Category: Music News

0 OPHIOLATRY Unleash New Video “Jesus Complex” – Exposing The Hypocrisy of Religious Indoctrination – Off New Album “Serpent’s Verdict” Out June 2025 (WormHoleDeath Records)

May 14, 2025
by Asher
· Music News · Ophiolatry

NEWS RELEASE

Montreal, QC – May 14, 2025

OPHIOLATRY Unleash New Video “Jesus Complex” – Exposing The Hypocrisy of Religious Indoctrination

New Album “Serpent’s Verdict” Out June 2025 (WormHoleDeath Records)

L-R – Diego Santiago (Bass), Jaime Veron (Lead Vocals), Jhorge “Dog” Duarte (Drums), Fred Barros (Guitar)

Photography: Kevin Eisenlord, Anderson Hildebrando

Brazilian death metal force Ophiolatry is unveiling their new music video for “Jesus Complex”, the second single from their upcoming album “Serpent’s Verdict,” set for release on June 6, 2025, through WormHoleDeath Records. The video represents the band’s next visual offering to follow “Death Tour,” revealed this past April. The new video introduces viewers to the ritualistic atmosphere that defines their long-awaited return. The band shares the story behind the single:

“This story is totally terrifying: you wake up, go out, and discover that everyone is wearing a Jesus mask. His gaze pierces you deeply, transmiƫng a strange and oppressive feeling. It becomes even more suffocating when you look in the mirror and see that you are also wearing the mask. In a world where identity disintegrates under the weight of imposed doctrine, the fear of conformity is a struggle between imposed faith and one’s own identity.”

“Jesus Complex” explores themes of religious manipulation and spiritual corruption. The track combines Ophiolatry‘s signature technical brutality with a newfound emphasis on tribal rhythms and atmospheric elements that showcase the band’s evolution since their acclaimed 2008 release “Transmutation”.

The creation of both the song and video emerged from a deeply personal creative process for the band. The release of “Jesus Complex” marks the next chapter in what the band describes as ‘a communion between sound and image’, with each element of “Serpent’s Verdict” designed to function as part of a larger ritualistic experience. Fans of Death, Deicide, and Cryptopsy are encouraged to immerse themselves in this initial offering while anticipating the full album’s release in June.

Watch and listen to “Jesus Complex” via its premiere on MetalInsider HERE.

(Mask Sculpting in video by: Herman Silesky)

Digital single pre-save – https://orcd.co/jesuscomplex

Album pre-save – https://orcd.co/serpentsverdict

First Single – “Death Tour”

Music Video – https://youtu.be/9Fr3TqFyF5Q

Spotify – https://orcd.co/deathtour

Track Listing:
1 – Jesus Complex – 3:48
2 – Revenge – 4:21
3 – Generation Curse – 3:09
4 – Death Tour – 3:35
5 – Serpent’s Spits – 4:31
6 – Atheris – 1:32
7 – Apophis – 5:01
8 – Midia Bible – 3:34
9 – Manipulations Guilt – 4:03
10 – Heaven Jails – 3:26
11 – Narcissistic Victim Syndrome – 4:06
12 – Human Factory – 3:18
13 – Ecdysis – 2:34
Album Length: 47:03

Album Recording Credits:
All songs performed and composed by Ophiolatry.
Mastering: Dan Swanö – http://www.unisound.se
Artwork: LouLou – http://www.louloufineart.com
Pre-Production: Steve Rumpli & Ophiolatry
Production, Recording & Mixing: Diego Santiago
Studio: Satori Estudio
Photography: Kevin Eisenlord, Anderson Hildebrando
Graphic Layout: Beto Mustafa

Album Band Line Up:
Jaime Veron – Lead Vocals
Diego Santiago – Bass
George “Dog” Duarte – Drums
Fred Barros – Guitars

More info: Ophiolatry.com.br | Facebook.com/profile.php?id=100063556233508 | Instagram.com/ophiolatry

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“On this new record, the band bring their traditonal Brazilian influence and their heavy, atmospheric approach together to create something new. All the songs on the record come together to tell a story. ” – Decibel Magazine (2025 – Seprent’s Verdict)

“According to Merriam-Webster, “ophiolatry” means “the worship of or attribution of divine or sacred nature to snakes.” You can certainly feel the snakes of death metal surround you as you listen to “Abyss of Alienation” from Brazil’s Ophiolatry, featuring hypnotic riffs, brutal vocals, and crushing rhythms reminiscent of Hate Eternal, Nile and Steve Tucker-era Morbid Angel. The song is a re-recording of a track from the band’s 2008 album, Transmutation.” – Decibel Magazine (2023 Single – Abyss of Alienation)

“Hailing from Brazil comes Ophiolatry, a three-piece powerhouse of a brutal death metal band whose bread-and-butter sound comprises blistering drumming and technical guitar lines set against a suffocating and claustrophobic sonic backdrop.” TheMetalForge

“Ophiolatry will reward the open-minded metal head with an inflection of national culture, post-modernism and, of course, stunningly brutal death metal.” – Sputink Music

“…Relentless blastbeats and truly brutal guitar work that have the ability to pummel the listener into a fine powder.” – Scene Point Blank

“[…] similar technical versatile approach on Death Metal as defined by KRISIUN but where the latter still have a disappointing song writing quality OPHIOLATRY have more feel, more structure and variation.” – Voices from the Dark Side

“[…] you’ve got yourself another nice brutal death metal band, comparable with (older work of) for example the Brazilian bands Krisiun, Mental Horror and Nephasth, as well as North American’s Monstrosity and Vital Remains – who came up in my mind because of the guitar virtuosity.” – Metal Rage

“A Lendária banda de Brutal Death Metal Ophiolatry está de volta as atividades.” – Brazil Legion Nekrounderground

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0 MARBLE GHOSTS Signs with Self Made Records L.L.C. / Earache Digital Distro For New EP “The Greatest Divide” Out May 23rd

May 14, 2025
by Asher
· Marble Ghosts · Music News

NEWS RELEASE

Montreal, QC – May 14, 2025

MARBLE GHOSTS Signs with Self Made Records L.L.C. / Earache Digital Distro For New EP “The Greatest Divide” Out May 23rd

Performing at NXT Level Festival In Ottawa – May 22nd

L-R – Adam Hansen (Guitar), Dylan Gunnell (Vocals), Paulo Ferraz (Bass), Jer Renaud (Drums)

Photographer Credit – Lisa Thompson (Dark Moon Productions)

Ottawa, Canada’s Marble Ghosts announces they have signed with Self-Made Records L.L.C. with digital distro from Earache Records for the release of their sophomore EP “The Greatest Divide” out on May 23, 2025.

