Category: Music News

0 Draemora Unveil Their “Victorious” Music Video For New Album “Death Rectangle”, Video Premiere via TheCirclePit

June 28, 2021
by Asher
· Draemora · Music News

NEWS RELEASE

Montreal, QC – June 28, 2021

For fans of Wage War, Whitechapel, Periphery, Architects, Spiritbox

Draemora Unveil Their “Victorious” Music Video For New Album “Death Rectangle”

Video Premiere via TheCirclePit

New Album “Death Rectangle” Out Now!

Tour Dates (July/August) w/ Hed PE

Seattle progressive metalcore outfit Draemora is unveiling their latest music video for the track “Victorious” from their new album “Death Rectangle” recently unleashed on June 18th.

The video can be viewed via its premiere on TheCirclePit’s YouTube Channel – https://youtu.be/ty9Z919TfT4

“Victorious” was written right after guitarist Terry Paulson got a new 7 string guitar that was tuned to drop G. Instantly inspired by its sound, he completed the whole song in an evening. Showing it to his bandmates, the final version of “Victorious” was done in just a few days. Debating and anxious to release, the band originally thought of sharing the song as a single during the pandemic, but in the end, Draemora decided that it would be best positioned on their new full length.

“We were going to actually separate it from the album and let it be a song on its own, but at the last minute, we decided it was the perfect way to end the album because it has that great classic formula in there with a twist to the parts that really puts our stamp on it in a great way. We want people to enjoy it live, so we made big choruses and really big recognizable parts.” says the band.

Completely DIY with all the recordings done in Terry Paulson’s home studio including the mixing and mastering, Draemora‘s first full-length “Death Rectangle” has a lot more depth than their previous work, 2020’s debut EP “Awakening”. The band claim that has to do with the growing cohesiveness that comes with being together for over a year at this point. They also mention that this time around they were able to slow down and let everything come together, try out parts in the practice space a lot and make changes based on how they sounded performed to shorten the gap between live and studio performance. They continue to explain:

“Lyrically with Death Rectangle we wanted to make songs that anyone could very easily imprint their own life into. These songs all have deep meaning to us, but we stayed away from using any specific references so that the listener could make it whatever their imagination wants it to be. We think that is the best way to make a song. Musically, this collection of songs is mostly dark and heavy sounding. It wasn’t intentional, but when this was written we were all locked up and lost our jobs, and had to watch the world riot and go nuts so we’re not surprised it sounds that way.”

What’s next for Draemora is live gigs with tour dates in July and August with Hed PE and another full length hopefully for next year. Exciting and rhythmic, they are recommended for fans of Periphery, Architects and Spiritbox.

The album “Death Rectangle” is now available at the following links:
CD here.
Digital here.

Tour Dates: Draemora w/ Hed PE
July 23 – Backstage Bar & Billiards – Las Vegas NV
July 24 – Liquid Joe’s – Salt Lake City, UT
July 25 – Mesa Theatre – Grand Junction, CO
July 27 – Herman’s Hideaway – Denver, CO
July 28 – The Royal Grove – Lincoln, NE
July 29 – The Back Bar – Janesville, WI
July 30 – The Forge – Joliet, IL
July 31 – Diesel Concert Lounge – Chesterfield, MI
August 1 – Music Factory – Battle Creek, MI
August 3 – Red Flag (prev. Fubar) – St Louis, MO
August 4 – Club 1175 – Kansasville, WI
August 5 – Hobart Art Theatre – Hobart, IN
August 6 – Rockstar Lounge – Ft. Wayne, IN

Track Listing:
1. The Cleansing (6:06)
2. Slaves Until Death (4:44)
3. Death Rectangle (4:19)
4. Requiem (3:23)
5. What You’ve Become (5:00)
6. Gouge Out My Eyes (3:57)
7. Blood Moon (3:34)
8. Screaming Into the Void (3:56)
9. Metacognitive (4:08)
10. Victorious (3:36)
Album Length: 43:18

For more info:
Draemora.com
Facebook.com/Draemoramusic
Instagram.com/draemoramusic
EPK

– 30 –

“On this new album, DRAEMORA has truly explored an evolution from their previous release.” -Metal Temple

“Washington state groovedjentcore specialists…” – Metal Bulletin

“Fans of contemporary groove sounds should find something to like in this heaviness in the strings and in the growling, in the energy of it all, and there is also singing, which adds a melodic element to the toughness of their style. Here in Washington state, their name is getting some traction. Maybe the simplicity of the heaviness connects with listeners, perhaps is the core music stylings, too. Listen for yourself, and see.” – Metal Bulletin

“Draemora manages to do something that not a lot of first-time prog bands seem to do: create a simple, exciting album that doesn’t showboat or try to be TOO unique. The sound that ‘Death Rectangle’ has adopted is straight from the metal-core textbook, and it works. The unique spin they have added with the heavier death-metal vocals creates a combination of metalcore and death-metal that works in a wild way. An absolute must listen to on the album is track 2’s ‘Slaves Until Death’, just the intro got me a bit rowdy. The heavy beat and the deeper guitar followed by the guttural vocals just mixes well…” – Midlands Metalheads Radio

“Death Rectangle shows a band that certainly knows how to hit the right notes in the musical-technical field.” – Amped Up

“complete with catchy riffs, strong drums, and an easy-to-learn chorus Death Rectangle is sure to be sung at live shows. The band is really finding its sound with this release; their chemistry is evident and will undoubtedly only get better from here.” – Territorio Rock

“Draemora’s new EP Awakening is a 17 minute melodic death metal piece with more twists and turns than your average M. Night Shyamalan movie. This is a band that doesn’t stick to the tradition melo-death sounds, instead looking to incorporate some clean singing, some progressive sections and some experimental sounds… This is an EP that incorporates many different sounds, but doesn’t have any filler… A very unique debut release from Draemora.” – Metal Injection (Review Awakening EP 2020)

“‘Guilt’ features the band’s penchant for mixing their brutal modern metal with glorious rock melodies! Think of a sound that meshes Gojira, Alien Weaponry, Faith No More, and the more recent era of Lamb of God, and you might begin to understand the group!” – Ghost Cult Mag (Review Awakening EP 2020)

“In this playthrough of their song “Guilt” we see Terry from Draemora ripping away with his Fender Telecaster. His tele is loaded with a single EMG 57 and he’s boosting that guy with an Ibanez TS9 going directly into his Mesa. The deadly tone of the 2-channel and a heavy rhythm hand are such a great combo.” – Gear Gods (Review Awakening EP 2020)

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Canadian MetalFest LOUD AS HELL Announces Its Return For 2021 – July 30 – Aug 1

June 28, 2021
by Asher
· Loud As Hell Festival · Music News

NEWS RELEASE

Montreal, QC – June 28, 2021

Canadian MetalFest LOUD AS HELL Announces Its Return For 2021 – July 30 – Aug 1

Western Canada’s Decibel Breaking Metal Fest

July 30 – Aug 1 – Drumheller, AB @ Dinosaur Downs Stampede Grounds

Tickets Go On Sale June 28

Social Media Hashtag #LAH9

Western Canada’s decibel-breaking festival LOUD AS HELL is proud to announce its return to the roaring Dinosaur Downs Stampede Grounds in Drumheller, AB from July 30th to August 1st.

