg, MB – Bulldog Event Center
July 25 – Regina, SK – The Exchange
July 26 – Lethbridge, AB – The Slice
July 27 – Calgary, AB – Rec Room
July 31 – Kelowna, BC – Dunn Enzies (venue change from Revelry)
Aug 1 – Kamloops, BC -The Blue Grotto
Aug 2 – Penticton, BC – Clancy’s
Aug 3 – Vancouver, BC – The Fox Cabaret

Track Listing:​
1. Sign of the Goat (4:53)
2. Murder Lives in the Heart (5:30)
3. A Wolf in Shepherd’s Clothing (4:10)
4. Global Fuckup (3:57)
5. Beheading Zoo (3:44)
6. Permission to Die (3:48)
7. Beating the Disease (4:24)
8. Goats of War (5:25)
9. Animal Kingdom (6:19)

More info: Exsrmusic.com | ThirteenGoats.com​

-30-

“What makes this turbocharged song (Sign of The Goat) so damned much diabolical fun is the band’s melding of viscerally compulsive grooves, head-spinning instrumental pyrotechnics, and rapid-fire vocal assaults — and doing so in a way that makes the track highly infectious too. The song vividly intersects with the tech-death sphere through flurries of quickly darting, swirling, and swarming riffage, deliriously cavorting arpeggios, and a multitude of percussive fusillades. As displayed in the video, fingers and limbs fly like the wind, and the guttural barks and hair-raising screams in the vocal department rhythmically eject the violent words just as fast and just as furiously. But, as forecast, the song is also a viscerally groovesome beast. It’s almost relentlessly hard-slugging, but what really stands out are brutish, muscle-galvanizing jackhammer-bursts, the first of which comes only 25 seconds into the track. Another one of those episodes sets itself up as the backdrop for crazed guitar soloing that sounds like the ecstasies of fiends. And we did warn you — this thing is also immediately catchy and enduringly addictive. It comes recommended for fans of Bolt Thrower, Archspire, and Lamb of God.” – NoCleanSinging

​

What the press said about 2022 album “Servants of the Outer Dark”:

#14 on Top 20 – Loud – Canadain College Radio – August 2022 (Earshot)

“An alchemical style reminiscent of Cannibal Corpse, Misery Index, classic Megadeth, melodic Swe-death, and all eras of Death and Carcass.” – Decibel

“Rips, we’re here for it.” – MetalSucks

“Perfectly marries old school death metal, blackened tendencies, and heavy metal choruses.” – Metal Injection

“THIRTEEN GOATS unapologetically raise the deathcore flag for the new decade and absolutely don’t care what people think.” – Exclaim!

“Think Vulgar Display of Power-era Pantera in a cage match with Cannibal Corpse and Ministry.” – The Georgia Straight

“A gut-punching and head-hooking offering of death metal that borrows liberally from many of the genre’s subsets, as well as bringing in elements of thrash, black metal, and grindcore.” – No Clean Singing

“With a name like THIRTEEN GOATS, it’s gonna be evil. It’s cool, thrashy, blackened groove metal, a little like a Lamb of God sound with a bit more heavy brutality going on and a dash of black metal evilness. Great stuff!” – The Mosh Pit on WORT 89.9 FM (Madison, WI)

“THIRTEEN GOATS make seriously good music and sound like they have a lot of fun doing it. They write great upbeat thrash songs with strong melodies that appropriately sway from sinister to camp and pull it off tremendously. For some classic charcuterie of extreme metal mixed with a bit of tongue in cheek, you’re well looked after here.” – Heavy Mag

“THIRTEEN GOATS is a new strength in the extreme scene.” – Metal Temple

“The starting point of Thirteen Goats and their debut album Servants Of The Outer Dark is death metal, but it doesn’t remain tied to it. They explore all types, including tech death and melodic death metal, and even genres outside of that like thrash, groove, and doom metal. Each song brings out a unique side to the band, whether it’s the politically charged ‘Prisoner’s Anthem’ or the body horror of ‘Sub-Being.’” – Heavy Music Headquarters