“We are extremely excited to have signed with Self Made Records LLC. Even though we’ve only been working with the label for a short time, we have seen how closely the label works with bands and how invested they are in our success,” adds the band.

The band is a boundary-pushing ensemble known for its distinctive blend of metal, grunge, and punk influences. Emerging in 2023 onto the Canadian music scene with a distinctive sound and a fierce commitment to challenging societal norms, Marble Ghosts is a band with a message.

Their forthcoming second EP, “The Greatest Divide,” is inspired by our reality, from the ultra-rich and the shrinking middle class to widening gaps in political and religious ideologies that are beginning to challenge and even erode fundamental human rights. Similar to their first EP, these next five songs in their catalog highlight their diverse influences and styles and seek to lift the marginalized through powerful messaging.

With this release, the band asks, “Are you ready to cross the greatest divide?” It is the type of divide that has splintered friendships and even families, where viewpoints differ so greatly, that we can see one another as enemies- traitors. While this seems bleak, some of the stories told through the lyrics are inspired by people who have crossed the greatest divide. But this wasn’t without hardship, as it was often the threat of losing their loved ones, their mental health, and even their own identity that forced the change.

To date, the socially conscious quartet has shared two singles from the five-track EP “Distance Between” and “Eat The Rich”, which is accompanied by a music video that can be viewed at https://youtu.be/pfka0QU68ug

“Eat The Rich”, the song, is a statement of today’s political climate shifting to serve the wealthy or the “1%”. The video is a message from Marble Ghosts to the rest of us. It paints the picture of two massively divergent groups- the people who are struggling to hold on, the ones staying in broken, abusive relationships to avoid being homeless, and increasingly out-of-touch billionaires who could effect real, meaningful change with their bank accounts. Instead, the ultra-wealthy constantly seek more and more ways to enrich themselves.

Vocalist Dylan Gunnell explains further:

“This song ‘Eat The Rich’ is about the ultra-wealthy, and the great divide is clear with every billion added to their coffers while the people that enrich them through a broken system continue to suffer. While the chorus is metaphorical, the band also envisioned an alternate reality in writing the lyrics: our planet has been devastated by a zombie plague. The ultra-rich are waiting for a shuttle to carry them to Mars, but it malfunctions, and they are trapped. The undead descend on them, and they are torn to pieces by the horde, the horde that once worked for them, that kept capitalism strong, the people that made them rich. In that reality, their fair share will be paid with a pound of their flesh.”

Musically, “Eat the Rich” has a droning bass that mixes with soft yet acidic vocals in the verses. The long-held scream in the chorus gives way to harmony that grows increasingly layered as the song evolves, creating the perfect contrast. The dirty guitar solo blends into mocking laughter and then powers into a final chorus with three-part harmonies.

Their music is recommended for fans of Breaking Benjamin, Shinedown, Saint Asonia, and Three Days Grace.

Marble Ghosts’ sophomore EP “The Greatest Divide” will be released on May 23, 2025.

Digital pre-save (all platforms) https://earache.lnk.to/TheGreatestDivide

Bandcamp pre-order – https://marbleghosts.bandcamp.com/

First Single “Distance Between” – https://youtu.be/tE-M5vDS_uk

Spotify – https://spoti.fi/40D2I4h

Show Dates:
May 22 – Ottawa – NXT Level Festival – The Brass Monkey w/ Crimson Ash, Love and Mayhem, Tucana – info

Album Artwork by:
Marble Ghosts font: Crossfade Productions
EP cover art: Edith Fluet

Track Listing:
1. Distance Between (3:38)
2. Eat the Rich (4:16)
3. Trafficked (The Devil Inside) (4:19)
4. Gloom (4:24)
5. Osmium (4:48)
EP Length: 21:26

Band Line Up (EP)
Dylan Gunnell – Lead Vocals and Lyrics
Adam Hansen – Guitar
Paul R. Champagne – Bass
Jer Renaud – Drums

Band Line Up (Live)
Dylan Gunnell – Lead Vocals
Adam Hansen – Guitar and Backing Vocals
Paulo Ferraz – Bass
Jer Renaud – Drums

More info: Facebook.com/marbleghosts | Instagram.com/marbleghostsofficial

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“Their sound is a unique blend of soft underscoring elements and heavy riffs.” – Decibel Magazine

“We are living in pretty divided times and this is explicitly displayed right from the get-go with the single “Distance Between” A strong opening, it is heavy, furious, and sets the mood for the rest of the record. An intense album you can listen to over and over and still find cathartic release of angst, anger and outreach. This is a solid brand of high-octane alternative rock mixed with an old school metal vibe. 8/10” – Metal Temple

“Marble Ghosts’ latest single, “Distance Between,” is a relentless blast of punk-metal energy that sets the tone for their upcoming EP, The Greatest Divide (April 4th). The track showcases the band’s unique ability to fuse aggression and melody into a seamless and high-octane performance. From its rapid-fire verses to its towering choruses, “Distance Between” never loses its intensity. The song’s razor-sharp guitars anchor the chaos and deliver not one but two blistering solos that elevate the track’s raw power. Meanwhile, the desperate screams layered over the final crescendo inject a tangible urgency that drives home the song’s message about the fractures in modern society. The song’s technical precision and anthemic qualities plus the band’s punk edge keeps the energy raw and unfiltered, evoking a battle cry to confront the growing divides in the world around us. “Distance Between” and Marble Ghosts prove they’re not just pushing genre boundaries. They’re demolishing them.” – Amplify The Noise

“We have been patiently waiting for a new cut from heavy masters’ Marble Ghosts and they have delivered. The new single “Distance Between” lands today and it’s a special one. The first single to be released from their forthcoming album “The Greatest Divide” (April 4th), “Distance Between” accomplishes what every band hopes to…a monumental track that separates itself from everything else. Driving riffs, top tier vocals, a punchy rhythm section and of course solo breaks that just take flight – Marble Ghosts are back and we’re thrilled they exceeded our ridiculously unfair expectations! Catch it on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“get these guys in your ear holes” – Rock-N-Review

“When a band is said to be for fans of Shinedown, Breaking Benjamin and Three Days Grace, this puts a lot of pressure on that band to live up to expectations, especially those of lifelong fan of all of those acts. However, Canadian’s Marble Ghosts have produced quite an exciting debut EP that’s made up of a mix of metal genres from metalcore and grunge to death metal. ‘Lie To Me’ has a heavy bass line intro before thick guitar riffs join in. This intensity is matched by the vocals, which seem to be drenched in emotion and this is what makes it a real must listen on the EP. Whilst the lyrics themselves don’t vary much, they don’t need to, because it feels like this track is about putting across a certain atmosphere rather than writing an epic tale. The band do delve into the political in ‘False Heroes’, where they question outdated thinking with such lines as “boys will be boys, all the while accompanied by an unsettling melody in a minor key. They use their own country’s history to influence this song, which the EP artwork and the band’s name are all linking together. 8/10” Powerplay Magazine UK

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0 Chris Adler (Lamb of God) Joins Forces with TONIC BREED For Explosive New Single “Anew”

May 13, 2025
by Asher
· Music News · Tonic Breed

NEWS RELEASE

Montreal, QC – May 13, 2025

Chris Adler (Lamb of God) Joins Forces with TONIC BREED For Explosive New Single “Anew”

Tonic Breed’s upcoming single “Anew” features Grammy-winning drummer Chris Adler — in what frontman Patrik K. Svendsen calls the most Lamb of God-style drumming he’s heard from Adler since his days in the band.