The heavy metal and camping event will feature a celebrated line-up of Western Canada’s top-tier artists over three headbanging days that will be announced in the coming weeks.

Like many music events across Canada, Loud As Hell‘s 2020 production was forced to cancel due to the COVID pandemic. It was scheduled to be their 9th consecutive concert since the first metal jamboree in 2012. Over the years, the festival has hosted hundreds of Canadian and international bands in the prairie badlands. The 2019 edition of Loud As Hell sold out and melted faces off of metalheads who assembled from across the country for its 40 band line-up, which featured Goatwhore, Anciients, Planet Eater, Untimely Demise, Arrival of Autumn.

Loud As Hell event organizers have been closely monitoring guidelines and updates from Alberta’s provincial government. The most recent announcement from officials to fully open up the province on July 1st as part of their Stage 3 planning that states the following:

Stage 3: Two weeks after 70% of Albertans 12+ (born in 2009 or earlier) have received at least one dose. Effective July 1st.

All restrictions lifted, including the ban on indoor social gatherings.
Isolation requirements for confirmed cases of COVID-19 and some protective measures in continuing care settings remain.
The general indoor provincial mask mandate will be lifted, but masking may still be required in limited and specific settings.
More information will be shared prior to the start of Stage 3.

Source: https://www.alberta.ca/enhanced-public-health-measures.aspx

With this declaration, Loud As Hell representative Geoff Bourrie had this to say about moving forward and producing the 2021 edition of the metalhead gathering.

“WE ARE BACK!!! We all have felt the impact that this pandemic has had on the music industry in Canada and around the globe. Loud As Hell is an integral part of the metal scene here in Alberta. Now with the province recently announcing its reopening plan for summer with festivals included, we are officially back for 2021. It just makes sense for us to help be that spark that the music scene needs to kick off the summer.”

Advance weekend passes with camping included will be available for $140 CAD at the following link as of Monday, June 28th: http://www.loudashell.ca/tickets

2020 weekend passes that were purchased will be honoured for Loud As Hell 2021.

Video – Goatwhore @ Loud As Hell 2019: https://youtu.be/-9-5dRnRLcQ
Video – Anciients @ Loud As Hell 2019: https://youtu.be/T7GLAeCgN-8

More info:
LoudAsHell.ca
Facebook.com/LoudAsHellFestival
Twitter: @LoudAsHellFest
Instagram: @LoudAsHellFestival
Social Media Hashtag #LAH9

About:
LOUD AS HELL 2021 will be celebrating its ninth festival event presented by Loud As Hell Productions, Jurassic Ink Custom Tattoo, Prairie Fire Events, and Asher Media Relations. LAH always works their hardest to deliver the best lineup in the West ready to melt your face off. Featuring bands from across Western Canada and beyond, you won’t want to miss any of it. And don’t forget about their freak shows, burlesque dancers, clinics, vendors and dinosaurs!

– 30 –

What the press is saying:
“Western Canada’s loudest heavy metal festival brings fans to town more known for dinos than drum solos.” – CBC Calgary

“Loud as Hell – one of Canada’s top underground metal festivals – was a metal family reunion. If you walked around the grounds, where tents covered the landscape like flowers, you would experience concert goers laughing, hugging and just enjoying the moment. The music played non-stop and the people were some of the best you’ll meet. What else do you need? If you’re a metal head fan, mark it down for next year because this is a concert you don’t want to miss.” – Blackfalds Life

“Headbanger alert: Loud As Hell festival to ramp up the volume” – Calgary Herald

“Nevermind the bug spray and sun tan lotion, as August approaches Drumheller residents should stock up on earplugs.” – Calgary Herald

“Loud As Hell returns to the southern Alberta city for its seventh year and as its name implies, will rock the city to its core.” – Calgary Herald

“Loud as Hell has celebrated eight years in the Badlands to date, with acts from all over the world-shattering the peace and quiet of the hills in a camping and music extravaganza.” – Hanna Herald

“Drumheller with its dinosaur bones is the site of the annual Loud as Hell heavy metal festival Friday through Sunday. Dozens of the heaviest bands known to Man will be taking the stage, many of them Canadian” – Gig City
—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 Newfoundland Black Metal Duo Artach Unleash Music Video “Shimmer” For Release Day Of New Album “Sworn to Avenge”

June 25, 2021
by Asher
· Artach · Music News

NEWS RELEASE

Montreal, QC – June 25, 2021

For fans of Venom, Immortal, Celtic Frost, Darkthrone, Satyricon

Newfoundland Black Metal Duo Artach Unleash Music Video “Shimmer” For Release Day Of New Album “Sworn to Avenge”

Music Video Premiere via ThisIsBlackMetal

Album Stream Premiere via Black Metal Artists

New Album “Sworn to Avenge” Out June 25th via Depressive Illusions Records

Coming from the coldest, windiest, snowiest, and foggiest city in Canada, St. John’s, Newfoundland’s Artach is heavily influenced by nature and even takes after the bleak climate they are surrounded by. The result of months of winter provides inspiration for their raw, epic black metal that is in their new album “Sworn to Avenge”, which is now available via Depressive Illusions Records as of June 25th.

As described by Artach, their music is angry, savage, unhinged, but contains melody and some twists and turns to surprise the listener. Varied song tempos mixing blasting with thrashy, punky, doomy elements keep the sounds interesting and not monotone. They go into further detail about releasing their new music video for “Shimmer” for the full length’s release day:

“Lyrically, this one is more descriptive and doesn’t have any hidden meanings. Those shimmering and dancing lights of the Aurora Borealis can be seen even here in Newfoundland, but further north they look magnificent. There’s a spoken part in this one taken from a part of a poem by David Vedder (1790-1854) that was written about the Northern Lights. Musically this one is one of the more black metal sounding songs with lots of blast beats but as always, tempered with melody and hand-banging riffage.”

