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Category: Kapitur

0 EPK – Kapitur – Covered In Dust (2023)

  • November 14, 2023
  • by Asher
  • · EPKs · Kapitur

EPK – Kapitur – Covered In Dust (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Swans, Emma Ruth Rundle, Messa, Thou

“With all the sudden shifts, I want people not to be sure of what will come next. I also hope they can relate to it at some level and let themselves be carried by the music. Covered in Dust is a personal songwriting and instrumental exploration along with it being a conceptual work. Behind it lies an arduous imperfect path to discharge fear, self-doubt, the marks of an oppressive upbringing, and the stigmas of years of interpersonal abuse.” – Bruna Wanderley – Kapitur

Band: Kapitur
EP Title: Covered in Dust
Release Date: July 21, 2023
Label: Self-Release
Distribution: Distrokid

Facebook.com/kapitur | Instagram.com/kapiturband | Youtube.com/@kapiturband

Kapitur.bandcamp.com | Spotify | Apple Music

“after hearing this gorgeous album, I knew it was something to bring my attention back. Wonderful melodic and crushing cello doom never sounded so beautiful. Heavy doom sections with blasting drums and gritty guitars. Phenomenal vocals, then they bring the gorgeous sorrow. The album deconstructs everything and makes it flourish. It tears at your emotions and soul. Blackened doom is a genre I love digging through and I found a masterpiece with this album!” – Doom Heart

“You’ll certainly fall in love for the thunderous sound of her cello, placing her among the most interesting new names of the independent scene in Canada.”  – The Headbanging Moose

Band: Kapitur
EP Title: Covered in Dust
Release Date: July 21, 2023
Label: Self-Release
Distribution: Distrokid

Track Listing:
1. Nature morte (4:09)
2. The Dust in Us (6:12)
3. Amaurosis (3:11)
4. Dream of the Ants (8:20)
EP Length: (21:52)

EP Recording Credits:
• All songs performed by: Bruna Wanderley, Sam Neumann, Bruno Coe (guest), Zach Dean (guest).
• All songs written by: Bruna Wanderley Gonçalves
• Produced by: Seth Manchester, Bruna Wanderley
• Mixed by: Seth Manchester
• Mastered by: Harris Neuman
• Album Artwork by: Jamie Bucciacchio
• Member of SOCAN
• Music is Canadian Content (MAPL)

EP Recording Band Lineup:
Bruna Wanderley – Cello, Vocals
Sam Neumann – Drums
Bruno Coe – Guest Bass
Zach Dean – Guest Guitar

Live Band Lineup:
Bruna Wanderley – Cello, Vocals
Andres Arango – Guitar
Tyler Addey-Jibb – Bass
Sam Neumann – Drums

===========================================================

About The Album Artwork

The cover metaphors a scorching vomit of all self-loathing that patriarchal figures have fed to women through centuries under the disguise of kindness and self-respect. From the depths of my severe upbringing in a Pentecostal church and family, it represents the backwash of years of oppression, also symbolizing the end of my internalization and acceptance of oppression. Covered in Dust burns down everything around me which held me back, and brings myself to flourish over trauma.

About the album as a whole (LYRICALLY & MUSICALLY)

Thematically, this record speaks from personal experience. Inspired by the intrinsical struggles of exile, relationship trauma, and the safe space found in sci-fi literature, the album travels through wonder, solitude, and disillusionment. The existential themes are metaphors for the process of leaving one’s own homeland, failing to adapt, and making someone else your home to then yearn for salvation. The music moves from bleak cacophony to comforting melodies played on the cello, with warm, sorrowful tones that take you on an individual journey in a timeless space. A soul-burning amalgamation of chaos and beauty that unfold an atmosphere and pace that allows for the coexistence of tranquility and despair.

Track by Track (LYRICALLY & MUSICALLY)

Nature Morte – Nature Morte owes to the ferocity of artists like Jarboe and Myrkur, who inspired me to compose, sing, and learn gutturals. The main riff in the song came to fruition on the cello, while the other instruments were added to suit its atypical presence. NM is about post-trauma disembodiment, the feeling of dissociating from your body and emotions in order to cope. Amidst an intangible turmoil, we tranquilize ourselves in the trivial only to become passive observers. Not seeing things for what they are, we give way to madness. Lost in our disembodiment, a distressed inner voice that had been shut calls for help, to the realization of our denial and numbness. This track is the only one that follows the familiar form of verse-chorus-bridge-outro.

