Category: Music News

0 MALICE DIVINE Announces Empowering Extreme Metal Sophomore Album “Everlasting Ascendancy”

November 29, 2022
by Asher
· Malice Divine · Music News

NEWS RELEASE

Montreal, QC – November 29, 2022

MALICE DIVINE Announces Empowering Extreme Metal Sophomore Album “Everlasting Ascendancy”

Driven by a passion for dark brutal music and the desire to have full creative control, Toronto’s Ric Galvez created his one-man project Malice Divine. It allows him to weave extreme black metal together with his interests such as the paranormal, spirituality, and psychology along with lived experiences. The debut self-titled able was released in 2021 and now that is being followed up with “Everlasting Ascendancy”, a dynamic experience that is more aggressive than the first, especially in the vocal delivery, but there is still plenty of melody and catchiness to be found within. Galvez shares his excitement for the record:

“I am incredibly excited to finally have the sophomore Malice Divine album “Everlasting Ascendancy” released into the world! With this album, I am aiming to have the listener feel empowered and inspired to go after what they want in life and not settle for less. I poured my heart and soul into this album, which will be apparent both musically and lyrically. Despite the music obviously being extreme metal, that doesn’t stop me from writing about very personal matters. A lot of the songs on this album have complex song structures, but there is also a lot of catchiness and melody to make this album a very memorable listen, nonetheless. All in all, I am incredibly proud of this album, and I can’t wait for everyone to hear it!”

The message of Malice Divine is one of empowerment and that message can be found throughout all eight tracks on “Everlasting Ascendancy” in some shape or form. According to Galvez, there is plenty of melodies to be found within the classical guitar sections, which is a major part of Malice Divine’s sound. The solos on this album are even more virtuosic than before as well. Lyrically the album explores themes such as the paranormal, revenge, determination, spirituality, and reclamation. Two of the eight songs on this album are quite old, even older than most of the music on the self-titled debut album.

Recommended for fans of Dissection, Immortal, Skeletonwitch, and Watain, “Everlasting Ascendancy” comes out on January 27, 2023.

Album Trailer – https://youtu.be/HtpTgxAtE68

Pre-Save the album here: https://distrokid.com/hyperfollow/malicedivine/everlasting-ascendancy-2

Pre-Save the single Silenced Judgement, to be released December 16th, 2022: https://distrokid.com/hyperfollow/malicedivine/silenced-judgement-2

Pre-Save the single / title track Everlasting Ascendancy, to be released January 6th, 2023: https://distrokid.com/hyperfollow/malicedivine/everlasting-ascendancy

Track Listing:
1. Silenced Judgement (4:10)
2. Apparitions Of Conquest (8:22)
3. Usurping The Paragon (6:07)
4. At One With Infinity (6:06)
5. Parasitic Demons (5:39)
6. Reclaimed Strength (5:31)
7. Illusions Of Fragmentation (8:39)
8. Everlasting Ascendancy (8:10)
Album Length: 52:44

Album Recording Credits:
• All songs performed by: Malice Divine
• All songs written by: Ric Galvez
• Produced by: Tyler Williams
• Mixed by: Tyler Williams
• Mastered by: Jamie King
• Album Artwork by: Eka Saputra (Psychopart)
• Canadian Content (MAPL)

Album Band Lineup:
Ric Galvez – Vocals/Guitars/Bass
Dylan Gowan – Drums (Session)

For more info: Facebook.com/malicedivineband | Youtube.com/malicedivine | Instagram.com/malicedivineofficial

About: Toronto, Canada’s Malice Divine is a solo project conceived by Ric Galvez, who had always had the dream of being the leader of his own project. He wanted to expand beyond being known as just a lead guitarist, into also being known as a songwriter, vocalist, and frontman. Ric has played in local bands previously and was a contestant on Banger TV’s Shredders of Metal Seasons 1 & 2.

Ric has a major in music from York University, and through Malice Divine he shows off his vocal, guitar, and bass prowess. His lyrics are inspired by psychology, spirituality, as well as personal experiences that involve the overcoming of obstacles and hardships, using the resulting verses as a form of empowerment.

The second offering from Malice Divine, entitled “Everlasting Ascendancy”, will be released in early 2023. Once again it features Ric Galvez on Vocals, Guitars, & Bass, as well as Dylan Gowan (Vesperia, Banger TV) playing session drums. Malice Divine is also currently transitioning from being a solo project into being a band effort, and is set to start performing live in 2023. What people can expect from seeing Malice Divine live is highly aggressive black and death metal-inspired music, with shreddy and virtuosic guitar solos that add a melodic layer that isn’t common in the genre.

Malice Divine’s sophomore album “Everlasting Ascendancy” is set to be released January 27th, 2023.

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“Malice Divine hop back and forth between coming off like a death metal band doing covers of stuff they’ve recorded as a black metal band and coming off like a black metal band doing covers of stuff they’re recorded as a death metal band.”- Decibel Magazine

“Whether you’re into death metal, progressive metal, or epic metal, this album ticks all of those boxes effortlessly.” – Powerplay Magazine

“What exactly does Malice Divine bring to the table? Judging from “In Time” alone, the project brings a great cornucopia of gripping riffs, virtuosic soloing, constantly dynamic rhythms, harrowing vocals, and a talent for interweaving variant melodies that turn out to be memorable, as well as an ability to make such kaleidoscopic music both cohesive and catchy. The opening sequence of riffs begins to establish the pattern, shifting from sensations that are slow, dismal, and perilous to spidery and feverish, and then to cold and cruelly deranged. But that’s just the start of this dark but exhilarating piece.” – No Clean Singing

“My time with Malice Divine has shown me that Ric Galvez is a talented vocalist, guitarist, and songwriter, and fans of blackened and/or melodic death metal are highly encouraged to check it out. Malice Divine has planted their flag squarely on my radar, and I’m excited to see what Galvez comes up with on the next go-around.” – Angry Metal Guy

“Black Metal, Thrash Metal, Death Metal thrown into an insane blender of savage brutality\m/ \m/” – Heavy New York

“his self-titled debut is a very guitar-centric slab of Black/Death that sounds like a mixture of Dissection’s melodic sensibility with Skeletonwitch’s relentless energy. The playing is as sharp and precise as you’d expect it to be, and some of the leads are really superior…” – The Metal Crypt

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Quebec City’s UPON YOUR GRAVE Presents Shredding Playthrough “From Beyond” Off New EP “Gold & Decay” – Mixed and mastered by Chris Donaldson (Cryptopsy)

November 28, 2022
by Asher
· Music News · Upon Your Grave

NEWS RELEASE

Montreal, QC – November 28, 2022

Quebec City’s UPON YOUR GRAVE Presents Shredding Playthrough “From Beyond” Off New EP “Gold & Decay”

New EP “Gold & Decay” Out Now! – Mixed and Mastered by Chris Donaldson (Cryptopsy)

L-R – Yan Pelletier (Bass), Sim Diamond (Lead Guitar), Jordan Jolicoeur (Vocals), Sebastien Gagne (Drums), Alex Bussieres (Rhythm Guitar)
Photo Credit: Etienne Dionne (Mute Drummer)

Quebec death metal Upon Your Grave is sharing with fans their latest shredding playthrough for their “From Beyond” off their recently released EP “Gold & Decay” mixed and mastered by producer Chris Donaldson of Cryptopsy. Genuinely aggressive, full of blazing guitar riffs and an insane solo, the playthrough by guitarists Sim Diamond (finalist on Banger TV’s Shredders of Metal Season 1) and Alex Bussieres can be viewed via Slam Worldwide – https://youtu.be/CIwu_ghM2ck

The band adds about the track:

“From Beyond talks about the event of encountering a being naturally bound from outer space, while we first explore those endless confines after discovering space travel. A monstrosity unbound by our human conceptions of organic possibilities. The vocals range has it all in this one. from gutturals to high pitches, following grandiose agencements on guitars and epic melodic riffing providing a satisfying experience for the ears. All culminating in an epic solo for icing on the cake. It’s a song we had fun creating and enjoy it more and more each time we play it.”

