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Category: Music News

0 TheProgSpace Premiere – Prog Duo ATHEMON (ft. ex-Haken) Share New Lyric Video “The Glass Hindered Us”

  • December 6, 2021
  • by Asher
  • · Athemon · Music News

NEWS RELEASE

Montreal, QC – December 6, 2021

Prog Duo ATHEMON (ft. ex-Haken) Share New Lyric Video “The Glass Hindered Us”

Video Premiere via TheProgSpace

+ Signs To WormHoleDeath For Worldwide Distribution of Self-Titled Debut Album


L-R – Athemon Current Line Up | Adriano Ribeiro (Guitar, Vocals) | Tom MacLean (Bass, Production)
Photo Credits: Adriano’s picture: José Simonetti, Tom’s picture: Sunny Dhaliwal

Athemon, a duo featuring Tom MacLean (bassist/producer, To-Mera, ex-Haken) and Adriano Ribeiro (vocalist and guitarist) are treating fans with a new lyric video for the track “The Glass Hindered Us”, which is off their self-titled album.

“With a strong chorus, The Glass Hindered Us is the sequel to the song Whispers. Our character is yet beginning his self-journey across the music and what he realizes about himself is still blurry. It’s about the replacement of whispers by the observation of the image itself, but still in the form of two ghosts. Where there is an observer, there is another in observation. Two voices, one individual. In the end, our character realizes that he is the ghost.” adds Adriano Ribeiro.

Animated by Dark Moon Productions, the lyric video can be viewed and heard via its premiere on TheProgSpace HERE.

In additional news, Athemon is excited to announce their signing to WormHoleDeath Records for a worldwide distribution deal of their debut full-length, released earlier this year on October 11th.

The band comments:

“We are thrilled to announce that we have been offered a worldwide distribution deal of our self-titled debut album with Wormholedeath Records. We were immediately impressed with label boss Carlo’s passion, vision, professionalism and attention to detail, and had little hesitation in signing on the dotted line. We look forward to working with the Wormholedeath team and we are excited about the opportunities that lie ahead.” 

The story of Athemon comes together while many musicians were in lockdown during the Covid pandemic and unable to congregate for simple jams or have outlets to perform their music. Using this global pause, two musicians Tom MacLean based in the UK, and Adriano Ribeiro based in Brazil crossed paths online and used the digital world to their advantage to give rise to their new band Athemon.

“Adriano sent me his demo and it gave me goosebumps, so I was keen to get involved,” says MacLean.

From a significant evolution between demos to their final introductory recordings, MacLean and Ribeiro created a bonding friendship over musical interests that created the perfect environment to allow them to evolve and conceive their debut album.

Formed as a gateway to express their art using progressive metal music, the duo invited a special guest drummer from Brazil; Gledson Gonçalves who added his percussionist touch to compliment each one of the nine tracks.

“As nobody goes alone in this world (even being totally alone inside one’s own mind), the songwriting process had a lonely beginning, but a very collaborative end. The beginning of this project was driven by Adriano, but nothing would fit so well if it wasn’t for the amazing connection the three of us have (Adriano, Tom, and our special guest on drums, Gledson),” says MacLean.

The lyrics for the album were written by vocalist/guitarist Adriano Ribeiro and were inspired by thoughts of how confusing reality can be if you are not taking care of your emotional side. “The thin line between what’s real and what’s not is an endless world,” adds Ribeiro.

New fans of Athemon, can expect much more to come from the pair as they already have plans to launch their second album by the end of 2022, which they are currently composing with promising results.

As for the live spectacle of Athemon, for now, the band will let the music flow until the duo can connect from across the Atlantic for their first in-person jam session.

Recommended for fans of Nevermore, Pain of Salvation, Opeth, Gojira, and Mastodon, Athemon‘s self-titled debut is available
on Flyathemon.bandcamp.com (CD, Digital Pay What You Want), Spotify, Apple Music, and all other major digital music platforms.


Track Listing:
1. Perception (3:16)
2. Whispers (5:29)
3. The Glass Hindered Us (3:57)
4. Different From What Was Missing (5:23)
5. Seed of Change (7:25)
6. I Voice of Mine (8:12)
7. Reaching Deepness (6:42)
8. Greatest Understanding (5:54)
9. Birth (4:01)
Album Length: 50:20

Album Credits:
• All songs performed by: Athemon
• All songs written by: Athemon
• Produced by: Tom MacLean
• Mixed by: Tom MacLean @ Twelve Tone Studio
• Mastered by: Tony Lindgren @ Fascination Street Studios
• Album Artwork by: Luigi Quarta

Album Band Line Up:
Adriano Ribeiro (Guitars, Vocals)
Tom MacLean (Bass)
Gledson Gonçalves (session Drums)

More Info:
Athemon.com
Facebook.com/fly.athemon
Instagram.com/fly.athemon
EPK

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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0 Quebec’s DECEREBRATION’s Brutality Comes Back To Life After 20 Year Absence On New Album “Follow The Scars”; Streaming Single “Infamous Duality”; “Follow The Scars” Due Out Dec 17th, 2021

  • December 3, 2021
  • by Asher
  • · Decerebration · Music News

NEWS RELEASE

Montreal, QC – December 3, 2021

Quebec’s DECEREBRATION’s Brutality Comes Back To Life After 20 Year Absence On New Album “Follow The Scars”

Streaming Single “Infamous Duality”

“Follow The Scars” Due Out Dec 17th, 2021


L to R – Nicolas Cantin – Guitar, Olivier Doyon – Drums, Clean vocals, Fudz Hubert – Vocals, Julien Souque – Guitar, Mathieu Faucher – Bass
Photo Credit – Anne-Frédérique Souque

Quebec City’s Decerebration has been offering up brutally slamming thrashy death metal since first forming in 1993. The band made their recording debut with the 1994 cassette LP “Pure Hatred”, which was soon followed by the 1995 EP “My Inner Impurity” and three years later with 1998’s self-titled full-length. During their 1990s assault on the Quebec death metal scene, they shared the stage with Dying Fetus, Cannibal Corpse, Suffocation, Cynic, Incantation, Malevolent Creation, Kataklysm among many more.