The Dust in Us – This was the first song I wrote, using various cello tracks layered as if using a loop. Hence why this track is rich in textures. Initially intended as an instrumental song, the lyrics complement it well. Though haunted by delirium, we accept the traps of existence. We comprehend that regardless of what happened, decay is a common end. We are not the shrunk exploited self we once were, and escaping reality isn’t a choice anymore. Our bodies and souls are one, and we come anew into the world as the embodiment of both.

Amaurosis – Probably the weirdest, most unorthodox track, Amaurosis has a simple repetitive structure and vocals that follow SATB choir scoring. Religious ideologies teach us that female bodies are dirty and sinful, our bodies are guilty of all sin. Fearing insignificance, we find solace in dogmas. Despite our devotion, we live within an inexplicable sense of fear, guided by doubtful truths. The threat of religious demise brings us to lament, and pious cries for mercy.

Dream of The Ants – This song was the hardest to work with, being redone from scratch twice. Its versatile arrangements and unexpected shifts create moods that travel from progressive synths to black metal. Inspired by the safe spaces found in sci-fi literature, it explores feelings of loneliness and disillusionment. Existence is at first regarded as a miracle but, after living through trauma in solitude, we are colonized by hopelessness and desolation. In a vulnerable position, challenged by a cosmic feeling of loneliness we run into despair, and question our own sanity. A reaction to a world with no kindness.

===========================================================

BAND STORY ANGLES / FUN FACTS:

1. After our second show someone came to us and said we’re better than BEHEMOTH!

2. We played a show at -42 C this winter. The heating stopped working, venue pipes were frozen. It was pretty unbearable, so we ended up wearing grandma sweaters for the performance.

3. Contrary to a few assumptions, our songs are recorded with acoustic cello. There’s no reason to record with an electric and miss all that body of sound!

L-R -Tyler Addey-Jibb (Bass), Bruna Wanderley (Cello, Vocals), Andres Arango (Guitar), Sam Neumann (Drums).

Photo Credit – Jeslyn Photo

Kapitur formed in Montreal in 2022 as the offspring of classical cellist Bruna Wanderley, who with empowering rage, aims to reclaim an identity shut by oppressive religious doctrines, social norms of gender, ruthless relationships, and exile. Their sense of unfettered musical exploration storms a mix of doom and post-metal.

Influenced by modern Swans, the 90’s Montreal Mile End scene, US east coast noise, contemporary classical music, death, and black metal, their sound can be bright, sorrowful, and atmospheric like a slow apocalypse. Marked by the band’s heavy instrumentation, the cello takes center with its warm voice coming naturally along the cellist’s alternatively gentle and unhinged vocals. With a lineup revealing their diverse backgrounds, Kapitur shares members with Spectral Wound, Massive Scar Era, and Ratpiss.

In 2022, their take on Sepultura’s Roots Bloody Roots was released to critical acclaim, which was then followed by their July 2023 debut EP Covered in Dust, which is the result of Bruna Wanderley’s initial one-woman band effort, drawing from her past traumas to find safe space in sci-fi literature.

Covered in Dust was mixed at Machines With Magnets by Seth Manchester, who is known for his work with Lingua Ignota, Big Brave, and The Body. Kapitur’s debut is a personal record that weaves a soul-burning amalgamation of chaos and beauty. It presents music that unfolds an atmosphere and pace allowing for the coexistence between tranquility and despair.

