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Category: Music News

0 Rockshots Records Launch DVD Pre-Order Victoria K “Live Isolation Concert” Out January 2021

  • December 10, 2020
  • by Asher
  • · Music News · Victoria K

NEWS RELEASE

Montreal, QC – December 10, 2020

For fans of Nightwish, Kamelot, Eluveitie, Lacuna Coil, Within Temptation

Rockshots Records Launch DVD Pre-Order Victoria K “Live Isolation Concert” Out January 2021


Australia’s Victoria K will be releasing their first official DVD “Live Isolation Concert” on January 29, 2021 via Rockshots Records. The top-notch live DVD experience was recorded during the pandemic crisis and includes all the songs from the highly acclaimed debut album “Essentia” unleashed during April 2020.

The DVD is available for pre-order here: https://bit.ly/VictoriaK_DVD

The live show will be also released as a digital album on the major online stores.

Track Listing:
1. The Haunting
2. Mist Filled Sky
3. Forsaken
4. Humanity
5. Surreal
6. Freaks
7. Shroud of Solitude
8. Lacuna
9. Freedom Uncharted
10. Matrix

Australia’s Victoria K released her debut album “Essentia” on April 24, 2020 via Rockshots Records. The full length was produced by Lee Bradshaw and features special guest Michalina Malisz (Eluveitie).

Album order: here.
Spotify and iTunes here.

Music Videos:
‘Matrix’ here.
‘The Haunting’ here.
‘Forsaken’ here.
‘Lacuna’ here.

The Melbourne singer/songwriter has made her mark on the rock and metal scene with the release of her debut single ‘Monster’ in 2016, featuring guitar work by Brett Garsed (John Farnham Band) along with her 2019 follow up track ‘Lacuna’ distributed in Australia and New Zealand by Warner Music Group (Australia) and is the lead single off the upcoming album.

The single garnered a lot of media praise and created an opportunity for Victoria K to support Swiss folk metal giants Eluveitie for their May 2019 tour date in Melbourne, a performance that had the crowd chanting for an encore.

Although the album was originally a solo project, it has now developed into the current band structure with each member bringing their own energy and experience to the collective.  The band is looking forward to collaborating on future releases.

Victoria K adds:

“I really hope that when our fans and new listeners hear the album they can all find something that they connect with on a deeper level.  Whether that connection is found from within the music itself or from specific lyrics, I really hope they find something familiar, which can connect them to some experience they have had, invoking memories and feelings, eliciting an emotional response.”

Victoria K‘s talented songwriting and compositional influences include Evanescence, Within Temptation, Nightwish and Kamelot amongst other current bands in the European metal scene and her music have been likened to be a blend of these influences. Victoria K has racked up hundreds of thousands of views on YouTube with her own original creations and through featured videos alongside a number of talented musicians covering a plethora of songs. Victoria K‘s covers include Iron Maiden’s “The Trooper”, Nightwish’s “Last Ride of the Day”, Metallica’s “Nothing Else Matters” and Kamelot’s “Insomnia”, the latter of which received attention from the band themselves on Twitter and led to a meeting of talents when the American power metal band found themselves in Melbourne during their 2018 ‘The Shadow Theory’ Australian tour.

Band Line-Up:
Victoria K – Vocals
Sheri Vengeance – Extreme Vocals (Black Like Vengeance, ex. Ne Obliviscaris)
Julia Mammone – Guitar (Enlight)
Martin Kawaler – Bass (Black Like Vengeance, ex Ten Thousand)
James Davies – Drums

For more info:
Rockshots.eu 
Victoriakmusicofficial.com

– 30 –

“Lovers of symphonic metal listen up… because Victoria K is about to put Australia on the map.” – Heavy Magazine

“Victoria K’s vocals are absolutely brilliant, they’re ethereal and infectious” – Buzz Music

“The sense of yearning and resolution in Lacuna is woven with sophistication and skill.” – Hysteria Magazine

“She very quickly won over the crowd and with her voice and great tracks like ‘Lacuna’ and ‘Matrix’ it is very easy to see that she will soon be matching it alongside bands like Evanescence and Nightwish.” – Heavy Magazine

“’Lacuna’ is an atmospheric track in which Victoria showcases her fantastic voice by switching between delicate verses and powerful choruses with total ease.” – Maniacs

 “’Lacuna’ has so much Metal and so much Gothic in it that you’d want to hear it repeatedly if you’re a Metal fan. The music is sharp and powerful, and the song easily flows into your senses.” – FemMetal

 “The latest exciting new talent to emerge from the Melbourne metal scene…” – Sentinel Daily

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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0 MetalInsider Track Premiere: Sennight Offer Up A Taste Of Their Upcoming 2021 Album With Melancholic “Arise”

  • December 9, 2020
  • by Asher
  • · Music News · Sennight

NEWS RELEASE

Montreal, QC – December 9, 2020

For fans of Katatonia, Opeth, Kamelot

Sennight Offer Up A Taste Of Their Upcoming 2021 Album With Melancholic “Arise”

Track Premiere via MetalInsider

Featuring Album Guests Brian Kingsland (Nile, Imperishable),
Ron Dalton Jr. (Your Chance to Die, Final Curse), Alex Parra (Paladin, Sadistic Ritual)


L-R – Sennight – Adam Mast – Bass, Vocal | Trevor Norris – Guitar

Atlanta’s Sennight is dropping a new single “Arise” off their upcoming 2021 album “New Takes The Old”.

Sennight drives forth with their heavy, melancholic brand of melodic metal that can quickly be felt by the listener who is washed over with pronounced energy. It commands attention and is not a sound that is easily forgotten. Compared to their first demos, which were more of an alternative metal sound, their music has gotten faster and more energetic since then.

Lyrical content from Sennight is largely inspired by various European mythologies and epic stories: people striving and persevering against terrible odds and having otherworldly experiences. The single “Arise” is heavy rock infused with extreme metal rhythms along with a guest solo by Ron Dalton Jr. (Your Chance to Die, Final Curse, the band explains the track in their own words:

“Arise takes influence from a few different heavy music genres including heavy and extreme metal. Lyrically the song talks about breaking free of any inhibitions and fears in order to have a full life experience. ‘Arise, untied, the iron pulled apart.’”

Hopeful and confident, the forthcoming album “New Takes The Old” will be comprised of ten songs with a variety of colors, sometimes energetic and penetrating, other times somber and plodding. The album was recorded over several sessions at Jam Room Studio in Columbia, SC, and a few parts were done remotely at guitarist Trevor Norris’ home studio. Brian Kingsland (Nile, Imperishable) and Alex Parra (Paladin, Sadistic Ritual) also recorded their guest solos remotely.