Now after a twenty-year hiatus, Decerebration returns with a new tyranny to punish the eardrums of death metal fans. Entitled “Follow The Scars”, the new album is seven tracks (plus an intro and outro) of ferocious riffs, melodic guitar harmonies, and beastly growls.

“We added clean, catchy choruses and vocals harmonies. We think it will be well received by metal fans, but we know that some purists won’t like the clean vocals. It is what it is. We love playing these songs and hopefully, fans will enjoy.” adds the band.

“Follow The Scars” is meant to show fans that Decerebration is back and that they have taken their sound to the next level. Fans can experience the band’s old school death metal roots and at the same time listen to their evolution as musicians and as a band, which can be heard on the record’s lead single “Infamous Duality”.

“‘Infamous Duality’ is the first song we wrote when we decided to write new music for this album. It is a tribute to our old-school death metal roots. We wanted our first song to sound as if we never stopped writing death metal songs, pick up where we left off. It has heaviness, melody and fast blast beats. All of which represent Decerebration very well. It is a very personal song as it was written during a difficult time for some of us. It is about having to choose between a comfortable, but unhappy life or making a very hard decision to leave it all.”

Listen to “Infamous Duality” at https://youtu.be/zRO_ybQXI2A

Decerebration is also looking forward to getting back to the stage, “Our greatest strength is our live performances, always has been. Our goal is to tear down the venues we play at. Subject the crowd to a relentless onslaught of death metal songs. We deliver fierce energy to the crowd and they give it back to us. Nothing like a circle pit, a mosh pit, seeing people jump up and down in front of you or stage diving.” 

Decerebration is recommended for fans of Suffocation, Cannibal Corpse, Death, Dying Fetus, and Sepultura.

Album pre-order is available at https://decerebration.bandcamp.com/album/follow-the-scars


Track Listing:
1. Scorched Memories (1:47)
2. Infamous Duality (4:24)
3. A Ghost of Flesh and Blood (4:20)
4. Follow the Scars (4:34)
5. Break the Cycle (4:45)
6. The Factless Prophecy (4:21)
7. The Gift of Anger (4:48)
8. I Despise (5:36)
9. L.T.E.I (2:29)
Album Length: 37:09

For more info:
Facebook.com/Decerebration
Instagram.com/decerebrationband.official
EPK

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 No List Records & Learning Curve Records To Release RHINO BODY LOVER: A Tribute to Shallow North Dakota

  • December 3, 2021
  • by Asher
  • · Music News · No List Records - RHINO BODY LOVER: A Tribute to Shallow North Dakota

NEWS RELEASE

Montreal, QC – December 3, 2021

RHINO BODY LOVER: A Tribute to Shallow North Dakota

Pre-Sale: December 3, 2021 – Release Date: January 14, 2022

Label: No List Records & Learning Curve Records
https://shallownorthdakota.bandcamp.com/album/rhino-body-lover-a-tribute-to-shallow-north-dakota
(all proceeds from this compilation will be going to the Jacome family)

There’s a predictable thing that happens when bands of a similar sound first get together. They talk about other bands. Specifically, what inspired them. What blew their minds. What got them believing that there was a place for a sound like theirs.

You go into those conversations expecting to hear certain names. The big ones. The canon. The touchstones. That’s all well and good. But what really hits home is the moment when you find out that a band that felt like your own private discovery is just as special in someone else’s heart as well. And hold on, that person knows about them, too. And that one …

For many of us in the noise/sludge/heavy music scene, that band is Shallow North Dakota. Despite a relatively slim recorded output through the 90s, capped by a self-released double LP swan song in 2004 that was barely promoted and never toured, this trio left behind a Velvet Underground-sized impression on those who heard them.

Part of that was their monolithic volume, a seismically registering force that dealt cannon blows to anything not welded in place. But more significant was their inversion of the classic power trio format. The axemen—guitarist Dan Dunham and bassist Michael ‘Biff’ Young—neither pounced nor preened. Instead, they faced inward, eyes trained deeply on the fulcrum of the group’s might and character. Drummer and vocalist Tony Jacome. With Jacome acting as the accelerant, the three men spat particles of ionized sound into their own core—a reactor sealed by focus, bearing the brunt of their own nuclear force. Sound bonding and breaking. Over and over.

Near the start of this year, it was announced that Jacome had pancreatic cancer. By the end of September, he was gone. In the months between, many musicians found themselves engaged in that conversation all over again, but this time with an added dimension. The true breadth of Shallow North Dakota’s influence seeped to the surface, rapidly and passionately. Still somewhat secret, but now known. And with all of this knowledge, came a sense of urgency to cement this shared experience.

That’s what Rhino Body Lover: A Tribute to Shallow North Dakota is. This 29-song tribute covers the majority of the band’s catalogue—an honouring of the fact that if the SND catalogue was a touch slim, that was only because it was fat free. Every tune had its advocate—and this advocacy came from far and wide. From Finland’s Throat to Vancouver’s Bison, Montreal’s The Great Sabatini to Minneapolis’ Asbestos Worker and Texas’ Grasshopper Lies Heavy, the assembled bands reflect the expansive respect the band still commands to this day.

As a show of that respect, all proceeds from this compilation will be going to the Jacome family—longtime soulmate Cheryl and their two young children.

Highlights:

– 2 CD set in a DVD package, 6 panel foldout with large format cover art. 29 tracks from 27 artists.

– SIANspheric – This Apparatus Must Be Earthed – Sonic Unyon Original band Bison – ‘Outside Dakota’ featuring Jahmeel Russell (Actors/ KITTENS) on Bass The Grasshopper Lies Heavy– ‘Odd’ – with TUNIC vocalist David Schellenberg THROAT – ‘cuz’ – Finnish noise rock

– Bleeding Out – War Wagon – Profound Lore Records

Track Listing by Artists:
adolyne  – The Lubber
Anthesis – Perna Du Pau
Asbestos Worker – Skid Incinerator
Asbestos Worker – I’m The Boss/You’re The Boss
Bedtimemagic – Diga
Bison – Outside Dakota
BLEEDING OUT – War Wagon
Cancelled – With My Pitchfork
Cell Press – Target
CELLOS – Moustache Rock
Drug Sauna – Experiment (reprise)
Evil Age – Blown
Fashion Week – Speed King
Fiftywatthead – Cigar Box
Fuck The Facts – Open Minded
Intercourse – Blowhole
Naw –  Experiment
Not Of – Untitled
Ogimaa – Six Foot Foam Skull
Power Takeoff – Replace the Herzog
Quiet Earth – Waking the Herd
Sianispheric – This Apparatus Must Be Earthed
Swarm of Spheres – Old Type Rider
Swine – Auto Body Crusher
The Grasshopper Lies Heavy – Odd
The Great Sabatini – The Deadman Has a Memo
The Swine – Salvo (instrumental)
Them Teeth – Greenhorn
Throat – Cuz
Work Party – Backbone
WORSE – The Milkman

