Category: Music News

0 Rockshots Records: BLUE HOUR GHOSTS Posts Lyric Video “Shine”, New Album “Due” Out February 12, 2021

February 8, 2021
by Asher
· Blue Hour Ghosts · Music News

NEWS RELEASE

Montreal, QC – February 8, 2021

For fans of Katatonia, Porcupine Tree, Amorphis

Rockshots Records: BLUE HOUR GHOSTS Posts Lyric Video “Shine”

New Album “Due” Out February 12, 2021

Alternative prog metal act BLUE HOUR GHOSTS are sharing with fans the latest lyric video for their single “Shine” in support of the upcoming release of their new album “Due” out on February 12th, 2021 via Rockshots Records.

Lyric Video: https://youtu.be/YnXAgF43ZIk
Spotify: https://backl.ink/144204268
CD pre-order: http://bit.ly/Due_CD
Digital Album pre-save: https://backl.ink/143813663

The band comments on the track:

“Shine is a melancholic andante/mid-tempo rocker with a “grungy” feel, introduced by piano and vocals, before a riveting guitar riff sets on; then, a subtle, atmospheric verse makes way for a truly powerful and dramatic chorus; the song ends with a final climax that brings the listener back to the initial melodies in a circular fashion. The track is literally packed with hooks and melodies that greatly enrich the musical fabric, sustaining Ricky’s wholehearted singing. In spite of its somber tone, the song is about finding the courage to accept our flaws and unlock all the beautiful things we keep inside ourselves, to overcome our fears, our sense of inadequateness or incompleteness, and the cages sometimes relationships bind us to, which can smother our will and diminish our self-esteem. It’s an exhortation to take the initiative, bear the suffering and then find out how an ugly duckling can become a swan, even through pain and waiver.”

BLUE HOUR GHOSTS’ forthcoming “Due” is the follow up to their 2016 self-titled debut album. Teaming up once again with Giuseppe “Dualized” Bassi (session musician for Fear Factory, Grenouer, Levania, Noveria), BHG‘s “Due” is their sophomore effort continuing their blend of progressive, classic, gothic metal, and alternative rock.

Taking a fresh, powerful, and intense melodic assault, “Due” depicts a wide range of soundscapes ranging from full metal aggression to soft, acoustic atmospheres, passing through infectious and catchy hooks and refrains that will enthrall any music addict, along with sophisticated layered arrangements to satisfy the most demanding palates. Throughout the 9 songs, all the ghosts hiding in the blue hour are made alive in the deep and heartfelt narration provided by both music and lyrics, offering a unique and compelling listening experience.

Keyboardist Simome Pedrazzi comments about the new album:

“With “Due” we are trying to engage new and established fans with an enjoyable, fresh, and yet sophisticated multi-level listening experience. All the nine songs offer an abundance of hooks that can stick into the ear from the first listen and remain impressed into the listener’s mind, stimulating his/her curiosity. There is no room for boredom, as within each song and throughout all the album, powerful and atmospheric sections alternate with each other in a seamless flow, thus keeping the attention high. The variety of musical colours displayed throughout the album and the extreme care we put into obtaining a lush and polished sound will allow for an extremely pleasant sonic experience.”

Previous Singles:
“Walking Backwards” – YouTube (Visualizer)
“On Black Clouds”- YouTube (Music Video)

Track Listing:
1. Walking Backwards (4:01)
2. On Black Clouds (3:45)
3. Dead in August (5:12)
4. Damn Wrong (4:23)
5. Shine (5:19)
6. Fearless (4:00)
7. Lower the Wires (3:57)
8. Disheartened (4:27)
9. Involved/Bored (3:52)
Album Length: 39:00

Album Credits:
Ricky DC – Vocals
Diego Angeli – Guitars
Francesco Poggi – Guitars
Simome Pedrazzi – Keyboards
Matteo Malmusi – Bass
Andrew Gunner – Drums

Produced by Giuseppe “Dualized” Bassi for dysFUNCTION Productions
Recorded and Engineered by Giuseppe Bassi
Mixed and Mastered by Giuseppe Bassi
All music and lyrics written by Blue Hour Ghosts
Additional arrangements, keyboards, sound design and programming by Giuseppe Bassi
Artwork concept and paintings by Blue Hour Ghosts
Band photos by Patrizia Cogliati – Musicphoto
Graphic layout by Francesca Dalla Costa – Secondalinea Officine Creative

Discography:
Blue Hour Ghosts (Buil2Kill Records, 2016)
Do You Believe in Ghosts? (Live) (Buil2Kill Records, 2018)
Due (Rockshots Records, 2021)

More Info:
Rockshots.eu
Facebook.com/bluehourghosts
Twitter.com/bluehourghosts
Instagram.com/bluehourghosts
Bluehourghosts.com

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“One of the best debut albums since a while in the melodic metal world. An album complete in itself, but with every track standing strong on its own as well.” – Lords of Metal (NL), 80/100

“A damn strong output, super catchy, with cool melodies and also varied, proggy, exciting and with great vocals, and all this as the debut. All attention!” – Crossfire Metal (DE), 85/100

“This band knows how to rock in a very catchy way!” – White Room (NL)