Upon Your Grave‘s latest offering features five tracks that each show off the capabilities of this band that has been around since 2009. Over the years, they have experimented with their sound and are now steady and impressive. A live show involves energy, full-on impact with the crowd, funny moments, and overall a tight performance, that is true to the recordings.

Proving that work ethic and perseverance can truly refine a band’s sound to what they had always been striving for, this new release will be a fresh start for great things to come and is only the beginning of a flourishing career.

Upon Your Grave delivers everything discerning metalheads look for on a record, they incorporate crushing vocals blended with catchy melodies, bad-ass guitar riffs, along with memorable solos. The EP is recommended for fans of Daath, Lamb of God, and The Black Dahlia Murder.

The EP “Gold & Decay” is available at Uponyourgrave.bandcamp.com, Spotify.

Music Video – “Supremacy” – https://youtu.be/Wt4kw3d6bTE

Music Video – “Pandora” – https://youtu.be/zukpcrmhwxE

Lyric Video – “Transcend” – https://youtu.be/-BnBzcjmZJ4E

Show Dates:
Dec 10 – La Source de La Martiniere – Quebec, QC (EP launch show)

Track Listing:
1. Revived (0:40)
2. From Beyond (4:57)
3. Pandora (3:04)
4. Supremacy (4:59)
5. Transcend (5.02)
EP Length: 18:01

EP Lineup:
Yan Pelletier – Bass
Sim Diamond – Lead Guitar
Jordan Jolicoeur – Vocals
Sebastien Gagné – Drums
Alex Bussieres – Rythm Guitar

EP Credits:
– ALL SONGS PERFORMED BY : UPON YOUR GRAVE
– ALL SONGS WRITTEN BY : SIM DIAMOND
– PRODUCED BY : UPON YOUR GRAVE
– MIXED BY : CHRISTIAN DONALDSON
– MASTERED BY : CHRISTIAN DONALDSON
– EP ARTWORK BY : MEIKE HAKKAART

For more info:
https://www.facebook.com/UponYourGrave
https://www.instagram.com/uponyourgrave
https://www.twitter.com/UponYourGrave

Quick EPK – https://wp.me/pciNW-i76

About:
Established in 2009, Quebec, Canada-based death metal act, Upon Your Grave, is finally back swinging.

In 2019, at the dawn of the band’s 10th anniversary, Sim Diamond, Alex Bussieres and Jordan Jolicoeur grasped the opportunity given by the lockdown to start writing and rehearsing for a new album. This is their first effort since the Eponym debut album back in 2013. During their time away from Upon Your Grave, each member stayed active by releasing albums with other projects like Vibrant Heels and Universal Minds. Lead guitarist Sim Diamond also got to be part of Sam Dunn’s Shredders of Metal season 1 and made it all the way to the finals in Toronto. Now adding two new members to the mix, Sebastien Gagné on drums and Yan Pelletier on bass, two good friends from the local band Scars Of Disgrace, the band had found their perfect lineup to go forward.

With the help of a successful GoFundMe campaign, the band was able to go record a new EP with Chris Donaldson of Cryptopsy in March of 2022. this collaboration was the perfect fit that would elevate their performances to a more genuine and aggressive sound. Incorporating crushing vocals blended with catchy melodies, bad-ass guitar riffs and memorable solos that remind us of bands such as Daath, Lamb of God, Sylosis and even All Shall Perish.

Gold & Decay proves that work ethic and perseverance can truly refine a band’s sound to what they had always been striving for. This new release will be a fresh start for great things to come and is only the beginning of a flourishing career.

– 30 –

“Kicking off with a forty-second acoustic intro – ‘Revived’ then immediately goes into ‘From Beyond’ which is a chugging banger of a tune with some serious guitar work and loads of double kick drum action. ‘Pandora’ is more aggressive with a riff Slayer would kill for and watch how it slows to a heavy grind halfway through before things get serious again on ‘Supremacy’ which is rapid and vicious with a superb solo from Sim Diamond, reminding of Rob Dukes era Exodus. ‘Transcend’ is not hippy, trippy as the title would suggest instead it’s all-out brutality with a sing-a-long chorus! Only four tracks, five if you count the intro, they don’t hang about, but they contain some excellent tunes. If this is the direction Upon Your Grave is going then they will be at the top very soon. Let’s have some more soon!” – My Global Mind

“If you like your Death Metal to come in many different flavours, then you should really like this EP, from Quebec City’s Upon Your Grave. The band made a wise choice in getting Cryptopsy guitarist, Chris Donaldson to mix and mastered this release as it’s the showcase for their new sound… and far from just testing the waters with this EP, they’ve just set the bar for everything they do going forward. If you want straight down the middle Death Metal, a slightly brutal edge or the more melodic side of the genre, Upon Your Grave pack it all in, in just under 19 minutes.” – Smorg Mag

“Upon Your Grave is still going strong, and their rage remains alive. Gold & Decay allows musicians to return to the forefront of the scene by affirming their aggressive roots.” – Actain Infernalis

“Finishing the tsunami “Transcend” is an absolute tour de force of modern Groove laden Death Metal with chunky riffs, blast beats and a sublime extended solo from Diamond that is worth the admission fee alone. There are no two ways about it, Upon Your Grave need to get back on the road and then back in the studio with Donaldson at the helm because like a Vampire suffers from a bloodlust, we need to hear more from them… [8/10]” – Metal Noise

“UPON YOUR GRAVE has a lot of energy to extinguish throughout their debut, it consists of great ideas and musical diversities. The band’s passion for traditional Melodic Death Metal is noticed and felt, yet their combination of Rock and progression really benefited their efforts even more. This one is highly recommended, get ready to bang your heard.” – Metal Temple

“You can imagine lead axeman, Sim Diamond, stood side-on with bow-legged enthusiasm, holding his guitar in the air as he scrapes the opening notes to ‘From Beyond’. This song demands a video of the band thrashing at their instruments in an autumnal Canadian woodland wearing fingerless gloves. The main rhythm drips with a ghoulish sense of suspense, and the solo will remind you of ‘Painkiller’ by Judas Priest. Imagine a groove metal band covering Morbid Angel with the guttural vocals of Jungle Rot. Indeed, the Wisconsin quartet are the obvious comparison to the new version of Upon Your Grave. They shower you with an abundance of syncopated palm-mutes and tremolo tags to keep you guessing. How often do you wonder if modern Carcass are a death metal version of Kreator? The same observation rears its head here. Sebastien Gagné’s drums enhance the mix with an extra layer of steel.” – Scream Blast Repeat