Tonic Breed, the metal project led by Norwegian musician Patrik K. Svendsen, is gearing up to release “Anew” on June 19th, 2025, a crushing new single featuring none other than legendary drummer Chris Adler (Lamb of God, Megadeth).

“I was quite curious when I got an email — and some riffs — from Patrik,” says Adler. “Clearly he’s done some cool shit and I was flattered to be on his radar… I researched it for a minute and agreed.”

Patrik originally sent over a rough demo of the song, a storm of riffs strung together with placeholder drums and a suggested structure. “Chris was actually on board right away,” Patrik explains. “We worked together on a new structure for the song, and Chris took the lead on shaping it into something far more unique and effective than my original draft.”

“His riffs are fucking sick,” Adler continues. “We did have to take a minute to both feel good about what this would be — meaning I beat up his song like a fucking Rocky movie — but I knew it had the parts and strength.”

The final version of “Anew” is a precision-crafted, high-energy track that fuses Patrik’s Norwegian riff work with Adler’s unmistakable rhythmic drive. “To me, this is the most Lamb of God-style drumming I’ve heard from Chris since he was in Lamb of God,” Patrik says. “I’m sure some metal guitarists would kill to hear Chris Adler’s drumming behind their riffs — I’ve been lucky enough to experience that firsthand.”

By the end of the collaboration, Adler described the finished product as “sounding like an action movie that’s fun to watch,” a nod to the song’s explosive dynamics and cinematic flow.

“It’s been a privilege to work with Patrik,” Adler says. “Humbling. You’ll know what I mean when you hear it.”

The track was mixed and mastered by acclaimed producer Machine, who also handled Lamb of God’s Ashes of the Wake and Sacrament. “The sound is brilliant,” says Patrik. “Machine absolutely nailed it.”

“Anew” will drop June 19th, 2025 as a stand-alone single and is also set to appear on the next full-length Tonic Breed album. The new release continues the project’s series of high-profile collaborations, which already include Dirk Verbeuren (Megadeth), Michael Gilbert (Flotsam and Jetsam), and Björn Strid (Soilwork).

Until “Anew” is released, check out Tonic Breed‘s latest collaboration with Flotsam and Jetsam guitarist Michael Gilbert for a guest solo on the new single “The Die Is Cast”.

Straight to the point. No fluff, no filler, “The Die Is Cast” is pure, hard-hitting thrash from start to finish, with a touch of melody woven in. The song is about a powerful war machine that lies broken and abandoned, surrounded by the wreckage of others like it. Its silence feels heavy, as if it’s aware of the destruction it once brought and the emptiness that followed.

“The Die Is Cast” was performed, written, and produced by Patrik K. Svendsen with mixing by Adrian Bjerketvedt in Sarpsborg, Norway, and mastered by Steve Kitch.

Spotify – https://open.spotify.com/album/2AM7LfoyoTUL0VlZLYpXyE

Video – https://youtu.be/mAC4_K0Sqko

For more info:
https://tonicbreed.com
https://facebook.com/tonicbreed
https://instagram.com/tonicbreed

About: Tonic Breed is a Norwegian thrash and heavy metal one-man music project by Patrik K. Svendsen. Until 2019, Tonic Breed was originally a four-piece band, established in Sarpsborg, Norway, in 2006. As of 2022, Tonic Breed has released three albums and one EP. Today, Tonic Breed is constantly reinventing itself in songwriting and guest collaborations.

Discography:
– 2025 – The Die Is Cast (single)
(ft. guest guitar solo Michael Gilbert (Flotsam and Jetsam)
– 2025 – The Charge (single w/ Darkroot)
– 2024 – Outsold – LP – 10th Anniversary Edition
– 2022 – Fuel the Fire – EP
(ft. guests Dirk Verbeuren (Megadeth), Bernt Jansen (Artch/Wig Wam),
Björn Strid (Soilwork), Martin Skriubakken (Endezzma), Oliver Palotai (Kamelot)
– 2018 – Install Memory – LP
– 2014 – Outsold – LP
– 2010 – On the Brink of Destruction

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“This is a collection of songs you need to hear, so what are you waiting for? [8/10]” – Metal Noise (2022 – Fuel The Fire)

“The guest musicians really came together on this EP, it’s real luxury material. In short, it is a great return of Patrick as he has been throughout his career with Tonic Breed. If you are fans of Metallica, Testament, Pantera or Slayer, listening to «Fuel the Fire» it is essential this year. Without a doubt I will follow the career of this One Man Band with great interest.” – Broken Tomb (2022 – Fuel The Fire)

“Tonic Breed show that the embers have not gone out and this EP gives them a good old poking, tossing them around and letting the heat build-up. ” – Metal Digest (2022 – Fuel The Fire)

“Tonic Breed reinforces my growing belief that music, and particularly metal, can one day survive and even thrive without need of the corporate machine.” – Metal Disciple (2014 – Outsold – LP)

“For an unsigned act Outsold has one of the best productions I have heard in a long time. Simply put it’s a fantastic album.” – Teeth of the Divine (2014 – Outsold – LP)

“TONIC BREED could easily advance up the ranks thanks to this impressive release.” – Metal Temple (2014 – Outsold – LP)

“10/10. Album of the year 2014.” – The Metal Review (2014 – Outsold – LP)

“For an unsigned act Outsold has one of the best productions I have heard in a long time. Simply put it’s a fantastic album.” – Teeth of the Divine (2014 – Outsold – LP)

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0 Rockshots Records – RIMMAR First Single & Video “Planet Mars” Off New Album “Raises” Out July 2025

May 9, 2025
by Asher
· Music News · Rimmar (Rockshots Records)

NEWS RELEASE

Montreal, QC – May 9, 2025

RIMMAR First Single & Video “Planet Mars” Off New Album “Raises” Out July 2025

“It’s a dream come true, lasting for years. Now everything can begin!”. With these words, Marco Rinaldi announces the official debut of Rimmar, his visionary solo project, and unveils the first single, “Planet Mars,” released via Rockshots Records.