“Blue Hour Ghosts burst upon the scene with a flaming debut album, bringing out a breath of adrenaline and a compelling mix of modern prog, classic metal, aggressive rock and spine-chilling melodic traits” – Rock Hard Italy (IT), 8/10

“This is really a cool record, nothing is missing! Blue Hour Ghosts succeed right away from their first chapter.” – Metal Hammer (IT), 82/100

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0 Rockshots Records: Metal De Facto Release New EP “Legionnaires’ Oaths” + Music Video To Celebrate 1-Year Anniversary of “Imperium Romanum”, EP ft. guests Nitte Valo (Dreamtale, ex-Battle Beast), Juha Kupiainen (De Lirium’s Order) Cover songs: Shakira’s “Whenever Wherever”, Type O Negative’s “My Girlfriend’s Girlfriend, Dohatsuten’s “Ginga Densetsu Weed”

February 8, 2021
by Asher
· Metal De Facto · Music News

NEWS RELEASE

Montreal, QC – February 8, 2021

Rockshots Records:
Metal De Facto Release New EP “Legionnaires’ Oaths” + Music Video To Celebrate 1-Year Anniversary of “Imperium Romanum”

ft. guests Nitte Valo (Dreamtale, ex-Battle Beast), Juha Kupiainen (De Lirium’s Order)

Cover songs: Shakira’s “Whenever Wherever”,

Type O Negative’s “My Girlfriend’s Girlfriend, Dohatsuten’s “Ginga Densetsu Weed”

Finnish power metal band METAL DE FACTO celebrates the 1 year anniversary of their debut album “Imperium Romanum” with the release of a new five-track digital EP “Legionnaires’ Oaths” out now as of February 8th. The EP features a studio and acoustic version of “Legionnaires’ Oaths”, which is off of 2019’s “Imperium Romanum” along with three cover songs, Shakira’s “Whenever Wherever” featuring Nitte Valo (Dreamtale, ex-Battle Beast), Type O Negative’s “My Girlfriend’s Girlfriend” featuring Juha Kupiainen (De Lirium’s Order) and Dohatsuten’s “Ginga Densetsu Weed”, the opening song to an anime series of the same name where the band’s lead singer Mikael sang the song completely in Japanese!

“I used to study as an exchange student in Japan and picked up some of the language back then. My good friend from those times Nikolas Kiili helped out with the pronunciations, and I think the end result turned out real epic with the choirs and everything!” adds Mikael.

In addition to the EP’s release, the band is sharing a new acoustic music video for its title track, which was filmed at the legendary Beaver Bar in Helsinki.

“The bar is very well known to most metalheads in the Helsinki area, and it served as a perfect setting for the tavern-like feel we were looking for this acoustic music video!” comments the band’s lead singer Mikael Salo.

The music video for “Legionnaires’ Oath (Acoustic Version)” can be viewed on Rockshots Records YouTube channel here.

“Legionnaires’ Oaths” is available on Spotify, Apple Music.

“Imperium Romanum” is available on the following platforms:
Vinyl here.
CD here.
Spotify here.
Apple Music here.

Track Listing:
1. Legionnaires’ Oath (4:09)
2. My Girlfriend’s Girlfriend (Type O Negative cover) ft. Juha Kupiainen (3:02)
3. Whenever, Wherever (Shakira Cover) ft. Nitte Valo (3:11)
4. Ginga Densetsu Weed (Dohatsuten Cover) (4:15)
5. Legionnaires’ Oath (Acoustic Version) (3:47)
EP Length: 18:25

For more info:
Rockshots.eu
Facebook.com/metaldefacto
Instagram.com/metaldefacto
Twitter.com/MetalDeFacto

– 30 –

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0 Canada’s Cavedweller Come At You With The Blistering Brutality Of “Slow Death”, Music Video Premiere via TheCirclePit

February 6, 2021
by Asher
· Cavedweller · Music News

NEWS RELEASE

Montreal, QC – February 5, 2021

For fans of Every Time I Die, Norma Jean, The Chariot, Chelsea Grin, Whitechapel, Traitors

Canada’s Cavedweller Come At You With The Blistering Brutality Of “Slow Death”

Music Video Premiere via TheCirclePit

“Slow Death” is anything but slow; it’s a manic whirlwind of deathcore, complete with a fresh breath of breakdowns, enticing both old and new fans who will feel like they are discovering a new sound. If you took a racing scene from a Nicholas Cage movie and combined it with that scene from The Shining where Jack Nicholson is breaking down that door with an axe, that would be this new track from Fredericton’s Cavedweller.

The band’s EP “Primal” came out in 2020 and this new stand-alone single is devised to whet fans palate before an expected 2021 full-length release.

Cavedweller comments on the song:

““Slow Death” is a song our drummer originally pitched to us. Most of the structure was there, so we just played around with it a little bit, worked out some kinks, played around with time signatures for a little bit, and eventually ended up with the finished product. Lyrically, the song is about being trapped in a cycle of life, living the same day by day routine and schedule until death.”

Looking to leave an impression with this single, Cavedweller chose this fast, heavy hitter to be their first video. It’s abrasive, in your face and the chaos doesn’t relent for a second.