“Canada’s THIRTEEN GOATS are incredibly fun to listen to and at multiple points subtly humorous—and, as such, make themselves easily a breath of fresh air within the technical scene. That sense of fun is backed up with very proficient playing and dizzying creativity, far beyond what you would expect from a debuting act’s first full length… Servants of the Outer Dark is an excellent debut full-length from these guys and I can’t wait to hear more!” [9/10] – Metal Observer

“All you need is love? No. All you need is THIRTEEN GOATS. Their debut album has everything your heart could desire in a Metal record, it’s a metaphorical pizza with all the toppings and a better thrill ride of a first crack we defy you to find!” [8.5/10] – Metal Noise

“These guys have the ability and the chops to succeed, whilst channeling bands like Lamb Of God into their output.” – Man of Much Metal

“This is so good.” – Stephen Quinn, The Early Edition (CBC Radio One)

—
ASHER MEDIA RELATIONS
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0 Streaming Now! Halifax’s TURBO’s “Broke And Ugly” Is A Gritty Return To Aggressive, Thrashy Nitro Rock!

  • July 11, 2024
  • by Asher
  • · Music News · Turbo

NEWS RELEASE

Montreal, QC – July 11, 2024​

Streaming Now! Halifax’s TURBO’s “Broke And Ugly” Is A Gritty Return To Aggressive, Thrashy Nitro Rock

​

Halifax, Canada’s Turbo is back and louder than ever with the release of their shiny second album “Broke & Ugly”. Known for their gritty, in-your-face sound, Turbo has once again delivered a raw and powerful collection of tracks that will leave listeners begging for more. Like your disheveled uncle on Christmas morning, Turbo is trashed, pissed off, and sick of your shit, bringing an intensity and energy that is unmatched in today’s music scene. They comment on the release:

“‘Broke and Ugly’ is our second testament to the ups and downs of the rock-and-roll lifestyle, and it comes in swingin’ HARD. The music is raw, greasy, and mean; but it’s also tight, coordinated, and flashy. The lyrics are defiant and visceral, painting a real picture of where Evan’s mind was during the writing process of the album. Themes go from party anthems to drugs, to women of flings-past, to life on the road, and back again. It’s edgy, it’s real, and it’s undeniably Turbo.”

Turbo was created with a singular vision: to create something bigger, badder, and unapologetically aggressive. Evan Frizzle (vocals/guitar), Sylvain Coderre (drums), Lindsey Dicks (guitar), and Henry MacDonald (bass) have poured their hearts and souls into this album, crafting a unique sound that blends thrash, NWOBHM, glam metal, punk rock, and hardcore. The result is an original, aggressive, and varied listening experience that grabs you by the cojones and doesn’t let go.

The album artwork for “Broke & Ugly” was created by a good friend of the band Tim Murray, and perfectly captures the essence of the band’s raw and unfiltered style. The cover depicts a dive-bar nightmare bathroom, filled with Easter eggs from Turbo‘s previous songs and a green hand grabbing for some shit-tickets from a busted-ass urinal. It’s a fitting visual for an album that promises to be a grimy slab of thrash, sleazy, and louder than anything you’ve heard before. Get ready for Turbo‘s distinct flavor and an absolute slaughter in seven tracks. It is recommended for fans of W.A.S.P., Motorhead, and Judas Priest.

Listen to the album’s full stream premiere via Bravewords HERE.

Album order for “Broke and Ugly” due out on July 12th, 2024 is available at https://turboasfvck.bandcamp.com/merch​

Music Video – “Down In Mexico” – https://youtu.be/7HousH65t8s​

Spotify – https://distrokid.com/hyperfollow/turbo5/down-in-mexcio-pre-release​

Track Listing:​
1. Ruthless Forever
2. Ignite the Night
3. No Savior
4. Scorpio Garbage Fire
5. PissJugs and Rattlesnakes
6. Nothing to Nowhere
7. Broke & Ugly
8. Down in Mexico
Total Length: 29:12

Lineup:​
Evan Frizzle: Vox, Lead & Rhythm Guitar
Lindsey Dicks: Lead & Rhythm Guitar
Henry MacDonald: Bass Guitar
Sylvian Coderre: Drums