Ever ambitious, Sennight has more plans for releases after this upcoming 2021 album drop.

Recommended for fans of Katatonia, Opeth, and Kamelot, “Arise” can be heard via its premiere on MetalInsider HERE.

Sennight‘s previous single “Tearing Free”, can also be heard on Bandcamp, Spotify. Apple Music.


Track Listing:
1. Perfect Symmetry
2. New Takes The Old – ft. guest solo Brian Kingsland (Nile, Imperishable)
3. Tearing Free – ft. guest solo Ron Dalton Jr.
4. When Daylight Dies
5. Golden Crown – ft. guest solo Ron Dalton Jr.
6. Who Am I – ft. guest solo Alex Parra (Paladin, Sadistic Ritual)
7. Arise – ft. guest solo Ron Dalton Jr.
8. I Am
9. Misbegotten
10. Go

Album Band Line Up:
Adam Mast – Vocals, Bass, Guitars
Trevor Norris – Solo guitars
David Holquin – Drums

More info:
Facebook.com/sennightofficial
Instagram.com/sennight.official
EPK

About:

Atlanta’s Sennight was founded in 2017 by bassist/vocalist/songwriter Adam Mast. After years of playing bass in the extreme metal scene, his musical tastes and direction changed and he began writing in a more melodic/heavy metal direction. Influenced by melodic metal bands such as Katatonia, Opeth, and Kamelot, he sought to craft a sound with heavy guitars and drums entwined with harmonic vocal melodies.

Sennight’s first EP “Fear of the Unseen” came out in May 2019, recorded at Jam Room Studio in Columbia, SC with engineer Zac Thomas. Joining in on the studio tracks were a couple of ace North Carolina metal musicians: Drummer David Holquin (Violent Life Violent Death) and guitarist Ron Dalton Jr. (Your Chance to Die, Final Curse).

Wasting no time, Sennight reentered the Jam Room Studio in late 2019, again with Thomas at the console, and began recording their first LP “New Takes The Old” with guitarist Trevor Norris officially joining the band in early 2020. Holquin and Dalton Jr. helped again with studio tracking and the sessions along with guest guitar solo appearances from mainstay southeastern metallers Brian Kingsland (Nile, Imperishable) and Alex Parra (Paladin, Sadistic Ritual).

Up to this point, the writing has been done by Mast who fully demos the songs on a DAW and sends them to the other studio players. The guitar solos are fully made by the individual players and the drums are creatively improved by the drummer. When it comes to their live shows, metal fans can anticipate a high energy set with a big guitar sound, in true classic rock band style with no backing tracks. Sennight’s debut album “New Takes the Old” can be expected in 2021.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 PunkNews Video Premiere: THE BLOODY HELL Question The US Political Climate w/ New Single “Nobody Cares About America Anymore”

  • December 9, 2020
  • by Asher
  • · Music News · The Bloody Hell

NEWS RELEASE

Montreal, QC – December 9, 2020

 

For fans of Misfits, Nirvana, Motorhead, Anti-Flag

THE BLOODY HELL Question The US Political Climate w/ New Single “Nobody Cares About America Anymore”

Video Premiere via PunkNews

It’s been two years since Halifax, Canada’s The Bloody Hell released their award-nominated (Loud Recording of the Year” – Nova Scotia Music Awards 2018) self-titled debut album and now they are ready to end the apocalypse known as 2020 with a taste of their new single “Nobody Cares About America Anymore”.

Striking deep into the heart of American culture, the new track is a raw force with melodic intensity. It may seem from its title that it’s an attack on not giving concern for their neighbours to the south, but it is the opposite, a political statement, and more of an apathetic and unapologetic denouncement of the modern American political climate. Described by the band as “fast-paced, aggressive and radically indifferent”, The Bloody Hell carves out their spot in the political punk underground with a clear and forceful message “Nobody Cares About America Anymore”.

In support of the single, The Bloody Hell are unleashing a music video that can be viewed via its premiere on PunkNews HERE.

The band adds:

“Whatever happened to peace and love!”

“Nobody Cares About America Anymore” will be available as of December 10th on Bandcamp, Apple Music, Spotify.

Formed in 2017, The Bloody Hell has gotten dirtier and more polished at the same time, with the band infecting fans with their pop-cultural hooks and concepts, while the guitars keep getting louder and the vocals becoming uglier.

Suitable for a variety of fans, The Bloody Hell cites influences ranging from Misfits, Nirvana and Motorhead, anyone who enjoys a fun and dirty romp with a bull horn of grungy vocals.

For more info:
Facebook.com/thebloodyhellhfx
Instagram.com/thebloodyhellhfx

About:

The Bloody Hell is what would happen If George Thorogood sang for the Misfits but all the songs were written by Tom Petty. Super catchy horror rock songs about drinking and heartache played at punk rock speed.

– 30 –

 

“full of order and chaos and left turns and repetition all at once that it works wonders at getting the listener excited for what they may be in for” – The East Mag

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia

0 GearGods Premiere – Blackened Death Ancient Thrones Guitar Playthrough “Divided/Dissolve” Off Latest Concept Album “The Veil”

  • December 8, 2020
  • by Asher
  • · Ancient Thrones · Music News

NEWS RELEASE

Montreal, QC – December 8, 2020

For fans of Revocation, Skeletonwitch, The Red Chord, The Black Dahlia Murder, Wolves in the Throne Room

Blackened Death Ancient Thrones Guitar Playthrough “Divided/Dissolve” Off Latest Concept Album “The Veil”

Playthrough Premiere via GearGods

New Album “The Veil” Out Now!


L-R: Dylan Wallace (Guitar)| Nick Leslie (Guitar)| Sean Hickey (Drums, Vocals)| Matt LeBlanc (Bass)
Photo Credit – Matt LeBlanc

This past November, Halifax, Canada’s Ancient Thrones unleashed their concept album “The Veil”. The full length is 57-minute descent into the afterlife telling the story of grief that people can relate to through dark and progressive blackened death.

Ancient Thrones explains:

“The record is a concept record so it’s meant to be listened to in its entirety to get the full experience of the story. Even the songs were written and laid out in a way that they seamlessly transition into each other. Almost as if it was just one long piece of music broken up into separate parts as tracks. We want people to headbang and mosh, but we also want to bring people on a journey through this world of purgatory and grief and understand each phase of grief the record represents through the 10 tracks.”

