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Category: Music News

0 Out Now! KRATORNAS “Ravaged by Hurakaan” Vinyl (Out May 20th) + Cassette Demo (Out May 30th) + New Album “God Of The Tribes” Out Aug 2025

  • May 20, 2025
  • by Asher
  • · Kratornas · Music News

NEWS RELEASE

Montreal, QC – May 20, 2025

Out Now! KRATORNAS “Ravaged by Hurakaan” Vinyl (Out May 20th) + Cassette Demo (Out May 30th)

+ New Album “God Of The Tribes” Out August 2025

Today (May 20th) marks the official release of Kratornas‘ highly anticipated black metal “Ravaged by Hurakaan” 7″ vinyl demo out through Grathila Records, plus an accompanying remix cassette that will be out on May 30th. These limited editions serve as the first taste of the forthcoming album “God of the Tribes”, scheduled for release on August 22nd, 2025. Kratornas comments on the album:
​
​“This album isn’t about being ‘advanced’ or ‘innovative’. It’s a return to roots, distilled into something raw and real. I’ve had first-hand experience with this kind of ‘indigenous music’. I was one of the drummers at festivals from fifth grade through my first year of high school. I didn’t copy those rhythms but wrote my own, taking that foundation and fusing it with Kratornas.”

The 7″ vinyl offers a completely exclusive format experience with the demo version of “Ravaged by Hurakaan” on Side A. Side B features the instrumental ‘Drum and Bass’ version, available only on this vinyl pressing. The companion ‘Ravaged by Hurakaan (Remix)’ cassette, featuring DJ Aromaz on the ProTape release, includes four distinct versions of the material. Both the vinyl and the upcoming album were mastered by Dan Swanö (Edge of Sanity).

Initial response to the new material has been enthusiastic, with early listeners noting the significant evolution in Kratornas‘ sound. Moving away from the hyperfast brutality of earlier releases, “Ravaged by Hurakaan” showcases a more methodical approach focused on atmosphere and tension.

Despite the shift in approach, the creator maintains that Kratornas still delivers powerful energy. If you sit down and really listen with good headphones, it will bring out a different ‘experience’ because the mix is ‘moving and breathing’. Both the vinyl and cassette releases are available in extremely limited quantities through Kratornas‘ bandcamp and select underground distributors. These collectors’ items will not be repressed, making them essential acquisitions for dedicated followers. They are recommended for all fans of black metal.

Vinyl order and cassette pre-order are available at https://kratornas.bandcamp.com/album/ravaged-by-hurakaan-7ep-2025​

Vinyl – HURAKAN 7″ turntable-direct-to-cam – https://youtu.be/gnNNPniwPF8

Vinyl Track Listing :​
​Side A: “Ravaged by Hurakaan” – demo/rough mix of track #3 from the upcoming album “God of the Tribes”
​Side B: “Drum and Bass” Instrumental of track #3 from the upcoming album “God of the Tribes”
​
​The cassette – KRATORNAS – Ravaged by Hurakaan (QUE DIABLO Remix) featuring DJ Aromaz
Track Listing:
Cassette Side A: 
(28 Minutes)
1. Ravaged by Hurakaan (Que Diablo remix featuring DJ Amoraz) [2025]
2. Ravaged by Hurakaan (Demo/Rough Mix from 7″ vinyl) [2025]
3. Spit on God (2016/Sub Mix) *
4. Human Livestock (2019/Bulldozer Version) *
5. Three Unclean Spirits (2009) *
* = additional tracks to fill a C60. Mixed “exclusively” for this Cassette.
​Cassette Side B: (29 Minutes)
6. Swarm of Rattlesnakes (2015/Meditative Ambient)

Vinyl / Cassette Credits:​
Performed, Produced, Recorded, and Mixed by Bruno Zamora
All Lyrics and Music written by Bruno Zamora
Layout and Cover Artwork by Bruno Zamora

Album Artwork (non-explicit) – Kratornas – God of the Tribes

Track Listing:​
1. Cursed Sky Serpent (15:00)
2. Evil and Plunder (3:00)
3. Ravaged by Hurakaan (7:00)
4. Novena para Guerra (11:00)

Album Teaser (Out August 22nd) – “God of the Tribes” – https://youtu.be/iQ6Z8VeWakQ

​

For more info: https://www.facebook.com/officialkratornas

​
– 30 –

“I think it’s a good thing that it is a bit darker for music this intense and with so much “action” in the upper midrange – Dan Swano (on mastering God of the Tribes)

“Kratornas has returned and have taken large steps in progression with their musical maelstrom of violence.” – Canadian Assault (2017 – Human Livestock 7″ EP)

“What’s even better is that the music doesn’t just move in the sense that a rocket moves. The songs are more than sheer exultations in the thrill of speed and violence. They also change course. They veer into hammering grooves; they bolt into bursts of blood-pumping thrash riffing; they pulse like some kind of laser weapon being triggered. Yes, the songs are often deranged — when Kratornas is in full grind mode, you can imagine oceans of blood spray ejected from a fire hose and bodies being atomized in a frenzied butchery — but there’s impressive intricacy and dynamism in the songs, as well as jaw-dropping technical skill and manifest blood lust.” – No Clean Singing (2016 – Devoured by Damnation LP)

“If you like chaotic, blasting Black Metal, then this is a good bet.” (2016 – Devoured by Damnation LP)

“This album is intense. From start to finish Kratornas is absolutely relentless and have put together one hell of an album with a whole lot of everything in the mix without sounding repetitive.” – Metal At The Gates (2016 – Devoured by Damnation LP)

“While its – drum and guitar/voice – format might suggest similarities with the Inquisition, in sound terms are two quite distinct entities. Here there is a greater degree of chaos and a greater departure from the traditional scene (second wave of black metal) than the one we can find ourselves in Inquisition. Basically it is what would happen if we join powerviolence with black metal. It is something that impresses, without a doubt, but that may have a tendency to tire. Fortunately this does not happen much here because all the themes end up having healthy dynamics, mainly a healthy rib of primitive death metal ( plus an element to join the party) and mainly a solo guitar taken from the breca that looks like a bouncing diabolite. Awesome and surprising album.” – World of Metal Mag (2016 – Devoured by Damnation LP)​
—–
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0 Rockshots Records – Canada’s IN/VERTIGO Release New Single / Video “Save Me” Off New EP “Prevail” Out July 2025

  • May 16, 2025
  • by Asher
  • · In / Vertigo · In/Vertigo · Music News

NEWS RELEASE

Montreal, QC – May 16, 2025

Canada’s IN/VERTIGO Release New Single / Video “Save Me” Off New EP “Prevail” Out July 2025