Discography:
2023 – Covered in Dust – EP
2022 – Roots Bloody Roots – single

Covered in Dust EP Recording Band Lineup:
Bruna Wanderley – Cello, Vocals
Sam Neumann – Drums
Bruno Coe – Guest Bass
Zach Dean – Guest Guitar

Live Band Lineup:
Bruna Wanderley – Cello, Vocals
Andres Arango – Guitar
Tyler Addey-Jibb – Bass
Sam Neumann – Drums

Shared Stage with: Tómarúm, Volcandra, Djunah

0 Montreal’s KAPITUR (ft. members Spectral Wound, Cauchemar, Metalian) New Video “Nature Morte” Explores Post-Trauma Disembodiment Off New EP “Covered in Dust”

  • November 2, 2023
  • by Asher
  • · Kapitur · Music News

NEWS RELEASE

Montreal, QC – November 2, 2023

Montreal’s KAPITUR (ft. members Spectral Wound, Cauchemar, Metalian, Massive Scar Era) New Video “Nature Morte” Explores Post-Trauma Disembodiment

New EP “Covered in Dust” Out Now!

What began as an individual endeavor by Brazilian cellist and vocalist Bruna Wanderley, who now calls Montreal, Canada home, has now come to fruition as a full-fledged band known as Kapitur, which features members from Montreal’s Spectral Wound, Cauchemar, Metalian, Ratpiss and Massive Scar Era. With a completed lineup in 2022, Kapitur unleashed an introductory cover single of Sepultura’s “Roots Bloody Roots” with an astonishing music video to great acclaim.

Not wasting any time between releases, in July 2023, the band unshackled their debut EP “Covered in Dust”, a heavy, ethereal, and atmospheric record, that was a personal songwriting and instrumental exploration by band founder Bruna Wanderley.

Released as a conceptual work, “Covered in Dust” burns down everything, that held Bruna back and allows her to flourish over the trauma.

Bruna explains the EP in further detail:

“Thematically, the EP speaks from personal experience. Inspired by the intrinsic struggles of exile, relationship trauma, and the safe space found in sci-fi literature, the record travels through wonder, solitude, and disillusionment. The existential themes are metaphors for the process of leaving one’s own homeland, failing to adapt, and making someone else your home to then yearn for salvation. The music moves from bleak cacophony to comforting melodies played on the cello, with warm, sorrowful tones that take you on an individual journey in a timeless space. A soul-burning amalgamation of chaos and beauty that unfolds an atmosphere and pace that allows for the coexistence of tranquility and despair.”

Today, Kapitur presents their new video for the EP’s opening track “Nature Morte”, a song that was inspired by the ferocity of artists like Jarboe and Myrkur, who have influenced Bruna to compose, sing, and learn gutturals.

Bruna explains further:

“The main riff in the song came to fruition on the cello, while the other instruments were added to suit its atypical presence. NM is about post-trauma disembodiment, the feeling of dissociating from your body and emotions in order to cope. Amidst an intangible turmoil, we tranquilize ourselves in the trivial only to become passive observers. Not seeing things for what they are, we give way to madness. Lost in our disembodiment, a distressed inner voice that had been shut calls for help, to the realization of our denial and numbness. This track is the only one that follows the familiar form of verse-chorus-bridge-outro.”

This video was a collaborative effort between Bruna Wanderley, Andres Arango, Sam Neumann, and Tyler Addey-Jibb. Filmed between Canada and Brazil with the help of friends and family along with being edited by Ben Tonkin in the UK.

Watch and listen to the visually entrancing and psychedelic video for “Nature Morte” at https://youtu.be/jmdvvpEfeMA

​

Recommended for fans of Swans, Emma Ruth Rundle, Messa, and Thou, “Covered in Dust” was released on July 21, 2023, and is available on cassette and digital on https://kapitur.bandcamp.com/album/covered-in-dust and Spotify.

Track Listing:​
1. Nature Morte (4:09)
2. The Dust in Us (6:12)
3. Amaurosis (3:11)
4. Dream of the Ants (8:20)
EP Length: (21:52)

EP Recording Band Lineup:​
Bruna Wanderley – Cello, Vocals
Sam Neumann – Drums
Bruno Coe – Guest Bass
Zach Dean – Guest Guitar

Live Band Lineup:​
Bruna Wanderley – Cello, Vocals
Andres Arango – Guitar
Tyler Addey-Jibb – Bass
Sam Neumann – Drums

For more info: Facebook.com/kapitur | Instagram.com/kapiturband

-30-

“after hearing this gorgeous album, I knew it was something to bring my attention back. Wonderful melodic and crushing cello doom never sounded so beautiful. Heavy doom sections with blasting drums and gritty guitars. Phenomenal vocals, then they bring the gorgeous sorrow. The album deconstructs everything and makes it flourish. It tears at your emotions and soul. Blackened doom is a genre I love digging through and I found a masterpiece with this album!” – Doom Heart