Today, in support of “The Veil”, guitarists Dylan Wallace and Nick Leslieare sharing their playthrough for the track “Divided/Dissolve”, which is a mix of blazing-fast melodic riffs and crushingly heavy breakdowns keeping this nine-minute behemoth fresh the whole way through. The song takes no prisoners and tolerates no sympathy in its entirety, beckoning you to question your own sorrow and resistance to fulfillment.

To view “Divided/Dissolve” guitar playthrough, please visit GearGods for its premiere HERE.

Recommended for fans of Revocation, The Red Chord, and The Black Dahlia Murder, “The Veil” is available on Bandcamp, Spotify, Apple Music, Amazon.

Lyric Video – The Soul To Flesh – YouTube

Guitar Playthrough – The Soul To Flesh – YouTube


Track Listing:
1. Transient (1:58)
2. The Sight of Oblivion (6:00)
3. The Millionth Grave (5:53)
4. The Soul to Flesh (6:14)
5. Viduus (The Veil) (9:29)
6. Sentient (2:11)
7. The River of Rain (4:32)
8. Divided/Dissolve (9:12)
9. The Infinite Eyes (9:10)
10. Permanent (2:54)
Album Length: 57:38

More info:
Facebook.com/Ancientthrones
Instagram.com/ancientthrones
EPK

About:

Ancient Thrones, formerly “Abysseral Throne”, is a locally acclaimed blackened metal outfit that rebranded to suit major changes in line-up and songwriting.

Formed in 2011, they quickly went to work to establish themselves among their scene and gained local notoriety eventually allowing them the opportunities to open for renowned metal acts from across the globe.

Sean Hickey (drums/vocals) is the sole original founder of Abysseral remaining, Matt LeBlanc joined in 2015 on bass and improved and refined the sound and operation drastically. Once they lost their original singer and guitar player Jonny Rains, Dylan Wallace joined and took over main songwriting duties. Hickey took over completely on vocals with a black/death metal vocal style, and Nick Leslie joined shortly after on the second guitar. Work began on writing a new album which took about 3 months to write the music for. The new material sparked the name change to Ancient Thrones as an homage to one of Hickey’s favorite bands and inspirations, Wolves in the Throne Room.

In 2013 the band released its debut record and its subsequent follow-up in 2016, “Storming The Black Gate”, which was nominated for an East Coast Music Award. Ancient Thrones have toured throughout Canada, and played at several festivals, sharing the stages with bands such as Silverstein, The Agonist, Black Crown Initiate, and Skull Fist.

2020 sees the release of the concept album “The Veil” showcasing the band’s desire for storytelling and pushing them to new heights musically. The new album explores the journey of a man faced with tragedy, his mortality and ultimately the permanence of our actions told through technical soundscapes and haunting atmosphere.

– 30 –

“A full-throttle attack, the song (The Sight of Oblivion) delivers bludgeoning rhythms, vicious darting and slashing guitar-work, scorching blackened shrieks, and cold-hearted roars.” – No Clean Singing

“Nearly an hour in length, The Veil earns that run-time with crisply-written compositions and an arsenal of sky-ripping riffs. The acoustic reprieve of “Sentient” and melodic grief of “Permanent” reveal the album’s heavy heart. But the album conjures strength from those pensive moments. Rife with nimble axe-work from Dylan Wallace and Nick Leslie, The Veil never succumbs to the solemnity of its subject. The Veil remains an impactful listen down to its final dying note.” – Decibel Magazine

“Canadian band Ancient Thrones perform a combination of black, death and thrash metal with some progressive tendencies on The Veil. They have similarities to Skeletonwitch, but have an even more dynamic sound.” – Heavy Music Headquarters – Ancient Thrones

“The prize for most ambitious album of 2020 already has the name of Ancient Thrones carved in marble.” – Scream Blast Repeat

“a 57-minute descent into purgatory….” – Permafrost Today

“The Sight of Oblivion and The Millionth Grave are steeped in ferociousness and savagery as only a band well versed in blackened death metal are capable of producing.8.5/10” – Games, Brrraaains & A Head-Banging Life

“an album filled with pummeling riffs, intricate song structures, and technical musicianship… fans of more epic and melodic Black/Death will want to give The Veil a listen. 4/5” – The Metal Crypt

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 ANONYMUS Win GAMIQ 2020 Awards “Metal Album of The Year” For “La Bestia” & Piggy Award (career recognition in honour of Voivod guitarist Denis “Piggy” D’Amour)

  • December 8, 2020
  • by Asher
  • · Anonymus · Music News

NEWS RELEASE

Montreal, QC – December 8, 2020

 

 

For fans of Slayer, Testament, Voivod, Lamb Of God


ANONYMUS Win GAMIQ 2020 Awards “Metal Album of The Year” For “La Bestia”
& Piggy Award (career recognition in honour of Voivod guitarist Denis “Piggy” D’Amour)

L-R: Carlos Araya (Drums), Daniel Souto (Guitar), Oscar Souto (Vocals and Bass), Jef Fortin (Guitar)
Photo Credit: Dani Rod

Canadian thrash legends Anonymus’ 12th studio album “La Bestia” (Bam&Co Heavy) has won two GAMIQ Awards (Gala Alternatif de la Musique Indépendante du Québec) for “Metal Album of The Year” and the first-ever “Piggy Award”, named in honour of late Voivod guitarist Denis “Piggy” D’Amour for career recognition in the Quebec music industry. The full list of winners from the 15th annual GAMIQ awards can be found here along with the viewing of the event online here that was hosted on Sunday, December 6th.

GAMIQ – Metal Album of The Year Nominees:
Anonymus – La Bestia – Winner
Obey The Brave – Balance
Sandveiss – Saboteur
Scare – Not Dead Yet, Probably…
Souphl – Commerages
Warsenal – Feast Your Eyes

Celebrating his birthday on the same night of the awards event, Anonymus drummer Carlos Araya comments on winning the GAMIQs:

“At the start of this adventure for “La Bestia”, which began not long after the release of our 2019 Sacrifices album, the question arose… What do we do afterwards, do we change the pattern? Are we going to push elsewhere and differently? So, Carlos Ponte, our manager proposed to do something different, to make an album totally in Spanish, which will naturally attract the attention of a Canadian band with a wide history along with all of us being tri-lingual (Spanish, French, English)… Starting from there, things were instinctively created in what we do and what we know in metal.

We’re very thankful and honoured to have won Metal Album of the Year, we want to thank those who worked with us on this, our label Bam & Co, including Steve, Dany, Virginie and company, Propagande, Believe, Soundblast Media, Asher Media Relations, Background Noise and Omv Networking who helped put us forward. Benoit Nantel for the live recordings, which served us well, Mat Charest for the video “Bicho Loco” and Anthony Chognard for the recording along with Colin Richardson and Jean-Francois Dagenais of Kataklysm for their co-producing contributions.