Canadian hard rockers IN/VERTIGO return with brand-new music, unleashing their explosive new single “Save Me”, now available on all digital platforms. The track is the first preview of their upcoming EP “Prevail”, set for release on July 18th, 2025, via Rockshots Records.
​
Formed in 2016 by seasoned Calgary musicians, IN/VERTIGO has made a name for themselves across Western Canada with their high-energy live shows and relentless touring. The band has shared stages with acts such as Buckcherry, Steel Panther, Bret Michaels, Bif Naked, Diamond Head, and Pop Evil, becoming a must-see name in the modern hard rock scene.
​
​NEW SINGLE “SAVE ME” OUT NOW​
​“Save Me” is a blistering anthem that shows IN/VERTIGO pushing their sound into even more aggressive territory. Fusing their rock ‘n’ roll backbone with punk and thrash influences, the track hits like a freight train—raw, fast, and unrelenting.
​
The single is paired with a chaotic and entertaining music video, loosely based on a true story.
​
​Listen: https://lnk.to/POmavT

​Watch the video: https://youtu.be/WQp8_mt73XU

​
​
This marks the first release from the upcoming EP “Prevail”, which will be the band’s second release in collaboration with Rockshots Records.
​
With “Prevail”, IN/VERTIGO are poised to deliver their most refined and aggressive work to date, a Molotov cocktail of sharp riffs, infectious hooks, and full-throttle rock attitude.

PREVAIL – EP Tracklisting:​
1. Weathervane
2. Save Me
3. Liar
4. Euphoria
​
​Line-up:​
Reed Alton – Lead & Backing Vocals, Percussion
Shaddy Elsaghir – Lead & Rhythm Guitars
Duncan McCartney – Bass, Backing Vocals, Keyboard
​
​About IN/VERTIGO:​
Delivering their shows at jet-engine volume, IN/VERTIGO have made an unmistakable impact in the Canadian rock scene. Their self-titled demo, produced by Ronnie Champagne (Alice In Chains, Jane’s Addiction), quickly sold out, and their debut EP “Sex Love & Chaos” introduced a band ready to raise hell.
​
Now, with “Save Me” and the upcoming EP “Prevail”, IN/VERTIGO are back to light the fuse. Crank it up and join the ride.

For more info:​
​www.rockshots.eu​
​www.invertigoband.com​
​www.facebook.com/getinvertigo​
​www.instagram.com/getinvertigo​

—

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0 Canada’s AUGURIUM Unleashes Tolkien Inspired Single “Faith & Death Pt. I.” + Show Date Supporting INTO ETERNITY

  • May 16, 2025
  • by Asher
  • · Augurium · Music News

NEWS RELEASE

Montreal, QC – May 16, 2025

Canada’s AUGURIUM Unleashes Tolkien-Inspired Single “Faith & Death Pt. I.”

+ Show Date Supporting INTO ETERNITY

L-R – Cejay Carnochan (Rhythm Guitars) – Taylor McDonald (Drums) – Logan Barlow (Lead Guitars) – Reid Paraszczynec (Bass) – Dylan Suppes (Vocals)
photographer: Savannah Bagshaw – Paradox Visuals

Unleashing their third studio release “Unearthly Will” in 2023 and 2024 single / video “Morningstar”, Regina, Canada’s symphonic death metal outfit Augurium returns with their first taste of new music in 2025 for fans in the lead up to their opening support for progressive death masters and hometown heroes Into Eternity on May 17th. (details below).

Fans of the band are in for a positive surprise. It’s still the same Augurium they’ve been listening to since Unearthly Will, but this song taps into a more emotional side.

“For us as a band, it represents a sort of new Augurium, still within the same style we’ve been playing since 2021, yet naturally evolving. The goal was to create a dramatic listening experience—almost like the progression of a film. There are highs and lows, emotionally driven sections, movements that depict scenes in a hero’s journey, and crushing, deafening moments. This is the first half of a sonic saga portraying the struggle between opposing forces,” adds guitarist Cejay Carnochan.

Entitled “Faith & Death Pt. I.”, the track is the first chapter of an epic two-part symphonic death metal series. The song is rooted in the mythological hero’s journey, using Tolkien-like storytelling to explore the duality of good and evil, which resonates in its artwork created by Mark Erskine, who also did Augurium‘s Unearthly Will cover art.

“‘Faith and Death Pt. I’ is themed around The Lord of the Rings. Part one speaks to the side of evil. This track was written from the perspective of Mordor’s legions. Moreover, it touches on the eternal struggle of light and dark and how both cannot survive without the other. A shadow cannot exist without the light. Death—the only thing certain for all mortals. If neither side can agree on which god to worship, which philosophy to follow, or what is right and wrong, one thing is undeniably and indiscriminately certain: death,”

Recommended for fans of Shadow of Intent, Septicflesh, and Mental Cruelty, listen to “Faith & Death Pt. I” at the following links:

Bandcamp – https://augurium.bandcamp.com/music​

YouTube – https://youtu.be/v8c7mzpLD1M

​

Spotify – https://spoti.fi/4kgpo0W​​

Show Dates:​
May 17 – Regina, SK – The Exchange w/ Into Eternity, Itchy Stitches, Nox Umbra, Elder Colossus – info