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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Instagram @AsherMedia
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0 Descend Into Post-Metal Despair With “To Which I Bore Witness” From THEY GRIEVE + Post Album Teaser & Pre-Order

November 28, 2022
by Asher
· Music News · They Grieve

NEWS RELEASE

Montreal, QC – November 28, 2022

Descend Into Post-Metal Despair With “To Which I Bore Witness” From THEY GRIEVE + Post Album Teaser & Pre-Order

Photo Credit – Ev Osmanovic

“To Which I Bore Witness” is the second release from Canada’s post-metal duo They Grieve via Silent Pendulum Records. Taking the form of an introspective journey, it is meant to be depressing. The listener will be confronted with sad, loud music that’s not meant to cross into anger. The band wants people to sit with the album’s sadness and find comfort or kinship within. Each element of the release from the music, to the artwork, to the liner notes, is very intentional and suggested to be enjoyed as a whole. The band explains further:

“This album, both lyrically and musically, tries to capture the uncomfortable juxtaposition between weakness and weight. We are constantly trying to express the ways in which the ugliness and decay we see in the world sets itself down and plants its roots inside of us—how the weight of the world transforms into our own weakness once it has done so. We try to capture this feeling of juxtaposition and tension within the music itself by oscillating between ambient, textural drones and heavy, doom-laden riffs.”

They Grieve hopes that their music fills a niche not quite like other post-metal acts who are currently active. They feel that they offer a nuanced blend of doom(ish) metal and post-metal ambiance without diving into the more typical harsh noise territory. The production value of “To Which I Bore Witness” is a clear step up for them. Compared to the self-recorded debut EP, “I Made My Sacrifice Accordingly”, this new offering does a much better job of capturing the atmosphere and energy of their live performances.

A cold embrace of post-metal colliding with ambient drone, “To Which I Bore Witness” is recommended for fans of The Body, Cult of Luna, and Bell Witch. The album was produced by Topon Das (F*ck The Facts) at Apartment 2 Studio along with mastering done by Dave Williams at Eight Floors Above and additional tracks recorded by Alex Jakimczuk at Uppercut Studios. Album artwork was done by Pascale Arpin.

It can now be pre-ordered with a release date of February 24, 2023, via Silent Pendulum Records.

Album teaser – https://youtu.be/I2x696h8LCw

Album pre-order

– https://silentpendulumrecords.com/collections/all-products

– https://silentpendulumrecords.bandcamp.com/album/to-which-i-bore-witness

Track Listing:
1. Wither (7:12)
2. Under the Weight (7:23)
3. If Light Should Appear (7:00)
4. To Which I Bore Witness (6:43)
5. Guided (3:18)
6. Weakness (8:01)
Album Length: 39:40

Album Band Lineup:
Gary Thibert: Guitars, Bass, Vocals
Deniz Güvenç: Drums, Synthesizers, Piano, Vocals

Album Recording Credits:
• All songs performed by: Deniz Guvenc & Gary Thibert
• All songs written by: Deniz Guvenc & Gary Thibert
• Produced by: Topon Das at Apartment 2 Studios
• Mixed by: Topon Das at Apartment 2 Studios
• Mastered by: Dave Williams at Eight Floors Above
• Album Artwork by: Pascale Arpin
• Additional tracks recorded by Alex Jakimczuk at Uppercut Studios

For more info:
www.facebook.com/theygrieve
www.instagram.com/theygrieve
www.soundcloud.com/theygrieve
https://theygrieve.bandcamp.com

About: They Grieve is a two-piece doom, drone, and post-metal band based in Ottawa, Canada. Drawing influence from both minimalist ambient music and down-tempo metal, they blend warm synthesizers, electronics, and lofty guitar drones into mournful hymns and monolithic dirges with urgency, tension, and weight.

Members Gary Thibert and Deniz Güvenç formed They Grieve in 2015 with the intent to experiment with new forms and processes for songwriting, collaboration, and improvisation. Their first EP, I Made My Sacrifice Accordingly, was self-recorded and self-released in late 2016. In 2018, it was re-released with an added bonus track and accompanying music video through Transcending Records.

They Grieve are set to release their first full-length album entitled To Which I Bore Witness. Recorded at Apartment 2 with Topon Das of Fuck the Facts, this album presents a marked change in the band’s sound. Moving away from the harsh-noise influence on their first album, To Which I Bore Witness unveils a much more refined approach to texture and atmosphere while simultaneously shifting to a slower, heavier pace.

Employing a nuanced sense of harmony, the result is an emotional, dynamic, and doom-laden take on post-metal.

– 30 –

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 MY HOLLOW Unleashes Music Video “The Iron Harvest” Capturing The Road Debauchery From The Great North Resurgence Canadian Tour

November 28, 2022
by Asher
· Music News · my hollow

NEWS RELEASE

November 28, 2022

MY HOLLOW Unleashes Music Video “The Iron Harvest” Capturing The Road Debauchery From The Great North Resurgence Canadian Tour

Out Now! New EP “Fighting The Monsters” ft. guest vocals by Bjorn ‘Speed’ Strid (Soilwork)

L-R Angelo Giammattolo – Drums, Sean De Faria – Bass, Graham Gaudreault – Vocals, Greg Gallagher – Guitar, Matt Williams – Keyboards,
(not pictured in photo) Danio Pirrone – Guitar
Photo Credit – Brett Teskey

This past summer, Toronto’s My Hollow hit the road for the Great North Resurgence Tour with London, ON’s Tortured Saint. The tour included a performance at the Loud As Hell Festival in Drumheller, AB along with multiple shows across Ontario and Western Canada.

Today, the band is unveiling their new music video chronicling their journey across the country for the first time ever. The track used for the video is “The Iron Harvest” off My Hollow‘s latest EP offering “Fighting The Monsters”.

The band adds:

“The music video for The Iron Harvest is a documentation of The Great North Resurgence Tour, in which we travelled across Canada to play our slot at Loud As Hell X, an annual festival showcasing many of western Canada’s premier underground and signed acts. We hit the road with our good friends in Tortured Saint, who were also playing at the festival. The video contains performance and candid footage from our travels, which included van breakdowns, synchronized head-banging breakdowns and random encounters with some wonderful people along the way. This was our first real tour and was the furthest distance we have travelled to perform to date. This is a very special and humbling video for us, as we have been a band for so long now and this is a culmination of many years of hard work. A lot of behind-the-scenes footwork went into leading up to this moment and time, and serves as a tangible reminder of what can be accomplished with a good team and a positive attitude.”

Watch “The Iron Harvest” via TheCirclePit YouTube channel – https://youtu.be/i4UmoAXQDZA

My Hollow‘s latest EP “Fighting The Monsters” was released this past April. The EP features guest vocals from Bjorn ‘Speed’ Strid (Soilwork). The band supported its release with the very much loved puppet video “Vultures” and a cartoon for its title track. The new record boasts the heaviest music that they have written along with the addition of keyboards to add a new layer of epic melodies.