I like to add, we are extremely honoured to win GAMIQ’s first “Piggy” for career recognition. “Piggy” aka Denis D’Amour of Voivod was and still is a big influence on our metal culture in Quebec and beyond, so we feel very privileged to receive this award.

What more can I say, but that Anonymus is a feat from over thirty years ago when I received my first drums from my parents and from the band’s founding. That the band is together with only one change after all these years is also an achievement so let’s underline the undeniable contribution of Marco Calliari in the band for the first 17 years. Continuing to make music with the Souto twins who have been my friends since I arrived in Canada at the age of 8 is a fate few can dream of. Our friend Carlos Ponte who has been helping us since day one is also remarkable. Marco’s departure was not easy, but Jef Fortin was able to bring stability and efficiency to the riff and the songs. Wow, how lucky we are to have him as a guitarist, songwriter and producer. Above all, he quickly became a member of our tightly-knit family.

There are lots of highlights from our career. We like to thank a brother-in-arms, Mononc ’Serge with whom we shared the stage on three tours, two albums and two DVDs; what a divine collaboration … Many thanks to Nadine Methot, Kaz Choucri, Pierre Rémillard. All the promoters, presenters, bookers, festivals, technical teams, bands, people from the community that we met; you know who you are, thank you.

And the biggest thank you without a doubt goes to our FANS. Without you, this band would be really anonymous…. Eternal Thanks.”

About “La Bestia”:

Known for their discography of both French and English releases, “La Bestia” is the first full length that the band offered up to metal fans that is completely in Spanish. Many metalheads and critics asked the most relevant question, why an album in Spanish? The answer… since Drummer Carlos Araya is Chilean born, and Oscar (lead vocals and bass) and Dan Souto (guitars and backing vocals) are sons of Spanish immigrants, it was only inevitable to make a record in that language that 3/4 of the band is fluent in.

The tracks on “La Bestia” were produced mainly by guitarist Jef Fortin as well as Colin Richardson who also produced 1999’s ‘Instinct’ and Jean-Francois Dagenais (Kataklysm) who produced 2006’s ‘Chapter Chaos Begins’. The album also features the bilingual song “Violencia Versus Violence” with the participation of Carlos Maldos of Lethal Creation (MX) and Arno Dhenain Le Bourhis of Black Bomb A (FR) along with a second bilingual track “Tierra” with Marco Calliari singing in Italian.

“La Bestia” album stream and download on Spotify, Apple Music, Deezer HERE. Vinyl HERE.

And for the beer lovers out there, Anonymus also launched their own IPA beer (La Microbrasserie Le Fermentor), named in honour of their first Spanish release. Info here.

Track Listing:
1. Bajo Presión (3:31)
2. Bicho Loco (3:58)
3. Sobrevivir (4:11)
4. Violencia Versus Violence (featuring Carlos Maldos of Lethal Creation (MX) and Arno from Black Bomb A) (4:33)
5. La Bestia (5:22)
6. Máquinas (3:32)
7. Cada loco con su tema (5:37)
8. Tierra ( Produced by Colin Richardson and Featuring Marco Calliari) (4:01)
9. Terremoto  (Produced by Jef Dagenais (Kataklysm) (3:08)
Album Length: 37:57
Album and Live Band Line Up:
Oscar Souto -Vocals/ Bass
Daniel Souto – Guitar/ Back Vocals
Jef Fortin -Guitar/ Back Vocals
Carlos Araya -Drums/ Back Vocals
For more info:
Bamand.co
Anonymusmetal.com
Facebook.com/anonymusmetal
Instagram.com/anonymusmetal1
Instagram.com/anonymusmetal_es (Spanish/Espagnol)
EPKAbout:

Anonymus is a Canadian thrash metal band that explodes on stage with each presence, that pulls you in with its passion and that yells at you with corrosive and violent texts that will not leave anyone indifferent.

Since their first release in 1994, Anonymus has made its mark on the Quebec music scene. From the beginning, the group has been well received while demonstrating its brutal sound and technique that has continually evolved over the years. Oscar Souto (vocals, bass) Daniel Souto (guitar, vocals) Carlos Araya (drums), Jef Fortin (guitar since 2006) and Marco Calliari (vocals, guitar from 1994 to 2006) have since widely traveled the roads of their country, participated in the deprivation of Mononc’Serge and continue today to ignite stages everywhere they go. These veterans of the metal scene continue to proudly carry the torch after 20 years of chaos and barbaric music.

Forever hungry for metal, everyone in Anonymus brings ideas to the table. Sometimes it is a whole song or just the beginnings of one, yet together the band works to create a full thrashy anthem from the pieces, working on it until it is complete. The music always comes first, and when the ambiance is formulated, the lyrics, which come from a personal place and from current events, can be added.

Unstoppable and indestructible, inspired by bands like Metallica, Slayer, Megadeth, and Anthrax; Anonymus is nothing short of the powerful, aggressive and technical thrash metal that they have been refining for decades exemplified on their impressive discography of both French and English releases, which includes: “Ni vu, ni connu” (1994); Stress (1996); Instinct (1999); Daemonium (2002); Academie du Massacre (2003); Chapter Chaos Begins (2006); Musique Barbare (2008); État Brute (2011); Envers et contre tous (2015); P.O.M.M.E (2017); Sacrifices (2019); and their first-ever Spanish album La Bestia (2020) due out June 12 via label Bam&co Heavy.

Today, Anonymus does not need a presentation. This institution of the Quebec metal industry has been offering for twenty-six years, a passion for dark notes and unrivaled power. The offer is still valid. With more than 1500 career shows under their belt, Anonymus is completely in their element when performing in front of fans, they offer only their absolute best ensuring the crowd is moving. Having shared the stage with metal great such as Anthrax, Cannibal Corpse, and Kataklysm at festivals such as Heavy Montreal, Montebello, and through international tours, they are no strangers to a wild show.

ANONYMUS FOLLOWS ITS PATH, AGAINST ALL ODDS!