Watch “Shimmer” via its premiere on This Is Black Metal‘s YouTube channel – https://youtu.be/JyJ2xW2oquM

Along with “Sworn to Avenge” album full stream via Black Metal Artists YouTube Channel – https://youtu.be/0OIPlMtj8hE

“Sworn to Avenge” is the second album from Artach, following up 2020’s “Chronicles of a Black Winter”. Fans can expect more of the same compared to the first, but it pushes the envelope a little bit. Artach embraces evolution and aspire to play tighter, and have a more professional sound, but never sound overly polished.

Artach’s process is a collaborative one between the duo, the genesis of the songs are arranged on guitar by Sruthán and very roughly recorded at home. After getting together, they record drums and flesh out the song in an afternoon and by then the song is pretty much ready for the studio recording of guitars, then bass, and lastly vocals.

Artach is recommended listening for anyone interested in raw black metal and those with an interest in Celtic Frost, Darkthrone, and Satyricon.

“Sworn to Avenge” is available via Depressive Illusions at the following links: DepressiveIllusions.com, Artach.bandcamp.com, Amazon, Spotify.

Previous Lyric Videos:
Into the Frozen Woodlands – https://youtu.be/FtfosCUA7iw
She Gathers Leaves – https://youtu.be/g0nahpQ6O6s

Track Listing:
1. Tuiteam an Duine (7:08)
2. Ice Throne (5:09)
3. Shimmer (6:35)
4. Endless Tundra (21:35)
5. Into the Frozen Woodlands (4:49)
6. She Gathers Leaves (5:25)
7. Mistress of Black Thorns (6:24)
8. Winter’s End (8:14)
Album Length: 1:05:23

Album Band Line Up:
Fíochmhar: Vocals, Drums, Keyboards
Sruthán: Guitar, Bass

For more info:
Facebook.com/ArtachBlackMetal
Instagram.com/ArtachBlackMetal
EPK

About:
Artach is a two-man black metal band (Sruthán: Guitar/Bass, Fíochmhar: Battery/Vokills/Keys)based in St. John’s, Newfoundland, Canada. Being from the foggiest, snowiest, wettest, windiest, and gloomiest capital city in Canada, one should not be surprised that this fuels the creation of Black Metal. Their inspiration comes from the land, nature, the bleak weather of the Canadian North, and influential black metal bands.

Since the duo’s formation in the spring of 2019, Artach has been consistently releasing new music. The band’s debut album “Chronicles of a Black Winter” was released digitally during February 2020 and later unleashed on physical CD by Depressive Illusions Records. The full length contained 9 songs of extreme, harsh, and haunting sounds, which included a cover of Celtic Frost’s ‘Jewel Throne’.

Now in 2021, the band returns with their next offering “Sworn To Avenge”, a full-length scourge of raw and relentless bruting gloom. From the calming blasts and savagery of album opener “Tuiteam an Duine” to the ingrained black metal blast beats, and headbanging riffage on “Shimmer” to the 20-minute exploration for the epic “Endless Tundra” about the doomed Franklin expedition of 1846 to the Immortal-esque riffing and unorthodox exorcism of album closer “Winter’s End”, Artach delivers a 65-minute cold deliverance of their surroundings.

The band adds:

“The music on ‘Sworn To Avenge’ is a frigid mixture of topics about nature and how it meets and interacts with the darkness of humankind. The desolation of the world, the planet, and the repeated failure of society to evolve to a place where we are a part of nature and not brutish subjugators of everything in our path… these are all themes described throughout many songs. The music is angry, savage, unhinged, but contains melody and some twists and turns to surprise the listener. Varied song tempos mixing blasting with thrashy, punky, doomy elements keep the sounds interesting and not monotone. Song structures often vary and we never limit a song to a certain length. We indulge and have them be as long, or as short as we think feels right.”

“Sworn To Avenge” will be available digitally from Artach along with CD and cassette via Depressive Illusions Records on June 2021.

– 30 –

“The album is definitely black metal – but there are some really nice elements in that that makes this author think the musicians are truly having some fun. In particular, ‘Frozen In Time’, exhibits this by delivering several rhythmic textures and a variety of guitar techniques. The vocals are also just well placed in this track in both timing and style.” – Brutalism (Album Review – 2020 Chronicles of a Black Winter)

“Artach have overnight become one of the most interesting bands to come out of the Newfoundland metal scene in some time, not only for the Darkthrone-esque duality of their lineup, but for their genuine appreciation for all things grim and frostbitten and their unique flavour of first wave meets second wave black metal. If you’ve not given Chronicles of a Black Winter a listen yet, give it a spin or two. It’s definitely worth checking out.” – HeavyNFLD (Album Review – 2020 Chronicles of a Black Winter)

“Artach is a mysterious two-piece Black Metal band who have issued their debut CHRONICLES OF A BLACK WINTER. Artach have spawned some fierce raw and primeval Black Metal. I’m hearing lots of classic Hellhammer/Bathory/Venom and maybe even dipping into second wave stuff like Immortal. It is all very black and grim the way this type of stuff should be.” – Metal-Rules (Album Review – 2020 Chronicles of a Black Winter)

“Like the album’s title may suggest, this album’s atmosphere is as cold and bleak as the North winds. The album is very riff focused with modern production, but it isn’t too clean—I actually really enjoyed the production. Vocally, it is very unique and [not] just the same ol endless blackened screams.” – Metal Temple (Album Review – 2020 Chronicles of a Black Winter)

“A solid dose of second wave black metal.” – Astral Noize (Album Review – 2020 Chronicles of a Black Winter)

“This is an album that took a little time to grow on me and after more listens than I care to count, I still hear little twists that I hadn’t heard before. Pretty cool debut from a band that’s doing its own thing in a genre where bands are often content to imitate.” Rating: ⅘ – The Metal Crypt (Album Review – 2020 Chronicles of a Black Winter)

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Out Now! Canadian Prog Metallers MAITREYA’s New Album “Hyper Reels”

June 25, 2021
by Asher
· Maitreya · Music News

NEWS RELEASE

Montreal, QC – June 25, 2021

For fans of The Contortionist, Between the Buried and Me, Protest the Hero, Periphery

Out Now! Canadian Prog Metallers MAITREYA’s New Album “Hyper Reels”

L-R: Matt McCabe (Guitar), Steve McMillan (Drums), Matt Cutrara (Vocals), Lyam Morrison (Bass), Mark Wylie (Guitar)
Photo Credit – Jon Butler

Canadian progressive metalcore outfit Maitreya’s new album “Hyper Reels” is now out as of June 25th. Since January of this year, the band has been sharing singles with music videos to promote the sophomore full length and today they are excited to reveal its full stream and download on Bandcamp, Spotify and Apple Music at the following link: https://distrokid.com/hyperfollow/maitreya1/hyper-reels

Boasting a higher degree of musical complexity, filthy breakdowns and a wider range on the vocals ebbing from melodic cleans into sustained growls set to a whirlwind of complicated riffs. The record is a heavily layered listening experience, a cacophony of styles, merging together to create an intense wall of sound that forces you to pay attention to all the subliminal notes and tempo changes.