My Hollow started via the internet many years ago and has had some lineup changes since then. As they have matured, so has the music and they are excited to share their latest version of themselves with the world. The band expects newer fans, as well as established ones, will be able to find tangible qualities to enjoy about the new EP. The new tunes don’t stray too far from their back catalogue, but they do possess more of a mature approach to the songwriting. The addition of keyboardist Matt Williams has also added a new dimension to the My Hollow sound. The band is suitable for fans of modern metal, especially those with a penchant for Fit For An Autopsy, Gojira, and Lamb of God.

“Fighting The Monsters” was released on April 8th and available on all digital platforms including MyHollow.bandcamp.com

Puppet Music Video – Vultures – https://youtu.be/aExduk_8XPg

Cartoon Music Video – Fighting The Monsters ft. Björn Strid (Soilwork) – https://youtu.be/nD_lQgx1zYs

Track Listing:
1. Vultures (4:59)
2. Fighting The Monsters ft. Björn Strid (Soilwork) (4:19)
3. Hell Or High Water (6:26)
4. Faded Through (5:17)
5. The Iron Harvest (4:40)
EP Length: 25:41

EP Recording Credits:
• All songs performed by: My Hollow
• All songs were written by: My Hollow
• Produced by: Greg Gallagher and Sean De Faria
• Mixed by: Tyler Williams @ Monolithic Productions
• Mastered by: Tyler Williams @ Monolithic Productions
• Album Artwork by: Jennifer White
• Canadian Content (MAPL)

EP Recording and Live Band Line Up:
Graham Gaudreault – Vocals
Angelo Giammattolo – Drums
Greg Gallagher – Guitar
Danio Pirrone – Guitar
Sean De Faria – Bass
Matt Williams – Keyboards

My Hollow is:
Graham Gaudreault – Vocals
Angelo Giammattolo – Drums
Greg Gallagher – Guitar
Danio Pirrone – Guitar
Sean De Faria – Bass
Matt Williams – Keyboards

For more info:
Myhollow.ca
Facebook.com/myhollowband
Twitter.com/my_hollow
Instagram.com/myhollow

– 30 –

“If you’re looking for a solid orchestral, melodic death metal track to kick off your week, then look no further than our premiere of the new My Hollow single “Vultures.” – Metal Injection

“My Hollow – Vultures Returning with their first new music since 2015, Canada’s My Hollow bring a keyboard-laced feast of death metal in ‘Vultures’, the first track released from their upoming EP Fighting the Monsters. With nearly 5000 votes for this, it’s fair to say that fans are just a little excited.” – KNOTFEST.COM CHAMPION: COUNTDOWN TO OBLIVION JAN 26 – BEST MUSIC VIDEOS OF THE WEEK

“One can only imagine the damage that these boys can do live, and tracks like the fast-paced ‘Faded Through’ and the explosive finale of ‘The Iron harvest’ will incite dangerous levels of pit action. An interesting and welcome return.” – The Razor’s Edge

“Canadian progressive/groove death metal leviathans My Hollow release an epically engrossing EP that’s about to turn heads this month, Fighting the Monsters… A brutal and captivating piece of work from start to finish that lyrically deals with a myriad of deep themes, Fighting with Monsters is a personal triumph of an EP for a band in terms of maturity, growth, and depth. If they continue to weave such titanic feats much like this for the future of their careers, the future looks quite promising for these Canadian heavy hitters.” – Into The Void

“Fighting The Monsters” is a triumphant return boasting 26 minutes of music that sits in the space between Metalcore and Melodic Death Metal with synths enriching a technical riff leaning guitar attack with thunderous drums and hints at Power Metal influences in melody, lyric and lead during opening cut “Vultures” that adds to an epic feel.” – Metal Noise

“Melodic death, with a metalcore slant… a lot of stuff going on technically, and catchy brutal-ish too!” – Mosh Pit Radio – WORT FM 89.9 FM

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 Vancouver’s HUNTING GIANTS’ New Video “Among Thieves” Is A Strong Message About Addiction’s Destructive Nature + New Album “Mythos” Out Now!

November 25, 2022
by Asher
· Hunting Giants · Music News

NEWS RELEASE

Montreal, QC – November 25, 2022

Vancouver’s HUNTING GIANTS’ New Video “Among Thieves” Is A Strong Message About Addiction’s Destructive Nature

New Album “Mythos” Out Now!

L-R – Corey Wharton (Bass), Bradley Trivett (Guitar), Daniel Beavington (Drums), Stephen Atkey (Vocals)
Photographer Credit – Bradley Trivett

Canada’s Hunting Giants are sharing their next lyric video for the track “Among Thieves” off their latest album “Mythos” released this past September. The song hits close to home as their hometown of Vancouver, BC has been a focal point of the opioid crisis in their country.

The band goes into further detail about the track:

“As you listen to ‘Among Thieves’, the slow sensual riff of the verse comments on the seductive nature of destructive things which, we can use to temporarily ease our emotional or psychological pain. We move on to see how they slowly alter you into someone you weren’t before. Under the racing gallops of the percussion, we explore how violence can seem to be the most effective and immediate solution to solve disagreements and needs. The guitar, bass, and percussion all ring out as the progressive rock elements of the song are featured in a vocal chant expressing fear, pain, and hope. As the drums drop into halftime, we encounter a gritty taste of the life of those who live in addiction. A swell of guitar and stringed instruments signals the moment of self-realization and the protagonist has taken ownership of who they have become. We are greeted warmly by a swirling choir of vocals, guitar, and strings, which are broken by the toll of bells as our hero embraces his faults and opens his heart to the world. ‘Among Thieves’ is the epic on our album, ‘Mythos’.”

Watch and listen to “Among Thieves” at https://youtu.be/QVU2UEzNmfI

“Mythos” is the crowning achievement of Hunting Giants‘ many years of musical work, writing, and recording while gigging and enduring quarantine as a band during the Covid pandemic. The members of Hunting Giants all came from, and are inspired by, progressive rock and metal bands where songs would often pass the ten-minute mark. However, they desired to keep their own music concise and to the point, intentionally lacking much of the excess material that so often padded run-times of songs in the progressive rock-metal genre. Simple and clean lines are given priority over complicated abstractions that only challenge the player in an athletic way, provided that it serves the music.

Hunting Giants is confident that new listeners, as well as those familiar with them through their previous release “Skyward Eyes”, will find an accomplished intensity and listenability in “Mythos”, which represents their musical growth and evolution. Each of the thirteen songs was specially picked for the album to contribute to the overarching story in a theatrical and energetic manner. With riffs that will inspire and lyrics that will mystify.

“This album is musically very diverse as it ranges from intense white-knuckled metal tracks, down to gentle instrumental tracks peppered with melodic piano and haunting cello, all the way to epic ballads tastefully complimented by choirs, strings, and bells. Mythos lyrically explores archetypes, both heroic and villainous, that affect the world around us, as well as the inevitable fates which arise when these values are heinously held and expressed.” adds the band.

Hunting Giants is recommended for those who enjoy a 90s vibe and progressive elements, especially fans of Alice In Chains, Soundgarden, Tool, and Audioslave.

“Mythos” is available on CD and digital at the following links:

CD order – https://huntinggiants.com/product-category/mythos-albums/

Digital – Huntinggiants.bandcamp.com, Apple Music, Spotify.

Previous music videos can be viewed on Hunting Giants‘ YouTube channel HERE.