For more info:
​
Facebook.com/TURBOFAF​
​Instagram.com/turboasfvck​

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“The cartoon-ish cover art with toxic green/red colors could bring more smiles to the fold – Turbo executing a great crossover sound that stands on the edge of thrash, punk and NWOBHM/heavy metal. Broke & Ugly could be your soundtrack when needing an ideal wind down from your back breaking, seemingly never over work week. 8.5/10” – Dead Rhetoric

“the band is insanely tight, with Frizzle and fellow six stringer Lindsey Dicks really giving it some violence riff wise and soloing like their lives depended on it. Similarly, the rhythm section of Sylvain Coderre (d) and Henry MacDonald take no prisoners and submit to no-one in their ability to hold things together at high velocity. Very impressive. As we get deeper into the twenty first century, bands are running out of ways to repackage, remake and remodel, so the freshness with which Turbo approach the task in hand has to be applauded. This is fun to listen to – and it certainly sounds like the band had fun getting the album down, and sometimes a bit of joie de vivre is all any of us need. But when you are able to mix that in with a killer technique and a sharp ear for a metal tune well, good times await!” – Sentinel Daily

“Turbo’s second full length album is the equivalent of getting into a newly juiced up hotrod, the roof reeled back in, as you’re flooring it down the highway until your smoke trails combust. From start to finish, Turbo live up to their name in droves and then some with energy that cannot be denied and a plethora of tracks that offer much to be remembered. Though boasting a full nine tracks, Broke & Ugly doesn’t even eclipse a full half hour and therefore opens itself up for numerous relistens. It starts up, gets you in the mood to kick some butt, yet doesn’t attempt to overstay its welcome to any degree. For me personally, this style of speed metal can be a vast hit or miss but I thoroughly enjoyed my time with this record, and during its duration I was brought on board with Turbo’s infectious power.” – The Razor’s Edge

“TURBO is Halifax’s answer to Motorhead…” – The East Mag

“It is a thrash metal rollercoaster of a musical ride that grabs you by the dick and doesn’t let go until bust a riff-inspired ear nut.” – Slickster Magazine

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Rockshots Records – Italian Melodic Prog Rock OZORA New Single “Inedia”

  • July 10, 2024
  • by Asher
  • · Music News · Ozora (Rockshots Records)

NEWS RELEASE

Montreal, QC – July 10, 2024

Italian Melodic Prog Rock OZORA New Single “Inedia”

Ozora, one of the most innovative and acclaimed bands in the Italian music scene, is thrilled to announce the release of their third single “Inedia” from their highly anticipated new album, set to drop this coming autumn.

The band comments on the new single:

“Inedia” is a 6-minute suite that expands the classic sound of the band towards new sonorities with progressive nuances, featuring energetic verses and a powerful melodic chorus. The track reflects on the perceptual alternation of certain life moments; the highs and lows we face. At times, it feels like “we can no longer read anything in the eyes of others…,” and this sense of endless tedium can either engulf us or awaken us.”

Following in the footsteps of their previous works, “Perpendicolari” (2017) and “Angelica” (2021), the eight tracks of the new album were recorded at the prestigious Fusix Studio under the expert guidance of Andrea Fusini, known for his collaborations with notable artists like Ready, Set, Fall!, Delain, and La Sad.

Ozora continues to amaze with a unique sound that skillfully traverses various genres including metal, progressive rock, and alternative rock, enriching them with new sounds and original arrangements. Their Italian lyrics, the instrumental complexities typical of the best progressive music, and the overwhelming energy of rock harmoniously blend to create an unprecedented musical experience.

This new work not only consolidates Ozora‘s reputation as one of the most interesting bands in the Italian music landscape but also marks another step forward in their artistic evolution. Ozora promises to take their fans on a fascinating and engaging sonic journey, confirming their ability to innovate and surprise.

Stay tuned for further updates and get ready to immerse yourself in the sound world of Ozora with the release of “Inedia” and their new album.

Visualizer – https://youtu.be/yAQ1SzIvhDE

​

Digital – https://lnk.to/NOMIbE​

For more info:​
​https://www.rockshots.eu/​​
​https://www.facebook.com/ozorarock​

​https://www.instagram.com/ozorarock/​

-30-

​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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Instagram @AsherMedia
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