More info: Facebook.com/AuguriumSK | Instagram.com/auguriumband​

– 30 –

“Regina metal band Augurium is on the road to a comeback” – Regina Leader-Post
​
“One way to think of the Canadian band Augurium‘s new album Unearthly Will is as a tour through a potentially deadly wildlife refuge of arcane and even astral origins. It provides close encounters with a variety of musical beasts, some more extravagantly colorful than others (but still with teeth bared) and some more savagely hostile. By the end you might be relieved that you didn’t become a meal for the menagerie, yet electrified by all the close calls — and by the sweeping splendor.” – No Clean Singing
​
“Falling just under the half hour mark at 29:48, Unearthly Will is short, sweet, and destructive. I want more now! The Mark Erskine artwork is something I would hang in my room, it fits the material on the record perfectly. Augurium themselves describe the album as a whole as “the culmination of core ideas that remain consistent and brutal yet experimental. It brings a dark musical aspect to lyrical themes of light and inner thought processes”. I would describe it as a harrowing thrill ride that drags you below the surface, with no chance of making your way back up to ground level. This is one that absolutely deserves your attention. 4.5/5” – Toilet Ov Hell
​
“Unearthly Will features the gamut of influences, including those as disparate as Cannibal Corpse, Decrepit Birth, Septicflesh, Lorna Shore, and Belphegor – which, if my math is right, basically embodies most death metal and its various offshoots in one fell swoop. While the flesh-eating riffs comprise the meat, Augurium features a nice symphonic dimension, while neat blackened portions are offset by a techy rhythmic complexity and tasteful deathcore teeth. Filtered through an organic DIY ethic and aesthetic, Unearthly Will is a mammoth death metal album” – Angry Metal Guy
​
“Heavy from start to finish, the album intertwines the band’s goals and their inspiration into a cohesive nine track album. While obvious breaks are between songs, Unearthly Will flows seamlessly from track to track, never disrupting one’s listening experience but allowing for an odyssey, perhaps even a death metal revelation. An unmissable offering for death metal fans, Unearthly Will is a mile marker of Augurium’s growth and showcase of visceral talent, guttural vocals, and brutality. Brutality that even aims to make the world a better place.” – Amplify The Noise
​
“Turning up the head for a skull battering finale, the stage is set for a bombastic title track and Augurium don’t disappoint. “Unearthly Will” keeps things short but oh so sickeningly sweet with driving riffs and pummelling kit work beating the cerebral cortex into submission.” – Metal Noise
​
“an intense, sinister journey through the depths of death metal, the album is sure to delight genre fans.” – Amplified-Mag
​
“Their death metal has seen a symphonic makeover, as orchestration reigns over the album (sometimes too much so as it overshadows the rest of the instruments in spots) and its inclusion gives off a grandiose flair.” – Heavy Music Headquarters
​
“All in all one can say that every track on “Unearthly Will” fits very well into the overall construct… there is no boredom and the overall length of 27:16 minutes proves that the dark trip is not long-winded but rather shorter, but all the more intense. The newly adopted, rather epic orchestral approach convinced me that AUGURIUM can implement both straightforward and atmospheric songwriting, I’m very excited to hear what the Canadians will be hearing in the future and I would really like to experience the whole thing live!” – PowerMetal.de

“If you like bombast, “Unearthly Will” is for you.” – Broken Tomb Magazine​
​
​“Augurium, the Canadian band thirsty for heavy and guttural riffs, presents their new album “Unearthly Will”” – Territorio Rock

–​
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0 Streaming Now! Vancouver Cosmic Thrashers Crüzer Unleash New EP “Look to the Skies” + Show Dates + CD Pre-Order

  • May 16, 2025
  • by Asher
  • · Cruzer · Music News

NEWS RELEASE

Montreal, QC – May 14, 2025

Streaming Now! Vancouver Cosmic Thrashers Crüzer Unleash New EP “Look to the Skies”

+ Show Dates + CD Pre-Order

L-R: Nico Miraftab (guitar), Eric Willmott (lead vocals), Alex Gain (drums), Ben Higgins (guitar, bass), New member: Esteban Lleuful (bass; not pictured)

Photos: Caitlin R.D.

Unleashing their debut EP “Look to the Skies” this past April, Crüzer is not just a band—they are a cosmic metal assault from the Great White North. Hailing from Vancouver, BC, Canada, their sound is as unstoppable as an alien invasion force, tearing through the atmosphere with electrifying solos and unforgettable hooks.

With their undeniable stage presence (recently performing at this year’s Hyperspace Metal Festival) and the power of the riff, these melodic cosmic thrashers celebrate the bizarre and otherworldly wonders of the universe. Metalheads can expect a raging, thrashing good time, but with a melodic and humorous twist. Crüzer isn’t afraid to turn trash on its head and infuse the flavour with all kinds of spices and secret sauces.

“EARTHLINGS!!! Crank it to 11, and prepare for an out-of-this-world heavy metal experience. Your alien overlords are pleased to unveil our newest slice of interplanetary propaganda, LOOK TO THE SKIES!

Five tracks of raging, rip-roaring, intergalactic speed metal, with a multitude of different flavours catered to the tastes of every thrasher, from the melodic Metallica nerds to the greasy Slaytanic Wehrmacht. Perfect for cruzing down the interstellar highway or around Saturn’s rings.

CONSUME, EARTHLINGS! LISTEN AND REJOICE!!! BASK IN THE GLORY OF YOUR ALIEN OVERLORDS AND CELEBRATE OUR ARRIVAL!!!” adds the band.

With the EP streaming on all digital platforms as of April 4, 2025, Crüzer plans to release the 5-track record on CD, with the release date to be determined. CD pre-order will be available from the band via their Bandcamp at https://cruzermuzik.bandcamp.com.

“Look to the Skies” is recommended for fans of all things thrash, such as Havok, Exodus (Zetro era), Destruction, Metallica (Ride the Lightning era), Exciter, and 80s Judas Priest.

EP Stream Links:

YouTube – https://youtu.be/8aW_6SHC9lY

​

Spotify – https://spoti.fi/3GKuG6C

​

Live Video – Hyperspace Metal Festival – Raging Fire – https://youtu.be/rJ6MGl09H6k

Show Dates:​
June 27 – Vancouver, BC – The Astoria w/ Gorgonum Chaos, The Bifurcated, Nobody, DJ HAMMER – info​

Track Listing:​
1. Look to the Skies (4:18)
2. Born to Rise (4:06)
3. Raging Fire (3:51)
4. (I Need) Thrash (2:14)
5. Pit Vyper (4:44)
Length: 19:13

More info: Cruzermuzik.carrd.co | Facebook.com/cruzermuzik | Instagram.com/cruzermuzik​

-30-

—
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0 Progressive Death SYMBIOTIC GROWTH Unleashes New Lyric Video “Lost in Fractured Reveries” From New Album “Beyond The Sleepless Aether” Out Now!

  • May 15, 2025
  • by Asher
  • · Music News · Symbiotic Growth

NEWS RELEASE

Montreal, QC – May 15, 2025

Progressive Death SYMBIOTIC GROWTH Unleashes New Lyric Video “Lost in Fractured Reveries”

New Album “Beyond The Sleepless Aether” Out Now!

Limited Edition CD available from Bolverk Collective

Mixed and Mastered by Tom MacLean (Haken, Athemon, Brutta)

Canadian progressive blackened death unit Symbiotic Growth has unleashed their latest lyric video, “Lost in Fractured Reveries,” in support of their sophomore album “Beyond The Sleepless Aether,” released digitally on March 28th, 2025, and available on limited edition CD from Bolverk Collective.

Similar to the band’s predecessor, their 2020 self-titled full-length, “Beyond The Sleepless Aether,” is once again based in fiction and is lyrically conceptual, but dives more into thoughts and emotions of everyday life, and sometimes those thoughts are hard to deal with. It’s progressive, experimental, foreboding, and emotional; every song has its own identity and place within the album’s story, taking its protagonist through the multiverse, placing him in places like dark wooded forests, wide open desert landscapes, and the unending cosmos.

The band comments on the track “Lost In Fractured Reveries”:

“The song is about the last stop through the protagonist’s journey on the proggiest song on the album. He finds himself floating within the cosmos, seeing all of time and every universe being woven together like a web, contemplating his entire existence, whether he ever even mattered in any time or in any universe. The jumping time signatures and tempo changes lend a hand to the uncertainty that feels within the song.”