Track Listing:
1. Mythos – 3:28
2. Ancient Text – 3:18
3. Too Big To Kill – 3:06
4. Rituals – 3:57
5. Among Thieves – 5:28
6. Whispers – 2:16
7. Vanguard – 2:54
8. Mantle – 3:19
9. Kindred – 4:05
10. Epitaph – 1:09
11. Into Stone – 4:55
12. Remnant – 4:00
13. King of Ashes – 2:52
Album Length: 44:49

Hunting Giants is:
Corey Wharton – Bass Guitar
Stephen Atkey – Vocals
Bradley Trivett – Guitar
Daniel Beavington – Drums

For more info:
HuntingGiants.com
Facebook.com/huntinggiantsband
Instagram.com/huntinggiantsband
Twitter.com/huntinggiants

About:
Hunting Giants is a four-piece heavy rock band from Vancouver, BC, Canada.

This unique group of musicians offers a spectacular visuals-driven live performance that exceeds both the precise ferocity of their recordings and the highest expectations of an energized audience looking for something recognizably different. Their music is both refreshing and familiar, serving well as the musical backdrop for one’s ongoing discovery of meaning in life and self.

Hunting Giants was started in 2017 with Bradley Trivett assembling the first musical themes and combining the percussive expertise of Daniel Beavington with the explosive rhythmic prowess of Corey J. Wharton into the foundation of a team set to discover and dominate the most enormous sounds and daunting massive ideas they could find. Led by the visionary passion and styling of frontman Stephen Atkey, Hunting Giants is poised to deliver an incredible auditory and visual experience.

“Hunting Giants stake their claim as a powerful new force in the Pacific Northwest metal scene…this band is absolutely one you’ll want to keep an eye on.” – Wail Magazine

Discography:
2022 – Mythos – LP
2018 – Skyward Eyes – EP

Shared Stage with:
Unleash the Archers, Wednesday 13, Ophelia Falling, Kayas, Vessel, Sick Logic, Dark Stone

– 30 –

“A glorious adventure is about to begin, starting right here today! Heavy metallers Hunting Giants are debuting their brand new music video for “Rituals,” the first single from their upcoming album Mythos. The song indicates the zeal and the ambition that the band is bringing towards this new record, due for release on September 30th. The “Rituals” video matches the flat-out intensity of the song, one that discusses necromancy and the harshness of hatred and shame.” – V13

“It’s not often that a band is described as ‘a blend of modern hard rock, progressive rock/metal and grunge influences,’ but that is indeed a fitting description of Vancouver’s Hunting Giants” – Bravewords

“Let me say this first, HUNTING GIANTS from Vancouver are REALLY freaking good. These guys are relatively new but they are tighter and more accomplished man many veteran bands.” – Rock You Show

“This is an album (Mythos) that you’ll want to wander through thanks to their technical proficiency and the production value.” – Metal Roos

“a solid listen, and a fairly unique combination of a few different styles. It’s mostly heavy enough for Metal fans, and mostly melodic enough for fans like myself who appreciate a good hook.” – Metal Temple

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 High Fells Offer Release Through Angry Riffs and Blackened Howls In “Catharsis”

November 25, 2022
by Asher
· High Fells · Music News

NEWS RELEASE

November 25, 2022

High Fells Offer Release Through Angry Riffs and Blackened Howls In “Catharsis”

L-R – Chris Szymankiewicz – Guitar, Nick Smith – Vocals / Guitar, Jeremiah Maynard – Drums, Erik McEwen – Bass
Photo Credit – Vance Valenzuela

Texas’ High Fells goes against the grain in regards to live blackened metal performance, they are longtime listeners of all different walks of music, and together they are proudly releasing their debut album “Catharsis” with they claim to be a journey between pure agony and anger, with a dash of hopelessness. It’s an emotional journey with sick riffs in which the lyrical content and the overall feeling of this album hit on a ton of mental and emotional wellness topics and the lack thereof. The band continues to explain:

“We are incredibly excited to debut our album “Catharsis” – the first of many to come. We’re excited to share it for many reasons, but primarily because it’s been such fun to write and perform, experimenting with styles and genres we’ve never fully committed to in other bands. The journey you’ll be taking over the course of 40 minutes will be a thought-provoking, visceral experience that will shed some light on mental illness and depressive episodes, something still a stigma in our current society.”

High Fells hopes that listeners can find something to relate to, something that will inspire them or helps convey emotions into words. They aim to shroud their lyrics with punishing riffs and blast beats that will ideally charm the listener.

Initially, High Fells set out to be a melodic black metal band, but as time has passed on and as they have played with more bands they love, the direction steered back towards death metal with that blackened flavor. Across the nine tracks, they bring ass-beating riffs with high-quality recordings.

Melodic, depressing, and angry, “Catharsis” is recommended for fans of Hath, Decapitated, and Sorrow Plagues.

Listen to “Catharsis” in full via TheCirclePit at https://youtu.be/JJ83eInk6fU

Digital streaming and downloads are available on Highfells.bandcamp.com, Spotify.

Music Video – Where They Call My Name – https://youtu.be/iWoznIVS4aY

Track Listing:
1. Lingering – 3:56
2. Strangled – 4:04
3. Apparition of Fear – 3:38
4. Hypoxian – 4:08
5. A Summon – 3:22
6. Hiraeth – 6:52
7. Fall With the Sun – 3:01
8. Reaping Discontent – 4:31
9. Where They Call My Name – 5:45
Album Length: 39:14

Album Credits:
• All songs performed by: High Fells
• All songs written by: High Fells
• Produced by: Nathan Wackett / Clay Schroeder / Nick Smith / Michael Briggs
• Mixed and Mastered by: Nathan Wackett
• Album Artwork by: Dawid Figielek

Album and Live Band Lineup:
Nick Smith – Guitar / Vocals
Chris Szymankiewicz – Guitar
Jeremiah Maynard – Drums
Erik McEwen – Bass / Backing Vocals

For more info: Highfells.com | Facebook.com/highfellstx | Twitter.com/highfellstx | Instagram.com/highfells

About:

Birthed during a particularly cold winter, High Fells grew to something more than a jam session over the first year of our COVID nightmare. The uncertainty and tumultuous nature of these times allowed fears and pains to fester. Expressing and letting go of our greatest sufferings through music is all we seek – a catharsis in audible form.

Having shared the stage with multiple international acts, High Fells goes against the grain in regards to live blackened metal performance – whether it be colorful guitars or an emphasis on having FUN, expect to have a good time among the shrieks, riffs, and blast beats.