Completely written, composed, and arranged by Rinaldi himself, “Planet Mars” is more than just a song—it’s the first chapter in a sonic journey that blends the power of classic, progressive, and industrial metal with disco and electronic elements. A bold and cinematic opening track that sets the tone for Rimmar’s debut album “Raises”, “Planet Mars” hovers between the past and the future, echoing with the urgency of rebirth and the desire to rise from a stagnant world. As the artist explains, “This album was born in the past, matured in the present, and projected into the future like a spaceship.”

Rimmar is not a traditional band but a one-man artistic endeavor. Marco Rinaldi is the sole author of the lyrics and music, building his songs from riffs and rhythmic structures before enriching them with orchestration, synths, and pads. The words are deeply inspired by readings, dreams, and philosophical reflections, but always subordinate to the music itself — “The word is a servant of music in my case,” he states.

“Raises” features a refined blend of styles and moods, reflective of Rinaldi’s wide musical background and personal influences ranging from 80s metal to 90s prog and even Italian avant-garde artists. The production also benefits from a remarkable cast of guest performers from the Italian rock and metal scene: Fabio Lione (Rhapsody of Fire, Angra) on tow songs “Mighty Messenger” and “Vortex”, Kyo Calati (MindAheaD), Marco Andreotti (Imagine Dragons tribute), Mattia Fagiolo (White Thunder, Dragonhammer), and Alessandro Cola (Eldritch) all contributed their unique voices and energy to the project.

On stage, Rimmar transforms into a full live band with experienced musicians delivering a performance that merges metal intensity with the aesthetics of electronic dance. As Rinaldi explains, “All we are interested in is ‘increasing’, ‘raising’ the volume, the intensity, rising from the rubble of our indifference, superficiality, ignorance and difficulty to communicate with others!”

“Planet Mars” is now available on all digital platforms and marks the beginning of an ambitious musical vision—emotional, genre-defying, and unapologetically bold.

LISTEN: https://lnk.to/heoLct
VIDEO: https://youtu.be/O2JwJ8UtSO4

ALBUM PRE-ORDER: https://rockshots.eu/products/rimmar-raises

Track Listing:
1. Unreal (feat. Mattia Fagiolo)
2. Mighty Messenger (feat. Fabio Lione)
3. These Ruins (feat. Marco Bertuccelli)
4. 8th Sin (feat. Marco Andreotti)
5. Planet Mars (feat. Mattia Fagiolo)
6. Vortex (feat. Fabio Lione)
7. Queen of the Gold (feat. Marco Bertuccelli)
8. Cruel Summer (feat. Kyo Elisa Proietti)
9. Raises

Rimmar Line Up:
Marco Rinaldi: Guitars
Tommy Pellegrini: Rhythm Guitars
Marco Moretti: Drums
Alessandro Cola: Bass Guitar

More Info:

– https://rockshots.eu/

– https://www.facebook.com/profile.php?id=100063487690785

– https://www.instagram.com/rimmar_official/

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0 Rockshots Records – BERIEDIR Release Official Music Video for “Burnout” – The Quintessential Track from “Liminal Spaces”

May 9, 2025
by Asher
· Beriedir (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – May 9, 2025

BERIEDIR Release Official Music Video for “Burnout” – The Quintessential Track from “Liminal Spaces”

Following the release of “Liminal Spaces” via Rockshots Records, Italian progressive metal act Beriedir unveils the Official Music Video for “Burnout”, the album’s emotional centerpiece.

Musically and lyrically, “Burnout” captures the very essence of the record. A song about mental exhaustion, the crushing weight of self-imposed pressure, and the relentless cycle of overexertion, “Burnout” blends technical complexity with emotional immediacy. The track opens with hammering rhythmic patterns and aggressive riffs before collapsing into a fragile, almost sobbing pause culminating in a melodic death-inspired finale of overwhelming intensity.

“Filling all the time we have, keeping the furnace burning as everything gets consumed. Writing page after page, until something breaks. Silence falls in an instant, like the noises in the forest when a predator is present. But the only threat to us, in the solitude of sleepless nights, is ourselves. The cycle never stops: our mind becomes incandescent, works non-stop, then burns out. Then it starts again.”

The band comments:

“‘Burnout’ is a vocal and instrumental challenge in every aspect. It’s the most representative track of “Liminal Spaces”, where every musical choice mirrors the content of the lyrics. It’s hard to stay emotionally untouched while playing it.”

The official music video, directed once again by Luca Rapuzzi, visually amplifies the tension and vulnerability expressed in the track. Through stark and immersive imagery, Rapuzzi brings the song’s inner conflict and emotional unraveling to life, reinforcing “Burnout” as the album’s defining statement.

With “Liminal Spaces, “Beriedir has taken a bold step away from their power metal roots to fully embrace a progressive, melancholic, and immersive sound. The album explores trauma, nostalgia, longing, and emotional fragmentation, offering a listening experience that resonates deeply with those navigating dark and complex emotional states.

The band’s stylistic shift is both natural and deliberate, shaped by years of personal growth and sonic exploration. As frontman and primary songwriter, Stefano Nusperli explains, it all began with a USB drive full of music from bands like Vision Divine, Dream Theater, Dark Tranquillity, and Children of Bodom—a discovery that sparked the initial flame of Beriedir and ultimately led to “Liminal Spaces”.

Now, with a more collaborative approach and a renewed focus on progressive and alternative metal, Beriedir’s sound draws comparisons to Pain of Salvation, Leprous, Katatonia, Gojira, Trivium, and Dark Tranquillity. The album was mixed and mastered by Simone Mularoni at Domination Studio, ensuring a sonic depth that matches its lyrical weight.