Watch and listen to the lyric video at https://youtu.be/mrfCcx7U4Fk

Mixed and mastered by Tom MacLean (Twelve Tone Studio, Haken, Athemon, Brutta), “Beyond The Sleepless Aether” features seven paryalzing sounds of technical metal created by the Sudbury, ON recording line up of Aaron Barriault (Vocals, Guitar, Bass), Devin McQueen (Vocals, Guitar), and Dan Favot (Drums)(ex-Wolven Ancestry, ex-Fractal Generator).

“I think the fans who have heard our previous album may be a bit surprised; the sound of this album is a bit different; it’s a little bit more experimental in its way. Either way, we hope that fans enjoy what we’ve created. I feel like the listener may have feelings of uneasiness and wonder. An odd combination, but I feel like it’s fitting,” adds Aaron Barriault – Vocals, Guitar, Bass.

“Beyond The Sleepless Aether” is recommended for fans of Ne Oblivisacaris, Der Weg Einer Freiheit, Cor Scorpii, and Gojira.

The album can be heard on the following digital platforms:

YouTube (Album Stream) – https://youtu.be/CSOzIaRlo6E​

Spotify – https://spoti.fi/42m1Mlp​

Bandcamp – https://symbioticgrowth.bandcamp.com​

CD Order is available at https://www.bolverkcollective.com/symbioticgrowth​

Track Listing:​
1. Of Painted Skies and Dancing Lights – 7:03
2. Spires Of The Boundless Sunset – 7:28
3. The Architect Of Annihilation – 10:57
4. The Sleepless Void – 9:52
5. Arid Trials and Barren Sands – 7:35
6. Lost in Fractured Reveries – 8:44
7. Trading Thoughts For Sleep – 10:02
Album Length: 1:01:43

Album Credits:​
Mixed and Mastered By Tom Maclean of Twelve Tone Studio
Album Art by Erskine Designs

Album Band Line Up​
Aaron Barriault – Vocals, Guitar, Bass
Devin McQueen – Vocals, Guitar
Dan Favot – Drums

Live Band Line Up​
Aaron Barriault – Vocals, Guitar
Dan Favot – Drums

For more info: Facebook.com/SymbioticGrowth | Instagram.com/symbioticgrowth​

-30-

“Beyond The Sleepless Aether is heavy as a herd of elephants wearing armour, jumping up and down on your head for the rest of time. It is utterly relentless, yet interspersed with moments of such musical beauty that your soul will ache to the point of breaking. I cannot praise this album highly enough as it is fucking perfect in every single way, and if you have ever taken anything I have ever written to heart then know this. You… yes, you reading this… you need this fucking album in your life in the way that you need breathing. 5/5” – Black Metal Archive
​
“There are an immense number of individual components that deserve special attention on “Beyond The Sleepless Aether. The rhythm work is exemplary, the stubborn use of background keys in the context of a mostly dissonant sound sets standards, the vocals are one of the absolute pieces of jewelry anyway, and what is ultimately ignited in the lead guitars is no longer from this world: soulful playing, virtuoso descents, crunchy sawing. Everything that could contribute to the mutual mood is really taken into account here, of course also at a technically brilliant level. 10/10 ” PowerMetal.de
​
“this record (Beyond The Sleepless Aether) is a delight to listen to, and an early contender in what is traditionally one of the most competitive metal niches out there.” – Metal Storm
​
“Canada’s Symbiotic Growth came in clutch with their fantastic new record Beyond the Sleepless Aether. Enslaved are an immediate touchstone—so much so that I’m sure the main riff to “Spires Of The Boundless Sunset” sounds like a specific latter-day song of theirs that i can’t quite place. As the album develops, however, Ne Obliviscaris become a more obvious point of comparison, with the songs expanding into ever more extravagant and elongated arrangements as the album goes on. As with NeO, the longer, postier passages do drag on a bit, but there’s always a pummeling riff or cathartic melody waiting around the corner to bring the energy back up again, and the band is granted an extra tech-death tinge, thanks to the ferocious efforts drummer Dan Favot of Fractal Generator” – Heavy Blog Is Heavy
​
“Glimmers of brilliance, particularly in the epics and performances, shine through across the record, untouched by occasional patches of off cleans and songs that stick to their guns a little too tightly. As a result, Symbiotic Growth have made a fine record, and one that shows an incredible amount of maturity and growth from their debut. In just a few years, they’ve leveled themselves up a considerable amount, and perhaps the symbiotic relationship between this reviewer and these musicians will help their growth into something special.” – The Progressive Subway
​
“a solid and high quality example of extreme progressive metal that deserves attention” – Progressor

“Prog death, with a little atmosphere, a smidge of black metal, longer tracks, pretty complex and yeah brutal too.” – WORT 89.9 FM The Mosh Pit (Madison, WI)
​
“Canada is always that country that always gives us some unexpected gems of extreme music. Symbiotic Growth is the latest revelation. This debut album brings us a fantastic balance between the extreme aspect of death metal and progressive metal.” – World Of Metal Magazine
​
“Symbiotic Growth‘s songs are significant hybrids, but their incorporation of differing influences works very well because they’re such adept songwriters and skilled performers.” – No Clean Singing

​
—
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0 OPHIOLATRY Unleash New Video “Jesus Complex” – Exposing The Hypocrisy of Religious Indoctrination – Off New Album “Serpent’s Verdict” Out June 2025 (WormHoleDeath Records)

  • May 14, 2025
  • by Asher
  • · Music News · Ophiolatry

NEWS RELEASE

Montreal, QC – May 14, 2025

OPHIOLATRY Unleash New Video “Jesus Complex” – Exposing The Hypocrisy of Religious Indoctrination

New Album “Serpent’s Verdict” Out June 2025 (WormHoleDeath Records)

L-R – Diego Santiago (Bass), Jaime Veron (Lead Vocals), Jhorge “Dog” Duarte (Drums), Fred Barros (Guitar)

Photography: Kevin Eisenlord, Anderson Hildebrando

Brazilian death metal force Ophiolatry is unveiling their new music video for “Jesus Complex”, the second single from their upcoming album “Serpent’s Verdict,” set for release on June 6, 2025, through WormHoleDeath Records. The video represents the band’s next visual offering to follow “Death Tour,” revealed this past April. The new video introduces viewers to the ritualistic atmosphere that defines their long-awaited return. The band shares the story behind the single:

“This story is totally terrifying: you wake up, go out, and discover that everyone is wearing a Jesus mask. His gaze pierces you deeply, transmiƫng a strange and oppressive feeling. It becomes even more suffocating when you look in the mirror and see that you are also wearing the mask. In a world where identity disintegrates under the weight of imposed doctrine, the fear of conformity is a struggle between imposed faith and one’s own identity.”