For more info:
Lee Repko – No List Records – leerepko[@]gmail[.]com

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Rockshots Records – BERIEDIR Next Single “Stormbound” ft. Ivan Giannini (Vision Divine) Off Upcoming Album “AQVA” Out Jan 21st

  • December 3, 2021
  • by Asher
  • · Beriedir (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – December 3, 2021



Rockshots Records – 
BERIEDIR Next Single “Stormbound” ft. Ivan Giannini (Vision Divine) Off Upcoming Album “AQVA”

“AQVA” Out January 21, 2022

Rockshots Records will be releasing Beriedir‘s second full-length “AQVA” on January 21, 2022. The album features ten tracks of progressive, power, and melodic death metal that were mixed and mastered by Simone Mularoni (Domination Studio).

“AQVA”, despite not being a real concept album with a story articulating itself throughout the tracks, touches its various topics through the many forms in which water manifests, be it a river, a storm or tears. The album deals with rather introspective matters, trying to give a new perspective on situations that Biriedir thinks their listeners will find relatable and hoping that they will maybe take shelter in their audio experience, using them as their own voice when only music can speak for us.

“We think AQVA will positively surprise our older fans and lead new ones, this record is much more diverse and has definitely matured in songwriting. The main goal of AQVA as a whole is to figuratively “submerge” the listener with a spectrum of themes, both musical and lyrical, related to water and its shapes. Water is the element of flow, it’s the substance that conceals, preserves, and washes all away. The lulling nature of a silent shore or a rapping rain is juxtaposed to the fearsome imagery of the undertow, riptides, and tidal waves. We tried to convey these atavistic sensations differently from track to track. The singles were chosen to showcase the variety of approaches to this theme.” adds band founder Stefano Nüsperli.

In preview to the full-length, Beriedir is sharing their second single “Stormbound” ft. Ivan Giannini (Vision Divine). Undoubtedly the most epic-oriented track of the album, its lyrics are based around the legend of the Sarneghera, a local story of Lake Iseo about the origin of the tremendous storm carrying that name. As the story goes, a noble lady is saved from drowning by an angler and the two fall in love, but her father, not allowing their relationship, gets the angler thrown in the lake. The daughter jumps in the water after him, and it’s said that the storm is caused by the souls of the two lovers searching for each other at the bottom of the lake.

Lyric Video – https://youtu.be/MNy9uxdtGVc 

Digital – https://bfan.link/stormbound

First single – “Departure Song” at the following links:
Visualizer: https://youtu.be/kN8ks9165Qo
Digital stream and download: https://bfan.link/departure-song

Beriedir (from the Sindarin word for “Guardians”) is a progressive melancholic power metal act based in Bergamo, Italy. The five-member band was founded by Stefano Nüsperli and began its live career in 2015 with the release of “The Line”, their first demo. Their first full-length album “The Path Beyond the Moon” was unveiled in 2018, which launched them to perform on multiple musical events such as Fosch Fest (Italy) along with sharing the stage with bands such as Korpiklaani and Pathfinder. After the 2020 release of the EP “Lullabies Beyond the Moon”, which contained three tracks from their debut album rearranged in an acoustic key, they are now ready to launch their new album “AQVA” in 2022.

Recommended for fans of Vision Divine, Dream Theater, Dark Tranquillity, Pain of Salvation and Katatonia, “AQVA” is due out on January 21, 2022 and is available for pre-order at the following link: https://bit.ly/AQVA_DIGICD


Track Listing:
1. At Candle Light (4:38)
2. Departure Song (6:05)
3. The Dove and the Serpent (6:46)
4. The Angel in the Lighthouse (6:10)
5. The Drowned (5:33)
6. Stormbound (4:19)
7. Arkangelos (6:58)
8. Of Dew and Frost (4:57)
9. Rain (6:46)
10. Moonlight Requiem (5:12)
Album Length: 57:29

Album Credits:
All music by Beriedir
Artwork by Ludovico Cioffi
Recorded by Stefano Nüsperli
Mixed and mastered by Simone Mularoni at Domination Studio
Lyrics by Stefano Nüsperli

For more info:
Rockshots.eu
Facebook.com/BeriedirOfficial
Instagram.com/beriedirofficial

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 The Design Abstract Align Sci-Fi Elements w/ Melodic Death Metal In Music Video “Aberration Omega”; Video Premiere via NewFuryMedia; Out Now! New Album “Metemtechnosis” via Abstrakted Records

  • December 2, 2021
  • by Asher
  • · Music News · The Design Abstract

NEWS RELEASE

Montreal, QC – December 2, 2021

 

The Design Abstract Align Sci-Fi Elements w/ Melodic Death Metal In Music Video “Aberration Omega”

Video Premiere via NewFuryMedia

Out Now! New Album “Metemtechnosis” via 
Abstrakted Records


L-R – Matt Ngo (Guitar) | Voiicide (Vocals, Bass, Synth) | Logan Mayhem (Guitar, Synth)
Photo Credit: Tami Martin

Canada’s The Design Abstract has released a new music video for “Aberration Omega” off the newly released “Metemtechnosis”. For those who haven’t heard the band previously, it’s tough to explain the sound, past the succinct description of “science fiction based symphonic melodic death metal”. Standing alone among their contemporaries with a very distinct and unique sound, Voiicide (vocals/bass/programming) who originally started the band as a solo project, shares his thoughts on the track:

“I can’t describe this track without using the term “absolute banger” so we’ll just get that out of the way now. “Aberration Omega” is a display of everything the band is capable of in a neat 3.5-minute capsule. Epic orchestra, electro-industrial elements, soaring clean vocals, brutal lows, and of course truly impressive guitar work, all set to express the anthemic sound of rebellion. It tells of the formation of the rebel group that forms to rise up against the tyrannical reign of their oppressors.”