For this track, drummer Sam Brown came up with the core groove initially, and each of the members threw their own spices into it. Pulling inspiration from the heavy side of the spectrum, proggy rhythmically driven influences, and the core subgenre, the result is quick and dirty, high energy good times, and a raw approach to metal.

Groovy and sporadic with a healthy dose of breakdowns, Cavedweller is recommended for fans of Every Time I Die, Norma Jean, and The Chariot.

The video for “Slow Death” can be watched via its premiere on TheCirclePit HERE.

Stream and download available on the following digital platforms:
Cavedweller506.bandcamp.com, Spotify.

For more info:
Facebook.com/CavedwellerNB
Instagram.com/Cavedwellernb
Twitter.com/CavedwellerNB
EPK

About:

Cavedweller is four homies from the small town of Fredericton, New Brunswick, Canada that play groovy riffs, and crushing breakdowns.

Cavedweller is Cujo Bonvie (vocals), Alex Sturgeon (bass), Sam Brown (drums), and Brad Kenny (guitar), four guys who have known each other from the local scene for years. Brown and Sturgeon used to play together in local act Blueprints, and Bonvie was a regular attendee to local shows, and played in a number of local bands, including Dumpster Mummy, Panda Bee Catastrophe, and The Mind Unleashed. Once the four of them started jamming, the chemistry was evident and the rest is history.

In 2019, the band recorded their demo “Free-Sushi” which was followed up in 2020 with the EP “Primal”. The EP was mixed and mastered themselves; guitars were recorded in Sturges room, drums at a friend’s place, and mastered at Kenny’s place. During the recording process at Sturges, a lightsaber battle broke out between Sturge and Kenny to determine whose masters would be the ones released. It was a long and intense battle, but Kenny was ultimately the victor.

There is a wide range of influences coursing through the blood of the band including hardcore, punk, deathcore, and a little bit of prog-metal, and the final result is best suited for fans of Chelsea Grin, Whitechapel, and Traitors.

Cavedweller has played with several bands in their short history and expects to have a full length out by the end of 2021.

Don’t be shy, come show us what you’ve got in the pit!

– 30 –

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0 Huge Hails Horns! \m/\m/ Thank You for all the radio love MDs and DJs THE NATIONAL LOUD TOP 20 OF 2020 #7 Woodhawk, #12 Black Pestilence, #16 Fuck The Facts

February 5, 2021
by Asher
· black pestilence · Fuck The Facts · Music News · Woodhawk

Huge Hails Horns! \m/\m/ Thank You for all the radio love MDs and DJs

THE NATIONAL LOUD TOP 20 OF 2020

#7 Woodhawk, #12 Black Pestilence, #16 Fuck The Facts

https://earshot-online.com/charts/2020/loud.cfm

0 Moncton’s Diner Drugs Are Serving Up A Fresh Music Video For The Tasty Track “Need Time”, Music Video Premiere via DoomedandStoned

February 5, 2021
by Asher
· Diner Drugs · Music News

NEWS RELEASE

Montreal, QC – February 5, 2021

For fans of Red Fang, Cancer Bats, Alexisonfire, The Bronx, Heart Attack Kids

Moncton’s Diner Drugs Are Serving Up A Fresh Music Video For The Tasty Track “Need Time”

Music Video Premiere via DoomedandStoned

L-R: Jackson Landy (Guitar/Vocals) | Jesse Briggs (Drums) | Chris Lee (Bass/Vocals) | Jordan Fournier (Guitar/Vocals)
Photo Credit – Brock Jorgensen

Diner Drugs from Moncton, Canada has a new music video out for their song “Need Time” off the 2019 album “As Is”. The quartet takes inspiration from stoner rock and punk rock and comes with as much harmony as they do beer. Elegantly self-coined as “mustard moustache muscle car cliché” they have groove and grease for days.

Their first full-length album “As Is” was a more grown-up release than their self-titled debut, and they took a more serious angle, focusing on writing great songs, and put more thought into arranging the parts. Diner Drugs explains their music in their own words:

“We’re a loud and punchy stoner metal band but we also have smooth vocal harmonies that usually catch people off guard. We love playing and even though our overall attitude is we’re pretty chill, we take a lot of time to craft our songs and it’s a group effort when we write so it’s not someone up there playing someone else’s songs.”

Diner Drugs knows how to grab the attention of their listeners and “Need Time” will do just that. A fuzzy wall of sound forms the base layer with energized punk drumming, harsh hardcore vocals, and raucous guitars with the icing on this loud cake of harmonized clean vocals, making it suitable for almost anybody’s taste.

Those looking for another slice of what Diner Drugs is serving up won’t have long to wait, the band suggests there will be another album released in 2021.

Punchy and crunchy, Diner Drugs’ particular flavour of stoner metal is recommended for those with a taste for Red Fang, Cancer Bats, and Alexisonfire.

The video for “Need Time” can be watched via its premiere on DoomedandStoned HERE.

“As Is” was released in September 2019 and available on DinerDrugs.Bandcamp, Apple Music, Amazon, Spotify.