The band comments:

“Hyper Reels is an honest expression and discovery of what Maitreya is all about. We lived with these songs for years, honing them on stage and in the studio. This album details our evolution as a band, remaining true to our metalcore roots and highlighting a trajectory not confined to any particular subgenre. In the process of making this album, we put everything under the microscope and as a result, every element is more refined and matured. Our intention with this record was to craft songs with strong conceptual meanings paired with a musical complexity that remains catchy. We are very proud of this album, and are excited to keep writing, recording, and performing music as long as we are able!”

“Hyper Reels” is recommended for fans of The Contortionist, Between the Buried and Me, and Protest the Hero.

Previous Music Videos:
Pilgrim https://youtu.be/DHIXyR9nguc
Summit https://youtu.be/yvacOheiE3Y
Catalyst – https://youtu.be/sLOVpNchls8
Bloom – https://youtu.be/fx3r4NAo3_Q

Track Listing:
1. Catalyst (7:23)
2. Departed (6:04)
3. Radical (5:31)
4. Summit (4:31)
5. Invaders (6:18)
6. Bloom (4:26)
7. Pilgrim (4:44)
8. Flesh Engine (4:31)
9. Hyper Reels (0:57)
10. Iswara (4:27)
Album Length: 48:56

Album and Live Band Line Up:
Matt McCabe – Guitar
Steve McMillan – Drums
Matt Cutrara – Vocals
Lyam Morrison – Bass
Mark Wylie – Guitar

For more info:
Maitreyametal.com
Facebook/MaitreyaMetal
Instagram.com/maitreyametal
MaitreyaMetal.bandcamp.com
EPK

– 30 –

“We’re always on the hunt for interesting new metal bands, and Canada’s Maitreya certainly qualifies. The band’s newest single, “Catalyst”, treads familiar progressive metal territory – think vocals similar to Leprous and instrumentation akin to older BTBAM – but rest assured it sounds fresh.” – New Fury Media

“Heavy metallers Maitreya recognize the value of dreams with their new single and music video for “Bloom,” a rifftastic blast of progressive metal.” – V13

“What’s on the menu here is a wide range of flavours. There’s something to suit the taste of any serious metal fan. This relatively new band has some good ideas and knows how to execute them. Despite the current restrictions, these guys have plenty of time to bring the Maitreya brand to the fore.” – The Prog Space

“Ambitious and aggressive, Canada’s Maitreya break boundaries from the beginning with Departed. Heavy, contemporary metal chords are underscored by droning, chorusing vocals, but blink and you’ll miss them as Maitreya soon change direction to a growling verse pandemonium. Their riffing is adventurous and deadly, cutting through weighty, rolling rhythms and movements.” – Jace Media

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Rockshots Records: Out Now! Endless Chain’s Debut Album “Forthcoming Past” + New Lyric Video

June 25, 2021
by Asher
· Endless Chain · Music News

NEWS RELEASE

Montreal, QC – June 25, 2021

For fans of Katatonia, Helloween, Amorphis, Anthema

Rockshots Records: Out Now! Endless Chain’s Debut Album “Forthcoming Past” + New Lyric Video

Debut Album “Forthcoming Past” Out June 25, 2021
ft. guests Mikko Heikkilä (Kaunis Kuolematon, Dawn Of Solace, Black Aeon Sun),
Ville Hovi (Blackstar Halo), Aki Salonen (Nemecic), Sami Yli-Sirniö (Kreator, Waltari),
Antti Kolehmainen, (Waltari), Samuli Mikkonen (Korpiklaani)

Finnish songwriter Timo Mölsä’s studio project Endless Chain‘s debut album “Forthcoming Past” is out now as of June 25th via Rockshots Records.

For the full-length’s release day, Endless Chain is sharing their latest video for the title track that features guest vocals from Ville Hovi (Blackstar Halo) and Aki Salonen (Nemecic) along with the opening speech by John Egerton. Drums by Korpiklaani’s Samuli Mikkonen with album producer Aleksanteri Kuosa on guitar, bass and keyboards.

Lyric Video – https://youtu.be/-6hNd3KVFl4

Mölsä comments on the album’s release:

“My project, which lasted about a year, is now coming to an end. The last good couple of years have been full of music and I have to say that ‘what a journey this has been’. February 2020 – after the pre-production – the recording was started and finalized (after many phases) in November 2020. The recording and mixing by Aleksanteri Kuosa and mastering by Juho Räihä. Thanks guys and BIG thank you to everyone who made this album possible.

What else can I say? I have invested a lot of time and practically all the usable energy to this album and to the whole project. But, it has been worth it – and I believe you can hear it! While the album is musically varied, it remains focused and tight. And it’s still very clearly a metal album. I can now proudly present the results. A big “Thank you!” goes to Rockshots Records for believing and releasing my music. Let the music speak for itself!”

“Forthcoming Past” features guests Mikko Heikkilä (Kaunis Kuolematon, Dawn Of Solace, Black Aeon Sun), Ville Hovi (Blackstar Halo), Aki Salonen (Nemecic), Sami Yli-Sirniö (Kreator, Waltari), Antti Kolehmainen, (Waltari), and Samuli Mikkonen (Korpiklaani). The full length was recorded, mixed, and produced by Aleksanteri Kuosa (Before the Dawn, Wolfheart, Waltari) along with mastering done by Juho Räihä (guitarist of Swallow the Sun).

A late bloomer to being a musician, Endless Chain‘s Timo Mölsä had his musical awakening in 2016, however, he has been listening and influenced by various genres of metal music for over 30 years. It took re-introducing himself to guitar with long-time friend Ari Hokkanen as a fun pastime that drove Mölsä to create his own songs. What would soon follow is a new project with contributions from Hokkanen for writing and lyrics.

Soon after, Mölsä shared his demos with drummer Samuli Mikkonen (Korpiklaani), who, after listening, joined the project and performed all the drums on the debut record.

Step by step things fell into place, through Mikkonen, Mölsä became acquainted with producer Aleksanteri Kuosa who had a big impact on the completion of the debut album.