– 30 –

 

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Experience The Stages of Grief w/ Full Album Video For Shores of Null’s “Beyond The Shores (On Death And Dying)”

  • December 8, 2020
  • by Asher
  • · Music News · Shores of Null (Spikerot Records)

NEWS RELEASE

Montreal, QC – December 8, 2020



For fans of Swallow The Sun, My Dying Bride, Paradise Lost, Amorphis, Saturnus

Experience The Stages of Grief w/ Full Album Video For Shores of Null’s “Beyond The Shores (On Death And Dying)”

ft. guests Mikko Kotamäki (Swallow The Sun), Thomas A. G. Jensen (Saturnus), Elisabetta Marchetti (Inno)

“Beyond the Shores (On Death and Dying)” Available via Spikerot Records

L-R – Emiliano Cantiano (Drums) – Gabriele Giaccari (Guitars) – Davide Straccione (Vocals) – Matteo Capozucca (Bass) – Raffaele Colace (Guitars)
Photo Credit – Arianna Savo

Revealing to the world their latest epic “Beyond The Shores (On Death And Dying)” at the end of this November, Italian gothic doomsters Shores of Null are giving fans a visual experience of their 38-minute single-track concept album that takes listeners through the stages of grief. The video explores the band’s dark opus with many special guests, including two doom-titans, Mikko Kotamäki (Swallow The Sun) and Thomas A.G. Jensen (Saturnus) along with the angelic voice of Elisabetta Marchetti (Inno). The band also presents an even more diverse and eclectic sound on the album thanks to the addition of piano and violin.

Shores of Null comments on the video:

“This video goes hand in hand with the theme of the song, exploring the process of grief in its black and white grandeur. In these dark times, with no live shows in sight, we wanted to offer you an intense visual experience to better capture the empathy of the album, teaming up once again with Sanda Movies, who succeeded in the exceptional task of putting the full 38-minute song into images, giving the work as a whole a much deeper meaning”

Experience the stages of grief with the full album video HERE.

Shores Of Null can be overwhelmingly heavy and soothing at the same time, trading off between gothic-doom vibes and blackened aggression. Their music stands out for its melancholic yet majestic vibe, made of choral-like guitar textures exploiting their full range, sustained by a powerful rhythmic section and punctuated by a refined brew of clean and growled vocals, with a large use of vocal harmonies, which have become one of the band’s trademark through the years.

Suggested for fans of Paradise Lost, Amorphis, and Saturnus, “Beyond The Shores (On Death And Dying)” is available at the following link HERE (CD, Vinyl, Digital).

Track Listing:
1. Beyond The Shores (On Death And Dying) [38:24]

Single Credits:
• All songs performed by: Shores Of Null
• All songs written by: Gabriele Giaccari and Raffaele Colace, lyrics and vocal arrangements by Davide Straccione
• Produced by: Shores Of Null and Marco “Cinghio” Mastrobuono
• Mixed by: Marco “Cinghio” Mastrobuono
• Mastered by: Marco “Cinghio” Mastrobuono
• Album Artwork by: Sabrina Caramanico
• Member of SIAE (Italy)

Single and Live Band Line Up:
Davide Straccione – Vocals
Gabriele Giaccari – Guitars
Raffaele Colace – Guitars
Matteo Capozucca – Bass
Emiliano Cantiano – Drums

For more info:
Spikerot.com
Shoresofnull.com
Facebook.com/shoresofnull
Instagram.com/shoresofnull
Twitter.com/shoresofnull
Youtube.com/user/shoresofnull
EPK

About:

Shores Of Null is a Rome-based metal band, an unwavering presence within the metal underground since their musical outset in 2013. They have churned out two impressive records: the melodic and somber  “Quiescence” (Candlelight, 2014) and the darker and more complex “Black Drapes For Tomorrow” (Candlelight/Spinefarm, 2017), both of which were highly praised by the worldwide music press.

Shores of Null stands out from its contemporaries with its ability to blend seemingly disparate elements and their ability to sound overwhelmingly heavy and soothing at the same time. Blackened aggression stands alongside gothic-doom sections without either sounding out of place. Their music can be both melancholic yet majestic, made of chorale-like guitar textures across the instrument’s entire range, sustained by a powerful rhythmic section and punctuated by a refined mixture of clean and growled vocals, along with extensive use of pleasing vocal harmonies which have become the band’s trademark through the years.

Shores Of Null has performed over 150 shows, including six European tours (with In The Woods, Ereb Altor, Hooded Menace, Mourning Beloveth, Novembre, Harakiri For The Sky, Sylvaine, and more), dozens of shows and tours in their home country (with Primordial, Arcturus, Candlemass, Moonsorrow, Leprous, Saturnus, Negura Bunget, etc.) and many European Festivals (Inferno Festival, Eindhoven Metal Meeting, Winter Days Of Metal, Doom Over London, Metalitalia Fest, Frantic Fest, and more).

Shores Of Null’s third work, “Beyond The Shores (On Death And Dying),” is expected to be released in November 2020 via Spikerot Records, continuing to prove the band’s willingness to go off the beaten path and create their ultimate doom manifesto, a 38 minute-long suite emphasizing their heavier, slower and dramatic side, inspired by the five stages of grief formulated by the Swiss-American psychiatrist Elisabeth Kübler-Ross. The band has collaborated on the dark opus with many special guests, including two doom-titans, Mikko Kotamäki (Swallow The Sun) and Thomas A.G. Jensen (Saturnus), along with the angelic voice of Elisabetta Marchetti (Inno). The band is able to present an even more diverse and eclectic sound on the album thanks to the addition of classical instruments like piano and violin, along with the return of the talented Marco “Cinghio” Mastrobuono (Hour Of Penance, Fleshgod Apocalypse) behind the production desk.

– 30 –

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0 Canada’s Synastry Posts Lyric Video For Title Track of Groove-Fueled EP “Civilization’s Coma” Out Now!

  • December 7, 2020
  • by Asher
  • · Music News · Synastry

NEWS RELEASE

Montreal, QC – December 7, 2020

For fans of Veil of Maya, Born of Osiris, Within The Ruins, Fear Factory

Canada’s Synastry Posts Lyric Video For Title Track of Groove-Fueled EP “Civilization’s Coma” Out Now!


L-R – Kay Kessler (Drums), Gary Vee (Bass), Paul Iverson (Guitar), James Aniston (Vocals)
Photo Credit – Chris Alexis

After being silent for nearly a decade, Montreal’s Synastry unleashed their new EP “Civilization’s Coma” this past November. The band made a name for themselves on the Quebec and Ontario tour circuits in the early 2000s along with their releases Pallets Of My New World (2006) (EP) and Blind Eyes Bleed (2008) (LP). In 2012, the band went dormant, where they remained until 2020 remerging from the shadows.

Today the band is sharing their lyric video for their new EP’s title track, which can be viewed HERE.

The band adds:

“The title track of the EP is a dissonant groove fest that gets into you and doesn’t let go. Everything is super heavy yet infectious. Vocals have the longest continuous scream by James Aniston doing a 22 second inhale scream starting at 2:34. The lyrics are about how civilization is on autopilot, consideration, and compassion is out the window for everyone, yet we all share the suffering for it, but choose to do nothing.”