Video: https://youtu.be/YXvhjCx_o6s
Listen to “Liminal Spaces“: https://open.spotify.com/album/2l106cYkaLYZVQHodDqJVA
Order the album: https://lnk.to/AR9Bpc

Previous Videos:

Music Video – “Neon” – https://youtu.be/R5WalIheULc

Music Video – “Halo” – https://youtu.be/vb-QwoHrU8c

Track Listing:
1. Halo
2. Neon
3. In The Corner Of My Eyes
4. As Tight As Phantoms Hold
5. F.I.V.E.
6. More Than Starlight
7. Burnout
8. Anemoia
9. Massive
10. In The Liminal Space

Line-up:
Stefano Nüsperli: Vocals, Keyboards
Simone Bacchi Mottin: Guitars, Backing Vocals
Francesco Ideo: Guitars
Ciro Salvi: Drums
Daniele Cantaboni: Bass Guitar

More info: https://www.rockshots.eu | https://www.facebook.com/BeriedirOfficial | https://www.instagram.com/beriedirofficial

-30-

“Melodies accompanied by explosive rhythms” – Loud And Proud

“I am utterly convinced that Beriedir will begin to achieve a level of success that their obvious talent fully deserves.” – Man Of Much Metal

“Not only will Beriedir pull your face off, but they’ll do it at breakneck speed in 5/4 time. ‘Aqva’ is a fast-paced album, thrashing machine gun powered guitars do endless battle with the fanfare of keyboards which blast with all the fun of those Euro-pop power metal sound.” – The Metal Crypt

“Metaphysical lyrics […] Through the entire song I thought somehow that a whole orchestra is with the band, so these guys truly know how to play their instruments properly and make magic out of them.” – Abaddon Magazine

“The word “elegant” comes to mind to describe the atmosphere of this album. None of these songs is superfluous. The strength of this release lies in the coherence and articulation of the songs. This clever structure supports an emotional journey. It evokes gigantic waves crashing on your heads.” – Metal Express Radio

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0 DOUBLE EXPERIENCE New Geek Rock Single “Expensive Taste” + NXT LVL Emerging Artist Festival + Nominated for Ottawa Capital Music Award for Album of the Year “Undefeated”

May 9, 2025
by Asher
· Double Experience · Music News

NEWS RELEASE

Montreal, QC – May 9, 2025

DOUBLE EXPERIENCE New Geek Rock Single “Expensive Taste”

+ NXT LVL Emerging Artist Festival

Nominated for Ottawa Capital Music Award for Album of the Year, “Undefeated”

Single Artwork – Double Experience – Expensive Taste

Double Experience (L-R – Ian Nichols – Vocals and Bass, Brock Tinsley – Guitar)

With their upcoming performance at this year’s inaugural NXT LVL Emerging Artist Festival in Ottawa, and nomination for a Capital Music Award for Album of the Year (gala hosted on May 22nd, 2025 at Southam Hall at the National Arts Centre (1 Elgin Street) https://ottawamic.com) for their fourth album “Undefeated”, geek culture rock duo Double Experience are sharing their follow up single “Expensive Taste”.

The song speaks of the simple pleasures of life ruined by the ever-expanding reach of modern consumerism and was written to contain the geeky core of Double Experience, but enveloping it in the most layers of candy coating they’ve ever dared to attempt. As a band very familiar with touring, the duo wrote songs that would enhance their visceral concerts in sweaty bars and clubs. This time around, their music has a clear, crisp sound and a new sheen of consummate professionalism. The band explains the single further:

“Take, for instance, the pastime of video games – an innocent slice of escapism now rife with microtransactions designed to make those without feel inferior. In other words, do not let vanity get the better of whatever makes your heart flutter. If you aren’t feeling the warmth of the midsummer sun by the end of “Expensive Taste”, you’re already dead inside.”

Listen to “Expensive Taste” at the following links:

Spotify – https://spoti.fi/4daHj75

YouTube – https://youtu.be/NQl55GTsFtQ

2024 album “Undefeated” is available on all digital platforms – https://linktr.ee/2xxp

Tour Dates:
May 17 – Ottawa, ON – Broadhead Brewery – info
May 23 – Ottawa, ON – Rainbow (NXT LVL Emerging Artist Festival) – info

More info:
https://www.2xExperience.com
https://www.facebook.com/DoubleExperience
https://www.youtube.com/DoubleExperience
https://www.instagram.com/DoubleExperience
https://www.twitch.tv/DoubleExperience

About:

By taking influence from Coheed and Cambria, Weezer, and Palaye Royale, Double Experience bounces between sounds in a quest to compose music as diverse as an arcade gallery. In doing so, Double Experience has bonded with a passionate global fan base with their undeniable live prowess amounting to nearly 1000 concerts across 18 countries, opening for all manner of acts, from Badflower to Danko Jones, from JJ Wilde to Galactic Empire.

By day, mild-mannered band members Ian Nichols (vocals, bass) and Brock Tinsley (guitar) deliver band-oriented workshops and panels at conferences, conventions, and festivals (IndieWeek, MAGFest, Ottawa ComicCon), teaching up-and-coming creatives how to take control of their destiny, similar to the duo’s musical alter-ego. The band has co-written songs with Jayson DeZuzio (Imagine Dragons), and in 2016, their Destiny-themed anthem “The Glimmer Shot” caught the attention of the game’s developers at Bungie.

Their fourth studio album “Undefeated” was released in May 2024 via Colfax Music Ltd. and was inspired by the fans through live streaming on Twitch, and has all things nerdy, and is all about perseverance.

Discography:
2025 – Expensive Taste (single)
2024 – Undefeated – (LP)
2020 – Alignments – (LP)
2017 – Rock (Geology) – (EP)
2016 – Unsaved Progress – (LP)
2014 – 721835 – (LP)

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0 Out Now! FEN’s Doug Harrison’s Solo Project SLUG COMPARISON’s Third Album “A Battle to the End Fought on the Edge of a Knife”

May 9, 2025
by Asher
· Music News · Slug Comparison

NEWS RELEASE

Montreal, QC – May 9, 2025

Out Now! FEN’s Doug Harrison’s Solo Project SLUG COMPARISON’s Third Album “A Battle to the End Fought on the Edge of a Knife”

Doug Harrison (Slug Comparison) – Photo Credit: Bailey Ennig

Canadian vocalist, guitarist, and songwriter Doug Harrison, known for his progressive rock outfit FEN, is excited to share his solo project SLUG COMPARISON’s third album, “A Battle to the End Fought on the Edge of a Knife,” out now, as of May 9th, 2025.

Recorded over the same period as Fen‘s Dear Mouse (Sept 2024). Both recordings had been a long time coming, and then by chance, they converged to completion at the same time.

“It became a bit of a competition to see which one would be mastered first. In the end, it was pretty much a tie, because I had a couple of recalls for the Slug Comparison master, but I wanted to put out Dear Mouse first, because it had been so bloody long in the making, and we were desperate to wash our hands of it,” adds Harrison.

Slug Comparison‘s previous records were built on the layering of electric and acoustic guitars, and earnest, melodic vocals. This latest 11-song album has abandoned the acoustics and is more riff-heavy to lean into his early influence of grunge.

Harrison comments:

“For past albums, it was tricky keeping the momentum going with half the songs being acoustic and light and the other half being heavy-ish. This time around, electric guitars carry the listener from beginning to end. A straight-up rock album. That was the goal. And lyrically, it follows in the tradition of songs like AC/DC’s “It’s a Long Way to the Top,” the difference being that Slug Comparison hasn’t left the house yet. A Battle to the End Fought on the Edge of a Knife is a grief statement about the abandonment of rockstar dreams. It’s also a collection of yearnings, regrets, and celebrations along the way.”