“Aleksanteri is an imaginative producer and he was also very patient with a perfectionist like me. He knew how to weed out extra notes from my compositions and finally got the most out of my songs. There were maybe a total of 20 songs in the beginning, of which we went through less than 15 in the preliminary production. Finally, 10 songs had been selected for the album. Through Aleksanteri, I also got many other great musicians involved in the project.”

The end result is Mölsä‘s dark and melancholic sound premiered through Endless Chain‘s first offering “Forthcoming Past”.

Album order – http://bit.ly/ForthcomingPastCD

Lyric Video – Nothing More – https://youtu.be/3ZeUhMPttYM
Lyric Video – All of The Above – https://youtu.be/b9nbm_euL9U
Lyric Video – Scars On Me – https://youtu.be/99b6S-kU02Q

Track Listing:
1. Forthcoming Past (6:41)
2. They’re The Ones To Fall (4:31)
3. Hold Out Hope (5:30)
4. All of The Above (3:45)
5. A Letter (4:31)
6. Nothing More (3:53)
7. Feel (3:38)
8. The Wild One (3:53)
9. Scars On Me (3:18)
10. The Memories (4:33)
Album Length: 44:19

Album Credits:
Endless Chain:
Timo Mölsä, Guitar
Special guests on the album:
Mikko Heikkilä, Vocals on no. 2, 3, 5, 7 ,10
Ville Hovi, Vocals on no. 1, 4, 6, 8 and 9
Aki Salonen, Rough Vocals on no. 1, 4 and 6
Salla Sundberg, Vocals on no. 7
Aleksanteri Kuosa, Guitar, Bass, Keyboards
Samuli Mikkonen, Drums
Sami Yli-Sirniö, Guitar Solo on ”Hold Out Hope” and “Scars on me”
Antti Kolehmainen, cello on ”Hold Out Hope” and “The Wild One”
John Egerton, opening speech on “Forthcoming Past”

For more info:
Roc kshots.eu
Facebook.com/endlesschainband
Instagram.com/endlesschainband

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Jon Asher – Music Publicist
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0 CDN Records: Canada’s Hexenklad (ft. members of SIG:AR:TYR, Eclipse Eternal, Pagan Ritual) Celebrate The Solstice With “Heathenheart” Music Video

June 25, 2021
by Asher
· Hexenklad - Heathenheart (CDN Records) (2021) · Music News

NEWS RELEASE

Montreal, QC – June 25, 2021

For fans of Moonsorrow, Amon Amarth, Ensiferum, Insomnium, Windir

CDN Records: Canada’s Hexenklad (ft. members of SIG:AR:TYR, Eclipse Eternal, Pagan Ritual) Celebrate The Solstice With “Heathenheart” Music Video

Video Premiere via Bravewords

New Album “Heathenheart” Out July 23rd via CDN Records

L-R: Michael Grund – Guitar, Andrew Chalmers – Drums, Timothy Voldemars Johnston – Vocals, Matt Collacott – Bass, John Chalmers – Guitar
Photo by Vikki Kay Photography

As true heathens, folk/black metal act Hexenklad(ft. members of SIG:AR:TYR, Eclipse Eternal, Pagan Ritual) summon interconnected energies in their new music video for the first single and title track off their upcoming album “Heathenheart”, which can be viewed via its premiere on Bravewords HERE.

Releasing around the summer solstice, the time of year that draws people together to celebrate the longest day of the year, the band brings a message that you are not alone, which is also fitting with the global crisis of the past year. The band explains the track further:

“’Heathenheart’ is a folk metal anthem. As soon as it started to come together, we knew this had to be the single we released first. It is just so memorable and so poignant and relevant to the times we are all going through. It is a song about being alone, yet all connected. All lone wolves yet all part of a larger pack. About protecting and raising each other up. The song feels like its message. It is uplifting, powerful, memorable, anthemic.”

According to the band, they didn’t go into the writing process for this album with any intention to create a specific sonic experience. It is more an amalgamation of all the varied influences of its members and they didn’t want to constrain where the music took them. Each song on the album has a different meaning, a different feel, a different purpose. Each song should elicit a different response from the listener and make them think. The common thread that binds all these songs together is that they are all intense musically, even the slower songs, and feature heathen lyrics, most of which are very uplifting in meaning, even the darkest of them.

As a whole “Heathenheart” is an intense black metal-influenced folk metal album full of heathen anthems to raise a horn to. The heathen’s heart is full of chaos, creation through destruction, Hagalaz, and this is a journey into it.

“Heathenheart” is recommended for fans of Amon Amarth, Ensiferum, and Insomnium and will be released on July 23, 2021 via CDN Records.

Album pre-order available at https://cdnrecords.com/shop/hexenklad-heathenheart/

Track Listing:
1. Heathenheart (5:02)
2. Cold Beauty of Winter (4:52)
3. Huginn and Muninn (4:14)
4. Dark Moon in Capricorn (5:13)
5. Rootbound (4:13)
6. The Raven Returns to the Knoll (4:33)
7. A Thousand Paths to Wisdom (4:26)
8. Olde Gods Awaken (5:53)
9. Beware the Outstretched Hand (5:21)
10. A Forest of Dead Trees (4:32)
11. Upon the Wings of Valkyries (7:03)
12. A Moment of Silence (1:00)
13. We Raise a Horn (4:07)
Album Length: 1:00:36

Album Credits:
Timothy Voldemars Johnston – Vocals, Lyrics
Michael Grund – Guitar. Bass on songs 4, 7, & 9
John Chalmers – Guitar. Bass on song 13
Andrew Chalmers – Drums & Percussion
Clare B. – Keyboards & Orchestrations
Emmanuel “Audeath” Audet (Black Empire/Winterfog) – Bass on Songs 2, 5, 8, 10, & 11
Matt “Coldcuts” Collacott – Bass on songs 1, 3, & 6
Nick Sauter – (Treats for Addicts) Guitar Solo on song 7
Alex Chalmers – Clarinet on song 13

All songs by Hexenklad
Song 2 written by Jon Kal and Hexenklad
Lyrics on songs 4 & 8 by Michael Grund
Recorded at Shiver Sound Studios by John Chalmers
Audeath’s Bass recorded at Black Amp Studio
Mixed at BWC Studios by Greg Dawson
Mastered at West West Side Music by Alan Douches
Cover art by Darek Zawiązalec of Black Forest Forge
CD Layout by Robo of Element 6 Custom lmn6.ca
Photography by Vikki Kay Photography
Canadian Content (MAPL)