With newfound vigor, “Civilization’s Coma” is filled with heavy groovy modern metal that will be familiar to existing fans of the band while encouraging new listeners to embrace them. This reintroduction will give metalheads a taste of what’s to come while being able to stand on its own merit. This EP is just the start for Synastry who hopes they can bring their energetic live shows back to crowds far and wide post Covid times.

Recommended for anyone who enjoys groove and melodic metal, especially those with an existing fondness for Within The Ruins, and Fear Factory.

“Civilization’s Coma” digital download HERE. Spotify playlist adds HERE.


Track Listing:
1. Civilization’s Coma (3:49)
2. Dead To Me (2:17)
3. Narcomancy (4:41)
EP Length: 10:48

EP Band Line Up:
Paul Iverson – Guitar
Gary Vee – Bass
Kay Kessler – Drums
James Aniston – Vocals

More info:
Instagram.com/synastry_mtl
Twitter.com/SYNASTRYMTL
EPK

About:

It takes courage for a band to integrate such distinct thrash, death, and industrial influences into a catchy yet multilayered approach as do Montreal’s Synastry.

Each metal listener desires something different and thus a band exists for every taste. Inspired to a certain point by melodic, futuristic death thrash, Synastry binds to these influences a threatening mid-paced groove, atmospheric textures, and the unmistakable gruff and mature vocals of James Aniston. Flanked by guitarist Paul Iverson and bassist Gary Vee, and backed up by the thunderous Kay Kessler, Synastry is a crushing wall of well thought out and meticulously written metal. Lyrics come from Aniston’s impression of the world and his experiences in it which are layered with the collaborative music that all band members contribute to.

Started originally in the early 00s, the Montreal band took the underground scene by storm, they climbed the Myspace ranks, toured the regions, and released “Pallets Of My New World” (2006) (EP) and Blind Eyes Bleed (2008) (LP). In 2012, the band went dormant, where they remained until 2020.

The socially conscious band awoke amidst the widespread uncertainty that swept the globe, with a mission to explore humanity, the singularity, and morality. Forged in the hotbed of metal that is Montreal, they are here to raise the temperature once again with the release of their new EP “Civilization’s Coma” on November 27th.

– 30 –

“This new song (Dead To Me) is a short, sharp kick to the head — and it does kick like a furious mule, albeit a massive and mechanized one. The music is fast and ferocious, loaded with pulse-rifle riffs and hammering drums, blaring chords and squirming arpeggios, booming bass and a mix of serrated-edge growls and incendiary screams. The music is heavy-grooved, with a bit of a start-stop quality that hints at industrial influences to go along with the death/thrashing momentum, and also effectively creates an atmosphere of menace and mayhem. It may bring memories of Lamb of God to mind as well as Fear Factory.” – No Clean Singing

“The hammer blow that is “Dead to Me” was the first single, front loaded with schizophrenic riffs and jack hammer footwork Synastry have wasted no time in delivering something that is straight to the point with vicious intent. There is even time for blast beats and some Godflesh inspired industrial noises that frame and enhance segments. Aniston has the power to manipulate his voice to create a number of different voices with the use of pitching and on the ripper that is “Narcomancy“, he sounds like he’s going slowly insane.” – Metal Noise

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Autocatalytica Posts Drum Playthrough For Proggy Jazzy Math Rock Track “Cheggo”, Video Premiere via TechnicalMusicReview

  • December 7, 2020
  • by Asher
  • · Autocatalytica · Music News

NEWS RELEASE

Montreal, QC – December 7, 2020

For fans of Devin Townsend, Meshuggah, Protest The Hero, Dillinger Escape Plan

Autocatalytica Posts Drum Playthrough For Proggy Jazzy Math Rock Track “Cheggo”

Video Premiere via TechnicalMusicReview

New Album “Powerclashing Maximalism” Out Now!


Pictured – Guitarist/Vocalist/Producer – Eric Thorfinnson
Photo Credit: Walker Esner

A sizzling cauldron of scatter-brained prog-metal insanity helmed by guitarist/vocalist Eric Thorfinnson, Toronto’s Autocatalytica unleashed their latest album “Powerclashing Maximalism” this past October. The LP is the band’s third and it explores all corners of Autocatalytica’s sound in a tight 36-minute runtime over eight tracks. A more mature listen, the full length continues the expressive outlet for Thorfinnson’s abstract angst and penchant for everything over the top. Thorfinnson has always drawn inspiration from a vast collage of different artists resulting in a sound that is sure to surprise and intrigue listeners of all persuasions. For fans of Devin Townsend, Meshuggah, and Protest The Hero, Autocatalytica‘s new album “Powerclashing Maximalism” is one for creative loving prog fans.

Today, drummer Neilroy Miranda shares his playthrough for the track “Cheggo”, a jazzy take on Math rock with its fair share of freneticism.

The video can be viewed via its premiere on TechnicalMusicReview HERE.

“Powerclashing Maximalism” is available on Autocatalytica.bandcamp.com, Spotify, Apple Music.

Previous singles:
Lyric Video – Borndun – YouTube
Lyric Video – Zippler – YouTube


Track Listing:
1. Borndun (5:18)
2. Zippler (3:33)
3. Trash Serum (5:19)
4. Cheggo (4:35)
5. Dukka Dukka (6:00)
6. Bananas Have Potassium (4:05)
7. Crawboi (6:08)
8. Graveo (2:32)
Album Length: 37:34

Autocatalytica was formed as a solo project in 2009. From The Dillinger Escape Plan to The Mars Volta, to Bjork, to Devin Townsend, to 20th-century composer Bela Bartok, Autocatalytica‘s sound is sure to surprise and intrigue listeners of all persuasions.

Upon moving to Boston to study at Berklee in 2010, Thorfinnson recruited guitarist Erik Sorensen, Drummer Emmett Ceglia, and bassist Jon Anderson to flesh out Autocatalytica’s line-up. Over the next few years the band played its first shows and in April of 2012 released their debut EP “Horror Vacui”.

The group relocated to Brooklyn in the fall of 2012 and immediately began to rehearse and write a full-length record. In June 2013 the group began recording its eponymous LP, while continually playing shows along the east coast of the US. They released their Debut LP “Autocatalytica” in June 2014, and continued performing shows in and around Brooklyn, all the while furiously composing a follow-up record.