Track Listing:
1. Under Fire (4:18)
2. Need Time (3:57)
3. Gump Truck (3:58)
4. Jack of All Trades (3:08)
5. Medicine (2:37)
6. Rotten Eggs (4:46)
7. Back on the Blues (2:36)
8. Cell Maid (4:43)
Album Length: 30:17

For more info:
SheSaidFeckRecords.com/diner-drugs-epk
Facebook.com/DinerDrugs
Twitter.com/DinerDrugs
Youtube
Instagram.com/DinerDrugs

About:

Diner Drugs is a four-piece stoner metal punk crew, born out of a desire to defeat the boredom of east coast living. Diner Drugs is fast, loud and is always keen to turn up the heat with catchy choruses and deep vocal harmonies while sticking to their deep stoner metal roots.

They’ve developed a reputation for their live performances, keeping themselves steadily on the road, and are now certified road dogs lending east coast support for Cancer Bats and Dead Quiet along with Maritime, Ontario and Quebec support several times over for Heart Attack Kids and local support for heavy hitters Mokomakai and Red Fang.

With two albums under their belts As Is (2019) recorded by Kyle MacDonald of Zaum and their self-titled EP (2017) they have gained immense support and several accolades from their peers and were recipients of the MNB Loud Artist of the Year Award in 2018 and were nominated for MNB Video of the Year Award in 2019.

Since 2009 members of Diner Drugs have been foundations of the Moncton metal scene as former members of Bong Jovi, The Human Comedy, and Savage Young. Diner Drugs as always have no signs of slowing down and already planning for their next record in 2021.

*Their upcoming spring tour with Woodhawk and spring shows in Newfoundland was subsequently canceled due to Covid 19 but with hopes to reschedule for later in 2020/21.

– 30 –

“Jack Of All Trades” uses clever drum timing between guitar riffs which assaults the senses in different ways and rattles your eardrums like an off-balanced washing machine. The skate punk style writing of this track will have you wondering if NOFX and Suicidal Tendencies had a baby.” – Sarah Hellingwerf, The East

“Diner Drugs is one of those “f&*k all” bands that play heavy, fast and dirty rock.” – Jamie Robash, Divide and Conquer Music

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Jon Asher – Music Publicist
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0 The Design Abstract Shares Quarantine Video “Annihilation”, New Sci-Fi Album “Technotheism” Out Now! via Abstrakted Records

February 5, 2021
by Asher
· Music News · The Design Abstract

NEWS RELEASE

Montreal, QC – February 5, 2021

For fans Septicflesh, Scar Symmetry, Dimmu Borgir, Fleshgod Apocalypse, Machina

The Design Abstract Shares Quarantine Video “Annihilation”

New Sci-Fi Album “Technotheism” Out Now! via Abstrakted Records

L-R: Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming)
Photo Credit – Tami Martin

Unleashing their melodic death sci-fi escapade “Technotheism” on Jan 29th, Ontario, Canada’s The Design Abstract are sharing with fans their latest video for the track “Annihilation” in support of the full-length. The video was filmed while the band, like many others, are observing Covid 19 quarantine lockdown.

The band comments:

“While we’re in lockdown, we wanted to share Annihilation, which can be best summarized in one word… ‘Violent’… From the gut-wrenching opening bass line to the slap-in-the-face industrial transitions, this song is indisputably the angriest and most irreverent on the album. The ending buildup and breakdown push into deathcore territory while the orchestral parts soar higher than ever.”

Watch and listen to “Annihilation” on YouTube here.

The Design Abstract‘s new album “Technotheism” invokes the futuristic sounds of science fiction, as the band takes a step away from the traditional use of orchestral writing, by making it the soundtrack for anything space or cyberpunk related.

Still, in the experimental age for the band, each song is written completely differently and by different members of the band. “Technotheism” is purely a science fiction story told as such in a monumental thirteen track work of symphonic melodic death metal. It tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. The band explains the album:

“We incorporate a blend of metal, orchestra, and industrial music that hasn’t been done in this way. Nobody can top the orchestral metal masterpieces like Death Cult Armageddon by Dimmu Borgir or Codex Omega by Septicflesh, however, we push this genre into the distant future, with the sounds of a cyberpunk dystopia punctuating every release.

This album is the absolute pinnacle of what the band is currently capable of, which speaks volumes to the fact that most of it was written so long ago. Most metal bands who incorporate orchestral writing do so in a pointedly antiquated way: the goal is to sound a bit archaic. The sound of The Design Abstract is rooted in futuristic science fiction. It’s a classically scored orchestra, but it sounds anything but old fashioned.”

The dramatic, grandiose music is presented in an articulate, but extreme wall of sound suitable for fans of science fiction, and melodic death metal and bands such as Fleshgod Apocalypse, Machina, and Dimmu Borgir.

“Technotheism” is available now via Abstrakted Records on the following digital platforms for stream and download.