“Jesus Complex” explores themes of religious manipulation and spiritual corruption. The track combines Ophiolatry‘s signature technical brutality with a newfound emphasis on tribal rhythms and atmospheric elements that showcase the band’s evolution since their acclaimed 2008 release “Transmutation”.

The creation of both the song and video emerged from a deeply personal creative process for the band. The release of “Jesus Complex” marks the next chapter in what the band describes as ‘a communion between sound and image’, with each element of “Serpent’s Verdict” designed to function as part of a larger ritualistic experience. Fans of Death, Deicide, and Cryptopsy are encouraged to immerse themselves in this initial offering while anticipating the full album’s release in June.

Watch and listen to “Jesus Complex” via its premiere on MetalInsider HERE.

(Mask Sculpting in video by: Herman Silesky)

Digital single pre-save – https://orcd.co/jesuscomplex​

Album pre-save – https://orcd.co/serpentsverdict​

First Single – “Death Tour”

Music Video – https://youtu.be/9Fr3TqFyF5Q

Spotify – https://orcd.co/deathtour​

Track Listing:​
1 – Jesus Complex – 3:48
2 – Revenge – 4:21
3 – Generation Curse – 3:09
4 – Death Tour – 3:35
5 – Serpent’s Spits – 4:31
6 – Atheris – 1:32
7 – Apophis – 5:01
8 – Midia Bible – 3:34
9 – Manipulations Guilt – 4:03
10 – Heaven Jails – 3:26
11 – Narcissistic Victim Syndrome – 4:06
12 – Human Factory – 3:18
13 – Ecdysis – 2:34
Album Length: 47:03

Album Recording Credits:​
All songs performed and composed by Ophiolatry.
Mastering: Dan Swanö – http://www.unisound.se
Artwork: LouLou – http://www.louloufineart.com
Pre-Production: Steve Rumpli & Ophiolatry
Production, Recording & Mixing: Diego Santiago
Studio: Satori Estudio
Photography: Kevin Eisenlord, Anderson Hildebrando
Graphic Layout: Beto Mustafa

Album Band Line Up:​
Jaime Veron – Lead Vocals
Diego Santiago – Bass
George “Dog” Duarte – Drums
Fred Barros – Guitars

More info: Ophiolatry.com.br | Facebook.com/profile.php?id=100063556233508 | Instagram.com/ophiolatry​

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“On this new record, the band bring their traditonal Brazilian influence and their heavy, atmospheric approach together to create something new. All the songs on the record come together to tell a story. ” – Decibel Magazine (2025 – Seprent’s Verdict)

“According to Merriam-Webster, “ophiolatry” means “the worship of or attribution of divine or sacred nature to snakes.” You can certainly feel the snakes of death metal surround you as you listen to “Abyss of Alienation” from Brazil’s Ophiolatry, featuring hypnotic riffs, brutal vocals, and crushing rhythms reminiscent of Hate Eternal, Nile and Steve Tucker-era Morbid Angel. The song is a re-recording of a track from the band’s 2008 album, Transmutation.” – Decibel Magazine (2023 Single – Abyss of Alienation)

“Hailing from Brazil comes Ophiolatry, a three-piece powerhouse of a brutal death metal band whose bread-and-butter sound comprises blistering drumming and technical guitar lines set against a suffocating and claustrophobic sonic backdrop.” TheMetalForge​
​
​“Ophiolatry will reward the open-minded metal head with an inflection of national culture, post-modernism and, of course, stunningly brutal death metal.” – Sputink Music​
​
​“…Relentless blastbeats and truly brutal guitar work that have the ability to pummel the listener into a fine powder.” – Scene Point Blank​
​
​“[…] similar technical versatile approach on Death Metal as defined by KRISIUN but where the latter still have a disappointing song writing quality OPHIOLATRY have more feel, more structure and variation.” – Voices from the Dark Side​
​
​“[…] you’ve got yourself another nice brutal death metal band, comparable with (older work of) for example the Brazilian bands Krisiun, Mental Horror and Nephasth, as well as North American’s Monstrosity and Vital Remains – who came up in my mind because of the guitar virtuosity.” – Metal Rage​
​
​“A Lendária banda de Brutal Death Metal Ophiolatry está de volta as atividades.” – Brazil Legion Nekrounderground

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0 MARBLE GHOSTS Signs with Self Made Records L.L.C. / Earache Digital Distro For New EP “The Greatest Divide” Out May 23rd

  • May 14, 2025
  • by Asher
  • · Marble Ghosts · Music News

NEWS RELEASE

Montreal, QC – May 14, 2025

MARBLE GHOSTS Signs with Self Made Records L.L.C. / Earache Digital Distro For New EP “The Greatest Divide” Out May 23rd

Performing at NXT Level Festival In Ottawa – May 22nd

L-R – Adam Hansen (Guitar), Dylan Gunnell (Vocals), Paulo Ferraz (Bass), Jer Renaud (Drums)

Photographer Credit – Lisa Thompson (Dark Moon Productions)

Ottawa, Canada’s Marble Ghosts announces they have signed with Self-Made Records L.L.C. with digital distro from Earache Records for the release of their sophomore EP “The Greatest Divide” out on May 23, 2025.

“We are extremely excited to have signed with Self Made Records LLC. Even though we’ve only been working with the label for a short time, we have seen how closely the label works with bands and how invested they are in our success,” adds the band.

The band is a boundary-pushing ensemble known for its distinctive blend of metal, grunge, and punk influences. Emerging in 2023 onto the Canadian music scene with a distinctive sound and a fierce commitment to challenging societal norms, Marble Ghosts is a band with a message.

Their forthcoming second EP, “The Greatest Divide,” is inspired by our reality, from the ultra-rich and the shrinking middle class to widening gaps in political and religious ideologies that are beginning to challenge and even erode fundamental human rights. Similar to their first EP, these next five songs in their catalog highlight their diverse influences and styles and seek to lift the marginalized through powerful messaging.

With this release, the band asks, “Are you ready to cross the greatest divide?” It is the type of divide that has splintered friendships and even families, where viewpoints differ so greatly, that we can see one another as enemies- traitors. While this seems bleak, some of the stories told through the lyrics are inspired by people who have crossed the greatest divide. But this wasn’t without hardship, as it was often the threat of losing their loved ones, their mental health, and even their own identity that forced the change.