In early 2015, Thorfinnson found out he was going to have to move back to his native Toronto, ON, but despite this, the band decided to finish writing and recording the songs for their follow-up LP. In October 2015, tragedy struck the group when Guitarist Erik Sorensen suddenly passed away from an undiagnosed heart condition. Despite reeling from this massive trauma and coming to terms with Thorfinnson’s impending relocation, the group finished tracking drums to their next LP, and played their final show as a Brooklyn-based incarnation on Nov. 21st, 2015.

Thorfinnson spent most of 2016 toiling away at the tracking and mixing of this next record at home in his native Oakville, Ontario, and on December 9th, 2016 the group released the LP “Vicissitudes”, a 16-track maximalist genre-gauntlet of sporadic insanity.

Over the next few years, Thorfinnson spent most of his time on other projects, as the future of Autocatalytica remained uncertain. In 2018, he decided there was still more music to be had from Autocatalytica, and teamed up with his friend and drummer Neilroy Miranda (of local Jazz-math stalwarts “Dog Drive Mantis”) to rehearse and record a new album. The idea for this record was to be a much more collaborative effort than previous releases that had seen Thorfinnson handing all vocal and most guitar duties. The record “Powerclashing Maximalism” features a smattering of collaborators including Parliament Owls / Telomere’s Devlin Flynn, Northern Heirs’ Scott Carruthers, and Plethora’s Gary Walsh to name a few. While at this time Autocatalytica exists solely as a recording project, but no one knows what the future holds!

For more info:
Facebook.com/Autocatalytica
Instagram.com/autocatband
EPK

– 30 –

“This is an album that’s just on all the time; at its core, it is a progressive metal work, with Protest the Hero as a possible cited influence. But in other places, the album also uses a copious amount of strings, wind instruments, and jazz-inflected time signatures to create a whirlwind of groove, aggression, and, here we go, maximalism. “Cheggo”, which we are proud to premiere here today, has all of that and more. From its nu-prog opening, through the more dreamy middle passages and all the way to its noisy outro, “Cheggo” is everything that’s great about Autocatalytica and Powerclashing Maximalism.” – Heavy Blog Is Heavy

“Powerclashing Maximalism is intricate, varied, and impressive. But above all else, it’s just plain fun. The kind of fun that is contagious. Some people won’t like Powerclashing Maximalism due to the sheer variety of sounds, or due to the somewhat metalcore-y moments scattered throughout. For everyone else, though, Autocatalyctica have delivered a captivating experience that should be given a chance. Their influences inform their sound, but they breathe a new life into all of their steps. 8/10” – Metal Utopia

“I’ve had a hard time tagging this one as well, but I think I’ll stick with the good ol’ catch-all “progressive metal”. Yes, it’s got mathcore; yes, it’s got deathgrind; yes, it’s got djent, so what am I to do? Find the common denominator, I guess! So, you’ll be treated with an incredibly high calibre product for all aforementioned genres (and more!) Fans of heavy music and multiple genres, jump right in and support this awesome artist!” – Can This Even Be Called Music?

“‘Powerclashing Maximalism‘ by Autocatalytica is an album that smashes all preconceived notions of rules you thought existed and brings a unique experience to the listener. There’s something for everyone here. Sure, ‘Powerclashing Maximalism‘ is progressive and heavy but it’s so much more. I don’t think there is anything similar at the moment. Each song has its own distinctive sound which is different from the rest.” – The Music Below

“Overall, this is Progressive Death Metal turned up to 11. The tight instrumentation is un-matched. 8/10” – Metal Temple

“Eric (Thorfinnson) does most of the mixing/production on every release, and with this one he has managed to give us a multitude of rock and metal styles, in eight tracks lasting a total of 37 minutes. 4/5” – The Prog Space

“if you combine the modern, masterful and unpredictable prog of Tesseract with the adventurousness and epic nature of Opeth (and make them both more intense), you get Autocatalytica. In my opinion this is a rarely flawless album and is very strongly recommended listening for all metal heads. I really can’t think of a single thing I’d change.” – The Independent Voice

“If you like complex metal with progressive hints, growl and no boundaries. Check this out.” – Melodic.net

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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0 RED CAIN Launch Pre-Order For New Album “Kindred: Act II” Out January 22, 2021

  • December 4, 2020
  • by Asher
  • · Music News · Red Cain

NEWS RELEASE

Montreal, QC – December 4, 2020

For fans of Kamelot, Symphony X, Amaranthe, Powerwolf

RED CAIN Launch Pre-Order For New Album “Kindred: Act II” Out January 22, 2021


L-R – Tyler Corbett – Guitar, Evgeniy Zayarny – Vocals, Taylor Gibson – Drums – Photo Credit Ravenkin Photography

Calgary, Canada’s progressive prog Red Cain have launched the pre-order for their new album “Kindred: Act II” set for digital release on January 22, 2021. The CD physical release will be done by Sliptrick Records at a later date in the new year. The upcoming full length continues and ends the band’s storytelling of their Kindred saga.

Vocalist Evgeniy Zayarny adds:

“Here we go, friends – the pre-order for our next LP “Kindred: Act II” is LIVE! Thank you for your belief in our work. Ride on with us on the second half of the “Kindred” saga – this mad march toward the Sun. Experimental, aggressive, and recognizably Red Cain in its style, “Kindred: ACT II” picks up and expands on the events from our previous album, centralizing the story around the Aztec warrior Zalcoatl, ritually chosen to save his people, and trapped inside an alien pyramid to battle a hungry, unearthly Lovecraftian entity that plans to use him to be released into the world beyond its archaic prison.”

Along with the pre-order of “Kindred: Act II”, Red Cain is giving fans seven custom pieces of digital art designed by the band along with an immediate download of their goth-rock headbanger “Demons”.

Album pre-order available at the following link: https://redcain.bandcamp.com/album/kindred-act-ii

“Kindred: Act II” follows Red Cain‘s 2019 album “Kindred: Act I” also unleashed via Sliptrick Records. Over the past few months of this year, they have shared four singles off the forthcoming record “Sunshine (Blood Sun Empire)”, “Demons”, “Kindred” and “Varyag and The Shrike”, which can be heard below. Recommended for fans of Kamelot, Mastodon, and Amaranthe.

Spotify
“Sunshine (Blood Sun Empire)” YouTube.
“Demons” YouTube
“Kindred” YouTube
“Varyag and The Shrike” YouTube


Track Listing:
1. Kindred (5:06)
2. Demons (4:40)
3. Precipice of Man (5:18)
4. Baltic Fleet (4:53)
5. Varyag and The Shrike (5:54)
6. Sons of Veles (5:01)
7. Sunshine (Blood Sun Empire) (5:49)
Album Length: 36:45

Described as a vehicle of “Melancholy and Rage” and born out of the emerging music scene of Alberta, Canada, 2017 YYC Awards Metal Recording of the Year winner Red Cain is a power/progressive metal project with Russian roots. With intricate songwriting, a heavy yet melodic feel reminiscent of progressive acts, and elements of Slavic myth and Russian paganism in the storytelling tradition of the cult of Veles, Red Cain champion a fluid, dynamic, and unique musical style centered around telling dark, conceptual Faustian sagas and constructing those into an unforgettable live experience.