According to Voiicide, this album is a big improvement from the last, “Technotheism”, the first in the trilogy of albums. On this album, they took a gamble with the mixing and brought the guitar into the forefront and buried some of the scorings. Thus, in a way, this album more deeply explores the sound of TDA as a guitar-based compositional entity, instead of being so reliant on orchestral and electronic elements. Lyrical themes throughout the band’s discography take inspiration from Dan Simmon’s Hyperion Cantos, Cixin Liu’s Three-Body Problem trilogy, as well as classics like Gibson’s Neuromancer, and of course The Matrix.

Like the rest of The Design Abstract’s songs, “Aberration Omega” is layers of cinematic scoring, heavy riffs and a wide array of vocals from harsh gutturals to soaring cleans. The sci-fi laden symphonic melodeath is recommended for fans of SepticFlesh, Divine Disorder and Scar Symmetry.

The video for “Aberration Omega” can be viewed via its premiere on NewFuryMedia HERE.

All songs on “Metemtechnosis” were written and performed by Voiicide (vocals/bass/programming), Logan Mayhem (guitars/modular synthesis), and Matt Ngo (guitars). It was produced, mixed, and mastered by Voiicide at Abstrakted Records and the album artwork was done by Yuta Shimpo.

“Metemtechnosis” is available via Abstrakted Records on Design.bandcamp.com, Spotify, Apple Music.

Lyric Video – Born of Machines – https://youtu.be/1LgkZKwNFT4


Track Listing:
1. Digital Dawn (8:03)
2. Born of Machines (4:35)
3. The Hybrid Awakening (7:07)
4. Organic Data Fusion (5:45)
5. Metropolis II (4:42)
6. Aberration Omega (3:33)
7. Upheaval (Instrumental) (2:00)
8. Sentinels (3:10)
9. Decryptor (6:32)
Album Length: 45:31

Album Band Line Up:
Voiicide – Vocals, Bass, Scoring/Sampling/Programming
Logan Mayhem – Guitars, Modular synthesis
Matt Ngo – Guitars

For more info:
Facebook.com/thedesignabstract
Instagram.com/thedesignabstract
EPK

About:
The Design Abstract is a 3-piece Symphonic Melodic Death Metal band from Kitchener-Waterloo, ON, Canada. The band focuses heavily on storytelling and worldbuilding with a futuristic and sci-fi narrative to each album they create. The Design Abstract formed in 2011 as a solo project under the name Design, and after many lineup changes, grew into a musical entity that presents a bold, epic, and even monolithic fusion of orchestra, synth, and melodic death metal. Sweeping symphonic passages, harsh industrial elements, highly proficient and memorable guitar work, and brutal guttural vocals mixed with soaring cleans are all blended in many ways to put forth a truly unique and powerful musical experience.

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“Incorporating old school sci-fi visual elements with choppy electronics, catchy guitar parts and perfectly timed kick drums, this track (Parallel Projection) is a synth metal blast!” – Metal Injection

“A symphonic technical death metal masterpiece with an amazing concept to keep you engaged from start to finish \m/” – Heavy New York 

“Now for some nerd shit. Technotheism is a concept record about the future that at it’s core is a melodic death metal record, but the band dabbles with electronic elements, technicality, and grand orchestrations throughout. Fans of Last Chance To Reason and really any band Mike Semesky (Ordinance, Raunchy, etc) has been a part of will probably dig this.” – Metal Injection

“This is a grandiose affair, full of musicality, technicality, and narrative. Thirteen tracks of symphonic melodic death metal that tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between.” – The Prog Space

“I love hearing something ambitious and genre-bending when a band can follow through on their vision.  The Design Abstract is one such band, one that had an idea and put it together almost flawlessly… This album is every bit as diverse, colorful, and epic as I had hoped, and there are jaw-dropping moments galore.  I absolutely love this record.” – The Prog Mind

“The Design Abstract goes for a big symphonic style in extreme metal, with a few twists and surprises along the way. Fans of the dystopian and/or futuristic sounds may find the album especially interesting. The Design Abstract is the symphony that remains after the alien zombies have taken over and this is the music that they want the world to hear to remind everyone that the zombies are horrible beings that enjoy tormenting the population with grandiose cacophony. When can the party begin, right?” – Metal Bulletin Zine 

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ASHER MEDIA RELATIONS

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0 Rockshots Records Signs Symphonic Pirate Metal CRUSADE of BARDS For New Album “Tales of the Seven Seas” Out Feb 2022; Streaming First Single “The Red Charade”

  • December 2, 2021
  • by Asher
  • · Crusade of Bards · Music News

NEWS RELEASE

Montreal, QC – December 2, 2021



Rockshots Records Signs Symphonic Pirate Metal CRUSADE of BARDS For New Album “Tales of the Seven Seas”

Streaming First Single “The Red Charade”

“Tales of the Seven Seas” Out Feb 18, 2022

Rockshots Records announce their signing of symphonic pirate metal act CRUSADE of BARDS for their sophomore album “Tales of The Seven Seas” due out February 18, 2022. The album follows their 2019 debut record “Tales of Bards & Beasts” that was released via Pride & Joy Records.

With an emotional and energetic live-action production for all kinds of audiences from power to folk, from gothic to pagan, the band has been making a name for themselves with touring and festival performances in Germany, Switzerland, France, and their home country of Spain.

Crusade of Bards was formed in 2016 by Paolo Andreotti (keyboards & vocals) and Eleanor Tenebre (vocals) to create music that could mix all their favorite styles and concepts. Initially just a studio project, it soon grew into a full live production that the band describes as witnessing the “Wien-Orchestra directed by Davy Jones”.

“The live-action is definitely one of our biggest assets. Don’t expect the classical symphonic metal act filled with solemnity, blue strobes, and thick smoke. Our piracy side, our Mediterranean background, it all comes out into an energetic, vibrant, and dynamic set. Don’t get me wrong, we are not the typical Hollywoodian stereotyped pirates, and we do get serious when it is necessary…just don’t expect a liturgy.” adds the band.