“A Battle to the End Fought on the Edge of a Knife” was written by Harrison along with vocals, guitar, bass, and programming. He is joined by drummer Flavio Cirillo (Art of Dying, Puddle of Mudd), along with a collaboration on the song “Wish to Adapt” with Matt McCallum. Mixing was done by Ben Kaplan (Biffy Clyro, Bend Sinister, Ninjaspy, Mother Mother, Corb Lund) and mastering by Brock McFarlane at CPS Mastering (Mother Mother, Corb Lund).

Harrison does assure fans that future releases will continue to explore the moody, acoustic-based territories that defined his earlier work. After this album, fans can expect a new EP from Slug Comparison in 2026. Recommended for fans of Mother Mother, The Killers, and Porcupine Tree, “A Battle to the End Fought on the Edge of a Knife” is available at the following links:

Spotify – https://spoti.fi/452Fk2t

Bandcamp – https://slugcomparison.bandcamp.com/album/a-battle-to-the-end-fought-on-the-edge-of-a-knife

Song Stream –“Wish to Adapt” – https://youtu.be/zCntMSHpp1A

Song Stream – “March Through the Forest” – https://youtu.be/WPwp061C0ZU

Track Listing:
1. Wish to Adapt (3:46)
2. March through the Forest (3:54)
3. Game of Repression (3:57)
4. Undead Plots (4:06)
5. Outta the Jam (4:51)
6. A Battle to the End Fought on the Edge of a Knife (4:13)
7. Too Much Love (5:04)
8. Metal Roots Came Twisting (6:45)
9. Played for a Centipede (2:36)
10. Of Being Apart (5:19)
11. Hamsters in a Tub (3:02)
Album Length: 47:33

More info: Slugcomparison.com | Instagram.com/slugcomparison | Facebook.com/slugcomparison

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“the quite outstanding A Battle to the End Fought on the Edge of a Knife, a record that cements Doug Harrison and SLUG COMPARISON as a perpetual spark and joy for ears as songwriter and musician and itself as a forerunner if not dead cert for best of year choices come December.” – The RingMaster Review (2025 – A Battle to the End Fought on the Edge of a Knife)

“Fen’s Doug Harrison has a solo project, Slug Comparison, and their current single ‘Wish To Adapt’ is great. The track’s verses share an almost agit-inflicted rhythm, taking the melody from a rock core into the realms of post punk and retro new wave, which Harrison accents further by adding a quirky, near spoken vocal. This gives the track a very rigid and uneasy quality. Then, everything does a massive about turn to smack the listener in the face with a huge sounding melodic rock chorus that sounds like a throwback to ‘The Colour & The Shape’ era Foo Fighters, making everything really accessible and welcomingly familiar. The more commercial moments of this rocker are big and impressive and eventually dominate, but that shouldn’t detract from the artier moments here, and Doug should be applauded for mixing styles in such an interesting manner.” – Real Gone Rocks (2025 – A Battle to the End Fought on the Edge of a Knife)

“Harrison’s skills as a guitarist and bass player, plus a way above average knowledge of programming, enabled him to make the songs sound like a full band having a blast. Whether he goes fast (Outta the Jam) or takes it down a notch in the self-deprecating title track when he describes his job as punching in numbers into a blue screen with the great line “I want to die with only minor regrets”. The highlight is a twisted power ballad about to having much too much of a good thing (Too Much Love). Whatever he goes on about, Harrison never misses the opportunity to throw in a couple of smart chord changes or rhythmic shifts, preferably both of them. This is a record for musos first, but it is fine for those who are not about dissecting the music to enjoy it as such. Recommended if you like Deadwing-era Porcupine Tree.” – Here Comes The Flood (2025 – A Battle to the End Fought on the Edge of a Knife)

“Canadian auteur explores expectancy and desperation to find cathartic cleansing of his soul. 4/5” – Dmme.net – Let It Rock (When You Were Living Here 2019)

“One of my favourite songs of the year” (about “Bringer of Doom”) –Dutch Progressive Rock Radio (Self-Titled 2014)

“Simply engulfs the imagination and emotions” -The Ringmaster Reviews (Self-Titled 2014)

#30 of The Rickter Scale’s Top 100 albums of 2014 – Rickter Scale Rock Radio (Self-Titled 2014)

“Stirs the senses, taking the listener on a voyage of imagination and emotion.”-Sonic Abuse (Self-Titled 2014)

Slug Comparison Self-Titled Album #5 on DPRP’s Top Progressive Metal Albums of 2014

“Songs that are all of the highest caliber” – PowerofMetal.dk (Self-Titled 2014)

“Ahh, the glorious beauty of the brooding and gloomy mind of Doug Harrison” (5 stars) – Sea of Tranquility (Self-Titled 2014)

“a lot of work and effort has gone into this album, and it pays off spectacularly” -Wonderbox Metal (Self-Titled 2014)

9.2/10 – Metal Imperium – (Self-Titled 2014)

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0 Out Now! LIMINAL SPIRIT’s One-Track Concept Album “Pathways” Charts A Journey Between Spiritual Dimensions

May 9, 2025
by Asher
· Liminal Spirit · Music News

NEWS RELEASE

Montreal, QC – May 9, 2025

Out Now! LIMINAL SPIRIT’s One-Track Concept Album “Pathways” Charts A Journey Between Spiritual Dimensions

Liminal Spirit, the musical project of multi-instrumentalist Jerry Hauppa, announces the release of “Pathways”, a single-track concept album designed as an immersive journey through spiritual thresholds and interdimensional spaces. Following the 2024 self-titled EP, “Pathways” expands on Liminal Spirit‘s signature sound: a rich fusion of doom metal with cinematic atmosphere. Hauppa comments:

“I view this as a full-length release despite its 14-minute duration, because due to the nature of its composition of non-repeating passages, it requires multiple listens to fully cement itself within the listener. The first pass will express the story and characters, and repeated listens will bring both to life through digesting the melodies and composition as a whole.”

Where the debut embraced ritualistic abstraction, “Pathways” introduces a more frenzied, intricate musical approach that perfectly complements its narrative structure. It tells the story of five figures trapped in a maze, chronicling their emotional processing and planned escape. The composition unfolds like a film score, with no repeating parts until the finale. Musical themes develop and mutate to reflect character growth, with distinct tonal shifts accompanying each character’s voice in the narrative.

This thoughtful composition rewards repeat listening, revealing new layers with each experience. The album’s structure mirrors its lyrical themes, all concerning transcendence beyond the physical form and transitions between spiritual planes. “Pathways” represents the second chapter in an ongoing exploration of spiritual passage. A third release, currently in development, promises to continue this cinematic journey through liminal spaces. Liminal Spirit is recommended for fans of Jesu, Swans, and Skepticism.