Stated by frontman Evgeniy Zayarny as wanting to bring back the “Devil’s music” mysticism all too often missing in modern metal acts, Red Cain delivers flair, groove, and an intricate, lethal edge in their music. Listeners might well pick out elements reminiscent of such luminary acts as Kamelot, Symphony X, Tesseract, Amaranthe, Alter Bridge – whipped into a venomous new shape. The current incarnation of the band is all of these influences mixed with a lot of vodka and Eastern European melancholy, shaken and stirred.

Red Cain released its debut self-titled EP in November 2016 to rave reviews from a variety of publications such as Dead Rhetoric, MetalUnderground, and Firewind magazine, among many others. Red Cain’s EP had the honour of winning Metal Recording of the Year at the 2017 YYC Music Awards. The band has a strong emerging fanbase around the world, being named one of the top 200 bands of 2016 by Headbangers Latinoamerica and the EP’s cover art selected as one of 2016’s 15 best by Metal Underground.

Red Cain’s first full-length album “Kindred: Act I” was released in March 2019 to a variety of excellent reviews internationally, reaching #1 on Canadian College Radio Earshot Loud charts and establishing the band as a force in the Canadian metal scene, and landing the band a distribution deal with European label Sliptrick Records. A variety of festival appearances at Loud As Hell Metal Festival, Hyperspace Metal Festival, and Canada Wacken Competition have served to cement that status. Red Cain’s music videos for “Juliet” and “Zero” have to date garnered 11 international film festival awards, including the Music Video Award at the Accolade Global Film Competition (LA).

For more info:
Facebook.com/redcainofficial
Twitter.com/RedCainArmy
Instagram.com/RedCainArmy
EPK

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Video: Jeff Loomis Shreds Guest Solo From Canada’s Without Mercy’s New Album “Seismic”

  • December 4, 2020
  • by Asher
  • · Music News · Without Mercy

NEWS RELEASE

Montreal, QC – December 4, 2020



For fans of Cattle Decapitation, Meshuggah, Whitechapel, Pantera, Decapitated

Video: Jeff Loomis Shreds Guest Solo From Canada’s Without Mercy’s New Album “Seismic”

New Album “Seismic” Out Now!
Featuring guests Jeff Loomis (Arch Enemy, ex-Nevermore), Chris Broderick (Act of Defiance, ex-Megadeth, ex-Jag Panzer)

L-R – Ryan Loewen (Bass) DJ Temple (Guitars) Alex Friis (Vocals) Matt Helie (Drums)
Photo Credit: Shimon Karmel

Unleashing their beast of an album “Seismic” on November 20th, Without Mercy assaulted fans with their latest behemoth of nine assaulting grooving death metal tracks that even includes special guests Jeff Loomis (Arch Enemy) on opening track “Thunderbird” and Chris Broderick (Act of Defiance) on “Disinfect The Soul”. Both showcase their undeniable massacring shred talents for each guest solo and today, Without Mercy is sharing the playthrough clip for Loomis’ contribution. It’s all speed, virtuosity, and the Midas touch of an unquestionable guitar god.

Watch the video on Without Mercy‘s YouTube channel HERE.

Without Mercy‘s new album “Seismic” is distributed by Bloodblast Distribution (powered by Nuclear Blast) and follows the band’s 2016 EP “Moucchido”. The vast majority of the material for “Seismic” was written and rewritten multiple times over the past four years. Honed and tightened over tours and live performances, Without Mercy were unwilling to place “filler” to enhance anything. They came at this album with the best of everything they had after their inspirations were doing the same. The band shares their thoughts on the full length:

“We are beyond stoked to have our new album “Seismic” see the light of day. This album represents 4 years of solid work ethic and unwillingness to compromise even in the slightest. We’re trying to give the listeners and fans of the band a chance to hear what tenacity can sound like. Lyrics that are an honest take on issues, riffs that have been refined over time, drum parts and rhythms that are not standard or washed out. Even the mixing team behind it has a resume as long as your arm. We pushed ourselves in every field of this record and now that it’s here, we can relive those moments with all of you.”

For fans of Cattle Decapitation, Pantera, and Decapitated, “Seismic” is available on all digital platforms HERE.

Physical CD available Withoutmercyband.com.

Spotify playlist add HERE.

Music Videos:
Uprooted – YouTube
Disinfect The Soul – YouTube


Track Listing:
1. Thunderbird (ft. Jeff Loomis) (4:53)
2. Abysmal (5:42)
3. Left Alone (4:00)
4. Wiindigo (4:55)
5. Disinfect The Soul  (ft. Chris Broderick) (7:18)
6. The Disaster (3:52)
7. Possessed (4:04)
8. I Break The Chain (4:44)
9. Uprooted (4:58)
Album Length: 44:29

For more info:
Withoutmercyband.com
Facebook.com/withoutmercyband
Instagram.com/withoutmercyband
EPK

– 30 –

“Without Mercy’s New Album Is A Whirlwind of Sonic Punishment” – The Pit

“Overall, two elements really struck me here…one was the level of intensity, and the other the level of musicianship from the band. How they can remain unsigned is a mystery to me. They play with such a tight synergy that it’s almost like they can finish each other’s sentences before they even open their mouth.” – Metal Temple

“While the heavy metal name generator might have had something to do with what this meaty metal unit called themselves, you can’t say it doesn’t fit. Without Mercy are pretty damn *ahem* merciless and to cap that off, their new album is so aptly titled. Seismic…a relentless powerhouse that is akin to tectonic plates smashing into each other. There is no fucking mercy and it’s fucking glorious. Excuse the swearing but that’s how this album makes you feel. It makes you feel like a beast. It makes you feel capable of taking on the world. It’s chunky, it’s thick, it’s chokingly devastating and undoubtedly one to be remembered.” – Games, Brrraaains & A Head-Banging Life

“A merciless Vancouver-based Death and Thrash Metal unity is ready to strike us all once again with their newest opus, representing four years of solid work ethic and unwillingness to compromise even in the slightest.” – The Headbanging Moose

“Without Mercy’s music is made for a wide audience. Seismic will please as much to pure violence lovers, as a crowd that fight following the catchy groove.” – Acta Infernalis

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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