YouTube
Bandcamp
Spotify
Apple Music

Previous videos:
“The Apotheosis” – YouTube (Music Video)

“The Return” – YouTube (Lyric Video)

Track Listing:
1. Relentless (2:05)
2. Deus Est Machina (6:33)
3. The Apotheosis (1:54)
4. Among the Stars (1:36)
5. The Resistance (4:37)
6. Voidwalkers (3:46)
7. The Omnisphere (1:32)
8. Data Shield Attack (6:18)
9. The Return (3:41)
10. Elucidate (1:11)
11. Parallel Projection (3:46)
12. Annihilation (3:46)
13. A World of One (4:00)
Album Length: 44:50

More info:
Facebook.com/thedesignabstract
Instagram.com/voiicide
EPK

About:

The Design Abstract is a two-piece sci-fi-themed symphonic melo-death band from Ontario, Canada consisting of Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming). The band formed with a single goal: to create a blend of industrial-influenced symphonic metal that had never been done before. Since the debut album Emanate in 2017, The Design Abstract has sought to shed the antiquated tendencies of orchestral metal bands, instead pushing far into the future conceptually and lyrically. With each subsequent release (Corrupt in 2019 and Esoteric in 2020), the band pushed further into “melodic death metal” territory, brandishing more comprehensive riffs, technical drum writing, and more guttural vocals, but never lost the industrial-electronic edge or the massive and dramatic orchestral passages. The cumulation of this sound is their latest album Technotheism due out Jan 29, 2021.

A grandiose display of musicality, technicality, and narrative, the sophomore full length is a monumental 13-track work of symphonic melodic death metal that tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. One thing you’ll notice about Technotheism is how it’s structured and how it all flows together. The pattern of the types of tracks, the order, and their function was very carefully planned out in a way that few albums are.

– 30 –

“A symphonic technical death metal masterpiece with an amazing concept to keep you engaged from start to finish \m/” – Heavy New York

“Now for some nerd shit. Technotheism is a concept record about the future that at it’s core is a melodic death metal record, but the band dabbles with electronic elements, technicality, and grand orchestrations throughout. Fans of Last Chance To Reason and really any band Mike Semesky (Ordinance, Raunchy, etc) has been a part of will probably dig this.” – Metal Injection

“The Canadian The Design Abstract continues exactly where the appetizer “Esoteric”, published last year, caused unimagined enthusiasm. As a result, the duo from Ontario cuts even more clearly into the notch of futuristic sci-fi melodic death metal, which lives largely from orchestral and symphonic density, but which also steers very sophisticated and elegant in the right direction… Rarely do you hear such an exciting album that continues to rotate a unique spindle of ideas between melodic and progressive elements. Death metal meets industrial, songs that are staged in a great symphonic and epic breadth. 9.5/10″ ” – Zephyrs Odem

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0 Plague Weaver Aggressively Arrogate Attention With “Deicidal Usurper”, Song Premiere via NoCleanSinging, New Album “Ascendant Blasphemy” Out Feb 26th, 2021

February 4, 2021
by Asher
· Music News · PlagueWeaver

NEWS RELEASE

Montreal, QC – February 4, 2021

For fans of Rotting Christ, Varathron, old Samael, Triptykon, Dissection

Plague Weaver Aggressively Arrogate Attention With “Deicidal Usurper”

Song Premiere via NoCleanSinging

New Album “Ascendant Blasphemy” Out Feb 26th, 2021

The second single from the Canadian band Plague Weaver is “Deicidal Usurper” off their upcoming full length “Ascendant Blasphemy” expected in February 2021.

“Ascendant Blasphemy” is the third recording in the band’s catalog, following EPs from 2019 and 2020. This upcoming release contains eight powerful tracks providing a consistent source of non-stop headbanging, classic grim tracks, and other diverse, ambitious tracks. This album aims to invigorate and distress the listener. Plague Weaver explains the single in their own words:

“Deicidal Usurper grabs the listener right out of the gate, reminding them of the earlier tracks. This song has another ambient bridge section, which hangs on just long enough to thrust the listener back into the main riff for the next verse-chorus. The solo in this song is tasteful and proud, with ambient screams feeding the atmosphere behind it. The outro is a bit of a victory-verse feel, winding down into a harpsichord section which introduces the final track.”

The overarching theme of the album is about infernal forces usurping heaven. There are canonical references from many different sources, but all of it swirls together into something that Plague Weaver makes their own. It is important to state that they write all of this from a non-theistic, philosophical/illustrative perspective.

Plague Weaver was created in December 2018. The original idea was to create music in the vein of old school black metal. Recommended for fans of Rotting Christ, (old) Samael, and Varathron.

“Deicidal Usurper” can be heard via its premiere on NoCleanSinging HERE.

The entirety of “Ascendant Blasphemy” will be revealed on February 26, 2021.

Album pre-order via PlagueWeaver.bandcamp.com.

First single – “Nothing Is Sacred” – YouTube (lyric video)
Spotify

Track Listing:
1. Nothing Is Sacred (5;24)
2. Lay Fire (4:34)
3. Blood Runs Not (4:17)
4. Seek To Betray (4:34)
5. Upheaval and Arson (5:29)
6. Of Quivering Doves (4:34)
7. Deicidal Usurper (4:37)
8. In Exitium Caeli (4:41)
Album Length: 38:12

More Info:
Facebook.com/plagueweaver
Instagram.com/plagueweaverband
Twitter.com/plagueweaver
EPK

About:

Plague Weaver is a black/doom metal band hailing from Ontario, Canada. The band was birthed in 2018 as a solo project by RM whom released two EPs, 2019’s self-titled debut and 2020’s ‘Through the Sulphur Eyes’. Both releases displayed traditional black metal roots delivered through a modern, doom-inspired atmosphere.