– 30 –

“There’s warmth and beauty to be found beyond the expected genre conventions if you know where to look.” – Eric Grubbs, CentralTrack magazine

“The song… “Where They Call My Name” proves that High Fells are worth taking very seriously indeed (even if the band clearly don’t take themselves too seriously)… The passion that floods through the searing screams and ravaging roars adds to the song’s wrenching severity.” – NOCLEANSINGING

“I have seen their name pop up a lot recently due to them being on a good number of local shows as well as being opening acts for national tours. These dudes play some killer blackened death that got the crowd into right from the first note… “Even for a newer band, these guys were tight and on point.” – VOX AND HOPS

0 Israel’s Twisted Mind Presents A Fiery New Brand of Happy Metal With New EP “From Slave To Prophet”

November 25, 2022
by Asher
· Music News · Twisted Mind

NEWS RELEASE

November 25, 2022

Israel’s Twisted Mind Presents A Fiery New Brand of Happy Metal With New EP “From Slave To Prophet”

L- R – Lahav Zitiyat – Guitar, Oud, David Darash – Drums, Yanir Chmiel – Lead Vocals, Or Levy – Bass, Dan Saliman – Guitar, Bouzuki

Twisted Mind is an eclectic metal band influenced by a kaleidoscope of musicians that have inspired guitarist Dan Saliman, an Israeli musician of Yemenite and Moroccan-based heritage who grew up in a home where oriental music was frequently played. He formed the band in 2017 and in December, will have their debut album “From Slave To Prophet” ready to delight open-minded listeners around the world. The first single “Walked Through Hell”, captures the true essence of the band who shot the video in one night. They share their thoughts on the record and how they came up with the concept name:

“This EP is all about our timeline from where we started back then at the beginning of the pandemic and through the war of getting rock and roll less stigmatic. We strive to be the ones who will break the glass ceiling of musical genres. We didn’t come from great money and wealth. We are warriors, fighting hard and aiming to become something bigger, something which will bring a “word”. And while we are on our way, we try to inspire people to fight for their beliefs, unite for a cause, open their minds to other points of view and create amazing things together which will maybe make the world a better place.”

Every member of Twisted Mind is a great believer in the power of music and its ability to bring different worlds and traditions together. They hope and aspire that the new mix of cultures and sounds in their music will break the invisible wall and crush the stigmas between the genres and their rigid rules. Overall, “From Slave To Prophet” is something, fresh, and different.

This modern Israeli and self-dubbed ‘Happy Metal’ band is recommended for anyone looking for something intriguing, and also for fans of Metallica, Muse, and Dhafer Youssef. The official video for “Walked Through Hell” is out now and the EP comes out on December 9, 2022.

Music Video – “Walked Through Hell” – https://youtu.be/Gghbn99tmUA

EP pre-save link – https://orcd.co/twistedepre

Track Listing:
1. Long Live Rock & Roll – 03:59
2. Burning Grounds – 04:49
3. Walked Through Hell – 03:52
4. Back Home – 06:25
5. From Slave to Prophet – 05:00
EP Length: 24:07

EP Recording Credits:
• All songs performed by: Twisted Mind
• All songs written by: Twisted Mind
• Produced by: Omer Lempert
• Mixed by: Omer Lempert
• Mastered by: Maor Appelbaum
• EP Artwork by: Inbar Kassavi

EP Recording Line Up:
Lahav Zityat – Guitar +Oud
Assaf Tirosh – Bass
David Darash – Drums
Yanir Chmiel – Lead Vocals
Dan Saliman – Guitar + Bouzouki

Live Line Up:
Lahav Zityat – Guitar +Oud
Or Levy – Bass
David Darash – Drums
Yanir Chmiel – Lead Vocals
Dan Saliman – Guitar + Bouzouki

For more info: Facebook.com/twistedmindmusic | Instagram.com/twistedmind.bandil | Spotify | Apple Music

About: The AOR rock/metal group Twisted Mind was founded in 2017 by Dan Saliman, an Israeli musician of a Yemenite & Moroccan-based heritage. Dan grew up in a home where oriental music was a Major part of his musical background

After a long process of creating a musical concept, Dan was joined by the other members, achieving this final line-up. The four joining members helped mold the sound, bringing their own styles, influences, and cultural heritage to Twisted Mind, thus creating a powerful combination of music that fuses the power and aggression of heavy metal, throughout the liberating energy of modern rock & roll.

And all this while using ethnical Middle Eastern music – emerging from their homeland and from the band members’ heritage and their own family ‘DNA’.Starting in San’aa –Yemen, through Istanbul – Turkey, passing through the deserts of Libya and traveling the long roads to a garage in Los Angeles.

– 30 –

“The first band to open the mosh pit in this festival were Twisted Mind, a great achievement for the new band in our local scene ”- Metalist Magazine

“This band sounds like a super tight and professional rhythm turbo unit, creating happy shredding rock with a middle eastern touch” – Yosmusic.com

0 Canada’s Alienatör Are Now Streaming Politically Charged Album “Regrets”

November 24, 2022
by Asher
· Alienator · Music News

NEWS RELEASE

Montreal, QC – November 24, 2022

Canada’s Alienatör Are Now Streaming Politically Charged Album “Regrets”

New Album “Regrets” Out Nov 25th

(L to R) Sean Skillen – Bass/Back-up Vocals, Brad King – Guitar/Vocals, Simon Paquette – Drums
Photo Credit – Peter David Wragg

Alienatör is a sludge metal band from Thunder Bay, Canada that combine punk, hardcore, and noise rock elements into a stripped-down package, full of razor-sharp riffs and memorable hooks. They are now streaming their second album “Regrets”, which promises to be darker, more focused, and more intense than their first.

Composed during the claustrophobia of the 2020 election and the global pandemic, “Regrets” channels rage while the lyrics express alienation, grief, pain, and disgust at the state of the modern world. The band comments on the album:

“Regrets is a grim postcard from the depths of the human psyche. Our darkest release yet, it is a reaction to years of deep political turmoil, the erosion of truth, as well as personal politics of grief, loss, and struggle. It’s an album that touches on personal and social themes. Flourishes of melody drenched in a caustic sludge, painted in shades of black. We still have some blistering fast punk-influenced tunes but we’re branching out and showing our songwriting depth.”

Within “Regrets” are eleven heavy-hitting songs with enough variety to keep even the most discerning metalheads interested. From the odd time signatures in the off-kilter “Revisionist History” that speaks of the erosion of truth in our public discourse and the dangerous narcissists who create their own reality to the bleak history being told in “Irreconcilable” that is equal in both horrific subject matter and dynamic riffs, there is something for everyone on this record.

The record was produced and mixed by bassist/vocalist Sean Skillen, mastered by Brad Boatright and the album artwork was done by Peter David Wragg. Aggressive and emotional, it is recommended for fans of Neurosis, Botch, and Jesus Lizard.

“Regrets” drops officially on Friday, November 25th, and can be heard in full via its album stream premiere on Doomed & Stoned HERE.

Album pre-order – https://alienator.bandcamp.com

Music Video – The Priest – https://youtu.be/TJxF6Qs3Bws

Track Listing:
1. Revisionist History – 2:10
2. Loss Leader – 4:03
3. Blood Red Blood – 3:08
4. Regrets – 3:44
5. The Priest – 5:30
6. The Less Dead – 1:56
7. Flat Earth Society – 2:51
8. Irreconcilable – 2:59
9. Your Funeral – 3:20
10. Wounded Birds – 4:10
11. Dark Matters – 4:09
Album Length: 38:04

Album Recording Credits:
– All songs performed by: Alienator
– Music by Alienator
– Lyrics by Brad King
– Produced by: Sean Skillen
– Mixed by: Sean Skillen
– Mastered by: Brad Boatright
– Album Artwork by: Peter David Wragg
– Member of SOCAN
– Canadian Content (MAPL)

Album and Live Line Up:
Brad King – Vocals, Guitar
Sean Skillen – Bass, Vocals
Simon Paquette – Drums

For more info:
Exitmusicstudio.ca/alienator
Facebook.com/alienatorband
Instagram.com/alienatorband

About: Hailing from Thunder Bay, ON, Canada, Alienatör is a sludge metal band that combines punk, hardcore, and noise rock elements into a stripped-down package, full of razor-sharp riffs and memorable hooks.