Live Band Line Up:
Timothy Voldemars Johnston – Vocals
John Chalmers – Guitar
Steve Bowen – Guitar
Matt “Coldcuts” Collacott – Bass
Andrew Chalmers – Drums

For more info:
CDNRecords.com
Facebook.com/hexenklad
Instagram.com/hexenklad
Hexenklad.bandcamp.com
Spotify
EPK

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Take A Rock N Roll Walk Through Japan With The Title Track From Rebel Priest’s “Lost In Tokyo”

June 23, 2021
by Asher
· Music News · Rebel Priest

NEWS RELEASE

Montreal, QC – June 23, 2021

For fans of Motörhead, ZZ Top, Rose Tattoo, Deep Purple, LA Guns

Take A Rock N Roll Walk Through Japan With The Title Track From Rebel Priest’s “Lost In Tokyo”

New EP “Lost In Tokyo” Out August 13th via Batcave Records

L-R – Jayme Black – Vocals/Bass, Nate Pole – Drums/Vocals, Benny Kemp – Guitars/Vocals

Vancouver’s Rebel Priest is well known in Western Canada for pumping out solid rock n roll tracks and putting on a deadly, old-school stage show. They have three full-length albums to date and to make sure people haven’t forgotten about them, have a four-track EP coming out this summer, “Lost In Tokyo”.

The first single off the EP is the title track; it’s a story about their first couple of nights in the Shinjuku district of Tokyo, Japan, which is famed for its entertainment including buzzing clubs and neon-lit karaoke bars. Consider this song your drunken guide to bars and places that the band has fond memories of. They explain further:

“This is your own personal guide to downtown Tokyo. This song will take you on a ride through Shinjuku on your way to Golden Gai, waking up in Shimokitazawa then taking the train to Shibuya and hanging with the strangers in Harajuku. This is based on a true story, though piecing the story together is a bit sloppy because it was over a few days. This is our love song to our favourite city in the world.”

Not only did Japan leave its mark on the band, but the boys left theirs as well. Every place mentioned in ”Lost In Tokyo” is an actual place that has Rebel Priest stuff on the walls, this was due to drummer Nate Pole and roadie Jerry “Pred S. Thompson” leaving the hotel the first night without any translator or ideas where they were going. To this day they don’t know how they got back or how people knew them in bars they had never been to.

The grease-infused Trash N’ Roll signature sound is recommended for fans of Motörhead, ZZ Top, and Rose Tattoo.

The single “Lost In Tokyo” can be heard at the following link:
YouTube – https://youtu.be/tfkmVniYEGE
Rebelpriest.bandcamp.com
Spotify – https://spoti.fi/3gmL38n

The EP releases on August 13, 2021 via Batcave Records. Pre-order links to be announced at a later date.

Track Listing:
1. Lost In Tokyo (3:29)
2. Back Alley Blues (3:03)
3. Vulgar Romance (4:15)
4. When The Whip Comes Down (4:33) (Slash Puppet Cover)
EP Length: 15:25

EP Recording Credits:
• All songs performed by: Rebel Priest
• All songs written by: Rebel Priest *except “When The Whip Comes Down”, Music: Slash Puppet, Lyrics: Mif
• Produced by: Rene D La Muerte
• Mixed by: Rene D La Muerte
• Mastered by: Rene D La Muerte
• Album Artwork by: Nate Pole
• Member of SOCAN
• Canadian Content (MAPL)

EP and Live Band Line Up:
Jayme Black – Vocals/Bass
Benny Kemp – Guitars/Vocals
Nate Pole – Drums/Vocals

For more info:
Batcaverecords.com
RebelPriestofficial.com
Facebook.com/rebelpriestofficial
Instagram.com/rebelpriestofficial
EPK

About:
Rebel Priest is a no-nonsense, real-deal rock n’ roll band composed of three seasoned musicians who have been making their way through the Western Canadian rock n roll scene for years. Vocalist/bassist Jayme Black (Lust Boys, The Toxiks); guitarist/vocalist Benny Kemp (Lust Boys, Road Rash); and drummer/vocalist Nate Pole (Kill Matilda, The Toxiks) bring nothing but unadulterated, high energy grease infused Trash N’ Roll!

The band has had the pleasure of touring Japan, and performing alongside bands such as Udo (Accept), Lordi, Diamond Head, Crystal Pistol, Flotsam, and Jetsam along with playing many headlining gigs with the energy of Motorhead meets Motley Crue.
Since forming in 2014, the band has released three studio albums “R’ley Heavy” (2019), Enabler (2017 ), Self-Titled (2015) along with one live record “Dead Alive @ SBC (2017).

Now in 2021, they offering up a slab of new music in the shape of an EP “Lost In Tokyo”, which was written in Japan at the very end of 2019, before the closure, and the band has been sitting on the tracks for over a year. The band even shares a cover rendition of Toronto 80s metal band Slash Puppets’ “When The Whip Comes Down”.

“We had a batch of headbangers and a few didn’t make it, but sometimes songs just need other means to come out. We wanted to set the tone for each one on this EP as opposed to a full-length concept album. Each one is a juggernaut on their own and will stand strong without having to be bound to the others… and as for more music … oh Lemmy tell ya! We aren’t slowing down, we are gonna have stuff coming at ya throughout the rest of the year, LIKE A FREIGHT TRAIN!” adds Jayme Black (vocals/bassist).

Recommended for fans of Guns n’ Roses, AC/DC and Motley Crue, Rebel Priest’s new EP “Lost In Tokyo” will be available on August 13th, 2021 via Batcave Records.

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Progressive Chaos Ensues With “Destruction” From Knecht Off Upcoming Self-Titled Release

June 23, 2021
by Asher
· Knecht · Music News

NEWS RELEASE

Montreal, QC – June 23, 2021

For fans of Haken, Dream Theater, Porcupine Tree, Plini, Liquid Tension Experiment

Progressive Chaos Ensues With “Destruction” From Knecht Off Upcoming Self-Titled Release

Self-Titled Debut EP Out July 16th

Pictured – Joseph Knecht – Photo credit – Tristan Ahearn

Knecht is the solo project of New Jersey’s Joseph Knecht who has been playing music since he was a small child. He is gearing up to release his debut self-titled EP this summer and has the next single “Destruction”.

Citing that he “has never been the best at writing lyrics”, Knecht takes a purely instrumental stance with his music. He continues to explain:

“I write my guitar melodies like vocal melodies. I think to myself how I would want someone to sing over this part. When I wrote Destruction, I knew this was going to be the finale. It captures everything about my style, with elements from 70s and modern prog rock. It’s based around B Lydian dominant, which gives it a really interesting sound harmonically. It’s upbeat and has a bouncing quality, it is my favorite song on the EP.”