To date, the socially conscious quartet has shared two singles from the five-track EP “Distance Between” and “Eat The Rich”, which is accompanied by a music video that can be viewed at https://youtu.be/pfka0QU68ug

​

“Eat The Rich”, the song, is a statement of today’s political climate shifting to serve the wealthy or the “1%”. The video is a message from Marble Ghosts to the rest of us. It paints the picture of two massively divergent groups- the people who are struggling to hold on, the ones staying in broken, abusive relationships to avoid being homeless, and increasingly out-of-touch billionaires who could effect real, meaningful change with their bank accounts. Instead, the ultra-wealthy constantly seek more and more ways to enrich themselves.

Vocalist Dylan Gunnell explains further:

“This song ‘Eat The Rich’ is about the ultra-wealthy, and the great divide is clear with every billion added to their coffers while the people that enrich them through a broken system continue to suffer. While the chorus is metaphorical, the band also envisioned an alternate reality in writing the lyrics: our planet has been devastated by a zombie plague. The ultra-rich are waiting for a shuttle to carry them to Mars, but it malfunctions, and they are trapped. The undead descend on them, and they are torn to pieces by the horde, the horde that once worked for them, that kept capitalism strong, the people that made them rich. In that reality, their fair share will be paid with a pound of their flesh.”

Musically, “Eat the Rich” has a droning bass that mixes with soft yet acidic vocals in the verses. The long-held scream in the chorus gives way to harmony that grows increasingly layered as the song evolves, creating the perfect contrast. The dirty guitar solo blends into mocking laughter and then powers into a final chorus with three-part harmonies.

Their music is recommended for fans of Breaking Benjamin, Shinedown, Saint Asonia, and Three Days Grace.

Marble Ghosts’ sophomore EP “The Greatest Divide” will be released on May 23, 2025.

Digital pre-save (all platforms) https://earache.lnk.to/TheGreatestDivide​

Bandcamp pre-order – https://marbleghosts.bandcamp.com/​

First Single “Distance Between” – https://youtu.be/tE-M5vDS_uk​

Spotify – https://spoti.fi/40D2I4h​

Show Dates:​
May 22 – Ottawa – NXT Level Festival – The Brass Monkey w/ Crimson Ash, Love and Mayhem, Tucana – info​

Album Artwork by:​
Marble Ghosts font: Crossfade Productions
EP cover art: Edith Fluet

Track Listing:​
1. Distance Between (3:38)
2. Eat the Rich (4:16)
3. Trafficked (The Devil Inside) (4:19)
4. Gloom (4:24)
5. Osmium (4:48)
EP Length: 21:26
​
​Band Line Up (EP)​
Dylan Gunnell – Lead Vocals and Lyrics
Adam Hansen – Guitar
Paul R. Champagne – Bass
Jer Renaud – Drums
​
​Band Line Up (Live)​
Dylan Gunnell – Lead Vocals
Adam Hansen – Guitar and Backing Vocals
Paulo Ferraz – Bass
Jer Renaud – Drums

More info: Facebook.com/marbleghosts | Instagram.com/marbleghostsofficial​

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“Their sound is a unique blend of soft underscoring elements and heavy riffs.” – Decibel Magazine
​
“We are living in pretty divided times and this is explicitly displayed right from the get-go with the single “Distance Between” A strong opening, it is heavy, furious, and sets the mood for the rest of the record. An intense album you can listen to over and over and still find cathartic release of angst, anger and outreach. This is a solid brand of high-octane alternative rock mixed with an old school metal vibe. 8/10” – Metal Temple
​
“Marble Ghosts’ latest single, “Distance Between,” is a relentless blast of punk-metal energy that sets the tone for their upcoming EP, The Greatest Divide (April 4th). The track showcases the band’s unique ability to fuse aggression and melody into a seamless and high-octane performance. From its rapid-fire verses to its towering choruses, “Distance Between” never loses its intensity. The song’s razor-sharp guitars anchor the chaos and deliver not one but two blistering solos that elevate the track’s raw power. Meanwhile, the desperate screams layered over the final crescendo inject a tangible urgency that drives home the song’s message about the fractures in modern society. The song’s technical precision and anthemic qualities plus the band’s punk edge keeps the energy raw and unfiltered, evoking a battle cry to confront the growing divides in the world around us. “Distance Between” and Marble Ghosts prove they’re not just pushing genre boundaries. They’re demolishing them.” – Amplify The Noise

“We have been patiently waiting for a new cut from heavy masters’ Marble Ghosts and they have delivered. The new single “Distance Between” lands today and it’s a special one. The first single to be released from their forthcoming album “The Greatest Divide” (April 4th), “Distance Between” accomplishes what every band hopes to…a monumental track that separates itself from everything else. Driving riffs, top tier vocals, a punchy rhythm section and of course solo breaks that just take flight – Marble Ghosts are back and we’re thrilled they exceeded our ridiculously unfair expectations! Catch it on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll​
​
​“get these guys in your ear holes” – Rock-N-Review​
​
​“When a band is said to be for fans of Shinedown, Breaking Benjamin and Three Days Grace, this puts a lot of pressure on that band to live up to expectations, especially those of lifelong fan of all of those acts. However, Canadian’s Marble Ghosts have produced quite an exciting debut EP that’s made up of a mix of metal genres from metalcore and grunge to death metal. ‘Lie To Me’ has a heavy bass line intro before thick guitar riffs join in. This intensity is matched by the vocals, which seem to be drenched in emotion and this is what makes it a real must listen on the EP. Whilst the lyrics themselves don’t vary much, they don’t need to, because it feels like this track is about putting across a certain atmosphere rather than writing an epic tale. The band do delve into the political in ‘False Heroes’, where they question outdated thinking with such lines as “boys will be boys, all the while accompanied by an unsettling melody in a minor key. They use their own country’s history to influence this song, which the EP artwork and the band’s name are all linking together. 8/10” Powerplay Magazine UK

—
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0 Chris Adler (Lamb of God) Joins Forces with TONIC BREED For Explosive New Single “Anew”

  • May 13, 2025
  • by Asher
  • · Music News · Tonic Breed

NEWS RELEASE

Montreal, QC – May 13, 2025​

Chris Adler (Lamb of God) Joins Forces with TONIC BREED For Explosive New Single “Anew”

Tonic Breed’s upcoming single “Anew” features Grammy-winning drummer Chris Adler — in what frontman Patrik K. Svendsen calls the most Lamb of God-style drumming he’s heard from Adler since his days in the band.

Tonic Breed, the metal project led by Norwegian musician Patrik K. Svendsen, is gearing up to release “Anew” on June 19th, 2025, a crushing new single featuring none other than legendary drummer Chris Adler (Lamb of God, Megadeth).

“I was quite curious when I got an email — and some riffs — from Patrik,” says Adler. “Clearly he’s done some cool shit and I was flattered to be on his radar… I researched it for a minute and agreed.”