On this second album, Crusade of Bards has a mix of history-inspired songs and social themes. Paolo Andreotti (keyboards & vocals) is the lyricist and he loves history and geography so the whole concept of the record revolves around the 7 seas, 2 songs for every sea, and each of them about stories that took place or refer to the area washed by them. As you dig deeper into the lyrics, the structure chosen tends to use the same rhetorical figures of romanticism and neo-realism with a strong connection between the sound of a certain word and its meaning. This leads to inner references that may be appreciated by just reading the lyrics, even without the music.

“Tales of the Seven Seas” is the band’s second album inside the “Tales” saga, a broader concept that started with their first album “Tales of Bards & Beasts”. It revolves around the figure of the “Bard” and the different tales, songs, and myths that the storyteller would present to the public of the different towns and villages visited. While the first album “Tales of Bards & Beasts” was more about myths and legends, “Tales of the Seven Seas” is mainly based on true historical events that have happened in each of them. The concept can be also found in the musical aspects where traditional instruments, scales, or sounds coming from the cultures that live or lived on the shores of the seven mentioned seas are blended into the songs to create the perfect environment for the listener.

The band explains further:

“With this album, we want to make a statement, we want the fans to really understand who Crusade of Bards is both musically and visually. We want them to open their minds, join us on our journeys through space and time, discover new stories and understand that we, as human beings, have changed very little. Our sins, our mistakes, our victories, and our feelings are not new or undiscovered. They are just there, floating on the ocean, waiting for us to collect them”.

Today, in preview to the album’s release, Crusade of Bards is sharing their first single “The Red Charade”, an allegoric critique of the imperialism and colonialism that began in the XVII century and slowly evolved in the superiority complex of the Western world towards all other people. The lyrics draw clear parallelism between the modern capitalist corruption and the old aristocratic addiction to privilege at all costs.

The band adds:

“This song was one of the last ones to come up in the pre-production of the album but immediately stuck in our heads and we knew it would become a single. Its baroque-like riff, upbeat tempo, and the pauses almost gave the song a heartbeat of its own. Keyboardist Paolo Andreotti states: “The lyrics were also the more genuine to come up, without much preparation, without the historical research of the others. It felt almost like they were already buried in the song and I was just digging them up”. We all love different cultures and folklore and we think that the globalization that started with colonialism and imperialism has made it harder to appreciate all the different aspects of them. The Red Charade is this travesty that oligarchs disguise as a victory while their hands are full of the blood of innocent people.”

Listen to “The Red Charade” at the following links:

Spotify – https://spoti.fi/3rssXsM
Lyric Video – https://youtu.be/P-VeWDbPy2U

Digital streaming platforms – https://bfan.link/the-red-charade

Crusade of Bards “Tales of The Seven Seas” is due out on February 18, 2022 and is recommended for fans of Epica, Eluveitie, Alestorm.

Album pre-order – https://bit.ly/tales7seasCD


Track Listing:
1. Anuri (1:57)
2. The Northwest Passage (5:53)
3. An Ocean Between Us – Part III – A New World (5:56)
4. Dunkirk Privateers (3:48)
5. Vento Aureo (5:14)
6. Naupaktos (4:56)
7. Manti (interlude) (0:24)
8. The Red Charade (5:28)
9. Hasard (3:06)
10. Samudr Ka Mandir (4:38)
11. Lies & Ashes (5:23)
12. Leap Of Faith (5:16)
13. The White Witch (4:46)
14. As above, so below (outro) (1:28)
Album Length: 58:18

Crusade of Bards are:
Eleanor Tenebre – Vocals
Eduardo Guilló – Vocals
Paolo Andreotti – Keyboards & Vocals
Adrian Carrero – Lead & Rhythm Guitars
Marc Brode – Bass Guitars
Jorge “You” Homobono – Drums

Orchestral Arrangements by Dani G at Estudios Dynamita.
Acoustic Guitars recorded by Pablo Coello at California Studios.
Bagpipes recorded by Andrea Joglar at Estudios Dynamita.
Guest Vocals on Track 2 by Lady Ani.
Guest Vocals on Track 11 by Fabio Lione.
Pre-Production by Victor Saiz at California Studios in Madrid, Spain.
Produced by Dani G & Crusade of Bards.
Recorded at Estudios Dynamita in Viella, Asturies, Spain between September & December 2020.
Arrangements by Dani G & Adrian Carrero.
Engineered by Dani G.
Mixed & Mastered by Dani G at Estudios Dynamita between March & May 2021.
Front cover art & booklet by Daniel Alonso (www.danielalonso.es)
Photoshoot by Nat Enemede.
Make-Up & Hair by Natalia Barrios.
All music & lyrics by Crusade of Bards.

For more info:
Rockshots.eu
Facebook.com/CrusadeBards
Instagram.com/crusadeofbards_

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Calgary’s CAVEAT Reveal Teaser, Artwork and Track Listing For Upcoming Album “Alchemy” Out Feb 11th

  • December 1, 2021
  • by Asher
  • · Caveat · Music News

NEWS RELEASE

Montreal, QC – December 1, 2021

Calgary’s CAVEAT Reveal Teaser, Artwork and Track Listing For Upcoming Album “Alchemy”

New Album “Alchemy” Out Feb 11th, 2022


L-R Joe Sikorski – Guitars, Greg Musgrave – Guitars & Vocals, Amanda Marie Bourdon – Vocals & Keyboards, Casey Rogers – Drums, Matt Petti – Bass
Photo Credit – Monika Deviat

Canada’s Caveat (ft. members of Greybeard, Illuminated Minerva, Exit Strategy) is one of the longest-running metal bands in their home province of Alberta and after being relatively quiet for the last while they are charging out of the gates with a new album “Alchemy” slated for release next year.

One of the most definitive things about Caveat’s sound in recent years is the addition of Amanda Marie Bourdon on vocals, leading to a duality with Greg Musgrave, which offers an aural dynamic that sets them apart from their peers: the ability to go from soft crooning to rip-your-face-off aggression, which is showcased in the upcoming release. According to the band, “Alchemy” has an almost soundtrack vibe to it, which separates it from anything that they’ve done in the past. They explain further:

“We are hoping that it will be received well. This will be the second album featuring Amanda Marie Bourdon, who first appeared on our last album Consummation adding her vocal talents on select tracks. This time around, Amanda’s voice has been utilized much more, she has been the front-woman of the band, which is a very different dynamic from Greg being the main lead vocalist since the inception of the band. That said; Amanda’s performance on the album will speak for itself, we think fans will really dig it.”