Their debut album, “Pariahs,” released in 2109 moves from fast and aggressive to slow and swampy with touches of experimental weirdness. Many of the lyrics are about how we numb ourselves to the pain and disappointment of everyday life.

Fast forward to 2022, and the band is ready to unleash their follow-up, entitled “Regrets,” which introduces new drummer Simon Paquette to the fold. The album is bleak and abrasive, with moments of calm, melody, and beauty to juxtapose against the ugliness. Raw, uncompromising, and dark, it is emotionally heavy music that reflects a chaotic time in history.

– 30 –

“Noisy post-hardcore sludge, full of energy and rage… a genuine ass-kicker of a record.” – Decibel

“This band is burly, grimy, and the sonic manifestation of discontent. If it’s motivational music you seek, back away slowly. Alienatör ply their trade in the margins of metal, with elements of sludge, noise rock, hardcore, heavy metal, and crust punk. Listeners of Pariahs, the band’s debut full-length, will hear shades of Unsane, Red Fang, Cursed, Kvelertak, Acid Bath, and Cancer Bats, among other guitar-heavy acts by whom sophistication and polish are eschewed.” – Lambgoat

“Pariahs shows Alienatör firing all of their creative cylinders and marks a multifaceted, all-consuming sludge opera delivered with convincing force and accents.” – Idioteq

“Gritty, high-octane sludge…” – Metal Trenches

“From beginning to end Alienatör offers up a truly murky, chunky yet noise filled sound that tears at your ear drums, but in the best possible way. Each track is a madhouse of artery stopping, head banging sludge and noise rock that you cannot simply turn away from.” – Cadaver Garden

“Alienator are miserable and they’d like you to join them.” – Lambgoat

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s IRON KINGDOM’s New Video “Sheathe The Sword” Is A Shreddy Tale of A Warrior’s Last Chance At Victory

November 23, 2022
by Asher
· Iron Kingdom · Music News

NEWS RELEASE

Montreal, QC – November 23, 2022

Canada’s IRON KINGDOM’s New Video “Sheathe The Sword” Is A Shreddy Tale of A Warrior’s Last Chance At Victory

New Album “The Blood Of Creation” Out Now!

L-R: Chris Osterman (Lead Vocals / Lead Guitar), Leighton Holmes (Bass Guitar), Megan Merrick (Lead Guitar), Max Friesen (Drums)
Photo Credit – Caitlin Delaplace

Canada’s Iron Kingdom presents its new lyric video for its latest single “Sheathe The Sword”,which draws inspiration from the fantasy series “Wheel of Time”. For years now, Iron Kingdom has been gracing the world with its traditional heavy metal, weaving grand stories and teleporting listeners to far-off lands. This latest single refers to a sword move in which you willingly accept your opponent’s sword into your body in order to inflict a killing blow. The band comments on the single:

“We were looking to do something pretty fast and driving, and once we had the ideas for the first couple of riffs we knew it had to be about Lan Mandoragon – the uncrowned king of a lost and scattered kingdom and is highly respected by neighbouring kingdoms who recognize him as the battle lord of the borderlands. Musically this song is a speedy, driving power metal tune in the vein of early Hammerfall. “Sheathe The Sword” is a warrior’s last chance at victory, but that victory comes with a heavy cost.”

Watch and listen to “Sheathe The Sword” at https://youtu.be/gGI3PDyblUs

(the video features clips from the band’s sold-out album launch show held in Vancouver on November 4th at Wise Hall)

Iron Kingdom recently unveiled their album “The Blood Of Creation” at the beginning of this November. Their fifth full-length contains eight impressive tracks running over three-quarters of an hour of classic heavy metal, windswept solos, memorable riffs, and piercing vocals conveying powerful stories. This new album saw a lot more musical content coming from lead guitarist Megan Merrick, and having Max Friesen on drums saw lots more ideas from yet another angle. Iron Kingdom continues to rework and evolve its sound and layers of professionalism can be heard throughout. This album is quite dark topically, the lyrics speak of war, fear, sacrifice, and pain, and the music although very classical and explorative also has some very evil moments throughout. The band, like so many others, was in a dark place due to the pandemic and the music reflects some of those emotions.

“The Blood Of Creation” was completely self-produced, written, and recorded. The album was sent out for mixing (Andy Boldt) and mastering (Greg Reely), but they handled everything else. vocalist/guitarist Chris Osterman engineered the record with some help from the band and some friends (Dan Yakimow, Jeff Black).

In the beginning, Iron Kingdom set out to create a sound paying homage to how things used to be in the 70s and 80s. They put on a big and energetic show, a show that brings you back to 1984, but in all the best ways. They are recommended for fans of Helloween, Judas Priest, and Queensrÿche.

The album “The Blood Of Creation” is available at the following links:

Iron-kingdom.com/shop/ (CD, Vinyl, Cassette), Iron-kingdom.bandcamp.com, Apple Music, Spotify

Album Stream – https://youtu.be/4pk7QzM4gBo

Music Video – Queen of The Crystal Throne – https://youtu.be/YyhEutgL9gI

Fun Fact: ‘Queen Of The Crystal Throne’ played on City TV for Hockey Night In Canada (Montreal Vs Dallas) – Sat Oct 22, 2022.

The Making of “The Blood Of Creation” – Pt 1. [Mini Documentary] – https://youtu.be/TSrv44SXQ-A

Track Listing:
1. Tides Of Desolation – 1:13
2. Sheathe The Sword – 5:25
3. Queen Of The Crystal Throne – 4:58
4. Hunter And Prey – 5:25
5. Witching Hour – 5:44
6. In The Grip Of Nightmares – 5:23
7. Primordial – 1:40
8. The Blood Of Creation – 13:38
Total Running Length: 43:29

For more info:
https://www.iron-kingdom.com
https://www.facebook.com/ironkingdom
https://www.instagram.com/iron_kingdom
https://twitter.com/iron_kingdom

– 30 –

“Loads of riffs and melodies some excellent lead breaks and pounding rhythms. This is bonafide, foot on the monitor, fist pumping, horn throwing real metal. I have never heard Iron Kingdom before but on the strength of this I will be obtaining the back catalogue very soon.” – My Global Mind (The Blood of Creation)

“With The Blood Of Creation, Iron Kingdom have forged a masterpiece that brings tears of joy to the eyes of every traditional metalhead. There is only high-quality material and everyone is encouraged to include this album in their choice of this year’s Top10. ” – Soundmagnet

“Iron Kingdom brings another solid heavy metal album with the fifth album ‘The Blood of Creation’. Slightly progressive, but especially heavy… Give the band a listen, you will be surprised!” – Metal Experience

“This is a solid album of heavy metal delivered in the style that is true to the cause and therefore, what the listener gets here with ‘The Blood of Creation’, is an album which mounts its steeds and charges forward in a cavalry strike as galloping riffage and rhythms never give the listener the chance to let up with tracks such as ‘Queen of the Crystal Throne’, ‘In the Grip of Nightmares’ and ‘Witching Hour’ having some very impressive twin guitar lines. This would impress any fan of Iron Maiden, Riot V and Iced Earth, but also sticks within the remit of trad metal with bands such as Katana, Skelator and Toledo Steel.” – Metal Digest