Listen to “Destruction” at the following links:
YouTube – https://youtu.be/3OeTgXI24GE
Spotify – https://spoti.fi/2TTF2sq

When commenting on the EP as a whole, Knecht says that he intended to write something short that listeners could groove to along with giving a sampling of his complex creativity and intricate songwriting.

“Knecht” is recommended for fans of progressive and groove metal, especially those interested in bands such as Deep Purple, Dream Theater, and Led Zeppelin.

“Knecht” will be available on all digital platforms on July 16, 2021.

Previous single “Overture (Excerpt From Halo Reach)” can be heard at the following links:
YouTube – https://youtu.be/wXg0SuMSqEQ
Spotify – https://spoti.fi/3pzbHPv

Track Listing:
1. Transformation (4:50)
2. Tabernacle Jam (3:50)
3. Working Title (4:42)
4. Overture (Excerpt From Halo Reach) (3:42)
5. Summer Nights (3:16)
6. Destruction (5:09)
EP Length: 25:31

EP Recording Line Up:
Joseph Knecht – Guitar, Bass and Keyboards
Drums – Jason Stewart

EP Credits:
• All songs performed by: Joseph Knecht and Jason Stewart
• All songs written by: Joseph Knecht
• Produced by: Joseph Knecht
• Mixed by: Charles-Henry Volk
• Mastered by: Charles-Henry Volk
• Member ASCAP

For more info:
Instagram.com/joeknecht.exe
Facebook
EPK

About:
Joseph Knecht, from Tabernacle, New Jersey, USA, has been playing music since he was a small child. He started out with piano when he was five and picked up the guitar a year later. Bass came along in high school and he attended Berklee College of Music to further his music education.

Looking to share the music he was writing and playing, he created his instrumental solo project Knecht, where he plays everything from classic rock to more modern progressive metal. He performs originals and covers as well as teaches private guitar lessons.

With influences rooted mainly in progressive and groove metal, he replaces vocals with sweeping, complex guitar melodies that are written like vocal melodies. A typical song starts with the rhythm, for him the rhythm guitars by themselves should be interesting and be able to garner attention through the piece. While he is doing this, he is thinking about what he might want the other instruments to be doing as well as keyboard sounds if there will be keyboards. For the drums, he will program a track for writing and recording purposes, but ultimately leaves it wide open for Jason Stewart.

Knecht’s debut self-titled EP is available on July 16, 2021. It features Jason Stewart on drums and was mixed and mastered by Charles-Henry Volk.

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Rockshots Records: It’s Time For The “Midnight Man” BLOODY HELL Release Video For New Album “The Bloodening”

June 23, 2021
by Asher
· Bloody Hell (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – June 23, 2021

For fans of Iron Maiden, Judas Priest, Accept, Armored Saint

Rockshots Records: It’s Time For The “Midnight Man” BLOODY HELL Release Video For New Album “The Bloodening”

Photo Credit: Lana Gonch

Finland’s BLOODY HELL‘s new album “The Bloodening” hit the mosh pit this past April via Rockshots Records. In support of the record, the band is presenting a new music video for the banger “Midnight Man”. The track tells a story of a man with issues (which any one person can relate to). This was originally one of the first songs the band wrote and it’s simply a straight-up speedster of headbanging glory.

Watch “Midnight Man” via Rockshots Records YouTube channel – https://youtu.be/S3YlVEIKT4Q

Formed to cause confusion and fear in people who don’t understand what heavy metal is about, Helsinki, Finland’s BLOODY HELL (ft. members of Moottörin Jyrinä, Metal De Facto) have been wowing fans around the globe with their loud, unapologetic, speed demon tyranny for two decades. Known for their drunken wild shows, the band has always presented good times in the circle pit with anthems about drinking, hangovers, devil-worshipping among other important matters.

Taking a hiatus after releasing two EPs, Hangover Riders (2010), What The Hell (2003) and a self-titled album (2015), along with all members focusing to perform with their other project Moottörin Jyrinä (a children’s heavy metal band that plays cover songs from classic 1980s heavy metal songs with child-friendly Finnish language lyrics with an educational tone), the quartet returns in 2021 to continue the party as grumpy old men with strong 18-year-old angst. Their new album “The Bloodening” features 12 fist-pumping songs to kick the band’s new found momentum into overdrive.

For fans of old-school 80’s metal in the vein of Iron Maiden, Judas Priest, Accept, and Helloween, Bloody Hell‘s “The Bloodening” is available at the following links:

CD http://bit.ly/TheBloodening
Digital https://smarturl.it/TheBloodening
Spotify https://spoti.fi/2PE6A3a

Lyric Video – In The Night We Burn – https://youtu.be/d_FpdM_EKTo

Track Listing:
1. Hangover Rider (4:37)
2. Face In Hell (4:02)
3. The Undertaker (4:54)
4. In The Night We Burn (4:30)
5. Smoking (5:16)
6. What The Hell (4:11)
7. Burn Witch Burn (3:57)
8. Muders She Wrote (5:01)
9. Midnight Man (3:43)
10. Long Road To Hell (5:32)
11. Bite (4:24)
12. Kiesma (The Museum of Modern Art) (7:03)
Album Length: 57:17

Album Details:
Bloody Hell:
Marko Skou – Vocals , Bass
Jaakko Halttunen – Guitar
Esa Orjatsalo – Guitar
Atte Marttinen – Drums

Guests:
Mika Grönholm – Lead Guitar on Kiesma (The Museum of Modern Arts)
Micko Hell – Vocals on Kiesma (The Museum of Modern Arts)

Drums on the Bloodening by Tom Rask
Recorded at Tom Rask Drum Record Factory by Tom Rask
Mixed and mastered at Tadaa Music Studio by Esa Orjatsalo

Music: Bloody Hell
Lyrics: Bloody Hell & Aleksi Koskinen
Cover artwork by Pate Vuorio
Cover layout Svetlana Goncharova
Esa Orjatsalo uses ESP guitars and Neural DSP plugins

More info:
Rockshots.eu
Facebook.com/bloodyhellfinland

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“Bloody Hell plays classic, keep-it-true, heavy metal… Most of their tunes are riff revved up, fast and heavy, metal tunes with assertive, yet harmonious, vocals, and an abundance of killer guitar solos. Listeners will hear this formula self-evident and repeated throughout the album with notable songs: The Undertaker, What The Hell, Bite, the drum driven fast and heavy Burn Witch Burn. 4/5” – Dangerdog Music Reviews