Patrik originally sent over a rough demo of the song, a storm of riffs strung together with placeholder drums and a suggested structure. “Chris was actually on board right away,” Patrik explains. “We worked together on a new structure for the song, and Chris took the lead on shaping it into something far more unique and effective than my original draft.”

“His riffs are fucking sick,” Adler continues. “We did have to take a minute to both feel good about what this would be — meaning I beat up his song like a fucking Rocky movie — but I knew it had the parts and strength.”

The final version of “Anew” is a precision-crafted, high-energy track that fuses Patrik’s Norwegian riff work with Adler’s unmistakable rhythmic drive. “To me, this is the most Lamb of God-style drumming I’ve heard from Chris since he was in Lamb of God,” Patrik says. “I’m sure some metal guitarists would kill to hear Chris Adler’s drumming behind their riffs — I’ve been lucky enough to experience that firsthand.”

By the end of the collaboration, Adler described the finished product as “sounding like an action movie that’s fun to watch,” a nod to the song’s explosive dynamics and cinematic flow.

“It’s been a privilege to work with Patrik,” Adler says. “Humbling. You’ll know what I mean when you hear it.”

The track was mixed and mastered by acclaimed producer Machine, who also handled Lamb of God’s Ashes of the Wake and Sacrament. “The sound is brilliant,” says Patrik. “Machine absolutely nailed it.”

“Anew” will drop June 19th, 2025 as a stand-alone single and is also set to appear on the next full-length Tonic Breed album. The new release continues the project’s series of high-profile collaborations, which already include Dirk Verbeuren (Megadeth), Michael Gilbert (Flotsam and Jetsam), and Björn Strid (Soilwork).

Until “Anew” is released, check out Tonic Breed‘s latest collaboration with Flotsam and Jetsam guitarist Michael Gilbert for a guest solo on the new single “The Die Is Cast”.

Straight to the point. No fluff, no filler, “The Die Is Cast” is pure, hard-hitting thrash from start to finish, with a touch of melody woven in. The song is about a powerful war machine that lies broken and abandoned, surrounded by the wreckage of others like it. Its silence feels heavy, as if it’s aware of the destruction it once brought and the emptiness that followed.

“The Die Is Cast” was performed, written, and produced by Patrik K. Svendsen with mixing by Adrian Bjerketvedt in Sarpsborg, Norway, and mastered by Steve Kitch.

Spotify – https://open.spotify.com/album/2AM7LfoyoTUL0VlZLYpXyE​

Video – https://youtu.be/mAC4_K0Sqko​

For more info:​
​https://tonicbreed.com​
​https://facebook.com/tonicbreed​
​https://instagram.com/tonicbreed​

About: Tonic Breed is a Norwegian thrash and heavy metal one-man music project by Patrik K. Svendsen. Until 2019, Tonic Breed was originally a four-piece band, established in Sarpsborg, Norway, in 2006. As of 2022, Tonic Breed has released three albums and one EP. Today, Tonic Breed is constantly reinventing itself in songwriting and guest collaborations.

Discography:​
– 2025 – The Die Is Cast (single)
(ft. guest guitar solo Michael Gilbert (Flotsam and Jetsam)
– 2025 – The Charge (single w/ Darkroot)
– 2024 – Outsold – LP – 10th Anniversary Edition
– 2022 – Fuel the Fire – EP
(ft. guests Dirk Verbeuren (Megadeth), Bernt Jansen (Artch/Wig Wam),
Björn Strid (Soilwork), Martin Skriubakken (Endezzma), Oliver Palotai (Kamelot)
– 2018 – Install Memory – LP
– 2014 – Outsold – LP
– 2010 – On the Brink of Destruction

– 30 –

“This is a collection of songs you need to hear, so what are you waiting for? [8/10]” – Metal Noise (2022 – Fuel The Fire)

“The guest musicians really came together on this EP, it’s real luxury material. In short, it is a great return of Patrick as he has been throughout his career with Tonic Breed. If you are fans of Metallica, Testament, Pantera or Slayer, listening to «Fuel the Fire» it is essential this year. Without a doubt I will follow the career of this One Man Band with great interest.” – Broken Tomb (2022 – Fuel The Fire)

“Tonic Breed show that the embers have not gone out and this EP gives them a good old poking, tossing them around and letting the heat build-up. ” – Metal Digest (2022 – Fuel The Fire)

“Tonic Breed reinforces my growing belief that music, and particularly metal, can one day survive and even thrive without need of the corporate machine.” – Metal Disciple (2014 – Outsold – LP)​
​
​“For an unsigned act Outsold has one of the best productions I have heard in a long time. Simply put it’s a fantastic album.” – Teeth of the Divine (2014 – Outsold – LP)​
​
​“TONIC BREED could easily advance up the ranks thanks to this impressive release.” – Metal Temple (2014 – Outsold – LP)​
​
​“10/10. Album of the year 2014.” – The Metal Review (2014 – Outsold – LP)​
​
​“For an unsigned act Outsold has one of the best productions I have heard in a long time. Simply put it’s a fantastic album.” – Teeth of the Divine (2014 – Outsold – LP)​
​
​

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0 Rockshots Records – RIMMAR First Single & Video “Planet Mars” Off New Album “Raises” Out July 2025

  • May 9, 2025
  • by Asher
  • · Music News · Rimmar (Rockshots Records)

NEWS RELEASE

Montreal, QC – May 9, 2025

RIMMAR First Single & Video “Planet Mars” Off New Album “Raises” Out July 2025

“It’s a dream come true, lasting for years. Now everything can begin!”. With these words, Marco Rinaldi announces the official debut of Rimmar, his visionary solo project, and unveils the first single, “Planet Mars,” released via Rockshots Records.

Completely written, composed, and arranged by Rinaldi himself, “Planet Mars” is more than just a song—it’s the first chapter in a sonic journey that blends the power of classic, progressive, and industrial metal with disco and electronic elements. A bold and cinematic opening track that sets the tone for Rimmar’s debut album “Raises”, “Planet Mars” hovers between the past and the future, echoing with the urgency of rebirth and the desire to rise from a stagnant world. As the artist explains, “This album was born in the past, matured in the present, and projected into the future like a spaceship.”

Rimmar is not a traditional band but a one-man artistic endeavor. Marco Rinaldi is the sole author of the lyrics and music, building his songs from riffs and rhythmic structures before enriching them with orchestration, synths, and pads. The words are deeply inspired by readings, dreams, and philosophical reflections, but always subordinate to the music itself — “The word is a servant of music in my case,” he states.

