NEWS RELEASE
Montreal, QC – November 21, 2025
IN VIRTUE Unveils Music Video “Karma Loop” ft. Charlotte Wessels (ex-Delain) For Release of New Album “Age of Legends”
Album Guests – Dave Davidson of Revocation, Chaney Crabb of Entheos, Charlotte Wessels
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Rising Los Angeles progressive power metal band In Virtue has unveiled their brand-new music video for “Karma Loop”, the latest single from their highly anticipated album “Age of Legends,” out now as of November 21st. The video marks a powerful introduction to the record’s sweeping concept and emotional depth, while showcasing the band’s unique sound that blends heavy riffs, melodic hooks, and cinematic textures.
The new single “Karma Loop” was the final track written for the album and quickly became a favorite. Featuring guest vocals from Charlotte Wessels (ex-Delain), the song is a dialogue between Sisyphus and a guiding figure known as The Catalyst. Together, they explore the idea that punishment is often self-inflicted and that redemption begins with self-worth. Built around a guitar lick Trey originally wrote for a demo years ago, the track evolved through collaboration with former drummer Mazen Ayoub, guitarist Rami Khalaf, and keyboardist Alex Nasla, resulting in one of the album’s most dynamic and emotionally resonant pieces.
The lyrics even weave in cultural references from the Kingston Trio’s “M.T.A.” to Hunter S. Thompson’s famous line, “Buy the ticket, take the ride”, adding layers of meaning to the song’s exploration of cycles, consequences, and liberation.
Watch “Karma Loop” ft. Charlotte Wessels (ex-Delain) at https://youtu.be/XGuhgWqx7n4
Digital Single – https://www.submithub.com/link/karma-loop
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“Age of Legends” is more than just a collection of songs; it’s a fully realized concept album that tells the story of a flawed protagonist inspired by the myth of Sisyphus. Through themes of guilt, redemption, and self-forgiveness, the album mirrors frontman Trey’s own journey of catharsis and transformation.
“This is a day 10+ years in the making, the album that almost wasn’t. Born from pure force of will against all odds, it’s a testament to rebirth and an iron vision. What you’ll hear is a direct feed from my soul,” Trey explains.
Musically, the album balances heavy, groove-driven foundations with orchestration and synths that elevate the songs without overshadowing them. Vocals range from soaring cleans to guttural growls, while guitar and keyboard solos punctuate the narrative without overstaying their welcome. It’s a record designed to be experienced in full, an immersive journey best heard start to finish.
The cover art for “Age of Legends” was created by Niklas Sundin (ex-Dark Tranquillity), depicting Sisyphus breaking free from his eternal punishment. The imagery perfectly complements the album’s lyrical themes of release, redemption, and transformation.
Formed out of a love for power metal but a distaste for its escapist clichés, In Virtue set out to create music that was heavy, fast, catchy, melodic, and groovy, yet grounded in real human experiences. Their sound draws influence from bands like Soilwork, Amaranthe, Shinedown, Symphony X, and Sonata Arctica, while carving out a distinct identity that avoids prefabricated genre formulas.
Known for their engaging live performances, In Virtue brings audiences into the experience with big harmonies, sing-alongs, and an energy that defies the “arms-crossed” stereotype of metal shows. With members connected to acts like Witherfall and The Mourning, the band continues to evolve, refining their vision into a cohesive and powerful voice in modern metal.
Fans can expect an emotional deep dive, a rollercoaster of textures and colors, but ultimately a cohesive journey that rewards both casual listeners and those willing to explore its deeper narrative.