“Alchemy” is completely done in-house by the band, it was produced and mixed by guitarist Joe Sikorski and mastered by drummer Casey Rogers. It will be the fifth addition to the band’s discography.

Caveat was formed in 2001 by Greg Musgrave with the intention of creating a band that could pull off both a full-on ‘metal’ set, as well as be able to go play a more laid back contemporary set of more eclectic material, but under the same band name with the same members.

Equally progressive, and aggressive, Caveat is suitable for fans of Megadeth, Meshuggah, and Opeth.

“Alchemy” will be available on February 11, 2022.

An album teaser can be heard at https://youtu.be/A3XWYbqTDkU


Track Listing:
1. Silver (7:03)
2. Alchemy (7:08)
3. Infinite (6:44)
4. Black Mirror (7:06)
5. Ghost (8:35)
6. Until Dawn (5:55)
7. Zero Hour (7:21)
Album Length: 49:54

For more info:
Facebook.com/caveatcalgary
EPK

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Decerebration – Follow The Scars (2021)

  • November 30, 2021
  • by Asher
  • · Decerebration · Music News

EPK – Decerebration – Follow The Scars (2021)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

““We started in the early 90s. We were kids that didn’t know what they were doing besides writing what we thought were good death metal songs with typical death metal lyrics. More than 20 years have passed since our last release of new music, and we wanted to show how we have evolved as persons and musicians. We wanted to stay true to our old school death metal roots while adding new elements to our music such as clean vocals. We really like the music we were able to write for the new album. We think old fans and new fans will find something for them in our new songs and we can’t wait for them to hear the album. “Follow the Scars” is also a look into our personal lives over the past twenty years lyrically. The lyrics are not the typical death metal lyrics we used to write. Not because we want to deny our past but because we wanted to talk about the issues we faced in our lives. Just like the music the lyrics are a product of how we have matured and evolved as human beings and musicians. We wanted the lyrics to reflect that.” – Decerebration

 

For fans of Suffocation, Cannibal Corpse, Testament, Death, Sepultura

Album Title: Follow the Scars
Release Date: December 17, 2021
Label: Self-Release

Facebook.com/Decerebration | Instagram.com/decerebrationband.official | YouTube

Decerebration.bandcamp.com | Spotify | Apple Music

“If you aren’t familiar with Decerebration but enjoy the likes of Suffocation or Cannibal Corpse, you should find this an interesting and rewarding listen, and you can’t fail to be inspired by the positivity out of adversity message behind the release either.” – Metal Talk

“‘Follow the Scars’ feels like a record designed to destroy live shows, obliterate necks and pits, and it does that with fucking triumph.” – The Killchain Blog

“solid riffs in here, and the thick bass really lifts this album up a lot.” – Metal Epidemic

“Decerebration fut pour moi une TRÈS belle découverte. 8.5/10” Ondes Chocs

“neuf titres de death metal rustiques et mal dégrossis, pas forcément très brutaux mais épais comme un bon gruau.” – Soil Chronicles

“Follow the Scars” rolls forward and whatever gets in its way, it buries uncompromisingly alive, dismembers and destroys. It’s like an old rusty bulldozer that has stood aside for years, only to be revived, greased with tainted blood and called back into service. On its side, like the coffin mentioned in the introduction, it bears the inscription DECEREBRATION. I confess that, even if I crawl into some dark corner, this is my first encounter with the band. I really enjoy the album; it brings out the dark side in me. I’m so glad that the Canadian beast has come to life again. Mark “Follow the Scars” with a high-quality mark! Morbid death metal exhumed from old graves! Well, done!” – Deadly Storm Zine 

[Download Album Cover | Download Album Lyrics]

Album Title: Follow the Scars
Release Date: December 17, 2021
Label: Self-Release

Track Listing:
1. Scorched Memories (1:47)
2. Infamous Duality (4:24)
3. A Ghost of Flesh and Blood (4:20)
4. Follow the Scars (4:34)
5. Break the Cycle (4:45)
6. The Factless Prophecy (4:21)
7. The Gift of Anger (4:48)
8. I Despise (5:36)
9. L.T.E.I (2:29)
Album Length: 37:09

Album Credits:
• All songs performed by: Decerebration
• All songs written by: Julien Souque / Nicolas Cantin / Olivier Doyon
• Produced by: Decerebration and François C. Fortin – Studio La Boîte Noire
• Mixed by: François C. Fortin – Studio La Boîte Noire
• Mastered by: François C. Fortin – Studio La Boîte Noire
• Album Artwork by: https://www.facebook.com/gorgingsuicideart
• Canadian Content (MAPL)

Album and Live Band Line Up:
Fudz Hubert – Vocals
Julien Souque – Guitar
Nicolas Cantin- Guitar
Mathieu Faucher – Bass
Olivier Doyon – Drums / Clean Vocals

===========================================

The album as a whole explained by the band:

Follow the Scars is a very personal album lyrically. We wanted to use our personal life experiences to write the lyrics of the songs. We felt it was important to do so instead of going the typical death metal lyric route. Musically we wanted to keep our old school death metal roots and have slammy and melodic parts to the songs. We wanted to showcase how a death metal musician can evolve over the years after being exposed to many different genres of music and showcase that in some of our songs. For example, the clean vocal chorus in Follow the Scars. We also wanted more structured songs and not a dozen different riffs glued together the make a song, as we did before.

Track by Track explained by the band:

1. Scorched Memories: This is the intro. It is about someone entering their own mind. It is also about not being able to let go of the past and what’s dragging you down, the sound of the chains is an example of that. The melody in the intro is also a riff in the first song, this is intentional. We wanted to set the table.

2. Infamous Duality: The first single off the album. Infamous Duality is about having to choose between a comfortable but unhappy life and leaving that comfort to live the life you are meant to live. Musically, there is a lot of old-school death metal influence. We wanted the single to show we are still Decerebration!!

3. A Ghost of Flesh and Blood: Another old-school death metal song, which represents our style of writing very well. Melodic and heavy riffs mixed together to make a song. Lyrically, this song is about personal relationships. It is about being with someone that is not good for you while at the same time being around another person that would be right for you. You see this person but until you leave the other relationship, this person is a ghost…of flesh and blood.