“Clearly having a blast, Bloody Hell want you to have a blast as well and to help make that a reality, they’re dropping a 12-track album of good time heavy head-bangers. Classic heavy metal with thrash and speed sensibilities, The Bloodening is an album filled with energy, dirty groove and thumping heaviness.” – Games, Brrraaains & A Head-Banging Life

“For everyone who loves good old classic heavy metal, the new record by BLOODY HELL is perfect.” – Metal.de

“BLOODY HELL are sure to ensure a good time for the pandemic-isolated Metaler” – Stormbringer

“The Bloodening is definitely something perfect to blast, whether the pandemic is ruling everyone’s life or not. It is also a great excuse to enjoy some rum or bourbon when it cannot be done in a company – because drinking to Metal, even by oneself, is not drinking, it is keeping oneself alive.” – Metal Express Radio

“Bloody Hell have struck a solid formula for the creation and delivery of their brand of heavy metal. Keeping it simple in terms of sonic display and lyrical content. Incorporating themes and techniques of their influences while ensuring their own stamp is prominent… it does put a massive grin on your face. When all is said and done, isn’t that the point of metal.” – Uber Rock

“Twelve songs in this new album opened by anthemic groovy metal of HANGOVER RIDER, enriched by an embracing riffing, and FACE IN HELL, with its metallized heavy rock.” – Hard Rock Heavy Metal

—

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0 Thrash La Reine Releases Cover Of Traditional French Canadian Singalong “Au Chant de l’Alouette”

June 22, 2021
by Asher
· Music News · Thrash La Reine

NEWS RELEASE
(Version Française Ci-Dessous)

Montreal, QC – June 22, 2021

For fans of Alestorm, Powerwolf, Ghost, King Diamond, Anonymus

Thrash La Reine Releases Cover Of Traditional French Canadian Singalong “Au Chant de l’Alouette”

Montreal, Canada’s Thrash La Reine, is coming at you hard and fast in their usual manner, but they take a hard turn into folk metal territory with their forthcoming album “Notre-Dame-de-l’Enfer”, which will be a compendium of French Canadian/ Quebec folk tales. The first single off this album is “Au Chant de L’Alouette”, a cover of a traditional French Canadian song. The band explains the track:

“A lot of people already know the lyrics of this song as it is often sung in family reunions or at night around campfires. For people who do not know about it, this type of song is a ‘’chanson à répondre’ (answering song)’ which means that the lead singer sings the first line of the verse, then the other singers or crowd answer by singing the same line. It is often sung during parties and gatherings. We wanted to give the song a modern edge, so we changed the melodies a bit and added a lot of gang vocals to throw the party in!”

Another key element found in Quebecois music is present in the bridge, one voice sings the same note while the lead voice sings a melody. The subtlety adds to the immersion that Thrash La Reine prides itself on, all of their lyrics are in French while still remaining accessible for people not fluent in the language.

This upcoming album will be the third release from the band, following “La Foi, La Loi, La Croix” (2019) and “Le Métal Est Notre Langue” (2018). It is the band’s attempt to make a metal opera about French Canadian stories, which will shine some light on French folklore presented in an energetic and catchy fashion. Thrash La Reine is recommended for fans of Alestorm, Powerwolf, and King Diamond.

To ensure everyone has a cool song to party to during the French Canadian national holiday and for the summer, “Au Chant de L’Alouette” will be available on St-Jean-Baptiste (Fête Nationale du Québec), June 24, 2021 and the entire album will be released in autumn of this year.

Listen to “Au Chant de L’Alouette” at the following links:
YouTube – https://youtu.be/zPGHgjACMdY
Thrashlareine.bandcamp.com/track/au-chant-de-lalouette
Spotify – https://spoti.fi/3wQiAPj
Apple Music – https://apple.co/2TNuJ97

For more info:
Thrashlareine.com
Facebook.com/thrashlareine
Instagram.com/thrashlareine
Twitter.com/ThrashLaReine
EPK

================================================

Thrash La Reine sort une reprise de la chanson à répondre traditionnelle “Au Chant de l’Alouette”

Les Montréalais de Thrash La Reine reviennent à la charge dans leur style lourd et rapide, mais ils prennent cette fois-ci un tournant radical dans le territoire du folk métal avec leur prochain album “Notre-Dame-de-l’Enfer”, qui recueillera des chansons traitant des contes et légendes du folklore québécois. Le premier extrait de cet album : « Au Chant de L’Alouette », est une reprise d’une chanson traditionnelle canadienne-française. Le groupe explique le morceau :

« Beaucoup de gens connaissent déjà les paroles de cette chanson car elle est souvent chantée dans les réunions de famille ou le soir autour des feux de camp. Pour ceux qui ne la connaissent pas, ce type de chanson est une ”chanson à répondre”, ce qui signifie que le chanteur principal chante la première ligne du couplet, puis les autres chanteurs ou la foule répondent en chantant la même ligne. Elle est souvent chantée lors de fêtes et de rassemblements. Nous voulions donner à la chanson une touche moderne, alors nous avons changé un peu les mélodies et avons ajouté beaucoup de «gang vocals» pour donner un esprit festif et rassembleur à la chanson. »

Un autre élément clé de la musique québécoise est présent dans le pont de la chanson, où une voix chante la même note tandis que la voix principale chante une mélodie. Cette subtilité s’ajoute à l’originalité et à la fierté de Thrash La Reine : toutes leurs paroles sont en français tout en restant accessibles aux personnes ne maîtrisant pas la langue.

Ce prochain album sera la troisième publication du groupe, après « La Foi, La Loi, La Croix » (2019) et « Le Métal Est Notre Langue » (2018). Il marque une tentative de faire un opéra métal sur des histoires canadiennes-françaises, en mettant l’emphase sur le folklore québécois présenté de façon énergique et entraînante. Thrash La Reine est recommandé pour les fans d’Alestorm, Powerwolf et King Diamond.

Pour s’assurer que tout le monde ait une chanson entraînante pour faire la fête lors de la fête nationale canadienne-française et pour l’été, « Au Chant de Alouette » sera disponible pour la St-Jean-Baptiste (Fête Nationale du Québec), le 24 juin 2021. Quant à l’album, il sortira à l’automne de cette année.

Écoutez «Au Chant de L’Alouette» en suivant ces liens:
YouTube – https://youtu.be/zPGHgjACMdY
Thrashlareine.bandcamp.com/track/au-chant-de-lalouette
Spotify – https://spoti.fi/3wQiAPj
Apple Music – https://apple.co/2TNuJ97

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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