“Raises” features a refined blend of styles and moods, reflective of Rinaldi’s wide musical background and personal influences ranging from 80s metal to 90s prog and even Italian avant-garde artists. The production also benefits from a remarkable cast of guest performers from the Italian rock and metal scene: Fabio Lione (Rhapsody of Fire, Angra) on tow songs “Mighty Messenger” and “Vortex”, Kyo Calati (MindAheaD), Marco Andreotti (Imagine Dragons tribute), Mattia Fagiolo (White Thunder, Dragonhammer), and Alessandro Cola (Eldritch) all contributed their unique voices and energy to the project.

On stage, Rimmar transforms into a full live band with experienced musicians delivering a performance that merges metal intensity with the aesthetics of electronic dance. As Rinaldi explains, “All we are interested in is ‘increasing’, ‘raising’ the volume, the intensity, rising from the rubble of our indifference, superficiality, ignorance and difficulty to communicate with others!”

“Planet Mars” is now available on all digital platforms and marks the beginning of an ambitious musical vision—emotional, genre-defying, and unapologetically bold.

LISTEN: https://lnk.to/heoLct​
​VIDEO: https://youtu.be/O2JwJ8UtSO4

​
​
​ALBUM PRE-ORDER: https://rockshots.eu/products/rimmar-raises​

Track Listing:​
1. Unreal (feat. Mattia Fagiolo)
2. Mighty Messenger (feat. Fabio Lione)
3. These Ruins (feat. Marco Bertuccelli)
4. 8th Sin (feat. Marco Andreotti)
5. Planet Mars (feat. Mattia Fagiolo)
6. Vortex (feat. Fabio Lione)
7. Queen of the Gold (feat. Marco Bertuccelli)
8. Cruel Summer (feat. Kyo Elisa Proietti)
9. Raises

​
​Rimmar Line Up:​
​Marco Rinaldi: Guitars
​Tommy Pellegrini: Rhythm Guitars
​Marco Moretti: Drums
​Alessandro Cola: Bass Guitar

​More Info:

– https://rockshots.eu/​

– https://www.facebook.com/profile.php?id=100063487690785​

– https://www.instagram.com/rimmar_official/​

– 30 –

​
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0 Rockshots Records – BERIEDIR Release Official Music Video for “Burnout” – The Quintessential Track from “Liminal Spaces”

  • May 9, 2025
  • by Asher
  • · Beriedir (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – May 9, 2025

BERIEDIR Release Official Music Video for “Burnout” – The Quintessential Track from “Liminal Spaces”

Following the release of “Liminal Spaces” via Rockshots Records, Italian progressive metal act Beriedir unveils the Official Music Video for “Burnout”, the album’s emotional centerpiece.

Musically and lyrically, “Burnout” captures the very essence of the record. A song about mental exhaustion, the crushing weight of self-imposed pressure, and the relentless cycle of overexertion, “Burnout” blends technical complexity with emotional immediacy. The track opens with hammering rhythmic patterns and aggressive riffs before collapsing into a fragile, almost sobbing pause culminating in a melodic death-inspired finale of overwhelming intensity.

“Filling all the time we have, keeping the furnace burning as everything gets consumed. Writing page after page, until something breaks. Silence falls in an instant, like the noises in the forest when a predator is present. But the only threat to us, in the solitude of sleepless nights, is ourselves. The cycle never stops: our mind becomes incandescent, works non-stop, then burns out. Then it starts again.”

The band comments:

“‘Burnout’ is a vocal and instrumental challenge in every aspect. It’s the most representative track of “Liminal Spaces”, where every musical choice mirrors the content of the lyrics. It’s hard to stay emotionally untouched while playing it.”

The official music video, directed once again by Luca Rapuzzi, visually amplifies the tension and vulnerability expressed in the track. Through stark and immersive imagery, Rapuzzi brings the song’s inner conflict and emotional unraveling to life, reinforcing “Burnout” as the album’s defining statement.

With “Liminal Spaces, “Beriedir has taken a bold step away from their power metal roots to fully embrace a progressive, melancholic, and immersive sound. The album explores trauma, nostalgia, longing, and emotional fragmentation, offering a listening experience that resonates deeply with those navigating dark and complex emotional states.

The band’s stylistic shift is both natural and deliberate, shaped by years of personal growth and sonic exploration. As frontman and primary songwriter, Stefano Nusperli explains, it all began with a USB drive full of music from bands like Vision Divine, Dream Theater, Dark Tranquillity, and Children of Bodom—a discovery that sparked the initial flame of Beriedir and ultimately led to “Liminal Spaces”.

Now, with a more collaborative approach and a renewed focus on progressive and alternative metal, Beriedir’s sound draws comparisons to Pain of Salvation, Leprous, Katatonia, Gojira, Trivium, and Dark Tranquillity. The album was mixed and mastered by Simone Mularoni at Domination Studio, ensuring a sonic depth that matches its lyrical weight.

​
​Video: https://youtu.be/YXvhjCx_o6s​
​Listen to “Liminal Spaces“: https://open.spotify.com/album/2l106cYkaLYZVQHodDqJVA​
​Order the album: https://lnk.to/AR9Bpc​

Previous Videos:

Music Video – “Neon” – https://youtu.be/R5WalIheULc​

Music Video – “Halo” – https://youtu.be/vb-QwoHrU8c​

Track Listing:
1. Halo
2. Neon
3. In The Corner Of My Eyes
4. As Tight As Phantoms Hold
5. F.I.V.E.
6. More Than Starlight
7. Burnout
8. Anemoia
9. Massive
10. In The Liminal Space

Line-up:​
Stefano Nüsperli: Vocals, Keyboards
Simone Bacchi Mottin: Guitars, Backing Vocals
Francesco Ideo: Guitars
Ciro Salvi: Drums
Daniele Cantaboni: Bass Guitar

More info: https://www.rockshots.eu | https://www.facebook.com/BeriedirOfficial | https://www.instagram.com/beriedirofficial​

-30-

“Melodies accompanied by explosive rhythms” – Loud And Proud

“I am utterly convinced that Beriedir will begin to achieve a level of success that their obvious talent fully deserves.” – Man Of Much Metal

“Not only will Beriedir pull your face off, but they’ll do it at breakneck speed in 5/4 time. ‘Aqva’ is a fast-paced album, thrashing machine gun powered guitars do endless battle with the fanfare of keyboards which blast with all the fun of those Euro-pop power metal sound.” – The Metal Crypt

“Metaphysical lyrics […] Through the entire song I thought somehow that a whole orchestra is with the band, so these guys truly know how to play their instruments properly and make magic out of them.” – Abaddon Magazine

“The word “elegant” comes to mind to describe the atmosphere of this album. None of these songs is superfluous. The strength of this release lies in the coherence and articulation of the songs. This clever structure supports an emotional journey. It evokes gigantic waves crashing on your heads.” – Metal Express Radio

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