“You’ll certainly fall in love for the thunderous sound of her cello, placing her among the most interesting new names of the independent scene in Canada.” – The Headbanging Moose

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Kapitur

  • March 11, 2022
  • by Asher
  • · EPKs · Kapitur

EPK – Kapitur

For fans of Opeth, modern Swans, Godspeed You! Black Emperor, Saltland, Tina Guo

“It’s uncommon to hear a classical instrument like the cello in heavy music that isn’t Melodic or Symphonic Metal. My intent is to explore creative ways of using my instrument in heavier contexts. Twenty-six years ago, Roots Bloody Roots pleaded for the preservation of Brazilian cultural diversity. Today, Kapitur’s distinctive revisit of the song revolves around the historical alienation of common people regarded as different, the Bloody Roots of us outsiders. It grips on the struggle of finding oneself estranged from one’s original and adoptive cultures, to the ongoing murder and colonization suffered by many people in a land that was theirs for centuries; from immigrant, racial, religious intolerance to the global, modern alien anxiety suffered by African descendants and their relationship to an inaccessible homeland. Bloody Roots is about you, or someone you know and care for.” – Bruna Wanderley

Single Title: Bloody Roots (Sepultura Cover)
Release Date: March 11, 2022
Label: Self-Release
Distribution: Distrokid

Facebook.com/kapiturband – Instagram.com/kapiturband – Kapitur.bandcamp.com

Spotify pre-save: https://distrokid.com/hyperfollow/kapitur/bloody-roots 

BAND STORY ANGLES / FUN FACTS:

1. Someone I know sent a private unpublished link of the music video to Sepultura and they really loved the work! Derrick Green himself contacted me to say it’s very creative, that it sounds incredible and that he looks forward to meeting me in person! So Kapitur is personally invited to meet them at their Montreal show on March 17th. One can only guess how stoked we are.

2. Shooting the music video for Bloody Roots was one of the most demanding and fun experiences we had so far. It was a very cold Fall day, we set up a tent on the sandpits and unexpectedly spent 13 hours outdoors on the first day. As soon as we got there, one of the cars got stuck in the mud, and only after greatly shoving, did a guy on a tractor appear to tow the car in a few seconds. The photographer was buried naked in the sand at 5°C – he did say he liked it. For the entire time, I was cold from shooting in a thin dress and being barefoot on the sand. At night, we had to beware of the coyote sounds coming our way – it was so reassuring to have combustible material available, just in case. Finally, all the team left the site at 3 a.m., with our gear frosted by the dew and fake blood stains on our clothes and shoes. That whole night felt really special though. Will do it again next year, once we get rid of all the sand stuck in our stuff.

3. There’s a faint possibility of having one of the upcoming songs performed by a classical choir in a few months. Fingers crossed!

Artist and multi-instrumentalist Bruna Wanderley Gonçalves draws from a young life in Brazil, living in an environment of violence, fear, and contrasting beauty. Growing up in a conservative Evangelical milieu has led her to tease her family’s most beloved boundaries and, since her solo arrival to infamously libertine Montreal in 2015, she has actively performed and recorded as a cellist in a wide array of contexts. Under her most recent metal-influenced group Kapitur – the name derived from the intriguing female character Capitu in a realist novel by Machado de Assis – she composes, sings, performs guttural vocals while also playing the cello. Making music and collaborating with artists within the local scene has consequently sparked her curiosity to explore new combinations of musical influences and sounds. Her music can be heavy, ethereal, warm, sorrowful, and atmospheric like a slow apocalypse. It’s filled with soundscapes, hammering repetitions, layering, and she creates contrasting moods with bleak cacophony followed by heavenly melodies. For her, music is a way to explore the underlying chaotic state of our past experiences as well as a fight against norms and finitude, in the search for what is eternal.