Joined in 2020 with the addition of new vocalist JC taking care of lyrics and vocal arrangments, Plague Weaver started its next chapter as a duo and quickly began work on creating punishing, grim, riff-driven black metal for the next assault entitled ‘Ascendant Blasphemy’. Set for release in 2021, their first full length is an evolution from its predecessors. More aggressive, and riff-driven but without abandoning Plague Weaver’s doom-inspired roots that can be heard on such tracks as ‘In Exitium Caeli’ and ‘..of Quivering Doves’. Overall, there’s a lot of musical variety across the new record, and a consistency to hold everything together, from start to finish. The album’s lyrics are a loose concept written by JC that follows a series of Satanic philosophies or questions considered from a Satanic perspective, illustrated to a loose fictional ideal. This album aims to invigorate and distress the listener.

“Ascendant Blasphemy” is due out February 2021.

– 30 –

“Plague Weaver’s new single, “Nothing Is Sacred”, comes from the band’s upcoming release Ascendant Blasphemy. If there is any better song to help capture the feeling that everyone around the world has had through 2020, this is it. “Nothing Is Sacred” is a slow burn of death-doom, slow, grudging instrumentals entwined with harsh, raw black metal growls.” – Metal Injection

“From the moaning leads to the slow lurching cadence and the deep monstrous roars, the opening of the title song sounds like the beginning of a death/doom track, but although that oppressive feeling of plague and decay persists, the band also pitch into fits of percussive mayhem, fevered riffing, and vocal madness, and they stitch flickering bits of guitar lunacy into the song as well.” – No Clean Singing (2020 Review – Through The Sulfur Eyes)

““Through The Sulfur Eyes” is a solid EP… the overall sound that is achieved is impressive… PLAGUE WEAVER has an interesting doom-like black metal sound that works well with layered deep and high-pitched vocals. I think fans of doom metal and black metal aficionados will appreciate this one.” 8/ 10 – Metal Temple (2020 Review – Through The Sulfur Eyes)

“Through The Sulphur Eyes takes the best from Death, Black and Post Black and uses that metallic cocktail shaker from hell to greatest effect. The outcome is a fiery Extreme Metal piece that made us go for seconds a few times in a row. A true, blazing hot slab of alloy that will please the sturdiest of metalheads.” – Rock Music Raider (2020 Review – Through The Sulfur Eyes)

“breaking through to listeners in 2020 is a seriously steep hill to climb and bands have to either push the envelope, do something that can’t be found elsewhere, or just amaze and electrify with each release to grab attention and stay relevant. Plague Weaver do all that on Through the Sulphur Eyes and it’s up to you to show them how good a job they’ve done. What I’m saying is, go buy it. Now.” – Nine Circles (2020 Review – Through The Sulfur Eyes)

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0 Malice Divine Bring Forth The Jubilant “Triumphant Return” Off Upcoming Debut Album Out Feb 19th, Vocal/Guitar Playthrough Premiere via GearGods

February 3, 2021
by Asher
· Malice Divine · Music News

NEWS RELEASE

Montreal, QC – February 3, 2021

For fans of Dissection, Skeletonwitch, Death, Wintersun, Immortal

Malice Divine Bring Forth The Jubilant “Triumphant Return” Off Upcoming Debut Album

Vocal/Guitar Playthrough Premiere via GearGods

Self-Titled Album Out February 19, 2021

Ric Galvez – Vocals/Guitar/Bass – Photo Credit – Deborah Lawrence

The one-man act of Toronto’s Malice Divine brings to you the third and final single “Triumphant Return” from the upcoming debut self-titled album.

“Triumphant Return” is the least dark song on the self-titled and also the most uplifting song on the album overall. It still retains the aggressiveness that is present throughout the other eight songs on the offering.

Ric Galvez explains the track in his own words:

“The last of the three singles to be released before the full album, Triumphant Return is by far the most uplifting song on the album. As the song title implies, I was aiming to create a very triumphant feeling from the music with this song. The lyrics of the song further amplify the feeling of triumph that is inherent to this song, dealing with the theme of overcoming all obstacles that you face in life and bouncing back stronger than ever.”

The lyrics explored on the self-titled album are actually quite personal and deal with Ric Galvez’s thoughts and feelings regarding his life experiences. They are an outlet for self-expression, while also exploring topics such as spirituality and psychology with an underlying theme of personal empowerment.

The self-titled debut album was recorded at Monolithic Productions in Oshawa, Ontario by Tyler Williams beginning in January 2020. After the recording process had concluded, the album was re-amped and mixed by Tyler Williams and then Mastered by Lasse Lammert of LSD-Studio in Germany. This album is an excellent example of time during the Covid-19 pandemic being put to good use.

Melodic and captivating with a good blend of heavy styles, Malice Divine is recommended for fans of Death, Dissection, and Immortal.

“Triumphant Return” can be heard via its vocal/guitar playthrough premiere on GearGods HERE.