4. Follow the Scars: Musically, this song has a clean vocal chorus. It is the first song in the album where you can hear our musical evolution. It starts with fast, thrash metal riffs and goes into heavy, slammy verses. There is also a very simple breakdown in the middle of the song. Lyrically, Follow the Scars is about going through a traumatic event, like sickness, for example, beating it and coming out stronger than you were before. The scars are meant to show the battle you fought.

5. Break the Cycle: “Break the Cycle” is about being able to let go of the past and stop repeating the same behaviors the keep bringing you down. It’s a very straightforward, fast, in your face kind of song. At the same time, it incorporates slower and more melodic riffs and blast beat riffs, something that represents Decerebration well.

6. The Factless Prophecy: “Factless” lyrics were written at the height of COVID. It is about people being mindlessly led by political leaders and accepting everything as fact without questioning. Again, this is a song that represents Decerebration’s style well, melody and heaviness. Fun musical fact, some riffs in the song were written in the late 90s and never used until now!!

7. The Gift of Anger: This is a very heavy song. We decided the step outside the box with this one by having a clean vocal bridge and vocal harmonies over clean guitar right after. It is a slow and heavy song about using anger as a tool to better yourself and “ascend” to another level instead of self-destruction.

8. I Despise: Probably the most violent song on the album. Musically, it starts with fast thrashy verses to a more melodic chorus. It has a heavy breakdown in the middle that leads into a fast, blast beat bridge. It is violent because the lyrics themselves are. It is about realizing that you are responsible for staying in a bad relationship for years and not doing anything about it. Basically, “I Despise” is someone talking to themselves.

9.  L.T.E.I: It’s an abbreviation for Libera Temet Ex Infernis. It means “free yourself from hell” in Latin. The outro is a darker beginning and the end is happier melodically. This is meant to show what happens when you literally free yourself from things that are bad for you.

STORY ANGLES / FUN FACTS ABOUT THE BAND

1. “Follow the Scars” is the first album of new songs in more than 20 years. It is also a very personal album because they talk about their lives and what happened to them for the past 20 years. They also chose to incorporate clean vocals in some of their new songs, something that they had never done before. They felt going off the beaten past for once would be a good thing. In the end, they are very proud to share “Follow the Scars” with the world, old and new fans alike.

2. The recording process for “Follow the Scars” was brand new for them. They tracked the guitar, drums and bass at home using Cubase. Very different from when they had to go for days in a studio to track the instruments. It allowed them to take their time and make sure they delivered their best instrument playing.

3. François C. Fortin of the studio La Boîte Noire in Quebec City really took the band’s sound to the next level. They never thought they could sound like this in a million years. His talent as a sound engineer and producer mixed with the new technologies available made that possible.

4. Even after 20 years, the core of the band is still the same (Fudz, Julien, Nicolas and Olivier). Mathieu, a long-time friend was welcomed in the band in 2011 when they got back together to play some shows. Decerebration is more than just a band to them, it is a family, and they don’t think the band could work with different people in it.

5.  Fun fact: Their drummer plays exclusively on a Roland V-Drum, even at shows. They can practice in a smaller room at a lower volume and the drum sound is always perfect. The drum sound at shows is awesome too. People are doubtful before they begin the show, but after the first few notes, they forget it’s a V-Drum.

6. The band was stripped search by U.S. customs on their first (and only) border crossing as a band to play a show in Virginia in 1993. They eventually let them through, but as 17-18-year-old kids, they were petrified. Makes a good story though!!

L to R – Nicolas Cantin – Guitar, Olivier Doyon – Drums, Clean vocals, Fudz Hubert – Vocals, Julien Souque – Guitar, Mathieu Faucher – Bass
Photo Credit – Anne-Frédérique Souque

Decerebration is self-releasing their new album “Follow the Scars” on December 17th, 2021. A return to the band’s old school death metal roots mixed in with slammy riffs, guitar harmonies and some evolutionary twists. Old school and new school fans alike will find there is something for them in Follow the Scars. Decerebration hopes to hit the stage across Quebec and elsewhere in 2022.

Discography:
2021 – Follow the Scars – LP
2015 – Decerebration (re-recording of the 1998 album, 10 songs, CD and streaming)
2013 – Respawned – LP (compilation release)
1998 – Decerebration – LP
1995 – My Inner Impurity – EP (CD and Cassette)
1994 – Pure Hatred – LP (Cassette only)

Shared Stage with:
Dying Fetus, Cannibal Corpse, Suffocation, Cynic, Sinister, Incantation, Malevolent Creation, Kataklysm, Internal Bleeding, First Fragment and many more.

0 Canada’s DEATH PERCEPTION Confront The Agony Of Suicide Through New Music Video “Ashes To Mourn”; New Album Out Now! “Ashes” via WormHoleDeath

  • November 30, 2021
  • by Asher
  • · Death Perception · Music News

NEWS RELEASE

Montreal, QC – November 30, 2021

 

Canada’s DEATH PERCEPTION Confront The Agony Of Suicide Through New Music Video “Ashes To Mourn”

New Album Out Now! “Ashes” via WormHoleDeath

L-R: Adam Baldwin (Bass) | Nathan Fraser (Drums) | Brian Lewis (Guitar) | Dana Bowman (Guitar) | Kyle Young (Vocals)
Photo Credit – Christine Fraser

Canada’s Death Perception released a blisteringly fast album this year, entitled “Ashes”, off which, they have recently released a music video for the single “Ashes To Mourn”. Although the band typically doesn’t stray from the death metal formula they have been finessing over the years, they incorporate some black metal vibes into this single, a dash of bleak melodies to highlight the pain that comes through in the lyrics. The band explains the track:

“This song has so much pain inside of it. We experienced the loss of a close friend to suicide. When this happens you never fully understand or accept what they were thinking and why they dealt with their lives in such a reckless way. It hurts to know that you couldn’t help them. They might not have even wanted you to, even if you could have known ahead of time what they were about to do. Silence, that can be what causes their pain, or how they hide it, and that’s all you’re left with after they’re gone.”