Single Band Line Up:
Bruna Wanderley – Vocals, cello, additional textures
Sam Neuman – Drums
Bruno Coe – Bass
Zach Dean – Guitars

Live Band Line Up:
Bruna Wanderley – Vocals, cello
Sam Neumann – Drums
Andres Arango – Guitars
Bass TBA
Extras TBA

Discography:
2022 – Bloody Roots (single cover Sepultura)
2020 – Decay (demo)

Single Title: Bloody Roots (Sepultura Cover)
Release Date: March 11, 2022
Label: Self-Release
Distribution: Distrokid

Single:
Bloody Roots (3:17)

Single Recording Credits:
• All songs performed by: Bruna Wanderley, Samn Neuman, Zach Dean, Bruno Coe
• All songs written by: Sepultura
• Produced by: Bruna Wanderley
• Mixed by: Jonathan Leduc
• Mastered by: Jonathan Leduc
• Album Artwork by: Ivan Arturo Photography / Bruna Wanderley
• Member of SOCAN
• Canadian Content (MAPL)

Single Band Line Up:
Bruna Wanderley – Vocals, cello, additional textures
Sam Neuman – Drums
Bruno Coe – Bass
Zach Dean – Guitars

0 KAPITUR Pays Cultural Homage w/ Cello Cover Video of Sepultura’s “Roots Bloody Roots”

  • March 11, 2022
  • by Asher
  • · Kapitur · Music News

NEWS RELEASE

Montreal, QC – March 11, 2022

​

KAPITUR Pays Cultural Homage w/ Cello Cover Video of Sepultura’s “Roots Bloody Roots”

One of the most recognizable songs by Brazil’s Sepultura is 1996’s Roots Bloody Roots. A cultural statement on the social trife between the different groups present in the country spoke to classically-trained native Bruna Wanderley who picked up her cello to create a new rendition of the classic song. She speaks to the meaning behind the track:

“Twenty-six years ago, Roots Bloody Roots pleaded for the preservation of Brazilian cultural diversity. Today, Kapitur’s distinctive revisit of the song revolves around the historical alienation of common people regarded as different, the bloody roots of us outsiders. It grips on the struggle of finding oneself estranged from one’s original and adoptive cultures, to the ongoing murder and colonization suffered by many in a land that was theirs for centuries; from immigrant, racial, religious intolerance to the global, modern alien anxiety suffered by African descendants and their relationship to an inaccessible homeland. Roots Bloody Roots is about you, or someone you know and care for.”

In both the single and the video, Wanderley takes center stage, her heavy gutturals complimenting the angry and thick notes from the cello. Kapitur’s version of the song maintains all the power and aggression that the original does, with the classical instrument being played with as much intensity as the rest of the instruments played by Sam Neumann (drums), Bruno Coe (bass) and Zach Dean (guitars).

Wanderley is the primary songwriter for the band and she has been influenced by progressive rock and death metal and more recently experimental and drone music. Heavy and ethereal, the music of Kapitur is recommended for fans of Opeth, modern Swans, and Godspeed! You Black Emperor.

Watch and listen to Kapitur‘s cello cover video of Sepultura‘s “Roots Bloody Roots” at https://youtu.be/tR7ySvFo7o8

Spotify pre-save: https://distrokid.com/hyperfollow/kapitur/bloody-roots​

​Kapitur.bandcamp.com​

​

For more info:​
​Facebook.com/kapiturband​
​Instagram.com/kapiturband​

BIO:

Artist and multi-instrumentalist Bruna Wanderley draws from a young life in Brazil, living in an environment of violence, fear, and contrasting beauty. Growing up in a conservative Evangelical milieu has led her to tease her family’s most beloved boundaries and, since her solo arrival to infamously libertine Montreal in 2015, she has actively performed and recorded as a cellist in a wide array of contexts. Under her most recent metal-influenced group Kapitur she composes, sings, performs guttural vocals, and plays the cello. Sam Neumann’s unyielding drumming presents a strong contrast with her unbound vocal and cello lines. The music is filled with soundscapes, hammering repetitions, with bleak cacophony followed by heavenly melodies. It can be heavy, ethereal, warm, sorrowful, and atmospheric like a slow apocalypse. Besides the Roots Bloody Roots cover, Kapitur will release an EP with four original songs in the upcoming months.

– 30 –
​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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