The full album “Malice Divine” drops on February 19, 2021.

Pre-save on digital platforms here.

First single – “In Time” – YouTube (vocal/guitar playthrough)
Second single – “Malicious Divinity” – YouTube (vocal/guitar playthrough)

Track Listing:
1. Somnium Lucidus (2:00)
2. Quantum Manifestation (7:11)
3. Malicious Divinity (5:54)
4. Triumphant Return (5:35)
5. Into Subconscious Depths (8:02)
6. Ancient Visions (6:14)
7. In Time (8:11)
8. Intuitive Realization (3:40)
9. The Transcendence Of Isolation (9:46)
Album Length: 56:37

More Info:
Facebook.com/malicedivineband
Instagram.com/malicedivineofficial
EPK

About:

Toronto, Canada’s Malice Divine is a solo project contrived by Ric Galvez who had always had the dream of entire creative control. He wanted to expand beyond being known as just as a lead guitarist. Ric Galvez has played in local bands previously and was a contestant on Banger TV’s Shredders of Metal Seasons 1 & 2.

Ric Galvez has a major in music from York University and through Malice Divine he shows off his prowess across instruments. His lyrics are inspired by psychology, and spirituality, as well as personal experiences especially those involving the overcoming of obstacles and hardships using the resulting verses as a form of empowerment.

The first offering from Malice Divine, a self-titled full length, comes in 2021 with Dylan Gowan (Vesperia, Iomair) playing session drums. There are plans to flesh out a live lineup for Divine Malice when the time is right.

What people can expect from seeing Malice Divine live is highly aggressive black and death metal inspired music with shreddy and virtuosic guitar solos adding a melodic layer that isn’t common in the genre.

Malice Divine’s self-titled debut album is due out February 19, 2021.

– 30 –

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0 IMMORTAL GUARDIAN Guitarist / Keyboardist Shares Epic Cover Video “Cliffs of Dover” (Eric Johnson)

February 3, 2021
by Asher
· Immortal Guardian (M-Theory Audio) · Music News

NEWS RELEASE

Montreal, QC – February 3, 2021

For fans of Iron Maiden, Helloween, Symphony X, Kamelot, Marty Friedman, Dragonforce

IMMORTAL GUARDIAN Guitarist / Keyboardist Shares Epic Cover Video “Cliffs of Dover” (Eric Johnson)

Progressive/Power Metal Quartet Immortal Guardian’s Concept Album “Psychosomatic” Out February 12, 2021
via M-Theory Audio

IMMORTAL GUARDIAN is (L-R):
Gabriel Guardian (Guitars/Keyboards)
Carlos Zema (Vocals)
Joshua Lopez (Bass)
Justin Piedimonte (Drums)

IMMORTAL GUARDIAN guitarist/keyboardist Gabriel Guardian, well known on the YouTube universe for his incredible multi-instrumental cover videos, is sharing his latest rendition of Eric Johnson‘s Grammy Award winning single “Cliffs of Dover”, which can be viewed HERE.

Gabriel Guardian adds:

“I’ve always been absolutely fascinated by this song. It’s one of a kind in its composition, tone, phrasing, and all around badassery. Eric Johnson, you sir are a genius. Thank you for inspiring me as a young Texan guitarist. I covered this song in my 8th-grade talent show and from then to even now, it never got any easier, but my passion and feeling towards every note felt the same! I love how some songs with no lyrics can pull so much emotion and nostalgia outta me. Happy to have finally had the time and skill to do a proper video for this epic song.”

After winning over new audiences with their acclaimed 2018 debut full-length “Age of Revolution” and touring relentlessly alongside fellow shredders such as Marty Friedman, Powerglove, and Exmortus, IMMORTAL GUARDIAN gathered in Las Vegas last year to begin recording their second album. As the spread of COVID-19 and the subsequent pandemic began to ensue, each member of the band retreated to their respective hometowns. With shutdowns around the world being enforced, the band completely scrapped the record that they had been working on and were heavily inspired to write and create a new thematic record about their emotions surrounding current events.

“Psychosomatic” is a product of the extraordinary events of 2020. The result is a truly multi-national record, with guitarist/keyboardist Gabriel Guardian remaining in Las Vegas, vocalist Carlos Zema recording his vocals from his home in Brazil, new drummer Justin Piedimonte joining the band from his hometown in Montreal, Canada, and new bassist Joshua Lopez remaining in IMMORTAL GUARDIAN‘s native Texas.

The group, founded by Gabriel Guardian, whose uncanny ability to play guitar and keyboard simultaneously has been showcased on MTV’s “Amazingness” along with his unique dual-instrument covers of classics by the likes of Iron Maiden, Pantera, and Guns N’ Roses have garnered hundreds of thousands of views on YouTube and have been built upon the band’s following through multiple self-released EPs before signing with M-Theory Audio for the 2018 release of their first full-length record, “Age of Revolution”. The band has also performed live alongside some of the biggest names in metal, including Judas Priest, Dragonforce, Kamelot, Symphony X, Sonata Arctica, Slayer, Metal Church, Soilwork and Steve Vai, and in countries such as Brazil and Russia, and during high-profile performances at ESPN’s X Games, South By Southwest and the Fun Fun Fun Fest.