The album “Ashes” has been five years in the making and can be seen as a massive growth spurt for the band, who have expanded melodically as well as touched on deeper subject matter in their writing while maintaining their original sound. They are in a completely new direction, have been experimenting with new studios, new album artists, new gear, and new perspectives, and they have grown considerably.

Unnerving and forceful, Death Perception doesn’t pull any punches when it comes to their take on death metal. They cover a lot of themes throughout their lyrics and combine them with punishing riffs, melodic creaks, and unforgiving vocals, guaranteed to get you banging your head.

Recommended for fans of Lamb of God, Whitechapel, and Devildriver, the album “Ashes” was released on June 18, 2021 via WormHoleDeath and is available on all digital platforms here.

The video for “Ashes To Mourn” can be watched on YouTube https://youtu.be/27yfUU3tdk8.

Track Listing:
1. Bleed to Death (3:20)
2. Scars Over Skin (4:00)
3. In Plain Sight (3:47)
4. No Tears for the Dead (3:08)
5. Crimson Darkness (5:22)
6. The Kill (2:55)
7. Wars (3:19)
8. Vermin (2:27)
9. Final Breath (4:03)
10. Ashes to Mourn (5:01)
Album Length: 37:26

Album & Live Band Line Up:
Kyle Young – Vocals
Dana Bowman – Guitar/Vocals
Brian Lewis – Guitar
Adam Baldwin – Bass
Nathan Fraser – Drums

Album Recording Credits:
• All songs performed by: Death Perception
• All songs written by: Death Perception
• Produced by: Steve Haines & Death Perception
• Mixed by: Steve Haines at Poseidon Studios
• Mastered by: Jamie King
• Album Artwork by: Stefan Koidl and Anthony Haley
• Member of SOCAN
• Canadian Content (MAPL)

For more info:
Facebook.com/333DP
Instagram.com/deathperception

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Edmonton Thrashers TYMO Share Teaser For 2022 Album “The Art Of A Maniac”

  • November 30, 2021
  • by Asher
  • · Music News · Tymo

NEWS RELEASE

Montreal, QC – November 30, 2021



Edmonton Thrashers TYMO Share Teaser For 2022 Album “The Art Of A Maniac”

Reveal Album Artwork & Track Listing

“The Art Of A Maniac” Due Out February 5, 2022


L-R – Nick Schwartz (Guitar), Tim Tymo (Vocals & Guitar), Marc Durie (Drums), Harlen Jacobs (Bass)
Photo Credit by Dana Zuk

Canadian thrashers Tymo announce they will be unleashing their new album “The Art Of A Maniac” this coming February 2022. The full-length follows their 2017 debut “Purge & Reset” and will offer up nine high-velocity moshing bangers on a theme of destruction and chaos. The album is self-produced by the band with mixing and mastering done by Graham Smith at Atreus XO Studios along with the cover artwork created by Andrei Bouzikov (Vektor, Municipal Waste, Skeletonwitch, Toxic Holocaust).

Vocalist and guitarist Tim Tymo comments:

“Themes of destroying to gain control and take over! Lyrically and musically the album moves very fast, we wanted to create a feeling of chaos happening all around the listener! We touch on subjects of mental illness, alien invasion, civil conflicts, social media, and substance abuse! We accompany that with fast riffs, shreddy solos, and thick angry vocals!” 

“The Art Of A Maniac” is a great representation of where the band stands now on the thrashing front. Tymo took extra time over the pandemic to make sure they were satisfied with everything. They pushed their speed and playing boundaries on this record. Fans familiar with their last album “Purge & Reset” along with new thrashers will definitely take notice.

“Any fans of thrash metal will definitely appreciate this record and we hope it’s added to their collection. Definitely our most aggressive and most focused record yet!” adds the band.

“The Art Of A Maniac” is due out on February 5, 2022 and is recommended for fans of Megadeth, Slayer, Lich King, Municipal Waste, and Exodus.

In preview to the sophomore record’s release and upcoming singles, Tymo is sharing an album teaser at the following link – https://youtu.be/RLEvin125UE

 

Their 2020 single “Sanity Clause”, which has been added to the track listing of “The Art Of A Maniac” can also be heard at https://youtu.be/efhmu5FVslg


Track Listing:
1. Tymonicide (2:55)
2. Sanity Clause (2:54)
3. Mars Attacks (3:44)
4. Estrogenocide (4:11)
5. Age Of Deception (2:42)
6. The Roy Parson Project (3:10)
7. War Beneath The Skull (4:12)
8. The Art Of A Maniac (3:41)
9. Alcoholocaust (4:32)
Album Length: (32:01)

For more info:
Tymo.ca
Facebook.com/tymoband
Twitter.com/tymoband
Instagram.com/tymoband
EPK

About:
“A golden shower of thrash metal!” Six words to sum up Tymo! A band whose attitude lives up to the title of their debut album “Purge & Reset”. Lead guitarist and vocalist Tim Tymo explains that the origin of the title is more than words; it is a statement of lost faith in humanity. “Let’s just say we have a creator or superior being. If this god gave up everything we needed to flourish and returned to see all the wars and corruption, it would want to wipe the slate clean and start over. Hence…PURGE AND RESET!

Formed in Edmonton in 2015, Tymo is comprised of Tim Tymo as the lead guitarist and vocalist, Nick Schwartz on rhythm guitar, Harlen Jacobs on bass, and Marc Durie on drums.

Tim Tymo describes the band’s sounds as “loud, angry, and explosive thrash”. Tymo has a serious mission to entertain their fans. “We love writing and performing, and we all share a common passion for thrash metal. We wanted to reference our heroes and mix up that inspiration with our own brew and see what we came up with, and here we are. We want to give people a source of inspiration and excitement!

Tymo’s debut album “Purge & Reset” was released in August of 2017 and Tymo performed shows in support of the album throughout 2018. The band returned to the studio in early 2019 to record a single entitled “Sanity Clause.” It was released in late 2019 with very positive reviews and sold-out shows! Due to Covid 19, the band spent much of 2020 in the studio recording their follow-up album to Purge & Reset!

As of 2021, Tymo performed at the Loud As Hell Festival 2021 and has finished recording their next full-on thrash album! Much faster and more aggressive than Purge & Reset. The album entitled “The Art of A Maniac” is planned to be released in 2022 and Tymo has a mission to expand its audience and dominate the world! Planning to tour Europe and many other countries.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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