Listen to “Pathways” at the following links:

Bandcamp – https://liminalspirit.bandcamp.com/

YouTube – https://youtu.be/GGkn2dRAqQM

Spotify – https://spoti.fi/3YBgClT

Credits:
All songs written and performed, produced, recorded, and mixed by Liminal Spirit
Mastered by Jeff Wojtysiak at Spiral Sound Mastering
Album lineup – Jerry Hauppa-guitars, vocals, bass, drum programming, synthesizer

More Info:
https://www.facebook.com/profile.php?id=61575618106702
https://www.instagram.com/liminal_spirit_mke

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0 DEAD FIELDS of WOOLWICH Unleash New Video “Cult of The Cemetery” Off Forthcoming Sophomore Album “Monarch of The Grave”

May 9, 2025
by Asher
· Dead Fields of Woolwich · Music News

NEWS RELEASE

Montreal, QC – May 9, 2025

DEAD FIELDS of WOOLWICH Unleash New Video “Cult of The Cemetery” Off Forthcoming Sophomore Album “Monarch of The Grave”

L-R – (Vocals) Alyssa Broere, (Guitar) Dave Strba, (Lead Guitar) Kye Bell, (Bass)Greg Meir, (Drums) Kyle Taylor

Photo Credit – Nathan Shore

Unleashing their self-titled debut album in 2023, Dead Fields Of Woolwich unveils their first single “Cult of The Cemetery” off their forthcoming sophomore album “Monarch of The Grave” due out later this year.

Dead Fields Of Woolwich has its beginnings going back to the autumn of 2020 in North Bay, Ontario, Canada, when multi-instrumentalist Kye Bell (Withing Nostalgia, Falamh) created a gloomy, doom metal project focused on dreary lyrics and a gothic-laden sound. Recruiting Alyssa Broere on vocals, the dark twosome began their musical journey. Now, for their next follow-up and second album, the duo has grown to a full-fledged band with the addition of guitarist Dave Strba, bassist Greg Meir, and drummer Kyle Taylor.

Band founder and guitarist Kye Bell explains further on the band’s evolution:

“The sound has evolved since the first release. When writing the first album, the focus was more on powerful chords and drudging riffs. Those things are still there in small doses, but this album is full of harder-hitting songs and much more memorable parts that stick with you after the listen is done. This album breaks away from the typical Doom formula and kind of takes on its own shape. The songwriting has become more refined over time as well, lyrics are more concrete with well-defined concepts. I feel like this particular single, Cult of the Cemetery, will be very well received due to the more rock-rounded nature of the song while still maintaining its heaviness and its foot firmly planted in the metal realm. It opens the doors to a different audience, yet still stays true to the dark nature of the band.”

With its very memorable riffs, this new single is catchy hell and dark as the grave it speaks of. Melodic and melancholic, it is recommended for fans of Paradise Lost, Type O Negative, and Katatonia.

Watch and listen to the music video for “Cult of the Cemetery” via its premiere on Doomed & Stoned HERE.

Spotify – https://spoti.fi/3ENgOb8

More info: Facebook.com/DeadFieldsOfWoolwich | Instagram.com/deadfieldsofwoolwich

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“Jolting chugs and booming drums will get heads moving as the vocals crackle with passion way up in the stratosphere, and near the end the music receives a surge of energy, through a rapid riff-pulse and bombastic percussion, as a prelude to a blazing finale in which all the song’s ingredients, including Alyssa‘s intense, spine-tingling voice, unite in a display of tragic magnificence. (You’ll probably find by then that the song has also gotten well and truly stuck in your head.)” – No Clean Singing (single – I’ve Made It To Hell) (2023)
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0 Out Now! SHORES OF NULL Live Album “Beauty Over Europe” + New Live Video “A Nature in Disguise” + EU Tour Dates

May 9, 2025
by Asher
· Music News · Shores of Null (Spikerot Records)

NEWS RELEASE

Montreal, QC – May 9, 2025

Out Now! SHORES OF NULL Live Album “Beauty Over Europe”

+ New Live Video “A Nature in Disguise”

+ EU Tour Dates

Italian melancholic dark metal band Shores Of Null is proud to unveil their first live album, “Beauty Over Europe,” now available as of May 9th, 2025, via Sulphur Music / Masked Dead Records.

To celebrate its release day, Shores of Null are sharing their new live video, “A Nature in Disguise”. The audio track was recorded live at Backstage in Munich, Germany. Footage is taken from the 2023 European tour with Swallow The Sun, Draconian, and Avatarium, mainly at Barba Negra in Budapest by Péter Lerch.

Watch and listen to the live video for “A Nature in Disguise” at https://youtu.be/Yye8s-6w1rg

“Beauty Over Europe” features 10 tracks recorded during the monumental 2023 European tour with Swallow The Sun, Draconian, and Avatarium. Throughout that tour, Shores of Null performed 35 shows across 18 countries, including Norway, Denmark, Germany, the UK, Ireland, France, Italy, Switzerland, the Netherlands, and Hungary, bringing their critically acclaimed album “The Loss Of Beauty” to the stage.

The live recordings, captured in Leipzig, Munich, Aschaffenburg, Budapest, and Belfast, preserve the raw and emotive energy of their performances. Each track reflects the band’s ability to blend melancholic melodies with crushing heaviness, offering fans a visceral live experience.

“Beauty Over Europe” is both a celebration of the tour and a gift to all fans of the band. Exactly two years after that unforgettable journey, this live album offers a chance to relive the emotional intensity and true essence of Shores Of Null’s live performances.

Reflecting on the experience, vocalist Davide Straccione and guitarist Gabriele Giacarri share their thoughts:

“This tour was an incredible journey, the longest in our career, and a true milestone for Shores Of Null. As the promotional tour for The Loss Of Beauty, our latest and most acclaimed album to date, it was an honor to bring these songs to life across 35 shows in 18 countries. Sharing the stage with monumental bands like Swallow The Sun and Draconian—huge inspirations for our music—was unforgettable. Despite the melancholy of their sound, they’re some of the most fun and genuine people we’ve met, and by the end of this epic journey, we were proud to call them friends.

We owe special thanks to our incredible crew—Petri, Matti, Mikko, and Tero—who ensured everything ran seamlessly and made this experience unforgettable. To pay homage to this extraordinary chapter, we decided to produce a live album. Recorded during key moments of the tour, it captures the essence of these unforgettable performances and is dedicated to all the people who supported us live and shared these magical moments with us.” – Gabriele Giaccari

Davide Straccione adds:

“Our 2023 European tour with Swallow The Sun, Draconian, and Avatarium was one of the most beautiful and intense experiences of my life. Night after night, we poured everything we had into our performances, connecting deeply with audiences across 18 countries. It was a journey that marked a pivotal moment in our career as a band as well, and one we’ll carry with us forever. This live album is our way of preserving and sharing that beauty, not only as a gift to those who joined us in the crowd, but also for those who couldn’t be there to witness it.”