“Psychosomatic” is the next step in IMMORTAL GUARDIAN’s evolution while still capturing the band’s exhilarating trademark melding of melodic power metal with progressive/shred tendencies.

Digital pre-save, CD and limited-edition purple vinyl pre-orders for “Psychosomatic”, which will be released by M-Theory Audio on February 12, 2021 are available now at http://smarturl.com/immortalguardian.

First Single – “Read Between The Lines” – YouTube (Lyric Video)
Second Single – “Lockdown” – YouTube (Music Video)
Third Single – “Clocks” – YouTube (Music Video)

Track Listing:
1. Psychosomatic (5:33)
2. Read Between The Lines (6:01)
3. Lockdown (4:12)
4. Phobia (6:13)
5. Clocks (5:12)
6. Self-Isolation (0:39)
7. Goodbye To Farewells (5:50)
8. Candlelight (5:24)
9. Find A Reason (7:00)
10. New Day Rising (5:56)
Album Length: 52:06

Album cover art by Nathalia Suellen (Secret Sphere, Almah, Dark Moor).

For more info:
M-theoryaudio.com
ImmortalGuardian.net
Facebook.com/igmetal
Instagram.com/immortal_guardian
Twitter.com/igmetal
EPK

– 30 –

“With this album (Psychosomatic) Immortal Guardian should no longer be seen as a promising band. Not only have they shown that they have an enormous compositional quality and an elite technical level, they have also shown that they are a band that faces difficulties and that they have all the will to continue. Making a high-quality second album two years after their dazzling debut tells us about the enormous inner power these musicians have.” – Metal Rules

“Psychosomatic is the impressive new full-length album from North American power metal act Immortal Guardian. Every song is listenable on its own, and over the course of the entire album there’s a good track-to-track ebb and flow. I strongly recommend ‘Psychosomatic’ and would like to rate it highly overall… super talented musicians who have put out a fantastic second album in Psychosomatic – the music here is consistently first rate and that will never change.” – The Great Metal Debate

“Holy fucking shit, man. Talk about epic… Immortal Guardian make some seriously epic symphonic power metal that throws in elements from all over the metal spectrum. We have power metal highs and death metal screams on top of keyboards and even some djenty staccato riffs here and there. It’s a different take on epic metal and it’s definitely something that will interest you… I’m not sure I’ve heard anything quite this varied before but I’ve gotta say I dig it.” – Metal Sucks

““…vocalist Carlos Zema (ex-Outworld) has an amazing range and more passion for delivering heavy words than 98% of active power vocalists out there.” – Your Last Rites

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Jon Asher – Music Publicist
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0 Manuel Barbará Presents His Progressive Metal Album “Moonrise”, Guitar/Bass Playthrough Premiere For Title Track via TheProgSpace

February 2, 2021
by Asher
· Manuel Barbara · Music News

NEWS RELEASE

Montreal, QC – February 2, 2021

For fans of Dream Theater, Keith Merrow, Periphery, Tesseract, Jeff Loomis

Manuel Barbará Presents His Progressive Metal Album “Moonrise”

“Moonrise” Guitar/Bass Playthrough Premiere via TheProgSpace

Album Out March 19th, 2021

New Jersey’s Manuel Barbará is releasing his debut album “Moonrise” this coming March. The first single for this full length is the title track.

Featuring seven instrumental tracks of classically inspired progressive metal, Manuel Barbará puts a conscious effort into making each song into a cohesive, well-composed whole rather than a collection of flashy guitar tricks.

This recording features songwriter Manuel Barbará on guitars and programming, Nick Thorpe on bass along with Joey Ferretti on drums. The album is designed to take the listener on a journey through a series of loosely interconnected sound worlds that Barbará has created. He explains the single “Moonrise”:

“It was actually the first complete piece I ever wrote that I was really happy with. It has gone through many revisions since then, but it is still special to me as that first one. I wanted to make something big and epic and heavy with just enough of a weird edge to keep people interested. Funnily enough, the chorus riff, which seems to be everyone’s favorite part, was supposed to be a throw-away idea that I was going to replace later, but it stuck around.”

According to Barbará, this album is the first step towards his longtime goal to take his training as a classical composer and apply it to this style of modern metal that he loves so much in a way that goes beyond the standard Yngwie “neo-classical metal” thing.

A treat for anyone who enjoys imaginative progressive metal, “Moonrise” is highly recommended for fans of Dream Theater, Keith Merrow, and Periphery.

The single “Moonrise” can be heard via its premiere on TheProgSpace HERE.

Spotify pre-save here.
Apple Music pre-save here.

The full album is out on March 19, 2021.

Album pre-order is available on 8stringalchemy.bandcamp.com.

Track Listing

Moonrise (5:08)
The God Complex (6:08)
Children of Prometheus (4:54)
Mirrors I – Image (5:10)
Mirrors II – Silver (3:48)
Mirrors III – Reflection (4:20)
The Nightmare Weaver (6:15)

Album Length: 35:45

More Info:
Facebook.com/8stringalchemy
Instagram.com/8stringalchemy
YouTube
EPK

– 30 –

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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