“Age of Legends” is available worldwide as of November 21st, 2025, at https://orcd.co/agofle
Music Video – Gunslingers of the New American Desert – https://youtu.be/eWYl7bdKCxo
Music Video – Desolation Throne – https://youtu.be/rXv06-7rg2w
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Track Listing:
1. Ascent Glorious (00:36)
2. Sisyphus Awakening (4:55)
3. Karma Loop (ft. Charlotte Wessels) (3:35)
4. Push That Rock (2:46)
5. Purgatory (4:39)
6. Exposed (3:27)
7. Scream (3:40)
8. Where The Edges Meet (3:16)
9. Gunslingers of the New American Desert (4:42)
10. Desolation Throne (3:03)
11. Thoughts in Freefall (ft. Dave Davidson of Revocation) (4:10)
12. The River (2:24)
13. Tempus Fugue (ft. Chaney Crabb of Entheos) (8:05)
14. Descent Limitless (1:22)
Album Length: 50:40
More info: Facebook.com/invirtue | Instagram.com/invirtue
About:
Los Angeles, California’s In Virtue is a band forging a new path, abandoning outdated conceptions of what heavy music is to redefine metal for a new era. Although In Virtue was initially formed in 2004 in California’s Bay Area, the band’s rebirth in 2015 is where the real story begins.
That’s when founding guitarist Trey Xavier made the difficult decision to take over lead vocals, move south to LA, and start the band over with a new lineup. This was the catalyst they needed, and the band’s final form took shape. Adding keyboardist Alex Nasla (The Mourning, ex-Witherfall), guitarist Rami Khalaf, and bassist Jamie Hush, their new sound was freed.
“I was tired of other people singing what I was writing,” says Trey (who you may know from his popular YouTube channel). “We had some pretty good singers, but it always felt like a compromise. It was pretty scary – I was 28 and I had never seriously sung before. But all the work I put in paid off, because now I can create my music as I envision it.”
And what a vision it has become – the band’s forthcoming album Age of Legends, due out in 2025, tells a haunting tale of Sisyphean struggle and redemption through a modern lens. This new era of In Virtue brought their first new music, 2019’s single “Purgatory”, which gave the world a brand new sound. Combining elements of power metal, groove, progressive metal, and pop, but somehow sounding like none of the above, “Purgatory” defined the sonic future of the band.
The singles “Where The Edges Meet” and “Scream” followed soon after to expand on the story, each moving the story forward and bringing new life to the characters and their pain.
With way more to come on Age of Legends, In Virtue is looking forward to the next chapter and bringing their story to the world.
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“Entirely self-released, this is a full-blown concept album that weaves together towering riffs, cinematic textures, and deeply personal storytelling.” – Metal Injection (2025)
“What has me jumping for joy even more is the fact that even though this is a concept album, and it does show from time to time, every song and every tune on “Age of Legends” has its own identity. You have the impressive build up in “Push That Rock”, the deep and profound lyrics in “Exposed” and “Where The Edges Meet”, the beautiful structure in “Sisyphus Awakening” and “Gunslingers of the New American Desert”. I could go on like this until I’ve mentioned every song on this “Age of Legends” album, but I feel that you need to find out how good this version of IN VIRTUE is yourself. I myself am extremely glad I took that leap of faith. 8.10″ – Metal Temple
“Built on powerful riffs, intricate melodies, thunderous drums, and commanding vocals, this single and forthcoming album captures the struggle, transformation, and defiance that define In Virtue’s essence. To close, this single and forthcoming album won’t gather dust in any collection, and will keep feet tapping and heads bouncing from sofa to stage. So why not clear a space, and give In Virtue a try for 2025. Star Rating 9/10” – Ian Davies International Music Journalist – Stargazer Music Magazine
“What happens when virtuosity meets vision? IN VIRTUE from Los Angeles deliver with “Age of Legends” an album that answers this question impressively. After more than a decade “Embrace the Horror” Proves the quartet around Mastermind Trey Xavier (Gear Gods) impressively shows that technical demands and emotional depth do not have to be opposites…. Sound is “Age of Legends” a lesson in modern metal production: crystal clear, detailed, yet organic. As producer, Trey Xavier has created a sound design that allows every note to breathe. The orchestrations and synth layers in particular take the songs to an almost cinematic level – without stifling the raw energy of the guitars.” – Festival Stalker
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