“Anyone who likes beautiful and playful melodies, extensive guitar solos, detailed arrangements and double lead guitars will be well served with “The Blood Of Creation”.” – PowerMetal.de

“Iron Kingdom created an iron-bound, battle-hardened piece of traditional Heavy Metal that truly made me want to turn the clock back to those long-gone days of glory. Times when metal was just that, the pure joy of a style that was still new, exciting, and powerful. Or to let the band speak in their own words, they “…decided to play metal the way it used to be played in the 70s and 80s.” Well, mission fucking accomplished. Well done, guys.” – Rock Music Raider

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Montreal’s ETERNAL CLOSURE Posts Making of Video For Album “At the Center of It All – Chapter I” Produced With Chris Donaldson (Cryptopsy)

November 22, 2022
by Asher
· Eternal Closure · Music News

NEWS RELEASE

Montreal, QC – November 22, 2022

Montreal’s ETERNAL CLOSURE Posts Making of Video For Album “At the Center of It All – Chapter I” Produced With Chris Donaldson (Cryptopsy)

Photo Credit – Sébastien-Charles Boitel
L-R : Marine Lacarrière (guitar), Phil Lemelin (guitar), Olivier Boitel (guitar, back vocals), Katrine Castonguay (main vocals), Philippe Boitel (drums), Jonathan Lauzon (bass, back vocals)

This past September, Montreal’s Eternal Closure unleashed the new album “At the Center of It All – Chapter I”. It is a diverse, heavier, and more technical record than anything they have done before. Demonstrating their songwriting abilities being taken to a new level along with incorporating elements of prog, and djent with their solid core base. The band is sharing with fans a behind the scene glimpse into the making of the record in the studio with producer Chris Donaldson, which can be viewed at https://youtu.be/hEo-aNRtWcc

“The album tracking was such a fun time and we thought it would be interesting to share this experience with our audience.” adds the band.

Composed of six tracks, “At the Center of It All – Chapter I” is the first of two parts that will have 13 in total. The band split their material like this to allow for maximum breathing time for each release. The second part can be expected next year.

Like their previous records, the album was produced, mixed, and mastered by Christian Donaldson (Cryptopsy), who has become an integral part of the band’s sound. The album artwork was done by Pascal Marcoux and Jonathan Lauzon.

The band is a fun one to watch live, they don’t take themselves too seriously, and the rare sight of three guitarists adds an extra dimension to their music that you never knew you were missing out on. “At the Center of It All – Chapter I” is an incredible-sounding record that will blow people’s minds. It is recommended for fans of Periphery, Killswitch Engage, and As I Lay Dying.

“At The Centre Of It All – Chapter I” was released on September 23, 2022 and can be heard on Eternalclosure.bandcamp.com, Spotify.

Music Video – “Practice What You Preach” – https://youtu.be/8EWWNvWy4aE

Vocal Playthrough – “Exiled” – https://youtu.be/PbN8cDDK_r8

Lyric Video – “Dimensions” – https://youtu.be/leB3U8pFhu8

Track Listing:
1. Conflict I (4:48)
2. Practice What You Preach (5:34)
3. Exiled (3:54)
4. Dimensions Apart (3:55)
5. From One Side to Another (4:43)
6. Moonrider (4:32)
Album Length: 27:28

Album and Live Band Line Up:
Katrine Castonguay – Vocals
Olivier Boitel – Guitar, Back Vocals
Jonathan Lauzon – Bass, Back vocals
Philippe Boitel – Drums
Marine Lacarrière – Guitar
Phil Lemelin – Guitar

Discography:
2022 – At the Center of It All – Chapter I
2020: Color of our Fears Rediscovered – Deluxe Edition
2019: Color of our Fears – LP
2016: Screaming in Silence -LP
2014: Ad Primum – EP

For more info:
https://www.eternalclosure.com
https://www.facebook.com/EternalClosure
https://www.instagram.com/eternalclosure

About:

Eternal Closure is a six-piece, female-fronted metal band from Montreal, Quebec. They stand out from the heavy local scene with their unique blend of aggressive riffs, versatile vocals, and epic melodies. They draw inspiration from various sub-genres such as metalcore, progressive metal, and djent. Their hard work and dedication is only matched by their excessive love for cats.

The group formed by guitarist and singer Olivier Boitel, bassist Jonathan Lauzon, and drummer Philippe Boitel, was recently joined by vocalist Katrine Castonguay as well as guitarists Marine Lacarrière and Phil Lemelin, to evolve into its ultimate form.

The band has created their most ambitious record to date, “At the Center of It All”. The album will be split into two chapters, the first of which will be released in the fall of 2022. The song “Practice What You Preach” will be released as a single a few months prior.

The album was recorded, mixed, and mastered by Cryptopsy’s guitarist and sound engineer Christian Donaldson (Shadow of Intent, Beyond Creation, Despised Icon, The Agonist).

Over the past decade, the band explored what makes them unique. Their songs “I Won’t Fall” and “Defying Gravity” have become a staple in Montreal’s metal scene. They have opened for renowned bands like The Agonist, Ice Nine Kills, Beyond Creation, Obey the Brave, and Red Handed Denial.

Eternal Closure is ready to make its breakthrough in the global metal community and is eager to work relentlessly to reach as many cat-loving metalheads out there as possible!

– 30 –

“There is really only one way to listen to At the Centre of It all – Chapter 1 by Eternal Closure, and that is very loud indeed! So, turn your music listening device up to maximum volume and prepare your ears for the sweet and sour sound of modern metal at its very best. At the Centre of It All – Chapter 1 has elements of Death Metal, Melodic Metal and Nu Metal in a full-on metal cocktail that just works so well it will leave you crying out for more!” – Metal Epidemic

“Okay, color us pretty impressed by this one. If you’re unfamiliar with Eternal Closure, you won’t be for long. They’re pretty clearly a metal band that should have a lot of fans across the world, and it seems more are taking notice of their fairly unique sound. With influences ranging across the spectrums of death metal, thrash metal, metalcore, and even progressive leanings, the band’s new song “Dimensions Apart” is a good way to get acquainted.” – The New Fury

“their metalcore has been bulked up by a new vocalist and a revamped lineup that now features three guitarists and male/female vocal interplay. They take advantage of their bolstered abilities with songs that let them stand out, like the dueling harmonies from the singers on “Exiled” and a vast-sounding conclusion to “Moonrider.” … the six tracks reach across metalcore to thrash, progressive, and ambient avenues. It’s clear with this release that the behind-the-scenes shifts over the last two to three years have worked to Eternal Closure’s benefit.” – Heavy Music HQ

“ETERNAL CLOSURE deliver a modern, powerful album. The djent-driven rhythmic pushes the songs forward, so do the three guitars with their mighty sound. As they’re alternating with more peaceful and melodious moments, the music comes along with a good variety. The mixed vocals add a wide emotional palette fitting to the personal lyrics. The decision to split “At The Center Of It All” into two chapters is welcomed here, as 30 minutes is a good, short-whiled playing time, and makes me looking forward to Part 2.” – Mostly Metal

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