Recommended for fans of Swallow The Sun, Borknagar, and Paradise Lost, “Beauty Over Europe” is available at the following links:

Physical CD: https://maskeddeadrecords.com/product/shores-of-null-beauty-over-europe/

Digital: https://shoresofnull.bandcamp.com/album/beauty-over-europe

Spotify: https://spoti.fi/4iLDYNJ

Live Video – “Quiescent” – https://youtu.be/DOk616SWofA

Live Video – “The Last Flower” – https://youtu.be/w-Hq69KG2RM

Shores of Null will also perform upcoming tour dates, featuring a mix of festival appearances and indoor shows across Italy and the UK.

Shores of Null 2025 Tour Dates:
11.05 – IT Verona – Isola Rock (w/ Dark Lunacy)
15.06 – IT Lignano Sabbiadoro – Arena Alpe Adria (w/ In Flames, Lacuna Coil)
28.08 – UK London – The Black Heart (w/ The Crawling)
29.08 – UK Leeds – The Fenton (w/ The Crawling)
30.08 – UK Plymouth – One For Sorrow festival (w/ The Crawling and more)
31.08 – UK Bristol – The Gryphon (w/ The Crawling)

Setlist:
1. Transitory (Live intro)
2. Destination Woe (Live in Leipzig)
3. Nothing Left To Burn (Live in Leipzig)
4. Quiescent (Live in Munich)
5. The Last Flower (Live in Aschaffenburg)
6. Black Drapes For Tomorrow (Live in Budapest)
7. A Nature in Disguise (Live in Munich)
8. Darkness Won’t Take Me (Live in Belfast)
9. My Darkest Years (Live in Aschaffenburg)
10. Blazing Sunlight (Live Outro)

Live Recording: Matti Kynsijärvi
Mixing and Mastering: Marco Mastrobuono at Bloom Recording Studios

Band:
Davide Straccione – Vocals
Gabriele Giaccari – Guitars, Backing Vocals
Raffaele Colace – Guitars, Backing Vocals
Lorenzo Carlini – Live Bass
Matteo Capozucca – Bass
Emiliano Cantiano – Drums

For more info: Shoresofnull.com

About:

Shores of Null stand out from their contemporaries with their ability to blend seemingly disparate elements into their sound, overwhelmingly heavy and soothing at the same time: blackened aggression stands alongside gothic-doom sections without either sounding out of place. Their music can be both melancholic and majestic, made of chorale-like guitar textures across the instrument’s entire range, sustained by a powerful rhythmic section and punctuated by a refined mixture of clean and growled vocals, along with extensive use of pleasing vocal harmonies which have become the band’s trademark through the years.

The Rome-based metal band has been an unwavering presence within the metal underground since their musical outset in 2013, churning out a series of impressive records: the melodic and somber “Quiescence” (Candlelight, 2014), the darker and more complex “Black Drapes For Tomorrow” (Candlelight/Spinefarm, 2017), and the ambitious “Beyond The Shores (On Death And Dying)” (Spikerot Records, 2020), a 38-minute long doom manifesto that sees guest appearances of the doom-titans Mikko Kotamäki (Swallow The Sun) and Thomas A.G. Jensen (Saturnus), along with the angelic voice of Elisabetta Marchetti (Inno).

Shores Of Null’s fourth album, “The Loss Of Beauty”, released in March 2023, was hailed as one of the best albums of the year within the genre. The band supported the release with an extensive EU/UK tour alongside Swallow The Sun, Draconian, and Avatarium, followed by standout performances at major festivals like Hellfest, Rock Imperium, and 70000 Tons Of Metal, among others, further solidifying their status as one of the rising forces in the metal scene.

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Metal Hammer writers’ top metal albums of 2023 – Edwin McFee – #20 – Shores of Null – The Loss of Beauty

“With The Loss Of Beauty, SHORES OF NULL have produced their second world class record in a row.” – Distorted Sound Mag (9/10)

“The deep, dark, poetic brilliance behind The Loss Of Beauty is undeniable, and Shores Of Null’s doomy melancholic style is especially ideal for those considering themselves fans of Swallow The Sun, Draconian and Saturnus.” – Metal Storm (8,5/10)

“The Loss of Beauty is a morose and often magnificent listen.” – Metal Hammer UK (8/10)

“The Loss of Beauty is an engaging, exquisite, and moving slice of melodic doom that further cements Shores of Null’s esteemed position in the scene.” – Dead Rhetoric (9/10)

“The Loss of Beauty is an incredibly strong and versatile album, on which themes known from genres such as post black metal or post punk are presented in a diverse and varied manner.” – BetreutesProggen (13/15)

“Once again, Shores of Null continue to impress with yet another slab of high-quality doom/death that seems the quintet on an upwards trajectory.” – Angry Metal Guy (4/5)

“With lyrics like “my loneliness will guide me” and “isolation will set us free,” classic doom drumming, and impressive vocals, Shores of Null announce their intent to deliver the best doom album of 2023.” – Noizze UK (9/10)

“Un grato disco de casi una hora de música, donde la melancolía no es predominante, sino lo melódico, y eso es cae a la perfección.” – Metallerium (9.2/10)

“A savourer, en s’aimant. A savourer, l’esprit ouvert aux beautés que l’on croit – ou que l’on relègue au rang d’- insignifiantes et qui sont le sel du monde qui nous entoure. A savourer, tout simplement..” – Soil Chronicles (9/10)

“Shores of Null haben für mich mit The Loss of Beauty einen heißen Anwärter auf mein Album des Jahres veröffentlicht, das ich jedem Fan von melancholischem Metal mit Doom, Gothic, Melodic Death und Black Metal Einflüssen nur wärmstens empfehlen kann! Von mir gibts für dieses Meisterwerk die Höchstnote!.” – Sound Magnet (10/10)

“If “Beyond the Shores (On Death and Dying)” granted them the status of Masters of the Genre, with “The Loss of Beauty” we cannot help but acknowledge their unquestionable talent for creating stunning beauty that goes under your skin, both with music and words.” – Tuonela Magazine

“It is an album with many faces, a true chameleon, that shows the best of heavy, doom, dark, gothic, death, and a pinch of black metal. The musicians of this band are playing at the very highest level and it is unprecedented what this band is capable of.” – Zware Metalen (94/100)

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